Video summary
In March 2025, billionaire venture capitalist Amy Griffin released her memoir *The Tell*, a bestseller endorsed by high-profile figures like Oprah Winfrey and Reese Witherspoon that detailed her childhood trauma involving alleged sexual abuse by a middle school teacher and the similar experiences of a classmate named Claudia. The book gained significant traction after Griffin claimed to have recovered repressed memories through psychedelic-assisted therapy with an unlicensed facilitator, leading to her inclusion on *Time*'s 100 Most Influential People list. However, this success was short-lived, as a lawsuit filed in March 2026 by an anonymous woman identified as "Jane Doe" alleged that the memoir did not recount Griffin's actual life but rather stole and fabricated the story of her own trauma regarding sexual assault at Austin Middle School in Amarillo, Texas.
The central controversy surrounding the book involves serious ethical and legal questions about the ownership of trauma narratives and the potential financial motivations behind its publication. Jane Doe claims that specific details, such as a school dance incident where she was assaulted, were misattributed to Griffin or her pseudonymous character Claudia without consent, while also alleging that talent agents who initially approached her for her story abruptly disappeared after she sought legal counsel. Critics and the narrator suggest that the book's launch may have been less about genuine support for survivors and more a calculated move by wealthy individuals with deep ties to MAPS, an organization lobbying for the legalization of MDMA-assisted therapy, to legitimize the industry and profit from it despite the FDA's rejection of such applications in 2024 due to ethical concerns.
The legal battle has intensified with complex arguments regarding memory science, false memories, and the standards required for defamation cases involving abuse victims. While Griffin's defense argues that there is no specific law against stealing a story of abuse and shifts the burden to prove "actual malice," the plaintiff contends that selling a non-fiction book containing fabricated elements about a victim's consent constitutes publishing private facts in a false light. The case highlights a stark contrast between Griffin's immense wealth and media access, which allowed her to navigate the publishing process with a million-dollar advance, and Jane Doe's lack of resources, especially as Griffin filed a counter-suit that could overwhelm the plaintiff with legal fees and utilize anti-SLAPP motions to halt discovery processes. Ultimately, the situation underscores the critical ethical dilemma of who truly owns a trauma narrative when personal healing is pursued through methods that may inadvertently plant inaccurate recollections or exploit another survivor's experience for commercial gain.
Read the full video transcript
A memoir by Amy Griffin. She's a
financial visionary. In her new memoir,
The Tell, Amy confronts her painful past
and unravels a secret. A
>> lawsuit has been filed against Amy
Griffin,
>> a woman who says she is a previous
classmate who is named as a Jane Doe. In
the lawsuit claims that Griffin's
memoir, The Tell, is not based on
Griffin's life events, but rather her
own. This video contains detailed
discussion of childhood essay, MMA
assisted therapy, and a civil lawsuit
involving allegations of
misappropriation of essay and a survivor
story. Viewer and listener discretion is
advised.
In March of 2025, a book landed on
shelves and immediately ignited buzz
amongst society's top ranks. It was
called The Tell. It was written by Amy
Griffin, the girl boss who funds the
girl bosses we know and both love and
hate. The girl boss in the shadows who
for decades decided which womanowned
ventures would get the funding to
succeed. Amy Griffin is a venture
capitalist, co-founder of G9 Ventures,
close friend of Reese Witherspoon,
Gwennneth Paltro, Oprah Winfrey, a woman
Forbes and Time would both recognize
within the same year. But one day, after
funding so many women led ventures, she
decided it was time to tell her own
story. And that was when she came out
with the book The Tell.
>> The book saved my life. The book was the
way through for me.
>> The book was a memoir. In it, Amy
described something she said she'd
buried so deeply she didn't know it was
there. Memories of SA she'd suffered at
the hands of a teacher when she was only
in middle school. Memories said she
recovered decades later through MMA
assisted therapy. childhood memories
about deep childhood trauma
>> that I've had to trust in myself to
accept. This was shocking to the world
of highclass elites in which Amy resided
within, who all read and promoted her
book. A billionaire businesswoman who
endured such horrific trauma buried in
the recesses of her mind and resurfaced
through experimental drugs. Such a
salacious story usually made for gossip
at exclusive dinner tables, but Amy was
deciding to share this story on her own
terms. The week it debuted, The Tell
New York Times non-fiction bestseller
list. It sold over a 100,000 copies.
Oprah called it an act of courage. Reese
Witherspoon called Amy her best friend.
the courage it took to put this in
writing and to then offer it to the
world. You should be very proud of
yourself.
>> Amy was celebrated in the high class
circles. I mean, she had made so many of
these women incredibly rich and now she
was vulnerably and honestly telling her
own story. Of course, they were going to
help her share her truth. But what if it
wasn't? 6 months after the release of
the tell, a woman in California picked
up a copy of the book, a copy that had
been mailed to her by a New York Times
reporter. She read it. According to
court documents filed in LA County in
March of 2026, the woman was, in the
language of her own lawsuit, deeply
unnerved because the story in the book
she alleged was her own story. A woman
who says she is a previous classmate who
is named as a Jane Doe in the lawsuit
claims that Griffin's memoir, The Tell,
is not based on Griffin's life events,
but rather her own.
>> So, let's talk about Amy Griffin. The
Tell and the many things left untold. My
name is Madison Harish. You're watching
the YouTube channel Cruel World Happy
Mind. If you like this video, don't
forget to give it a like, leave a
comment on coverage you'd like me to do,
and subscribe if you like this sort of
content. And now, let's get into it. And
I chose this book because
I am so proud of you. I'm proud of you
for having the courage to speak your
truth. And I know that your truth is
going to liberate so many people.
>> I had been for many years a bathroom.
assault memoir, The Tell, based it on
attacks that actually happened to her
friend.
>> Uh, it launched her instantly to goddess
status.
>> M Do asserts that both attacks actually
happened to her.
>> Except it seems that she lied.
>> I'm able to share my truth and it's so
freeing to do so.
>> Uh, the tell should have been called the
steel. She has committed a moral injury
and not just against these people but
against every survivor of childhood.
This is a rich woman. $6 billion they're
worth.
Amy eventually married hedge fund titan
John Griffin in May of 2003. Once
settled into a life of highclass wealth
and decadence, Amy reinvented herself,
emerging as a master of the girl boss
brand. She is the girl boss. She's the
founder and managing partner of G9
Ventures.
>> She's a financial visionary supporting
female founders of iconic brands like
Goop, Bumble, Spanx, and Hello Sunshine.
>> But the book she wrote and her story
dives into her life before her
reinvention.
Amy Griffin appeared to have it all. The
billionaire status, the powerhouse
venture firm G9 Ventures, a client list
featuring Spanx, Bumble, On Westman,
Italier, Hello Sunshine, Aura, Goop,
incredibly successful brands that she
helped fund and bring them to the status
that they are now. Her role in so many
of your favorite brands is invaluable.
Um, you're like a real champion of
female founders.
>> You have invested her own money. uh this
isn't other people's money. This is her
own money.
>> And even the brands that I support
today, it's always who are we serving?
What is the greater good of this
product? Is it going to last for the
next do I want to be involved in 10
years? How are we going to make people
happy with it? Am I happy with it?
>> Yeah.
>> It didn't seem like Amy's upbringing was
far off from perfect either. Amy grew up
in Amarillo, Texas, the Texas panhandle.
Flat, wide, windswept. She was born into
the small town toin totem convenience
store dynasty. In the tell Amy describes
her childhood as free. There was space,
there was sky, and there was her
family's business, the two chain of
convenience stores, which her
grandmother had grown from a single
location to nearly 30 across the city.
Another successful businesswoman, which
means that Amy and her family had become
welloff. Big fish in the small pond of
Amarillo, Texas. I had this incredible
life um of growing up in a small
panhandle town called a town called
Amarillo in an incredible community.
>> Amarillo, Texas.
>> Amarillo, Texas. I'm so grateful for and
I have inc wonderful parents and
siblings. But I grew up in this family
where I had a I had a girl boss. I had a
girl boss for a grandmother. And I
watched this grand my grandmother who
was a single mother of her of to my
father and she went to the office every
single day and she was solving problems.
She was solving problems, real world
problems.
>> It started from just one woman and her
husband and how he passed away and then
she kind of just had to figure things
out on her own and a really tough time
for women back then. And then just the
success that it's gotten to today.
That's what you want. You want to grow
and you want to build. And the fact that
all of that started just from her is
just really inspiring to me. And Amy
wrote that her family chain was a big
presence in a small town. Her family
still owns the Totin Totem chain, which
just won an award in their area for
being the best chain of the year. Amy
was the eldest of four siblings and had
a relentless drive to be perfect for her
family, her community. Maybe it was just
a part of who she was. Eldest child
problems. Am I right? Amy ran long
distances, often alone. And that habit
she wrote followed her far into
adulthood. She excelled. She was
popular. She was by many accounts
naturally a leader. In the late 1980s,
Amy attended a middle school in her
hometown of Amarillo, Texas. And at some
point during middle school, according to
the tell, something happened to Amy that
she wouldn't fully remember for more
than 30 years. A teacher at the school
allegedly used Amy multiple times while
she was a student and one more time when
she was 16 years old.
>> There are millions. Thank you for being
millions who are watching us who don't
know what the secret is. So can you tell
them what is the secret that you
discovered?
>> Yes. Well, the secret that I discovered
was the idea that I had been for many
years in a school bathroom by a teacher.
>> Okay. So, you were abused by your middle
school teacher for
multiple years, even into high school,
but you did not have a memory of it
until much later in life.
>> Amy describes noticing a classmate, a
girl that she calls Claudia in the book.
Claudia had blue eyes and blunt cut
bangs. Her home life, Amy writes, was
turbulent. A few weeks before Catillan,
Amy learned that Claudia didn't have a
dress to wear. So Amy lent her one. It
was a floral dress with puffy sleeves.
Amy watched Claudia walk into the dance
looking beautiful. But she watched
something cloud behind Claudia's eyes.
She suspected something had happened to
her. A shared trauma between two young
girls with two completely different
backgrounds. These are the opening pages
of the tell. By page 26, Amy has already
introduced Claudia. The dress, the
dance, and this silent shared knowledge
that she suspected hung between them.
It's a devastating setup, but it's also,
according to a civil lawsuit filed in
Los Angeles County, the story of a real
woman who never gave Amy Griffin
permission to tell it.
