Neuroscience of Emotions & Tools for Improving Emotion Regulation| Dr. Ralph Adolphs
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Dr. Ralph Adolphs defines emotions not as mere confused concepts or absent phenomena, but as functional states that bridge rigid reflexes and flexible goal-directed planning by controlling behavior in response to environmental challenges. He proposes a scientific definition based on shared features such as priority, valence, scalability, and temporal persistence, arguing that while animals and AI may exhibit functional emotions, equating them solely with conscious experience creates unnecessary barriers for science. Instead of requiring proof of consciousness, the focus should remain on studying the underlying processes, where pathologies often stem from an inability to regulate rather than the emotions themselves. Effective regulation strategies include emotional granularity, situational avoidance, and cognitive reappraisal, though Dr. Adolphs warns that overthinking these methods can inadvertently amplify negative states, a lesson he illustrates through his personal use of ice baths to train autonomic downregulation and his endurance running experiences which build psychological resilience against adversity.
The perception and representation of emotions further reveal the complexity of human experience, challenging the notion that basic emotions can be universally read from static facial expressions. Research indicates that real-world emotional expression is dynamic and heterogeneous, with humans attuned to subtle changes in communication patterns over time rather than single snapshots, a nuance often missed in lab studies relying on posed images. While William James suggested emotion arises from perceiving bodily changes, Dr. Adolphs argues that the emotional state driving behavior precedes conscious awareness, noting that concepts like heartache for sadness do not always correspond to specific physiological shifts; instead, the insula plays a crucial role in converting physical signals into conscious experience. Furthermore, abstract art and music can evoke generalizable responses by tapping into neural circuits that mimic evolutionary detectors for threats or safety, demonstrating how non-biologically relevant stimuli can still engage deep emotional processing.
Social intelligence and emotional regulation rely on a "fan-in, fan-out" architecture where diverse sensory cues converge on central emotional states and diverge into flexible behavioral outputs, requiring variability and adaptability rather than a single strategy. This flexibility is essential for optimal functioning, involving metacognitive oversight and the capacity to switch regulatory strategies based on context, although individuals lacking automatic social tuning may face high cognitive loads that require internalizing rules until they become effortless. Dr. Adolphs highlights that while traits like reduced eye contact or distractibility in autism spectrum disorder appear temporally stable, their predictive value for career success remains unproven, emphasizing that solitude and practices such as meditation or running are vital for training internal regulation and reducing cognitive load from constant sensory bombardment. Ultimately, the ability to switch modes—such as leaving external concerns behind to be fully present with family—is trainable through meditative exercises, allowing individuals to manage negative emotions like fear and transition toward awe and gratitude, a perspective that can even motivate profound physical challenges like training for a 100-mile ultramarathon despite illness.
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I see somebody come up behind me. They
can see I'm trying to park. They can
move over. No, they come right up behind
me, go on the horn, and you know, you
immediately feel just an immediate anger
response, right?
>> Well, after the ice bath, it's flat. So,
there was an immediate automatic
downregulation of my autonomic emotional
response to a psychological stressor, to
somebody honking at me that was trained
and generalized from the ice bath. It's
an experiment of one. I'm not claiming
this as a published study, but so I
think there's a there's a direct
autonomic training component as well in
terms of the strength and the
automaticity, the ease with which you
can regulate emotions that they can
become kind of automatically regulated.
You don't have to overthink it. It
becomes smooth and effortless to some
extent. And that's that's the place
where where you where you want to get.
Hey everyone. To celebrate the launch of
my new book entitled Protocols, I'm
pleased to share that I'll be hosting
three live events very soon. The first
live event is in New York City at Radio
City Music Hall on September 17th. The
second event is in Los Angeles at the
Dolby Theater on October 8th. And the
third live event is in San Francisco at
the Masonic on October 28th. At each of
these events, I'll be discussing topics
from the book and my favorite part,
taking questions directly from you, the
audience. To get tickets, you can go to
hubbermanlab.com/events
and use the code protocols to get early
access. Again, that's
hubbermanlab.com/events
and use the code protocols to get early
access to tickets. Welcome to the
Huberman Lab podcast where we discuss
science and science-based tools for
everyday life.
I'm Andrew Huberman and I'm a professor
of neurobiology and opthalmology at
Stanford School of Medicine. My guest
today is Dr. Dr. Ralph Adolfs. Dr. Ralph
Adolfs is a professor of psychology,
neuroscience, and biology at Caltech
University and a world expert in the
neurobiology of emotions. Today, we
discuss what emotions are, how they grow
and shrink in our brain and body, and
why some emotions seem to recruit our
behavior and decision-m and some simply
don't. We also discuss where and how
emotions are mapped in the body. and we
dispel common myths about the brain body
storage of emotions from our past, which
is a very commonly discussed topic that
frankly, as you'll learn today, many, if
not most people get wrong. We also
discuss why some people are able to
observe but not react to their emotions
and what tools may assist in helping you
build better emotion regulation. As
you'll soon realize, Dr. Adolf is
uniquely positioned to explain the real
neuroscience and psychology of emotions
and how to put that information to use.
Today's conversation therefore ought to
be valuable for people of every age and
profession and for anyone interested in
improving their emotional life and
understanding of others. And now for my
conversation with Dr. Ralph Adolfs. Dr.
Ralph Adolfs. Welcome.
>> Thank you, Andrew. Pleasure to be here.
>> Longtime admirer of your work because
you're one of the few people who has
studied these things we call emotions,
brain states, cognition, and much more
in humans. There have been others in the
field of neuroscience of course, but I
would argue few people have combined a
real grounding in neuroscircuits with an
interest in what most people think of as
a psychological set of issues in a way
that also takes into account the animal
data and really the broadest picture of
this thing that we call emotions. I'm
just going to start with a statement of
gratitude. Thank you for doing that
because it's so easy for people to
stimulate a brain area, see an animal or
a human behave or speak in a certain way
and say, "Oh, this is the brain region
for this." And you've long been pushing
back on that.
>> It's a tall order, you know, and one
impetus for the work that I've been
doing in the book that I co-wrote with
David Anderson, the book uh that I have
forthcoming with Princeton University
Press, is precisely to do what you just
said is to kind of integrate and pull
together uh findings and emotion from
animal studies, findings from social
psychology. Typically, those people in
those fields don't talk to one another.
They do very different studies, very
different methodologies. And so trying
to integrate across disciplines that are
that far apart to really try and get a
get a sense for what are emotions in a
sense that would satisfy psychologists
and lay people about human emotions but
they would also speak to the mechanisms
that you can study in mice for example
or flies as David Anderson does.
>> So how do you think about emotions and
how do they relate to brain and bodily
states? The basic answer is that I think
of emotions as functional states of a
particular type. They should be
understood by what they do, their
function rather than how they happen to
be constituted in the human brain or
differently in an octopus nervous system
or in an AI which we should talk about.
Um and so the way to situate them is to
think of control of behavior in response
to particular types of environmental
challenges. So at the sort of simplest
level, you would have reflexes. You
know, I put my hand out on a hot stove
or you tap the patellar tendon on my
knee and there's like a very rigid
behavior that's adaptive that's very
rigid, but just for that particular
circumstance, I withdraw my hand. That's
a reflex. At the opposite end, you would
have, you know, goal-directed
general valition and planning
everything, you know, the stuff we do
all the time that's extremely flexible.
And so if you have a bear or a tiger,
you know, something charging at you,
that challenge requires a control of
behavior that's intermediate between
those two extremes. I can't have a
reflex for a bear if it's far away or if
it's close or if it's a rattlesnake or
or or a tiger or all the different kinds
of potential threats out there. Instead,
I need something that's more flexible,
which emotions are. So that's the sort
of big picture that emotions are
functional states that have particular
features or operating characteristics
for dealing with certain types of
environmental challenges like running
away from a bear. I mean first of all I
think the question what is an emotion is
a good and a valid question. It's not an
illposed question. You occasionally run
into the view that well emotions don't
really exist or we don't really you
can't really say anything about them.
question is just ill-posed or
meaningless. I don't think that's the
case. Paul Griffith's philosopher wrote
a book some years ago, I think 97 or so,
what emotions really are, uh, where he
first kind of made the claim that, well,
they don't really exist, you know, and
you could see how people come to that
conclusion if you survey all the
different theories that are out there,
Joe Leoo or Lisa Feldman Barrett or Paul
Ecman, they look pretty different. And
so you might come away with the
impression, look, even the experts can't
agree on what emotions are. The words we
have for emotions predate modern
science. So it's just a confused
concept. I don't think that's the case.
I think I mean there's room for
revision, but I think everybody kind of
knows what emotions are and I think it
deserves a straight answer that science
should provide. I think the question is
well posed enough to admit of an answer
and then how could you start getting to
an answer. So let's just start sort of
from the simplest case would be to list
some examples. So you could say well you
know emotions are anger, fear, disgust.
You could list specific examples that
are uncontentious I would hope where
pretty much everybody agrees. Okay,
these are examples of emotions right?
You could do the same if I asked you
what's a car, right? And you would say,
well, you know, it's a Mercedes and a
Honda and a Toyota. Or if I asked you,
what's a bird? And you would say, it's a
robin and a hummingbird and an eagle. So
you could list examples. That's not an
answer yet. What you would then want to
say is, well, what is it in virtue of
which these examples, what makes them
all instances of an emotion? What do
fear, anger, etc. share in common? What
features do they have that makes them
emotions? just like what the cars or the
bird species have in common that makes
them cars or birds. And so David
Anderson and I did that in our book a
decade ago or so now the neuroscience of
emotion where we listed some features of
emotions that helps to answer the
question and sort of get a handle on
what is it that these all share in
common. I elaborate on that and have a
longer list and really go into detail
and okay so what are the features of
emotions in my forthcoming book? Maybe
I'll just list a couple to go through
them quickly. So, one feature of
emotions is priority, which is that they
can take over your behavior that they
share in common with reflexes. If I put
my head on a hot stove, you know, I
can't help but withdraw it. And if
you're suddenly confronted by the bear,
you can't help but run away or crawl
into a ball or whatever your adaptive
behavior is. So they have priority and
interrupt your behavior which is
something that the the noble laurate
Herbert Simon already pointed out in a
paper back in the 50s or 60s that
they're interrupt mechanisms of a
certain kind. If you're just going about
your business and normal goal- directed
behavior you always need to be
monitoring for the bear or the tiger the
predator that's out there and if you
detect that emotions have to take over
or you're dead. So priority is sort of
one that doesn't distinguish emotions
from reflexes or fixed action patterns.
They they share that. Another one is
veilance that psychologists ubiquitously
mention which is sort of the simplest
dimension along which you can organize
emotions in terms of their similarity.
So anger, disgust, fear you might say
are more similar to one another than
either of those is with say happiness.
There's some similarity structure. Some
emotions cluster together. Some are
further apart and the simplest dimension
which is one that Charles Darwin already
mentioned in his book the expression of
the emotion in man and animals he called
it principle of antithesis is veilance
which is approach or avoid pleasant or
unpleasant this basic veilance
dimension. Are there any neutral
emotions? I I ask this because your
colleague at Caltech who I respect
tremendously, Marcus Meister once wrote
a review where he said, you know, a good
way to think about sensory systems and
maybe neural systems of all kind is that
they're encoding for yum, yuck, or meh.
>> And the me is a very interesting one.
Just like an animal or including us can
go forward, backward, or stay put. Now,
we can go side to side, too, of course.
Those are just different versions of
forward in in this context. And I
sometimes wonder because algorithms are
repurposed across different neural
systems if there is indeed a meh emotion
or maybe the emotion is meh. I don't
want to take us down a philosophical
path but does that make sense because as
as long as we're talking about veilance
>> sure anger and happiness clearly you
know sad and happy okay opposite ends of
the spectrum but what was it apathy is
there a state of prioritization of doing
nothing? It's a really good question. I
mean I think you know when you list
these features um like priority veilance
I I'll get to some others. One question
is which of these are necessary? Um you
know like a package of uh all of these
features uh that emotions have. Do you
need all of them or can are some of them
sufficient? And I think the answer is
some of them are sufficient but there's
some that are necessary. I think
priority is necessary. I think veilance
maybe not as you were alluding to. I
could imagine there's still veilance but
it's at a neutral region of the of the
spectrum. But then there's other ones
which are the ones that David Anderson
has studied in particular in the
hypothalamus in mice and I think goes
into great detail in the podcast that
you had with them which are scalability
and temporal persistence. And so
scalability would be that an emotion can
scale in intensity. uh one of the best
examples of that has been is is for the
case of fear and the bear coming at you.
