The Million Dollar Voice Of Nickelodeon | From Broke To $30,000 Per Hour
Watch on YouTubeVideo summary
E.G. Daily, best known for her iconic voice of Tommy Pickles on *Rugrats*, joins a podcast to discuss her journey from an immigrant family in Venice with no entertainment connections to becoming one of Nickelodeon's most recognizable voices. She emphasizes that she never had nepotism or industry insiders helping her; instead, her mother recognized a "magical" talent for singing and imitating sounds early on. Daily explains that while some people have an innate ability to mimic voices, she combined this natural gift with relentless study of music theory, guitar playing, and vocal techniques. Her career began not in voice acting but as a child actress who booked commercials at age eight and guest-starred in shows like *Laverne & Shirley* and the Francis Ford Coppola film *The Escape Artist*. She eventually transitioned to voice work after realizing her unique ability to create distinct characters, noting that many major voice-over stars got their breaks through random opportunities rather than a direct path. A significant portion of the conversation focuses on professional integrity within the entertainment industry, illustrated by Daily's decision regarding the sequel *Babe: Pig in the City*. When her friend and former co-star Christine Cavanaugh was offered less money for the second film despite having done the first, they refused to negotiate greedily; however, when negotiations stalled with no resolution, director George Miller approached Daily. He explained that while he respected their integrity regarding the original role, she could audition for a different character (a monkey) since there were multiple roles available. This allowed her to take on the part without stepping on anyone's toes or compromising her friendship, highlighting how voice actors must navigate complex ethical landscapes even in high-profile projects. Daily also shares anecdotes about recording *Rugrats* episodes while pregnant and during labor, demonstrating that the industry is surprisingly flexible regarding schedules compared to live-action filming, allowing artists to manage personal health crises without breaking production timelines. Daily provides a candid look at her financial reality and investment philosophy, revealing that despite earning significant royalties from syndicated works like *Two and a Half Men* (where she sang "Men, men, men" for the theme song) and receiving residuals from Nickelodeon shows, she has faced periods of instability where she had to move into industry apartments with her children. She expresses skepticism toward stock market investments, noting that funds have often dipped significantly over short periods, leading her to prefer conservative options or holding cash until opportunities arise. Furthermore, she discusses the importance of work-life balance, recounting a time when she was so obsessed with securing jobs that she said "yes" to projects and social situations she didn't want to do just for networking purposes. She now advocates for maintaining boundaries between professional ambition and personal well-being, warning against becoming an "empty shell" by sacrificing one's integrity or happiness solely for career advancement. In the latter part of the interview, Daily reflects on her spiritual journey involving ayahuasca ceremonies in Peru, which she credits with healing deep-seated fears about aging parents and reconnecting emotionally with her mother. She describes a profound moment during a ceremony where she visualized dancing with a younger version of herself and an idealized image of her mother, resolving long-standing emotional disconnects. This experience shifted her perspective on family dynamics, helping her see that her mother's difficulty connecting with adults was not personal but rather a limitation in seeing beyond the surface level. Daily also touches upon her current life as a creator who uses platforms like TikTok to share behind-the-scenes content and offers voice-over seminars for aspiring artists. She encourages newcomers to remain open to unexpected opportunities, citing an instance where she turned down a role with Chuck Norris only to realize later that saying "yes" often leads to better outcomes than rigidly sticking to one's initial preferences.
Read the full video transcript
So here is your chance to meet one of
the most recognizable voices of all
time, E.G. Daily.
No. Oh, I don't know about that, Chucky.
That's so cool. With characters like
Rugrats Tommy Pickles, The Powerpuff
Girls, Curious George, and many, many
more.
Men, men, men, men, manly men.
Chances are if you're between the ages
of 18 and 40, you know exactly who I'm
talking about. Today we're breaking down
exactly how she built her empire, the
very dark realities of working in the
entertainment industry, and exactly how
much money she made per episode as soon
as you subscribe.
And hit the like button. Don't forget
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now with that said, let's get back to
the podcast.
Thank you so much for coming on the
podcast. It It's going to take me
probably 5 minutes
I'm I'm starstruck. This doesn't happen
often.
Well, what was it that you wanted to do
this interview with me about? Which Like
which particular thing was it?
Well, for I Well, I think everything,
but for me it was so full circle because
I grew up on Rugrats. Like as a kid.
Like, non-stop reruns. Like, my parents
would hear the theme song over and over
and over again. I saw the Rugrats movie.
Yeah. And so, I didn't tell My mom would
get a kick out of this, but I didn't
tell her that I was doing this with you
because I was just like afraid I'm
afraid of jinxing things. I'm like,
"Well, what if like, you know, because
of the rain, like, people don't show up
or have to reschedule?" Like, if
something were to come up, I don't want
to get my hopes up.
Your mom would freak out, too. She would
lose it. Like, absolutely mind-blowing.
to go.
I'm very busy.
go. But, you did so many voices, I
think, for like, my entire generation
grew up hearing you. So, it's just weird
to like
be here across the table from you. It's
is is mind-blowing.
close. It's mind-blowing.
There's a line right here. All right,
I'll keep my distance. I promise.
He's been looking forward to this for a
very, very long time.
I'll behave. I first really found your
content separate from like, Rugrats and
everything on TikTok. I think through
the pandemic, I saw you and your
daughter posting videos together. Yeah.
I'm like, "Wow, this is so cool."
We would do them together sometimes.
Yeah, I think it was Hunter. Yeah,
Hunter Daily, yeah. And so, that's how I
started following you on like, just
separate from everything else. But, I
think you have a really cool story to
tell about how you got into voice
acting.
Uh, if you could go into a little bit
about your background, like, how you got
started in that and like, growing up to
begin with. I didn't really come from a
family that knew anything about
entertainment.
You know what I mean? Like, I wasn't I
wasn't like, I didn't have an uncle or
cousin who was like a big director. I
didn't have any
nepotism. There's no connection to
anything in Hollywood, but my family,
all I knew was that my mom was really
loved the whole Hollywood thing cuz she
was like, an immigrant. So, she had no
connection to it, but she had this thing
where she just loved it. You know, she
loved music and she loved So, I think
starting off, like, I I think I always
thought like, "How am I going to do
this?" Like, I really didn't know how I
was going to do it. But, I think she
sort of saw that I had certain things
about me that might have been like,
magical.
I think my mom saw the magical part of
me and um
and I don't know how it happened, just
like one thing led to the next and then
I like as a little girl I got an agent
and then I just sort of allowed things
to sort of flow, you know, things just
started flowing. So, I really have to
say like I look back at my career and I
just go, "Wow, I can't believe I've done
all this work." And sometimes it feels
like I haven't done any work cuz I'm
like I can't So much time goes by and
I'm like, "Wow, I can't believe I did
that and I did Saturday Night Live and I
did American Bandstand and I did
Rugrats. I did Powerpuff Girls. I did
Huge Week Adventure. I did You know what
I mean?"
Yeah. And I just think I just keep
walking forward and then new
opportunities keep coming and I try not
to grab too hard onto one of the past
things because if I grab too hard to the
past things then I won't see what's up
in front of me. Like sometimes I'll be
so um stuck on something that I did that
I want to keep doing and then sometimes
these magical things like voiceover just
happened. It's just like I did a play
and someone said you could do this. So,
if I were just looking back all the time
it's like, "No, I'm an actress. I'm a
singer." then I wouldn't have been open
to this opportunity that came up. So,
I don't know how to say it started. It
just started like random.
