Video summary
Brandon Avery and Kimberly Curran review Tyler Perry's *Ruth & Boaz*, a modern retelling of the biblical story set in a Tennessee vineyard that premiered on Netflix in September 2025. Both reviewers expressed relief that Tyler Perry produced the film, fearing that Hollywood might mishandle such sacred narratives, and they praised the adaptation for making the ancient story accessible to younger generations through its realistic setting. The movie successfully captures the core skeleton of the original tale, faithfully portraying Ruth's lineage, Boaz's status as a landowner, and the vineyard environment that mirrors the biblical fields. Their appreciation extends to the emotional depth of the film, which realistically depicts grief, depression, and struggles with faith, highlighted by a powerful scene where Naomi rips her cross off the wall in anger—a moment both reviewers found authentic to the Christian experience. Felicia Rashad's performance as Naomi is particularly commended for her talent and ability to convey deep emotion, while Serea's portrayal of Ruth is praised for her journey from a young artist struggling with industry pressures and past trauma to finding maturity through hard labor.
The film also receives praise for its grounded romance between Ruth and Boaz, featuring realistic touches such as Boaz washing Ruth's feet before harvesting grapes to avoid contaminating the crop, alongside the inclusion of Babyface and depictions of Black-owned wineries. Boaz is well-received for his military background, strong work ethic, and subtle faith practices like praying over fruit, while specific moments like Naomi arriving with a shotgun and the wine turning into vinegar are noted as effective endings. However, significant criticisms arise regarding the film's structure and character decisions, particularly in the second and third acts where poor editing and confusing timelines make it unclear how much time has passed between scenes. The reviewers strongly criticize the sudden, unearned breakup in the third act where Ruth abruptly leaves Boaz after a perfect date, deeming it unrealistic given their established chemistry and labeling it "Hallmark-style." Additionally, Ruth is faulted for a lack of street smarts, specifically for failing to contact the police immediately after her fiancé and mother-in-law are murdered and for not communicating her contractual obligations to Naomi earlier.
The narrative quality deteriorates toward the end, with the script appearing rushed due to studio pressure or writer's block, causing the film to "fall apart" and become "super duper corny." While Brandon finds the narration acceptable but unnecessary, Kimberly dislikes it for cheapening the story, and both agree that artificial conflicts were introduced solely to create drama, leading to a disappointing conclusion where the winery burns down and relationships dissolve without resolution. The reviewers wished for more confrontation from Ruth, specifically wanting her to stand up to the antagonist rather than flee, which they felt would have strengthened her character arc. Ultimately, despite decent casting, acting, production value, and adaptation structure that made the relationships feel real, the film disappointed them compared to other Tyler Perry movies like *Good Deeds*, resulting in an average rating that places it as neither his best nor his worst work.
In conclusion, while the reviewers personally liked this film the least among the ten Tyler Perry movies they have reviewed so far, they end with a call to action for Tyler Perry and his team to return to the magic of their early work that uplifted Black Hollywood. The review segment concludes by announcing upcoming coverage of other projects in the pipeline, including reviews for *Why Did I Get Married?* parts 1 & 2, *Family That Prays*, *I Can Do Better All By Myself*, *Media Family Reunion*, *A Diary of a Black Woman*, *Daddy's Little Girls*, and the new film *Find Me Joy*. This outlook suggests that while *Ruth & Boaz* had promising elements in its first act and faithful adaptation, its structural weaknesses and unrealistic plot twists ultimately prevented it from reaching the high standards set by Perry's earlier successes.
Read the full video transcript
Hey, what's going on everyone? We are
back again. Yes, me B Avery with Just My
Penny Reviews and Miss Kimberly Curran
talking Ruth and Boaz. Another Tyler
Perry produced film. This one right here
came out on Netflix September 2025
modern-day retelling of one of the most
iconic love stories in the Bible. A
young woman escapes the Atlanta music
scene to care for an elderly widowed
woman and in the process finds the love
of her life and gains the mother she
never had. Guys, we're talking spoilers,
okay? We're talking spoilers up, down,
left, right, in, and out. As if you
you've already seen the film. That is
your warning. Subscribe, subscribe,
subscribe. We'll get all we'll get into
all of that. Kimberly, Ruth and Boaz,
like the synopsis said, adapted
retelling of the greatest love story in
the Bible. I know we are both Christians
over here. How did you feel about this
film? Your expectations, anticipations
going in, and if you think it was a
worthy retelling andor adaptation of the
biblical story. Yeah, you know, I gotta
say, um, whenever Hollywood gets their
hands on a biblical story, it can be
very scary unless it's done, um, by, you
know, the producers of the chosen or
somebody or the war room, someone that
knows what a war room is, somebody that
knows um, what it's like to, you know,
have have Jesus not only be your savior,
but your lord, you know, it's it's when
Hollywood gets a hold of biblical
things, I I think of like you either get
um the great guys that produce the
things I just mentioned or you get um
like I think Moses with uh Christian
Bale and um Noah
>> um with um
>> Russell Crow was it? [laughter]
[gasps] you know, so I actually was a
little bit nervous, but I got to say I
really like this Brandon and I thought
that this was a wonderful retelling
of like Ruth and Boas. Like I really
liked it and and I love that it took
place in um vineyard because that's
actually so close to
kind of the original story when it talks
about Ruth going into the fields and and
Boaz having favor upon her. I was
actually waiting for this scene. I was
like, is she gonna lay at his feet? Like
how's that gonna work?
>> [laughter]
>> Wow.
>> But um but I really really enjoyed this
and I'm I'm like it's a good retelling
because it's like this is for modern
day. Um we only have two hours. Um and
we kind of want to make it so that a
younger generation kind of understands
the story of Ruth and Boaz. And I
thought they did a really good job.
>> Wow. Okay. That is not what I expected
you to say. I'm also trying to look up
the movie that you just described as
with Christian Bell um as uh Mos
the title is just slipping me. Kim, when
did you see how many times have you seen
this movie Ruth and Boaz?
>> Um I watched it once.
>> Okay.
