Video summary
Suzie Assam opens her intimate performance by introducing herself alongside her bandmates, Nick Santos on bass and Sam Smith on drums, marking a significant departure from her usual solitary gigs in coffee shops or bars where she often plays merely as background music for others. She describes this evening's set as "letters home," a collection of songs deeply rooted in love, grief, and self-reflection that explore the complexities of familial bonds and personal identity. The overarching theme connecting these pieces is how relationships—whether with family members, oneself, or loved ones lost—are fundamentally defined by expressions of affection, be they present, absent, conditional, or unconditional.
The performance delves into specific emotional landscapes through songs dedicated to various aspects of her life, starting with a critique of the perfectionist persona she adopts as "Suzanne," followed by poignant tracks about family dynamics inspired by the phrase "blood is thicker than water." Assam addresses the dissonance between biological ties and chosen families within her blended background, while also paying tribute to her late mother through memories of lullabies sung in a guest bedroom. These songs navigate themes of guilt, survival, and the struggle against grief, illustrating how she processes trauma by singing about it rather than letting silence consume her, ultimately finding solace in acknowledging that not everything great is inherently good.
In the latter half of the show, Assam shifts focus to burnout, resilience, and a final celebration of community with an uplifting anthem inviting everyone to sing along. She shares personal anecdotes, such as childhood memories involving Nirvana albums and her brother's nicknames for them both, weaving these stories into songs that advocate for softness, grace, and the permission to rest amidst societal expectations of constant productivity. The concert concludes with a powerful call to unity, referencing historical figures like Karl Marx and Assata Shakur, reinforcing the message that while life is difficult, there is nothing left to lose but one's chains when standing together in love and support.
Read the full video transcript
How's everybody doing?
I say please make noise. It's very quiet
in here.
We're getting there. Okay.
All right. Well, for those of you who've
never seen my lovely face before, I'm
Susie. Um, and with me tonight are Nick
Santos on bass and Sam Smith on the
drums. Um,
I am used to playing totally by myself,
with just me and my guitar, um, and
being in spaces where I'm not exactly
the focal point. There's either coffee
shop things going on, or it's in a bar,
or I'm just there to play two songs for
somebody else to get on stage and be in
the spotlight. Um, so I'm really jazzed
to be here with you tonight and to have
the opportunity to share these songs
with you in this way for the very first
time. Um, and because I do have somewhat
of a captive audience this evening, I'll
be talking a little bit more and sharing
some stories as we go. Um,
I have been referring to this particular
collection of songs as like my letters
home because they do primarily function
as letters to and about myself, my
family, and the people that I love. Um,
so tonight we're going to get into a
variety of topics and vibes,
um,
but I would say that the overarching
theme of basically everything that I
write is love because what is grief if
not love unexpressed or lost or yearned
for, you know, our familial
relationships are all based around love
whether that's absent, present,
conditional, or unconditional.
Um and our relationships with ourselves
hinge so heavily on how we choose to
give ourselves love.
So, we're going to get into it. Uh we're
going to start with a song that's about
me and some of the parts of myself that
I don't particularly love.
Not everything great
is something that's good.
I miss who I was when I believed that I
could.
And maybe someday I'll have more than I
should from writing songs about
Suzanne.
Songs about Suzanne.
She gets caught up
in perfection.
She's got a knack for control.
Lives at stay cool
and collected.
And eyes that will roll like thunder.
Greet
up
with a new song.
I'm reminded to breathe
to let it in.
We haven't got along.
And I hope that she sees not everything
great
is something that's good.
I miss who I was when I believed that I
could.
And maybe someday I left more than I
should from writing songs about
Suzanne.
Songs about
Suzanne.
She's just a name.
Seven letters.
A lasting promise to break.
A second-hand word.
Even better.
She's best tucked away.
To say it is a shell.
She's a shadow.
An honest mistake.
But I can't go on
by letting her go.
We're one in the same. Not everything
great
is something that's good.
I miss who I was when I believed that I
could.
And maybe someday I left more than I
should from writing songs about
Suzanne.
Songs about
Suzanne.
Songs about
Suzanne.
