Video summary
The video explores a compelling theory regarding the mysterious treasure chest that Biblo, the ancient owl librarian of Elbaf, insists must be opened immediately during the current battle between Imu's forces and the warriors of Elbaf. The speaker argues that this chest contains a secret tool and letter passed down from Biblo's grandfather, likely dating back to the era of the "First World" involving the original Sun God Nika. While initial thoughts suggested the contents might be a Poneglyph similar to those left by Joy Boy, the sheer age of Biblo—who could be thousands of years old—suggests the artifact is far older and directly linked to Nika himself rather than Joy Boy. The theory posits that this tool is not a conventional weapon but a specific instrument essential for sustaining Luffy's Gear Fifth form, which he refers to as his "free" or liberated state.
The speaker identifies this mysterious tool as the literal "Drum of Liberation," drawing a direct parallel between the legend of Joy Boy and the real-life historical figure who used a drum to cure despair and inspire dancing among enslaved people in the Caribbean. This connection is reinforced by the timing of Biblo's urgent request; just as Luffy struggles to maintain his Gear Fifth form against Imu, the appearance of this drum could provide the necessary power to sustain his liberation. The video also delves into Brook's backstory from the Isperia kingdom, a land of instrument makers destroyed by the World Government due to its connection to God's Knight Menare Guru. The speaker suggests that Isperia, named after the mythical land of the setting sun, may have been a sanctuary or origin point for Nika, making it a target for persecution similar to the families of Joy Boy and Davy Jones.
Ultimately, the narrative weaves together these disparate threads to conclude that the treasure chest holds the drum required to save Elbaf and potentially alter the course of the war against Imu. The inclusion of Brook's history in this arc is presented as non-coincidental evidence pointing toward Nika's origins in Isperia and the significance of musical instruments in his mythology. By linking the ancient laboratory found in the treasure tree, the millennia-old existence of Biblo, and the specific nature of Gear Fifth, the video builds a cohesive argument that the chest contains the key to Luffy's ultimate potential. The speaker ends by inviting viewers to share their thoughts on this lore-heavy deduction while encouraging support for the channel through likes, shares, and subscriptions.
Read the full video transcript
Oda may have just given us our biggest
clue about the mysterious first world of
the sun god Nika. Ever since Biblo's
introduction, fans have known there is
more to this our librarian than meets
the eye. And this has ramped up by the
bucketloads since Biblo's urgent request
that this chest, a secret tool and
letter that has been passed down from
the Al's grandfather's generation, must
be opened now. So, what is it? admits
this chaotic battle between Imu and his
minions against the brave but struggling
warriors of Elbath that is so important,
so imperative to open now. What secret
law does Biblo's grandfather have to
share? And how is it relevant to what's
happening currently at Elbath? Or better
yet, how is it relevant to the sun god
Nika? Well, before we begin, a friendly
but assertive reminder to please
subscribe to the channel if you haven't
already. It is September and I would
really appreciate your help in getting
to 100,000 subscribers. In return, I
promise to give you more One Piece
content because who doesn't love diving
deep into our lore mystery. Okay, first
up, we need to establish who Biblo is,
why Biblo is, and how Biblo is. All of
which remain shrouded in enigma.
Obviously, for very specific purposes.
Oda has intentionally made this owl
librarian a very cryptic figure. We were
introduced to the owl library in chapter
1134 where Biblo was present although he
didn't say a hoot. But it was here we
found out that books somehow turned
giant size as it entered the library. It
was soon explained in chapter 1135 that
this magical ability was none other than
the workings of Viblo, the chief
librarian who is somehow turning the
book's giant size, which Lilith
theorized to be possible through the iku
ekonomi or the grow fruit that can turn
objects larger. Saul also told us that
there is not much known about Biblo
except for his book gigantification
powers as well as the fact that he has
been around in the library for
centuries. just how many centuries?