>> Lawsuit has been filed against Amy
Griffin, Amarillo native and New York
Times best-selling author. Invasion of
privacy, publication of private facts,
intentional and neglect, infliction of
emotional distress. These are just a few
of the complaints listed in the lawsuit
filed by Jane Doe against Griffith, an
alleged ghostriter and the publishing
corporation. Was this the story of two
young girls with completely different
childhoods who ended up sharing a dark
and disturbing secret that marked their
entire lives, no matter how different
they were from one another? Or is
something else going on here? Let's tell
the story of Amy Griffin and the tell.
Before we get into the lawsuit and
everything that transpired with the
book, The Tell, it's important to
understand who Amy Griffin became. the
girl boss business empire that she
built. After growing up in Amarillo, Amy
attended college and eventually landed a
job in marketing at Sports Illustrated
magazine in New York. A successful,
accomplished woman in her own right, she
was in her mid20s and building a career
in media. By May of 2003, she married
hedge fund manager John Griffin, a man
who was running a huge company called
Blue Ridge Capital. John Griffin was not
a minor figure, especially in the New
York finance world. He was 12 years
older than Amy and already successful,
already very powerful. People that don't
know her husband, he is the I mean just
an extraordinary and I and I call him
Hot John.
>> You'll love this if it makes it hot
John. But I will say the reason I call
him Hot John is yes, he's hot. I think
he's good-looking, but he has just this
light within him. And if you know him,
he just you just want to sit next to
him. You want to talk to him. He's just
this bigger than life. He founded
Blueridge Capital, which was a hedge
fund that at its peak managed
approximately $6 billion in assets,
according to routers. After closing down
Blue Ridge Capital, John teaches
investment strategies at UVA and
Colombia Business School. He also sits
on the board of the New York City
organization Robin Hood and is the
founding chair and board member of I
mentor which connects lowincome high
school students in New York City with
mentors. But one of the main things that
Jon occupies his time with is John is
now also a major investor in MAPS which
will become an important part of this
story. The way that maps is working
towards reintroducing psychedelics as a
therapeutic option is perfectly situated
within Silicon Valley.
>> After John shuttered Blue Ridge in 2017
after 21 years, he became one of the
most respected names in finance. At the
time when Jon and Amy married, she had
just left her job as a marketing manager
in Sports Illustrated magazine. By 2019,
John Griffin bought a 77.1
million New York City town home, the
most that had ever been spent on a New
York City townhouse at that time. After
marrying John, Amy stepped away from the
workforce for about 10 years to raise
their family. Jon told her that he'd
support her no matter what she wanted to
do with her life.
>> I can remember my husband saying, you
know, if you decide you want to sit on
the couch and eat bon bonss, I'll love
you. And if you decide you want to work
a thousand hours a week, I'll support
you and love you. and had this big
epiphany what it was ever it was 10
years ago. Oh, I'm stepping back in and
I'm going to step back in in a really
big way.
>> When Amy returned to working, she did so
through a door opened by a friend. A
chance was presented to her to invest in
a company, then another, and then
another. The opportunity snowballed, as
she described on the podcast, My First
Million, and all of these opportunities
reflected her interests back at her. Amy
found over time as she made
relationships and got more
introductions, the things she invested
in reflected herself.
>> I have a very close friend um her name
is Juliet Deobini who is a well-known
venture capitalist, but she presented me
with an opportunity to invest in
something and she always said to me,
Amy, you should be doing this. You
should be doing this. And and I kind of
knew I would and I was always interested
and I would talk about companies and I
would go to dinners or events or
conferences uh a lot of times the guests
with my husband. I mean, I started and I
did one and then I did another one and
they did another one and they did
another one.
>> G9 Ventures client list has famous names
like Spanx, Goop. The list goes on. In
2019, Amy officially co-founded G9
Ventures alongside Anna Doerty. Amy
never really talks about where she got
the funding, but it's fair to assume
that the funding came from her and her
husband's shared finances, considering
his incredible amount of wealth. The
name G9 came from Amy's grandmother.
Amy's middle name is Janine and her
grandmother's name was Janine. When Amy
would misspell it, her grandmother would
correct her and say, "It's G9." The name
was a tribute to her grandmother who had
built up a business down in Amarillo,
Texas, and passed it down. You think
it's this uh, you know, investment firm
G9, it feels very formal, but in
actuality, my middle name growing up,
I'm Janine, and my name is spelled G9.
And as a child, I could never remember
that there were two N's in the middle.
So my grandmother would always say to
me, Amy, it's G9. G9, that's how you
remember it. Ventures focused
specifically on early stage womanled
companies. The G9 portfolio reads like a
glossy magazine's vision board, Goop,
Aura, Spanx, Bumble, Hello Sunshine,
Reese Witherspoon's company, Westminier,
the list goes on. You are an incredible
at helping
founders, business people, Ree, I mean
everyone like Gwyneith, you have been
me, you have been pivotal the way you
support these founders and and and these
women. I mean it's invaluable. It's
interesting every founder, every female
founder, like you are like the the name
everybody whispers that they they want
to surround themselves with.
>> Can you get me into this? No, I cannot.
With so many girl boss companies being
funded by G9 Ventures, it almost feels
like Amy Griffin has defined what it
means to be the modern successful girl
boss or a successful woman in business.
And that is an incredible amount of
power and influence. A single VC
defining what is a successful
businesswoman, what that looks like,
what their businesses are. Amy Griffin
is currently on the board of the Met and
Bumble. In every interview Amy has
given, she's spoken about her investment
philosophy, saying that she was there to
help build up the company. I don't think
of myself as a capitalist. She said on
the Goop podcast alongside Gwennneth
Paltro and Cameron Diaz and Olympic
sprinter Allison Felix. We do our
diligence. We do incredible amount of
diligence. A lot of it is based on
relationships. She considers herself a
builder. She wants to see who she can
help. I am a venture capitalist, but I I
approach it a very different way because
I also go into it very open and honestly
around the idea that I don't have a data
team of a hundred people who are running
numbers for me every day, but have gone
into it the way that I go into any
relationship.
>> Amy claims she prioritizes authenticity
above all else.
>> I don't know. That's how I see the
world. I see the world in partnership
through people. And so that's why when I
classified as a venture capitalist, I
sort of see myself as a people
connector. And it makes it it's it's
really fun for me every day. Amy sat on
the board of the Metropolitan Museum of
Art. She sat on the board of Bumble. She
was named Times 100 most influential
people of 2025. Amy was in every visible
sense the apotheiois of the modern girl
boss. The postlean-in era of women in
power. Soft where it was fashionable to
be soft. Fierce where it was useful,
performatively feminine, and
performatively powerful. lifting other
women up publicly and continuously. But
did she only do this when it was
advantageous for herself? Was Amy really
down for the cause? Amy publicly has
opened up about challenges of being a
woman in male-dominated industries and
how the way she's pushed through that is
through leaning into her feminine side
as opposed to feeling like she needs to
be masculine and in turn uplifting other
woman-ledd spaces in business, which is
a wonderful and important message
overall.
>> Um, and I became empowered. I started to
see how business can be done different,
how women having a seat at the table
really truly looks. Ultimately, Amy
noticed a pattern. She saw women who had
stories to tell, creations to bring to
life, and no one was helping them to do
so. So, she breathed life into a space
that had been suffocating. Maybe that
was because Amy felt like she had a
story to tell as well.
The memories Amy recovers may be
triggering for some as it's a recounting
of essay. I also want to say while Amy's
story has unfortunately been contested
in a lawsuit. First off, I'm not here to
deny anyone's story, just retell what's
been going on with this situation. And
that also does not lessen the gravity of
CSA. So, I really wanted to relay some
important statistics before diving into
this chapter. One in five women in the
United States have experienced completed
or attempted rape during their lifetime.
Nearly a quarter of men in the US
experienced some form of sexual violence
in their lifetime. Nationwide, 81% of
women and 43% of men reported
experiencing some form of sexual
harassment and/or assault in their
lifetime. One in three female victims of
completed or attempted rape experienced
it for the first time between the ages
of 11 and 17. As much as the me too
movement has been seen as a very
important step in survivors coming
forward, that still does not mean that
survivors are comfortable with coming
forward, especially to authorities. 40%
of rap and essays were reported to
police in 2017, but only about 25% were
reported to police in 2018, a year
later. The prevalence of false reporting
for SA crimes is low between 2% and 10%.
Meaning it's not very likely that
someone is going to make a false report.
On top of that, child or CSA is a
widespread problem. Nearly every minute,
someone in the US is SA. Every 9
minutes, that someone is a child. 63,000
children a year were victims of SA. From
2009 to 2013, child protective services
agencies substantiated or found strong
evidence to indicate that 63,000
children a year were victims of SA,
which is infuriating and definitely
something that should be taken very
seriously. In early 2020, as the
pandemic raged, Amy claimed that the
repressed memories of childhood essay by
her teacher, who's named Mr. Mason in
the tell were suddenly returning
>> childhood memories about deep childhood
trauma
>> that I've had to trust in myself to
accept.
>> So what can you tell us what happened?
Can we can you share that a little?
>> Of course. I mean what happened is is I
think in the last five years really was
an unwinding and unraveling of taking
apart and dismantling as Marielle says
um of a life that in many ways and as
people said to me and I I built it up
such as such that it was a life with um
walls and castles and what could have
looked like a perfect life but this
inner knowing that there was something
that I just wasn't addressing. This came
around the same time as her husband John
Griffin's interest in psychedelic
assisted therapy. So Amy sought out
Olivia who was an unlicensed
facilitator. Under the influence of MMA,
Amy remembered everything. This raw and
harrowing experience became the book the
tell. It took a while for me to actually
say, "No, you know what? I'm writing.
I'm writing. I'm writing." I actually
didn't know why I was writing. and I
wrote for several years before I
recognized that I would ever I'd written
the book before I ever knew that I would
share it with another person.
>> A memoir for which Amy was paid $1
million to write and publish. This book
was in turn promoted by her famous
friends and crowned as Oprah's 112th
book club pick in March of 2025. Oh,
a memoir by Amy Griffin. Amy confronts
her painful past and unravels a secret
she buried deep inside for over three
decades. Ultimately finding peace and
freedom by writing her story. The book
immediately became a sensation, selling
over a 100,000 copies and hitting number
two on the New York Times bestseller
list. Here are the people that you might
need to know in the story of the tell.
They're all renamed in Amy's book, so
they're not identifiable. First is
Claudia, a fellow middle school student
in Amy's school who Amy suspected
experienced use from Mr. Mason as well.
Amy loaned her a dress for Catillan. Mr.
Mason, the middle school teacher that
said Amy while she was in middle school
and in one instance when she was 16.
There's Olivia, the psychedelic
facilitator Amy worked with in her three
sessions. In her book, Amy says she was
introduced to Olivia by John, her
husband, who had also worked with her.