THANK YOU.
IT'S SO OUT HERE NOW.
THESE NEXT FEW SONGS focus on family and
how complicated those relationships can
be. Um the first is inspired by the
phrase blood is thicker than water,
which is actually a shortened version of
the phrase the blood of the covenant is
thicker than the water of the womb,
which totally changes the meaning. And
for someone who grew up in a blended
family,
um and who has a lot of chosen family,
often the dissonance between those two
phrases and the two different meanings
can be really loud. Um so this is a song
called blood of the covenant.
Arms out in the crucifix position,
show me the limit of your love. It's
this much.
It's this much.
While I built you a home inside my rib
cage,
you built a fence round all the things
that you can't
and you just won't touch.
Arms length with a tender disposition,
on the shores of the water of the womb,
it's 10,000 leagues
and a bloodline between me and you.
Set my bones with this band-aid for
family.
Still in pieces and I'm
bleeding through.
I'm bleeding through.
Arms wrapped in the shape of obligation.
What do we owe each other now? It's been
a long time.
And I've paid my dues.
Stuck me into the corners and the
floorboards.
Let me fade with the photographs and
scars and I won't make
loving me
so hard.
And I
won't make
loving me
so hard.
>> Uh
these next two songs are for my father
and his wife.
Uh may they have the lives they deserve.
A masterful
design.
How it's been
riddled
over
time.
Out of sight,
just
behind
the eyes.
A deft and callous
hand
it takes to understand
the mechanism
of a cataclysmic
instance, a calamity
without
a plan.
It's not so complex.
Just your boots against my neck.
>> A talent so
refined
to have borrowed in
my mind
and lay
to rest any thoughts that you know there
is when you're just looking out for
your own kind.
It's not so complex.
Just your clothes inside my chest.
As if I could
forget
while I'm still paying off
the debt.
The colossal
sum
of all the things you've done. I hope
this finds you
in regret.
It's not so complex.
I'm just putting it to rest.
It's not so complex.
I'm just dealing with your best.
>> Everybody hanging in there? We good?
Okay, cool. I like to check in every now
and then. I know it gets a little
melancholy. I promise there's some
more joyful things coming, but you know,
balance in all things.
>> All done.
>> Oop, sorry. Ready?
Tell your friends
it was me.
Tell some strangers who couldn't care
less.
Tell family
I'm a villain.
I'm a bad seed.
Wanted three to put roots somewhere far
from this rotten tree.
It's all right.
Got it wrong.
Guess you loved me all along.
I'll take the blame as long as it suits
you.
I'm ungrateful.
I'm alive.
A disgrace of a child who owes you for
keeping me alive.
I'm selfish.
I don't tell the truth.
I am the cracks in the walls of this
house where we don't say abuse.
It's all right.
Got it wrong.
Guess you loved me all along.
I won't say its name out loud if it
hurts you.
Look at me. I'm doing fine.
Couldn't be true or I'd be
out of my mind.
Can't believe I wasted all
these years
crying.
It's okay.
I'm all now.
It's fine.
Got it figured out.
All good.
I'm done.
Shove me in, close it tight, nail it
shut.
Bury me like you would.
And when I'm deep inside the ground,
and you're feeling safe and sound, I
hope karma comes around.
So, as you can tell, they're lovely
people.
Um
My mother died when I was a few months
shy of 6 years old. Um and sorry to
trauma dump on you.
Uh it's really tough for super obvious
reasons, but uh mostly because I don't
really remember much of her.
Um and I was so young that all of my
memories from that time get really
blurry.
Um but I do have some distinct memories,
like her singing me to sleep. And one
very distinct memory I have is of her
singing me to sleep in the guest bedroom
of my great aunt Sarah's house.
Um and just like the silhouette of her
head kind of backlit by the moonlight
seeping in through the lace curtains,
which is a really nice thing to hold
onto.
Um
the lullaby that I remember her singing
most is 10 green bottles. And if you've
never heard it before, it's
10 green bottles hanging on the wall. 10
green bottles hanging on the wall. If
one green bottle should accidentally
fall, there'll be nine green bottles
hanging on the wall.
