Video summary
In this year-end reflection on the worst books of 2025, the speaker reveals that while they read a hundred titles, their experience was defined more by indifference than outright hatred, though ten specific works stood out as particularly disappointing or offensive. The list begins with two physical copies and several others held in memory: *The Rachel Incident*, which felt like an unrefined imitation of Sally Rooney's style but lacked her authorial awareness regarding character likability; and *The Sea of Unspoken Things* by Adrienne Young, a deeply personal project about sibling relationships that ultimately failed to honor its subject matter. The speaker expresses profound disappointment in the latter, noting that if they were the brother mentioned as an inspiration for such negative portrayals, he would rightly be furious at how his relationship was depicted.
Moving through their physical collection of disliked titles, the review covers *Paladin's Grace* by T. Kingfisher and *The Shadow of the Wind*, both of which suffered from excessive length and a failure to meet high expectations despite being well-regarded in other circles. The speaker found *Paladin's Grace* deeply uncomfortable rather than cozy, while their experience with *The Shadow of the Wind* was so negative that it required them to stop gaslighting themselves about its quality before they could finish reading it honestly. Other entries include *The Library at Helliford*, which delivered on gross imagery but lacked narrative coherence or reward for deciphering its confusing plot; and V.E. Schwab's *Bury Your Bones in the Midnight Soil*, a lengthy novel filled with significant plot holes that undermined character development and felt like an unnecessary slog about female vampires.
The final segment of the list addresses classics and award-winners that failed to impress, including Richard Adams' *Watership Down*. While acknowledging its well-written prose, the speaker condemns the book's integral reliance on reducing female rabbits solely to breeding roles, viewing this as a disturbing act of misogyny disguised as children's storytelling. The critique extends to Ann Leckie's *Ancillary Justice*, which the author felt was arrogant and inadvertently offensive in its execution of complex concepts, followed by Hannah Whitten's *For the Wolf*, described not just as bad but as an "absence" of a book with no plot or character depth. The list concludes with Ava Reed's retelling of *Macbeth* titled *Lady Macbeth*, which is criticized for being deeply offensive to Scottish culture and feminism, ultimately ranking among the worst books ever read in the speaker's life due to its unnecessary nature and poor execution.
Read the full video transcript
Well, it's that time. Worst books of the
year. I read 100 books in 2025 and I
would It was not a great reading year.
But also, it wasn't the worst reading
year in as much as
I I just like kind of wasn't liking a
lot of books I was reading, but there
were very few that I really hated or
that I really loved. So, actually doing
these end-of-year lists was kind of
difficult, but also kind of easy cuz it
wasn't like I had so many and I was
like, "Got to narrow this list down." As
I was putting the list together, I kind
of arrived at 10 of each. And I had no
more and no less that I would consider
putting [laughter] on my list. And I was
like, "Okay, just barely. We had exactly
10." All right. So, I actually have
physically most of my worst books, which
is unusual. There's two that I don't.
So, before I forget them, we'll do those
first. Uh but otherwise, this list is in
no particular order. I have not ranked
them. They are not worst to or least
worst to most worst or anything like
that. They're just the order that I
stacked them. Uh and then starting with
the ones that I couldn't stack cuz I
don't have them. Usual disclaimers, if
you loved these books, if you loved one
of these books, all of these books,
really happy for you. Um my disliking
them changes nothing for you. All
righty. So, the two books that I don't
have, The Rachel Incident. I never write
down author names. I think it was
something O'Donoghue, I want to say. And
I read this at the beginning of the
year, so specifics are fuzzy, but I said
this at the time and I stand by it that
it's like And so, it was compared to
Sally Rooney and that's kind of what got
my interest because I love Sally Rooney.
And I also quite like the cover of this
book, which, you know, I'm a cover
buyer. Fully admit that. And I read it
when I read it at the time, I was like,
"For all the people that hate Sally
Rooney, this must be what it's like
reading her books because I can see how
uh a surface level reading or comparison
of the two, if you do like a checklist
of things they contain or the type of
books they are vaguely described, I
could see why you would like lump The
Rachel Incident in with Sally Rooney and
be like, "Oh, this seems easy." Um but
same-sies
>> [gasps]
>> in the way that I'm think I'm going to
do another food metaphor because, of
course, I'm going to do another food
metaphor. It's same-sies the way that
like Kraft Mac and Cheese is to like
Michelle and Star Macaroni where you're
like, "I mean, yeah, pasta with cheese
on it." Um so, same same, but like
but not same.
Very much not same. Yeah. It's just It's
abysmal.