>> And then I did kind of a review
sometimes if I had a lot going on in the
week between when I first reviewed a
movie and when we shoot,
>> I'll like speed through it. Like I'll
watch the whole two hours in like 10 to
15 minutes. I'll like watch a little
fast forward, watch a little just to
give myself a refresher. So I did kind
of a one and a half.
>> There's a reason why I asked before that
I think he was talking about Exodus Gods
and Kings.
>> Oh, thank you. Exodus Gods and Kings.
>> Yeah, I I I hated this movie.
>> Christian Bale. I mean, I love Ridley
Scott, but um
what [laughter]
Hollywood just abuses biblical stories
so badly.
>> This is true. The reason why I asked how
many times you've seen it is I was under
the impression that you've just seen
this movie once and it must have been
recently right before we're doing this
recording because this movie came out in
September of 2025 and we're recording
this towards the end of October and the
reason
>> I saw last week.
>> Yeah. I'm surprised because when we've
been talking about this, you showed no
interest in reviewing this movie.
>> I was not interested. [laughter]
Every time it came up, you would turn up
your face and just be like and discuss
like h Ruth and Boaz on Netflix. Tyler
Perry, can what what other options do we
have? Can we save this for the last
>> I was scared. I was so scared. I was I
was scared of uh [laughter]
of of won the title. But also, I gotta
say, I like how this film played like
his name was Bo Azra. Like,
>> I even like the way they did the names.
I was like, "Okay, I like that his name
wasn't just straight up Boaz." And um I
gotta tell people, I did I went to Free
Chapel for a really long time. My pastor
was Jensen Franklin. So, I was there
during the whole, you know, God may send
you uh, you know, Boaz's cousin
laid ass or broke ass or that was my
pastor. [laughter]
And that was so funny sitting in the
pews being like, "Oh my god, did he just
say that [laughter]
his cousin ass?" Um, [laughter]
but I I you know, every time you
mentioned it, I was like, here we go
again. And they're going to call it
Ruben Boaz. Like they're not going to
call it Kinsman or like
>> Kinsman Redeemer.
Okay. I don't know. But I was surprised.
>> Yeah, I I was too. I mean, I think
towards the end you was like, I I guess
we can do it. And I was like, thank you.
>> I was reluctant to say the least.
>> Yeah. U not not mad at you. Um, and to
be honest with you, this movie was a
mixed bag for me. Um, there was, you
know, things that I really did enjoy.
Um, as far as a just a skeleton of the
original story, I thought they succeeded
there. As as far as the casting, uh,
Ruth and Boaz, their relationship, how
Ruth wanted to follow Naomi, you know,
um, Boaz's lineage and how he was a land
owner, etc. I think they knocked that
out of the park. And for the act the
acting for the most part did work for
me.
>> Yeah, I thought that Ruth and Boaz uh
looked like a good couple. Um I I think
their romance was sped up a bit and
we'll we'll talk about that in a second.
I did like the villain uh Sai um great
devil. Um you know, but I have my my
issues as well. Um the beginning of this
movie is much better than the end. um
when I was watch now I when I saw it the
first time when it first came out I was
like okay I gotta review it you know
another Tyler Perry movie but I didn't
really have interest in the movie was
more watching me than I was watching it
and I didn't feel comfortable doing a
review at the time because I was like I
don't feel like watching this again you
know I have to be accurate you know I
can't just be guessing you know I have
to pay attention but I I didn't have any
interest but we started to do this Tyler
Perry project and so I said okay let me
go back and when I was re-watching it
the second time I said to myself, "Yeah,
I'm liking this much better than the
first time around." Like some of these
relationships really do feel genuine,
especially between Felicia Rashad's
character, uh, Naomi and Eli. I thought
that was great. the scene where they was
in bed and you know they didn't like
zoom in on this but as they were in bed
and she was taking her medication and he
was a bit rude and he was in the back
doing his uh insulin shots you know they
didn't zoom in on that but if you paid
attention to if you paid attention you
can notice it and I that just seemed
really natural to me and you know
they're getting bit it wasn't graphic it
wasn't over the top but you know that
was about to get it on as a married
couple should and I I was smiling
>> I thought it was endearing Yes. I was
looking like, "Oh, I want that myself."
You know,
>> an older an older married couple.
>> Yes. Yes.
>> Because often we see like, "Oh, come on,
woman. Leave me alone."
>> Right. Right.
>> You know, or you know, and I thought
that was really really sweet.
>> Yes. She was she was uh he was ready. It
was it was really sweet. It wasn't I
mean I I won't even I was gonna Well,
anyway, I I I really did like it. Um
Hey, you feel that right there?
I [laughter] mean, it was It was
adorable. It wasn't like cruel. You know
what I'm saying? Like it,
>> you know, like I feel like a little
child could watch that with their
parents or grandparents and it not be
awkward, you know, because sometime when
you coming up and certain age, you know,
watching the sex scene which are
certain, it's just like, oh, okay, this
is weird for all parties involved, you
know. I don't feel that was the case
here. I thought it was it was well done.
And so when the crap really hit the fan
and she lost her her her son and her uh
husband at the same time. Oh, it hit
like a ton of bricks, you know. I I was
I was really feeling for her, Kim. Um
your your reaction there if if
>> Oh, that was heartbreaking because I
kind of was like I was like in the
beginning I was like, "Wait, who's this
guy?" And I was like, "Oh, yeah, that's
right. the the husband and the son um
need to, you know, go, you know, I mean,
Naomi was already a widow, but had two
daughters, but so I was like, "Oh, wait
a minute." Um,
oh, shoot. That means we're going to
have to watch these guys downfall
somehow. And I thought the way they did
it, um, it was very well written because
it made sense. Um, it totally made
sense, but I was so heartbroken because
that they were so likable. the thought
Felicia Rashad Naomi's husband was was
so likable. Her son, he seemed like a
good guy,
>> good kid and and uh it made carjacking.