Well, let's think about it this way. If
Saul hasn't been told much about Biblo
except for his role in the library and
the fact that he is very old, then that
likely means that the rest of
Albarafians don't know much about Biblo
either. possibly the result of a mix of
reasons like a the fact that Biblo can't
seem to communicate with the giants or
humans directly needing an intermediary
like Chopper to translate and Biblo has
been around for even longer than the
giants presently alive today. And over
the generations the Albafians have
simply forgotten who Biblo is. In which
case, Azure is currently the oldest
giant at 408 years old. That means Biblo
is at least as old as or more likely
even older than Yuru. One could even say
much much older than Yuru. So much so
for the Albafians to now have little
knowledge about this enigmatic owl.
Because otherwise, if he was closer to
Yuru's age, surely the Albafians would
have greater recollection about Biblo.
So dare I say, Biblo could even be 8 to
900 years old. Biblo could very well
have been around since the void century.
In which case, how long ago was Biblo's
grandfather's generation? I'd likely say
not just centuries ago, but millennia
ago, to be exact. Perhaps three
millennia ago, because we have to
remember that within the same Elbath
Ark, we came across an ancient
laboratory that was built into the
treasure tree at least 3,000 years ago.
Something that the Elbafians, yet again,
have very little knowledge of. And of
course, this tracks very well with even
more ancient lore that we have found out
in this same Elbath arc, the history of
the three worlds. Prior to the present
day, prior to even the age of the void
century, there was an even ancient era
depicted as the first world in the
Harley text. And just as we know that
there was a great battle around 8 to 900
years ago between Joy Boy and Imu, which
is likely the second world recorded in
the Harley, there was a similarly giant
war at the end of the first world
involving another sun god. And if we
piece all of this together with the
mystery before us today, the mystery of
the treasure chest, the tool and letter
that has been around since Biblo's
grandfather's age, even if we don't know
exactly what this treasure is, I think
we can fairly confidently say this has
been left for us since the first world,
which then can give us a greater clue as
to what this tool is. Because when I
first came across this panel in chapter
1193, I immediately thought that this
treasure is likely from the void
century. I mean, the treasure chest
seems to be perfectly square. So, when
someone suggested that inside there
could be a pornoglyph, I considered that
fairly plausible initially. In the same
way that Joy Boy has left letters to the
world in the form of the pornoglyphs,
indestructible stone that can relay
messages well into the future. Perhaps
the letter that has been left behind
since Biblo's grandfather's age has
taken the form of a pornoglyph. And
perhaps just as Joy Boy left Emmett with
a hockey knot that could come of use in
a moment of despair, there is another
tool from Joy Boy he knew that would
come in handy when Emmu resurfaced at
Elbuff. Whereas now, if we take Biblo's
likely age into account, this treasure
is unlikely to be a pornoglyph or
something left behind by Joy Boy at all.
Instead, this could be something left
behind by the original sun god Nika
himself. After all, the sun god Nika is
a woripped sacred important being within
Elbath mythology. In which case, I love
the idea that the tool left behind is
something very closely related to Nika.
And in which which case, I love the idea
that the tool is an instrument or more
specifically the literal drum of
liberation. This of course goes back to
the real life legend of Joy Boy which
Oda seems to have been inspired by. A
West Indian figure who traveled to the
Caribbean with an early shipment of
slaves from West Africa. This figure is
known to be perpetually smiling, curing
human suffering by tapping an
irresistible rhythm on his drum. A beat
that compels all who hears his music to
sing or dance until the black cloak of
despair is shaken off their shoulders.
