Video summary
The video explores life as a romantic adventure rather than a pursuit of infantile security, using the biblical figures of Cain and Abel to transition toward Abraham's paradigm for mature existence. This perspective was shaped by the author's early encounter with Nazi atrocities at age thirteen, which shifted his focus from political explanations to understanding the psychology behind why ordinary people commit terrible acts; he realized that this capacity exists within everyone and represents a spiritual problem requiring personal responsibility. Consequently, totalitarian states are viewed not just as top-down oppressions but as results of society-wide self-deception where individuals lie about their thoughts, words, and actions. In response to this moral landscape, deep stories serve as abstractions that distill human character through attention and action, offering profound insights into what should be valued highest while illustrating the call to leave one's comfortable "father's house" despite age or security because a life without adventure is insufficient for humans who have reached maturity.
True faith in this context is defined not merely by intellectual assent but as heeding an internal voice that commands forward movement toward greatness, distinguishing clearly between the spirit of stasis and comfort versus the spirit of adventurous courage. Commitment arises from what one sacrifices and the intensity of this internal calling or interest, which acts as a pointer to something deeper than the specific object of desire alone; together with conscience, these forces define a path where external guidance directs rather than controls the individual. Following such an inner voice leads not only to personal success but also to becoming a blessing for others by achieving a state akin to "the kingdom of heaven," where actions benefit everyone without engaging in zero-sum competition. Biblical examples like Moses leaving his stable life despite inadequacies, and Abraham's willingness to make profound sacrifices including the ultimate offering of his son, illustrate how following one's interest reveals necessary depths for leadership and destiny that require shedding pride, bad habits, and unworthy attachments through painful but essential sacrifice.
Ultimately, advancing in life requires voluntarily carrying one's cross and cutting away insufficiency much like a flaming sword guarding paradise by removing dead wood such as ego and attachment. When this journey is undertaken with sufficient faith, the inevitable catastrophe of mortality is transformed into an abundant destiny that benefits all families of the earth. The narrative emphasizes that true adventure involves making profound sacrifices to progress toward one's purpose, where the willingness to offer up parts of oneself represents the ultimate step required for spiritual growth and a life dedicated to serving others rather than seeking mere comfort or security in stasis.
Read the full video transcript
Hello again everybody. Today we're
releasing the third lecture from my last
tour. Each of them stands alone, but
together they provide a detailed
analysis of the deepest, most meaningful
and most influential stories ever told.
Our attention turns today from Cain and
Abel and the discovery and significance
of sacrifice
to the conceptualization of life as
romantic adventure. This is captured in
the great account of Abraham who was
called as we all are away from the
security and familiarity of our
childhood surroundings into the
uncertainty and possibility of our adult
lives. What could we possibly become?
What could we possibly offer if we swore
above all to aim up regardless of the
catastrophe and tragedy of our lives?
Watch and see.
[applause]
Thank you.
Thank you. Thank you all for coming.
So, I'm going to jump right into the
story and then elaborate on it as we
proceed.
I want to talk to you tonight about the
story of Abraham. Not all of it, just
because it's a long story. We'll see how
much we can get through. I guess I'll
start by telling you what a story is
because that'll lay open. Thank you.
Thank you. That'll lay open why I'm
presenting the material that I'm
presenting.
I didn't really expect when I first
embarked on my career [snorts] that I
would
become interested in
biblical stories.
It happened because
I was fixated
on
the deepest problem that I could
find, which was the problem of evil. I I
became aware of what had happened in
Nazi Germany when I was about 13
and it was shocking to me. And I I
started to study
I started to study what had happened
there at that point.
I didn't really know how to go about
doing that but I had some had a
librarian there who was quite literate
and she pointed me in some useful
directions. I read first book by
Alexander Soljenitz and I read when I
was about 13. It was one day in the life
of Ivan Denisvich and it was the first
book that had come out of the Soviet
Union really during a a period of thaw
in the early 1960s that revealed what
had happened under Stella and then I
read
1984 by George Orwell and Brave New
World. Um some An Rand as well at that
time
starting to wrestle with the problem of
good and evil. It's a variant of
wrestling with God, I suppose. And that
is a variant of
wrestling with decision making in
general. The landscape that you live in
when you make decisions is the landscape
that has good and evil as its
far reaching borders.
It's it's good to understand that. Why
would I say that? Well, you you know
that really because you know that
you can make a good decision or a bad
decision.
And so
the mere fact that you understand what
that descriptive phrase means indicates
that you understand at some level that
when you're making a decision, you
inhabit a moral landscape. And you know
you can make decisions for good reasons
or for bad reasons. And you also know
that
the consequences of your decisions can
be good or or not.
And so if you take that
conceptualization and you just extend it
to its ultimate reaches
so that you're characterizing the entire
domain, you get the landscape of of good
and evil. And I was interested in the
far reaches of the dark side of that
continuum.
The problem with studying that for me
eventually became
it was what knocked me out of my sort of
rationalistic
moral relativism.
I it wasn't easy for me to
like I left the church when I was about
13. I I went to church with my mother up
till that point. It was just a kind of
middle of the road Protestant. Exactly
the kind of Protestant church you'd
expect to characterize Canadians was the
United Church, you know, which has got
so woke you you can't believe it. It's
just it's just done. I think the woman
who runs it is an atheist. So, you know,
that's just not good.
Yeah. And they they
worship pride essentially. So, and
and that that's also that's also really
not good. It's hard to go more wrong
than that. You you have to really work
to go more wrong than that. Um
anyways, I studied totalitarianism for a
long time and I even more specifically
because I didn't really think that the
totalitarian problem was the problem. So
that would be the problem of that's a
political or economic or sociological
problem in some sense. How do you
characterize a authoritarian state or a
totalitarian state? Maybe you're
interested in the economic conditions
that might give rise to such a state.
What it's like politically.
That's descriptive in some ways. That
isn't really what I was interested in. I
was interested in the psychology of a
totalitarian state and interested not
only in that but in the dark elements of
the psychology of the totalitarian state
because I was very curious about how
people could do terrible things to other
people and I wasn't even curious about
that. I was curious about how someone
could do something terrible to someone
else, like truly terrible, unimaginably
terrible, and enjoy it.
And then more than that, I was
interested in how that was possible.
See, to cuz to understand how that's
possible, you see, this is the key
thing. You have to understand how you
could do it. Cuz until it's you, it's
irrelevant. It's not It's not real. It's
you come up with some explanation that
divorces you from the phenomena. You'll
make the assumption for example if
you're watching Schindler's Listen you
would have been Oscar Schindler. It's
like that's just not how it would have
worked out. Ladies and gentlemen, you
can tell that by watching what happened
during the so-called COVID pandemic.
You know, people who stand up against
the pathological mob, they're few and
far between.
>> [sighs]
>> So, how is it that you could participate
in the ultimate atrocities that the
worst possible state could promote? How
is it that you would come to that? Could
you could you come to that?