And it also it does the thing of having
an unlikable protagonist that the author
doesn't seem to realize is unlikable.
Because again, I have no issue with an
unlikable protagonist. Sally Rooney
books often contain unlikable
protagonists, but Sally Rooney seems
fully aware of the fact. Um I don't know
if maybe the author like did mean us
like did mean to convey that this is not
is meant to be a likable protagonist and
just wasn't talented enough to like
convey that, but yeah. God, that book
was miserable. It made me so mad
throughout and I I mean, it wasn't It
was It was uninteresting and
unsympathetic and just bad. It was just
bad bad bad bad bad. Uh I was so
miserable reading it and it made me want
to go read a Sally Rooney book to
cleanse my palate. [laughter]
So, go read Sally Rooney. And then the
other one that I don't have physical
copy of is The Sea of Unspoken Things by
Adrienne Young, which again I talked
about in my wrap-up for the first half
of the year.
Uh it made me finally officially for
sure seize give up on Adrienne Young. I
Every time I read a new book of hers for
the last few years, I've been like, "I'm
done. I'm done with Adrienne Young. I'm
not going to keep giving these books
chances." And then she'll announce one
that's coming out and the concept will
sound so cool that I'm like, "Well, I do
want to try that." And then it's always
bad. This was the worst both in terms of
like probably just being the worst, but
also the worst in terms of like level of
disappointment because even though I was
prepared that I was like, "It's probably
not going to be that good cuz it's
Adrienne Young." But the reason I was
like, "Okay, I do have to give her one
last shot" is because she said it was
really heavily inspired by her
relationship with her brother. And I
have a very very close relationship with
my brother. So, if a book is claiming to
be
um strongly about a brother-sister
relationship, that immediately at least
gets my attention. Um depending on what
it's going to be. I mean, we're not
trying to do Jamie Cersei. Although,
Jamie is one of my favorite characters,
but not for that reason to be clear.
Yeah, so I was like, "Oh, if she This is
going to be coming from a really
personal place for her, so that's
usually that bodes well for for books
because uh something that's deeply
personal to an author, they're probably
going to be slightly better at executing
on." Um
so, that And then I was like, "And this
is just something that's close to my
heart, so I will feel more strongly
about it." So, I was like, "Maybe this
will be the one." It was the worst one
and I said when I finished it, when I
reviewed it, that like
in addition to just being bad,
if I was her brother and I read in a
dedication or some interview or whatever
where she said that this is, you know,
inspired by my my relationship with my
brother, I was like, "If I wrote I think
I said if I wrote this book and and told
my brother that he was the inspiration
for it, he would say, 'What the fuck?'
And he would be right." Cuz I was like,
"In addition to not liking this, I kept
thinking I was like, 'Is your brother
read this or is going to read this or
you want him to read this?'" Cuz like
Yikes. Yikes. [laughter]
I'm not saying you can't write about a
brother-sister relationship if you have
a bad one and that's going to be your
source of inspiration because you have a
really bad relationship with your
brother, you can do that. But it was bad
in a way that like It painted the
brother in a bad light, but also painted
the narrator in a bad light. It was I It
made me feel really uncomfortable,
honestly, especially knowing that this
was like inspired by any real people in
her life or whatever, that this was more
like personally like the author putting
themselves into it. I
Oh, boy. No.
>> [sighs]
>> No. Okay, on to the books then that I
have physically here. Again, in no
particular order. I have top of the
stack, Paladin's Grace by T. Kingfisher.
Uh T. Kingfisher is generally hit and
miss for me. This was the biggest miss
of them all. The other like misses for
me have been more like womp womp, like
didn't love it um kind of thing, not
like hate. I pretty much hated this. I
read it with my patrons and I felt bad
>> [laughter]
>> because um
like this is quite well-beloved and I
wouldn't say all my patrons agree with
me that this is bad. Although, I was not
alone in disliking it. Yeah, this made
me This gave me such ick. Like this was
pitched to me in a way that I expected
to
if not love it cuz I'm not really a
romance girly, but I can like an
occasional romance if it's done really
well or if it's doing things in a way
that I particularly like. I heard such
good things about this and the way that
was pitched to me and like when I was
told like what are its features, why I
might like it, I was like, "Yeah, okay,
that sounds like something that I
actually might be interested in." And oh
my god.
This made me so uncomfortable. Like it
literally made me want to crawl out of
my skin sometimes. I
Yeah.