So typically it would scale from anxiety
and monitoring you know there's the bear
sort of out there to fear where you
might run away or hide to panic. So that
sort of threat imminence scalability and
that's something where emotions are
different now from reflexes because
reflexes are binary. It's all or
nothing. I either pull my hand away or
nothing. The knee jerks or not. It's not
there's not like some scalable package
in there. And then temporal persistence
is even more something that's essential
to emotions and speaks to their function
which is you have this internal state
let's say of aggression or of fear that
has to last some time because the the
bear might be around for some time. So
you might be running away or you might
be attacking in anger. Those are phasic
little bouts but the actual internal
state that is motivating those persists
for quite a long time. So temporal
persistence is really important and it
allows the person or the animal to
incorporate lots and lots of information
that's coming in and to have a
motivational state that would be suited
for that kind of environmental
challenge. It's not like a hot plate
where if you pull your hand away you're
done. The bear is out there and it might
might come back. It might still be
lurking in the forest. So you better be
afraid for some period of time. David
Anderson studied this a lot in terms of
what neural circuits, what properties of
neurotransmitters in the brain could
actually implement persistence. Would
you have really slow neurotransmitters
like neuropeptides for instance, which
is what he studied. But my colleagues at
the University of Iowa actually did a
really cool study in humans that showed
the temporal persistence of emotions
independent of memory. So here's a
study. They took patients with amnesia.
So these were like four or five people
who had medial temporal lo hippocample
damage. They live in a time window of
maybe a minute or so. I used to study
these patients when I first started as a
posttock at the University of Iowa with
with Damasio. And you know, you can talk
to them, you they can uh process
information, but if you go to the toilet
and you come back five minutes later,
they would stand up and shake your hand,
introduce themselves to you because they
would have no recollection of having met
you before. So just no memory, very
strong antrograde amnesia as it's
called. So they had those end controls.
They showed them really sad movie clips
in all cases. The patients can
understand and watch the movie clip.
They get really sad and weepy. Right
after watching these sad movie clips,
everybody rates, "How sad do you feel?"
The amusement patients feel really sad.
The controls feel really sad. You wait
five minutes. You then ask the controls,
"Well, how do you how sad do you feel?"
And they say, "Yeah, I still feel a
little bit of sad sadness in me because
I remember having seen the movie." And
if you ask them, "Why do you feel sad?"
They say, "Well, because you showed me
the sad movie 5 minutes ago." The
amnesic patients, you ask, "How do you
feel?" They say, "I feel really sad and
I don't know why. I have no idea." and
you ask them, "Do you remember seeing a
movie?" Say, "Nope." There's like no
declarative memory of the movie, but
there's still the temporal persistence
of the sadness. It lasts some time.
>> So, I thought this was a really cool
study because it showed very clearly
that there is temporal persistence in
emotions and sadness probably has one of
the longest time constants as we know
from personal experience. But it's
separate from just declarative memory.
It's not that you're remembering that
the bear is there. That's going on too.
But independently of that, the emotion
state has its own temporal persistence.
The state has to last some time. And
again, that's something that reflexes
don't have. It just goes straight
through. There's there's no temporal
persistence.
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It is striking to me that maybe 30 years
or ago or so, there was discussion about
whether animals have emotions based on
these criteria, priority, veilance,
scalability and persistence. Is it
generally agreed upon that animals have
emotions? I believe they do because I
love my dog and other animals and I want
to believe that. But as scientists, if
we step back, do they meet the criteria
for emotions that you're setting up here
for us?
>> Absolutely. Yes. So if you have those
criteria, those functional criteria and
you would add one or two others, many
states in animals and certainly the
states that we would ordinarily
interpret as emotions in our pets, in
our dogs, cats. By the way, I loved your
dog in the in the waiting room there.
They would meet those criteria and they
would have functional emotions.
>> Uh we should talk more about this is
also the the claim now from anthropic
that large language models have
functional emotions as well.
>> That's so wild. we have to return to
that because I think it it kind of
boggles the mind you know how could a
machine have emotions but
>> well but again these are functionally
defined emotions and there's I think
there's no problem assigning to AI to
some extent and certainly to many
animals uh those functional emotions
where it gets complicated is that in us
and also by assumption in animals I have
no doubt they also have conscious
experiences of emotions and most people
take the conscious experience of the
emotion as the ground truth for the
emotion. Emotions without conscious
experiences of emotions sound like an
oxymoron. It's like you can't have that.
They the conscious experience is the
emotion,
>> which is what William James said, which
is what Joe Leoo says. And I think it's
implicitly there across essentially
every psychological theory is the
assumption that emotions really are
types of conscious experiences which I
think is the intuition that if I ask you
how do you know what's the ground truth
right how do you know you're having an
emotion you would say because it's a
certain type of conscious experience
because of how it feels. And if I asked
you more specifically how do you know
it's sadness versus anger versus fear
you would say because of how they feel.
They feel different. And so we take the
conscious experience, our own
introspective access to the conscious
experience as the ground truth. That has
a lot of problems associated with it.
Deep philosophical problems. But just
practically it has two big problems that
I think science should avoid. One is it
gets really problematic to know whether
or not animals have emotions because we
don't know how to test whether or not
they have conscious experiences. I have
no doubt that they do. It's just that
there's no scientific way to test
currently. So we should have different
criteria. And the other question is if
you tie emotion to the the conscious
experience of emotion, that is you
equate you conflate emotions with
feelings. Well, then you're not studying
emotions, you're studying consciousness.
We spoke about Kristoff Kau earlier.
Great respect for people that are
studying consciousness, but I don't want
to study consciousness. That's too hard.
>> And there's lots and lots of debates and
disagreements. So if we can avoid that
and study emotions in the absence of
needing to study conscious experiences
of emotions, we can move forward with
the science which is what every other
discipline does. So if you're a vision
researcher, right? So you study vision,
you study consciousness. No, you don't
you don't need to. I mean you can but
there's a huge amount of work that
people do studying vision and how that
works in the brain studying memory you
know any other cognitive process without
needing to study conscious experiences
they're typically accompanied in humans
and if you if you talk to the lay person
on the street and you say I'm a vision
researcher they take you to be studying
the conscious experience of seeing
perhaps or if you say I'm a memory
researcher they take you to be studying
the conscious experience of recollection
But scientifically most people working
in those fields don't study
consciousness and it's perfectly valid
to study vision and memory you know in
in in horseshoe crabs or alesia where
nobody has any claims about
consciousness. We should do the same
thing with emotion and then we can have
an integrated science across species
that can move forward without needing to
tackle the difficult problem of
consciousness. Again, yes, for sure we
and other animals have conscious
experiences of emotions and that's very
important. But we also have conscious
experiences of seeing and memory. As a
scientific discipline, we should
separate the conscious experience from
the process from the emotion and that's
the way we make progress. That's the one
of the main arguments that David and I
had in our book and that I reiterate in
the forthcoming book. At risk of taking
us in a philosophical direction, I'd
like to actually ask a biological
psychological question. Given these
criteria, you know, priority, veilance,
scalability, and persistence, but really
focusing mainly on priority. I think all
of us have had the experience of an
emotion coming on, but not in its kind
of overtaking maximal form. Like, okay,
we feel ourselves getting annoyed and we
can observe the emotion growing. The
arousal state is familiar to us. We
understand. Let's assume in this example
that we understand why it's happening.
Maybe you're in line at the store and
the person ahead of you is taking
everybody's time by doing something
that's really unnecessary and kind of
obnoxious to us in that moment. And so
our frustration is is rising and we are
observing the emotion even though the
emotion is us, right? It's within us.
And then at some point we might blurt
something out or we might feel compelled
that we have to just say, "Excuse me,
like could this maybe be taken care of?"
>> But you have some control.
>> You have some control. And and there's
this almost like running together of two
consciousnesses like there's like two of
us in there at the same time observing
self observing the outside world and
then at some point the prioritization
gets to the point where like we just do
something and sometimes it's a decision
and sometimes it overtakes us. Now at
the opposite extreme, we've all observed
I you can just go on X the social media
platform and for some reason the
algorithm likes to serve up a lot of
examples of people like on planes losing
it, people get going unhinged like you
know I like people just like completely
melting down and it's and it's very uh
in our language hypothalamic, right? And
so people are are drawn to that.
>> I have an antidote to those people.
>> They should take ice baths. I can tell
you more. Take ice baths. I think this
helps seriously.
>> Yeah. Well, ice baths. Yeah, let's
definitely talk about ice pass and ultra
um ultra races because uh you you're
training for one.
>> No, but I think I think what you said is
exactly right and extremely important
for humans and probably unique to humans
as opposed to other animals which is
that we can be conscious of and monitor
our own emotions and by doing so we can
regulate them to some extent. So emotion
regulation and control and monitoring
emotion being aware of what emotion you
have those two go hand in hand and your
Stanford colleague you know James Gross
start spawned this huge field in the '9s
I guess when it started of emotion
regulation that is now huge um I just
finished my term as co-editor of this
journal a effect of science and I would
say like a quarter or so or a third of
the submissions are about emotion
regulation it is so important in in in
humans and most of pathologies and
difficulties about emotions are not
about the emotion per se. It's about our
ability or disability to control them to
regulate them.
>> If you don't mind, um because of your
understanding of emotions and states and
and neuroscience, but also your
experience as a human in the world, has
anything you've learned changed the way
that you watch your emotions grow,
decide when to step in, when not to step
in? you don't seem like an impulsive
person. So, we're not but most people
aren't. We're not talking about uh
pathology here. And I'll seed this
question by saying, you know, I have a
few friends who were in tier one special
operations and you know, that's
high-risisk, high consequence work.
We've had Alex Honold on the podcast,
high-risisk, high consequence endeavors.
Um, and they all say the same thing,
which are that emotions cloud logical
judgment. So, they're somehow far from
emotions or their emotions don't get
prioritized. But of course these are
this all of these people that come to
mind have you know healthy marriages now
you know healthy families they they're
loving people they have anger they have
they have emotions but they they've sort
of categorized emotions as cloud
judgment in the professional or you know
peak performance context. Therefore they
don't allow them to be prioritized.
Sounds a little bit robotic sounds a
little bit mechanical quote unquote on
the spectrum. people like will say these
things, right? But in some ways,
provided they're allowed to allow
themselves to be emotional emotional and
let emotions quote unquote take over in
the right context, that's kind of the
ideal circumstance, right? So, so what
do you know that allow that has impacted
the way that you think about emotion
regulation that perhaps people could
consider if not benefit from?
>> Yeah, I think it's, you know, it's a
mixture. On the one hand, you absolutely
need emotions. If you have no emotions
as we know from Antonio Damasio's
original work in his book Daycart's
error uh which he put out just as I was
starting as a posttock in Iowa 1994 I
think you know if you have massive
frontal lobe lesions that make it the
case that you're no longer emotionally
responding to stimuli the consequences
are devastating which is that you cannot
make decisions complex decisions in your
life you can't organize your life you're
not motivated to take the right path
through life because you don't feel one
one way or the other about the different
options that are available. So, it's
clear that not having emotions is very
bad and certainly if you were out facing
the bear, which may not happen to too
many people these days, that would be
very bad. On the other hand, being able
to regulate them and control them um is
definitely a human skill that's very
important and that helps you a lot. The
first part is what you were talking
about first uh earlier which is the
ability to uh monitor your emotions to
identify your emotions. I think Lisa
Felman Barrett actually first did the
main work on this. It's a topic called
emotional granularity. It's like at what
how fine a grain can you conceptualize
and be aware of your own emotions.
>> And then once you're aware of them, you
can bring em various emotion regulation
strategies mostly cognitive reappraisal
type of strategies to bear on the
emotion and thereby to some extent
control your emotions. How important is
it to use language to provide that
granularity? I've certainly experienced
like feeling a bunch of things around a
particular scenario and it if you can't
separate out the elements, it can feel
overwhelming. People always say if you
can name the emotion, but I I find that
a little tricky because sometimes it's
not one emotion. It's a bunch of things.
It's confusion. It's frustration. Are
those the same thing? I don't know, you
know. And and I think many people,
>> myself included, sometimes just like it
just feels like too much. Not because
the emotion is so big, but because it's
such a tangled jungle of of where there
isn't really language to disinfect.
>> Absolutely. Yeah. I don't think you need
to put it into language. And I think
people's strategies vary. Some people,
you know, some people think in words,
some people think in pictures, most
people are a mixture. And if you look at
different languages, you know, if you're
French or German speaking like me,
bilingual, we have different words for
different emotions. But you need some
sense of the concept which I think the
concepts for emotions are pretty much
universal across languages. Uh so you
know there there all these different
examples of emotion words from different
languages like shoden fo is one that
people know now you know joy at another
person's misfortune from the German uh
gigiel I think is often trumpeted as
another example. I forget what the
culture is but this is the emotion you
feel if something is just unbearably
cute. There's a great book uh Tiffany
Watts Smith has a book I think it's
called the book of human emotions which
is basically like a little uh dictionary
an entry from a toz of all the different
emotion words in different languages but
the fact that we don't have a word for
gig or for shaden for in English you
perfectly well have the concept I just
described it to you you have no problem
understanding what the emotion is and so
I think as long as you have some kind
some concept which need not be put into
words some way to think about and
differentiate the different emotions
that are going on in you that gives you
a purchase on your ability to to some
extent evaluate them and say this is an
emotion I want or this is an emotion
that I don't want and then to act on it
through various strategies cognitive
reappraisal for example or acceptance
depending on what your strategy is
>> yeah the psychologists seem to disagree
here because um many people some who've
been on this podcast all of whom are
experts will say you know if you don't
allow yourself to feel the emotion then
it grows and other people will say well
if you focus on something then it grows
and um and this is where I think
neuroscience can be of great help
because probably both things are true
and it depends on the context but
>> yeah that's exactly right
>> maybe this is a good opportunity to talk
about um sort of dynamic attractor
states which is and I don't throw out
that language to confuse people but but
there is this idea in neuroscience right
like if we if you and I both you know
talk about this cup and I slide it
forward and then we start looking at it
and you know more and more brain brain
circuits are going to be devoted to. We
could spend several hours. It's not a
very interesting conversation, but
>> we if we do that about an emotion we
feel because of something somebody said
to us at work or online. I think we're
all familiar with the idea that we can
go down these rabbit holes within our
own mind.
