The MIND-BLOWING Kailash Temple ~ "A Gift To Earth?" 🤯

A few months ago, we did a video regarding an enigmatic mountain which rests within modern-day Tibet. We touched upon the amazing legends speaking of the mountain actually being that of an ancient man-made pyramid which according to such legends is placed at the center of the universe. They spoke of a mysterious giant eye placed upon the top of the mountain. An eye which according to said legends will reveal itself when the ice and snow within the area melts away. Akin to a story containing the eye of Mordor. yet hopefully not as malevolent. Although Mount Kaash can be found within modern-day Tibet, its location is very close to the borders of India, a place which few know possesses one of, if not the most amazing ancient structure to have ever been discovered or indeed built upon our planet. A structure which dwarfs the Great Pyramids and indeed the Great Sphinx with artistic wonder. actually known as the Kaos Temple. It is an exquisitly cut series of supposed praying temples and other communal buildings which was many thousands of years ago carved straight out of an enormous horseshoe-shaped rock resting within a hillside. According to mainstream academia, Kash temple was somehow built by a primitive people using primitive tools during a duration of 400 years from 200 BC to 600 BC. However, no one seems to be able to explain how such a primitive culture could have possibly created something so awe inspiring, something so artistically accurate and wonderful, something we would indeed struggle to recreate today. A structure not only architecturally accurate, but also drenched in a masterpiece of sculpture. Largely accepted as a flawless piece of art, no less than 200,000 tons of stone was masterfully carved away, creating several separate temples, [music] each drenched in tiny artistic detail. Rediscovered in 1819, is it possible that the Hindu decorations found within were merely later additions? additions to a relic left actually built by a civilization far more advanced and far more ancient than we are allowed to publicly believe. It is understandable for one to wonder how did a primitive civilization create such a wonder with primitive tools attaining such a perfection such refined finish to each tiny detail. It is conveniently unexplained just how they managed to cut into this single block of rock with such precision and indeed vision. adorning the structure with thousands of animals. It seems as if it were a tribute, a gift depicting what can be found on our planet. Is Mount Kaash, as legends say, really the center of the universe? Is this mind-boggingly detailed, most intricately built ancient temple by a long way, [music] actually a tribute to this fact? made up of temples which are all now perceived to be shared between three faiths, Buddhist, Hindu, [music] and Jane. Are these multiple faiths further evidence of a reinhabitation rather than a construction? The 200,000 tons of rock, for example, is nowhere to be found. And as previously covered in the Kash video, the same is seen with the apparent enormous excavation found around the base of Mount Kash [music] itself. compelling evidence for manipulation of the landscape, giving credence to the legends of it being in fact an enormous pyramid. Regardless of this, the fact that the temple carries the same name as this mysterious and still unclimbed mountain within Tibet, we find highly compelling. the Earth, the blue marble, the third rock from the sun, and the place we all call home. Our entire existence, the entirety of humanity's experience, [music] apart from a few space missions, of course, all occurred here upon our planet. the entirety of humanity. And as so far discovered or publicly disclosed, [music] home to the entire fabric of advanced multisellular life within the entire infinity of our universe. All resting upon this tiny water-covered sphere, spinning its way through what would appear to be an endless space, a vast darkness, an unending void, yet one that is far from empty. For example, [music] just within the observable universe, every nanometer of the sky drenched in fusion producing balls of fire, stars, and other bodies, many of which are nearly identical to our sun. Yet, our living planet has a double-edged sword, violent volcanic eruption, [music] whose core is still molten, a geological consequence of a relatively young planet. All of life's complex ecosystems, many of which we depend upon each day, live on a knife edge. The sheer size of space. The vast emptiness could be seen as a safety cushion. For in such an empty place, our tiny planetary body fills hardly a fraction of even our own galaxy. However, it's filled with moving bodies. Comets said h hurtling through space by [music] past ancient events could one day hit our Earth and have indeed done so in the past. And as mentioned in our previous video, we believe man may have experienced [music] at least one of these events before, yet by luck or preparation, we survived. This assertion due to our in-depth research into the evidence of the many lost civilizations. In an instant, all this natural beauty, all this seemingly [music] fanatical trial and evolutionary error gone. All these marvelous creations, innovations, varieties, and even entire genuses gone in an instant. wiped from all but fossilized memory, resetting our flourishing planet to a near ball of dust and ash, something we claim the academically denied ancient civilizations were [music] also aware of. Here on our channel, we posit that the event the dinosaurs experienced [music] a catastrophic natural event, one which nearly wiped them all