I didn't really understand. I didn't
didn't understand exactly how you could
come to that point until I
visited a maximum security prison.
And I had this professor there at the
University of Alberta. He was an odd
character. Uh he taught a he was an
adjunct professor, so not a full-time
part-time professor. He was the head
psychologist at this maximum security
prison. And it was a nasty place. It was
full of exactly the sort of people you'd
put in a maximum security prison. You
know, repeat offenders, you know, 1% of
the criminals account for 65% of the
crime. Say, so everything has its
specialization and crime is like that.
And if you're there are criminals who
are repeat offenders and then there are
criminals who are violent repeat
offenders and they're the ones who
generally end up in maximum security
prisons.
They're tough places. And I went to this
prison a couple of times and I met some
people there that really made me think.
One time I was at I was I was in the gym
in this prison. Prison looked like a
high school, which I thought was kind of
indicative of what high schools are
like. And it had a gym and an exercise
yard. And in the gym, mostly the gym was
taken up by weight benches. And there
were a lot of monsters in there, guys
who'd been pumping iron pretty hard for
a long time. And they were,
you know, murderers and rapists and
weightlifters. And so pretty
intimidating bunch. And I'd worn this
preposterous get up. I guess even then
[laughter]
I'd gone to Portugal and I bought this
cape. We went to this town that was
basically a castle on top of a mountain
and place hadn't changed much since 1890
and this was back in the 1980s and they
sold these like Dracula capes that were
made out of wolves like Sherlock Holmes
and from the Victorian era. So I bought
one of those capes. I used to wear it
around the university in Edmonton and I
wore it out to this prison which might
not have been the wisest choice.
Anyways, I was in in the gym with these
monsters and a bloody psychologist left
cuz he was an odd guy, which you have to
be an odd guy to be like a psychologist
for a prison full of murderers and
rapists. It's like you're not going to
be your run-of-the-mill person to to end
up there. and he definitely wasn't. He's
a great professor. He's very eccentric
and interesting. Anyways, he left.
So, I was in there with all these
prisoners and they surrounded me and
then they started to offer to trade
their clothes for mine and I didn't like
their clothes and but I wasn't exactly
sure how to say no as you might imagine.
And then this little guy came up. He's,
I don't know, 5 foot six or something.
And he said that the
psychologist had sent him to get me,
which was unfortunate phrasing as far as
I was concerned. But, um, I thought I
must go with him because it's like 1:00
a.m. and 20 of these guys. And so, we
wandered out into the exercise yard. And
he was your normal sort of nondescript
looking character. You wouldn't have
given him a second glance on the street.
And um we got about 50 yards out into
the yard and then the prison or the
psychologist showed back up at the doors
to the exercise yard and motioned us
back. And I was just relieved about
that. And then we went to his office and
he told he said, "You know that guy that
took you out in the yard?" I said,
"Yeah." He said, "He took two cops out
uh they stopped him
on on a road when he was driving. They
he they he they stopped him and he had
he was armed and he uh pulled pulled a
pistol on the guards on the policeman
and uh he shot them both in the back of
the head and one of them while he was
describing the fact that he had two
little kids
and uh so that was rather shocking. The
shock, I suppose, was not just the
brutality of what he had done, although
that was plenty brutal. It was the
juxiposition of that brutality with his
apparent nondescript normality. Like
this wasn't a guy that there was nothing
intimid apart from the fact that he was
in a maximum security prison. Like there
was nothing about him that marked him
out of the ordinary. So that made me
think a lot about the relationship
between good and evil.
as it pertained to a single individual.
And then I met this other guy. He came
into the prison psychologist's office
one day when we were sitting there and
he was a real psychopath, real
narcissist. Interesting person to watch
as psychopathic narcissists are. And you
can tell because there's so many movies
about them. He knew everything as far as
he was concerned. It was so interesting
to watch him because he'd been in prison
for like 20 years, a long time. Didn't
really even know how the outside world
worked anymore, but there was nothing
you could tell him that he didn't know.
And he was just 100% self-centered. And
so it was interesting to watch him.
[sighs] And uh the psychologist was
playing with a deck of cards and the
prisoner said, "Uh, why don't you give
me those cards? I'll show you a trick."
And so the psychologist handed, his name
was Patrick Thawberger. The psychologist
handed him the deck of cards and he
shuffled them and then he put the cards
in front of me face down. [sighs] And
then he named the first card and flipped
it and he was right. And then he named
the second card and flipped it and he
was right. And he went through like a
third of the deck and got every single
card. [sighs] And I thought, "How the
hell did you do that?" He said, "I
memorized them when I was flipping
them." He said, 'Don't ever play cards
with someone who's been in prison.
I found out later that this same man and
one of his compatriots had
identified someone in the prison they
thought was a snitch,
rightly or wrongly. I mean, could have
been the case. And they took him out
with a lead pipe. And what they did to
him was
lay him down and
batter one of his legs into a pulp with
a lead pipe.
And I I thought about that, you know,
it's a it's a funny thing to think
about. I I thought about that for it
really occupied my imagination for two
weeks, I would say. And this was while I
was reading
Soljenitson's book on the Gulleg
archipelago and various accounts of
totalitarian brutality in Nazi Germany
and and so forth and some psychoanalytic
work
and and that's where the story part
emerges.
>> Imagine your favorite lecture, dial that
up on Max, put that on steroids and then
add some cinematic elements to it.
That's the best way I could describe a
Peterson Academy lecture.
I went to college because [music] I had
to. I go to Peterson Academy because I
want to. I'm still paying off college
from 10 years ago. And I'm also still
questioning the value that I got out of
college.
>> Traditional universities, a lot of times
it's just pretty dry. They don't bring
the same energy as the professors at
Peterson Academy. And
>> it is a completely different experience
to learn from somebody who actually
wants to teach you.
>> If you've been on the fence about this,
[music] this is the time. That thing
that's calling to you, you won't have an
answer for it unless you enroll and see
for yourself. You have [music] the
opportunity to investigate that calling.
You know, at the same time, this is a
hard thing to relate actually.
At the same time, I had found myself
possessed by some dark impulses that I
didn't understand. For example, when I
was sitting in class,
I would sometimes get the impulse to
stick the person in front of me with a
pen. And I I'd never done anything
violent in my life. You know, it was
kind of an obsessive thought. And I I
had no idea what to make of that
thought at all. And it was unsettling.
It didn't happen very often. It wasn't
very powerful. But the mere fact that a
thought like that could even enter my
mind was
upsetting.
And that was happening at about the same
time. And it was related to what I was
assessing because I was trying to I was
actually trying to come to terms with
the human proclivity for evil. [sighs]
And that means to come to terms with
your own proclivity for evil. That's
what it means. If you really want the
understanding, it's personal. It's not
political. It's not economic. It's not
sociological. My first degree was
political science. And I was interested
in economic determinance of behavior to
begin with and political determinance.
But I soon realized that that wasn't
where the action was. The action was in
the soul. That's a good way of thinking
about it. The the real answer to the
deepest problems were psychological and
the deepest psychological problems are
spiritual. That's like a definition of
deep.