What was magical as a kid? Like what
were some of the things that they looked
at and said like, "Ah, it's not normal.
Like there's maybe some talent here." I
think I was just really good at singing
and um dancing. Like just innately I
think I had that and I started writing
songs as a little girl. Like I literally
picked up a little guitar book when I
was eight or nine and taught myself to
play guitar and we didn't have YouTube
so I taught myself I started singing and
watching singers and mimicking singers
and then I started taking lessons. I was
good at it. I mean I was just I could do
it. I could do like I could imitate
sounds. I could imitate voices.
Do you think it's just like a biological
difference in you that most people don't
have where you can mimic voices or do
you think it was something that kind of
just like fostered over time after lots
of practice? I think like some people
have this weird ear and they can mimic
and imitate sounds and some people have
no idea how to do it. And I think
because I sing, I can hear like someone
say something like, "Hey, what are you
doing?" And then I can they can say,
"Can you sound like that boy?" And I'll
be like, "Hey, what are you doing?" And
I could do it exactly like that. Like
Two and a Half Men, you know that thing?
So, you know, I do that.
So, that was one of those things where
they were like, "Can you take Jake's
voice and then can you sing like you
were him because we need the singer for
the opening of Two and a Half Men and he
doesn't sing, so we need somebody that
sort of sounds like him." So, I was
like, "Okay, send me a recording of his
voice." And he was just like, "Sarah,
what are you talking about?" You know,
he sort of talks like that when he was a
little kid. He was sort of chubby and he
sort of was like talk slow and then I
was like,
"Can you sing like him?" So, I'd go, you
know, "Men, men, men, men, manly men.
Woo, hoo, hoo, hoo, hoo." So, it's like
I think I just have the ear for it. Just
like you might be really good at real
estate innately. Like there's certain
things we have innately. Some people are
really good at organizing. Like my other
assistant,
she can literally I can put her put her
to a closet with like tons of vitamins
and things in boxes and I can come back
in like 20 minutes and everything is
beautifully lined up. I can't do that,
but I just think everybody has their
little magical things. And I think my
magical thing was
limitless when it came to my voice. Like
literally limitless. I could do like any
kind of voice, any kind of um age range
like I'd do age ranges and little kids,
little girls, little boys, ch- chubby
kids.
Yeah. Genius kids, smart voice, you
know, whatever it is. You know what I
mean?
Yeah. Girls, little tiny girls, little
baby girls.
Babies.
Yeah. Do you know what I mean? It's just
like it's infinity. Yeah.
Right? On top of that, I really applied
myself to being really good at those
things. So, I didn't just rely on my
innate talent, I relied on
um I studied. Like I was my game was
like be as good as I could. And that
meant every aspect of it. That meant
like be great, know how to play guitar,
so I taught myself. No how to write
music. So I'd listen to great writers. I
just studied. I studied a lot. I think
the combination between what I actually
could do as a gift and then what I
how much I applied myself. I was
relentless. How did your parents foster
that growth? Cuz it seems like they were
very supportive and and nurturing of
like letting you explore that and and
get really good at that.
They didn't do music. They didn't do
like instruments. They they owned a
fencing company. They built fences and
window grills. You know, and so I think
what she she'd do was she'd go to thrift
stores and yard sales
and uh flea markets and she'd pick up
instruments. And she'd see like some
weird instrument, she'd throw it in the
house. And one of the five kids would
pick it up and start playing it. And I
sort of did all of it. I was the one
that would like pick up trying to sing
it, pick up trying to play that
instrument. So I could play like a
little harmonica, a little drums, a
little guitar, a little piano, a little
You know what I mean? I picked them all
up. And my brothers and sisters all
did too, but just more more limited.
Even my brothers and sisters will say
that when I was born it was almost like
she was like, "This is my
little This is going to be, you know,
which also put a lot of pressure on me,
to be honest. Like I felt it, but I
really do feel like I felt it from my
mom. Whatever that was that she saw was
I think what
gave me a little push and um
and also made me be a little sensitive
to other people wanting That's where my
people pleaser comes in. I want
everybody to feel special. Did uh your
parents ever put any pressure on you to
to go for more of like a a normal career
or like we want you to be a doctor or a
lawyer? They want you to
like because they came with from
nothing, what I did was miraculous to
them.
You know, I don't think they had any
expectations of any of us and of any of
the five kids in my family. Like my
sister
is a brilliant painter. She goes by Wren
River and she's a brilliant painter.
She's like a master painter. And she's
sold paintings all over and she's been
in magazines and I don't I they could
have ever expected that.
Do you
that some of that is because growing up
in Venice, that that is a very eclectic
culture of people where I think
creativity is really rewarded?
They weren't really I don't think they
knew what Venice was either. I don't
think back then there was even that kind
of culture about it. There was just
that's where they landed when they came
here and they got one room that they
could all fit into.
Yeah. So I don't think they had any
concept of the Venice culture yet cuz
Venice culture is so different back
then.
it was very different back then and
they've been here like I don't know, 40,
50 years. Yeah.
when did you first get into to voice
acting? You kind of alluded to it in the
beginning. Did you initially try to
become a voice actor? Was it like
different types of acting and when did
you secure your first agent? So I was
just an actress. You know, I started
getting an agent when I was a kid like I
had commercial agents when I was eight.
And was that you that initiated that
whole process or
my mom got me an agent and I had a best
friend who was like a child model, my
friend Michelle. She was like this
beautiful little girl and she had
commercial agent. And so my mom was
like, "Let's get you commercial agent."
So I hated it. I thought it was like
awful because you had to be really fake
pretty much. It was like, "Hi, my name's
Michelle. I work for so-and-so agency."
And I was just like, "I can't do that."
Do you know what I mean? It felt really
like contrived to me. Mhm. But she still
got me this agent and I went on these
commercial auditions and I didn't
understand why I never booked any of
them. I just thought, "Okay, I guess you
just go on these auditions and
you don't book them, you just go on
them." And then um
I think it wasn't until 15 after like I
got one when I was eight and when I was
15 I got my first job. Like 15 was like
a guest star on a Laverne & Shirley
episode. My mom sort of started me and
then was finish your question
were you were in commercials between the
ages of eight and 15, right? I didn't
really I did Let me think. I did one
commercial. Mhm.
Um
I think when I was 14 for a Pepsi Cola
commercial. It was like a national
commercial. I don't know how I booked
it, but I did one commercial and then I
booked Laverne & Shirley, and then I
guest starred on like Fame, and then I
guest starred on Chips, and Bay City
Blues, and then that That was my I
started working, you know, in acting
when I was about 15, 16, 17.
But, how is your agent sustaining
themselves over Oh, it's different
agents. Someone earning like if it's 6
years they don't get a single booking
for that client.
Yeah, I didn't have I didn't get any
work that whole time. I don't even know
how I ended up booking
what it how when I switched agents cuz I
was just a kid. I was a kid. The
Pepsi-Cola commercial I should never got
cuz they were like, "Can you I was very
ethnically ambiguous looking, you know?
