Video summary
The review focuses on "The Yeti," a 2026 horror film exclusive to Shudder that arrives on August 7th, set against the backdrop of late-1940s expeditions in mysterious territory. The plot follows an oil magnate who goes missing during an expedition and is subsequently pursued by another team led by a cartographer, specifically the daughter of one of those lost men. While the premise involves classic cryptid elements like Yetis and Sasquatches, the reviewer notes that despite the title's promise, the film attempts to play things straight for most of its runtime rather than embracing the ridiculous or humorous tone suggested in its opening moments. The story is described as having very little substance overall, with a script that feels underdeveloped and fails to engage viewers beyond a brief payoff near the end.
One of the primary criticisms leveled against the movie concerns its poor pacing and lackluster character development, which make the runtime feel significantly longer than it actually is at one hour and thirty-three minutes. The dialogue is characterized as throwaway and boring, rendering many scenes unnecessary while failing to establish any meaningful relationships or backstories for the cast. Consequently, viewers are left feeling indifferent toward the characters because they appear so one-dimensional and uninteresting. Although there was a small appreciation for a specific historical detail regarding facial masks used by injured soldiers from World War I, this minor element could not save the film from its broader narrative failures where time seems to be wasted simply waiting for the climax to arrive.
On the technical side of production, the film presents a mixed bag that highlights both its strengths and weaknesses as an independent horror project. The practical gore effects are praised for being authentic without relying on CGI, adding a layer of visceral reality that is appreciated by fans of the genre. Similarly, the score receives high marks for its nice composition, though it occasionally becomes overused; meanwhile, the sound design delivers some standout moments despite overall issues with execution. However, these positives are overshadowed by inconsistent camera work and acting performances. While there are stable tripod shots that prevent the film from looking cheaply made in every scene, other sequences suffer from overly shaky handheld camerawork that distracts the audience. The Yeti creature itself is noted to look good, but it appears too infrequently given its potential impact on a better-written script.
Ultimately, the reviewer concludes that "The Yeti" suffers significantly due to a weak script and painful pacing that prevents it from reaching its full potential despite having some competent technical elements like practical effects and a solid score. The film is rated one star out of five because the lack of story interest makes even well-executed aspects feel insufficient, leading to an experience where nothing truly clicks for the viewer. While there are moments where the horror element works effectively with the creature's design, these instances do not compensate for the overwhelming duration spent on unengaging content and wasted time. The reviewer expresses a desire to see more films in this cryptid subgenre but emphasizes that "The Yeti" currently falls short of expectations due to its fundamental storytelling flaws rather than any lack of effort from the cast or crew.
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Thanks for checking out this movie
review video. This is for the 2026
release The Yeti. It's a Shudder
exclusive and it's coming to Shudder on
Friday, August 7th. So, this is a no
spoiler review. So, I'm always looking
for a good cryptid film.
And if you know about any, please put it
in the comments of this video because I
would love to watch those. I'm not
saying that they aren't out there. I am
saying that I just have not seen them
and I'm not super aware of them because,
you know, like Sasquatch, Yeti,
whatever, is always very interesting.
And yes, this film has a Yeti in it
because the title says so. Although,
sometimes, you know, you never know cuz
films can be a little deceptive with
their titles. But this one, it is
exactly what it says it is.
So, The Yeti was written and directed by
Gene Gallerano
uh and William Pisciotta.
Uh again, it's a Shudder exclusive
coming Friday, August 7th. Quick
synopsis, there's not a whole lot to
say. It takes place in the '40s. Well,
actually, it the beginning starts in
1947. I think it may cross a little bit
into the '50s. It may stay late '40s,
but it's that time period, so kind of
get yourself in that mentality.
Um
there was a um an oil an oil executive,
oil magnate who ends up going out on an
expedition with some other guys and then
they get lost. So, then there's another
expedition that ends up getting sent out
and the person who's supposed to be kind
of the cartographer to take them on this
path to, you know, find these people uh
is the daughter of one of the people who
went missing. So,
and it's a it's a Yeti's territory. So,
that's kind of where the horror comes
in, where the danger is for the film,
but that's it for the synopsis. And
honestly, there is not a whole lot of
story to this film. And that gets to one
of the biggest issues that I have with
the film is that the script, the story
is just
it's not great, unfortunately, but I'll
talk about it as I go through my notes
from watching.
Uh something that happens before the
title comes up gives you the idea that
this won't be done in a serious manner.
Now, it gave me that idea because things
at times are like a little over the top,
a little hokey, and they seem like
they're intentionally so.
But then at other times, and actually
for the majority of the film, it seems
like they're trying to play everything
straight, and you're just like I'm a
little confused like what should we have
been going for here? And what I think
they should have been going for is that
little inkling you get in the beginning
before the title comes up of we're going
to go kind of ridiculous. We're going to
go kind of funny and just over the top.