And so all these things were tangled
together. And I I thought about what had
happened at that prison and I imagined
myself doing it which is a
you have to break a barrier to do that,
right? You have to break the barrier.
That's the assumption that you aren't
the sort of person that could do that.
But I wasn't so sure of that because it
looked to me from what I had read that
if you put people in the appropriate
circumstance,
there's very little they won't do. It's
a rare person who won't go down that
road when the opportunity
makes itself known, especially one
little move at a time, which is how
totalitarian
states develop, right? It isn't that you
go from normal to Nazi in one leap. It's
like it's 10,000 little steps and each
step is a little farther into the abyss
than the previous one. And nowhere along
the way do you ever wake up and say,
"Well, that's just too much." Now, if
you examine the whole pathway from
beginning to end, you'd think, "Well,
that was too much." But each little
nudge [sighs] you can rationalize with
your silence or with your acquiescence,
with the fact that you'll put up with
it, with the fact that you don't want to
take the trouble,
with the fact that you want to hide,
with the fact that you want to maintain
your own pristine view of yourself.
Anyways, I thought about it for a for
about two weeks quite obsessively. I can
if I think about something I tend to
think about it like for 16 hours a day
you know it's it's just nonstop trying
to crack the problem and uh
that's how you crack problems I suppose
and I had the realization one day that I
could do that
and the impulses I had the impulse that
I mentioned that went away
and so that impulse was part of
something within me that was trying to
make it make its presence known, right?
My capability for
for participating in
abysmal acts.
People have dark fantasies, you know,
like you can watch them in yourself if
you're willing to. If you get angry,
especially if it's resentful,
[sighs] you can watch the background
fantasies that are associated with that
and
the the temptations that are associated
with that. And [sighs] if you are
honest, you can see that they'll
they'll take you to some very dark
places. And and I think that's true of
everyone. It's particularly true of the
people who think it's not that it's not
true of them.
So [sighs]
I realized that I could do that and
and that helped make the problem that I
was wrestling with real.
So I became convinced of two things. I I
became convinced that
the fundamental issue of malevolence was
an individual issue. So the fundamental
problem with Nazi Germany is the Oshwitz
camp guard
who's a normal person who enjoys his
work. That's the problem. Like that's if
you boil it down and make it focal,
that's the problem. Now then the
question is, is that you or is that
someone else? If it's someone else,
that's kind if it's a psychopathic
deviant who's barely human, you don't
have a problem. If that's you
and you think such things are a problem,
you have a problem.
And I thought I had a problem. It's
like, okay, I see. So this is a
psychological or spiritual problem.
So
I became convinced of the reality of
evil because I think it's very difficult
to read accounts of the ultimately
barbaric acts that people perpetrated in
the 20th century totalitarian states
without believing
in the reality of evil.
I think if you read through those
accounts,
the summary of those accounts is
something like an account of evil. I
don't care what you call it. That's what
it ends up being.
Is it real? [laughter] Well, it's real
enough to kill millions of people and
and to torture millions more. It's
plenty real. Is it relevant to you? It's
relevant to you if you're capable of
engaging in it.
So then I became convinced that evil was
real. And I became convinced that we had
a personal responsibility for that.
I became convinced at the same time that
the pathway to the totalitarian state
that motivates
atrocity is associated with deception
with lie with the lie that a
totalitarian state isn't a topdown
oppression of freedomloving individuals
by a small codory of pathological
elites.
but the grip of every single person in
this society by
falsity and untruth. So in a here's a
definition of a totalitarian state.
Totalitarian state isn't run by
psychopathic thugs.
A totalitarian state is
the state that exists when every single
person in the society lies to themselves
and everyone else including those they
love about absolutely everything they
think, say, and do. And the more
comprehensive that grip, the more
thorough the totalitarian state.
And when the grip of the lie is
complete,
there's nothing that's beyond you.
Okay. So then I thought, well,
how do you understand that proclivity
for evil? Does it indicate that there's
an opposite proclivity? Right? So
you know, Nietze announced so famously
in the mid 1800s that God was dead. But
that didn't get rid of the problem of
evil.
Quite the contrary. And he knew it
wouldn't. And one of his prophecies was
that we would see the deaths of a 100
million people in the 20th century as a
consequence of the ideological
possession that would flood in to
supplant what the concept of God had
protected us from. And that absolutely
100% happened exactly the way he
predicted it would. Same with Dosioski.
Same prediction.
We're left with the reality of evil and
we're left with the question of ultimate
good. Like the dissolution of God, the
disappearance of God, the collapse of
religious belief is something like the
disappearance of the transcendent good.
But if you're stuck with evil,
the abysmal evil that was on display in
the 20th century,
the the the the
problem of good doesn't go away. It's
even brought into more stark relief.
That's partly why you like to go to
movies that feature anti-heroes, like
really bad people. The reason you want
to go watch that, unless there's
something off about you, is
to flesh out what
the most terrible pattern of action
represents so that you can go the other
way. The thing about coming to the
realization of the existence of evil is
that you've instantly, even if you don't
know it, come to the realization of a
transcendent good because the
transcendent good is whatever gets you
the farthest possible away from that.
[sighs and gasps]
Okay.
Then I started to understand that that
that landscape which is the landscape of
good and evil was the landscape of
stories.
Right? And then I started to understand
that stories varied in their depth. Now
we kind of know that, right? You know
that you can watch a shallow story, you
can watch a movie that's just light
entertainment, or you can read a book or
you can watch a movie that moves you
profoundly to the depths. And so, you
know, there's a hierarchy of
depth
that characterizes the literary world.
As you're more sophisticated, you read
deeper books. They move you more
profoundly. They shift the structure of
your perception more comprehensively.
It's effortful.
Like difficult things are effortful.
The deepest stories are religious.
Okay, that's a definition,
right? because you you could ask even as
an observant scientist what's the domain
of the religious
and it's characterized by many features.
So
the domain of the religious includes
that the the experience of awe that's
that's a good marker. The awe you
experience when you look at the night
sky or perhaps the Grand Canyon or when
you're in love. That's another
indication of your ability to see what's
beyond. That's not a proposition. It's
not a set of beliefs. It's an
experience.
So that's part of the domain of the
religious.
Our stories are often about what
inspires awe.
People can inspire awe. If you're if you
admire someone deeply,
that's a form of awe.
And it's a compulsion to imitate. And
that's no different than the the
instinct to worship. Those are the same
thing. That's all the same thing.
The
domain of literature is the landscape of
good and evil. And the deepest literary
stories are religious.
So I started to analyze stories and I
started to find out who was good at
that. And the people I found that were
the best at that were the
the psychoanalysts.
Freud
initially and then his compatriate Carl
Jung and the school that he established.
And so then I started reading everything
I could get my hands on from that school
and as much mythology,
religious story as I could from all
sorts of different cultures. And I
started as well walking through the
biblical stories and starting to piece
together what they mean and how what
they signify. And so
and I started to understand that
along the way a few other things.