I think, probably, cuz I had more of my
brown hair. It was kind of my Jewfro
hair, and Sure. you know, wild, and you
know, hippy looking, and I think um
they said go to this Pepsi-Cola
commercial, and they were like, "Can you
sail a catamaran? Can you get out Do you
know how to be on a catamaran?" And I
was like, "Yes!" Cuz that they said just
say yes to everything. Yeah.
And I said, "Yes, I can." And then I
think because of my ambiguous look, they
like that. They like that. Ethnically
ambiguous. I got it. And then then I was
like sitting on a beach, and they're
like, "Okay, you're going to go out."
And I was like, "Holy I have to go
out."
So, I didn't know what I was doing. I
should never probably booked that, but I
did. And I had to drink a lot of diet a
lot of Coke. And it was um Coke or
Pepsi?
Sorry.
But, before we go into that, I know how
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Thank you so much StreamYard. We love
you and back to the episode.
Right after I got out of high school,
like everybody was going to colleges.
Yeah. And then where it said my name,
there was no college. I wasn't going to
go to college. That wasn't like my My
parents were not those parents that were
like, "You go to college become a
doctor. You go to college." Again, they
had no expectations.
academic? No, not at all. I'm a terrible
speller. Right now, even today, I'm
embarrassed. Like when I write
something, I have to have somebody
proofread cuz I'm terrible at it. But,
um I think there were no expectations,
yeah. So, I didn't go to college. I just
knew that I was going to start working.
And that was maybe the magic my mom saw.
Mhm. She saw that part of me that was
like, "I'm going to make this happen."
You're paving your own road. I paved my
own road. And just out of curiosity with
this Pepsi-Cola commercial, I'm
wondering like how long you digging in
this sand. How long did it take? Like do
you just show up to the beach? Was it a
full day shoot?
a I think it was one or two days, full
days. And do you remember how much they
paid for it? Like
I really don't.
thinking like Pepsi, they probably got a
pretty sizable budget, you know?
a It was a national Pepsi commercial.
get royalties on that? And I I would
sure I did back then.
Wow.
They stopped airing it, though. Oh,
yeah.
Imagine Otherwise, they'd been like back
in the olden days.
Yeah.
Pepsi-Cola, but yeah. How were you
supporting yourself after high school?
It's a big uh jump not to go to school
and to go out and like begin working. I
think it was those those few jobs I
started getting. I mean, I had a couple
recurring things on Fame. And then I did
basically Blues, some TV show. And then
I did um
CHiPs. Then I did I started working like
booking little guest stars and things.
And then I I started booking features.
Like I did this one feature called The
Escape Artist, I think. And that was a
Francis Ford Coppola film with Griffin
O'Neal and Desi Arnaz Sr. and all these
really classic people that were in it.
Then I booked that movie and somehow I
became I don't even know how that
happened. I went from never booking a
job
to like
all of a sudden there were castings of
like, "We're looking for an Elizabeth
Daily type." And I'd be like, "I'm right
here."
Mhm. "I'm right here." You know, and
then I was wondering why
they wouldn't just call me. They were
looking for a type like me. Why wouldn't
they call you directly? Sometimes I
thought they I think they didn't think I
would be available.
Oh, wow.
That happens a lot. Really weird. Um
yeah. So
Yeah.
Wow.
I just I started earning my own money
and And it was sustainable immediately
outside of high school?
For some reason it was. I don't cuz I
didn't I had like
Um like at 15 I worked in an ice cream
parlor, but I only worked there cuz
there were cute boys and I was like,
"Where are the cute boys here in this
ice cream parlor?" That was the only
reason why I got that job. Did you end
up making one of the cute boys your
boyfriend? Probably. And
I don't know. Maybe. That's sort of was
my thing. That was the guiding light for
me. It was like, "Where are all the cute
boys here?"
That's funny.
Yeah, I was boy crazy. Yes. So, still
am, I think. Anyway, um man crazy.
Anyway, yeah. Yeah, so that's it.
And how did that progress? Because I
think you you were
not really doing any voice acting at
that point. So, how did that then
transition into voice acting?
into voice acting? So, I was starting to
do a lot of movies, right? If you look
at my IMDb page, there's like a lot of
wacky interesting movies, a lot of them.
All of a sudden I get a call from a guy
named Bruce, who's a friend of mine that
I'd known, who's a producer. And he
said, "Oh, um we have this play that was
on Broadway called Tanzy and it starred
Debbie Harry on Broadway. It was a
musical. And it was about a female
wrestler. You have to be able to sing,
you have to be physically fit. So, my
That's right up my alley. I was into
always working out and I'm singer and uh
you know,
and it's a musical, so I love that. And
so, I said, "I'll do it." And opening
night at the Roxy,
um a lot of record labels came, so I got
a major record deal from it. I was just
singing like a couple songs in the play,
but I got a massive record deal on A&M.
And some guy came and handed me this
card
and said, "You should really do
voiceover. You're really good at it."
Cuz in the play, I had to be a female
wrestler, but each round of the
wrestling, I had to be a different age.
So, I had to go from being a baby a five
a baby in the first round. Like they put
me in a baby dress and a big diaper and
with a thing on my head and a rattle and
I was like ha
And I just was a baby girl and then I
had to be like, "Hi, I'm Tammy, a
five-year-old girl." And then I had to
be a 10-year-old who talked like this.
And then I had to be a 16-year-old and
then I had to be a grown-up. So, I had
to age myself and he saw that and he was
like, "Wow, you're really good at these
voices and you're really good at
children's voices." Again, this was that
weird gift that I had that I could
imitate and mimic.
And then so, this guy handed me a card
opening night and he said, "I'm a voice
agent. You should really pursue this."
And I was kind of like
I was like, "I'm not a cartoon. I don't
I never thought like I'm going to be a
famous cartoon one day."
But I did call him because
I talk about um
offshoots when I
I talk about a thing called offshoots
where like if you get a tap on the
you're going this
Yeah.
and you're very clear. Mhm. And then you
get a tap on the shoulder like, "You
should try this here." And I'm like,
"Oh, no, no, no, I don't do that. I only
do this." But I was like, I really
believe that part of reason why my
career's been so phenomenal with so many
different
um I've done so many different types of
things between music and
acting in movies and cartoons is because
I listened to the little tap on the
shoulder,
which is like I think the God voice. And
it was like, "You should pursue You
should come me at this office and try
this voice thing.
And first I was like,
really want to do a cart, you know,
voices? But I did go to his office one
day and I did go on my first audition
with this agent. And my first audition
um
I booked. And that was Tommy Pickles on
Rugrats.
Mhm.
That which became change my life.
Yeah. Changed the trajectory my whole
like
all of a sudden I started getting all
these cartoons and I was like Huey,
Dewey, Louie and Powerpuff Girls and
Jungle Cubs and Rugrats and like like my
whole career and not only was that
perfect but I was having babies during
that time. Right?
Mhm. So I was able to be pregnant and
work the whole time.
There's like Rugrat episode with me in
labor during Rugrats. I'd be like No.
Oh, I don't know about that, Chuckie.
Oh, please. And I'd be like
No.
contractions and then I'd be like, okay,
I'm better. Let's go. Yeah, and then I'd
do it again. Oh my gosh.
they actually have me in labor on
Rugrats. Mhm.