Anyway, if you love this, I'm really
happy for you, but
I did not find this cozy. I found this
so upsetting to read. All right, next up
is another book that is extremely
well-beloved and for years I've been
looking forward to reading this book
thinking that I've got sitting on my
shelf a future favorite. It's just not a
favorite yet cuz I haven't read it yet,
but I know that someday when I read it,
it's going to hit It's going to be a
book that I'm like, "Why didn't I read
this sooner?" Um and it's awful.
And I want the time back that I spent
thinking of it as a future favorite. And
[snorts] that is The Shadow of the Wind
by Carlos Ruiz Zafón.
This book is so bad. I cannot believe
how bad this is.
Again, it's not just like, "Oh, it's not
as good as I thought it would be" or
like, "Oh, unfortunately, it's not a new
favorite." It's not just not a new
favorite. This book is horrendous.
endous. I was shocked. And I also I went
through the like I'm always gaslighting
myself when I'm reading a book that I am
determined to like or have spent so long
believing that I will like. So, for the
a good chunk of this book, I was like,
"Well, but like
maybe it's going to
It's just that it's like
at the start, it's it's not like it'll
get there" or like just hold space for
And I'm like, when I finally admitted to
myself, and this is what always happens,
when I finally admitted to myself that
no, this is bad, then I could get
through the rest of the book
um so much faster cuz I wasn't like, "Um
maybe I'm just like not in the right
headspace for it. So, I'll put it down
until like I'm fully ready to receive
it." I was like, "No, this is bad. Let's
get through it. Let's get through it and
let's not pretend this is good." Wow.
It's it's honestly really offensive like
the way it's treatment of women. Um but
it's also really long and really
navel-gazy uh navel-gazy, really
pointless, really up its own ass in a
way that like reaches new heights.
Like I've certainly said that about
other books and other books have done
that and pissed me off. This is like new
like top shelf like rarely has a book
reached this level of being up its own
ass.
>> [gasps]
>> I couldn't believe it. I just couldn't
believe it. I was like, "Who is reading
this and going, 'Yes,
this is a masterpiece. Special editions,
let's go.'" Like
I
What is this? Literally, what is this?
I
Yep. I Not not for me. Not a favorite
for me.
Uh next is a book that I read with
Blades and Bodice Herbers. I picked it,
so this is on me, but I frequently
picked books for Blades and Bodice
Herbers that I ended up being the one to
hate. Um and that is The Library at
Helliford by Cassandra Khaw. And um I've
only read other one other book by
Cassandra Khaw and I really really liked
it. And so, when this new one was coming
out and it's so intriguing and pretty
and was giving sort of dark academia
Eldritch something something, I was
like, "Well." And it's it's not super
long and uh we needed to pick something
kind of gross and spooky for Halloween.
So, I was like, "Well, perfect." Um and
having read
um the other book that I read by
Cassandra Khaw is The Salt Grows Heavy
and having read that, I was like, "Well,
that certainly would be a good like
spooky season read. So, if this is
giving the same, you know, obviously not
story, but like
a similar tone, imagery, etc. I was
like, "Yeah, that's going to be great.
It's going to be perfect." Um this book
is such a mess. None of us who read it,
uh I don't the you can go watch the live
show where we're all kind of scratching
our heads at it. Uh it's really
difficult to follow what the heck is
even going on here. Um but it doesn't
exactly reward you for attempting to
figure that out cuz there's really
nothing here to like that you'd be like,
"Oh, like once you understand it, it's
actually" No, it's not. It's not
actually anything. It's just gross. Cuz
it is extremely gross. It did deliver
that. There's so much gross imagery.
But, honestly, there's such an onslaught
of it constantly that you're pretty
desensitized to it from page one.
Cuz it just opens with being gross and
doesn't stop until the end and you're
like, "Now I get it."
Yeah, that's super nasty. Yep, I not I
understand what we're doing. Yep, okay,
great. And more of it. Awesome. It was
like for such a short book, it's kind of
slog to get through cuz it's so baffling
and gross. That's all it is. It's
baffling and gross. That's all it has to
offer you. And a pretty cool cover. So.
Pretty big disappointment. Next is a
book that I actually had planned to do a
review for um like I it's own separate
video and I was actually taking notes
while I was reading it when I when I
realized that I probably want to talk
about this cuz it was so bad. So, I do
have some notes on my phone, but I read
this a quite a while ago and never got
around to filming that. And then this
one the Good Reads Choice Award. So,
that made me wonder do I I was like,
"Maybe I really should do that video."
And then it was the end of the year and
I got sick and all this other jazz. So,
I'm
and unfortunately not going to do a
separate video cuz I think at this point
I probably need to reread the book to
fully do a video like that justice.