You know when you look at the world you
can't see all the world. you you
understand that there's the world is
insanely complex. This is why we can't
be guided by facts alone. People say
follow the science is because they don't
understand this. You you can't follow
the science because science is not a
navigation tool.
Science is a descriptive enterprise and
describing the landscape and figuring
out how to navigate through it are not
the same problem.
The facts alone can't tell you what to
do. No more than if someone drops you in
a desert, the landscape around you can
tell you what direction you should walk
in.
When you
are interacting with what's real,
you have to choose what to attend to and
you have to choose what to ignore. You
have to prioritize your attention.
There's no difference between
the universe of value and your
prioritization of your attention. Think
think about this for example. You go on
a date for with someone for the first
time and you're in a noisy restaurant
and there's 50 conversations
and you could listen to any of them
or you could look at your phone
cuz there's a million conversations on
there.
But if you have any sense, that's not
what you do. What do you do? You
prioritize the conversation that you're
having with the person that you're
having dinner with. That's what you do
with your guests. What that means is
that you of all the things you could
attend to, you focus on
the interactions between you and the
person that you're
attempting to shower with hospitality.
You
eliminate from your perception a
multitude of potential phenomena and you
highlight a tiny
proportion of what you're offered. You
do that all the time. Every time you
focus your eyes, you do that. Every time
you take a step forward, every glance
you
you take,
you
sift the world through a structure of
value.
The way you do that habitually, that's
your character. That's your personality.
a representation of that, a stable
representation of that.
That's a story.
The reason you like stories, the reason
you need to hear them is because you
want to know how people prioritize their
attention and their perceptions, their
attention and their actions. And the
reason you want to know that is because
there's nothing more valuable to know
than that.
That's why when you talk to someone, you
look at their eyes. You look at their
eyes so you can see
where they're pointing their eyes. You
look at their eyes so you can see what
they're attending to. You look at what
they're attending to so that you can
understand what they're prioritizing.
You do that so that you can gain insight
into their character and understand
them. That's how we do it. When you go
see a movie, you watch someone act out
the priorities of their attention and
action. And that's the characterization
in the movie. And you do that so that
you can benefit from observing the
consequences of that characterization.
The deeper the movie, the more general
significance the characterization has.
So I could say that every decision you
make reflects the decision between good
and evil in a
attenuated way.
such that the your description of the
micro decisions you make might not be
that interesting. But if I took a set of
decisions that people made that a set of
people made and I distilled those
decisions to their essence and I
extracted out a characterization in
consequence
that distilled characterization would be
of general utility and general interest.
And that's what a good storyteller does.
And you know this because a good
storyteller maybe writes a a villain and
a complex and compelling villain. And so
that villain is
first of all the distillation of
everything that could be villainous
about one person because they the
filmmaker will just show you the essence
of that. But then even more than that is
that a very well-developed fictional
villain will be villainous in the way
that 10
villains in the world might be. Right?
It's it's a distillation distillation of
the essence of villain. It's a
purification.
That's what stories do. They distill and
purify the moral landscape.
And you want to watch them because
the representation of the distilled
distilled moral landscape is a powerful
generalizable tool. It's an abstraction.
And then we go again once again the
deepest distillations are religious
characterizations.
Right? So
the ultimate fictional character becomes
a god. Now you have to understand what
I'm not saying. I'm not I'm not trying
to reduce the domain of the religious to
the fiction that people juxtapose
against fact. I'm I'm trying to make a
claim for what we do when we
fictionalize. What we do when we
fictionalize is we abstract. That's not
the replacement of fact with falsehood.
That's the sifting sifting and winnowing
of fact until nothing remains but the
purified essence. It's the most real,
not the least.
Now, you know this already because you
know if if that wasn't the case, then
there'd be no such thing as deeply
profound literature, right? Because if
if fiction was
if fiction was the falsification that
bore no reality to that bore no
relationship to reality, then there'd be
no such thing as deep literature. it
wouldn't have any bearing on the world.
But we know that that's
that's opposite of the truth. The
deepest literature has the most bearing
on the world.
And again, even as a matter of
definition, the deepest literature is
religious. What happens in the biblical
corpus? It's a series of
characterizations.
What are their characterizations? Well,
they're they're twofold essentially.
There's a characterization of what
should be put in the highest place.
It's an investigative inquiry into the
nature of that which should be put in
the highest place. That's a
characterized series of
characterizations. And then it's a
characterization of
man's character in relationship to that.
That's what the biblical corpus is. And
it's it's a distillation of such
characterization that has
made itself manifest over some tens of
thousands of years at least longer at
least that at least that in story form
way longer in behavioral form way longer
than that
so let's talk about this
characterization well I can I'll start
with this story.
And the Lord said unto Ab unto Abraham,
"Get thee out of thy country, and from
thy kindred, and from thy father's house
unto a land that I will show thee."
Okay, so now that's it's one line. Okay,
so what happens in this line? Well, we
know some things about Abraham. He's
old. He's like 75.
And where does he live? Well, he lives
in his father's house among his family
in his country and he's 75. So, what are
we to make of that? Well, it's a little
old to be in your father's house, right?
There's a serious problem of failure to
launch here,
right? Okay. So, now we could delve into
that and see what that signifies. Okay.
So now we know that Abraham's
father is a wealthy man. And what that
means is that Abraham is provided with
everything he needs.
Okay. Now imagine that you're offered a
political utopia. This is the standard
political utopia offering. What did
Dostki say about the the the political
utopians? So imagine we could arrange
your life. So, and this is DossiK's
word. So that you had nothing like
description of California. You had
nothing to do except to sit in hot tubs
of bubbling water to eat cakes and busy
yourself with the continuation of the
species.
Right? So that's Dossiovk's
characterization of the utopia. So and
he analyzes this and said, "Okay, well
imagine we could bring that about. What
would human beings do in response?" And
DSvk's answer was this is in notes from
underground a study of resentment.
[snorts] He said human beings would
immediately do something destructive and
insane just to break that
utopia that hedonistic utopia just so
something interesting would happen. And
he said and isn't that for the best?
That's a very interesting critique. It's
a very sophisticated critique. You know,
often you hear critiques of utopian
socialism and the critique will be,
well, what is on offer is impossible.
And of course, that's true. But that's
perhaps not the deepest critique. The
deepest critique is that's not what you
want. Or maybe even one level below
that, that's not what you should want.
And you might say, well, why wouldn't I
want to have everything I need delivered
to me with no effort?
And the answer is because you're not an
infant in a crib,
right? And if you're 75 years old and
you're living like that, it's like
something's gone wrong and seriously
wrong. Well, then you think, well, is
that in accordance with your experience?
It's like, well, think about what we do
when we go watch movies. We don't watch
people shop. We don't watch people eat.
We don't watch people sleep. even in
security and comfort, right? We we're
not that interested in watching satiated
people
in their unconsciousness,
which is an infantile existence. What we
want to see on the screen is romantic
adventure.