It made sense. It wasn't too crazy and
far-fetched. And um
>> I just I I like the way the story rolled
along from the beginning. I was like
with I was really with it. I was like
>> instead of going, "Oh god, here we go,
Hollywood." I was like, "Oh, that makes
sense. That makes sense." Okay. Yeah,
>> it it was drastic. It was abrupt, but
sometime life can hit you like that, you
know. We don't exactly,
>> you know. I mean, whether you got a flat
tire, your car is stolen, someone takes
your lunch, you're in an accident, plane
hits a building, a 911, you we don't we
wake up, we don't know what's going to
happen. And so, uh, I mean, she's
retired, you know, she wants her son to
get married and be fruitful and
multiply. And, you know, she has her
husband and then all of a sudden she
loses the two most important people to
her. and she loses her house, all of her
possessions. What I also like is pretty
much all Tyler Perry produced films, you
know, God, your relationship with God,
you know, Lord Jesus Christ is a is an
underlying theme. And and sometime your
relationship with God is not always
sunshine and rainbows. We know that he
has a plan that we don't understand. And
Kim Kimberly, gosh darn it, it can be
frustrating at times. So, when she's
mourning and depressed in her Tennessee
home and um Ruth is is trying to console
her, just out of nowhere, she just goes
into rage, starts slamming doors,
throwing suitcases, rips the cross off
the wall. I am done with you, God. And
it's like, damn, that's that's crazy.
But I felt her you cuz life can be like
that sometimes.
>> Absolutely.
>> Knock that out of the park. Thoughts
thoughts. No, I mean, uh, captured grief
and and I like I like movies that, um,
capture
the true Christian walk that it's so
anyone that that tells you like, oh, be
a Christian because it's so easy, it's
so chill, is lying to you because when
you read the Bible, it says that that
being a Christian is not for the faint
of heart. It takes an extra dose of
courage. Um the the reason we have books
like Lamentations and um certain
chapters in in Psalms where you're like,
"Wow, homeboy's mad at God." Like,
[laughter]
you know, um there's a lot of lamenting
in the Bible. There's a lot of
questioning God in the Bible. There's a
lot of why God, why I'm mad at you. I
love that if you really read the Bible,
it's very truthful. And it's very
truthful in telling you that it rains on
the just and the unjust alike. Being a
Christian doesn't take you out of the
running for trauma,
>> right,
>> and grief. Being a believer doesn't, you
know, it doesn't
make it so that you'll never have pain,
you know? And so I like that they were
realistic that if you're a Christian
that's walked with the Lord a long time,
pretty much ev everyone that has for a
long time, you have a story about when
you maybe tore your cross off the wall
or you put your Bible in a drawer and
was like slam the door shut where you
had your moments where you're like,
I don't even I don't I I don't I so
don't understand. I just I don't I don't
want to talk to you. Like I don't want
to talk to you, God. like and God's big
enough to handle that. And I like it
when movies don't sugarcoat it. I loved
her frustration because it was very real
and her anger was real.
>> Yeah.
>> And Felicia Rashad again.
Again, homeg girl just
so talented. Brandon, she's so freaking
talented. I love her so much.
>> I love her, too.
>> Gosh, I love her. And I'm so glad that
she's still working uh later into her
life because she's one of those people
that I don't want to not see her for 20
years and go, "Oh, there she is." I like
that she she does a lot of continuous
work. We need that because we need her.
True artist.
>> I I agree with you uh wholeheartedly.
She was actually um one of my favorite
characters uh in the movie. Um, I do
have a nitpick as far as her character
is concerned, but um, we will come to
that when we get to the negatives. But
staying on the positives, for the most
part, I did like Ruth. Um, I think that
she was a pretty decent character. Um,
hopefully I get her pronunciation right
when I'm trying to say her name. I
believe it is Serea,
um, actress, um, recording artist. Um,
let me know if you're familiar with her.
She was in Kingdom Business and Empire.
Um, I I liked her.
>> That's where I see Oh, Empire. I was
trying to think, Brandon. I was like I
couldn't put my finger on it. I'm like,
where have I seen her? Where have I seen
I saw her in something years ago and I
couldn't put my finger on it. Empire.
Okay, that's okay. There it is. I was
like, where have I seen this girl?
>> Yeah. Yeah,
>> that's right. Empire. Yeah,
>> we we uh we you know we talked about uh
what was one of the last movies we
reviewed? I can do better all by myself
>> and you did like the Hispanic gentleman.
You know, you was cheering for him. Oh,
he looks good. That that's how I feel
about this young lady right here, you
know.
>> Oh, she was very attractive. Very
attractive.
>> Very beautiful. And and Brandon, may I
say
>> yes,
>> the wig was great.
>> I I I will give that to you. Do I have a
Oh, there we go.
I hit the right button. I I hit the
right button. Okay.
>> It didn't fall into my disappointment
um well of Tyler Perry's most terrible
wigs ever. I will say it thickened
throughout the movie. I was like, "Oo,
that Hoba oil is doing its thing." Cuz
girlfriend's hair is thick. But
[laughter] I I mean, she did go to a
tougher climate, so um
>> you know, I
>> It works. It works.
>> I liked her work ethic. Um she was very
passionate. She wanted to follow her
heart and her dream. Um I kind of felt
so bad for her uh with her backstory. Um
she never knew her father. Mother left
her I believe on the porch when she was
5 years old
>> on the steps of police department or
something.
>> Yeah. Uh she said she was within three
foster homes by the time she was 15. You
know that's that's rough, you know. Uh
and a lot of people don't recover from
such lifestyles. Uh she seemed like she
was, you know, doing pretty decent sound
body and mind, had a beautiful voice,
was kind soul. Um and I like at one
point I going for in the second to third
act she was about to sing or perform. I
think it was for Baby Face when they was
practicing.
>> Oh, I like that.
>> We we're going to come back to that. And
he was like, "Sink from the heart or
your mind or your soul or something."
And then they showed some scenes of her
in the back of the cop car and you know
being transferred from home to home etc.
I really did like that touch. Uh it did
make me um you know feel for her
character. And um she you know she
wasn't the wisest and we'll get to this
in a second. But you know she was ready
to work. She was like hey I'm trying to
stomp some grapes. I'm trying to crush
some grapes. I'mma work through my
breaks. I'm going to work through my my
lunch. You know uh I ain't trying to
holl at nobody get no boo thing. Leave
me alone. Um, how'd you feel about uh
Ruth in in this film?