Um and so you just kind of count down
until you get to zero hoping that your
child is asleep by like four or five.
Um
but that's the one that really stuck
with me.
Um so much so that it's the song that I
would sing to like self-soothe in the
years after she passed. Um so this next
song is for my mom, Darlene, and all the
green bottles that have fallen in the 29
years since she left us.
Oh, Mama, please forgive me.
I'm afraid I have sinned.
The devil came to visit.
And I invited him in.
He told me it was high time
to be letting you go.
And he replaced you with another
who was just there for show.
Oh, Mama, been crying.
Counting bottles on the wall.
Patiently
waiting
for one of them to fall
so you can
sweep me up
with all the
broken glass.
And you can try,
you can try
to put me back
together.
Mama, can't you see I'm sorry
for the woman
I've been
and for letting all of this darkness
inside of my skin.
Mama, it's been burning me down.
This fire in me
smoking me out of control.
No air left to breathe.
So, mama, please, please, please watch
me
like the bottles on the wall.
Just in case you can't catch me
when I accidentally fall,
well, you can
sweep me up
with all the
broken glass.
And you can try,
you can try
to put me back
together.
Together.
I put ice in this as like a refreshing
treat, but now it's
very loud. I'm so sorry.
Unpaid percussionist right there.
All right.
Uh
This next song is just my super normal
and not very concerning at all feelings
about grief and existence and the
feeling of being sort of left behind. Um
I promise I'm okay.
I really I really am. Um
it's fine. This one's kind of fun
though. So, anyway.
Let's get into it.
I'm always tired, but I hate sleeping
cuz when I dream I see them and I wake
up crying.
I don't want to die.
I just hate breathing. Each time I do it
reminds me that you're not here.
You're not here.
Left for the sky.
Left me in pieces,
scattered my mind.
Grounded and bound by your
getaway.
I know it's wrong.
I'm feeling envy.
Cursed to my body, maker of my own cage.
But it's okay.
I'm okay.
On my way down,
tumbling sideways.
The walls of this spiral of paper mache
and soaked to the bone.
Soaked to the bone.
Crazy and cracked,
but I'm not a crisis. Took 10,000 steps
back and said, "Jesus Christ, this is
home."
This is home.
I don't want to die.
I'd just say breathing. It's not about
life, it's the being that kills me, my
dear.
Is that clear?
And besides,
you're not here.
I told you everything's fine.
Everything's chill. We're good.
Does that sound okay out there?
Everybody can hear everything. We're
good.
All right, cool.
See, these guys are here to cover up all
my mistakes.
It's a blend right in.
Um these next few songs are a bit of a
mixed bag, but like what isn't? Um we're
going to start with a song inspired by
something said to me in a breakup
speech. Uh
we're going to move to a song about
burnout, and we're going to finish with
a sappy little love song. So, strap in.
How
can it be?
How can you make me believe
I'm a good thing?
And how can it be?
How can I remember to breathe?
Is this a good thing?
>> I
said goodbye.
I promised myself that I'd try
to let go
of a good thing.
You
sat there and cried.
And I had to ask myself, why
am I
such a good thing?
So, how
can it be?
How can I let you just leave
and walk away from me if this is a good
thing?
I
know
somehow
even if it brings me down
it's all
for a good thing.
And you're such a good thing.
I can tell you I did not feel like a
good thing uh when that happened.
It was actually probably one of my worst
nights ever. And this person doesn't
know this. I don't think she's ever even
heard the song, but uh
I think an hour or two before she came
over to hang out, um
I had called my friend Kevin and was
like, "I'm I'm not okay." That time I
was not okay.
Um it was just a really, really bad
time, and then that happened not long
after that, and I was like, "Well, uh
cool. So."
Anyway.
We write songs. That's how we get
through it, right?
What do you do
when the blessings turn to burnout? The
days slip through your fingers till
there's nothing left to clutch besides
your chest.
And you're racing desperately to
nowhere. The finish line keeps moving,
and you never catch your breath.
Where am I
on this road that leads to happiness?
Cuz the GPS keeps telling me there's
just 5 minutes left and I've come so
far."