And so then you might think, well,
that's what we're built for actually,
that that the ideal life isn't the
utopia of infantile satiation,
but something like the life of romantic
adventure.
So let's assume for a moment that that's
the case just for
what? For the sake of nurturing the
hypothesis and then we'll we'll add an
additional observation. And so now
there's a characterization of man that
we already described.
Abraham is living this life of infantile
satiation. And at some point it's
insufficient for him. A little late but
better late than never. And there's
actually an optimism in that because in
this the story puts forward the claim
that
it is better late than never. And then
maybe it's never too late. And so even
if you lived a life of infantile
dependency, you could still wake up and
go have your life, go have your
adventure.
Now, you know, you think about what you
do for your kids. You you know, if you
have any sense,
what did my mother say when I left home?
I left home about 16. My mother's a very
nice person.
And she said something I my life went
better when I left home. I was having
some friction with my father. Um, for a
variety of reasons, many of which had to
do with me. Many of which had to do with
being 16. Some of which had to do with
it was time for me to go. And when I
went, it was much better. And I got
along with my parents much better. And
my mother, who's a very nice person,
said, "If things were too good at home,
you'd never leave." And now and then my
mother, you know, she could strike with
her tongue like a snake, even though
she's a very nice person. And that was
one of the times that I saw her the
stronger character in her underneath her
maternal solicitute because she was the
kind of mother who wanted her kids to
go have your life. Right? That's the
maternal sacrifice that
that a true mother is called upon to
offer her children to the world. Right?
And my mother was good at that.
And so
if you're treating your children
properly,
you don't entice them into a prolonged
state of
dependency and infantile satiation. That
isn't
good for them. You know, it that isn't
what you want for them. And that's an
interesting thing, too, because you
could imagine that you want nothing more
than to shelter your child from all
possible harm and damage. [gasps] But
you don't want that.
You don't want them. You don't want to
protect them from serpents. That's a way
of thinking about it symbolically. You
want to make them into snake handlers.
That's a more profound form of security.
So if you make your child, if you
encourage your child to become
adventurous and alert and awake and
undaunted and faithful and courageous,
then that actually provides them with
the best form of security possible
because it means they're going to be
able and ready for whatever comes their
way. And that's way more secure in the
final analysis than anything you could
produce by maintaining them in a state
of suspended infantile satiation.
Right? Freud was very good at an
analyzing this. You know, he he
characterized the mother who
enticed her child into a relationship
that was too close, let's put it that
way, as edible and devouring.
Okay. So, what do we know from these
first lines? We have a characterization
of man and God.
Man as represented by Abraham might fall
prey to the temptation of infantile
security but will eventually become
dissatisfied with that. [gasps] What's
God in this characterization? God is the
voice of adventure that calls even to
the unwilling. Okay. Now what you have
to understand, you have to understand
this. This is a definition.
Okay, this is what modern people don't
understand about these stories.
There are multiple characterizations of
what God is in in the opening stories of
Genesis. In in the initial Genesis
story, God is the spirit that brings
order to chaos, which is what you do in
your household. He's the spirit that
that that
Adam walks with unself-consciously in
the garden, which is what you do when
you're
attempting some recreation in your
backyard.
He's the
spirit that calls the unworthy out for
the
poor quality of their sacrifices. That's
the God that makes himself manifest in
the story of Cain and Abel. So these are
definitions. So what the writers of the
biblical stories are trying to wrestle
with is
what character should be placed in the
highest place and how do you
conceptualize that and then how do you
exist in relationship to that? And so
there's a hypothesis that underlies it
and the hypothesis is monotheistic. It's
that all these different
characterizations are united in one
thing that's properly put in the highest
place. And so the hypothesis would be
that the spirit that makes order out of
chaos, the spirit that punishes the
prideful, the spirit that calls out
those who make second rate sacrifices,
the spirit that warns of the impending
flood, that's the story of Noah, the
spirit that punishes the tyrant, that's
the story of the Tower of Babel. Those
are all the same thing. And that if you
have any sense, you exist in
relationship to that thing and devoted
to it. Devoted to its manifestation
within your own life, devoted to
allowing that to possess you in the
course of your decisions. And then that
story is elaborated further in the story
of Abraham. And so Abraham is living a
semiife
and a voice comes to him or an impulse
or a feeling doesn't really matter and
says
get out there.
Now what makes Abraham faithful?
He listens. Okay. So now you got to ask
yourself this about your belief.
That voice makes itself manifest to you
all the time whenever you're in a
relatively comfortable situation.
And you could
stay there. You could dwell there. You
could rot there. You could
you could cease moving forward
or you could hearken to the call of
further adventure
and then enact that. Okay. So, what are
you doing in those two circumstances?
Well, you're placing faith in one
spirit or another. One is a spirit of
stasis and comfort and the other is the
spirit of adventure. So you might say,
well, do you believe in that? It's like
the belief is represented in your
decision. That's the belief. The belief
isn't your statement about whether or
not you think that that voice exists.
That's a secondary concern. The primary
concern is when something deep within
you issues the command to move forward.
do you attend?
And if the answer is yes, then the next
thing that happen the next thing
happens. So God says essentially
if you hearken to the voice of
adventure,
I will make of you a great nation and I
will bless you and I will make thy name
great and thou shalt be a blessing. Now
that's quite an offer. So let's see if
we can take that apart. Well, nothing
ventured, nothing gained. People
certainly know that. It's like,
how is it that you begin the journey,
let's say, to greatness, to whatever
greatness you might
conceive of or manage? What would
greatness be? Well, in this story, it's
conceptualized as the founding of not
only a nation, but perhaps a multitude
of nations, right? So that the actions
that you undertake are the foundation of
a great enterprise.
How does that make itself manifest as
the call to adventure?
So we might ask, well, how does that
make itself manifest? Because it's it's
good to nail these things down so you
really understand them. Well,
there are other characterizations in the
biblical corpus of the nature of God's
voice. So I'll give you an example. This
is a very good example. So before Moses
becomes a leader like Abraham, let's
say, he encounters the burning bush.
Okay. So what does that mean exactly?
Well, he's just going along his
business. He's a shepherd at this point.
And and a shepherd is a is the
beginnings of a leader, right? Because a
shepherd is a caretaker. And a shepherd
in biblical times was also someone who
was keeping the lions and the wolves at
bay, right? It wasn't a job for this
faint of heart. and you had to live off
the land at the same time. It was a
tough job. He's a shepherd and that's
going pretty well. And he's wandering
around by Mount Si one day, which is the
place of holy encounter, by the way. And
something catches his attention out of
the corner of his eye, and he decides to
leave the beaten track and go
investigate. Okay. So, how does that
work in your life? Well, are you
interested in some things?