Okay, well we'll get to that in a
second. But what made you say yes to
that? Because you seem very focused on
going one direction. What made that
different that day? What made you say
yes to that? Because you seem very
focused on going one direction. What
made that different that day? What made
you say yes to that? Because you seem
very focused on going one direction.
What made that different that day? To
the cartoon?
Yeah. I think he was so clear that I had
a real gift with the thing.
Again, there's that gift thing. He goes,
I think you're really good at this. Like
your ability to do children's voices and
and age your voice up was really good.
Mhm. That's what he said. And I was kind
of like, hm. You know, to me it was like
and I always say it's like people
flipping their eyelids over. They don't
realize it's a weird gift mhm or that
weird double jointed thing. People go
like this and their joints pop Oh, yeah.
You do that? Not really.
Don't do it. It's weird.
uh I can't really but yeah.
I think it was just um he saw in me
the ability to mimic and sound so much
like a kid
that he was like, you
you should really pursue this. And and I
trusted
Um yeah, I trusted him. I just said,
"Okay, I'll I'll go on an audition with
you." And I just went with it.
Hm. And it was like it was one of those
yeses that I think changed my life. Now,
you mentioned offshoots. How do you know
when to say no? Cuz you can't just say
yes to everything, and then you're just
overloaded. But how do you make that
distinction? It's a really tricky line.
Like it really is.
it just a gut feeling? Is it usually
something you have to think about, or is
it kind of just like, "Okay, I know what
my answer is."? Sometimes it's like,
"Hell yeah." And my body like, "Oh, hell
yeah. That feels good." But like the
voice everything wasn't a hell no, but
it was like there was some uncertainty,
but there was curiosity. So, I sort of
said, "Maybe I'll check it out." Yeah.
You know?
What What was that like auditioning for
Rugrats? You had no idea what it was at
the time. So, what was that process
like? What did they have you do? I went
to this little Nickelodeon recording
thing, and it was my first audition. I
didn't almost didn't go, because I was
having my carpet replaced in my condo
that day. So, I almost was like, Uh
They're changing the carpet in my place.
I'll catch you on the next one.
And he was like, "I think you should go
in, you know, go ahead and try it." And
this agent was a little pushier. Yeah.
And he said, "No, I think you should try
it." And I was like, Hm.
"No, I'll catch you on the next one."
And he was just enough pushy that I was
like, "Okay.
Guys, I'm just going to the corner. I'll
be right back." I just told the guys
that were working for me, like basically
don't rob from me. I'll be right back.
I'm coming back in 10 minutes, but
really it was like an hour. Sure. And I
just
Um
And I just ran there, and I just uh
read this audition, and I had no idea
what I was doing, cuz I'd never done a
cartoon, but I just read the lines as a
character that I think is a little girl.
I always did like little baby voices,
and I thought, "That That picture They
showed me a claymation." I was like,
"That That claymation Like the mouth on
that claymation looks like the voice
I've been doing my whole life." which
was like,
"Oh, Michelle, let's go Let's go get
ourselves a snack. What do you say?" You
know what I mean? And
you know, and I just looked and I
thought the way his mouth was and the
way my mouth sounds and
just something about it and I did that
voice and then
I was like, "I can't be here very long.
I got to go." And they were like, "Okay,
we're almost done." I was the first
person, so they kept making me wait.
They kept sending producers in
and I was just like, "I got to go." And
then I I was completely ignorance is
bliss. I didn't know what was going on.
And there were people waiting to read
after me, but they kept bringing new
producers in like in the booth and I was
watching more and more people come in
cuz I guess they were just like, "She's
it." And I didn't know that. And I got
home and my agent called and said, "You
They really love you for that show." And
to be honest, I was actually replacement
cuz they had another girl who did Tommy
Pickles.
And I had to come in They decided it
wasn't the right voice and I had to come
in and re-dub all of her voice for an
entire season. And then I I I booked it
and that was like, you know,
you know. Now, did they have you
audition for other characters like
Chuckie or
No, it was just Tommy Pickles. Did they
have everyone else already locked in on
the other voices?
they'd already done a whole season
with the girl that wasn't in
So, they did the entire season, but
didn't like the way Tommy Pickles' voice
sounded.
That kind of stuff can happen where you
can do a record and then they go, "Eh,
we're not feeling it." What were your
initial impressions of the show? Like
when they pitched the idea, did you
think, "Oh, this is going to be a hit"
or like what what were your first
thoughts going into it?
Remember, I was getting carpet put in my
condo. That's all I was thinking about.
You were just thinking it. Well, what
about when they say you you got it? Like
this is yours if you want it.
I was like, "Really?" I really was just
like
every time I Sorry, every time I book a
voice cartoon, every time, and I started
booking everyone I I'd read for it, I'd
book it. I'd read another one, I'd book
it.
I was literally doing eight seasons a
week. I was doing eight different shows
all week long. Like I'd go from a Jungle
Cubs to a Rugrats to a Powerpuff Girls
to a I was literally going day-to-day to
to a different series on a different
networker. It was a lot of work.
Is there any like conflict of interest?
Like does Power Puff Girls not want you
being a voice on something else?
think. They would like sign an
exclusive. Just like no? No, because I'm
doing that voice for them and I'm doing
Tommy for somebody else and nobody can
own you
in in voice over. Really? Uh-huh. I feel
like the producers would smarten up cuz
they would want like just cuz you're so
good at what you do that just like we
want her and that's it.
They can't have me because I'm infinity.
I'm I'm I do an an infinity amount of
voices so how how can they prison me in
one place when I
I'm like water. Yeah. I'll go
everywhere. Sure. You can't just put me
and you can't just say water to stay
here. I mean, I'm going to go
everywhere. Yeah. Do you know what I
mean? I do. So how did it work when you
were filming? Would they have you go
into the office and just Yeah, for
Rugrats. They would have the babies go
in together.
So like um Chucky, Phil, Lil and Tommy
um would all be together and do our
voices and then like Angelica would go
in on her own usually cuz they would
have the babies cuz we did so many of
our lines together. So they'd have us
together. So when we first started doing
Rugrats, it would take a lot longer. It
would take like 6-hour sessions.
Nowadays, you never take that long. I go
in and I do
four episodes in 1 hour
and 2 hours. 1 to 2 hours. All by myself
cuz I'm not waiting for everybody to get
their lines right. I'm just doing my
lines.
Wow. So you could get through an entire
like season or
Pretty quick. Wow.
Yeah. Pretty quick. And how does how
does pay work with voice over acting
versus being like physically on screen?
I mean
right. Like voice over acting is like
you just leave when people start doing
shows. It's like a scale rate. It's
pretty much the same with on camera.
Like you'll get a scale rate. I don't
know what scale is for on camera but
it's it's probably similar for a full
day, whereas you go and do a voiceover
and it could take you 10 minutes. Mhm.
You'll make the same $1,200 or whatever
the scale rate is,
if it's SAG, as you might for a full day
on the set. So, it's kind of pretty
lucrative when you do voiceover cuz you
have so much time. Right. And um but
then when you have a show that becomes a
hit,
the money starts growing. So, let's say
you have a show that goes for 6 years.