And I think that there is a really,
really good chance that this drum is
exactly the tool left behind. I mean,
think about it. Biblo is insisting that
this treasure chest be opened now during
the battle and not after things have
settled down as Robin suggested. That
suggests that this is a tool that can
and should be used right now, which just
so happens to coincide with Luffy
currently struggling to maintain his
Nikico form. Whereas should the drum of
liberation appear, it is very possible
that this could be what sustains Luffy's
gear fifth form, a form that Luffy
called in chapter 1134
his free form, or in other words, his
liberated form, the same form of the
original sun god of the first world, who
just happened to leave behind his drum
at Elbath. Not to mention that it is in
that chapter 1134 that we actually first
see Biblo as well. Coincidence? I think
not. And then in that case, this works
perfectly in so many ways. The idea that
the tool left behind, this tool that is
going to come as saving grace in a
moment of need for Elbar is not some
typical warriors weapon. We know all too
well that One Piece is not a traditional
combat story. I mean, I'm sure I don't
need to remind you of Luffy's ultimate
form. His gear fifth nicer form takes on
the aesthetics and abilities of
cartoonish Looney Tuni powers. But then
even more importantly, this could tie
into Brook's backstory that we also
found out within this Elbarth arc. The
backstory that predates his Rumba
pirates backstory, his backback
backstory. We found out within this arc
that Brooke originally came from a
kingdom called Isperia, a land of
instrument makers, famous for not only
producing musical instruments, but also
for its music itself. We know that the
kingdom now no longer exists, having
been invaded and destroyed by the world
government 62 years ago, ostensibly
because the kingdom failed to pay the
heavenly tribute. Really, the true
reason was because Princess Shuri, the
supposed daughter of Queen Kandell and
King Ruven, is actually the daughter of
Kandell and God's knight Menare Guru.
And the world government came to collect
when they discovered Shuri had the gift
of heterocchromia. And although this is
the extent of the history told, I think
there is a lot more to the story than
Oda has told us. For one, why did the
world government visit Esperia in the
first place? And it wasn't just a visit
by any of the celestial dragons either.
This was a visit by the gods knights.
What was a member of the gods knights
doing in Esperia of all places?
Seemingly a lowly west sea island
because I can't help but be reminded of
another event that we'd witnessed in
another flashback shown within the
Elbath arc. And by that I am referring
to the happenings of Saint Figurland
Garling at God Valley. Garling was
supposedly on another mission when he
happened to moore at this Westy Island,
the God Valley. Similarly impregnating a
local only to kill her whilst coming to
collect his offspring. Sound familiar?
That sounds exactly like what happened
between Manmare and Kendelle. Although
even more horrifically in Kendelle's
case, because I don't think this
relationship was consensual. But in the
same way that Garling seemed to be on a
mission nearby, was St. manmare guru on
a special mission when he visited
Esperia because perhaps Esperia 2 is a
lot more special than we realize. And I
say this because the name of this
kingdom seems to have been inspired by
the classical mythological term
Hisperia. In ancient Greek and Roman
mythology, Hisperia was the magical
western lands, also known as the land of
the setting sun. And so, ever since we
found out about Esperia, I've often
wondered whether Nika himself may have
originally come from this island. I
mean, there is just no way that Oda drew
this glorious panel of Brooke in an
uncanny Nika pose at first sunlight as a
mere coincidence. And come on, the land
of the setting sun. Perhaps a reference
to the fact that Na was defeated.
Whereas Luffy, a boy of East Blue
origin, where the sun rises, will be the
one to bring about a new dawn. And in
the same way that the world government
continues to persecute those who are
affiliated with Joy Boy, such as the
Buccaneers or the Davy D family for
their ancestry to Davy Jones. Perhaps
Esperia was targeted or at least kept a
close eye on because of its links to
Nicar. Why else has Oda chosen to
include Brook's backstory in an arc that
is already jam-packed with so much lore?
The fact that Luffy instinctively knew
that Brooke must join his crew even at
first meeting straight off the bat. I
think that this is all pointing to the
fact that inside this treasure chest,
one that has been kept hidden deep
within Elbar for hundreds, nay thousands
of years, is none other than the drum of
liberation. And thank you to the
Joyfleet who suggested these ideas and
drove me down this rabbit hole during
our live stream. Now you can let me know
what you think by leaving a comment
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