Well, yes. Did you choose them
or did they choose you? Now, that's a
weird question, right? Because my sense
is that well, try to make yourself
interested in something you're not
interested in. [sighs]
Right. Right. That's very Now, that's
weird, right? Because if you were yours,
you could just do that. You just say,
"Look, I need to do this. So, now I'm
interested in it." And then away you'd
go and you there'd be no resistance. You
just tell yourself what to do and away
you'd. That is not how it works. Not in
the least. You can't tell yourself what
to do any more effectively than you can
tell anyone else. Maybe even less
effectively. And that's strange because
well, it certainly indicates that you're
you're not under your own control. And
that's a then what who controls you?
Then there's a question for the ages.
And and and more strangely even, if you
can't control what you're interested in,
what controls it?
It's not random. It's not random unless
you're insane.
And and even then, it's not random. It's
more random. That's for sure. But what
calls you is not random. So what is it?
Well, the biblical answer to that is
what calls you is God.
Definition.
Okay. Now, you got to think about that
in the context of your own life. Like,
ask yourself
if
consider the success that you have in so
far as you have success and then ask
yourself
what was the pathway to that success?
How much of that was a consequence of
following your calling?
Now, if you have a job that pays you
well and you hate it, you're not
interested in it. Well, that's not
exactly success. And the security that
the money hypothetically provides, which
would be part of that provision of
infantile
gratification,
it's insufficient.
If if you hate what you have to do to
provide that, if if you're not engrossed
by what you're
sacrificing,
you know that you're much more likely to
commit to something if it grips you.
Okay? So then you got to ask yourself,
what does that imply? I can tell you
what it implies in the biblical context
because the voice of God is
characterized as the interplay between
two forces frequently. One is what pulls
you forward, right? It's an invitation.
It's a calling. It's what makes itself
manifest behind everything that
interests you. You can think of
everything that interests you as a
portal through which the divine light
shines. That's a very good way of
thinking about it. and you know that the
thing you're interested isn't the thing
itself because you can pursue something
you're interested in and then your
interest will shift which shows you that
whatever it was that was pulling you
forward was not that specific thing but
that that thing was a pointer to
something else
right interest is not enough right
because your interest can lead you
astray especially if you're not
disciplined so you need conscience as
well and there's ample characterization
of God in the biblical corpus as the
voice of conscience. And so then you
could imagine that what calls you
forward is the interplay between calling
and conscience, right? Conscience keeps
you on the
your calling attracts you forward and
defines the path and your conscience
keeps you on the straight and narrow.
And the interplay, it's a definition
again, the interplay between those two
things which aren't exactly you. You're
subject to them. That's why they're not
you. They they they they they have an
autonomy which is why they're not you.
You can't tell your conscience what to
do.
It tells you when you make a mistake.
That's not the same thing at all. And
it's akin very much to the phenomenon of
interest. It's like [sighs and gasps]
you can't you can respond to what you're
interested in. You can even pervert what
you're interested in, but it's very
difficult to make it out of whole cloth.
It's something that
you abide by or not.
The insistence in the first few
sentences of this story is that if you
follow the voice of adventure, the voice
that calls you forward,
if you commit yourself to that fully,
fully
then
you will become a great nation blessed
with a great name
and someone that does nothing but good.
That's a pretty good deal. That's a good
deal. And that's the deal that's on
offer. And that's that's a very thing
strange thing to think that that's the
deal that's on offer because maybe that
is the deal that's on offer cuz you
could imagine you can ask yourself this
is a good question. You ask yourself if
if you attended to everything that
interested you,
who could you become? If you took it
seriously, if you noticed that that was
what was calling you forward. If you
didn't shrug off that opportunity and
responsibility, which are exactly the
same thing,
if you were fullheartedly committed to
that, if you were willing to make the
sacrifices necessary to walk that path,
no matter what,
who could you become?
There's been studies of what people
regret when they're old. They don't
regret so much the mistakes they've
made. They regret more the mistakes they
didn't allow themselves to make, right?
They they regret
benel normality.
And I think part of the reason they
regret that is because life is too
crucial
to be satisfied with benel normality.
It's too difficult. There's too much
suffering intrinsic to it. The burden is
too heavy.
What justifies the weight of life?
Security.
There are always times when people long
for security. But security doesn't
secure you. You're you're still faced
with the problem of mortality. You're
still faced with the problem of
malevolence. And what can justify that?
Well, how about a great adventure?
You act like that's the case because
you'll go watch people have a great
adventure on a screen.
So then you might ask, well, where do
you find your great adventure? Well,
that's part of what the biblical stories
are trying to
represent,
calling. So what happens to Moses is he
goes off the beaten track. So you can
imagine this in your own lives. You
know, maybe you have a job that's
providing for you and it's providing a
certain degree of stability, but you
feel that something is missing. you're
in Abraham's position and you have these
interests that have always lurked in the
back of your psyche, you know, and that
maybe you've been afraid to pursue. You
don't think enough of yourself. Maybe
you think they're a bit crazy. [gasps]
Maybe they're too daring. Maybe think
people laugh. God only knows what you
think. You think whatever you think that
stops you. That's plenty of things. It's
usually fear of failure, fear of
success, fear of opinion, fear of the
effort. Who knows?
But let's say in the depths of your
despair at your
too constrained life, you
allow yourself to be gripped by
something that compels you. But that's
what Moses does. He goes off the beaten
track and he looks at this.
He looks at what calls to him. And what
is it? It's a burning bush. Okay, what
does that mean? Well, the tree. It's a
tree. It's a tree of life and tree is a
symbol of life and it's burning because
things that are alive burn right that's
metabolism everything that's alive is on
fire and things can living things can
make them man self manifest with
hallucinogenic intensity that's what
happens when you fall in love
that's what happens when you have a
child [sighs] you see the life burning
in a manner that's compelling so Moses
he he goes to investigate this thing
that calls to him and he gets closer and
closer to it which means he interacts
with it more. He gets he approaches it
and then he realizes that he's starting
to tread on sacred ground. Okay. So what
does that mean? It means if you follow
your interest, it will take you down
into the depths. No matter what the
interest is, it will discipline you and
broaden you and deepen you until you get
to the bottom of things.
He takes off his shoes and he approaches
closer and he takes his take takes off
his shoes. That's a shedding of his old
identity. I guess shoes are emblematic
of identity. You can walk a mile in
someone's shoes and then you can
understand them. He takes off his shoes.
He doesn't know where he's going. It's a
symbol of humility. It's a symbol of
willingness to learn more.
He takes off his shoes and continues his
intense
meditation. And the voice of God itself
speaks to him from the midst of the
bush. And it reveals itself as the
spirit of being and becoming. I am that
I am. I will be what I will be. It's
both of those. All the Hebrew in that
that announcement of God's identity is
without tense. I am I am what I was. I
am what I am. I am what will be. That's
the spirit of being and becoming. What
does that mean? It means if you pursue
whatever calls to you with enough
intensity, you'll get to the bottom of
things. The voice of God itself, the
spirit of being itself will make itself
manifest to you. And what's the
consequence of that for Moses? That's
when he becomes a leader. So here's a
question that pertains to our question
at the beginning of the lecture. What's
the opposite path to the hellish abyss
of totalitarian atrocity?