>> You know, I really liked her. I I liked
that they told a very again a very true
portrayal of like there's some people
that it's a walk with Christ, right? So,
as when you're doing a walk, you start
somewhere and you journey through and
then you end up somewhere. But the great
thing about walking with Christ is it
never has to end. But in this life here
on Earth, it's a it's a journey. It's a
it's a finite journey. And so, I like
that she started on stage wearing stuff
she necessarily didn't want to wear,
singing stuff she knew was kind of
wrong. She's like, "These men are
throwing money at us. Like, we're about
to get naked. Like, this isn't what I
want." But I like that it was truthful
to the journey. Sometimes we may
especially that's why Christians I'm
like I hate it when Christians can be
hypocritical. I'm like like you ain't
never done something you didn't want to
do. You know like you you weren't right
in the middle of sin but you didn't
quite you weren't spiritually mature
enough to see the way out because the
word does say that God will give you a
way out of temptation. Every temptation
you face has an exit door. Every single
one no matter how powerful it seems. But
it takes spiritual maturity to start
locating the exit door. You know, after
41 years, I'm at the point where I I
honey, I'm looking for the exit door
before I even when I'm in a situation.
But let me tell you, I stumbled so much
in my walk. And so I like that it was
truthful that you can love the Lord and
be lacking in spiritual maturity. And
that's not to be judged, that's to be
nurtured. That's why it's important for
us to pray for one another. Not just
like, oh God, heal her, help her, but
it's like God praying for wisdom for
your friends. Praying that your eyes
would be open. That the eyes of your
understanding would be open. That's why
it's said in John 15:5 to um I am the
vine and you are the branches. Remain in
me. So, I like that it was her walk and
it was truthful because at the core of
who she was, she was a good woman, just
walking out her maturity. And I liked
that when she was like not really
dressed for harvesting,
you know, didn't have on the right
shoes, you know, like stuck out like a
sore thumb. I really like that she was
like, you know what, it's work. I'll do
it. And I think there's this perception
that because people are on behind the
camera or on the stage that you think
you're too good for something.
>> Right. Right. Right.
>> And and a there's a lot of people that
are it's like I don't care what I've
done like you know I was watching an
interview with John Carlo Espazito and
you know after do the right thing and a
after um you know uh school days and all
the films he had times in his career
where he was driving a taxi.
>> Yeah. and you're like, "Wait, but you
were on screen and you were doing this."
And it's like, honestly, don't let that
fool you. It's really, are people
willing to humble themselves and roll up
their sleeves and do what they got to do
to pay their bills? And I loved Ruth's
journey. Yeah. I thought it was very
truthful.
>> Yeah. Um, same here. Well, well said.
And, you know, when you said that some
people would perceive you like or think
of you, oh, you know, they're too good
to do hard labor.
>> Yeah.
>> Um, forming, harvesting because they're
on the stage behind the camera, etc. You
know, I've I I'm sure we can all relate
to that in some degree. I've gotten
those comments before. I remember in
college, one of my um somebody I knew,
they they was under the impression that
I never cut the yard, cut the line
growing up, you know, like, I bet you
never had to cut the line or I bet you
never did chores. I'm like, where is
this coming from? Yes, I was mowing the
lawn. I think maybe nine or 10 years
old, but I did it, you know, like any
other normal kid at that time.
>> It's just funny.
>> Yeah, that's crazy. No, I've I Are you
kidding me? I work
>> I've been on screen, but I've also
worked in an office and I'm I'm working
corporate right now. Like, I'm not
auditioning. I'm not doing anything on
or behind the screen other than
podcasting. Like, I like watching people
just live and learning different sides
of people. That's what another thing I
liked is that even though she was so
talented, it's like, yes, I can sing.
Yes, I'm talented. But what do you do
all day? You must be in the recording
studio. You must be like popping
champagne. It's like I work in a
vineyard picking grapes, bro. Like, and
on my spare time, I hang out with Baby
Face.
>> You are picking grapes. We find out that
uh the name Bo Azra Boaz. He is the
owner of the winery in Tennessee. And I
can't remember the name. I think it
started with a P. Pennington or Penton
or something like that. Penton,
Tennessee. Y'all help me out in the
comments. Uh but his father passed away
unfortunately of cancer. Hardworking man
had that bobcat. Drove her to the
wheels, fell off. Uh and now he took it
over. I I really did like Boaz um in
this film. Uh Marines, served two tours.
Uh what else did he do? Uh got his M
>> Wall Street Wall Street. You know what
I'm saying? Had it together. Now he now
he's trying to uh get this winery off
right here. You can tell he did his p
his pull-ups and all that stuff like
that. He can fix the roof handy man
making the ladies sweat and stuff.
Was like I think you need a hose. Uh I
like [laughter]
I like Boaz. Um how did you feel about
Mr. Boaz?
>> I really liked him. Um I I liked that. I
like the little subtle prayer when he's
like, "Lord, bless this fruit." I like
that because it's like that was also
very truthful to prayer. Whoever wrote
this is like really got an interesting
story I imagine like because sometimes
prayer is a simple thing. It's not like
let me get on my knees, let me cross
myself, where's my oil? Sometimes it's
like Lord bless this fruit, you know,
just giving everything you've got,
putting everything in God's hands, you
know, it's just they're simple little
conversations. It doesn't have to be
fancy. And I really like that. I like
that he, you know, went from the office
to the fields, so to speak. and and um I
I really something I Brandon being out
here in California um where we've got
Napa, we've got a beautiful wine country
out here. I know wine is everywhere.
Washington, there's vineyards, you know,
like I know wine is everywhere, but um
like one of my favorite places to go is
Napa or up in the central coast like
Paso Robals and St. Louis Abyispo. Like
I I love going to wineries. I've been
doing it for years and something they
touched on that I want more people to
talk about is is blackowned wineries.
They are out there and I've been to a
few and and the conversation I'm always
h have like if I'm in an area where I
know there's a blackowned winery, I
always go. Um but one of the
conversations is yeah, it's tough out
here. They don't think we can do it.