Like Rugrats didn't start raising their
money until maybe
6 years in. And then they were like,
"Our show's pretty popular. We're going
to raise the amount you guys are
getting. So, you now you're going to get
double scale. Or you're going to get
triple scale." And then it would jump
from like this amount to like all of a
sudden around season 9, 10, it would go
from like "Oh, you're making two grand,
three grand" to like 30 grand or some
crazy amount.
Oh, yeah.
So, you could make really big money per
episode.
Yeah, you were you could make really big
money per episode. I mean, Simpsons,
like I'm good friends with Nancy who
plays Chuckie on Rugrats.
And The Simpsons are making like
I don't know. It's where they were
making
I heard something like a hundred
thousand, two hundred thousand plus an
episode, right?
it's more than that. For Nancy, yeah,
yeah. Yeah, for some of those people
it's like crazy money. So, animation can
be very lucrative cuz it's the same
thing. They have a show on primetime.
Yeah. They're making money, so why isn't
aren't these star actors that are now
known making the money? So, I mean,
there's a there's a lot of money to be
made in voiceovers. If you can have a
show that lasts long enough to go into
big money and syndication and if it's
primetime, that's where the money is. If
it's just like um syndication, not
syndication, but if it's like streaming
or it's all different now cuz there's so
many venues. There's like there's so
many different platforms, you know,
streaming and like whatever. Different
money now.
Yeah. So, if you go in and you record
one episode and it's 30k, how long does
that take you? Well, back then I would
think I was still working with a lot of
the cast members. And when you'd like I
said, when you're working with everybody
in the booth, you're waiting in between
your lines so that each person gets each
line right that they want. So, it could
take 4 hours back then.
Uh but right now you could go in and do
your the same work. You could go in for
do us an episode. It's It's not like
right now we're doing Rugrats again.
It's not quite It's not what it was back
then cuz they came in like 14 years
later and renegotiated and they wouldn't
negotiate back to that rate.
All right.
to start it as a brand new show kind of.
We didn't go brand new show rate, but it
wasn't like that rate. You know, it was
like
Yeah. wasn't here, but it wasn't here.
Did you feel like you had more leverage
before the 6 years of of Rugrats to
increase your pay or did it take 6 years
to really take off because It kind of
took that long to take off.
what cuz it you started I think it was
1989 or 1990 was the first.
know. I don't remember the date.
Okay. Yeah.
I can't remember my own birthday
sometimes, you know.
Right before you, I don't know if you
watched the show Ned's Declassified? No.
On Nickelodeon? Yeah, I know it.
He He was saying that even after three
seasons, they were very much apt to say,
"Well, if you don't like the pay, you
could leave and we'll replace you very
easily." And that was their mindset. But
I feel like with something like Rugrats,
very difficult to replace the voice cuz
it always sounds a little different.
Like you can never Yeah. get it quite
the same.
Usually when you go in on a show like
that, like when they came back and said,
"We want to do Rugrat reboot." Cuz now
we're on season 2 of a brand new reboot.
Mhm.
You really don't want to be greedy. You
really don't. You don't want to play
that card because
they could replace you. There's It's
always possible. What you want is a
really beautiful
um harmonious
uh win for everyone. So, I think
when it came to when we all got asked
back, and they didn't invite all of the
adult characters back. They recast a lot
of those characters. Some people didn't
get recast, but the um the main baby
characters all came back. But when that
happened, we had to come together as a
group that all the babies and say,
"Well, what do we think is fair without
being greedy and saying, 'We're not
going to do it unless you give us $5
million an episode.'" You know, we had
to be really
um
have integrity to the whole show. Not
just think about ourselves. Like, we
want to let's just try to break them for
as much money as we can.
And so, I think we all came together and
thought they offered a certain amount
and then we all came together and said,
"Well, what's a fair amount that's not
crazy and not greedy and also a little
win for us." And that's where we came up
with a number that felt beautiful to
Nickelodeon as well. And then it's a big
win. So, you can't just you can't just
go for like you know
Yeah, you just can't you can't
you want to you want to do the right
thing cuz I've seen people get booed.
Here's an example. So, Babe, you know
the movie Babe and Babe 2? Okay, so Babe
the pig I was Babe pig in Babe pig in
the city the second one. The first one
had actually Christine Cavanaugh who's
brilliant actress voice actress who was
the original Babe. She actually did
Chuckie on Rugrats. Hmm. Um she started
as Chuckie on Rugrats. So, I already
knew her. I was working with her. And
she was Babe in the first Babe. And then
what happened is they came time to
negotiate um
Babe pig in the city the sequel to Babe
and they went to her and her agent said,
"This is what we have for you for Babe
2." And her rep
or whoever it was her lawyers or rep was
like, "No, we can't we want way more. We
want more."
And then
they couldn't they said, "We don't have
any more for this. This is our budget.
We would love you to do it. This is our
budget." And then whoever it was the
powers that be in in that team said,
"No, we want more." And they came to me
and said, "Will you audition for this
role?" And at that point I had to say,
"I'm not auditioning for that role
because she's my friend. I work with her
on Rugrats and we don't we can't do
that. I'm not going to step in.
And so I didn't. And but I said but I'd
love to audition for this other role um
this little monkey.
And they were like, "Okay." So then what
happens is time passed, they cast we
cast her cuz they never settled on an
amount.
And whatever this happened
time passed, they didn't settle with
her, they negotiated with somebody else.
I got cast as this other character
the monkey, the little boy.
And then a week before we recording, I
get a call I'm literally sitting on a
beach and I get a call from George
Miller the director says
"E.G., we've been listening to the
tapes. We already recast the character.
So it's not like you'd be stepping on
anyone's toes.
We think you're Babe for this. And would
you be interested in doing it now?" And
at that point I was like, "Yeah, I
would." So I said yes at that point
because I knew I didn't
um I didn't have uh
lack of integrity to my friend and to
doing the right thing for people that
you work with. And so then I got cast as
that character.
And yeah. So you can get booted out.
That's my point. Even on a giant feature
like that.
If you don't play the right cards.
How do you take care of your voice if
you're doing multiple shows? It's nice
that it's let's say 4 to 6 hours in a
day for an episode. Means you could do
maybe two at you know, two in a day. But
how do you ensure that you don't strain
your voice in one episode so that you go
to the next one and it's like you can't
do the other show. I think I've been
doing so much stuff with my voice for so
much of my career. I mean I'm a singer.
I think my voice is so conditioned for
so much. I like I'm a bodybuilder. Like
my like some people are like
I just think I'm like a bodybuilder when
it comes to my vocal cords or my ability
to push my voice.
It's kind of rare that I can't you know,
the only kinds of things that would
really mess my voice up are if I have a
really really severe chronic bronchitis
cough and it just kind of gives me a
little laryngitis, which is pretty rare
even. And I'm still able to push myself
past that to do certain like Tommy
Pickles even if I was like talking like
this and I had like a really hoarse
voice, I still could go
"Ah, that's so cool!" you know, and I
could just I smile every time you do
that.
Oh my gosh. I just push it right over it
and so it happens. Wow. Now, you were
saying you were in labor
also doing the voice of Tommy Pickles.
How How does that work? Can you Can you
It works. Do this from home or is it
like
I was in the studio and I had gone to
the doctor cuz I was I was very
pregnant. And I said, "I feel like I'm
in labor."