You become the leader who can lead
people out of tyranny and slavery across
the desert to the promised land.
And you become that by following the
calling that takes you to the depths
that enables the structure of existence
itself to reveal itself to you
that motivates you to become a leader
despite your inadequacies. Moses was a
man who couldn't speak. He had a speech
impediment. There's something wrong with
his ability to communicate. And God
basically says to him, "That's your
problem. Sort it out." and and that
that's a fair statement because like if
you are called upon to be a leader,
there's going to be things about you
that are inadequate. That's your
problem. Find someone to help you. Build
a team. Doesn't you don't have an
excuse. And this is what Moses done is
he allies himself with his brother Aaron
who's a public speaker essentially a
politician. Moses is a prophet and Aaron
is a politician. And that's a nice
dynamic because the prophet keeps the
politician in line, right? But the
politician gives voice to the prophet.
It's a good partnership and it it works
out quite well for them and for the
Israelites.
And Moses asked, "Why will the
Israelites listen to me?" And God says,
"Tell them God sent you." And you might
say, "Well, why would someone believe
that?" And the answer is, "It would
depend on how you said it.
And I'm dead serious about that, right?
And so, so if it if what you said wasn't
a lie,
maybe people would listen. And you might
say, "Well, how how is it that God would
speak to me?" I know the answer to that.
Listen
to what? To the voice of your own soul.
How's that?
And what's so terrible about that in a
sense is that there's nothing you want
to do more than that.
And what's the consequence? Well, the
consequence for Abraham is that
I will maketh thee a great nation. I
will bless thee and make thy name great,
and thou shalt be a blessing. And I will
bless them that bless thee, and I will
curse them that curse thee. The the and
in thee in thee shall all families of
the earth be blessed. Wow, that's quite
the bloody offer. So imagine this. So
here's the deal. If you attended to what
called you forward, hemmed in
appropriately by your conscience, you
would become the sort of person whose
pattern of action would be so beneficial
that every single person would benefit
from it.
It would be the best thing that could
possibly happen to you, but
simultaneously would be the best thing
that could possibly happen to everyone
else. That's a good deal. You might
think that's worth taking some risks
for. Well, the funny thing about risks
is like
you're taking risks.
You walk across the street, right? You
have children, you're going to die.
You're in this. So, the question of risk
isn't the issue. The risk is already
there. The question is, what do you do
with the risk? And
you have an adventure with it. And maybe
that's in some perverse sense why the
risk is there. Because there's no
adventure without risk. And maybe you
could have an adventure that was so
glorious
that it would justify the risk.
The secret to life. Is that the secret
to life? To have an adventure so
superlative that you say to yourself,
"That was difficult, but I'd do it
again. It was worth it." It's what you
want for your children, right? You see
your children struggling forward. And
that's painful. And what you want it for
them is to have a life that's so full
and abundant and rich and varied and
remarkable and miraculous that the price
they have to pay for it which is their
mortality let's say
is
you could celebrate that
and in the all shall all families of the
earth be blessed. It's a lovely
statement of the harmony that could
obtain between the psyche and this and
society. It's a representation of the
kingdom of heaven. The kingdom of heaven
is a place where you're doing exactly
what you should do. And so things are
good, but they're getting better. And at
the same time, what you're doing is
doing exactly that to everyone who's
around you, right? So that's a
harmonious balance. It's not a
competition between you and everyone
else cuz it's not a zero- sum game.
[gasps]
It's a game that returns more the more
you give.
That's a sacrificial motif. Life is a
game that
whose returns are dependent on your
offering. Exactly that. That's what God
tells Cain and Abel. Your return is
dependent on the quality of your
sacrifice.
What's the ultimate sacrifice then?
That's the question there. What's the
ultimate sacrif? Actually, the biblical
corpus as a whole precedes to that
revelation.
What's the ultimate sacrifice?
child and self,
[sighs]
right? So that's that happens in the
story of Abraham. Abraham's called upon
to sacrifice his son. Why? Because you
have to give up everything to what's
highest. And what happens when he
decides to do that? He gets his son
back. And it's part of the process by
which he establishes
the great nation that's blessed, that
makes his name a blessing. The
willingness to offer up everything, even
what you love most dearly, to what's
properly highest, is the most abundant
pathway forward.
It's a terrifying idea. [laughter]
God approves of the proper sacrifice. I
I was thinking about this. Maybe I'll
close with this.
God punishes Cain because Cain makes
second rate sacrifices. Okay. So that
means that God is the agent who punishes
the second rate sacrifice. It's a
definition. Do you believe in that?
Well,
you can ask yourself these questions
instead of assuming you know the answer.
Do you believe that you can get away
with second rate offerings?
Has that ever worked for you? Or we
could make the question more pointed.
Have you ever got away with the second
rate offering in a manner that makes you
proud of what you did when you look back
when you're desperate?
Cuz I know what you look to when you're
desperate. You look back through the
detritus of your life to see if there's
some evidence that at some point in your
life you made a worthy offering that was
accepted properly that produced at least
for some moment the the the stability of
your own psyche and the spread of what
was good
among the people around you. And that
can get you through a dark night. And so
you can ask yourself, well, what would
happen if you did that all the time?
full with full commitment. You're fully
committed anyways.
You're you're you're you're that's your
destiny. Your destiny is to be fully
committed in actuality, but perhaps not
by choice.
He might as well align the choice with
the inevitability.
Abraham has to offer his son. That's
what God himself does in the Christian
venture, right? It's an echo of that
idea that the proper relationship
between human beings and what's highest
is a sacrificial relationship and Christ
is the icon of the offering of the self
to God. And what does that mean?
It means it means exactly that. It means
that the offering that's most pleasing
to God is yourself.
Obviously, like it's obvious that that's
the case. It's like you have to reveal
everything that's in you. You have to
offer everything that's in you. And you
have to do that in a sacrificial manner.
And so what do I mean by that? That's a
deeper level of sacrificial realization.
You might think that when you learn,
you're ignorant and you learn. So you're
ignorant and something is added to you.
But that isn't how it works. The way it
works is that you're wrong.
You run smack head first into that
error.
A new realization
reveals itself. And to accept that, you
have to allow what you were wrong about
to die.
You You wonder why people cling to their
old habits even when they know that
they're destructive. And the answer is
they don't want to let
they don't want to let go of what
they're pathologically clinging to. They
don't want to let go of what they've
pathologically raised to the highest
place. They're not willing to offer the
sacrifice of what's unworthy to
progress. There's a
insistence at the end of the story of
Adam and Eve. Adam and Eve are thrown
out of paradise because of their pride.
And God
bars the gates of paradise. He puts an
angel on each side, a cherub, and the
cherubs hold a sword. The cherubs are
accompanied by a sword that's on fire
that turns every which way. So what is
that? What is a sword that turns every
which way? That's on fire. Well, fire
burns. Fire burns away dead wood. A
sword cuts. A flaming sword cuts and
burns. A flaming sword that turns every
which way is the sword that cuts and
burns from which there's no escape.