They don't think we can make good wine.
They don't think we know what we're
doing. They don't think we're
sophisticated enough. Um, you know, look
how few that is. Nine.
>> Yeah.
>> But we're but we out here, you know,
like like we're here. So
>> my area. So
>> yeah. Oh yeah, they're all over the US.
So I just love that this film touched on
that. And um yeah, I I like that. Very
relevant.
>> Black wineries, guys. Let's get the
Google searching. You know what I'm
saying? So we can
>> Yeah. Go. You guys go support Black Own
Wineries
>> so we can go on picnics like this right
[screaming]
>> Kim. They look good together.
>> Oh, I love it. The flannel and the Oh,
look at they they I like that they're
having conversations. It's like watching
black people frolic. I love it.
[laughter] I love it. Like
>> Yeah. Like I just I like this love story
because it's so realistic. And Brandon,
I gotta say this scene where he's
washing her feet.
>> Yes. I if anyone went to like Oral
Roberts University, I went to Oral
Roberts University, an evangelical
Christian university, or anyone that
went to Rama or or like even Isuza, like
something that was kind of a running
joke on campus because it was like a
evangelical university is like every
time somebody got engaged like the guy
would like wash her feet. Like that
happened all over campus.
My friend has the funniest story of this
girl he was not interested in pouring
oil on her feet on his [laughter] feet
and he was like woman leave me alone.
Myin, Myin, you know who you are.
[laughter]
But um going to a Christian school, like
I've seen many feet washed. But I
actually thought it was romantic because
he's like, "We ain't going to salt these
grapes with unwashed feet." Like,
[laughter]
I thought that was crushing. I thought
the crushing was crushing. I thought it
was so cute.
Oh, I can't hear you.
>> My bad. I had I had to mute but
>> Oh, there you go.
>> It was It My fault. It was cute at the
beginning. [clears throat]
Um but at the end it was kind of corny.
Um like when they was like I want to
crush you forever. I was like oh gosh. I
mean I'm corny.
[laughter]
>> You're you're silly guys. I don't know
if Kim got her feet washed on campus. So
>> No, I didn't. [laughter]
No.
>> What the way you said it? So,
>> no. I was washing my own feet.
>> Those those DMs are open, guys. Uh, no.
>> People are like, "I got Palm Olive in a
bucket. Girl, what you got?" [laughter]
>> That's funny. Hopefully, the can of
worms that I opened just now that wasn't
too big, but maybe a few can.
[laughter]
>> Stop it. Stop it. Stop it. So, the
romance was cool. I We did like the
romance. Um, I don't want to come to the
negatives yet,
but uh, we got to come back to the
romance. Uh, Cyrus, uh, James Lee
Thomas, the devil
>> that was in the like, BUT WHERE IS HE?
>> And and I also to be honest with you,
uh, before before I I bring this up,
in a sense, he's not wrong. If they have
a contractual obligation,
>> Yeah. And I don't know if he really did
invest $250,000
into her. That seems a bit excessive and
foolish. But if he's paying her rent and
doing this and doing that, I don't I
don't think it's ethical for you just to
bail,
>> you know? He he was like, you know,
okay, let's just work to the end of your
contract and then you can do your thing
just cuz things aren't working out. You
just can't be like, all right, peace.
I'm out. And then you leave in the
middle of an eight figure deal where
James Dri is in the booth. He is doing
what he says he's gonna do.
>> I mean, he's getting one of the best
producers in the game in the room with
you.
>> Yeah. He's not stringing her along with
empty promises,
>> you know, like, hey, he's not like,
"Okay, just shake your ass a little bit
more, you know, just sleep with this guy
woman is in the building."
>> I mean, the the man is right there.
James Depri,
>> your name
>> and you just going to be like, I ain't
feeling this no more. I quit or um
that's not right. I'm I'm not a music
producer. I'm not a business expert. I
may not know how all of it works, but
just on the surface that doesn't seem
right. Now, he shouldn't be going around
murdering and threatening people. No,
he's the devil for that. Uh but thoughts
on all that so far, Kim? Bro, I
something I like that again that I
thought they did very realistically and
I have to really give it out um to the
director um her name. I have to shout
her out. I was looking at her work.
>> I'm so bad at that
>> earlier. No. Um
>> I had it up.
>> Let's look up her name because I want to
give her her um
>> it is right here. The director
>> uh Alana Brown and the writers were
Michael Elliot and Corey Tyan. Uh, I
really want to give it up to them
because something I thought that was
very realistic was the way he threatened
her. He wasn't like holding up her up
against the wall and punching the wall
and missing her face by an inch. Like he
wasn't like uh like a lot of times like
threats are very
>> subtle and sinister. And I actually
thought they got that very realistic.
Like he really was just threatening her
through conversation. And I thought that
was more realistic than like, "Hey
girl."
>> Right. Right.
>> Like, you know what I'm saying? Like
some dramatic like crazy. Like people
who are really sinister. And that's
that's actually more so realistic. Like
this is very easy. Like I It was
supposed to be a simple carjacking, but
you know, you didn't follow your end of
the bargain and uh next time it'll be
your little mother-in-law over there.
You know, I thought that was more that
was very realistic because at the end of
the day, like your little revelation in
life can't get you out of a contract.
Like that's when you pray for a lawyer.
That's when you pray for a revised
contract. That's when you pray over
negotiations. Um because if you peace
out, like generally like he could have
honestly he could have just taken her to
court, but um yeah, it wasn't really
ethical for her to just jump out. But I
mean any with prayer anything can
happen. So um yeah I I I think that
segus into something you you were going
to talk about so I don't feel like I'm
jumping is um
>> perfect.
>> Homeg girl was not being very wise.
>> Yeah.
>> Not not a whole lot of
>> street smarts and business dealing. Like
you don't go on YouTube at a karaoke bar
when you're trying to hide from
somebody.