>> Absolutely.
>> And it's a very dangerous way to live
>> and just knowing that it exists perhaps
can be helpful but because it's almost
like if you go far enough down a path,
it's like a horror movie. If you go far
enough down a path, it's very hard to
extract yourself.
>> Absolutely. Absolutely. I think I mean
cognitive reappraisal or any other sort
of complex reappraisal strategy for
emotions it is a double-edged sword and
it it's trainable. It's as you say if I
really focus on okay now you know I'm
starting to feel sad. I really don't
want to feel sad. I really don't want to
feel sad. I really don't want to feel
sad. Well the more I think about it the
sadder I get. Right.
>> Um or same with anxiety. Some emotions
are probably more prone to going down
this rabbit hole than others. But again,
it's a trainable skill that there are
other ways of dealing with it where you
can kind of just stop that process from
going down at all. You want to stop it
at the earliest front end. I mean, one
quick answer to the question of what's
the most successful strategy is the
earlier you can stop that process, the
better. And so, in the first place,
don't get yourself into a situation
where you're going to be anxious or
guilty or sad or whatever emotion you
want to avoid. So situational avoidance
just in terms of structuring your
environment would be one strategy and
then once you're in it I think it's
idiosyncratic to a large extent. So you
would have to figure out what works for
you but it's definitely trainable. Two
parts are trainable. One is the specific
strategy so you can do cognitive
reappraisal without overthinking it and
going down the rabbit hole and actually
feeling the emotion even more. And the
other one is just the strength and
automaticity of control that you have.
Which brings me to the ice bath. So
briefly talk about the ice because this
is relevant actually. So I I started
doing these a while back. One of my
former colleagues Justin Feinstein who
now runs a a float clinic on Maui. Um I
forget how it came about, but we were
talking about floating ice baths and he
mentioned you and he mentioned Wimhof
and said, you know, take a look at these
guys. And I saw, you know, whims
swimming in some frozen lake. Looked
kind of interesting. Anyway, so I
started doing ice baths some time ago.
They weren't that popular yet back then.
And now my wife bought Amazon like a
horse watering trough or some big thing.
Insulated it, put on a lot safer than
being out on a lake, too.
>> Put on the talk about that.
>> And I get, you know, these 40 lb ice
bags every week. They know me very well
at at Joe's Ice up there. Every time I
go in, they say, "Hey, boss. Having a
good party again tonight?" Yep. cuz I
can eat a lot of ice. But so this is the
interesting thing when I start first
week it is terrible super painful. You
know you go in it's like a whole body
cold pressure task right second week
it's also you know your breathing goes
up your heart rate goes up but gradually
and kind of with some automaticity to
it. Now I go into the ice bath
immediately my heart rate goes down my
breathing goes down I beget I get super
relaxed. So this is the interesting part
that I propose of emotion regulation. It
generalizes for me. This is an
experiment of one, but for me it
generalizes. So previously prior to the
ice bath and driving around Pasadena and
I don't know in the last year or two,
this seems to have risen somehow. I'm
trying to park on the street. There's a
lane next to me. I have my signal out.
There's a parking space. It's clear what
I'm trying to do. I see somebody come up
behind me. They can see I'm trying to
park. They can move over. No, they come
right up behind me, go on the horn, and
you know, you immediately feel just an
immediate anger response, right?
>> Well, after the ice bath, it's flat. So,
there was an immediate automatic
downregulation of my autonomic emotional
response to a psychological stressor,
somebody honking at me,
>> that was trained and generalized from
the ice bath. It's an experiment of one.
And I'm not claiming this as a published
study, but so I think there's a there's
a direct autonomic training component as
well in terms of the strength and the
automaticity, the ease with which you
can regulate emotions that they can
become kind of automatically regulated.
You don't have to overthink it. It
becomes smooth and effortless to some
extent. And that's that's the place
where where you where you want to get.
I've known Whim a long time and um
although I sometimes in my opinion
unfairly get tacked to the the
deliberate cold exposure as we call it
thing a little too much because we talk
about many things on this podcast not
just that I do find it very useful and
years ago my lab had collaborations with
the special operations community and
they'll tell you that the one of the
reasons it's such a wonderful tool is
it's so reliable. You always get an
increase in adrenaline, norepinephrine
in the brain, and to some extent, and
this might surprise you, perhaps not,
you get often reductions in cortisol,
which is kind of paradoxical, but when
people practice, it's very reliable, and
provided it's not so cold or it's an
open lake where you
>> reliable and super efficient and safe
unless you're doing it in a lake or
you're doing hyperventilation.
>> 5 minutes after a shower, it's extremely
efficient. So, I
>> was That's a lot. That's good.
>> Well, after 5 minutes, you can look at
my body mass index. After 5 minutes, I
get hypothermic. So I can't stay in
>> that's a good long while and even in a
cold shower and there are now evidence
of um improved resilience to subsequent
stressors of the sort that you described
there there's some okay papers I think
it's a wonderful tool um especially for
this uh buffering this immediate stress
or anger response very powerful
>> before we went on Mike we were talking
about a different type of stressor which
is the ultramarathons that you're
currently training for a 100 mile race
which is by the way super impressive
even to shoot for it. I know you've done
others.
>> Trying is the operative word here.
>> Well, I have I have confidence in you.
>> Talk to me in two months.
>> I will. I have confidence in you. You're
going to finish this 100 mile race. But
we were talking about something that I
think is relevant to bring up now, which
is uh you were describing how you know
at some points during the these races
you just feel like complete garbage, but
then you start to feel better. And so
then the next time you feel like
complete garbage, you have the cognitive
knowledge. Yeah. that you felt terrible
then better again and so you're starting
to integrate over longer periods of
time. So here's another example of
emotion regulation but over much longer
time scales. It's a little bit harder to
access for most people than a cold
shower.
>> No, but I think this is one thing one
one reason there many reasons but
there's one reasons that I that I love
these ultramarathons and sort of
identify as an as an ultra runner uh
even though I didn't do it for decades
and I'm just now getting back into it
because of that nonlinearity. You have
these major ups and downs and you know
sort of mantra that ultra running has
co-opted is you know relentless forward
momentum but the sort of psychological
equivalent is just relentless optimism
like optimism in the face of adversity.
You have to just keep that mindset and
everybody there is like that you know
you you come around like mile 40 mile 50
mile 60 you come around some curve and
you look and feel like crap people go
looking good looking nobody says looks
like you're not going to make it. No,
nobody says that, right? So, everybody
is super positive. You're hanging in
there and it is really hard and you
know, you've just been going downhill,
your knees are shot, you have blisters,
you've been vomiting, super tired, and
you extrapolate and you think this this
is not going to work. But if you refuse
to give up, doesn't always work, but
about half the time or so, it levels out
and it starts going back up again. You
keep going. I mean, you feel wrecked at
mile 50. I feel wrecked or earlier mile
30. So trying to think forward and say,
"Wow, I have to do this over again. This
is like not fathomable."
>> Uh so it's a really interesting exercise
in not giving up and being able to do
something that you think is impossible
to do. For that matter, all of your
listeners would think it's impos if any
any of your listeners went running with
me, they would conclude two things. One
is they're faster than I am. and two,
I'm not going to be able to do a 100
miles, which means if I actually
finished the 100 miles, all of you would
be able to do so as well, which I think
is true. I think anybody can do it.
Anybody who's basically healthy if they
only wanted to, which is the key, could
actually do it. So, it's just a really
interesting exercise. You know, it's
only 30 hours. Well, only, but it's only
30 hours. It's not like, you know,
years. How hard can it be? How bad?
Well, it's it's hard, but it's doable.
It's definitely doable. And so it's just
in that sweet spot of something that
seems impossible and is just
unbelievably hard but doable and that's
attractive somehow one if if you can do
it which of course doesn't happen all
the time.
>> Yeah. And I don't know if there are any
data on this, but there for people that
have lived through really hard things
and come out better or have pushed
themselves to deliberately do hard
things of the sort that you're
describing, I do think that the memory
of that
>> can recall our body and brain's ability
to lean into other hard things. I think
so. I mean, it must be the case. I don't
know of any good experiments on that,
but you know, was that post-traumatic
resilience, I guess they call it. You
know, I mean, some people come out of
very difficult circumstances. Maybe they
do quote unquote the work they need to
or not, and and they just say, "Okay,
like I'm better for life cuz I'm out of
it." Other people carry the wounds of
that forward in a way that they, you
know, their psychological and sometimes
their physical health is a downward
trajectory. It's a very interesting
thing about like how do how should we
conceptualize pain and pain ending? Like
some people seem to live in the
discomfort of the pain having even
happened.
>> Yeah, you can certainly persevere and
overcome you know severe adversity if
it's time limited and I think just your
own sort of belief in yourself and your
capability to overcome adversity as you
were saying is one important component.
Another one is something like gratitude
or awe
>> and you get to appreciate and just value
you know just the fact that I'm here
talking to you. I mean, I'm just I'm
actually grateful and feeling some sense
of awe right now at just existing.
>> And so, G getting to that point where
you're just every morning you wake up
and you have this sense of I guess
gratitude and awe or some combination of
those emotions, I think that's a really
valuable thing to carry out of all of
this. And, you know, it takes time to
kind of accumulate, but I like living
that way. I want to get back to the
emotion system, but I'll just I feel um
inclined to um mention we had Dhacker
Kelner on the podcast studies on awe and
he defined it so beautifully. He said
it's when we bring our attention from a
small spatial scale to a large spatial
scale or from large to small
>> but then during the course of our
discussion he added that this is also
true in the time domain. So when we live
our life dayto-day, we start to feel
kind of lost in time. Yeah. And awe
becomes less common. But when perhaps we
run a 100 mile race across 30 hours, we
realize how much can happen in 30 hours.
One could say, "Oh, well then you finish
the race and the rest of life seems
trivial." But it seems the opposite is
true that we realize that time is this
very elastic thing, at least in our
minds, and all of a sudden we have awe
for the fact that we have so many days
of life to live forward. It's very
interesting and it almost speaks to the
ice bath again like you have this very
compressed stressful experience that
gives you that gap that gap between
stimulus and response that seems very
hard to access unless we subject
ourselves to these kinds of
>> no and I think that capability the I
mean people think you know chimpanzees
maybe can feel awe but I think it it I
think it's a uniquely at least as we
have it it's uniquely human emotion and
it's based on a broad sort of
metacognitive ability we have which is
to detach our conscious experience from
the here and now and do like mental time
travel. It's pretty derivative to the
need to understand other people. So I
could put myself into your shoes right
now. I I can I can do that. I could
imagine sitting where you're sitting and
I'm seeing Ralph Adolf's here. You know,
I could imagine zooming around and
adopting another person's perspective in
space. We certainly zoom around in time
and reminisce, you know, stuff from the
past, imagine things in the future. And
I think a is like that too. We adopt a
different perspective that's not just
tied to the here and now, which I think
is probably a crucial ability that
distinguishes the nature of conscious
experience in humans, which is that we
have some control over it. I can
simulate what it's like to be you. I can
imagine being in the past or in the
future. I can zoom out broadly when I'm
feeling awe. And I think animals are
more just stuck with whatever the senses
are delivering to them right now. That's
the content of their conscious
experience. We can use it flexibly. And
that's I think why we can plan and write
novels and fiction and think about most
of the time, right? When what if I ask
you what's in your consciousness? What
are you thinking about? It's not stuff
that's in front of you. You're
daydreaming. You're like all all kinds
of places. And that really gives the
human mind the power that distinguishes
it from any other animals and is is is
the reason we have everything that we
have that makes us so so different. So
awe I think is an example of a uniquely
human emotion that deres from that that
ability to adopt a vast point of view or
a point of view that's not tied to just
whatever the senses are delivering to
you.
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subscription. As long as we're talking
about assessing the emotions or the
perspective of another, what are some
favorite experiments either yours or
others in the field about perception and
assessment of emotions? You know, I've
seen a number of studies like, oh, you
know, people with lesions here or there
see scary faces as not that scary.
What's what's the sort of general
conclusions about those studies now in
2026? Because I have a feeling a lot of
what was in the textbooks when I was a
graduate student may may not still hold
up. When I started as a posttock in the
early 90s with Damasio, I started my
career on that topic by studying this uh
this famous patient SM who had selective
bilateral amydala lesions and the
finding was that she's unable to
perceive fear in emotional facial
expressions and
>> perceive fear. Could she feel fear?
