Video summary
The reviewer describes *The Rivals of Amziah King* as a genuine delight that surpassed their expectations despite knowing almost nothing about the film beforehand. Directed by Andrew Patterson, this sequel to *The Vast of Night* is praised for its unique cinematic style that mimics the meticulous blocking and storyboarding techniques often associated with Steven Spielberg. The movie is characterized as a beautifully harmonious and kinetic experience that explores themes of family, camaraderie, community, and purpose, all set against a backdrop of exceptional music that features songs performed within the film itself.
The narrative structure is divided into two distinct parts, beginning with a light-hearted introduction to Amziah King, a peculiar bee collector played by Matthew McConaughey, and his interactions with his foster children. This first half is filled with hidden exposition, genuine humor, and charming kitchen scenes that elevate seemingly mundane moments into something grandiose. However, the film takes a significant turn at the halfway point, shifting from a family drama into a heist movie, which the reviewer identifies as the core reason for their interest in watching it.
Throughout its runtime, the film presents a wacky yet elegant story that feels like a modern retelling of classic American tall tales and drifters hopping on trains, bringing these archetypes to life with vibrant characters and colors. The reviewer notes that while the genre is not entirely new, the execution is so unique and well-crafted that it stands out in an era dominated by massive blockbusters or uncomfortable dramas. Despite a six-year gap between films due to the pandemic and a lack of current buzz, the movie delivers a complete and enjoyable ride from start to finish without any significant faults.
Ultimately, the reviewer rates the film a perfect 7 out of 7, calling it phenomenally well done and one of their favorite movies of the year so far. They express strong hope that director Andrew Patterson will be able to make more films in the future and strongly encourage audiences to seek out this hidden gem. The review concludes with an enthusiastic recommendation for viewers to experience the film's unique blend of humor, heart, and adventure, noting that it is a rare find that deserves attention even without mainstream hype.
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I can say that it was a genuine delight
walking into this movie knowing near on
nothing about it and being beyond
surprised.
Oo, that's a hot mug guy. Hey guys, this
is my review for The Rivals of Miah
King. This is the next film from
director Andrew [music] Patterson. If
any of you saw his first film being The
Vast of Night, I would not be surprised
if none of you know what that movie is.
The only reason why I know about it is
because Jack Quaid mentioned it in his
letter box 4. That movie had a very
unique aspect to it. Something of akin
to someone who grew up watching
Spielberg movies. And when I say
Spielberg, I really talk about the
blocking of Spielberg. Depending on what
your algorithm is, everyone's is
different, of course, but I've gotten a
lot of how Spielberg blocked movies.
basically watching the scenes and having
descriptions underneath showing what is
happening. What you think might not be a
lot is actually a ton [music] of
pre-work storyboarding and just
Spielberg's ingenuity. I feel like
Andrew Patterson really knows how to
nail that because The Rivals of Messiah
King is this beautifully harmonically
kinetic film [music] about family, about
camaraderie, about a colony, about bees.
is about having a purpose when you think
that you don't have one. This film is
really two parts, but I'll explain the
majority of it first. It starts with Zia
King, this very peculiar character
played by Matthew McConna, who is a bee
collector and honey maker. They have
this great jamming session which starts
the film, which I would say the music of
this movie is phenomenal. I've been
listening to it nonstop since. I'm not
even a big Munford and Sons fan. That
kind of vibe is what a lot of the music
is and it's really bred into this film.
A lot of the music is from the movie
itself by people redoing songs in the
film. There's a scene in a kitchen that
is one of the most beautifully wonderful
moments of the entire film and it just
involves a bunch of people singing a
song in [music] a kitchen.
This film is able to make the seemingly
unimportant seem far far more grandiose
than one would appear it to be. There's
a monologue with Matthew McConna talking
about the [music] fixings on a a
community buffet table and you get such
a description and a story from each
plate hearkening back to Steven
Spielberg but also a lot of that
spontaneity from Edgar Wright's earlier
work that [music] quickness that
immediate not overwhelming you but
keeping you interested that is
throughout this movie because the first
half of it is just basically this
following around Matthew McCcon and he
finds one of his old foster children.
There is this introduction into their
lives. There's a lot of exposition
that's hidden underneath of dialogue and
it's really well done. There's a lot of
really good [ __ ] humor in it. Like
holy [ __ ] I was laughing quite a bit.
But admittedly, at the halfway point,
that's when the film takes a bit of a
turn and it goes from this seemingly
light-hearted film to really a heist
movie. That is the best way I can
describe it cuz that was what made me
want to see it. I saw someone say this
is two parts, one part family, one part
heist, and I was like, what does that
mean? This film has such a wonderful
pallet to it of characters, color,
music, inspiration, theme, [music] and a
story. The story is something you might
say you've seen before, but you've never
seen it told so elegantly. It reminds
you of all those old tales like a
huckleberry fin and castaway drifter
stories of [music] people who would hop
on the trains on one tale to another
telling a story, turning a yarn, so to
speak. These tales turn into greater
thanlife characters. Matthew McConnA's
character is certainly one of them, but
there's other people in this film.
[music] It's a wacky movie, but it is a
beautifully fun wacky movie. I honestly
was thinking [music] about it for quite
a while for the last few days, and it's
probably one of my favorite movies of
the year so far. It's just something so
unique about it and so different from
[music] what we're getting. like we're
either getting massive blockbusters,
really uncomfortable dramas, fairly
decent horror movies, or superhero
movies. So to see something like this be
done so well reminds me of what we think
a lot of those '90s Adventures movies
used to be. Go rewatch a couple of them.
They haven't aged as well as you think.
Some have, though, I'm not going to deny
that. This movie is just on a ride
[music] and it puts you on that ride and
you get that ride all the way to the
end. I am probably being a bit overly
generous here, but I can't really find
much fault with this film. I enjoyed it
so much all the way through [music] and
I want to watch it again even just
because of how well this movie is put
together. I'm really really hoping that
this director [music] gets to make more
stuff. the fact that he's waited six
years to make another movie and he
already had the the pandemic for one
strike and then this movie is not
getting a lot of buzz. So, I really
suggest you go and see it. I'm very
curious to see what he does the third.
But regardless, it's enough blabbering.
[music] In the end, I'll give The Rivals
of Anziah King a 7 out of seven. I think
this movie was phenomenally well done. I
really encourage you to see it. And
yeah, I've already said more than I
should, but less than what I want to,
but I hope that gives you guys a little
bit of inspiration to go out and see it.
Anyways, that's all for me, guys. Hope
you enjoyed this review. If you did,
leave a like and if you more, subscribe.
Until then, see you guys next time.