>> Right. Right. and or or are you I mean
let's get to the before we continue are
there any other positives that you want
to mention? Uh, any positive? Um, I I
have a lot, good writing, really solid
writing, very realistic for a
faith-based film. It wasn't unrealistic
and corny. I thought for a relationship,
um, believe it or not, guys, those
relationships happen where people can
talk and not, you know, screw at the
drop of a hat. Like, two fine people can
get together without having sex and
having conversations first. Like,
>> this is fast.
>> That's actually very possible. And fine
people, too. like, well, you know, it's
the ugly Christians that don't be like,
no, like it's it's,
you know, [laughter]
>> two fi fine, disciplined, spiritually
mature people can keep it in their
pants. [laughter]
I almost said
>> that's funny, Kim. Anyway,
>> I just It's true. I And I like that it
wasn't unrealistic. Um, very very
realistic like um Yeah, I like that they
went country with her music. Um, also
very realistic. We're seeing, you know,
Beyonce,
a lot of people are frustrated because
they're like, "Why are we acting like
Beyonce's the first one that had a
country album?" Like so many black male
and female artists were doing country
before Beyonce did, you know? So, um,
but I really like that and and I really
like that they brought Baby Face in in a
in a realistic way. Like certain when
you're when you're at a certain class,
um, certain echelon, like you know,
depending on where you are in business,
like it's actually very probable for a a
vineyard owner to know Babyface if
you're in the area, you know, because if
you own a vineyard, you make friends
with investors, you make friends with
people that have money, people who are
connected. So, it wasn't like this
far-fetched thing. So, I thought the
movie was actually very grounded. To
talk about the positives, Brandon,
>> you muted.
>> Darn it. Sorry. That was another
positive of mine, the uh baby face uh
inclusion. Um, you know, he acted very
well. Uh, it makes sense just like you
said, um, for this line of work, this
line of business, them recording music
together was lovely. uh them going
together and him surprising her with a
blindfold I thought was really cute. I
thought it was touching,
>> you know. I love that type of stuff. So,
he's being real thoughtful and he's
listening and all of that hot jazz. Love
it. Um, love it. Love it. And when they
was actually recording music while she
was performing with him, it sounded like
they was actually recording live right
there.
>> And when they was in the booth, they
actually sounded like they was recording
as well. I say it like that for a
reason. But that is going to sum up the
positives of the movie for me. Um, now I
just want to transition over to the
negatives. We talked about Ruth and her
being wise. Like, yeah, you know, a
lawyer should have been involved. And I
didn't, the one thing I did not like
about her character was the lack of
communication. Um, I felt that she
should have let Naomi know what the deal
was early on, not just I want to
randomly move with you. Like, no, I had
to this had to deal with me because of a
contract. not tell her at the very end.
Uh but also, why didn't she go to to the
police um at the very beginning of the
film? And so, you just you just ran. I
mean, this guy just murdered your your
your fiance and and and future
father-in-law, and you don't want to say
anything to anybody. You just leave. I
mean, it's not like Sai is over. It's
not like he's shredder over the Foot
Clan or or what [laughter]
League of Assassins or just some, you
know, D hidden group for 5,000 years and
there's no escape. You know, this is
this is one man with a black black guy
named Wolf
>> and he's slow.
>> Yeah. [laughter]
>> He's strong but he's slow.
>> Am I tripping or or Okay. Okay. Um
something else that didn't work for me.
We love Fleece Rashad. I I but I did not
like the narration in this movie.
>> Okay.
>> No, I thought it cheapened it. I didn't
think it was necessary at all. if you
was going to do it, do it at the very
beginning, in the end. But it just kept
going and going and going and going. It
was drawing. It did not feel like a
natural story to me at all. Um, I was
just like, "Stop it. Just let the movie
play out naturally. This isn't
necessary." Okay. I can see what's going
on. I don't I don't need you to tell me.
Uh, but I see you disagree there.
>> No, no, I kind of understand. I get it.
No, I don't disagree. I I'm
I get it. I can I I I liked it, but I
can also see how it would be a bit
annoying.
>> Oh gosh. Okay.
>> So, I don't totally disagree. I I I
liked it, but I I get what you're
saying. I get what you're saying,
though.
>> Um the editing started to fall apart for
me um in the middle of the movie.
>> Um I think at one point month, it had to
be weeks, but months have went by. the
relationship between Ruth and Boaz was
well established that they liked each
other and that they were seeing each
other for quite some time. But then
randomly in the middle of the movie, um
Ruth comes clean to Naomi and just u
starts trying to take responsibility,
you know, like she's like apologizing
like, "Hey, I do apologize for what
happened, you know, with your son and
husband that shouldn't have happened."
And she's like, "This has nothing to do
with you. That was just a random act of
life for God." And I'm just like, this
conversation should have happened within
the first 10 or 15 minutes of the film.
Why is it happening in 1 hour and 10?
This doesn't make any sense. And then
they tried to transition into it was
just real sloppy um to me. Um do you
know what I'm talking about? How how do
you feel about
>> No, no, I do. I I um you actually put a
finger on something that I was wondering
because I was like there is something
off about the second act and I couldn't
quite put my finger on it but I think
you just made sense out of it because um
I did like the first act and but going
into the second act we were starting to
it's kind of tough to mesh timelines. I
know it's easy when we have weather,
right? Like it's easy when you see them
doing a picnic in a in a sunny harvest
day and then when you see them getting
hot chocolate and it's snowing like it's
easy to understand the passing of time
but because
you were kind of like where are we in
the timeline? Like is this three weeks
in? Like is he saying he loves her like
on the first date? Like like they had
their first date and the kiss and then
she ran off and then she's at the
harvest festival singing a song about
how you open my eyes to love. Like whoa
girl slow down, you know? Like I I I I
kind of lost like where are we in the
timing of things? And I think that's
what kind of made the bread start to
crumble apart for me.
>> I hated the third act.
>> He did.
>> He came in with a passion.
>> Hated it. It was I mean all the positive
that we just talked about it was it was
pretty decent. It was pretty great. It
wasn't a masterpiece but I was like okay
Tyler Perry I mean I know you didn't
direct this but you produced this and
you know okay decent job but that third
act was trash. It just went nose crash.