There's also Lauren, Amy's therapist. In
the tell, Amy describes her husband's
enthusiasm for psychedelic assisted
therapy, but said that she initially had
walls up about it because she grew up in
Reagan era, Texas, where drugs were
categorically forbidden. But her husband
had been getting really into it and
going deep on the research. He strongly
believed in all of it. after seeing uh
both my husband and then a very dear
friend at a table and I sat with her and
said what what are you doing and she
said I've you know I've worked with a
I've worked with a therapist to um on
with psychedelic assisted therapy and
so there was a moment um in talking to
my husband and I said I know it's time
for me to go and do this I said to the
therapist that day I know I need to just
to confront some things that have gone
on between this age and this age and she
said she already could feel and knew and
um we're very We were very close. I
didn't know the medicine. I didn't
understand um psychedelic assisted
therapy. I understood what it was. I
knew it was a burgeoning field and I
felt compelled to go and do this. I do
think that there was sort of divine
intervention around me as I went in for
this process. An excerpt from the towel
talks about a conversation that John and
Amy had. Amy, John said one day on the
phone to her, I had an amazing session
while you were away. Session? I said,
"Oh, that's right. your drug thing. How
did it go? I had walls up about it,
which was a testament to how deep my
resistance ran. I had grown up in Reagan
era, Texas, where drugs were patently
off limits, the domain of dead beats and
criminals. The message was received. My
brain would be a cracked egg frying in a
cast iron skillet if I partok. My
heaviest experimentation with
mindaltering substances was pretending
to take a hit off a joint at a party
after graduating from college. I didn't
inhale because I didn't know how. This
all changes when Amy feels herself
shutting down and her memories
resurfacing. She needs help and decides
maybe if Jon had been finding a solution
with this therapy, it might not be a bad
idea after all. When the pandemic
arrived, it was Jon who connected Amy to
Olivia. Amy starts to confront her
repressed memories. Writing about the
first session, Amy says in the towel,
"The day of the session, I was anxious.
There's something I can't face," I told
Olivia. "I know something happened to
me. Something I'm talking around, but I
don't know what it is. It's like I can't
remember. Or maybe I don't want to
remember." I held the pill for a long
minute, looking at it. "Can I do this?"
I wondered. I was taking an illegal drug
with an unlicensed therapist to do what
exactly? But I trusted John and I trust
Olivia. And finally, I was going to
trust myself.
>> For me, it was within 5 minutes I just
said,
"Here I go. I'm going to tell you
everything and why why is this man here?
Why is my teacher back in the room?"
And that was the telling for me.
>> Share with us that moment. Who is he?
>> It was every fiber of my being knew the
movements of this person, the
armfold, the way this person walked,
um the way that I both trusted and was
fearful of this person. You say he's
here and was the first memory that
resurfaced that you're
remembering for the first time
was that in the school bathroom on the
floor with the teacher you
>> Yes. And then I very quickly had not to
gloss over that. Yes.
>> I swallowed the pill and put on an eye
shade. Then I sat in darkness waiting.
"How long does it take for it to kick
in?" I asked. "I could hear her moving a
speaker around the room. The gentle
sound of Spanish acoustic guitar playing
in the background." According to the
tell, Amy underwent three assisted
therapy sessions. In her first session,
5 minutes after ingesting the pill, she
sat up abruptly and said, "Olivia, why
is he here?" "Who?" Olivia asked. "Mr.
Mason," Amy said. "From my middle
school." And then she writes, "Suddenly
I remembered." If I were to be brutally
honest, from the outside looking in,
while this seems like a revolutionary
therapy experience to be able to uncover
lost memories, almost magical of an
experience and how quickly Amy was able
to recover her memories. It also seems
incredibly traumatizing to experience
this and relive all of this while under
psychedelics. But I've never done
psychedelics um in this manner. So I
can't attest to whether one would come
out of that feeling recovered or
retraumatized. And we'll have to wait
and see for what the studies say for
what the case is on the matter.
Amy did not set out to write a book. She
says this consistently in every
interview she gives. After her first MMA
session, she was struggling to re-enter
her ordinary life, the very expensive
townhouse, the children, the likely
elite dinners, the board meetings, the
portfolio companies. John encouraged her
to journal. He said he found it helpful
after his own sessions. So she decided
to do it. She wrote down one sentence
first saying, "I lent address to a sweet
girl Claudia." From there the words
came. You know, I had so many memories
of standing in line at the Starbucks
when I was actually in the last few
years as I was writing this book and
then I was in the process of doing all
of this that I was standing in line
looking at the cake pops and everything
in the in the background and thinking
I'm about to tell someone my story
because so many times my story was told
over a cup of coffee. The real
conversation, the telling that has to
happen that happened along the way in
the writing of this book was the telling
to my 12-year-old self,
"He did not dim your light."
>> And for that 12-year-old self to then
say back, "You didn't let him dim your
light.
You don't have to show up sad at the
Oprah show."
>> Yeah. She wrote 150,000 words in
bathrooms, closets, on the floor. She
said she had no intentions of
publishing. Amy said she was compelled
to just get it out. On the idea of
talking about use from the tell, Amy
wrote, "I now understand why telling
people felt so important to me, as
excruciating as it was. I had kept this
secret for so long, even denying it to
myself, and the secrecy made me sick.
Talking about it was the only remedy,
the cure. It neutralized the shame. All
those years I had to tell. Now I needed
to tell. For many survivors, speaking
truth to power can be an intimidating
mountain to climb. Not only because it
feels like you're facing the truth of
what happened to you and making it a
very real thing. Almost like once you
speak it aloud, it becomes real. It's no
longer something you can push into the
recesses of the very back of your mind.
But also, you're facing what's often a
power structure put in place by abers to
prevent victims from speaking out. Amy
Griffin became an incredibly powerful
woman. With a network of powerful women
in her circle, Amy had become so
powerful, she could now use that power
to take down abusive systems instead of
becoming those abusive systems herself.
one would hope. Why was Claudia, a girl
I'd barely known, the first thing I
wrote about after recovering these
memories? It was because there was
another memory, one that had played
repeatedly in my mind for years, long
before the session with Olivia. Now, in
a flashback, I saw it again. Mr. Mason
was standing in the hallway by the
cafeteria talking to Claudia. His hand
was on her shoulder. I walked past,
slinking behind them into the bathroom.
I had never understood the significance
of this memory, why it had stayed with
me. Amy wrote, a literary agent named
Kate Hoy, whose client list included
Carrie Washington, Hoda Cotub, and
Britney Spears heard there was a story.
Kate asked to be introduced to Griffin.
Thinking that this powerhouse investor
had a story to tell,
>> I've been writing for the last 5 years,
and it's so important to say that I
wrote this book first for me without
knowing that anyone would ever read it.
when I received a call from a literary
agent who said, "Would you write a book
about, you know, accomplishments of
women in business, which couldn't have
been further from actually what I was
going to go and write about. I wasn't
going to write about building others up
about what I was doing in the business
world. I was actually writing about how
I'd turned myself down and how I had not
been honest with myself.
And that was the hardest thing to do.
But to make that decision, which was
such a simple press of the finger, I
said to my husband after I got the phone
call, I sent what I've been writing. He
said, "You did what?" I said, "I sent
what I've been writing for the last few
years to a literary agent." And he said,
"All of it?"
>> Yeah. Because because all of it, that's
my story. While Kate's original idea was
for Amy to write a book about her
experience as a girl boss business
investor, Amy said she didn't think she
was the right person to write a business
book about women in venture capital, but
that she had something else, something
that she'd already written. She sent
Kate Hoy what she'd been working on. In
March of 2023, Amy Griffin circulated a
38page book proposal called Believe Me.
According to two people with knowledge
of the book deal reported by the New
York Times, Amy Griffin was paid nearly
$1 million for what ultimately became
the memoir titled The Tell. How exactly
did Amy go from documenting her story in
her journal to making a $1 million deal?
Apparently, Kate Hoy, the literary agent
who approached her, helped broker a deal
for her. Then it seems like once she
landed her deal, she was connected with
a ghost writer by the publisher to help
her write out this memoir. Someone
helped her to tell her story for her. It
seems to tell the tell so that the
esteemed Penguin Random House, who was
paying Amy $1 million for the book deal,
would be satisfied with the quality of
her story and the book would sell. A
compelling story with the face behind
the story being an elite name with a
celebrity backing. But when does such a
setup start to drift away from a story
about an SA survivor into being about
the semantics of book sales and
publicity and marketing? When is Amy
telling a story that's no longer hers?
Or was she never really doing that in
the first place? I'm getting ahead of
myself. So Amy received $1 million to
write a book about taking psychedelics
and uncovering lost memories of her
past. It's a compelling story, but a lot
of people have compelling stories. At
the end of the day, Amy's experience in
the publishing world is a rare way of
getting a book published for the average
person. For someone with wealth and name
recognition, less so. Celebrity memoirs
are big bestsellers, and literary agents
want to connect big names with
ghostriters who can write up their
stories. Alongside Amy's book proposal,
she listed out all her celebrity
connections. people who could help her
promote her book, all through her
established elite network, which would
help her immediately get the book into
the mainstream sphere.
>> I can tell you for sure that what this
is going to do is release a lot of
people to be free. And it's so powerful
that never before have I been anywhere
where Dice Withers book club and Jenna's
book club on my book club.
ever happened.
>> And we're all here for Amy Griffith.
In as cutthroat of a market as the
publishing world, having whatever edge
or boost in marketing is an advantage
publishers are apt to take, especially
when it comes to celebrity or bigname
brands. Something that's especially
taken off in recent years are celebrity
book clubs, where trusted celebrities
with a huge fan base recommend their
favorite books, which boosts these
titles into the stratosphere. who has
celebrity book clubs. Oprah Winfrey,
Reese Witherspoon. These connections
that Amy is incredibly close with.
Doctor A and I are in conversation with
one of my best friends and chosen
family, Amy Griffin, in support of her
heart-wrenching memoir, The Tell, which
by the way is Oprah's book club pick and
has been lauded by so many others for
its powerful message of healing and
resilience. You guys have to read this
book. It is. So, I've known Amy my whole
life. I was in tears. I laughed. I
cried. I I kind of couldn't believe it.
So, Amy has all of these elements in
place. She's an accomplished woman with
the accolades to show. Has an elite
background with a list of celebrities
within her network and at her disposal
to promote her book. Here's the main
problem. Amy wrote a memoir. A memoir is
a recounting of her life, her
experiences, and requires a degree of
accuracy. There have been major scandals
in the past when a famous memoir beloved
by many has been discovered to be false.
