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Vimina Flying Machines Found In India!!! 🤯

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The video explores the hypothesis that ancient civilizations possessed advanced knowledge of flight and air travel, challenging mainstream historical narratives that dismiss such claims as impossible. Central to this argument are various artifacts discovered around the world, most notably the Quimbaya gold artifacts found in Colombia, which include the famous "Colombia Jet." Experts and researchers have analyzed these items, concluding that their mechanical designs are far too sophisticated to be natural objects or mere toys. To test this theory, a team of German engineers created a scale model of the Colombia Jet in 1996, which reportedly flew with aerodynamic stability comparable to modern supersonic aircraft, suggesting that full-sized versions could have existed and been capable of flight. Further evidence is drawn from ancient Indian literature and legends, particularly regarding the Vimana, flying machines described in detail within texts like the Ramayana and Mahabharata. Unlike the Great Pyramids, which are absent from Egyptian papyri, these aerial vehicles are frequently mentioned in Indian manuscripts, with some structures found in India's landscape suspected to be stone replicas or landing pads for these crafts. The video also highlights the Doon tribe's oral traditions concerning the Nommo, tall humanoid beings from the Sirius star system who visited Earth and taught advanced technologies. This ancient astronomical knowledge is supported by modern astronomy, which recently confirmed that Sirius is indeed a twin-star system, validating the tribe's descriptions of its orbital path and reinforcing the possibility of extraterrestrial visitation or reverse-engineered technology. The discussion extends to other global anomalies such as the Nazca Lines in Peru, where massive geoglyphs depicting animals and a humanoid figure known as the "Nazca" are believed by some to represent landing strips for ancient aircraft, given their scale and the high altitude required to view them clearly. The video also addresses skepticism regarding the Egyptian Saqqara Bird, noting that while one academic initially claimed it was an unstable toy, subsequent wind tunnel tests by experts like Simon Sanderson demonstrated that its fixed wings generated significant lift, proving it could function as a glider. Despite these findings, the video suggests that many such artifacts and technologies have been suppressed, stolen, or hidden away in private collections and major institutions like the Smithsonian Institute to maintain conventional historical timelines. Ultimately, the presenter argues that human ingenuity and ancient cultures may have achieved feats once thought impossible, such as moving massive stones with ease or constructing complex flying machines, potentially aided by airships rather than just brute labor. The video concludes by suggesting that a super-civilization capable of precise stone cutting likely possessed airship technology to facilitate the transport of heavy materials over vast distances without damaging their bases. By re-evaluating these anomalies through the lens of ancient astronaut theories and suppressed evidence, the narrative posits that a lost world with advanced aviation capabilities once existed, and future discoveries could finally explain how these ancient feats were accomplished before being erased from public consciousness.
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Although not often mentioned within others explorations into our vast and distant [music] past, there [snorts] are in fact a wide and varied array of curious and unexplainable anomalies which can be found hiding all over our planet. Anomalies that without the utilization and inclusion of ancient flight beginning to be entertained within our possible theories of this lost world may remain unexplained forever. Enigmatic, inexplicable launch pads like that of the anomaly that can be found hiding within modern-day Bolivia, indeed with its equally intriguing patterns etched up the tracks. For there does indeed exist a substantial amount of evidence to support such a hypothesis that these ancient civilizations were indeed aware of the physics behind its secrets and perhaps even accomplished that of not just flight but perhaps even global travel. the bird of Sakara, or indeed that of the Quimbaya artifacts, as but two examples which each demonstrate that if once built to scale, that these civilizations could have indeed created craft capable of flight. With many designs discovered amongst the Quimbaya artifacts, which via the creation of modern remotec controlled reconstructions successfully being test flown, have all but been proven to have been capable of flight all along. Thus, it is not a very large leap in logic to suspect that there could indeed have once existed life-sized versions of these pre flood vehicles. Perhaps some even discovered over the centuries. Yet, like so many other controversial, [music] impossible relics, have been covered up and concealed from the world. Perhaps they simply stolen and hidden away in private collections and out of sight of the public. The Quimaya