>> No he did not. It was
>> so Kimberly the scene here where they're
on the date right at towards the end of
this is where everything started to fall
apart the water
>> because they she he washed her feet
crushing the grapes and everything is
going great and perfect and then all of
a sudden you know the clock strikes ME
LIKE OH GOD I GOT TO leave out of
nowhere and you you've been the perfect
guy but I just got actually before I I
even go there
this was just too uh hallmarky or are um
um not whimsical, fairy tale because
>> Okay, I understand.
>> Even though I think that they look good
together, they have great chemistry,
they look like a match made in heaven,
even the best relationships aren't
perfect. There's always going to be some
type of strife or or disagreement here
and there. That was nowhere remotely for
this couple. It just they just got along
and there was no tension or anything.
Uh, I mean it's only an hour and a half
movie, but when you have romances, even
comedies or dramdies, there's always
usually a fallout when you go from the
second and third act. And here, I felt
it was artificial. They just had to mix
something up where she felt she you're
too perfect. I have to leave the date.
And so, as you said, the next scene, she
shows up at the vineyard and then she's
singing
Love you, boy.
>> And I want to do that right now. Boy, I
wrote this for you. I love like I'm just
like, wait a minute. You
>> When did you write it? [laughter]
>> You just left the vineyard. You left him
cold with grapes on his feet and now
you're singing to the top of your lungs.
And then Kimberly, right after that, you
see the white devil there. You don't
stop. You don't
>> white devil. You don't say, "Hey, all
black people and brown people that are
here, the one white man is there, you
can he's he's he's standing out like a
sore thumb. He's threatening my life.
Tackle him. Grab him. Call the police."
No.
>> Hello. [laughter]
>> It keeps going. And on top of that, Kim,
I said that her vocals sounded great at
other points in the film where she was
actually in the booth with a microphone
and headphones or recording with
Babyface. It felt like a live were
recording at that moment. During this
scene, it did not seem like she was
performing live. It was obvious that
there was a recording and this was some
type of lip lip service or or lip
syncing and it just did not seem natural
at all. Then they then they cut over to
Mr. Tyler uh Lipley right here and he's
trying to put on the fake tears and
grabbing his chest and like oh I love it
was just the corniest of the corny. I'm
just like man I was loving y'all
relationship right here but then when
you got to this part right here it's
just you know all phony baloney. So
>> she leaves him with the grapes on his
feet then out of
>> and start singing a confession of love
for him. But as soon as the winery is on
fire, she says, "I'm sorry, Bo. I have
to leave out of nowhere. I have to pack
my bags and I'm like, "Oh my god, this
is the dumbest writing ever in life. You
just you just changed your mind three
different times in six hours and it just
seems stupid." And then his his acting
[clears throat] went down the crapper,
TOO. LIKE, OH NO, WHAT AM I GOING TO DO
NOW? AND HE'S KICKING the wood and I'm
like I'm like, "What happened? What
happened?" And the movie was good and
then it just face planted down in a a
fiery flame and I'm I'm I'm left
frustrated. I And it I I don't know what
happened in the third act. I mean I'm I
was a little passionate rant right
there. Um but it it really fell apart
for me. Um
>> I get it.
>> Do you agree or disagree?
>> No, I get it. I get it. I don't feel
like it was trash,
but I but I get what you're saying,
Brandon, because
one, you already abandoned him once. I
would have preferred she said after it
burned down after homegirl turn your
great vintage into kombucha, it would
have been really nice if she said, "I've
got to go and work this out. I've gotta
go and fix this or I'm gonna go and face
this and fix this. Not Damn. And your
wine too. I think I'm gonna leave. Like
what? You just left like a week ago. Why
are you doing this? Like I would have
preferred her go, "No, Boaz. Like I'm
I'm gonna fix this. I'm gonna go." Well,
when are you coming back? I don't know,
but once I do, it'll be fixed or I will
get vengeance or this is thousands of
home girl. This was thousands of dollars
and it was your fault. You can't just
leave.
>> Yeah.
>> Again, it's like it's like the contract.
>> Yeah.
>> You know, I just I'm not feeling these
tight booty shorts. I gotta go.
>> You know what? They burned down your
whole inheritance and then some and all
these people lost their job. You know
what I'm going to do? Leave.
I'm sorry.
>> No, no, no, no. Go for it.
>> To try to give her credit. I know that
at one point she was having conversation
with Boaz about her a rough upbringing
and why she's kind of like hard and
tough or like not that social.
>> Yeah,
>> makes sense given her background. I kind
of just wish they would have fleshed it
out a little bit more. I mean, it was
just really annoying. Uh, and it just
didn't seem right. Just just
>> Yeah.
>> like And I I like um his friend, by the
way. I really liked his friend um his
partner in crime there on the vineyard.
But um I would have it just it it's
almost like the writers were on a roll
and just on a roll like I I imagine
writers like you know in a space
together having coffee going yeah and
then oh and then she says this yeah I
like that I like that. But like when you
have two writers or a writer, life
happens and a good writer is that you
can get back into your flow because you
sometimes you get writer's block like
you you got like a Nobel Prize worth
writing in the beginning but then you
got lifetime movie at the end. So, I
feel like something happened with the
writing where they lost their juice a
little bit towards the end of the movie
or maybe the studio was like, "Yeah,
yeah, how are we doing on that?" Ruth
and Boaz. Um, yeah. So, you don't have
six months anymore. You have like two
days to get me the rest of the script.
That's what it felt like. AND THEY WERE
LIKE, "WHAT?" YEAH.
>> UM, and then it burns down and then she
leaves. She leaves. Have her leave
again. Like, that's what it felt like.
The writing deteriorated a bit for me at
the end. Um, I do like that Naomi came
through with a shotgun.
>> Yes. Yes.
>> I love that. Um, and I will not miss
next time. Um, but I would have liked
more confrontation of Ruth finding her
footing as a courageous woman to stand
up to this guy and I don't know, burn
him with some hot grits. I just do. I
would have liked her her ambo as to him
to go like, "Wait, she's gonna face this
guy on her own. No, let me go after
her." I wanted her to pick up her cape.