The credibility is lost. The author
deemed a liar. The heartfelt story they
had been writing about now nothing but
bittersweet falsities. Usually because
of this and how much it could completely
ruin not only that author's reputation
but the publishing house as well, a
publisher will ensure that an author has
established credibility. But they might
overlook this when the author is a
celebrity or elite. In the podcast
Commotion with Elemen Abdel Mahmood, the
host interviews author and editor Jen
Sukfong Lee and director of content
marketing about the tell. They explain
why Amy's the tell might not have been
flagged for any issues when it comes to
being described as a memoir. It all
essentially boils down to making money
as well as Amy's existing wealth.
>> Okay, let me just say if you're the
editor who uh acquired this book and you
guys paid a million dollars in advance
and you think, you know, this is like
really legally concerning. Maybe we
should pull this book. Do you want to be
the editor that goes into that editorial
meeting that says to your bosses, "We
paid a million dollars for this book and
I think we should pull it." Like
honestly, like that is
>> but maybe pause, maybe move it to the
next year.
>> But I also think that the influence and
the money that Amy Griffin has uh paid
played a big part in that.
>> Jen talks about the responsibility for
accuracy with Amy's memoir.
>> I've written memoir. I've edited memoir.
Memoir is always sort of muddy, right?
Like I think everyone kind of expects
that. In this case, when the author is
writing about what is actually a very
serious crime, and it's an allegation
that carries life-changing consequences
for everybody involved, I I mean, I
think accuracy does matter. This isn't a
book that anyone was expecting to just
sell like 12 copies. Like, everybody
knew it was going to sell from the very
beginning. Um, and in that case, I think
that accuracy really does matter. Nathan
talks about the steps the publishing
house should have taken. Bringing up
that Penguin Random House certainly has
the resources and that he imagines
somewhere in the contract between
Penguin Random House and Amy is a
contingency for what happens if the book
is false. I am so so curious about the
contract between um Amy Griffin and the
Dial Press because
>> there's no way that nobody at Penguin
Random House thought, you know, sat down
Whitney Frick and said, "And if it's
false, what's our plan?"
>> Some degree of accuracy is important,
nay essential in a memoir. And when you
find out even some basic facts of a
memoir are incorrect, it can ruin the
entire thing. I will say that I think
the reason accuracy does matter to a
point is that we use memoir as a way of
connecting with other people. We tell
our stories so that other people can
relate to them and that we can, you
know, shed light on things that maybe we
haven't thought about before. And if the
truth is completely devoid from that
process, then what are we even doing?
>> Dial Press, an imprint of Penguin Random
House, published the book. The
ghostriter was Sam Lansky, an
experienced author with a long list of
high-profile collaborations. The
marketing machine behind the entire book
release was extraordinary. On February
2025, Vogue published an excerpt of The
Tell. Oprah Winfrey announced The Tell
as her next book club pick on CBS
Mornings in March of 2025.
>> Drum roll, please. Drum roll, please.
>> Drum roll.
>> Thank you. The book is called The Tell.
>> The Tell by Amy Griffin. You were
telling me about it and I said that's a
book that I should be reading. So give
me that book right now. It's a memoir
and it's a memoir about keeping secrets
and how secrets leave you in shame and
how once you are able to open up the
aperture of your life experience and
reveal that secret then it's empowering
to you and I think this book is going to
help so many other particularly people
who have suffered any kind of abuse or
any kind of shame. Amy talks about how
she wrote this book first and foremost
for herself with no intention to publish
it and that writing this book helped her
realize what she needed to heal.
>> Well, I think the the thing for me is
that I wrote this book first for myself
on the bathroom floor, not knowing that
anyone in the world would ever see it
again. So, it was really just for me.
But then as I started writing and now
that I look back, there was this
criminal investigation. It's a wild
thriller of a ride that I went through
in thinking that if I could hold this
person accountable, that would be the
perfect ending. But in the process of
writing the book, I realized the perfect
ending was actually to go and
investigate myself, and that was the
only way that change was really going to
happen.
>> On March 12th of 2025, L runs an
interview with Amy for her book's
release. On March 16th of 2025, Amy
Griffin is in conversation with former
Facebook COO Cheryl Samberg at a book
promo event in Menllo Park. The Ford
Foundation, New York City, hosts an
event to promote the tell with talk
between Amy and actress Marisa Hargatee
of Law and Order SVU. That week, the
book hit number 18 on USA Today
bestseller list. The following week, it
was number two on the New York Times
non-fiction list, where it remained for
4 weeks. Sales crossed 100,000 copies.
Time named the tell one of the 100
must-read books of 2025. G9 Ventures
made a post about Amy's book saying,
"Founder and managing partner of G9
Ventures, Amy Griffin, released her
debut memoir today. As Amy's teammates,
we are so fortunate to know her
optimism, curiosity, and work ethic. We
are beyond proud of Amy for sharing her
story and for paving the way for others
to share theirs. By April of 2025, Amy
Griffin is named to Times the 100 most
influential people of 2025 with an
excerpt written by Reese Witherspoon,
who says that Amy Griffin is her dear
friend. Reese Witherspoon also
personally posted about Amy after the
publication of the book and the launch
event, calling her her best friend in
one of the captions. Monday was the most
magical night celebrating my best friend
Amy Griffin and the release of her book,
The Tell. We laughed about our southern
roots. We cried about secrets and shame
that didn't belong to us. And we
promised to tell each other stories
until we're old and gray and sitting in
rocking chairs. At the launch event in
New York, Oprah was there. Reese
Witherspoon was there. Today's show
anchor Jenna Bush Hager was there. Jenna
would later describe it on air as a
night where only Amy Griffin could have
gathered all three of them in the same
room, which just goes to show the kind
of power and influence Amy has. We went
to a friend of ours had a has a written
a memoir. It's an Oprah book club pick.
Okay. Oprah comes and then she sees
Reese and Jenna sitting in the audience
and calls them up. I mean when Oprah
said that I turned crimson. I couldn't
believe it. She's like only Amy Griffin
who wrote this book who's friends of
Savannah and mine could get all three of
us in the room. Y'all come up. It was so
>> and I looked at Reese like are we really
going up?
>> The other two Titans of Celebrity Book
Club world you know were there at the
book launch. What do you make of the
fact that like all of the gigantic book
clubs were at this book launch ready to
sort of receive this book with open
arms?
>> Amy Griffin is an investor in Hello
Sunshine Reese's production company. So
that answers question. I don't know. All
rich people are friends with each other.
I guess
>> Marissa Hargatee, star of Law and Order
SVU, promoted this book on Instagram
again calling Amy her dear friend. My
heart is overflowing with joy and
gratitude after last night's book tour
launched for Amy Griffin's The Tell. My
heart is also just full of love for you
at Amy Griffin. I'm so proud to call you
my dear friend. Thank you for telling
your story. Gwennneth Paltro, whose
company Goop is a G9 Ventures portfolio
company, called Amy one of my closest
friends on her podcast. I had like a
front row seat to this. Gwennneth Paltro
also posts about the tell on her
Instagram. I'll never forget the moment
Amy told me her story, the weight of it,
the courage it took. I was honored to
hold it then, just as I'm honored to
stand behind her now as she shares it
with the world. The telling can be the
simplest yet hardest thing to do. But in
that moment, everything changes. At
first glance, all of these women coming
together to support a woman sharing a
story of her abuse as a child using
their power to support victims and shame
abusers and essentially come together to
say we will not stand with this and we
will stand with survivors is something
that warms the soul. It's touching. It's
empowering. But is that what's going on
here? Or at least is that all that's
going on here? I tried to turn around
and shut the door and say, "I'm not
believed. I'm not worthy of being
believed." And every time that door
started to close again, I would write
about it.
>> And then I would have to investigate it.
And then I'd say, "No, I believe myself.
I believe myself." Enough such that the
book changed from what I wanted to call
it. So I wanted to say, "Believe me."
That's what that was the first title of
the book that I put up in the
manuscript. I don't know if you picked
up on it, but there's a moment where I
say, "If I go in this room in the school
and the window doesn't look, it's not
the exact size, there's not a hole in
the door in the classroom, then I made
it all up." Like, I looked for trap
doors to close so that I wouldn't
believe myself because this is so
difficult to believe something like this
could go on in this world. Amy goes on
to Oprah's book club podcast to talk
about her book after being named the
112th pick of Oprah's book club. You
should be very proud of yourself. And I
chose this book because I am so proud of
you. I'm proud of you for having the
courage to speak your truth. And I know
that your truth is going to liberate so
many people. Amy has seemingly endless
celebrity and business connections that
helped her promote the book, support
her, and call her a dear friend. Model
and actress Molly Sims identifies Amy as
a friend and girl boss.
>> Girl boss. I mean, she is brilliant. She
is bold and she is truly truly one of
the most inspiring women that we both
have the privilege of knowing. But
what's truly incredible about Amy isn't
just her success in the boardroom. It's
her story. Amy, you are a proof that
success isn't about having it all
together. It's about owning your story.
Amy also appeared on the Drew Barry
Moore show.
>> Let me say I slammed a door, which I
don't think I've ever slammed another
door, but I slammed a door and my
incredible husband said, "What? What was
that? It was in that moment, in that
telling, that beginning. The word
telling meant so many things to me as I
was writing this book and cover what it
is that's been going on in my life that
has held me back. Why all the running?
Why the building walls? What needs to
come down? This book has made me think
about what you talk about, which is
secrets do build those walls up. And we
are so afraid to tell our secrets,
especially the traumas that have
happened to us in an unjust way. We just
if we've been through stuff, we're so
worried for our kids to go through those
things. We just think, how can we
protect them? We have we even dealt with
the stuff that has happened to us. And
the way that you walk through this is so
again, it's such a incredible compelling
read.
The idea was here's a woman of enormous
wealth and connections using all of it
not to sell a business idea but to
process trauma publicly and be
celebrated for it. If even Amy Griffin
with everything she has carried the
weight of this for 30 years. Imagine how
many women are carrying something so
similar right now. That being said, if
you can allow me to be a little bit
cynical for a moment, I'll also say that
Amy's story was an easy message at the
time for any woman in media to get
behind. It didn't require much risk. Of
course, the story is tragic and touching
and important. But on the other side,
did it require much risk for the other
powerful, wealthy, and famous people to
support Amy and the tell? Was this an
easy way for these powerful celebrities
to look like they were doing good in
supporting Amy as she came forward to
tell her story? Amy and her book and her
story, it was by any measure a powerful
message. And then 6 months later,
everything started to unravel.
Amy's husband, John Griffin, didn't just
have a personal interest in psychedelic
therapy. He was a major financeier of
MAPS, the organization lobbying for the
legalization of MMA.