>> Subsequently, we also did that. It took
for some reason because it's just harder
to do. It took some years. Um Justin
Feinstein who has the float uh clinic in
Maui was the first author on that paper.
So some years later we took that same
patient to haunted houses. We took her
to an exotic pet store where there were
snakes and spiders. We showed her horror
movies, a whole bunch of things and
found also she doesn't seem to
consciously experience fear either. So
there seem to be this very specific
deficit for fear tied to the amydala
from one patient. So that's a big
caveat. Does this generalize? Well, yes.
The amiga is important for fear, but
just saying it's a center for fear is
overly simplistic. It's it's embedded in
a big network of structures. There's
individual differences and so on and so
forth. The perception of emotions has
been has been studied a lot and probably
has been the topic of the most
acrimonious debates to some extent. So
Paul Ecman back in the 70s uh famous by
the way I dedicate my forthcoming book
to him because he probably had the
biggest impact on modern emotion science
of any single person. But his claim to
fame was he went to New Guinea and you
know these non-western cultures and
claimed that universally across all
cultures people recognize these
so-called basic emotions from facial
expressions. If you Google this now, you
know, emotional facial expressions, you
will find pictures of emotional facial
expressions. Lots of AI companies and
computer algorithms are predicated on
the idea that you can read out the
emotion from somebody's facial
expression. He had six of them.
Happiness, surprise, fear, anger,
disgust, and sadness. Sometimes contempt
um added in there. Well, it turns out
it's more complicated than that. And
actually Lisa Felman Barrett of all
people co-authored a paper with me and
three other people a couple of years
back that uh the title was something
like emotional facial expressions
reconsidered. We took stock of the whole
literature and asked is this really
true? Is Ecman's claim really true? Can
you tell how someone feels from their
facial expression? And the answer is
well not nearly as well as you would
think and in general not. And the
reasons are methodological and once you
think about it, they make a lot of
sense, which is that the emotional
facial expressions that Ecman pioneered,
I used them in the first 1994 nature
paper with his amydala leion patient,
>> those aren't actually what you normally
see walking around the world. People
don't have those facial expressions.
They are posed facial expressions by
actors. Yeah, they're very extreme. And
then the task is like, well, here's a
list of emotion words, happiness, fear,
anger, disgust, etc. Pick the one that
matches the face. That's the typical
task.
>> So, it's multiple choice.
>> Look, if I gave you a bunch of emoticons
and a bunch of emotion words and ask you
to match them, you could do that very
easily. Wouldn't show you anything about
emotions. It shows you that there's by
convention there's some association
between these things and these things.
That's it. So when you actually see real
world facial expressions and when
instead of giving a list you just ask
people just generate freely a word that
describes that you get something that's
much has much more variation much more
heterogeneity which then was part of the
ingredient for Lisa's whole claim that
variation is the norm and that in fact
emotions are in some sense constructed
rather than packages to be found in
nature which I disagree with that part
but emotional facial expression for the
perception of emotions in others and in
animals. Um, I was just talking before
coming in here to one of your colleagues
about your cute dog and they've done
studies, there's several studies now
where dog owners, if you ask them, can
you tell if your dog feels guilty when
you come home because it did something
bad? Dog owners are pretty convinced
they can tell. Well, if you do a control
experiment, they're a chance. They think
they can tell. So our conviction that we
can tell something about people or
animals, their their emotion states just
from looking at the facial expressions,
our conviction vastly outstrips our
accuracy. We're pretty convinced we can
do it. We're mostly not so accurate,
which makes sense because ordinarily
it's not the it's not just some facial,
you know, if I see you now and you look
sad, I wouldn't stop there and I but I
would say Andrew Huberman is sad. I
would ask you how are you feeling?
What's going on? I would probe you and
get a lot more information. Maybe you
would say, "Oh, no. I'm just this drink
I had tasted bad or something, you know,
that caused me to make a certain facial
expression." So, in general, these
artificial lab situations where all you
see is a picture of a face and asked for
the emotion. We don't do that in the
real world anyway. We would probe
further. We would take into account the
whole circumstances. We would ask the
person and then you can disambiguate
these emotions. So it's not that we
cannot tell what emotions people or
animals feel, but we don't do so
normally just from a single slice like a
facial expression. I feel like at least
in the context of romantic partnership,
so much more of our assessment of
another person and their assessment of
us is actually a mathematical
integration of noticing when frequency
of speech
>> or frequency of text is heading in a
negative direction relative to the mean,
right, at a particular time of day. And
I think the brain is really good at
saying like like normally somebody's
pretty communicative in the morning but
less at night for sake of example. But
suddenly they're like a little more tur
with us in the morning but maybe not
even harshness. There's fewer words
exchange and then the the the brain
doesn't think oh like they they looked
angry or they looked frustrated. They
you go oh like they were like a little
little quieter this morning than than
usual. And then if it's a very quiet
person you have you have fewer data
points to work from. But we become
exquisitely tuned to this.
>> Absolutely. much more than like, oh,
they're they're carrying their shoulders
differently. At the extremes, I think we
see this. Somebody walks in the door and
you can tell like they're sad.
>> We're looking for change like it's a
time series. The number of times or even
just like if you've probably had this
experience like in an email with a
colleague, let's move it to a different
domain. There's a certain kind of
language that's used in an email that's
different than the usual language. Like
they've never really used these words
before. You don't even identify which
words those are.
>> Yeah. years ago there was this chart
that some graduate student or postoc put
out that if the director of a lab signs
off with their name it means one thing
if they punctuate their email it means
like let's meet you know like you're in
trouble you know if there's just a dash
with a first initial you know there's
all this and you kind I laugh too and
then you realize you go wow like they're
really paying attention to all these
subtle cues but those seem like the kind
of cues that we rely on much more than
than like do they look sad do they sound
happy And I think we vastly
underestimate this. I don't know if
there are any good studies of this, but
this feels like the
>> more bunch of Yeah, we just finished a
study like this where people texted.
That's all they had. But it's dynamic.
It's a conversation. There's like a
whole transcript. And then the question
is, what can you tell about a person
both in terms of their stable
personality and their current mood just
from that text? It turns out you can
tell a lot. So people did the study
recently where people generated I think
it's about a page or so of sort of diary
type written text and asked just large
language models like GPT or Claude to
analyze that text without knowing
anything else and just tell me the the
personality profile and it's as good as
the ground truth or as another person or
a clinician would be
>> as good as a clinician. It gets close to
the ground truth and it's as good as
like a a a good friend or a person who
knows the person. So if you score the
big five, which is what they did in that
study, extraversion, conscientiousness,
neuroticism, etc.,
>> you can tell that AI can tell that just
from a transcript of text quite well. So
the information is there clearly in what
we say, what we write and the order in
which that progresses that tells a lot
about a person enough that AI can
basically diagnose your personality from
just text. It's almost like our brain is
very attuned to when we don't get what
we were expecting to get in terms of the
amount of interaction. Like I have some
people that clean up the graffiti on the
street where I live and there's always
an exchange of hello or like a hi if one
of us is on a call or busy
>> and I can say with certainty because
this happened the other day that if I
looked over and the person saw me and
then turned away even though we we I
don't know their name. Well maybe I do
now but that there's very little
familiarity except with we always
acknowledge the other's presence. Yeah.
>> If they were to do that I would think
gosh like this person's like maybe
upset. One of the key ingredients of
Lisa Feldman Barrett's thinking
certainly in recent years which is
prediction that the most of the
information comes from the when there's
a mismatch between what you're
predicting about a circumstance and
something that's just different because
that carries information something
changed right like what you were saying
um and and Lisa's work Lisa's thinking
on emotions incorporates prediction in a
big way these days that there's
something that you're predicting about
the world but suddenly you know there's
a tiger or something unexpected and you
need to incorporate that and that
carries important information but
absolutely we're always predicting and
there's we're taking into account things
that change like the facial expressions
you know the original studies like the
ones I started doing as a postoc where
you just show these static Paul Ecman
pictures of facial affect well we never
see that in people it's always dynamic
the face is changing and so Philip Shins
Rachel Jack colleagues in Scotland for
instance have studied this in great
detail and used dynamic actual videos of
people making faces and asked at what
point does the brain start to represent
different emotions depending on not how
the face looks but how the face is
changing.
dynamics are everywhere. It's super
important
>> because when we look at babies and they
start to smile for the first time or
they express what we think is, you know,
humor or something like that, we are so
tuned to faces because they they can't
really do much. And whether or not
they're interacting with us or not is
really dependent on our behavior.
There's a lot of control there. We're
putting them in front of us. As they
develop more autonomy, then these sorts
of dynamics really emerge. Right. The
face I mean the face is visible and the
face the human face has way more muscles
and control than other animals do. Great
apes have similar sets of muscles but
monkeys or your dog. You can't make
those kinds of faces. It just side every
once in a while and I project onto him
what that's about. But he's a real
sweetie. I had another bulldog mut.
They're both mutza who is much much more
coarse, less affectionate. This one is
like pure butter. But of course I don't
know what's going on in his head. He
could be thinking like this guy's the
biggest jerk in the world, you know,
like I we should be walking right now.
This patient SM who had bilateral
amydala lesions, could she experience
autonomic arousal? Could she experience
stress? Could she experience anxiety
under any conditions?
>> She could. Um, and that and that's
really important. So, it's you might
think that, you know, it's just like the
whole emotion system is gone. You just
sort of denerated the entire autonomic
nervous system and that's why you don't
have emotions. But it's much more
specific than that and fits with
thinking about emotions as evolved
functional modules for dealing with
particular types of statistically
recurring environmental challenges that
share some some challenging feature in
common. So she doesn't have fear to
external stressors like we went with her
into a haunted house. She poked the
monsters and wanted to touch things.
Same with the u the snakes and the
spiders in the pet store. But we did a
study again Justin Feinstein uh I think
was the first author on this one as well
with her and with a couple two maybe or
three patients who had similar lesions
in collaboration with Renee um Hurleman
from Germany where we put a mask on them
and in have had them inhale carbon
dioxide. If you do that you get a panic
attack in about half the population
because it makes you feel like you're
suffocating. So as soon as you get that
carbon dioxide in, it changes the pH in
your blood that's detected by the brain
and it you get this massive air hunger
like you suddenly can't breathe. That's
what your so your brain goes into this
alarm mode of some suffocation like a
panic and she and the other amydala
patients had a full-blown panic attack
when they inhaled the carbon dioxide. So
this intraceptive signal seems not to
depend on the amydala and to depend on
other brain stem circuits. Uh so we had
a a very important association between
different types of fear which is I think
a bottom line story for the way that the
science is informing our folk psychology
which is these categories we have like
anger or fear or disgust there many
varieties. It's much more finely
differentiated than that once you look
at the science. And once you look at the
brain systems, they're distinct brain
systems in this instance for fear to
something out there in the world versus
panic of something happening inside you
like having a heart attack or not
getting enough air.
>> I see. Yeah.
>> Maybe we could talk a little bit about
the bodily representation of these
things we're calling emotions. Uh years
ago, I posted on social media a picture
of a figure from your paper with uh from
your book, excuse me, with David
Anderson, which was describing a study
where people self-described, so it's
purely subjective record reporting as I
recall,
>> where in their body they felt different
emotions. So, it's kind of like a heat
map in the forehead for certain um
emotions and in the whole body for
others. And and there were wide range of
emotions. And admittedly, it's
subjective report, but does this hold
up? Like I think to myself like where do
I feel sadness like heartache? Well I
tend to feel it around my heart but
maybe that's because it's called
heartache. Where do I feel anger? Well
extreme anger I'm going to feel as a
whole body experience. Same thing with
awe. So what if anything is important
about the regularity
andor the variation in kind of where in
our body we feel emotions. Some people
would say this is like their whole
experience of life. They feel things in
their body all the time. Some people
feel I think are more cerebral. They
they kind of think things more than they
feel things.
>> You know, I think it's a great it's a
great question. I mean that figure that
you're alluding to came from a paper I
think in PNAS by Lowry Newman and
colleagues in Finland and he and his
colleague Haney Serimaki. They've done
some of the great uh great recent
studies also on uh experience of
emotions in humans using functional MRI.
But what you mentioned so the experiment
is I just give you a word right I'm not
actually making you feel the emotion I'm
asking you sadness draw you know where
on the body you think you would feel
that emotion so if you think about it
it's certainly not about actual
physiological changes in the body
nothing's measured in the body they
don't have electrodes on the body or
whatever there's people just drawing on
a little mannequin where they think they
would feel the emotion it's also not
about conscious experiences of emotion
I'm not making I'm not showing you sad
movie clips or anything like that. I'm
giving you a word, a single word. So,
it's about concepts. It's about where in
the body, people's concept of sadness or
happiness or fear where that corresponds
to changes in the body. Now, that's an
interesting question, but you have to
narrow it down to that which is a
fundamental problem with most emotion,
including that one. I think the title, I
forget what the title is, but it's
something like bodily maps of emotions
or bodily maps of subjective experience.
Maybe even it should be something like
people's concept of where in the body
emotion words are associated with
changes or something like that. What's
interesting about that study is that
Lowry has gone on to look at it in
different cultures. He's looked at it
developmentally across children and
asked how these concepts and where in
the body you would feel emotion develop.