artifacts [music] were discovered in the late 20th century, which like that of the extraordinary dolomite surgical equipment covered earlier were also once found within modern-day Colombia. It is a collection of several dozen solid gold artifacts, which according to academic claims were made by the Quimaya civilization some 3,000 years ago. now displayed within the Smithsonian Institute with the most compelling of the collection, a piece now known as the Colia Jet. This intriguing set of possible ancient flying objects are, as mentioned, only a small [music] section, among many other undeniably obvious examples of the depiction of ancient machines, all once capable of flight. Yet, they all largely ignored by the mainstream field of historical study. ignored or often dismissed, such as that of the Istanbul rocket. A small 3,000-year-old stone [music] carving discovered in the ancient city of Tushba, depicting what many have concluded is undeniably an ancient helmeted [music] figure sitting within some type of craft. one clearly reminiscent of modern rocket systems which along with the Quimbaya artifacts the detail etched upon that of Pal's tomb [music] indeed the strange object found beneath the tomb illustrated which is even less if ever mentioned which like that of the Istanbul rocket is undeniably similar in [music] appearance to modern rocket thrusters a compelling collection of objects and artifacts which all indicate that there is perhaps indeed something to the ancient astronaut theory. After all, Dr. Ivon Sanderson, a scientist from the United States, personally studied the Quimaya planes, concluding they appear far too mechanical and far too reminiscent of modern airplane designs to have [music] once been based on a natural object. JA Olri, an expert in aerospace technologies, also looked at the artifacts, particularly the Colombia jet, [music] and admitted that it too closely resembling a plane, further noting specifically like that of a Swedish Saab. In 1994, three Germans, Algundinboom, Peter Belting, and [music] Conrad Lubers, all became convinced of them indeed being miniature replicas of what were once very real ancient aircrafts. So, they decided to create a scale model of one in particular, that being, of course, the Colombia jet, to see once and for all if it could have indeed once flown. During their research, they found that the U part behaved exactly like a modern aircraft while airborne, specifically like the supersonic Concord. The replica was completed in 1996 and was reportedly so aerodynamically stable, it flew better than most contemporary jets. It was so successful, in fact, they decided to build another one, but this time with a full jet engine. And this too they claim flew just like a modern jet. [music] However, when it comes to the murky ancient coverups occurring over the years, the rumors and claims repeatedly surfacing, all of which telling of the discovery, retrieval, concealment, confiscation, and suppression of such mysterious antidoluvian craft. There is no other location on earth where they appear more frequently than that of ancient India. with ancient India's incredible yet completely elusive vimmana not only now utterly synonymous with this ancient landscape but are even recorded within local legends and societal rumors as having on many occasions and by various different individuals sometimes even military personnel as indeed surfacing over the years rediscovered perfectly preserved hidden long ago within this ancient landscape with some claimed as even rebuilt or reverse engineered, yet infuriatingly all seemingly stolen, hidden, or destroyed before they ever make it into the public realm. With these craft in stark contrast to the complete absence of the mention of the great pyramids construction throughout the mountains of Egyptian papyrus can actually be found mentioned literally everywhere throughout India's ancient literature. These mysterious craft as illustrated are displayed, described, even deconstructed within the infamous Ramayana, Mahabharata and Vad's manuscripts where their many designs and apparent functionalities are described in great detail explaining how these curious craft were built, what they looked like, who owned them, [music] and even the battles they once had in in the skies above ancient India via the book. One can also establish that many up until now puzzlingly shaped ancient piles and terraces which can be found littering the prehistoric landscape of India do indeed in fact appear to be possible reconstructions of these most fascinating ancient relics. Many suspecting that if we were ever fortunate enough to find one of these things either buried or sealed away somewhere within the landscape, a discovery which manages to achieve mainstream publicity before inevitably and mysteriously [music] vanishing, it may eventually and finally prove beyond doubt that these temple piles, just like the tremendous effort that went into depicting that of the chariots, indeed all along stone replicas, of ancient craft. Yet, I digress. If then the legends indeed true, one has to wonder, [music] where did such technologies come from? Could the ancient astronaut theories also be true? Are these strange anomalies then, as many [music] have previously hypothesized, depictions