According to my friends and my
therapist, this journey's everlasting
and I'm dying dying for some rest.
Under the sand below existence, I've
been crushed apart. Scoop me up, hurl me
to the wind, let me be numb.
I'm so tired of resilience. Leave me
broken, solitary, safe inside the walls
of my own empty cup.
If living in
the present
means each day's a gift and every
moment's a receipt
to remind us that we've lived, there's
been romance, laughter, and dancing, and
second chances. There's been truth and
lies and certainty, sadness, death, and
taxes.
Under the sand below existence, I've
been crushed apart. Scoop me up, observe
me to the wind, let me be numb.
I'm so tired of resilience. Leave me
broken, solitary, safe inside the walls
of my own empty cup.
So, if tomorrow I choose stillness over
work and bills and business, if I should
choose to become nothing over everything
at once,
there's some things that you should
know.
I've had joy.
I've known beauty and forgiveness, been
given love so deep and selfless.
It's more than I deserve. It's too much.
But it's the thing that keeps me going.
It's the thing that keeps me knowing
so much more than pouring empty cups.
And as promised, our slightly little
love song.
Not that last one, obviously.
Yikes.
Can you imagine?
Hold on.
Oh, hey, caught me by surprise.
A flash the corner of my
eyes.
Call it fate
or coincidence,
that's fine.
Who knew
joy would come to me
in disguise.
Say say
say love me.
Say amour.
Met
on the moon
toujours.
Wrapped in the music of your charms.
Cold in the comfort of your
arms.
Call me hasty.
Call me foolish.
That's fine.
Just call me later.
Call me, baby.
And I'll call you mine.
Say ça.
Say l' vie.
Say l' mort.
Maintenant
demain
toujours.
Say ça.
Say l' vie.
Say
l' mort.
Maintenant
demain
toujours.
Checking in again. Everybody still good?
Okay.
Just making sure.
Feel free to cry, fall asleep, leave. I
don't know. Do what you want to do. Live
your life.
Let the the feelings run through you
however they need to.
All right. Um having lost my mother at
such a young age, grief has been a
rather large part of my life for a very
long time.
Um so these next two songs are kind of
about my somewhat reluctant coexistence
with grief and the boys are going to
start this one off for me.
Whispers on my skin.
A song begging to be let.
I can't shake it off.
Sickly sticking out.
Sliver between my bones.
I can't take it out.
Splinter in my side.
Will not be denied.
Showing all my teeth.
Crying underneath.
I can't fake you out.
Not going to this is real.
Bleeding just to heal.
Build while breaking down.
Splinter in my side.
Will not be denied.
>> Thank you.
>> All right, here comes the jug of doom.
It's just so loud.
Normally I do like have this at like
wedding gigs or like bar gigs. I said
you can't hear anything, but it's just
It's a monster in this room.
>> There's something strange about
December.
A subtle morning carried by the breeze.
It's getting harder to
remember
that you and the season didn't bring me
to my knees.
It's not enough to say I've tried.
I fought it off, but the emptiness keeps
growing.
It drains the light straight from my
eyes.
It crawls into my veins, and you might
never know
that I'm
buried alive
inside these old winter blues.
I'm
trying to get out out of this room.
But, not too soon.
>> There's something odd about the
springtime.
Something cold about the month of May.
I swore it off for years, but the grief
it keeps on coming.
And it's no use to try and push it all
away.
And I'll admit that I have a light.
I've never been okay, but thanks again
for asking.
It's no mistake I have her eyes.
We share a sadness that keeps me from
ever masking that I'm
buried alive
beneath the lily blooms.
That
I need to get out
out of this room.
But not too soon.
Thank you.
I have a little bit of a story if you
want to hear about me being adorable.
Uh I mentioned earlier that I'm part of
a blended family. Um I actually only
have one sibling with whom I share two
parents and that's my big brother John.
Um a few things to note. There is an
8-year age gap between us.
Um and when I was a baby, our mother
taught me to call him Bubba.
And as a true child of the '80s and
'90s, he has lovingly called me Chump
pretty much my whole life.