I wanted her to put her cape on
>> and and and take responsibility
and don't run away. Run
some the best saying I ever heard in my
youth, like in youth group when they
were talking about like taking the word
up as your sword is they said never run
at your giant with your mouth closed.
And I've I heard that when I was like
15. And to this day, I have I I I if I
got a tattoo, that's what it would be is
never run at your giants with your mouth
closed. And I wanted to see that moment
from Ruth. I wanted to see her go,
you're done ruling my life. You're done.
D you killed my boyfriend. You killed.
And now I'm gonna I would have preferred
her to have the shotgun. Heck, I would
have preferred some John Wick action and
had Naomi and Ruth like pow pow like
like give me something courageous from
her. And I didn't like that she kind of
was just a lily in the wind like leaving
again. No, like get your footing, girl.
Cowboy up. So I didn't like that. I I So
I kind I do agree with you that it kind
of fell apart at the end and got rushed.
Yeah, it was. They definitely hit the
fast forward button.
>> Yeah.
>> Um the ending was cute with the wine the
wine uh working out. Um I don't know how
realistic that is or not. So it Hey,
cute ending. You know, at least they was
able to wrap it up as far as that's
concerned.
>> I like that he explained that it was it
should have been turned into vinegar.
Yeah. Um I'm like, is this how we got
kombucha? But [laughter]
but I I I Hey, I mean, maybe it does
happen. You know, you get some bottles
saved, you know. Um, I like that. I I
like the way it ended, but I would have
preferred Yeah. something.
>> Are those your uh final thoughts?
>> Yeah, those are my final thoughts. Yeah.
>> Yeah. Um, with me, um, overall, I
thought it was pretty decent. Um, I I
was happy at first and kind of sad and
disappointed at the at the end. I think
you hit the nail on the head, Kim. It's
like, you know, they thought they had
this much time to write the rest of the
movie and Ben's like, "Oh, nope. You
don't have a month. You got two days."
Like, what? Okay, let's hurry up and
finish this. Uh, I thought the casting
was great. I thought the acting was
pretty decent. The production was nice,
too. Um, I didn't feel like there was
any cheap extras in the back with bad
wigs or wearing robes or looking crazy
or anything. [laughter]
Um, the structure as far as it adapting
Ruth and Boaz, I thought was done pretty
well. Um, the relationships felt real
for the most part and um, you know, it
it was an enjoyable movie overall. It
just really fell apart at the end and
got super duper corny. I I don't know
what happened and it's really
disappointing. Um, as far as Tyler
Perry's produced films, this is
definitely not his best, but this is
definitely not his worst either.
>> Not his worst.
>> Not his It's It's in the It's in the
middle. Um, on the more positive end of
the middle, I think out of all the Tyler
Perry movies we reviewed, um, I probably
like this one the least. Um, but he has
some um because at this time we did Why
did I get married one and two? Uh,
family that prays, I can do better all
by myself, media family reunion, a diary
of m black woman, dad's little girls,
good deeds, and uh I mean this one right
here is kind of competing with good
deeds. Uh I may be like good deeds
slightly more than this. I don't know.
But we do have a lot of Tyler Perry
reviews on our channels. You can start
checking that out at Kimberly's channel.
link is in the description. It's right
here. What's good, Kimberly? Subscribe,
subscribe, subscribe. If you are
watching this on Kimbley's channel, um,
here you go. But you can also subscribe
to my channel. And if you're watching
this on her channel, subscribe to my
channel. I I don't know what I'm trying
to say here, but
>> Yeah, I know you got that right.
>> At this time, we have 10 Tyler Perry
movies recorded. 10.
>> We did it.
>> 20. Yeah. And we And we have 10. We got
again Ruth and Boaz. Why did I get
married one? Why did I get married two?
The family that prays I can do bad all
by myself. Good deeds, daddy's little
girls. Um
>> DS family reunion.
>> Yes. Family reunion
and uh for color girls
and and Ruth and Boaz. So we got 10. So
if you're watching this, uh at least
half of those right now are at least
published on our channel. So go check
them out.
>> I'll be posting mine soon.
>> Yes, ma'am. yesterday.
>> We're going to put I'm posting my a
little closer to the debut of the new
Tyler Perry film.
>> And I Well, I think by the time this
video comes out, it would have already
been I don't I don't know. It's so many
videos.
>> We've done so many you guys. But I but
Brandon, I have to say, well, one, thank
you for asking me to review these Tyler
Perry films. I I was so like when you
were like, "Let's review Tyler Perry,"
and I was like, "But why, Por, why?" Um,
but honestly like I've really enjoyed
revisiting
these films because now that I revisit
them, I'm like, "Oh, yeah. Me and my
family had a blast in the theater when
we first saw this." Like, but like his
early work, I I forgot how much fun
Tyler Perry's early work was. I forgot
how many wonderful actors he brought out
from Carrie Washington to Blair
Underwood to Sicily Tyson. And I'm like,
and it just reminded me of like, oh
yeah, like black Hollywood was really,
you know, dead in the water until he
came along. So, I think we really, as
much criticism sometimes as we we give
Tyler Perry, we really got to give him
his props for um he's really kind of
upheld black Hollywood in the years
before um all of the social movements of
the past six years where you know uh you
know channels like you know HBO we got
Black Lady Sketch Show and where where
studios were really investing. He was
really the only one investing in our
community. So, I got to give it to him
for that. I just want to put a call to
action out to the TP people and himself
included to look at your old work and
and really remember the magic that we
all fell in love with and please get
back to that because it's been a far
stray. So
>> yes, we have one more to do and that's
uh his newest film Tyler Perry's Find
and Joy. It's a a romance film that's
premiering on November 5th on Amazon
Prime. Um, may have other videos to do,
but guys, um, again, we're doing this
because Straw came out, I think July of
this year. I didn't like it. Uh, I don't
think Kim did either. We like Six Triple
H. So, we will just like, let's just
stay on the positive Tyler Perry movies,
bro.
>> So, that's what we're doing right now.
So, guys, we just want to thank you so
much for tuning in. And before you go,
don't forget I'm Avery, that's Kimberly,
and that's just our opinion. Peace out
and we'll see you next