Um because now if I did it, what I'm
about to do is like, "Well, it's a
little hazy for me cuz it's been a
minute since I read it." And the book is
Bury Your Bones in the Midnight Soil by
V. E. Schwab. This is really really bad
and really really long and really really
stupid and filled with plot holes. Plot
holes that like in general being really
nitpicky about plot holes is not really
something that I indulge in. I do try to
read things in good faith. I know maybe
you're like smirking or rolling your
eyes at me saying that cuz I
have a reputation for being quite
nitpicky. But by by by that I mean if
it's like relatively small stuff that is
like, "Okay, that's technically a hole,
but like
the overall story and like what we're
doing with the characterization like
isn't really that affected by it. It's
just kind of like, 'Yeah, okay,
technically that's a hole.'" But if it
is something that is like even if it's
small, but it does have a massive effect
on the characterization or is like
really yanks you out of the story, well
then I will nitpick the heck out of it.
So, this was more of the case here. This
is such a long book about characters
that are not written well. Um they're
mostly really unlikable characters, but
they are not interesting and they are
not compelling. They're really boring
and there's just
so many pages here that do not justify
their existence. The the the vampire
lore that's offered here is also pretty
abysmal. And here too this is where
nitpicking comes into it because the
characterization suffers when
our our one of the main characters will
be surprised by information that it
seems really really unlikely they would
not have been given because of the
amount of time that's passed and the
amount of time they've been with the
people they're supposedly with where
like I wrote it down on my phone, but
there's like a scene where she finds out
something that
it's I guess it's not a hole in the
sense of like technically there was no
scene before that where she did find
this out, so now it's a hole that she
supposedly doesn't know it. It just
really beggars belief that she wouldn't
have this information after all of this
time. Like this would have come up.
Like what?
Then don't tell me. Don't give me this
time skip because what is supposed to
have happened during that time if she
didn't find this out? It's it's just a
a book that I mean V. E. Schwab in
general has lately kind of like the
books are like up their own ass in a way
that, you know, like the it's like, "Oh,
these are the only things they're doing
something."
This long slog about female vampires
that's like, "Oh, well like we're going
to do like feminist and vampires." And
like it's not just like dudes that can
have dark morally gray tones about
vampires. Women can do too. And like to
be fair, I really don't like Interview
with a Vampire. I think that's awful. Um
so I'm not out here saying this is no
Interview with a Vampire. How dare?
Interview with a Vampire also sucks. So,
um
yeah, I
The fact that this won the Good Reads
Choice Award,
I was [laughter] like, "What the fuck?"
This is why we can't have nice things.
Um next is a book that uh is a classic.
I have the 50th anniversary edition and
I'm pleased to report that not a single
one of my patrons disagrees with me that
this is bad. We were all shocked.
Um and that is Watership Down by Richard
Adams.
What
is [laughter] this book?
>> [gasps and sighs]
>> If you have never read it, but you've
probably heard of it cuz it's a classic.
It is about bunnies, but it's a really
dark book. And that's all I'd really
ever heard about it was that like it's
this classic, it's about bunnies, and
then everyone's like, "Oh, it's like
such a traumatizing story that like
people kids are traumatized from having
seen the film as a kid or people are
traumatized by reading the book." And
the only like
thing that sprang to mind when I heard
that was The Velveteen Rabbit. And
obviously The Velveteen Rabbit is not a
real rabbit, but I was like, "That's
pretty traumatic." So, I was like,
"Rabbits and trauma."
I'm expecting something that traumatizes
me in a similar way, I suppose. But this
traumatized me not so much as like the
story itself, but more so like
I've got so many questions about the
author and what he's trying to
accomplish here.
Because this is a book where
we're told that like he this is stories
that he told to his daughters,
two little girls. And he goes out of his
way in this story about rabbits to make
sure that it is abundantly clear that
female rabbits serve no purpose but to
be the breeders of other rabbits. This
is not something that is just mentioned.
This is not something that is like once
in a while comes up. This is not
something that is just implied now and
again. This is integral to the unfolding
of the plot. The plot is about this.
>> [sighs]
>> So, even if I didn't know he was telling
these stories to his like little girl
daughters,
I would be like, "What the dude?"
But knowing that that's where this came
from and then he wrote it down, I super
duper what the Like were you was
this like an act of aggression against
these children that you were doing this?
Like [laughter]
what?
What is this? Why would you do this?
Why?