>> I think the way that MAPS is working
towards reintroducing psychedelics as a
therapeutic option is perfectly situated
within Silicon Valley. MAPS is very
interested in the application of MMA
within a controlled setting in
conjunction with psychotherapy. And to
me, that makes a lot of sense
>> and could potentially profit off of
psychedelic therapy in the aftermath of
illegalization. While Amy marketed her
healing as a spiritual journey, her
family stood to potentially profit from
a multi-billion dollar pharmaceutical
shift if assisted therapy gained FDA
approval. So it was more that going in
to take the pill for me as someone who
doesn't drink, who had never seen elicit
drugs to take that pill and allow myself
to have the compassion for myself to
explore things I could not talk about on
this earth. So what did you see in that
session? We want to know what happens
when you take the pill.
>> I know. Explain it to us. Are you lying
down? Are you sitting up? Or is somebody
talking to you? We don't know what
happens. Um what happens?
>> I was lying down on a couch.
>> Yeah. There was this beautiful flamingo
music playing in the background. I put
the eye shades on and I surrendered and
>> and the therapist is guiding you through
it.
>> The therapist doesn't say one word.
>> Oh, the therapist doesn't say one She
didn't say a word, but I could feel the
connection with her. And I could feel
>> that I the connection with her was so
strong and the connection with John was
so strong. And in 5 minutes, I turned to
the practitioner and I said,
"Why is he here?
Why is my teacher here?"
And then I said, "I'm going to tell you
everything." So talk to us about the
psychedelic
therapy. What does that look like for
those that aren't familiar with it?
>> I know, you know, it's also changed so
much in the years since I explored it.
And um for me, it was something I could
have never imagined that I would be the
person that said I explored a new kind
of therapy. And it wasn't just a rash
decision to go take a drug and I know
it's not available to everyone and I
know it's it's something that's new and
people are talking about. In August of
2024, the FDA rejected the application,
citing unethical conduct and data gaps,
casting a shadow over the very treatment
that birthed Amy's compelling story.
So, to understand the tell, you have to
understand a little bit about EMA. I'm
sure some of you do more than others.
I'm kidding. Oh gosh. Let's see if I can
say this. Let's see. Three four dash
methylen
methylene dioxy methyl memphetamine
popularized in underground therapy
circles in the 1970s and early 1980s
then swept into the schedule one
controlled substances list under the
controlled substances act. legislation
that followed President Nixon's
declaration in 1971 that drug abuse was
America's public enemy number one.
>> America's public enemy number one in the
United States is drug abuse.
>> Schedule one means by federal definition
a substance with no currently accepted
medical use and a high potential for
abuse. Heroin is schedule one. Mara
until recently was schedule one and MMA
is schedule one, a classification it
received despite the protests of a small
number of researchers and one
particularly persistent activist named
Rick Doblin.
>> I really don't want to say people should
do this or they shouldn't do this. You
know, whether people should try
psychedelics or not try psychedelics is
really a decision that they need to make
themselves. What I can say is that under
certain circumstances, psychedelics have
been tremendously beneficial to me and
to loads of people that I know.
>> Do founded the multidisciplinary
association for psychedelic studies
known as MAPS in 1986, the same year
that MMA was officially scheduled. His
stated mission was to demonstrate
through rigorous clinical trials that
NDMA had profound and legitimate
therapeutic value, particularly in
treating PTSD. He sued the DEA to block
the scheduling and he lost. He spent the
next four decades building the case
anyways. According to the MAPS site, as
an organization, MAPS has raised over
$140 million for psychedelic research
and education. Business Insider credits
Doblin as the person who legitimized and
popularized psychedelics. Perhaps more
than any other single person in the past
half century, Doblin, now 70, is
responsible for mainstreaming
psychedelics and other once maligned
psychoactive substances. He's a big part
of why your grandma is asking you about
magic mushrooms and Tik Tok influencers
are trying to sell you camine therapy in
between dance challenges and makeup
tutorials. By the early 2020s, the
psychiatric establishment was moving in
this direction. Clinical trials were
producing striking results mainly and
kind of throughout history of these
studies using these substances in
relation to combat veterans suffering
from severe treatment resistance PTSD.
In 2014, MAPS spun off a public benefit
corporation. Again, let me like really
say that this organization MAPS that
claims it's all about really caring
about psychedelic therapy for the
benefit of the public raised a bunch of
money to lobby this spun off a public
benefit corporation to pursue FDA
approval. A company that would
eventually become LOS Therapeutics. This
means that LOS Therapeutics that came
off of MAPS would have the ability to
profit off of psychedelic therapy. the
second that it's FDA approved, which
MAPS had been working for decades to
lobby to get FDA approval. In 2023, as
LICOS awaited the FDA's decision, it
raised 100 million from investors who
could also profit from this. FDA
approval, observers noted, could turn
LICOS into a multibillion dollar
pharmaceutical enterprise with exclusive
US rights to sell as a therapeutic drug
for a period of 6 years. This means that
there's a lot of stake in legitimizing
DMA therapy and LIOS investors care a
lot about that. That's a lot of money, a
staggering amount of money. the kind of
money that would attract a certain kind
of investor and support from maps came
from many different prominent names.
Bessel Vanderolk, the author of Body
Keeps the Score, spoke at the 2025 maps
conference in Denver.
>> Well, Bessel, I'm I'm so delighted that
you'll be one of the speakers at
Psychedelic Science 2025 from June to
the 20th in Denver and that you'll also
be offering a workshop there. musician
Reggie Watts, former Senator Kirsten
Cinema, Aaron Rogers, unsurprisingly,
and former Texas Governor Rick Perry,
and most notably, maybe unsurprisingly
at this point, if you could guess where
this was going, John Griffin was a major
investor. In the book, The Tell, Amy
says that her husband connected her to
her facilitator, Olivia. But here's how
the New York Times reports it. Rick
Doblin, the country's leading advocate
for the therapeutic use of MMA, said
that he connected Miss Amy Griffin to
her therapist. In an interview this
summer, he said he read several drafts
of the book and called it important,
probably because it further helps
legitimize this therapy practice. But he
played down the reliability of memories
retrieved with MMA, saying they're often
symbolic. What? So, what does that mean
for Amy Griffin's The Tell and her
entire story? Whether it's real or not,
meaning whether the incident actually
happened from a therapeutic perspective,
it doesn't matter. He said, "A lot of
times people will develop stories that
help them make sense of their life."
What? and this is a legitimate therapy
practice that you want to have a lot of
people do where they could potentially
make up stories that is kind of
concerning. Rick Doblin added in the
therapeutic setting what Amy went
through whether it's true or not has
value because the emotion is real. Mr.
Joblin said that frightening memories
that people have pushed out of their
mind come back under EMA and you have to
be somewhat dubious I guess about
recovered memories. Though the day
before the article was published, Mr.
Doblin contacted the Times and insisted
that he did believe Amy Griffin's
memories were real. Big yikes. As
mentioned before, in August of 2024, the
FDA rejected MAPS's application to
approve DMA assisted therapy, asking
LICOS to further study the safety and
efficacy of the treatment. While
publicly you'll often hear from people
who have these revolutionary experiences
that seem out of this world, almost
magical, maybe sometimes even too good
to be true. And of course, it may be the
case for some of these people that this
is their experience. This is not the
case for all who have tried these
experimental therapies. Unfortunately,
there have been many who have had a bad
experience. Yet, because of all of these
vested financial interests, these
experiences have been seemingly
disregarded at times. The clinical
trials have been rushed in the hopes of
legitimizing the therapy practice in all
the vested interests that are able to
massively profit from it. On August 10th
of 2024, the day after the final FDA
rejection, a MAP study was retracted due
to protocol violations amounting to
unethical conduct at the MP4 study site
by researchers associated with the
project. Is it just me or does it kind
of feel like those involved want
psychedelic therapy to work so badly
that they aren't looking at the reality
of the studies, the numbers, and looking
at all the input from all people and
instead are allowing their biases to get
in the way. According to NPR, in May of
2024, the nonprofit ICER that studies
clinical trials and drug prices created
a draft report that found substantial
concerns about the validity of the
results of the MDMA clinical trials.
While ICER found that the data could
point to some serious promise for MDMA
in treating PTSD, the trial may have
been influenced by bias on the part of
the researchers by trial participants
knowing who received MDMA and who
received the placebo which is a
welldocumented problem in MMA trials and
there was possible exclusion of less
favorable results. What? Following the
FDA's rejection of LICOS's proposal,
there was some debate over why it wasn't
approved with a middle ground stance
falling pure. Some researchers took a
middle ground, believing that while DMA
therapy showed promise, it wasn't ready
for prime time. It's very possible that
is a safe and effective treatment under
the right conditions, said Mason Marx,
lead of the project on psychedelics law
and regulation at Harvard Law School's
Petri Flom Center. But I don't think
that was demonstrated adequately by the
data and there were a lot of question
marks. A citizen petition was also
submitted to the FDA in April of 2024
with a call to conduct an advisory
committee on FMA assisted therapy and
the potential issues with LICOS approach
from one of the authors of the petition.
We need to listen to people in the
trials who are having these experiences
instead of telling them that they're
liars and that they're going to ruin the
psychedelic renaissance. None of us are
against this as a useful tool or none of
us are against treating mental health.
We don't have any monetary interests in
this not going through. Much of the
treatment case for the use of
psychedelics in a therapy setting is for
those suffering from PTSD. In fact,
that's usually the sole case argued for
the use of the substance. Lately,
psychedelic drugs for the treatment of
PTSD, particularly for veterans, has
become a popular right-wing position.
With GOP lawmakers in 2024 leading a
push to legalize psychedelics that
ultimately failed while Biden was in
office, this led me to wonder whether or
not MAPS was behind lobbying this push.
While it's hard to say specifically,
MAPS has spent a lot of money lobbying.
And it's safe to say that MAPS and other
companies in the space are doing their
best to influence the legal landscape.
Unsurprisingly, at this point, because
whether it's raw milk or psychedelics,
his name always seems to come up. RFK
Jr. is an especially prominent advocate
when it comes to the legalization of
psychedelics. In 2025, Texas Governor
and prominent Republican Greg Abbott
signed a law that allocated 50 million
towards clinical trials for the
psychedelic Ibagane. Just days ago, when
researching for this video, Trump signed
an executive order to accelerate the
pathway to legalization for psychedelics
in mental health care, which partially
stipulates the allotment of 50 million
to state governments that have programs
for advancing psychedelic mental health
care. The order also states that
government agencies will work in
accordance with the private sector for
faster results. Fast and furious in the
mental health field is always the safest
way to go. In classic 2026 fashion, when
Trump was signing this order, Joe Rogan
was in the Oval Office with him.
>> These experimental treatments have shown
life-changing potential.