Well, that's obviously guards the bars
the pathway to paradise because in
paradise nothing that's insufficient is
allowed to exist. And so if you're
taking your steps towards paradise,
you're going to encounter the sword that
burns and cuts. And you have to allow
all of that that's unworthy to be
sacrificed.
And that's pleasing to God.
You can see why people resist
enlightenment.
I mean, if it you got to ask yourself
like if it if it if it was a simple
matter of
incremental forward progression towards
an ever more enlightened state, everyone
would just do it if there's no cost.
Well, what's the cost? Well, maybe
you're 95% dead wood,
right?
And so that's a lot to shed to move
forward, especially when every cut is
going to be painful. You know that
that's the case. If you're arguing with
your wife, you're arguing with your
husband, and you come to the realization
that you were wrong, you'll dissolve in
tears. And the reason for that is
because
you have to let that part of you,
the the tears are grief for the part of
you that has to die,
the stupid part of you that has to die.
And you can easily get into a situation
where that's so much of you that you're
unwilling to undergo the winnowing
process and then you live in purgatory.
So Abraham departed as the Lord had
spoken unto him, which is what you did
when you left home,
however imperfectly.
And Lot went with him, his nephew. And
Abraham was 75 when he departed out of
Heran. And he took his wife and Lot, his
brother's son, and all their substance
they had gathered, and all the souls
that they had gotten in Heron. And they
went forth to go into the land of
Canaan. And into the land of Canaan they
came.
What's the land of Canaan? It it
eventually becomes the promised land. By
the way, in in the story of Exodus,
Canaan is the land of the future. That's
a good way of think that's where you're
headed. And Canaan is the land of the
future that's inhabited by
the Canaanites in the biblical tradition
are descendants of Cain
and they're
citizens of the
hedenistic and tyrannical society.
That's what you're headed towards when
you move into the future. You know that
because what you contend with when
you're moving forward to try to
establish yourself is the
the occupancy of the place that you wish
to establish by the forces that already
rule there.
It's a universal story of mankind.
The impetus in the biblical corpus is
that you're to assume that if you abide
by the dictates of the voice that calls
you to adventure and you're willing to
make the proper sacrifices that the
inhabitants of Canaan will scatter as
you approach.
Let's simplify that for a moment.
Imagine you have an a high school sports
team. It's the theme of every one in
every 10 American movies. High school
sports team. And maybe there's two
characters on the sports team. There's
like the two skilled young men. Um, one
of whom is a great team player and the
other who is maybe slightly more skilled
but sort of narcissistic and arrogant,
[sighs and gasps] right? And the story
lays out the triumph and the trials of
the boy who is not only skilled at the
requirements of the game, but skilled at
lifting up the spirits of his teammates,
playing the game fairly, and placing his
athletic success in the proper context.
So, he's playing a multitude of games,
none of which are subsumed by the
athletic contest.
The plot, if it's a comedy, a redemptive
story, is that the
good sport
prevails. Do you believe that? Imagine
you have a son who's playing on a sports
team and he's highly skilled. Maybe he's
talented, spectacularly talented, but
he's kind of a prick, you know, and so
when he's running down the soccer pitch
with his scoring opportunity, and one of
his teammates has a stellar opportunity
himself, he doesn't pass, he takes the
shot for himself. And if he does score,
even in some spectacular manner, he has
a celebration by himself. And after the
game, he complains about his teammates.
And [sighs and gasps] you see this
making itself manifest on the on the
playing field. And
he's celebrated and rightly so for his
skill, but you're deeply ashamed of his
conduct.
Why? Because you believe that your son
should act like
you believe that your if your son acted
properly that the inhabitants of the
land of Canaan would scatter as he
approached. And when you fail to see
that make itself manifest, it makes your
soul ache because you don't want him
merely to be skilled. Unless you're a
narcissist who's collecting his
trophies. You want him to be skilled in
a way that makes him into a man. And
that's what you want. And that's the
call to adventure that Abraham
undertakes.
And Abraham passed through the land unto
the place of seek unto the plain of
Mora. And the Canaanite was then in the
land. And the Lord appeared unto
Abraham, and he said, "Unto thy seed
will I give this land, and there builded
he an altar unto the Lord who appeared
unto him." I'll close with this.
[snorts]
Abraham advances in good faith.
With each advancement, there's a
sacrifice. Okay?
You know that makes sense. Have you ever
advanced in your life without a
sacrifice?
Is it the case that if the sacrifices
are of the highest possible quality, the
advance is more rapid and
aimed in a better direction.
If you're if if you're called upon to do
more than your discipline now allows you
to do and you're willing to sacrifice
the bad habits that are holding you
back, the painful sacrifice of your
pride and your hedonism that that might
entail, does that not make your pathway
forward smoother? And isn't it the case
that you're more in tune with your soul
when you do that? And isn't it the case
that everyone around you is thrilled to
death if they're not bitter and
resentful at the fact that you had
enough character to drop the foolishness
that was impeding your progress when the
opportunity to be better presented
itself? And isn't that exactly what you
want for your children and for those you
love? And that's exactly what Abraham
dramatizes.
Each adventure he undertakes is slightly
more difficult. The sacrifice he's
called upon to make slightly more
profound. Well, it culminates in the
necessity to sacrifice his only son.
Despite the fact that he's been promised
the destiny of being the father of
nations, he's called upon to make the
ultimate sacrifice
as we all are,
right? by inevitability,
voluntarily or involuntarily,
in celebration or kicking and screaming.
And the notion, a fundamental notion is
that if it's in celebration, then it
doesn't have to be kicking and
screaming.
Okay, so let's recap.
Stories represent characters in motion.
A character is the pattern of
attentional prioritization,
action, and and attentional
prioritization. It's a representation of
what's important to that person. When
you go watch a movie, you watch what it
is that the lead character is aiming at,
and you infer their character from your
analysis of their aim, and you embody
them to understand them. When you
understand their aim,
the deepest stories represent the most
profound characterization.
The character of what is to be put in
the highest place and to be imitated is
represented in the biblical corpus in a
multitude of fashions that converge on a
single characterization.
One aspect of which is laid out in the
story of Abraham, which presents
man as the spirit that
no matter how sheltered can still
respond to the call of adventure [sighs]
and God as the co as precisely that call
with the insistence underlying the
narrative that
the proper sacrificial heating of that
call
makes of each man the master of an
infinite destiny.
So that's worth thinking about.
There's a Christian injunction that
you're to pick up your cross and carry
it voluntarily.
That's the adventure of your life.
That's the possibility of your life.
It's the catastrophe of your life.
They're the same thing.
And in that catastrophe is the seeds of
adventure.
If the adventure is undertaken with
sufficient faith,
the catastrophe is
forestold.
That's a good place to end.
[applause]
>> [applause]
>> Thank you. [applause]