And that doctor that I stopped using
after that particular
incident, I didn't no longer use that
doctor. Somebody else came in cuz the
doctor never made it to labor, I don't
think.
But I basically
um
I went to the doctors and said, "I think
I'm in labor." And they were like, "No,
you're fine."
And I was like, "Okay." And my my kid's
dad was like
trying to take care of me cuz he could
see I was like struggling with
contractions and I just went ahead and
went to work.
And I just like, yeah, went How long
does labor start before birth? It can
vary. It can be like you can kind of be
in labor for 2 days having like the
contractions start coming faster and
faster, which contractions feel like
um
like just pain. Like it just gets really
like it's almost like your belly just
hardens for a second and then it
relaxes. And it's a really weird
feeling. Feels like cramps. But you're
not a girl, so you don't know what
cramps feel like. It's like that. When
you have a really good ab day, Jack, and
your and your abs just kind of like
do ab days.
like that. He skips ab days. It's like
girl cramps. It feels like cramps but it
gets very extreme.
I've gotten um
what do you call it? It's a cramp,
right? And like in your calf cramp?
Yeah, where it spasms out. It kind of
feels like in a weird way like it gets
hard and it's weird. That's what a
certain They're called Braxton Hicks
feel like. It kind of gets really Your
belly will actually contract and gets
really hard and it kind of hurts. It's
kind of like a cramp in a way but it's a
little different.
Okay.
It's like kind of in your See, I didn't
know if this was happening like right
before you're about to give birth or if
this was like
had been happening for a few days, and
that can happen. You can start having
contractions, but not be in labor. And
you don't go into labor till you're
dilated a certain amount, and your
body's gotten so so big inside. And so I
guess I went to the doctors, and he's
like, "No, you're fine." But I was
having so many contractions, I was like,
"How can I just be fine? I think I'm in
labor, but I just I listened to the
doctor, and then
I just went to the work, and which was
probably better, too, cuz I wasn't
sitting at home thinking about it.
Right. I just went to work. And my job
wasn't like, "Oh, I have to go run a
marathon." It was like sitting in a
chair doing voices. And they were very
patient with me. They're like, "Oh,
you're having another one of those." And
they were like, "Wow, these are You're
having it pretty often." I was
Yeah, every 2 minutes. Okay.
Yeah, I was like, "That's when you know
you're in labor." Cuz you can have
Braxton Hicks contractions, but they
might be like every hour. And you're not
in labor yet. How long does a
contraction take? It's like It lasts
like 20 seconds.
Oh, wow. That I see I thought it was
going to be like a 2-second thing. No,
it's kind of like
no, no.
So maybe it's Wow.
I don't know. I got to remember. It's
been a while.
I'd have to get pregnant again.
So yeah, it's a really weird thing, but
I was like, I just was like, "Okay." So
I went to work, which I would have
probably done anyway.
And then
after work
it was the crew in the studio that was
like, "You're having a lot of
contractions very close together."
People that were moms that were in the
booth were like, "When your contractions
start happening like every 2 minutes, 3
minutes,
you're getting closer to have being in
labor." And then that night I had a
baby. So I That night? That night.
Wow. Do you remember the episode that
you filmed?
But people ask that all the time. I
don't remember. I wish we could look
back at that episode and be like, It's
in the vault somewhere. You'll hear me
like,
"Oh, Chuck E. Cheese doesn't like owls,
either. Hold please."
That is wild.
Yeah. So, were you ever able to record
these episodes from your house? Like if
you just set up one of those See that
little audio recording thing?
Well, that's all very new. Like all this
stuff now is very new. So, I would go in
all the time, but during COVID and I had
a little booth, so I would do a lot of
my own auditions at home.
Um for a long time I've had a my own
little recording for voiceover. But when
COVID hit
everything stopped.
And that's when Rugrats had gotten
picked up for a reboot and we started
doing episodes before the COVID hit.
Mhm.
And then I was in COVID and they're like
and we're like, "Oh, no. We just started
getting to do new Rugrats and it's so
fun and so exciting." And we were all
kind of bummed. And then all of a sudden
like after a few months they called and
said, "Do you have a booth set up at
home?" And I was like, "I do." And I had
just updated it. And I had just
put this thing that I
It's a
it's called I'm Source-Connect where I
can connect to a studio outside of mine.
Mhm.
And I had just gotten that all upgraded
for some reason. Which is miraculous. So
then I was like, "I do." And then all of
a sudden they said, "Can we try to do
some episodes at your place?" And I was
like, "Okay." So, I started doing them
at home. And actually then I moved to
Malibu
in a little place right on the beach and
I had this little booth I had it made
for me and I set it all up in there. I
did I think I did like 20 episodes at in
Malibu in this little tiny beach nook um
during COVID. 20 of the brand new
episodes were done at home in a little
tiny It wasn't even anything like that.
It was literally like made of plexiglass
with a little foam in it and I threw a
blanket over it.
It's so great.
That's really neat.
It's really cool, right? And I did a lot
of major Rugrats episodes in that.
Wow.
Is there ever a time where you weren't
able to film and what would they do in
those cases? Like let's just say you had
just given birth or something like that
and they have to get an episode out. Is
there ever anything like that or is it
pretty laid back in terms of their
schedule and you
laid back because if let's say I'm Let's
say I
had a baby and I needed a, you know
First of all, it's not that hard to just
sit in a booth and do your lines, even
if you just have a baby. I was that
person that
um started working pretty quickly right
away because I was known for just
bringing the baby with me. Like I didn't
want to That was my only thing was I
didn't want to leave my child
and be working to where my kid wasn't
getting what they needed. So, I would
just have like a nanny or an assistant
and they'd sit right there outside the
booth and then I would record and if I
needed they need me, I would just step
out for a second and I'd just like So, I
never It never compromised any of my
personal life. Like I just could do it
anytime. I could do voiceover most of
the time. It wasn't If I had a a flu,
like if I had a flu or something and I
needed to wait, all they just say,
"Okay, we'll get you record next week."
So, we'll skip this week and we'll do
your lines for this this week next week.
So, you'll do next week's and the week
after together. So, they just kind of
move things around. It's like super
chill.
Mhm. It's not like when you're filming a
movie and you're on location and you
have to be working with the other actors
and like if you can't show up, you're
screwed. Right.
Because the whole everything gets But
voiceover, they can record you a week
later. It's not going to make or break
anything. Wow. If Graham were doing a
voiceover for a cartoon character, what
would the cartoon character look like?
Wait, what?
He would be really smart and I would
make him talk a little faster. And I'd
say that he'd say, "Listen, everyone, we
have something really important we're
going to negotiate here." That's what I
would make you sound like.
He does He is smart, fast-talking It's
really cool, I tell you.
That's how I'd make him sound.
Wow.
make you sound more like a surfer guy. A
surfer guy?
Dude, what are you talking about?
I would have him do. Gnarly, man. That's
gnarly.
do. Why don't you guys come over for a
little while? We'll do something fun at
my place.
That's crazy. Doesn't mean you can't see
him look like that.
I can see it. Huh.
Yeah. Wow.
Yeah, I I'd say that's pretty fitting
right there. Yeah, that's one of my
favorite games. My favorite games is
like if you were to put 10 faces
and let me hear 10 voices, I could match
the voice to the face.