from the face of the earth, leaving only a handful of smallcale creatures. That man have experienced such events, and that the survivors of such not only went on to flourish, but went to great effort to not only prove they were once here, but were incredibly capable. Thus, as such, we believe ancients from all over the world who are in communication with each other, please peruse our work on metal clamps, polygonal masonry, on the Bazda caves, and our many other videos, tool signatures, and so on for support of this claim of a once whirlgoing superpower. They deliberately chose incredibly hard stone, often sourced from many miles away, incredibly hard to work. These granite, basaltt, sandstone, and other stone megaliths, additionally often of gigantic size, would survive the test of time, resisting a tremendous amount before fading into the chasm of history. We claim this to have been done to say we were here. Long Yu caves and Yang Shan Quarry, China, Petra, Jordan, Aswan Quarry, Egypt, Bazda Cave, and many other sites display the same curious stone cut as our anomaly in question in tonight's video. Located within India, a country [music] drenched in antiquity, much mysterious, baffling, and just as awe inspiring as any other sites found anywhere else on Earth. One such feature, the butter well. It's located within a group of monuments at Mahabali Pam. Not only does it appear as a giant drill hole into solid rock, but the tool marks far too symmetrical to have been created with primitive [music] tools as suggested is but yet another anomaly which we claim displays several proofs of a hidden history and indeed technological creation. We find the butter well highly compelling. There are many intriguing ancient ruins still to be explored, still in existence dotting our planet. Many of which are yet to be fully explained. Enigmatic stone carvings and often tool marks left upon quarried or cracked or broken stones. each indicative of lost technology and thus a lost civilization. We have in [music] the past covered a number of these ancient anomalies. The plane of jars located in Laos being but one of these extraordinary [music] sites. Enormous stone jars that would simply be illogical to create in the modern era. Yet would have been even more illogical for [music] our wellstudied yet far less capable ancient ancestors to have created them. Why these mysterious [music] sculptures were created and possibly most important of all when they were made is an enigma still left within our past. And the Kachari ruins are of no exception. A set of stone ruins located in Dimmapur Nagaland, northeast India. According to academia, their history dates back to the 10th century when they apparently appeared during what is now known as the Kachari civilization. According to this hypothesis, they were created by the Couture Kingdom, which ruled the area before the Anam invasion during the 13th century AD. They are a series of mushroom dome pillars, [music] which just like that of the ancient jars of Laos, their original purpose remains a complete mystery. And although of considerable size and weight, are [music] still considered to have once been a part of a game similar to that of chess. Yet any explanation of how these enormous statues were moved remains conveniently unexplained. As expected, due to their inexplicable nature, the site has been largely overlooked by funded academia. It seems that the fact that these remnants are clearly indicative of a civilization of tremendous capabilities, including the refined finish of the sculptures, has meant that academics simply avoid discussing [music] or exploring the site in its entirety. Not only is the site neglected [music] by academic study, but the vast majority of these ancient artifacts have unfortunately crumbled during their long life, which has led many alternative researchers to volley against the Indian government, demanding that more be done to protect the site and to subsequently avoid the ancient site from suffering even more erosion or of unfortunate vandalism. Who created the Kachari ruins? When were they created? What was its original [music] purpose? It seems regardless of these questions being of great historical importance, what is apparently more precious to funded individuals and the institutions in which their conformity to existing. Yet, highly disputed chronologies of man subsequently prop up their selected fields of apparent study and are more than willing to aid in the continuation of fallacies if that means the continued survival of their field of choice. It would appear that these ancient stoneworks, each of an enormous size, are all ancient uparts [music] whose sheer existence is enough of a deterrent for academia to even mention the existence of, let alone publish any explanatory studies of the ruins, absent [music] any published journals. Away from academic ignorance, however, the local population inevitably has their own supposed surviving story regarding the creation and origins of the stones, which now forms a nice amalgam of Indian mythology as per this mythology. Beahim and Hadima got married at the site in antiquity, later giving birth to Gadoka at the site. And according to this local folklore, it's said that Beahim and his child used to play chess here with these pieces. And although clearly of mythology, it is better to attribute the ruins and to attempt an explanation in regards to a creator of tremendous capabilities. We feel better this than what we currently experience. Complete ignorance of [music] this precious yet highly delicate, still surviving ancient ruins. It is a place which we find highly compelling. [music]