That's what I think they should have
done. Now,
there is some gore that feels a little
over the top and a little ridiculous,
and I like that, and it's practical
gore. Like there's actual practical
blood in here. They weren't using CGI,
so big thumbs up on that. But,
I just think they should have leaned so
much heavier into that type of stuff and
make it like a bit humorous because
honestly, the dialogue itself is just
throwaway. It's boring. It might as well
have just been a silent film for the
most part. Well, not entirely because
the score is good. I did quite like the
score. I think the composition of it is
really nice. They did a nice job. They
didn't It gets overused a little bit
here and there, but it's not egregious,
so that was relatively fine.
And the sound design. There are some
really nice moments where the sound
sound design actually really uh stands
out, so I think they did a nice job with
that.
Uh very early on the story setup seems
like it won't be anything unique, so the
execution will end up being especially
ex- especially important. Unfortunately,
I don't think the execution for the most
part was that great. Now, the biggest
issue, coming back to like what I was
saying before, is the script. There
isn't enough story.
Uh it's not an interesting enough story.
There is something kind of more unique
and interesting-ish
at the end of the film, so there is some
sort of payoff. But, like I was saying,
like the dialogue is really not great,
and it just feels like for almost the
entire duration of the film, they're
just wasting time.
Um even in the very beginning, the the
scene that you get before the title
comes up, it feels like they're wasting
time in that scene. And now, this is a
film that's just I think it's an hour
and 33 minutes with end credits. And it
feels much longer than that because the
pacing is so poor, and because there's
such little story, because
you also just don't feel anything for
these characters, because they didn't do
a very good job with establishing any of
them or making any of them interesting.
These are really kind of much like the
dialogue is very throwaway. These
characters are very throwaway. They're
very whatever. They're so
one-dimensional. None of them have
interesting interactions with each
other. They don't have interesting
relationships. None of them have
interesting backstories. Like there's
just nothing interesting about them. The
one thing I did found
find kind of interesting about one of
the characters was a very small thing
that was added on,
which was the fact that half of his face
has like a kind of hokey-ish looking
mask that that he has strapped around
his head. That's an actual thing from
back then
for people who had had injuries. Uh I
think it's something that started even
around the Civil War, like a little No,
maybe not Civil War, like World War I
at least, where they would have like if
people had, you know, something missing
or something messed up going on there,
they'd put like people would just wear a
mask over it, basically. And And then it
was kind of like sculpted and painted to
like
at least somewhat look like the rest of
their face.
So, I kind of like that little touch,
but other than that, the character is
just not that interesting,
unfortunately.
Uh there is some really rough handheld
camera work, too. Now, thankfully, it's
not all handheld camera work. I I was a
little worried about that that might
happen, but
there's plenty of times where they
actually use the tripod, so very nice
keeping things stable. I like the fact
that they did that cuz there's so many
low-budget independent horror films that
are not doing that, that they're like,
"Where do you We can just do this whole
thing handheld." And it looks terrible
and it makes people queasy because all
the movement. But, the moments where
they're doing handheld with this are
overly shaky with the camera work, and
that is very distracting, takes you out
of the film. It's not great. So, that
was another one of the issues.
Uh, throwaway dialogue and characters,
talked about that. Some of the acting is
solid for what the role is that they're
trying to hit. Uh, some of it is also
less than solid. So, it it's a real
mixture as far as the cast goes.
Um,
so, yeah. But, you kind of going to
expect, or at least I expect that from
lower-budget independent films.
Uh,
the pacing is painful. I already talked
about the pacing, but the way I put it
in my notes specifically, it is painful.
It is tough. Uh, it again, it really
just feels like for the the overwhelming
duration of this film, they're just
trying to waste time until they get to
the end, which is where they had their
actual idea for the film.
So, yeah. They need a lot more work on
the script, like a lot.
Uh, there's something that's somewhat
interesting about where the story goes,
but not enough to warrant the rest of
the movie.
And then I already talked about the
score being well done. I quite like
that. And then the Yeti, the Yeti itself
looks good. This is a nicely done Yeti.
So, honestly, I would have liked to have
seen more Yeti, a lot more Yeti, because
it looks as good as it does. Uh, I was
surprised because the film wasn't going
great in my opinion. I'm like, man,
we're going to see this Yeti and it's
just not going to be great. It is pretty
good. I did quite like the look of this
Yeti. So, more of this Yeti
but in a film written by someone else,
please. But, anyway, those are my
thoughts on the Yeti. Would love to hear
other people's thoughts. Out of five
stars, half stars in play, I'm going to
give it a one star rating,
unfortunately. I wanted to like this
more, but again, it goes back to what I
was saying in the beginning. I have not
seen many good cryptid films. If I can't
even think of any off the top of my
head. But, I also haven't seen like a
ton a ton, so again, give me those
recommendations. Also, if you want to
talk about this film and we can talk
spoilers, go ahead and put it in the
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