So, it's super interesting work, but
it's ultimately about people's concepts
of how emotions correspond to changes in
the body, not the real actual changes in
the body. But then, as you were saying,
of course, there are real changes in the
body when you really feel an emotion as
well. And that's harder to study, but
people have studied it quite a bit with
a focus on the part of the brain that
gets a lot of input from the body, which
is a part of cortex called the insula.
And so there's lots and lots of work on
the insula. It gets input from all the
organs in your body, everywhere in your
body. So you know, from your heart, from
your liver, from your kidney. I had a
kidney stone not too long ago. We should
talk about the kid. Have you had a
kidney stone?
>> Don't. It's really interesting. You have
to pass it.
>> Eventually, it's passed. But it's uh it
evokes very interesting adaptive
behaviors. Well, just as an aside uh
before I forget it. So normally for
pain, extra receptive pain, like we were
talking about the hot plate before, you
know, you pull your hand away or there's
some kind of reflex.
>> For the kidney stone, that's not
adaptive. There's nothing to pull away.
So my wife, this was in Switzerland,
we're in a remote little town in the
middle of the night. My wife sees me
curled up into a ball right on the floor
just kind of breathing loudly and kind
of curled up and making rocking motions
and goes, "What's wrong?" And I tell
her, "Well, I have a kidney stone." And
then she asked me, "Can't you just stop
that behavior? You know, can we get on a
plane and fly to the US so you can get
ultrasound, maybe get treated for the
kidney stone? Can you stop curling up
into a ball and, you know, making
rocking motions?" And I was kind of
thinking about that through my haze of
pain and said, "Well,
>> no, it's kind of like the hot plate and
pulling away. It's a really strongly
motivated behavior to just kind of
withdraw basically." So it was a very
interesting adaptive behavior. and she
called, you know, the equivalent of 911.
And in the middle of the guy of the
night, some guy came down and uh, you
know, put a bunch of opiates into me and
he kept having the scale of, you know,
on a scale from 0 to 10, how painful is
it? I would sort of go from 10 to 9.5
and it was extremely painful. But
eventually they got me to a clinic
there. I passed the stone and it was an
interesting experience. I mean, it's
pain, but just like what we were talking
about for emotions, pain is not pain. If
you have a pain in your eye or you have
a pain from a hot stove, this is a very
different type of pain and one that's I
would say worse than the hot stove. It's
like because you can't escape
>> when you can't rub it,
>> you can't do anything. Just curl up into
a ball and pray. I mean, it it was
horrible. At any rate, so at that
moment, had I been in an MRI study, my
insula would have been strongly
activated. So this you know this is a
region of the brain that according to
theorists but Craig was the first
Antonio Damasio has theories in a
similar vein this would be the substrate
for the conscious experience of the
emotion or of pain in your body. So it's
getting all this input from your body
and representing the changes in your
body as a conscious experience. This was
the original theory that William James
had back in 1884. He wrote this paper in
mind. what is an emotion? And his theory
was that you see the bear, you run away,
your heart rate goes up, and then you
feel the emotion which is a consequence
of you perceiving all the changes in
your body that happened first. Now,
that's I think the conscious experience
of emotion. Yes. And a lot of that
depends on representing perceiving
everything that changes in in our body.
But to my mind, that leaves the question
of what the emotion is. That's still
antecedent to that. You first have to
trigger all the changes in your body and
run away. What's doing that? Right?
>> That's the emotion. The conscious
experience may well come later and
unfold over some time. But the emotion
state separate from the conscious
experience as I've emphasized would be
the one that actually motivates all the
behaviors and all the different changes
in your body. So long answer to your
question. There's there's two different
ways of talking about the role of the
body. The one that you alluded to in
this figure from Loi Newman and
colleagues that we reproduced in her
book is about people's concepts of
emotions and they're certainly tied to
changes in the body. Whether or not
those are accurate, I think we just
don't know. So, is it the case that
those drawings that they have uh in in
in the figure that we were speaking
about, if you put electrodes on, you
measured blood flow changes, that's
actually where things change when you
have awe or anger. I think we just don't
know. I think that's a set of studies
that remains to be done.
>> But then in addition there is the fact
that all of the changes in your body are
represented in your brain in the insula
and that seems to be a big part of the
substrate for feeling the emotion for
the conscious experience of the emotion
and other things nausea pain kidney
stones. So it's not limited to emotions
but the strong feelings that we have
like you know you have a tightness in
your chest uh if you're feeling really
sad for example that would be
represented in your insula
>> because in eastern medicine there's
strong beliefs about different organs
being associated with different
emotional states even like gall you know
someone has a lot of gallbladder you
know but then again I I I always have to
remind people that a key feature of
schizophrenia and psychosis of other
kinds is clang associations. Two words
sound alike and some and people link
them. And so we also are subject to this
in a much milder way in the world of of
health and science and especially in the
public discourse. People will say, "Oh,
you know, a a walnut looks like a brain.
Walnuts are good for your brain." Well,
they have some fatty acids that are
probably good for for neurons, but it
has absolutely nothing to do with the
shape of the walnut. It's amazing how
these ideas can kind of perpetuate.
>> Well, and I think there is some truth to
them. I think it just has the honest
answer is it has not been tested. Mhm.
>> So if you ask someone like Lisa Feldman
Barrett has has has made this point
repeatedly that there really is no
systematic association between specific
emotions and specific changes in your
body. Well, if you look at those
studies, people put a few electrodes on
and they measure, you know, heart rate
changes, blood pressure changes, etc. It
is extremely crude. You're looking at a
tiny tiny slice of what's going on in
your body. What you would want to do is
have a detailed highdimensional readout
of okay your your gallbladder and your
liver and your kidney and your heart and
changes all over your body and look at
that and ask is there is there some kind
of association between specific emotion
states and changes some kind of complex
change in your body and I would bet that
there is but we just don't have those
data yet so those studies remain to be
done
>> yeah they really should be done because
I could make up a story where if someone
or an animal feels extreme anger like of
the sort that they would have right
before they were in a fight that certain
immune organs would deploy a bunch of
things that prepare for wound healing or
prepare for resilience in the in the
aftermath. That that just stands to
reason. I of course I have no data for
that but
>> well and the link between the brain and
the body I mean we now understand that
that is so detailed and so intricate
that really brain and body are very very
tightly coupled and we do know that
there are signatures they're distributed
they're complicated but Lisa Filman
Barrett herself in collaboration with
Tor has published neuroiming studies
showing that for basic emotions like
anger and fear and sadness and so on
there are reliable signatures of brain
activation. They're distributed. They're
spread out. They're complicated. They're
not just like in one place. But given
that, given that association between
emotions and patterns of the brain and
the fact that the brain and the body are
so intimately tied together, I think
it's a completely reasonable hypothesis
that you would find a similar
highdimensional signature of changes
throughout your body that are
systematically associated with certain
types of emotions. I had a thought
spring to mind based on our earlier
discussion. From the perspective of
media and advertising, it makes perfect
sense why all media and advertising is
incentivized to get you to prioritize an
emotion to the point where it takes over
behavior to go click and buy something
or to vote a certain way or to hate a
certain group or to like a certain
group. And so really what they're
fighting for is this prioritization
thing like like the the path to behavior
is through the prioritization
>> in attentional capture. It captures your
attention
>> which is what emotions are are designed
to do. And once you've captured people's
attention you have a captive audience
and you can control them much more.
>> And in some sense it's obvious right you
get people emotional they're more likely
to behave in a certain way versus
another. I think we underestimate the
extent to which all day long we are
bombarded with these signals like like
subtle advertising doesn't really work
well someone said I don't know who said
it but you know all AB testing leads to
like you know sex or violence because if
you really just look at what's likely to
grab people's attention you know
eventually you regress into the
hypothalamus the more primitive states
like inspire more attention which tells
you a lot about the world you know and
there and there are ethical lines and
there there are societal lines where
where you say, "No, no, that's that's
too extreme, too much violence, too much
skin." But it's all veering in the like
toward the hypothalamus, so to speak.
It's all getting more and more
primitive. There's a lot of processing
that goes on in all these subcortical
structures and certainly what we
understand best in terms of emotions are
all these subcortical circuits and a lot
of that is below the radar of our
conscious awareness.
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At the opposite extreme, what happens
when I go to like the mom and I see a
piece of art that just for some reason
makes me feel a certain way, maybe
sadness, maybe happiness. Do you think
that art of that sort is is able to
capture the circuitry related to
particular emotions across people? So
not just about my unique experience and
and art is subjective, right? So there's
things related to taste, but let's
assume this is abstract art. So there's
no apparent faces or animals or no
depictions of scenes. But let's say out
of a hundred people, you know, more than
half say, "Yeah, I look at that and I
just feel peace." Is it the case that
some art can tap into neural circuits or
some music can tap into neural circuits
independent of the lyrics? I mean, we
don't have the brain imaging presumably,
but there is a kind of a more
sophisticated example. We're not
regressing to the hypothalamus.
Absolutely.
>> But this is the stuff that like the
richness of life is also about that.
>> Sure.
>> Right. And so the interesting question
is which particular features in the
music or in the abstract art is it that
are driving those generalizable emotion
responses? And they're certainly there.
One of the earliest studies on emotion
actually was done by Anne Blood and
Robert Sattorii in the mid '9s or
something I believe using I'm pretty
sure using position tomography PET
rather than fMRI at the time. And what
they did was they played music to people
and I think they set it up so that you
and I could hear the same piece of
music. In your case, the music really
does something for you. And the
particular measure was does it send
shivers down your spine? Do you get like
chills, goosebumps from listening to the
music? And it does that for you, but not
for me. And in your case, same auditory
stimulus, different emotion. And from
the imaging, they show that the insula,
the structure we're just talking about,
the amygdala, several of these emotion
related structures are indeed activated
when you have shivers, chills down your
spine listening to music. For abstract
art, my Caltech colleague John Doherty
had a paper a little while ago where
again he found something generalizable.
decomposed abstract art into the
constituent sort of visual features that
you can feed it into a neural network
and get a representation of all the
different you know shades and colors and
the basic visual composition basic
visual features that constitute that and
from that you can reconstitute whether
or not it is liked or not liked whether
it's a pleasant whether people find it
pleasant or unpleasant so it doesn't
come out of nowhere yes there's
something about even if it's abstract,
even if it's abstract music or if it's
abstract art, there's some auditory or
visual features there that are
generalizable and that can be used to
evoke emotions. And the big question
then is, can we link that back?
Obviously, the emotions didn't evolve in
order to appreciate abstract art, but
they evolved to detect tigers and bears
and other things. Well, are there
similar kinds of visual features?
Presumably, there are. So there's some
visual features in the real world that
for which particular emotions evolved
that can also then find find a place
again in abstract art and evoke similar
emotions. That's the basic story. But
the answer to your question is yes. Even
for these very uniquely human sort of
abstract kinds of stimuli. Uh people
have done work and found particular
features in those stimuli that will
trigger emotion states in humans and and
they're great stimuli to use. talk a
little bit about um hard wiring versus
learned emotional states at the brain
level. We know there are brain areas
that process faces just the organization
of two dots and a vertical line and a
horizontal line below it. There are
neurons that like that organization of
features and I should know the answer to
the next question, but I don't. Are
there neurons that are tuned to a
smiling face versus a frowning face at
the level of like almost like like very
sparse emoji like level? We call them
units in the brain. Are there units that
are tuned to frowning faces or smiling
faces? And of course, you'd love to be
able to do the experiment in somebody
who was you had never been exposed to
them for the first time, but that's
impossible to do. So, right. Right.
>> I have to assume the experiment has been
at least thought about if not done.
>> Yeah. I mean, it's a great question. I
mean, you know, with respect to face
processing in general, the sort of
consensus is it's both hardwired and
innate in some sense that there's
something there in the brain already at
birth that's that's experience
independent. Uh but then it also depends
on normal maturation and development and
experience. And so people like Rebecca
Saxs at MIT for instance has done
functional neuroiming studies on on
babies and shown them faces and asked
the question how does this pulse system
develop? It's always a mixture. People
tend to think in terms of black and
white. It's you know it's hardwired and
innate or it's learned. Nothing is
either or there it's always both. A good
example is the visual word form area. So
there's regions in the brain that like
like the ones that my former Celtic
colleague Doris SA studied that are
specialized for faces, but there's also
a region in the brain typically on the
left in most people that's for
recognizing words, letters. Now that
couldn't have evolved because uh you
know we we had a long history of brain
evolution before language written
language was was ever there. So the
question is how does it come about?
can't be hardwired or innate because
there wasn't long enough evolutionary
time to evolve a region of the brain for
figuring out words. But if you take a
look in preverbal infants at the
connectivity of this region that's going
to become specialized for processing
words once the infant can read, it's
already wired up in a way to other brain
regions that predisposes it to be able
to do those computations that with
experience it can later be used in order
to recognize words. I see. So there are
certain preset innate uh systems. Coming
back to your question, smiling versus
frowning faces, there are two parts to
it. The first part is I can find you a
single neuron in the brain that responds
selectively for anything you like.