>> President Trump signed an executive
order on Saturday, speeding up reviews
of certain psychedelic drugs.
>> Can I have some, please? I'll take it.
>> Popular podcaster Joe Rogan says he
helped push the president on the issue.
>> I sent him that information. The text
message came back. Sounds great. Do you
want FDA approval? Let's do it.
My biggest question is, was this Joe
Rogan's main aspiration for the Trump
administration? Silicon Valley tech
giants also have their hands in this
whole industry as well, like Peter Teal
and so on, creating a psychedelic race
of sorts to see whose therapy substance
will be legitimized and then quickly
after privatized and profited off of.
That being said, I think I can already
predict some of the comments in this
video. If you are a believer in this
therapy or in this practice or in this
pastime, I am not here to burst your
bubble. In fact, I'm on the fence myself
and have parttook in the past. That
being said, I am an advocate for proper
clinical trials in place, especially
when it comes to mental health as well
as prioritizing access in health care
for all before doing all this lobbying
to privatize a new therapeutic practice
so that existing billionaires can make
even more money. So, I'm only here to
shed light on the reality of how money
moves and the financial interests and
billionaires at play and how they might
not be moving in a selfless way to
legitimize this. They might be acting in
a biased way for their own selfish
reasons that ignore red flags. And all
of that can circle back to Amy Griffin's
heart-wrenching, gut-wrenching memoir
about her childhood essay and how she
went to psychedelic therapy to uncover
her lost memories. Amy's memoir was a
way of legitimizing this therapy
practice of making it seem
revolutionary. Those reading who had
went through CSA, who had PTSD, might
have read Amy's memoir and thought,
"Hey, I should maybe try this therapy
practice as well. It worked for her.
Maybe it'll work for me." And they
probably didn't know that Amy and her
family had huge financial stakes in them
believing this. That being said, at the
end of the day, and interestingly
enough, the legalization of psychedelics
is still very much a bipartisan issue.
In 2023, AOC and Republican Dan Krenshaw
both passed House amendments on further
studying psychedelics. Time magazine ran
an op-ed about FMA and PTSD treatment in
2024. In March of 2026, AOCC's official
YouTube channel posted a video of a
hearing where she talks to an expert
about the scheduling system and they
specifically call out MMA as a
mclassified schedule one drug because of
its high medical potential for treating
PTSD.
>> We've also had a lot of limitations in
medical research. Dr. Descupa, what is
it? What are some examples of schedule
one drugs?
>> Cannabis LSD uh to see.
>> Mhm. In your knowledge as an expert, is
the claim that there is absolutely zero
evidence that cannabis um SD MDMA have
zero potential medical application?
>> I think the medical literature is clear
that they do have clinical benefits.
>> So, so right now our law says that these
drugs have zero medical application, but
the science says something else. Not
only that, the wealth of medical
research shows that these are potential
treatments for treatment resistant PTSD,
traumatic brain injuries. The schedule
classification
really prevents researchers from
continuing to do work on this. Correct.
>> Yep. The New York Times spoke about how
FDMA was legalized for use in therapy
already in Australia and early data
shows that it's hugely successful.
Unsurprisingly, considering everything
that's going on right now in the US
surrounding psychedelic therapy and the
ways in which billionaires are trying to
profit off of it. Currently in
Australia, this therapy is cost
prohibitive. At the same time, on a
personal level, it's hard not to be
frustrated when healthc care still has
so many issues. Yet, there are
billionaires spending hundreds of
millions of dollars lobbying to try and
get a new therapy legitimized so that
they can privatize a new substance that
so many people have been criminalized
for so that they can make more profit.
Meanwhile, basic health care needs for
the lower class are still unattainable.
I can't help but feel incredibly
frustrated by this dichotomy. I can't
help but feel like, why are we even
talking about this right now instead of
fixing what's currently broken? Amy's
memoir, The Tell, does not disclose in
the text the extent to which their
family finances are tied to the
industry's success. The lawsuit, which
we'll discuss in depth later in this
video, touches on this by saying, "Among
other things, the book also acts as a de
facto advertisement for the efficacy of
MMA therapy, an experimental treatment
involving a non-FDA approved drug, in
which the author concedes that she and
her husband have a financial interest.
Amy's memoir does not linger on her
husband's financial stake. In doing so,
defendants fabricated and lifted
multiple key events of the tell, which
were actual events from the life of a
third party, plaintiff Jane Doe.
Amy spent so much of her time on
celebrity book clubs and talk shows
advocating for survivors to speak their
truth, to tell their story. So, no one
possibly thought that her own story
would have been a lie or stolen without
consent. In its simplest form, the book
is about telling. And sometimes it's the
hardest thing to do. It's the hardest
thing we do. But that's what we're doing
right here. And that's what the book is.
We think secrets keep us safe, but they
keep us stuck.
>> On March 4th of 2026, a Jane Doe filed a
civil suit against Amy Griffin, her
ghost writer, Sam Lansky, and Penguin
Random House. This complaint alleged
that Amy stole this anonymous person,
Jane Doe's real life trauma, and added
those details into her book. named as a
Jane Doe in the lawsuit.
>> Do states those assaults happened to
her. Do claims once she found out that
Griffin along with alleged ghostriter
Sam Lansky had detailed her assaults in
the book. She endured months of
emotional harm, including being admitted
to a hospital.
>> Details like the soiled dress from the
school dance. Traumatic horrifying
stories that Amy passed off as her own.
Amy then went on and included this
anonymous person as a character in the
book who also went through the same
abuse with the teacher making it almost
seemed like Jane Doe verified Amy
Griffin's story when that was never
really the case at all.
>> Griffin along with Jane Doe according to
the court documents attended Austin
Middle School in Amarella while they
were classmates. Do says she borrowed a
dress from Griffin to wear to a school
dance. This is when the lawsuit claims
that Do was sexually assaulted by a
teacher who also assaulted Do again a
month later at school. Do says she did
not report either incidents out of fear.
>> Jane Doe is the person known as Claudia
in the tell and Claudia is mentioned
constantly in the memoir. She's first
mentioned on page 26. There was a girl
in my grade named Claudia who had blue
eyes and blunt cut bangs. I understood
that her home life was turbulent. A few
weeks before Catillan, I learned that
Claudia didn't have a dress to wear.
I'll lend you a dress, I said. I have
two options, a floral one and a pink
one. Which do you want? The joy I felt
being able to offer Claudia that dress
was boundless. The thought of her
feeling special wearing it made me feel
special. I wanted to tell her that I
would never tell anyone that the dress
she was wearing wasn't her own. Doing
that would undermine how good it felt to
lend it to her. I knew how to keep a
secret. I knew how to keep a secret. Amy
Griffin says a quote that may come back
to bite her in the ass. Jane Doe claimed
she was even approached by talent agents
talent agents in 2022 who tried to buy
her life rights before just abruptly
disappearing. The memoir claims Jane
Doe, who was written as the character
Claudia, was portrayed as knowingly and
voluntarily speaking with Griffin's
investigators, which do denies. But she
does recall a meeting in California with
Griffin and subsequent phone calls from
people asking questions about her story.
Do says those calls were recorded
without her knowledge or consent, which
might have been linked to Amy Griffin's
book in a shady way to get away with
stealing another woman's life story and
trauma in order to pass it off as her
own. With a hearing set for July 22,
2026, the writings of the tell and Amy
Griffin's girl boss narrative now faces
its ultimate judgment in a California
courtroom. Recently, towards the end of
June, Amy Griffin sued Jane Doe for
defamation, saying that Jane Doe's
statements to New York Times and Jane
Doe's subsequent lawsuit are essentially
false accusations. The lawsuit itself
says the timing of Amy Griffin's
defamation suit seems very telling, pun
intended, I guess, because it's right
around the court date for Jane Doe's
lawsuit. Is this a PR move for Amy
Griffin, a way to distract from the
allegations at play by levying her own
allegations, or does she actually have a
legitimate case behind it? Ultimately, I
guess that's for the court to prove. As
of now, there aren't too many details on
the trial and proceedings. So, let me
know if you would like me to make an
update of how everything plays out in
court. The irony isn't lost on me. A
woman who's the leader of all girl
bosses, a pioneer and woman-ledd
businesses who built herself up as a
powerhouse, and who claims she's
rebelling against the abusive systems
that the men before her built. as a part
of doing so releases the memoir which
she claims is about her use to inspire
other women. She uses her powerful
network to boost her own story, gain
more media attention, money, power. She
uses the story to potentially boost her
husband's work with an unregulated
therapy practice. All the while, a
lawsuit comes out that claims Amy was
doing what powerful abers have always
been doing. Using their power and money
to overtake, completely overtake someone
else's story, to co-opt their
narratives, silence them, trample on
them, and use everything within their
means to do so.
In September of 2025, the New York Times
published its first story raising
questions about the tell. According to
the Daily Beast, Amy Griffin cancelled
all of her publicity, and she was doing
a lot of publicity around the book soon
after the story dropped. At the center
of the story was a woman who remained
anonymous, Jane Doe, whose identity
remained protected. She'd been Amy
Griffin's classmate at their middle
school in Amarillo. The woman is now an
adult and is working as a home aid to an
Alzheimer's patient for $21 an hour, and
she'd never heard of the tell. A
reporter contacted her and mailed her a
copy of the book. She read it and
immediately recognized herself and her
story. According to the New York Times
reporting, the woman said she'd been
haunted by the abuse she suffered at
their middle school for decades. She'd
only confided in a small number of
people close to her, including her
daughter, who told the New York Times
her mother had described the to her
dozens of years earlier. Jane Doe
remembered Amy Griffin, but in middle
school, they were not friends. Amy was
among the popular girls, and this woman
was on the margins, looking for
acceptance. Only a few times their lives
intersected at school and at church. Amy
had, Jane Doe said, treated her with a
kind of distant benevolence. And Jane
Doe had borrowed a dress once from Amy
Griffin. A floral dress for a school
dance. That part of the tell, it seems,
was true. At that dance, she said she
did leave the dance floor with a
teacher, but not Mr. Mason. The teacher
that Amy Griffin heavily implies in her
book is the teacher who is the abuser
and has passed so he can't defend
himself. Jane Doe claims a completely
different teacher left with her that
night under the guise of looking for
decorations for the event. In a supply
closet, that teacher halted her. The
dress was stained when she returned to
the dance floor, her hair disheveled.
She felt certain other students noticed,
but nobody said anything, though. It
seems like Amy Griffin certainly did
notice that day. At this very dance, Amy
Griffin writes in the book that she
herself was raped. I was in Mr. Mason's
classroom. Amy Griffin writes, "It was
early evening and still light outside."