Um it's a term of endearment. It sounds
like it's not, but it really is.
Um it's very sweet at 34 years old when
your big brother still calls you Chump.
Um so when John or Bubba was about
12-ish years old, uh he painstakingly
convinced our Neil Diamond-loving
mother, who is like the least
grunge-adjacent person you would ever
meet in your life,
um to get him
Nirvana's album Nevermind on cassette.
Yes, cassette.
Uh and we'd listen to it in the car, um
but my mom was pretty tuned out cuz she
had like a billion other things on her
mind.
And so one day we're driving along and
the song On a Plain comes up. And if you
don't know that one, it's the one that
goes I love myself better than you. I
know it's wrong, so what should I do?
And so this day, for some unknown
reason,
being the delightful little
goody-two-shoes that I am, I pipe up
from the backseat, "Mommy! Mommy!" And
so she turns the music down and she
says, "Yes, Suzanne." And I said,
"Mommy, that man said that he loves
himself better than me and that's not
right cuz we should love other people."
And she turned to my brother and she was
like, "Jonathan, Suzanne's right. We
really shouldn't be listening to this."
Um so I've essentially been doing
penance and trying to earn back my cool
points ever since.
Uh so this is a song for Bubba called
Chump.
>> For you to see
is all I ever wanted.
Just to be
cool
and haunted.
I'm posing hard
and you're keeping quiet.
And I'm selling out
and you just don't buy it.
Looking down
a million miles to your love.
I know I'm just
a chump.
Flesh and blood.
And the love our father never gave us.
I'm so proud of
all the ways it doesn't break you.
Looking up
a million miles to your love.
I know I'm just
a chump.
Just a chump to you, bubs.
Sorry.
I love your enthusiasm, though.
For you
to see
is all I ever wanted from you.
But
I'm in the backseat
poking holes in Nirvana.
Now it's done for real this time, I
promise.
THANK YOU.
ALL RIGHT.
I KNOW, I DO A LOT OF REALLY DRAMATIC
pauses and I should really not fuss with
my iPad while I'm doing that.
Uh all right.
This next song is also for my big
brother. Um it's one I've never
performed before
um and he's never heard it, but I think
it's important because it basically
helped me frame this whole show.
Um
My brother carries a lot more than he
should ever have to and it's a load he
doesn't often share.
He bears it with strength and a sense of
honor and duty primarily in silence
because he's a man, because he's a
father and because he's the big brother.
Um so this song exists as a reminder to
him and to anyone else who needs it
that it's okay to give up some of that
weight and to allow yourself and the
littlest, most precious versions of you
some grace and some love and some
tenderness.
So this is a letter.
Don't you think that it's time
to let go of it?
Don't you want to walk away?
Just a
little bit.
Aren't you sick of it?
There's a strength in being soft
and exposing the tender belly of your
soul.
You deserve a gentle touch, loving care,
a voice dripping with nectar
to tell you that everything you are,
have been,
and will be
is enough.
Let me bring you water to wash off the
day.
Let it slip from the rose petals of your
skin.
Let it wrap you in gratitude and sing
you to sleep with I love yous until you
learn to love yourself.
Enough to be soft,
to ask for help,
to heal.
Don't you think that it's time
to let go of it?
Don't you want to walk away?
Just a
little bit.
Aren't you sick of it?
I can't fix it, patch it up,
make
any sense of things.
But I hope you hear me when I say
you
deserve more than this.
I love you, Jonathan.
Love your little sis.
One more time, we're going to jingle.
Thank you.
All right.
Well, since we started with a song and
about me and parts of myself that I
struggle with loving, I it's only
fitting that we have a little full
circle moment. Um I've been sticking
this song toward the end of my sets for
years and there is no sense in breaking
that tradition this evening.
I
precarious
stacks of china on the corner of the
table
in your mother's same old sitting room
precarious
a chatterbox of teeth and tongues and
normal happy thoughts. A flower scraped
from off the wallpaper and swept
like debris.
Like the dust that fills the air between
you and me.
You and me.