So, like it is well written in the sense
of like the prose is good. Um a lot of
the sort of like
um anthropomorphization of the rabbits
while keeping them very rabbity is very
cleverly done. So, like there's talent
here for sure. This isn't someone who is
like a talentless hack who's like
bumbled their way into, you know, doing
misogyny. There's this So, the only
conclusion to be drawn is that this is
deeply intentional,
which is so much more disturbing. Um
I
What? What is this?
So, do not recommend unless you want to
be horrified. Uh and not in the way that
I was expecting. I was expecting to be
weeping and sobbing and being
traumatized over dead bunnies.
No. I mean some rabbits do die in this,
but that's not what traumatized me. Next
is a book that um again I read towards
the beginning of the year, so details
are hazy, but I despised it. Um and that
is Ancillary Justice by Ann Leckie. And
this is a book where once again we have
entered a situation where the author is
so
so confident and so arrogant about
talking down to you from the lofty perch
of this concept that they've come up
with that they fail to realize how
actually they have inadvertently been
extremely offensive, [laughter] which is
really aggravating.
Like I don't think this is a
well-written book, but also the added
layer of like you really think you're
doing something here with this concept.
And what you are in fact doing by being
so aggressive about this concept is like
actually being really offensive because
you kind of overshot the mark there. You
were just so like tunnel visioned about
what your concept was that you failed to
realize the side effect of what you were
doing here. And I just had such a
horrible taste in my mouth reading this
book. I was like,
"Get over yourself. No."
No. I absolutely not. But it's uh it's
won a bunch of awards and everyone says
it's amazing. So, I'm the idiot. So,
definitely go read it cuz um I cannot be
trusted. Uh then next is a book that I
talked about in my it was for my um
actually the last two are for my
priorities vlog. So, if you watched
that, you already heard what I have to
say in much greater detail than I'm
going to go into here. Um but it's For
the Wolf by Hannah Whitten. This is a I
think YA or new adult romance, I see I
suppose is where it would be shelved. It
It's a
purported to be a Red Riding Hood
retelling, but is in fact a Beauty and
the Beast retelling with some Red Riding
Hood window dressing.
But it's not really much of a Beauty and
the Beast retelling either. It's not
much of anything at all. What I said
ultimately after my ramblings and
irritations in the vlog was that this is
like the absence of a book. There's just
such It cannot be overstated how much
nothing there is in this book. That
plot, characters, concept, lore, magic,
it's just
it's just nothing. It's just white
cardboard.
>> [laughter]
>> I
it that that doesn't make any sense, but
not in a way that makes me angry. It
just makes me go, "This doesn't make
sense."
But I also don't care and you don't seem
to care and
there's just like nothing to this. I
I can't even like muster strong feelings
about it because
I feel nothing about it cuz there's just
nothing here to feel anything about.
So,
yeah, took me forever to get through for
that reason cuz I wasn't even like if
I'm if I really hate something, then the
rage will sometimes motivate me to read
it so I can be like, "Oh, how much worse
can it get? Show me." This I was just
like, ah, this is just it just keeps
going. And it keeps being nothing.
I feel nothing.
>> [laughter]
>> So, don't recommend. And last but not
least is a book that is the opposite of
that in as much as I have very strong
feelings about it. It was the first book
I read for the vlog project. And that is
Lady Macbeth by Ava Reed.
It's one of the garbage books that I've
ever [laughter] read.
>> [gasps]
>> I don't understand why you would retell
Macbeth if you clearly hate the play
Macbeth. You clearly hate the character
of Lady Macbeth. And the thing you hate
most of all is Scotland and Scottish
people.
Who No one made you retell Macbeth, Ava
Reed. If you hate all of this so much,
why would you take it upon yourself to
retell this of all plays? Shakespeare
wrote plenty of plays that are not set
in Scotland. Pick one of those.
Actually, don't pick one of those.
Actually, do whatever you want cuz I'm
not going to get any more of your books,
so it doesn't matter what you do. But,
this is just so unnecessary, so deeply
offensive, so the opposite of feminism,
the opposite of what a retelling should
be, the opposite of what a book should
be.
What an aggravating, baffling read. I
Yep. I
It's disgusting. It's It's one of the
worst books I've ever read in my whole
life.
Um, zero out of 10. And those were the
worst books that I read in 2025. Let me
know uh which of those were your
favorite books.
Um, why I cannot be trusted, why my
opinions are the worst, um or
alternatively why you agree with me and
you feel seen, why you also hated these
books and you're so glad someone else
did, or why you've never read these
books
and you don't care about my opinion.
Whatever you want to tell me.
Then I'll see you in my next video.
Bye.