There's like no shortage of them. But
those in general, those single neurons
don't do anything. The re or aren't
important to understand how the brain
works because the rest of the brain that
is getting its input from all these
neurons and all the downstream
processing is not like a reflex. It's
not listening to only that one neuron.
It's getting input from tens of
thousands of neurons. So at the
population level, if we record from
thousands of neurons and we ask from
that, is there information in a thousand
neurons from which the rest of the brain
listening to those thousand neurons or
we as the scientist could decode smiles
versus frowns? The answer is yes. We've
done that in collaboration with Ulut
Saer and Shu Wang and and colleagues
where we can record from epilepsy
patients like what Eddie Chang does.
Same same kind of work. And so you can
you have information and of course if
you think about it there has to be
information in the brain neurons that
would distinguish frowns from smiles
because you can distinguish them. So
where else would it come from? It has to
be there in the brain. But it's not
there mechanistically at the level of
single neurons. They're very noisy. Uh
they typically respond to many different
types of cues. So you always have to
think about hundreds or thousands a
large ensemble of neurons because that's
really the kind of unit of relevant
information because that's what the rest
of the brain listens to.
>> Yeah. I was thinking about how you know
in a hierarchical system like the visual
system like we have neurons that are
tuned to circles more or less you know
center surround. We we talk about
circles, then bars, then oriented bars
of a particular angle, then moving bars,
etc., etc., and it's so built up from
from simple stuff to more complex stuff.
So, you can build feature detectors for
lots of different things. I I guess I
was wondering when we come into the
world, are there cells in the fusifiform
area that not just like faces but that
are prepared to respond to two dots the
eyes a vertical thing the nose and then
a bar that is either you know bent up at
the edges or bent down at the edges and
then we build on that scaffold. I don't
know that anyone's done these
experiments
>> that exact experiment but I think that
in broad strokes the answer would be
that at birth it's it's crude and it
becomes more much more refined and more
granular through experience and then
indeed exactly what you said happens you
know and coming back to emotions if you
think about so how does the state of
fear come about in the brain from seeing
the the seeing the bear or or the tiger
well at the level of the retina it's
just a bunch of pixels it's some you
know blobby black shape that is looming
and coming closer etc. But then
progressively you have to construct more
and more abstract representations and
you well know how this works in the
visual system and artificial systems
deep convolutional neural networks that
do object classification do exactly
that. They take just you know pixel-wise
input but then build something abstract
like right now I recognize Andrew
Huberman there. If I look over here, you
know, I can still recognize you whether
you're on the left or the right, whether
you're close or far away, I would be
able to recognize you invariantly with
respect to those details. Even though at
level of the retina, like like a camera
taking a picture, the detailed pixels
can be vastly different. You can be left
or right or close or lit in different
ways. And you need to abstract from that
an invariant representation regardless
of the details. Same thing for emotions.
Regardless of whether whether it's a
bear or a tiger or a big armed pickup
truck coming at you or lots of other
kinds of stimuli, they all need to
funnel in to a central abstract
representation. That's another key
feature of emotions. They require
abstraction
>> and that's what makes them so flexible
and that's why you can get David
Anderson and I have described it in our
book as this sort of fan in fan out
architecture. I can get to the emotion
state from seeing a bear or smelling a
bear or hearing a bear or hearing a twig
snap, hearing somebody yell there's a
bear. Zillions of different inputs
completely unlike the rigid reflex which
only has one input and that's it. They
get the central state of fear and then
the outputs are also diverse. I can
hide, I can run away, I can defend
myself. And so that flexibility that the
central emotion state affords, you can
get to it in many different ways because
many different sensory cues are
informative about a potential threat.
And then you can behave in very flexible
ways that are context dependent. That's
exactly what emotions allow you to do
and what makes them so different from
reflexes. Reflexes is just a single path
through. There's only one way to trigger
it and there's only one behavior. Mhm.
>> So if you had only those, you would have
to have a separate reflex for the bear
and for the tiger and for every
possible, you know, large threat out
there, which you couldn't possibly have.
It's not efficient. Yeah. The fan in fan
out uh visual is very, very useful. And
it gets to the next topic I'd like to
ask you about, which is building uh
social intelligence and emotional
intelligence because we define that
different ways. people who seem unable
to read the room, so to speak, versus
people who are hyper sensitive to other
people's emotions, not necessarily
responding to them, but they're really
in tune. I'll go out on a limb and say
that some of the happiest, most
functional, and when I say functional, I
also include in that they take great
care of the people around them, their
families, their co-workers, people that
I know and have observed are not super
emotionally in tune with the emotions of
others. meaning it doesn't seem like
they're clocking every little nuance.
And some of the more I'm generalizing
here, less functional, more labile
people that I've known are really in
tune with like what everyone in the room
is feeling, who did this, who didn't do
that. And going back to our our earlier
conversation that so much of how we
gauge other people's emotions is an
integration over, you know, how how
often they tend to acknowledge us when
they when we walk down the hall. If the
first time I met you, you walked right
by me, which who knows what would have
happened. And the second time and the
third time, and then the fourth time you
say, "Good morning," I'd say, "Oh, Lex
is a really delightful person." If you
did the opposite, said hello, hello,
hello three days in a row and stopped
four times, just like looked looked at
me and brushed right by,
>> I'd probably think like that's weird,
you know? So, there's some advantage
actually to not being in tune with all
the subtle cues of everyone around us.
What in the brain is known about a
social awareness, about reading the
room? We talk it up these days because
indeed empathy is important, but this is
a tricky one. I'm going to get some heat
for saying this, but there's also a lot
to be said for like walking into a room,
acknowledging, okay, great. And then
like getting your work done. You don't
want to be wrapped up into people's
emotional states because unnecessarily
because they're labile, they're all over
the place. It's there's a cost.
>> Well, I think it's extremely
heterogeneous. And so this is not sort
of one sizefits-all and there's not one
type of sort of emotional intelligence
skill that fits all occasions and many
different kinds can work. They depend on
the context. They depend on the
circumstances. Initially when James
Gross had emotional regulation, it was
sort of focused on some basic mechanisms
like suppression, reappraisal,
acceptance. And now the big two topics
in emotional regulation are variability
and flexibility. So there's not just one
way, but you need to be able to have
many many different options and you can
vary vary your emotion regulation
responses. But the other big part of
emotion regulation, which is obvious
once you think about it for any any
parent would think about it, is it's
interpersonal. It's between people. You
regulate other people's emotions and you
have to pick up on other people's
emotions and you influence other
people's emotions. It's a birectional
interaction. And so I think a big part
of emotional intelligence comes from
being able to read that probably in a
fairly automatic way and in a context
dependent way. And depending on the
context, it can be the case that what's
most adaptive is if you really get
involved with other people and you
really talk to them a lot, you're very
empathic or you just take over and that
can work too depending on the
circumstances. So there are multiple
strategies and I think for any of these
social intelligence, emotional
regulation, any of these sort of meta
cognitive skills. The most successful
skill is if you don't just have one, but
you have variety and you can switch
between them and you can use context to
switch between those. Just like
physiological heart rate variability,
you don't want to train to just be able
to have a low heart rate. You want to be
able to train to have a variable, a big
range. Same thing with emotions. What's
most adaptive is being able to have a
big range of emotions and being able to
switch adaptively depending on the
context between them. And I think that's
where, you know, real long-term context
dependent social intelligence for people
that really come out ahead. It's not one
tiny slice where they do well and don't
do well in lots of other circumstances.
It's the ability to be really adaptive
and flexible and switch around
>> which requires a a a keen sense of
oneself like where we are in our
internal state and a keen sense of of
context. In fact, I observed a really
impressive physician recently and like
moving through the hospital environment.
I mean he was just like all agency to to
but then with the patient it was as if
he dropped into a bubble. You know the
patient was understandably a little
nervous about what was to come and and
it was remarkable. I was like, "Okay,
that is superb bedside manner." But then
it comes time to do the actual work and
that's not a time for emotion. It's just
like 100 you have to be able to 100%
like I mean the life and well-being of
the patient relies on being absolutely
focused on the task at hand. I mean it's
it's related again to the presumptive um
association between emotional
granularity what Lisa Fman Barrett
pioneered decades ago the ability to
differentiate and be aware of all the
variety of emotions in you and emotion
regulation flexibility that you're able
to adopt many different emotion
regulation strategies but in order to do
so you need the emotional granularity to
be able to be aware of all the different
emotions that are going on in the first
It's pretty two things. One is an
ability to differentiate at a very fine
grain and the other one is to step back
and have some kind of metacognitive
oversight and control. So you can see
okay here's this full spectrum of things
I could do and you can take a look at
all of those incorporate the context and
pick one the one path amongst many that
you could take that's the most adaptive.
It's interesting. Some of my favorite
scientists are very emotive people. And
then some of my favorite scientists, I'm
thinking of one in particular when I was
down at UC San Diego when my lab was
there. Most people probably label as a
little bit on the spectrum. I won't
mention his name. He would walk into a
faculty meeting where someone else was
presenting and he would say out loud to
me like sitting there like, "Is this any
good?" And
>> I have encountered people like that,
too.
>> And you know,
>> it's very disconcerting when you're
giving the talk.
>> It's disconcerting when you're giving
the talk. But I was going to say there's
also something incredibly refreshing
about it because it's almost like
they're they're asking the questions
that they they need to ask. You're a
little embarrassed for them, but you're
but it's liberating. You feel like ah
we've broken the social mold here a
little bit and someone would say excuse
me so and so and so is presenting be
like oh sorry and then we'll just sit
down and then listen. I mean they're
entirely polite very actively engaged in
the conversation but I sometimes wish
like how cool would that be? Like I'm
sure there's a cost other areas in life,
but how cool would that be? You lose a
this person has a little bit less
context dependent, you know, flexibility
around emotions. And I have to imagine
that they move through life in a way
that's kind of like liberated.
>> Well, they wouldn't have this huge
cognitive load all the time. You know,
if
>> you extremely smart now, that's
correlative, right? But like incredible
actually a physicist
>> turned neuroscientist. And I just
thought, man, that's pretty cool. And
then the more you go into engineering
and science fields, the more of these
people you encounter. This is true. You
see fewer of these people in the
performing arts for instance.
>> Sure.
>> My lab studies autism amongst other
things. And you certainly would have the
case that as a spectrum, yes indeed, you
would have mathematicians, engineers,
lots of people who are very successful
who are on the spectrum to some extent.
And I think, you know, coming back to
what you were saying, it's sort of
liberating or simplifying. If you had to
really efforty, cognitively think about
how to regulate your social behavior and
make all the right moves and not offend
anybody, you were worried about that all
the time. It would be overwhelming. And
I think it is overwhelming for many
people with autism that you need to
somehow internalize it and it has to be
relatively effortless and automatic. It
has to become automatic at some level
and then you can move through life
fairly smoothly in a socially very
complex way. And that's what's difficult
for many people with autism that they
lack that part. They can compensate to
some extent, but the cognitive load
starts really being an impediment
because if you have to track everything,
you have to remember, okay, I should
make eye contact, I have to remember
turn taking, if you have to cognitively
remember all those things, it's just
overwhelming. So, you have to be able to
somehow have it be automatic at some
level.
>> I'd like to take a quick break and
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to claim a free sample pack. Let's talk
about autism. And I'll just put the
mention up front because this is a topic
that sometimes gets people triggered.
Let's leave out for the time being, not
because it isn't important. It is
important. Let's leave out severe cases
of autism where people need lifelong
care. They can't care for themselves and
let's talk about the rest of the
spectrum. Already in that statement, I'm
sure I violated some of the newer
nomenclature. But let's just liberate
ourselves a little bit. Um, come at this
from a place of benevolence and trying
to understand social dynamics, social
processing in the brain. So, we're not
talking about people with severe
stereotypes who just need lifelong care
even, etc. We're talking about the rest
of the category. So something like this
former colleague of mine in San Diego a
little bit on the spectrum.
>> For all I know he would have been one of
our participants maybe I mean a
delightful person, happy marriage, happy
family, everyone in his lab adored him
and brilliant scientist and um
>> by my read highly functional in all
aspects of life but definitely not
>> tuned in to what other people are
thinking or doing and and context
mattered, right? I mean, he understood
what not to do in in a broad sense, but
you know, he was free of this burden
that you described. So, there's a lot of
emphasis nowadays on kids who have
autism of the sort that we're describing
and the need, we're told, to train them
to make eye contact and read faces. So,
this lands square in your work. Maybe
you could just fill out a bit of what's
now known, what's thought, what's not
known.
>> It's a great topic. I mean the way that
I personally have approached it is not
with a primary interest in autism. I
don't have a family member who has
autism. I'm not don't have any personal
experience. It's really been um just
like with the amydala lesion patient.
It's the my main motivation has been to
just understand the mind cognition
emotion in general and with respect to
autism by understanding individual
differences. Everybody's different from
everybody else. And autism is one
particular dimension that we just have a
lot of tools to look at that is, you
know, social interaction, social
awareness, ability to read other
people's emotions. And so that dimension
of social variability maps onto one of
the facets of of autism spectrum
disorder. And so that's why we've looked
at both people who do not have any
diagnosis of autism. There's still
there's a range of autistic like traits
that you can quantify with
questionnaires that are well regarded.