I am terrified
of crippling loneliness and also being
told a lie
by the people I love most and I've been
told to try forgiveness therapy and
meditation. Give it time,
you'll see.
Sit up, shut down, look forward, don't
forget to breathe.
Forget to breathe.
A stranger in my own bones.
Smoking mirrors, shadow figure, proxy
soul.
A stranger in my own bones.
Smile louder, keep it quiet, fit the
mold.
I am preoccupied
with being good enough and like a bull
in love and I
can't bear to take up space in rooms I
cannot justify. The anger boiling up
beneath my golden skin.
My broken skin.
This cracking flesh, this bleeding heart
are giving in.
Giving in.
A stranger in my own bones.
Keeping peace and giving comfort and
letting go.
A stranger in my own bones.
Temporizing, spinning flames around my
throat.
I won't surrounded by
oceans of white noise drowning in a sea
of chamomile.
Mouth full of bees and fire swallowing
my pride and I have nothing left to give
to anyone for free.
A stranger in my own bones.
Smile louder, keep it quiet, fit the
mold.
Temporizing, spinning flames around my
throat.
Can I just tell you it has been a years
that I wanted to hear that song with
that little drum fill in the middle and
have it come back and be like this big
uh it's so cheesy. I love it. So,
thank you for giving me the space to be
able to do that.
This has been a really lovely time. I
know it's warm in here. I know it's
cozy. I'm ready to fall asleep. Um
but I really appreciate you all being
here
um and I'm hoping
that you will indulge me in joining in
one last moment of connection before we
all go our separate ways.
If you are able and willing,
I'd love it if you'd sing this last song
with me, with us. Although, I don't know
if they're singing.
You should.
But, anyway,
the refrain, which you'll catch on to
pretty quickly, is just the words
"nothing to lose but our chains."
And you may know that this phrase
originated with Karl Marx saying,
"Workers unite, you have nothing to lose
but your chains." But, it's also
commonly credited to the late Assata
Shakur when she said,
"It is our duty to fight for our
freedom. It is our duty to win. We must
love each other and support each other.
We have nothing to lose but our chains."
So, in the spirit of community in this
cozy little space that we have here,
and as a love letter to all of you, I
invite you to sing along if you feel
moved either by the spirit or peer
pressure to do so.
>> Nothing to lose.
Nothing to lose.
Nothing to lose but our chains.
Nothing to lose.
Nothing to lose but our chains.
We've been fighting for so long.
We've so far left to go.
Still, we soldier on cuz
deep down
we know
there's
nothing to
Nothing to lose.
Nothing to lose but our chains.
Nothing to lose.
Nothing to lose but our chains.
In the face of all these mountains,
I used to feel so small.
But with the help of my sisters,
we can conquer it all.
Nothing to lose.
Nothing to lose but our chains.
Nothing to lose.
Nothing to lose but our chains.
Nothing to lose.
But our chains.
We got nothing. Nothing to lose.
Nothing to lose.
Nothing to lose but our chains.
>> Keep going.
>> Nothing to lose.
Nothing to lose.
Nothing to lose but our chains.
Nothing to lose.
Nothing to lose but our chains.
>> Keep going.
>> Nothing to lose.
Nothing to lose.
Nothing to lose but our chains.
>> One more time.
>> Nothing to lose.
Nothing to lose.
but our chains.
Thank you.
Selfishly, that's more for me than it is
for you, but
it always just fills my heart up. Um,
thank you all again so much for being
here. Um, and thank you to Mechanics
Hall for having me, um, to Portland
Media Center for filming, and a huge,
huge thank you to Nick and Sam for being
so open and supportive and talented and
for agreeing to back me up tonight. Can
we just get a special round of applause
just for them?
THANK YOU.
UM, IF YOU DIDN'T CATCH IT, WHEREVER
it's plastered, uh, my name is Suzie
Assam. Um,
the best place to find me is on
Instagram or out in the wild, though I
will be honest, I do not leave my house
much.
Um,
my Instagram handle is just @suzieassam,
s u z i e a s s a m as in marvelous, all
one word.
Um,
yeah, be safe, make good and uh,
everything else
is going to fall into place. Have a good
night.