Yeah. That's my funny funny little game.
Yeah, I listened to a podcast where you
were talking about making a voice of a
pillow and how it would sound.
like Kelly Clarkson.
Yeah, and I thought it was so accurate.
It just like this really high-pitched
but very
is a pillow and she's fluffy and she
talks like this. Everything is
beautiful. Put your little bottom right
here. You know? What goes through your
mind when you when you see something
like that and you put a put a
personality to it like Oh my god, it's
so much fun. It's so much fun because
you can make anything have a voice. Like
this little plant could be like
Oh, I'm just sitting here in the sun and
beautiful. You know what I mean? And
this one would be like, "Oh, yeah, I
really like it here in the sun. He's a
little bit bigger. Let's hang out here
in the sun. Okay, let's just do that."
What would this key sound like? Oh, the
key would sound like this.
Let's go. We're Alexis. Let's put this
in the car. I mean, he's skinny and
little so I would do this.
It just depends. It's very fun. Oh, that
is I wish I had that skill. That sounds
fun. It's really fun.
You know, I wanted to be a voice over
actor when I was a kid. I did. So, uh
we'd get together with my buddies and
uh one of our friends had a cell phone.
He was the only one whose parents would
like not check the minutes. So, when you
had to pay by minute or whatever. And
so, we used to make these prank phone
calls and I would be the one doing the
voices and we'd call like grocery stores
and
yeah.
No, gosh, no. This was when uh I was in
like sixth grade, seventh grade, eighth
grade, like somewhere around there.
Uh-huh. Um but yeah, so I would call up
and I had this character Ina Macrovich
Ooh, let's hear it.
calling these grocery stores.
hear it.
Hi, my name is Ina Macrovich.
I'm calling because I left something in
in the grocery store. Like, you know, I
used to
good.
Yeah, my voice got a little deep but it
used to be better back then.
Yeah, and then I used to call the
schools as my mom Oh my god.
out of school and I called
Hi, my name is Pamela Stephen Calling on
behalf of Graham. He's not feeling well.
See, it's amazing.
really wanted to get into voice acting.
I just thought I had a had a cool knack
for it.
Yeah, that's so cool.
Thank you. Love that. I actually did
this voice-over seminar. I did two
things you guys should check out. I'll
get you a link for I at least can get
you a link for the one-woman show
though. The voice-over seminar is
somewhere. I can get you a link for
that, too. But, um it's a voice-over
seminar.
And I did it because people would ask
that. They'd be like, "How do you do
it?" And I have a really cool voice. And
he's like, "It's not just about having a
cool voice. You have to be able to read
the lines like a real person." People
like reading lines like "Drinking
water." "Don't
You're under the authority of the pu-
You know, you have to be able to read it
like it matters. But, um so I did do a
seminar on voice-over because people
would ask. And I filmed it in front of a
live audience. And it's it's like And I
talked about the tips, tools, how-to's.
And it's really cool. And it's not
expensive. I did it like a digital
download thing so people can learn. And
I also did like which is really
interesting is I actually interviewed a
lot of the famous voice-over stars. Like
And I asked all of them like
I talk about this in the seminar, but I
asked a lot of like big pro guys
like how you got your break. What was
really weird was none of them got a
break like normal. Like it wasn't like,
"Oh, I had an agent and I booked a job."
Everyone was like, "I was singing at a
wedding. Someone heard my voice and
said, 'You want to go?'" "I was in a
play. Someone heard my voice." I was
like, "Nobody
went into voice-over like with the
intention of a voice-over. They just I
was a comedian. Someone heard me." Every
single major voice-over star got it in
some random way. It was really cool.
Who's out there looking for voices? Is
it that they work with TV and movies?
And they were just sent out to scout? Or
are these people just going about their
day and they find someone?
I did a play. And some guy came to the
play and was like, "You're really good
at your voices, your children's voices."
He was a voice-over agent. So, he
happened to be at the play where I
happened to be changing my voice around.
And he's like, "You should try this. So,
he's like, you never know.
All I know is you
the more you're out there and the more
you do things, the more you like say yes
to things,
the more openings for opportunities
come. I guess it's the same for dating,
right? I'm supposed to be going out
more. You're supposed to be going out
more? I think so cuz I've been like not
it's like what's it going to go out when
it's raining, but yeah, if I want to
find my next husband. Are you on the
apps? I am.
These are our favorite topics to talk
Jack Jack I'm on the apps. You might see
you there.
Yeah, I am on those apps. Those drive me
crazy. I'm not so good at them. I need I
need I would have my assistant swipe for
me because I'm just like my fault is
terrible.
But does she know your taste? I mean
well, my uh Julie's newer, so she but my
other assistant Ace, she kind of it she
kind of has the same taste as me. But
it's not just like the taste like the
type. You know what I mean? It's not
like the type thing.
It's more like now at this point in my
life, it's more like when you hear
people talk about themselves non-stop
and they don't ask you how you are like
narcissist. Like that's just like I'm
highly allergic to narcissist. Like like
I'm looking for different things now
than I think I did when I was younger.
Like now it's really like
kind people, people that are love
animals, are kind
connection.
Yeah, yeah, yeah. People that are like
deeper connected. So, it's harder for me
with apps because
um I can't
it's hard for me to just look at a
picture now and read a few lines. Like
and then if I even get to where I would
conversation, usually they want to text
and text and text and text. I'm like, I
don't want to text. If you wanted to
just like have a quick FaceTime call,
that would be better cuz then you could
see someone and I'm super intuitive and
I can see if like I'm, you know, for one
am I really attracted to them? For two,
are they really hearing me? Do they
really see me? Are they really
connected? Are they talking about things
that matter? Or they just like, "Yo, me
and my buddies are going to ride in this
boat. Want to come?" Like whatever. Just
like if there's something deeper, like I
love animals. I've done a lot of things
for I don't know, I just look for deeper
things now.
And it's hard for me because
um I see everything. Like I think I'm
highly intuitive.
So, I can see when someone's over trying
to sell themselves and they're not
really what they're saying they are and
Do you feel like maybe it's intimidating
that they that they know who you are or
do they not know? Cuz I feel like it
would yeah.
I meet someone and they go like, "Oh my
god, I saw you on Valley Girl. You're my
favorite." I'm like, "I can't date that
guy." Because it's too weird. Because
they're like fan or it's fan-girling and
they're like, "It's one thing if
somebody's doing just as good in their
career." Do you know what I mean? If
they're like their world, their life,
their careers they're doing well. So, if
they just love what I do and they and
they want to know me and
and it's not like they live in Pacoima
on a boat dock and they're they got a
big fish in their picture
and they're asking me to like
move to Pacoima and go fishing with them
every day. Like we have nothing in
common. So, we're like,
Do you know what I'm saying? Like if we
have a lot in common
and like I'm a big animal person. I'm
I'm an animal activist and I do a lot.
And so like with somebody that loves
animals, I'm like, "That's a good I like
people that love animals." Cuz that
tells me a lot about someone. And
someone who does a lot of spiritual
work, that tells me a lot about someone.
And they kind of like they would know
how to walk a press line if they had to.
Like those are important things cuz
I go to like big things sometimes. You
know what I mean? Yeah. I go to like
beautiful events. And so, I don't want
to like
feel like the person I'm with is like
completely freaked out by all of it.