The frilly dress was pulled up over my
head and I was bent over a desk while he
was raising me from behind. I could feel
the weight of the dress over my head,
blotting out the light.
>> Do claims in the lawsuit that the
t-shirt is written as the character Mr.
Mason in Griffin's memoir, someone Do
claims many and Amarillo can identify.
Do claims Griffin falsely attribute a
different perpetrator.
>> Jane Doe returned the dress to Amy
Griffin at a church youth group
gathering at Amy's house. She apologized
profusely for the stain. If Amy noticed
the stain and could tell what it was,
she probably put two and two together
and could figure out the story from
there. Though she never said anything to
anyone, it seems until she wrote out the
tell. To defend Amy, her attorney said
Amy's family never hosted a church group
at their home. He also said the
classmate interviewed by the New York
Times was not the person referred to as
Claudia in the book. Well, that's a
weird coincidence. Two women Amy Lent
addressed to who were abused by teachers
at her school. Meanwhile, Jane Doe had
people approach her trying to buy the
rights to her life story. What a weird
coincidence. In March of 2026, exactly
one year after the tell was published, a
civil lawsuit was filed in Los Angeles
County Superior Court. The plaintiff was
identified as Jane Doe. The defendants,
Amy Griffin, Sam Lansky, Penguin
RandomHouse, Dial Press, and a hearing
is coming up on July 22nd. On March 5th
of 2026, the second New York Times story
about Amy regarding the lawsuit
publishes. Despite all the recent
coverage on the accuracy surrounding the
tell, the book remains an editor's pick
for best biographies and memoirs on
Amazon, Amy Griffin probably,
unsurprisingly at this point attended
the Bezos wedding. So, who knows if that
had anything to do with her Amazon
ranking.
The lawsuit alleges seven causes of
action. Invasion of privacy, publication
of private facts, false light,
intentional infliction of emotional
distress, negligent infliction of
emotional distress, unfair competition,
and negligence.
>> We did receive a statement from
Griffin's attorney. The statement says
just like the New York Times
manufactured a false narrative about Amy
Griffin and the tell it also engineered
the premise for this absurd lawsuit.
After two New York Times reporters
instigated this whole situation by
bringing the book to her attention, the
plaintiff made her own choice to
publicize her narrative to a global
audience by acting as the principal
source for and being photographed in a
New York Times article.
For its part, the Times took full
advantage publicizing this inaccurate
narrative despite receiving many red
flag warnings. We look forward to
exposing these meritless claims in court
as well as the deeply flawed New York
Times reporting that is at the center of
it. Legal observers note that this isn't
going to be a straightforward case.
There's no single law against stealing
another person's story of abuse. A
lawyer who's handling a case like this
one, one legal commentator noted, has to
be really creative. This is the kind of
case where as a lawyer, you have to be
really creative. There is no such thing
as, you know, a claim for you stole my
actual story. This is not something
where it's like, oh, this is a thing
that happens all the time and when it
happens, you sue for violation of this
statute. As a civil case, there also
needs to be something called a
preponderance of evidence, which means
that Jane Doe needs to prove for each of
these claims that they're at least 50%
true. With an invasion of privacy, there
needs to be an intent to keep that
information private, which Amy Griffin
might argue isn't true if Jane Doe was
talking to people who she thought she
might sell her life rights to. So, it is
critical to these claims that she had an
expectation of privacy when she was
talking to these investigators
pretending to be talent agents. I could
see Amy Griffin saying she intended to
disclose it to the public, but she was
trying to sell her life rights through
those people. or the false light claim.
Jane Doe has to prove that the
defendants had reckless disregard for
the truth or actual malice.
>> So, she has to prove that Amy Griffin or
Sam Lansky or Penguin Random House or
all of the above knew that what they
were printing wasn't true or at least
didn't care enough to look at. The way
that Griffin violated the law was not
just taking her stuff and passing it off
as someone else's. But the way the book
reads is as if Claudia, the character
she made up for her, knew that this is
what Griffin was going to do and thought
that it was fine. That people reading
the book were like, "Oh, Claudia must
have been cool with her telling this
story." And that was a false impression.
Unfair business practice claims are in
the suit for a few reasons, but one
major reason being that the book is a
fraud on Jane Doe, but also on the
public for being sold as non-fiction
when it is in fact fiction. You should
have some evidence that you got the
right to do that. They allege that it
was a fraud both on the plaintiff but
also on the public. But essentially, the
book is just a lie. You're not supposed
to be able to do business and lie to
your consumer base. A big part of the
injury is Amy stealing Jane Doe's story,
but also making it seem as if Jane Doe
was okay with it by including her as a
character in the first place. A big part
of the injury for her is this was my
story that I have the rights to. And not
only did you take it, you wrote it up as
if I knew and said it was cool when it
wasn't. Amy sold the story to the public
as a memoir, which most people
understand as a recounting of life
events. She made Jane Doe into the
character as Claudia, a side character
who often appears to be totally aware of
Amy's story, consenting and having
endured similar experiences. Jane Doe
alleges that none of that is true. Jane
Doe was not aware of the memoir taking
place, that Amy was even aware of her
abuse, and felt that Amy actually stole
parts of her story and incorporated it
into the memoir to create more of a
compelling story. So, let's walk through
what the complaint alleges. Jane Doe
states she's identifiable as Claudia in
the book. That to anyone in their shared
community in Amarillo, the details in
Amy's memoir make the character's real
identity apparent. Jane Doe even says
multiple people reached out to her after
reading the tell. The complaint alleges
two specific instances of abuse that
Jane Doe experienced. One in the
bathroom of their middle school and one
at the school dance. The perpetrator,
Jane Doe alleges, was a completely
different teacher than the one Amy
Griffin identifies in her memoir. During
the time that they were school
classmates and members of the same
church youth group, plaintiff Jane Doe
borrowed a dress from defendant Griffin
in order to wear it to attend a Satie
Hawkins dance sponsored by Austin Middle
School in Amarillo, Texas. During this
event, plaintiff Jane Doe was assaulted
in a closet by one of the school
teachers. She was seen by numerous
attendees leaving the dance at the
behest of this teacher and then seen by
numerous attendees returning to the
dance with her dress soiled in her hair
tussled. Plaintiff Do was too scared to
report this assault to authorities at
the time. Soon after said school dance,
just prior to one of their church youth
group meetings, plaintiff do brought the
dress she had borrowed from defendant
Griffin and returned it to her. said
dress was still stained with bodily
fluids from the teacher who had as aid
her during said church youth group
meeting which both plaintiff do and
defendant Griffin attended with a number
of other individuals. Plaintiff Jane Doe
asked for Jesus's forgiveness due to the
essay by the teacher which had occurred
at the Satie Hawkins dance. These two
settings, the school bathroom and the
school dance are the two central sites
of the abuse Amy Griffin describes in
the tell. The complaint alleges that Amy
Griffin was aware or should have been
aware of Jane Doe's abuse and
incorporated the details of Jane Doe's
experience into a narrative she then
sold as her own memoir. And some of the
details in the suit about Jane Doe's
essay are incredibly disturbing.
Plaintiff Jane Doe was once again
essayed by the same school teacher, this
time in the bathroom of Steven Austin
Middle School. This was more violent.
During the incident, the teacher put his
boot on her back, stuffed a bandana in
her mouth, which later caught on her
braces, slammed her against the wall,
and whipped her with a belt. Plaintiff,
who was only 12 years old at the time
and was living in a children's home, was
too scared to report said SAS to
authorities at the time. Plaintiff Jane
Doe alleges that the details of these
two SAS, which she was the victim of,
were later converted by defendant
Griffin for use in the memoir, The Tell.
They were falsely claimed by defendant
Griffin as her own recovered memories
that she had only recently become aware
of after going through MMA therapy.
Plaintiff alleges that these essays were
also falsely attributed by defendant
Griffin to a different perpetrator who
she refers to in her memoir under the
pseudonym Mr. Mason and who was readily
identifiable in the community where he
had been a teacher at Austin Middle
School at the time. But the lawsuit
contains one more allegation that stops
you cold when you read it. In April of
2022, 3 years after Amy co-founded G9
Ventures, 2 years after her sessions,
one year before the book proposal
circulated, Jane Doe was contacted by a
talent agent. The agent told her that
he'd heard she had an interesting life
story. How? How did you hear that? But
okay. And he was interested in acquiring
the legal rights to her life story. The
individual in question spoke with
plaintiff Jane Doe for multiple hours
per day, a few times a week over
approximately a one-month period. He
solicited detailed stories from
plaintiff Jane Doe about her life,
including her childhood in Texas, which
she discussed with him with the
understanding and belief that her
information would remain private unless
or until she entered into an agreement
for her life story to be turned into a
book or a movie. They had this whole
setup going on. At this meeting, they
would discuss further details of making
a movie and her life story and that they
would have a contract for her to review,
detailing the compensation and
conditions for use of her life story.
This is quite the elaborate scheme. Jane
Doe eventually becomes cautious and kind
of skeptical of what's going on here and
ends up consulting an attorney before
taking the meeting. Her attorney advised
her to verify the agents credentials and
to obtain a copy of any proposed
contract in advance. When she asks of
these things from the talent agents, the
agents became defensive. They ended the
call abruptly and they completely
disappeared, never contacting her again.
After that, Jane Doe could find no
verifiable information about who they
were. They just disappeared. Now, the
lawsuit does not name these individuals.
It doesn't allege explicitly that they
were directly connected to Amy Griffin
or the production of the book, but the
implication threaded through the
complaint is clear. Someone at some
point may have been attempting to secure
the legal rights to a story that ended
up appearing without those rights ever
being granted in a best-selling memoir.
At no point did Jane Doe know she was
giving any information that would end up
in a book, which contradicts what Amy
wrote in her book. In the memoir,
Claudia is portrayed as knowingly and
voluntarily speaking with defendant
Griffin's investigators. I wonder if
those investigators were the talent
agents. Plaintiff Jane Doe, however,
never knowingly spoke to any
investigators working on behalf of
defendant Griffin. At no time was
plaintiff Jane Doe ever informed that
she was speaking with someone who was
recording or transcribing her
experiences to be used in defendants's
memoir. Further, at no time did
plaintiff knowingly consent to any
recording or transcription for said use
or purpose. After the suit was filed,
Amy Griffin's lawyer, Thomas A. Claire
said, "We look forward to exposing these
meritless claims in court, as well as
the deeply flawed New York Times
reporting that is at the center of it."