indeed of ancient flying machines, perhaps some form of reverse engineered technology? technologies discovered, recovered, and deciphered within another timeline of history entirely. With these 12,000-year-old rock paintings, also recently discovered within India, supporting such incredible extraterrestrial theories known as the Chadisgar rock paintings, they were found within Maharashtra in 2025. walls completely drenched in ancient artwork once created with ochre and chalk. They depict many different bizarre objects, including crafts and machines, such as what is instantly recognizable as that of the stereotypical flying [music] saucer. Known within military circles as that of the foo fighter, this turn of phrase in itself, I feel indicative of such events clearly having once occurred. this. No matter the predictable objections such claims experience, the term Foo Fighter simply [music] has too much smoke for there not to be some kernel of truth to the name. With many pilots reportedly encountering these strange craft during the First World War, this also undoubtedly giving rise to many of the other more modern UFO conspiracies. Yet the most compelling and astonishing of ancient evidence suggesting the possibility of us having once been visited by ancient aliens, undoubtedly that of the discoveries made amongst the Doon tribe long ago, which are in my [music] opinion probably the most spectacular proponents short of actually finding an ancient spaceship in a cave that can be found anywhere on the planet in support of these ancient visitations. s virtually untouched or corrupted by the outside world [music] for thousands of years. These legends and as one will see actual astronomical knowledge. Events still told of by the elders undoubtedly some of the most impressive ever told. with the ancient tribe still celebrating this event all the way into the modern day. A ceremony held by the entire tribe [music] every few decades. What these ceremonies reveal about the trib's understanding of the cosmos without their claims of ancient alien visitation that is continue to remain completely unexplainable [music] in contrast to the mysterious and intricate display of ancient technologies found deep within the Guatemalan jungle, the roof of Pal's tomb, or the many [music] steeleies which appear to show ancient tribesmen even wearing jetpacks. acts. What the Doon were left with was not technologies, but an advanced array of no less valuable ancient knowledge. They tell of tall, strangelooking humanoid figures whom long ago encountered the tribe, known to the Doon as that of the Nommo. These beings along with teaching basic agriculture are told of as having come from another star system, from a planet that orbited the twin star of Sirius, a star, a sun with a specific 50-year precession, which the Doon, [music] as mentioned to this day, continue to have huge celebrations and parties to mark every complete 50-year orbit of um the Only problem with these tales having now been told to western explorers, having described in great detail the twin star and the orbital path of Sirius B around Sirius being that this ancient knowledge preserved within the tribe, even recorded by them dating back many centuries, perhaps even millennia, is that modern astronomy was confidently declaring Sirius as that of a lone star. that is until very recently, which thanks to state-of-the-art developments within telescopic technology, has now instead been confirmed as indeed a twin system, with the Doon's depiction, in comparison to the true orbit, as one can see, being utterly uncanny. It is undoubtedly an incredible sequence of events and further supportive evidence that alien [music] and indeed perhaps even reverse engineered craft have for thousands of years secretly been flying across our skies. If one prefers something a little more terrestrial, however, perhaps something of more superior proportions yet also supportive of the past existence of these flying machines. One can indeed find such compelling evidence, not in the skies, but across the flat and [music] vast landscapes of none other than that of Nazca. These vast and artistically drawn lines, all somehow once mysteriously [music] cast into the many plateaus of this remote corner of Peru, are, I feel, a rarely, if ever, connected array of incredible ancient anomalies that are indeed clear proponents in support of the past existence of ancient aircraft, exhibiting many strange and exotic animals, [music] even a possible highaltitude pilot or astronaut known as the [music] Naza. spacement which along with the sheer scale of some of these drawings [music] and the baffling and still unsolved way in which they were created all lend credence to the conclusion that the only way such lines could have been viewed would have been from very high altitudes with many other individuals coming to a similar conclusion even without these many other exhibits of evidence [snorts] successfully revealing that the ancients could have indeed once possessed the knowledge [music] and knowhow to achieve flight. Yet alas, although they may have come to similar conclusions, they have predictably done so whilst remaining under the lens of academic funding and thus establishing such facts within the permitted timelines [music] only. Nonetheless, and mostly down to human ingenuity, a few have regardless successfully recreated primitive, albeit incredibly dangerous hot air balloons, [music] even with what was at the disposal of the quote Nazca culture, apparently the lines builders, [music] whom were dated to around 2,000 years ago and thus well within the academically accepted timelines. Perhaps the Nazca lines along with the past purpose and function of the Easter Islands Moai one and the [music] same. For instead of serving some significant function which one could initially be forgiven for assuming, especially when such clearly gargantuan tasks were once seemingly required for their construction. With all the other accomplishments exhibited across the planet, such as an ability to lift and place stones well over a thousand tons as if normalsized bricks. These undertakings [music] could in reality have not been the significant undertakings we have long presumed them to have once been. Perhaps then some [music] like Easter Island or indeed the Nazca lines merely created as a form of entertainment with the intention of ancient tourism. And if one allows the advanced array [music] of technological evidence already covered to enable them to peer into the past with fresh eyes, absent of any mainstream coercive narratives, such a worldgoing super civilization as one which along with being able to cut the hardest stones on Earth with eyewatering precision could have also in all likelihood once possessed [music] that of the airship. Perhaps this the true explanation for how they were able to carry incredibly heavy stones [music] incredible distances over and over with seeming ease and indeed explaining how they moved the statues perhaps also solving how they once moved them without damaging their bases. Such ancient methods along with the past existence [music] of the vimmana, if indeed eventually officially entertained, could lead to us finally explaining how [music] they accomplish these feats and over such tremendous distances. The research undertaken [music] upon that of the Sakara bird, for instance, now thought by many to also be a replica of an ancient flying craft, specifically a glider, is a great [music] and clearly visible example of the effort that is put into this suppression of the past existence of such antid-doluvian technologies, each [snorts] quite possibly [music] once capable of flight. Clearly once inspired by a bird in flight with a fixed wing upon its back, [music] now realized to have been perfectly angled to create lift. With Egyptian physician and archaeologist [music] Khalil Messiah personally concluding that the ancient Egyptians indeed must have [music] somehow developed the first aircrafts. Now, having written several compelling and academically accepted papers surrounding the Sakara bird that have now all detailed the supportive evidence to suggest that it was indeed a replica miniature of a larger once [music] finely built flying craft. Predictably, however, he has experienced considerable hostility regarding his expose of evidence with one [music] particular effort undertaken by an academic opponent to the theory known [music] as Martin Gregori, a builder and designer of freeflight gliders. He apparently built an exact replica of the Sakara bird made of balsa wood. After testing [music] this replica, Gregori would publicly claim via mainstream academia [music] that the Sakara bird never flew, stating that it totally unstable and incapable of flight even after a tale was fitted. He claimed that the glider's performance was disappointing and would finish his investigation [music] by publicly concluding that the Sakara bird was probably made as a child's toy or a weather vein. This clear [music] attempt to suppress the truth, however, failed and Martin along with [music] a vast array of other funded academics and institutes which supported and agreed with his findings have just like what one can find surrounding many other inexplicable and [music] out ofplace anomalies such as the stone of the pregnant woman covered earlier as [music] but one example have all predictable been proven since then to have lied. Aerodynamics expert Simon Sanderson also tested a replica model in a wind tunnel [music] and even without a tail, finding instead of the expected results that the bird in fact produced almost four times the glider's own weight in lift. Sanderson would then subject it to another more powerful wind tunnel located within Liverpool [music] University. [snorts] This time, after adding the missing tail, he stated that the Sakara bird flew incredibly well. clearly to the annoyance of certain people who [music] are probably now regretting not seizing the entire artifact some years ago rather than just stealing the tale. [music] And with that of none other than the Smithsonian Institute now possessing many of these examples, many of which seemingly now hidden within its vast archives. Within the next chapter of the book, we shall explore just what else they could be hiding. an exploration and exposure that I am sure you too will find to be [music] highly compelling. My first book, Life Before the Flood: A Definitive Guide to the Lost World, is now available on Amazon. So, don't forget to check it out. >> [music] [music]