And then once you get to a DSM5
diagnosis, you have more and more severe
cases of autism with respect to social
functioning that again you can quantify
using tools like the etc. But it's
a spectrum that I personally look at as
a particularly interesting and important
dimension of individual differences in
social interactions with other people in
my lab that have different motivations.
They have family members with autism for
instance. So they're personally
interested in autism as a as a
psychiatric category.
But coming to your question, there's a
lot of really interesting work and a lot
of opportunities now that we've been
actually using in our lab as well to
look at the question of processing about
faces, eye contact, etc. I mean right
now how much eye contact are you making
with me? How much eye contact am I
making with you? It is extremely
variable. I mean the eyes move around.
They carry a lot of information. You
know, socially there's a a gigantic
range there. It's data that are now
fairly easy to quantify and collect in
hundreds or thousands of people using
their webcams. And so we have a study
going on where people watch for example
a zoom video uh other people interacting
talking and we use the webcam on their
laptop to record where they are looking
on the screen when they have that zoom
video going on. So we can quantify along
across large numbers of people and the
basic finding has been that people who
are further along have high who score
higher on this dimension of the autism
spectrum of social interaction with just
questionnaire based measures or a
psychiatric diagnosis make less eye
contact and as well as other features.
So we're looking at contact with the
person who's talking distraction to
other things. We have experimental
features where there's a person talking,
they're making eye contact, there's like
TV or something that goes on in the
background and we can quantify to what
extent is your visual attention, your
gaze that we can quantify from the
webcam captured by somebody looking,
somebody talking, somebody smiling or
laughing, the TV going on in the
background as a distractor. And we can
put all of that into a big model and ask
what is it that normally drives visual
attention and what is it that
distinguishes people with autism and
where they would look. And the basic
answer is that the social features like
eyes or who's talking have less of a
weight on where autistic people would
look than the distractors, but they tend
to be more distracted. And that that is
we've been doing this study every month
now for a year that seems to be a
temporally stable personality traitlike
feature of autism spectrum disorder. So
it fluctuates to some extent and we're
trying to quantify does it interact with
whether you've slept badly the night
before or you're stressed or other
things that can change. Those do have an
effect. But the answer seems to be it's
fairly temporally stable and it's almost
like a signature for individuals.
There's some people that are real
faceelookers and they look at faces a
lot and there's some people that look at
faces hardly at all and that seems to be
stable across time and like a basic
personality trait
>> in this population of people diagnosed
>> across the board for everybody. If I
just take the general population on
average it's the case that those people
who would have a diagnosis of autism or
who score higher on autistic traits even
if they don't have a diagnosis look less
at faces. But across everybody, it's the
case that some people look a lot at
faces, some people don't. And that
that's temporally stable. So in general,
right now, if you quantify it from this
podcast, how often do I make eye contact
or look at you? And then you ask, you
know, like in a classroom or in a lab
meeting, how often do I make eye
contact? It would be similar proportion
that I'm just like not a face looker or
eye looker and you might be. It's like a
stable personality trait and it's
associated coarsely with this dimension
in autism spectrum disorder. But of
course the million-doll question is what
else is it associated with? Is it
predictive of career success? Is it
predictive of anything else? And so we
don't know. We're measuring everything
else and getting lots of questionnaires
on these people to ask what what are the
associations and is there any causal
hypothesis that we would come up with
that if you don't look at faces a lot
there's some consequences if you look at
faces a lot there are other consequences
if that were the case we're not there
yet that would make very interesting
predictions which mean well maybe I
should be looking at your face all the
time and uh you the podcast would get a
million hits or who knows what
>> just be you as What should we say?
>> Well, that's I mean that that's another
big question which which we're looking
at in these longitudinal studies which
is a question of to what extent can you
change who you are and you know your
emote we were talking about emotion
regulation. You can regulate your
emotions. You can have this
metacognitive insight. You can have some
control. Can you change if you're
extrovert or neurotic? Can you change
your personality? And the answer seems
to be to some extent. Uh for some
variables more than others but we're
trying to quantify that. So we have this
big longitudinal data set where we give
people tons and tons of questionnaires
about their personality, about their
mood, about lots of things and are
asking to what extent over time do they
get pushed around and that can change
and which ones stay constant and
constitutes sort of the core of their
personality that's unchangeable. But I
think it's a super super interesting
question. What parts of you can change
and what parts of you cannot?
>> Yeah, I think about this all the time. I
feel like some people, this is
pseudoscientific what I'm about to
describe. They seem to have very high
autonomic what I call like art RPM. I
have a it's more of a former colleague
because I haven't been working in that
field for a while but um you ever see
Bon Rosska
>> from Basil give a talk like he moves a
lot. He's very electric. He's also very
thin and he moves and and his brain he's
exceedingly smart has a high basil
metabolic rate.
>> High basil metabolic rate and
>> like a hummingbird.
>> Yeah. But he moves a lot. Right. And
then other people they move less. I
think about this all the time because
I'm fascinated by and I love dogs. I go
to this AKC meet the breeds thing every
year. I don't go every year. They do it
every year, but I highly recommend
people go even if you don't want a dog
because you get to see all the different
genetic variation, which of course
relates to body size, but also
temperament and and just bulldogs are
probably more on the on the slow mellow
side compared to Yorkshire terriers that
are more
>> very little spontaneous movement.
I think it's one of the reasons why
people feel comfortable approaching a
bulldog, whereas like a, you know, pit
bulls are always kind of like winding
around and moving, but some dogs it may
relate to other things, cuteness and
what, but some people just seem to have
a lot of spontaneous movement. Other
people are more stable in their bodily
movements. And it does seem to relate to
kind of how excitable they are or not
excitable they are. So you can imagine
like if you're if you're humming at a
higher RPM, you can like more prone to
action forcing. It's a super interesting
observation because the question of
course is to what extent does it relate
to how their mind is working, right? I
mean, as we're talking now and as you
were just talking, you're, you know,
we're moving our hands, we're moving our
body, we're moving our face, you know,
not just sitting there speaking. So, to
some extent, all of these bodily
movements are interfaced with thought.
>> If I had to sit completely still and
not, you know, move, it would be pretty
hard to have this conversation, right?
So, to some extent, bodily movements
actually help us structure our thoughts.
It's not just like a large language
model. It's not just language going on.
It interfaces with the body
>> and it punctuates thoughts to some
extent. So I think it's super
interesting and it's it's certainly the
case that the way that somebody moves
their body does say something about how
they're thinking as well.
>> Yeah, I've been reading my audio book
and I asked them uh the sound
technicians to allow me to stand while I
read it. Much easier to read an audio
book and to put in flexion. You actually
can lean in when you want to emphasize
something and you can, you know, point
to the words for a moment, but then when
you need to work through a passage that
needs to be very finely structured with
little emotion because that happens too
if you clasp your hands and do it. So
>> our friend Eddie Chang tells me that um
the hand representations in the brain
are very close to the language center.
So these were probably our first tools
of language or at least they co-evolved.
>> Well, your mouth and your hands are the
most dextrous and over represented in
the brain. you can, you know, control
the world with them and you can move
from the most. Yeah. When, you know,
when the co pandemic started 2020, we
weren't allowed to to go on campus at
all. So, we sat around in our
apartments. I sat at home, we had lab
meetings on Zoom, only Zoom and
lectures. All the classes were on Zoom.
Prior to that and then then Zoom took
off and now it's most meetings are
hybrid. But before that point,
everything was face to face. I would
stand up and lecture. We would talk face
to face and suddenly switching to just
seeing a bunch of often little just
black squares right for the for the
whole classroom there on Zoom. That was
a hard switch. That lack of an
interactive nature which is something
that we're looking at now. I think it's
going to be super cool. I have a
graduate student just starting this. The
experiment is this. I would see your
face on a screen and that's it. I would
see a video of you. I would zoom with
you right now and we could be having
this podcast over Zoom. I actually
thought we were going to have this over
Zoom. So I'm very happy it's not over
Zoom actually better in person and then
then you're here if you're in person,
right? And it feels different. It feels
different. And so we we're sort of
trying to parameterize that degree of
social realness of social interaction.
And then we're doing that with people
with autism asking where does it change
and how difficult is it for people with
autism to interact with another person?
Is it equally difficult over Zoom? Is it
equally difficult over Zoom if you have
the selfie camera turned off? the other
person can't see you and you know that
and so we're trying to look at the the
degree of actual social interaction as a
relevant dimension and I think it makes
a huge difference. I mean it feels
completely different being face to face
that if you're on Zoom let alone if I
just watch a video that's not actually
aligned in time.
>> The way I described the kind of higher
or lower RPM before made it perhaps made
it sound like one or the other was
better. But I think sometimes about like
Alex Honold who again who was a guest on
this podcast and there have been claims
that his amydala doesn't react as much.
Anyway, we could we could talk about
that. I think Alex kind of like maybe
chuckles a little bit at those studies
cuz he does experience anxiety and fear
just not in the context of this like
highly trained situation he's put
himself in every single day for so long.
But I do have to wonder whether people
who go out on long runs, for instance,
there's not a lot of talking going on.
Or Alex, he's devoting his physical and
mental energetic resources toward
climbing and figuring out these how to
navigate high-risisk, high consequence
>> situations, totally just in flow. You're
just like totally absorbed in what
you're doing. If you're doing a type
climbing
>> once he he's got it, but like to work
out the puzzle of like with ropes first
of how to maneuver so that he can
actually free solo it is is a remarkable
thing. But I almost get the impression
that if people speak less that they're
able to devote more mental and physical
resources to the thing they're doing. I
never ran ultras, but I recall like
running, you know, I used to run for
like a long 8 to 10 mile run on Sundays
used to be a thing. Now it's getting
shorter and shorter run. I have to go
get it back. But come back from those
and there's a fatigue component that
confounds what I'm about to say. But one
is a lot less reactive
when you spent a bunch of time just in
your own head and you've learned to
tolerate the voice in your own head. I
find that I'm much calmer after I've
spent a bunch of time alone because I've
I've gone through that kind of initial
stage of the mind fluttering and then
you want to communicate with people and
I'll lock up my phone in a box these
days to do real work and I come out of
it and things come my way and they're
sort of out there and over there and
unless they really demand my attention
>> they kind of just don't grab me. Whereas
I think when we're highly engaged with
in in our own mental dialogue it's
almost like we're trying to converse
with the world. So I think there's real
value to doing these solo treks and to
devoting time to getting past that need
to engage with the world. I think it's
very very useful.
>> Yeah. I mean I'm sure it's
idiosyncratic. It'll vary. But I think
that particular aspect that you
mentioned that you can just be
comfortable in your own mind and that
that's beneficial. Uh I think that's a
big part it's a big part of lots of
training techniques and big part of lots
of meditative techniques that you just
but again it's very individual. It's not
just sort of onesizefits-all, but the
ability to not just be driven by sensory
input and be comfortable with your own
mind. It's not that you're doing nothing
at all. You're training you're training
your own mind to be comfortable. And I
think the consequence of that is then
subsequently when you encounter
challenges in the world, you're actually
better equipped to deal with those and
better equipped to regulate your
emotion. But when you're just at peace
with yourself, if you're not doing
nothing, your brain is being trained all
the time and it's being trained in a
useful way. And I think the ability to
detach and decouple from the constant
challenges and sensory information
that's normally coming in, it's like
sleep allows the brain to actually train
itself and focus on particular internal
regulation strategies that are then
subsequently useful for dealing with the
world later. Could we say that one form
of potentially useful emotional
intelligence or social uh intelligence
training is to just spend some time in
your own head either moving or not
moving. You could do it meditating or
you could do it running but to just
resist the temptation to get pulled out
into the world and just get good at just
sitting with these things that we call
emotions and thoughts. I think so,
especially it's again it's going to be
individual um and it's going to vary but
I think so especially if you can get
some kind of metacognitive or reflective
awareness and work on what is going on
in your mind and ultimately it's
training control. It's training control
of your emotions and training control of
your thoughts. And if you're constantly
bombarded and just dealing with stuff
coming in, you don't have time to do
that. It's called social media.
>> Exactly. Yes. Of which I have none. Um,
and so if you're just by yourself, you
know, if you're running or if you're
meditating or if you're trained up, if
you're in an ice bath, uh, I think you
actually get a particular type of
internal training that you just don't
have the leisure to get if you're
bombarded by social media, for instance.
Yes. You know, every beginning of my lab
meeting now, people have their laptops
open and their phones out. We put them
down and we actually have five minutes
of silence, a sort of meditative silence
for to people to clear their minds at
the beginning of Yeah. Five minute or
three minutes. At the beginning of every
lab meeting, we have a short meditative
session. I put a picture up of some
beautiful pe on the north shore of
Kawaii and people in case people want to
look at that, but many people just close
their eyes. People can do whatever they
want. It's but the idea is to clear your
mind and focus and relax and get into a
frame of mind where you're actually now
most receptive to listen to the research
presentation that's coming up because
you you know you come in and your mind
is all over the place and you know
there's an email here and the phone is
going and you just your mind is buzzing.