The tell is structured in part around
Amy's relationship with the memory of
Claudia. She watches Claudia at the
dance. She wonders for decades what
happened to that young girl. She
eventually, late in the memoir, arranges
a meeting with Claudia. In the book, Amy
describes reaching out to Claudia and
meeting her in Amarillo. She describes
opening up to her, sharing her own
abuse, and asking if anything had
happened to Claudia. In the book's
recollections, Claudia assures Amy that
nothing had happened to her. The lawsuit
alleges that the meeting did not happen
in Amarillo. It happened in California,
where Jane Doe lives. Amy met up with
Jane Doe there. Crucially, the lawsuit
alleges that at no point during the
meeting did Amy Griffin mention her own
abuse to Jane Doe or ask Jane Doe about
what happened to her. This matters if
true for a specific reason. One of the
claims in the lawsuit, false light,
requires Jane Doe to prove that the
defendants had reckless disregard for
the truth or acted with actual malice.
The character of Claudia, as written,
appears to have tactically endorsed
Amy's telling of events. If Jane Doe's
account of their meeting is accurate,
that portrayal is at minimum a
significant distortion. In L magazine in
March of 2025, Amy spoke about the
concept of consent in memoir writing,
saying, "I can't even tell you how many
times the word that I love using now,
consent, has been used with the people
in my life. I've had to go to my
children. I've had to go to my husband
and say, "How do you feel about these
particular moments? How would it affect
you if I tell this story publicly? In
the quote, she did not mention Claudia.
There is a genuinely difficult question
at the center of this story and it
deserves to be treated with care.
Repressed memory is real. It's been
documented. The research on trauma and
memory is extensive. Going back to work
by Bessel Vanderolulk, the author of the
hugely popular The Body Keeps the Score,
who if you remember from earlier in this
video, also spoke at a maps conference
in Denver. His landmark writing on
traumatic memory describes how trauma is
stored not in the narrative centers of
the brain, but in the sensory and
emotional ones. Trauma memory,
Vanderolk's research suggests, can
remain fragmented, inaccessible to
conscious recall for years or decades,
particularly when the trauma occurred in
childhood and particularly when it was
severe and prolonged. A survey of
clinical psychologists, other
professionals, and the general public
found that on average, 58% of people
believe in the existence of repressed
memories. The study also talks about how
the idea of repressed memories became
especially popular in the psych
scientific community in the 1990s and
has persisted since. But the scientific
community also debates the conditions
under which memory surface and what can
happen to memory under therapeutic
suggestion or in this case under the
influence of a powerful psychoactic drug
administered by an unlicensed
facilitator. Dr. Dr. Elizabeth Loftess,
one of the country's foremost experts on
human memory, has spent decades studying
what she calls false memories, detailed,
emotionally vivid recollections of
events that did not happen, planted by
well-meaning therapists, or by the
suggestive environment of certain
therapeutic frameworks. Her research
does not disprove repressed memory,
which is extremely important to note,
but it establishes that the process of
memory recovery can be fallible, and
that even sincere, complete belief in
recovered memory does not always confirm
its accuracy, which may have been what
Doblin meant originally in his quote to
the New York Times when it almost seemed
like he was fairly doubtful on the
legitimacy of Amy's recovered memories.
in the 1990s and even in maybe the late
80s, we began to see an altogether more
extreme kind of memory problem. And they
would end up with a therapist who said
something like, "Well, you many people
I've seen with your symptoms were
sexually abused as a child." And there
would begin these activities
um that would lead these patients to
start to think they remembered years of
brutalization that they had allegedly
banished into the unconscious until this
this uh therapy made them aware of it.
and your work essentially refuted that
that it's not necessarily possible or
maybe brought up to light that that this
isn't
>> well my work my work actually provided
an alternative explanation where could
these me reports be coming from if this
didn't happen so my work showed that you
could plant
very rich detailed false memories in the
minds of people Griffin underwent three
DMA sessions with an unlike licensed
facilitator who had been introduced to
her by her husband or as we now know
Rick Doblin. Both men have a substantial
financial stake in the legitimacy and
public acceptance of exactly this kind
of therapy. None of this means Amy
fabricated her experience. It's entirely
possible she suffered real abuse,
recovered real memories, and wrote
truthfully about what she uncovered
regarding what happened to her. The
lawsuit and Jane Doe's own trauma story
raises a different question. Not
necessarily whether or not Amy was
abused, but whose story she's telling. I
in this video am not here to sit down
and deny Amy's experiences or Jane
Doe's. It could be both. As this story
points out, trauma and memory is a
complicated thing. But what is
undeniable is the way Amy Griffin went
about retrieving Jane Doe's story and
the financial stake she and her husband
have in relaying this story, which is a
shady element to all of this. The
complaint notes pointedly that the
Griffin family's financial interest in
MMA assisted therapy through Jon's
investment in maps and related entities
gives a compelling additional
explanation for why this book at this
moment might serve purposes beyond Amy's
personal healing. a best-selling memoir
by a wealthy connected woman published
to enormous media fanfare in which
assisted therapy is positioned as the
tool that unlocked 30 years of repressed
trauma. That is, among other things,
extraordinarily good marketing for an
industry that's just been rejected by
the FDA. Amy's lawyers disputed the New
York Times reporting. They've called the
lawsuit meritless. A hearing is
scheduled. The story is not over.
For a moment, step back from the lawsuit
and let's look at the shape of this
story. A wealthy woman with
extraordinary connections publishes a
memoir about recovering repressed
memories of childhood SA through a form
of therapy her husband has financially
supported and she is celebrated by the
most powerful media figures in America.
Miles away, a woman without those
connections, a home aid making $21 an
hour reads that book and recognizes in
its pages her own story of abuse. The
contrast is almost literary poetic. One
of the panelists on a podcast, Commotion
with Element Abdel Mahmood, spoke about
this case and made the point plainly.
Amy Griffin only had access to MDMA
assisted therapy in the first place
because of her wealth. The therapy is
expensive, illegal in the US, and
available primarily through informal
underground networks accessible to those
with the right connections. It's not
available to the classmate from
Amarillo. When commotion host Elellman
asked a publishing industry professional
why, given the questions around the
book, it went to print. Anyway, the
answer was one word, money. Fascinating
enough, Penguin Random House is the same
publisher that put out James Freys, A
Million Little Pieces. the memoir that
turned out to be riddled with
fabrications that Oprah also selected
for her book club and that Oprah
publicly condemned on her show after the
truth emerged. Random House offered
refunds to every reader who purchased it
under the assumption it was non-fiction.
It was a major publicity scandal for
Penguin Random House. You would think
that they wouldn't want the same scandal
ever again, that they would be more
cautious. At the center of this entire
story is a survivor. Not Amy, or at
least not only Amy, whose abuse was very
real, whose silence was real, whose 30
years of carrying it were real. An
unidentified woman who, unlike the
author of a best-selling memoir, never
received a million dollars for her
story. In fact, someone stole her story
without her consent. She never had Oprah
in her corner. She had to consult a
lawyer before a meeting with a talent
agent who she never could verify and
disappeared after taking her story with
them. The tell ends in Amy's retelling
with a sense of catharsis of secrets
finally giving air because Amy told them
supposedly on her terms. The only way to
heal now, Amy writes, was to speak out
loud what had been done to me. to say it
over and over again as loud as I could,
looking directly into someone else's
eyes. For so many years, these secrets,
this truth had lived inside me. Now I
needed it outside of me. Those are
beautiful words. The question still
unanswered, still working its way
through a Los Angeles courtroom, is
whether those words belong only to Amy
Griffin.
The civil case against Amy Griffin, Sam
Lansky, Penguin Random House, and Dial
Press is ongoing. The worst part of the
counter suit that Amy Griffin filed
towards the end of June is that Amy
specifically names who Jane Doe is by
name, essentially outing her when it
seems she preferred to stay anonymous.
Now, anyone who would look into this
case knows who Jane Doe is and the
horrific things that have happened to
her. Also, Amy Griffin's counter sue
will likely overwhelm Jane Doe with
legal fees, which according to
reporting, Jane Doe is not in a
financial position to be able to afford.
Is this Amy Griffin's way of further
silencing Jane Doe after Jane Doe has
alleged that Amy stole her assault
story? There's a Substack article titled
The Tell's Biggest Tells that goes more
in depth into the legal proceedings
currently taking place. On June 15th,
Amy Griffin filed a lawsuit and a motion
against Jane Doe outing her and her full
name. It's a defamation lawsuit filed in
Nevada and claims that Jane Doe is in
fact the person lying, not Amy Griffin.
Amy Griffin's lawyers also filed an
anti-slap motion, which if anyone
doesn't know what an anti-slap is, it
basically allows defendants, in this
case Amy Griffin, who's the defendant in
the original lawsuit, to dismiss
lawsuits used to punish or silence them
for exercising free speech. But also on
top of that, filing an anti-slap motion
triggers an automatic stay of discovery,
meaning that Jane Doe's lawyers won't be
able to start subpoenaing documents,
deposing Amy Griffin, or digging into
things like Amy Griffin's original book
proposal, or early manuscript drafts
until the motion is resolved.
Essentially dragging on the legal
process, making it more expensive for
Jane Doe, and preventing them from
finding any evidence in discovery that
would add to their case. One thing that
the author of this Substack article
mentions that I think is also relevant
is throughout Amy Griffin's story, The
Tell, she's obsessed with wanting to be
believed. And there is a very real
possibility that all of this did happen
to her. And if that was the case, I
can't imagine what this sort of scenario
of so many people picking apart her
story after the allegations of Jane Doe
have come forward would feel like if she
had endured that. and then was doubted
by so many. As mentioned, The Tell
remains listed as an editor's pick for
best biographies and memoirs on Amazon.
Amy Griffin has not given public
interviews since cancelling her
publicity engagements following the New
York Times reporting. She's allegedly
taken someone else's story of trauma and
answered so many questions on it. But
the second any reporting comes out that
questions that story, she doesn't dare
allow herself to be sit down in an
interview. Jane Doe still remains a
private person. Yet her story has been
told for her, not on her terms and not
in her words, taken from her by a woman
who claimed to be a champion of consent
and ended up doing the exact opposite,
just like the powerful abusers who had
come before her. If you or someone you
know has been affected by abuse, support
is available. In the United States, the
National Assault Hotline can be reached
at 1-800656-h
hope. That's 1-8006566473.
You can also reach the crisis text line
by texting in all caps home to 741741.
A comprehensive directory of state
specific resources is available through
the Department of Justice at
justice.gov. Thank you for watching. A
video that had some of the most twists
and turns that I've ever covered here.
If you have a story like that, don't
forget to comment down below. I'm
considering opening up my emails for
tips and stories. Let me know if you
think that's a good idea. Don't forget
to subscribe, give this video a like,
and I'll see you in the next video. Stay
well until then. Bye.