So quieting that, finding some focus and
then being able to engage subsequently
much better with the real world,
listening to the talk. I think that's
that helps and we do that every lab
meeting Mondays at noon seems to work
for people.
>> How long have you implemented this?
>> We started it in uh 2020 when George
Floyd was killed uh specifically to
remember George Floyd. So it was a there
was a very specific starting point
because many people were upset and we
figured we needed some kind of
remembrance or just a moment of silence
to to acknowledge things and then it
morphed into you know you can remember
whatever you like. you can just relax
and then it sort of morphed into this
idea. Well, you know, let's just have a
moment of silence and just like
recalibrate from the busy world and
everything that's just been going on to
now, you know, I mean, it's good to do
on average every day in any case, but
certainly right now before we launch
into the research presentation at a lab
meeting. So, we sort of morphed from a
moment of silence to remember somebody
to a short meditation essentially.
>> I love it. that my neuroscience
colleagues are doing ice baths, training
for 100 mile races, and doing um
>> the question is, is it helping my am I
getting more nature papers as a
consequence of any of these?
>> That's a different metric. That's a
different metric. Uh you seem like a
happy vital person and and you're
writing books and you're doing public
education here. In addition to all of
that, I'd like to actually stay on this
meditation thing for a moment. Rick
Rubin, famed music producer, came on
this podcast. He also happens to be a
friend of mine. And right as we sat
down, he said, "Um, can we do some
coherence breathing first?" He plays
it's like a tone. You do some inhale,
exhale, and you know, he
>> he likes these transition
>> breathing exercises are great.
>> Yeah, these transition tools and and
they will increase your heart rate
variability and these kinds of things.
Um, but I think that one of the most
interesting and underststudied things in
our field is task switching. Whether
it's emotional task switching or
cognitive task switching like we assume
the brain operates in step functions
like oh I'm out on the street I navigate
traffic I park my car and I come in and
I podcast and what you're doing at the
beginning of this lab meaning in on the
one hand is a meditation but it's you're
pivoting the brain circuits
>> toward what comes next.
>> Yeah.
>> I don't think we talk enough as
neuroscientists about the fact that the
brain doesn't just immediately switch
over that you're carrying residual
activity from whatever you were doing
before.
>> Yes. There's a there's a cost to that, a
well-known cost. So, as soon as you
switch into something, there's a cost
carried over from the previous task, and
you're much slower and more difficult
for the couple of next trials on the new
task. So, there's always a switching
cost
>> which shows you that switching
>> is hard and some for some reason, and
there's a couple of theories for why it
should be hard. There's some residue,
some sort of inertia being carried over
previously. There's some reconfiguration
in the brain required between what you
were doing in the previous task and the
new task. But all of those would seem to
require some effort and it's definitely
a skill and something that people are
looking at a lot in brain recordings in
humans and thinking a lot about how to
design into AI. That ability to switch
quickly and knowing how to switch,
anticipating when to switch is a hugely
important skill.
>> Yeah. And we don't teach it like here we
are talking about emotional
intelligence, social awareness and these
kinds of things. And I think most people
would think, oh, we should sit down and
look at a bunch of faces and learn to
detect the subtle cues in faces or we
should make more eye contact. And what
I'm hearing today is while some of that
might be true, most things are pointing
in a different direction. We had a guest
on this podcast, DJ Shipley, who's a
former tier one SEAL team operator.
That's another high-risisk, high
consequence world. But then he's out
now. He's no longer deploying. And he
talked about his routine for coming
home. It's like he knows, he's
rehearsing as he comes out of the car,
just like as if it were an op, you know?
I'm gonna hit the door. My daughter's
gonna come running from this direction.
My other daughter's gonna come in. Py's
gonna be in the kitchen.
>> Dog's gonna come charging.
>> Yeah. And but he's rehearsed it and he
knows exactly where he'll set his bag so
he can scoop his daughter up. People
either chuckled or I think we're kind of
taken aback by that until he said, "But
this is the way that I know I can drop
everything from the day
>> and be at my best when I enter that
environment." And you know, this is the
kind of a quote unquote like hyper Y
chromosome version of kind of of home
and family life, but it was remarkable
what the comments when we ran this clip
on social media. The men were all kind
of like in awe like you have a system,
dude, and you follow it. And the women
were like, "Yes, fantastic." Like, "This
is somebody who's prioritizing how he
shows up. He's leaving everything else
outside." Which is a kind of, you know,
it's a more of a 1950s version of
>> that skill to switch is super super
important. It was super important.
>> It is trainable. It's largely trainable.
And I think if you have meditative
exercises, they train exactly that. It's
a it's a huge switch, right? You're
switching from like constantly being
bombarded and dealing with stuff in the
world to suddenly like putting all of
that aside and just being inside
>> and and it has health benefits. You
know, Richie Davidson, for instance, I
don't know if if you
>> Yeah, we had him here. Phenomenal. Oh,
he's he studied Tibetan monks and
long-term meditators who've meditated
10,000 hours or whatever, which we can't
afford to do. But he has a lot of
studies on even for the rest of us, you
know, short stretches of meditation,
regular meditative exercises, you know,
he's done well controlled studies have
demonstrable health benefits for sure.
So again, it comes back to this issue of
variability. Being able to switch and
having lots of variability and training
that is definitely beneficial. It's
beneficial for just basic physiology.
It's beneficial for emotion granularity
and emotion regulation. It's beneficial
for control of thought is when you're
being externally oriented versus
meditating. All of those are to a large
extent trainable skills in variability
and and control. So the experiment I'd
love to see done, maybe your lab will do
this, would be what is the cost of task
switching if you do or or do not insert
this five minutes of silence like
because you're you're spending 5 minutes
and we know the transition is choppy
into the next thing that you're doing.
So there's some overlap there. But by
introducing the period of silence, you
reduce the amount of time in order to
switch your brain over to this new mode.
Presumably you're seeing positive
effects in these lab meetings of doing
>> yeah we should we should do a study it
would be you know we would have to think
about the right controls we are looking
at task switching actually in these uh
brain recordings in epilepsy patients
we're looking at single unit recordings
and how um those representations change
when you switch between tasks it's it's
a great study we're just working up the
analyses now but we don't have the
intervention that you were just speaking
about so we don't have half the patients
are getting meditative training and half
are not but the extent to which an
intervention ion like that can improve
your ability to switch or some other
concrete metric. I think that's yes,
those are exactly the types of studies
that should be done. I think Richie is
probably doing studies like that. They
did a a study of 5 minutes of meditation
per day and showed that people
experienced tremendous increases in
anxiety during the initial phase of the
study, like just having to sit there
with your thoughts and let everything
stir. I actually think of short
meditations like that at least initially
as another version of the ice bath.
>> Well, it is and I think when we started
and you know we have like new summer
students come in on new people in the
lab and say okay I don't usually say too
much. Okay, we're going to just like
three minutes of silence and everybody's
like this and these summer students are
looking around. What's what's going on?
It's very stressful, right? And if you
just tell them well just like don't do
anything. I mean this is obviously
extremely difficult for young children.
Don't do anything, right? Just be
completely silent and quiet for 1 minute
or 5 minutes. It is hard to inhibit
behavior. It's really hard to do, but
it's trainable. It's completely
trainable. And a big part of it, you
know, we're in this same conference room
that David Anderson has his lab meetings
in, which is why you can always see that
it goes on for hours and hours. It has
glass walls and so people are walking
around outside looking at us sitting
there in silence pretty wonder not much
progress being done in that that last
meeting. So there's that whole social
perception aspect, but again once you
get over that and get used to it, it's
it's very easy to to do these exercises
and it's definitely a trainable skill
for sure.
>> Yeah, we were on the East Coast uh in
Annapolis um at the Naval Academy. These
are very accomplished students um almost
4,000 of them. And one of the most
incredible things about that environment
is everyone goes into the cafeteria for
lunch and all of a sudden a bell sounds
and you could hear a pin drop. But
there's thousands of people around you.
>> You hear a bell again.
>> The meal begins.
>> Walking into the auditorium, it's
shuffle, shuffle, shuffle, talking,
talking, talking, talking talking. Boom.
It's a step function. They're training
this in themselves. And the other thing,
no phones.
>> No one has phones during the day. They
get I think they get an hour where they
can access their phones. I I normally my
my phone it's on right now because you
guys wanted to text me, but normally my
phone is off or I don't have a phone on
me
>> and and zero social media, not on X and
not on social, not on uh Facebook. I'm
not on Instagram. Zero. I just And you
know, whenever people ask me, they say,
"Oh, you know, can I hook you up with
what's that thing? LinkedIn or whatever.
I'm not on LinkedIn. I don't I don't
care what LinkedIn." And they're always
surprised and they say, "Well, why are
you not on social media?" And I say,
"Why would I be? I'm already above 100%
in terms of people emailing me. I don't
need more. So, I'm Yeah. zero.
>> Love that you've given yourself
permission to do that. Um, I put social
media on a separate phone so that I can
really track my time on there and I just
use it only to post, read a little bit,
and then I'm out.
>> I just I can't take the mental noise.
Before we started recording, you
mentioned that you fortunately
successfully overcame a bout of illness.
>> Yes. I'm curious whether the process of
going through that, the diagnosis, the
treatment, and then emerging from it,
thank goodness, healthy, had you at
times thinking about the science of
emotions. I mean, that's an emotional
experience to say the least. You don't
have to share with us exactly what it
was, but were there times when what your
knowledge of the brain's ability to
process emotions for better or worse was
a useful tool to you in that context?
>> I guess so. I mean, you know, only in
the most indirect sense, but uh I guess
it's about emotional regulation. Well,
it's about two things. I think it's
about emotional regulation. So, you
know, you know, initially when you get a
diagnosis that reminds you of your
mortality is sort of a mixture of, you
know, fear, sadness, worry, you know,
all these negative emotions. And so,
you're regulating that and it's
interpersonal for sure. So,
interpersonal emotion regulation between
me and my wife, us talking about it. So
that's like a huge part of the process.
If you're not regulating those negative
emotions anymore, but you're um you're
buying into you're getting more other
emotions like awe, gratitude,
acceptance, all of these emotions we
were talking about before that I think
are largely uniquely human uh that
really make you appreciate and be just
grateful for what you have. So that
whole process of regulating the sort of
you know immediate stressors and then
coming to um having more gratitude and
awe in everyday life. Uh and then you
know also I mean I think one big
consequence of anything like that is
that you uh you have this metacognitive
perspective on your your lifeline and
you know where you are, how much time
you have left and how to value that and
what to do and what to plan uh and how
to allocate your time to things that are
worthwhile. And so in my case one of
those components was you know signing up
for this 100 mile ultramarathon starting
to train for it and then just pushing
through all of that. So, you know, one
of the consequences of the of the
therapy for this was I had lots of joint
pain and lots of fatigue. So, I tell my
doctor about that. You say, "That's
that's great. That means it's working."
It's like, "Yes, but the side effects
are preventing me from training for a
100 mile race." And so, pushing through
that, I think it just it makes you
grateful for what you have and makes you
just be in awe of the fact that, you
know, we were briefly talking about
consciousness before that there's a
world there at all. You tend to have
this perspective that physics gives us
of the way the world works that you know
the world is going on and when you die
you get plucked out of that and
everything else goes on. But from a
neuroscience perspective it's kind of
the opposite. You get this sense that
the whole world is actually a
construction of stuff in your brain. And
as you get older little things drop out
and various people die and you're unable
to do things and eventually you lose the
whole world. So rather than thinking of
death as we normally do as the world
loses you, the neuroscience perspective
is the inverse which is you lose the
world. So you have like you know a
couple of decades left and then you're
going to lose everything and that's
coming. So live it up.
>> I love it and thank you so much for
being willing to answer that question.
And I um throughout today's
conversation, I I'm struck by the fact
that your work plays such a prominent
role in your life and your life in your
work, even if uh we weren't necessarily
connecting the dots in that way. The the
fact that you do practices specifically
to um tap into your autonomic nervous
system emotion regulation and at the
same time the fact that you look at
neural circuits and and do extremely
well-controlled studies to explore that
the mechanics that translate to
everybody. like this is a um in case
anyone hasn't told you um and because I
sit at a unique vantage point both
having done academic research and now in
public health communication people need
to hear this and see and experienced
scientists like you. So thank you so
much for coming here today for um being
willing to open up about some of this
and frankly for doing the work that you
do for so many years and such at such a
high level and I'm so grateful that
you're writing yet another book. Um, if
it's not out yet, we can't put a link to
it just yet, but when it comes out, I'll
surely get a copy. And even though
you're not on social media, uh, I'll be
sure to, uh, to talk about it after I've
read it because as I did the the prior
book that you wrote with David. So,
>> thank you very much, Andrew. It was a
pleasure being here. We'll stay in touch
and maybe at some point I can tell you
that I finished the 100 mile race and
the book got published.
>> Excellent. I have no doubt that you
will. Uh, whether I join you for that
100 mile race is a completely different
story, but thank you so much, Ralph.
Appreciate it. Pleasure.
>> Thank you. Thank you for joining me for
today's discussion with Dr. Ralph
Adolf's. To learn more about his work
and to find links to his previous and
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