That just wouldn't be a match. So,
there's like weirder things I have to
look for and I just don't, you know, All
right. But if they are a fan of your
work, wouldn't that signal I'm a huge
fan. But wouldn't that signal though
a fiance.
a fiance. Oh, congrats.
But Jack doesn't.
But but if they're a fan of your work,
wouldn't that also signal that that they
appreciate like what you do and like
your backstory and your career and like
is nice. And actually that would be
really beautiful
as long as they were feeling great about
what they did and they were thriving at
what they did. I think if somebody's
like
I think you just have to be each other's
match or each other's person. And I mean
like comparable magnitude. The meaning
like you know, just both be doing doing
well in your life, you know what I mean?
Or if you're both not doing well, but at
least you match, you know what I mean?
Like for me I don't Like I dated this
guy who was a sweetheart and I really
liked him. But um
we we really were we were matching some
ways. He was like he was a very
spiritual guy and we would go to some
events and stuff and he was really nice
guy.
But like he lived in a behind a house in
a little hut and behind a house in a
thing and I was like I can't I can't go
there. Yeah. It's not not like
it's not like trying to be superficial,
but it's just trying to be like
comparable magnitude like
you know what I mean? I've worked hard
and I live a certain way and I don't
want to all of a sudden like have to
It's like an inequality match.
if somebody's has no spiritual life and
they don't believe in God, that's fine.
I do and so that's a big disconnect. So
I think there has to be like there has
to be matches across like important
things. And to me the important ones are
like spirituality, love of animals, um
you know,
a person who's not a narcissist who's
just like I think it's it makes it hard.
It does make it a little hard. Yeah.
What's some of the best relationship
advice you've ever heard? The best? I
want to hear yours first.
relationship advice. Jack's like, what?
Well, I don't know if this is
like I mean it's a pretty commonly
agreed upon thing that communication is
key and I'm a firm believer that like
you should communicate everything. I
think communication will solve 99.99%
of problems in relationships.
that's great answer. Yeah, I love that.
Yes. Yes. Yes. One point for you. And I
think laughter. I think being goof be
able to be goofy and have fun. I mean
Oh, this guy's a big goof. I'm more I'm
more I just want to be able to laugh.
Like I've got
I think to me like being able to laugh
is like whoever I end up marrying or
being with my for the rest of my life
partner person, I just want it to be fun
and funny and also sexy and hot. Yeah.
You know what I mean? Like best friend
slash super hot for each other. That's
it. Yeah. And great communication and
like just a lot of like similar
interests in the world and the real big
world and the important things. Cuz work
is like
work is beautiful and I'm grateful for
my work but it's not at the end of the
day
you want to like feel safe with your
people. Right. And your career is here
and there and it goes up and down all
the time or whatever but the end of the
day you want to feel safe in home at
home wherever home is. Yeah. When
Rugrats was wrapping up, how did you
feel
towards that? Were you ever nervous of
like finding what the next thing was and
and
like progressing further? For my job,
you mean?
Yeah. Yeah. Like there were there times
where
where I'm like wondering what my next
move's going to be.
Right, because Yeah, right now. I mean,
I have jobs and I'm I'm doing great. I
thank God. But I do wonder like because
I feel I'm being called to something
more big something bigger.
Mhm. And I do really want to do a
documentary
um
because I've had pretty interesting like
journey with like even just personally
like my personal life and it's not like
I would want it to be a scandal thing
but there's been a lot of scandal in my
life with um
you know, it's like my ex-husband was
married to Pam Anderson twice.
My ex-husband was married to Shannen
Doherty once. My ex-husband was the guy
in the Paris Hilton tape. Do you know
Yeah. But because of for some reason
and not just that, in my own life other
things I've just had a lot of really
wild things happen. So I have a very and
people I dated
like
Yeah. Could you share any of that? Like
Like what do you mean? Like which thing?
Like any any stories with that or
something that you would want to include
in the documentary?
Okay, like when I was in my 20s, I was
madly in love and I I had this boyfriend
who's name was Jon-Erik Hexum. And he
was this very very beautiful man.
And he looked like you.
Yeah. There you go.
So don't worry. You'll You'll find your
partner. He's And he was a very
beautiful man and uh
Jon-Erik Hexum and um I was younger than
him and I was madly in love with him and
um I think I was 22
and he was working on a very big show at
the time and he put a prop gun up
against his head and shot it and it
blew a piece of his skull the size of a
quarter into the middle of his brain.
And
No. Brain dead. And so that happened.
And
In a In a prop gun?
a prop gun. Is that just a for the
shooting a blank?
Yeah. But a blank
Oh, yeah. Those Yeah. Close range.
A blank close range. If you put it here,
he probably would've been okay, but it
was here. Did he Did he intend to do
damage or was this
probably playing around. He was on the
set and they said he was playing around
and he put it here and the
the blank has gunpowder, wax, and paper
and
Yeah. it's strong enough
to shoot through a piece of his skull
the size of a quarter to the middle of
his brain. So it basically took him out.
And so like that was a very
um challenging time for me cuz I was
only in my 20s and he was my boyfriend
and
it was weird. The whole thing was weird
and
um
Yeah, I mean I just had some really
There was a lot of trauma I've had some
trauma and also had some amazing things.
So life has just pretty been pretty
crazy journey.
And you know, I've I shared a lot about
a lot of that in that one-woman show I
talked about.
Mhm. It's called Listen Closely and it's
on digital It's on Amazon. Both the
seminar and Listen Closely. Listen
Closely is like
a 1-hour 15-minute one-woman
autobiographical musical about my
journey.
So, I feel like I'm supposed to do the
documentary based on that one-woman
show. So, if you guys see the one-woman
show, listen closely. There was a lot of
things that happened. You I do talk
about the Paris Hilton thing, and I do
talk about
the Shannen Doherty stuff, and I do talk
about how I met my first voice agent,
and it changed my career. And I do talk
about John Eric shooting himself in the
head. I actually reenact that whole
thing in the one-woman show. So, I try
to just be really real about what
happened and how
my thought process was during a lot of
it, and how I just kept
growing my spirit to be able to handle
all this Yeah, so I'm feeling like
the next thing I'm supposed to do is
either like this book or this
documentary.
Plus, there was a lot of stuff like
around the Conrad Hilton, which is Paris
Hilton's little brother.
Mhm.
I mean, you could Google it. In my
family, there's a lot of drama around
that. There's just been a lot of stuff.
In the middle of that, I've had this
beautiful career. And and my love of
animals. So, I just think there's a lot
of interesting things that I would want
to share my side of what happened
about a lot of things.
Yeah.
How did you
cope through the the shooting?
Uh Um That cuz that I feel like is is
just a is a tough one to grasp because
it was like a bit of an accident, very
spontaneous.
It was kind of like a dream. Okay.
of felt like I was in a dream. I was
like
I really almost couldn't believe it was
happening, and then
but there were a lot of things that
happened up until to that that kind of
looking back, I was able to journal like
I felt like he was a ticking time bomb,
and he was going to blow up. I mean, I
like I wrote it in journals like I feel
like
John Eric is a ticking time bomb, and I
don't know when he's going to go off.
And then
there was another weird thing that
happened that I didn't remember till
recently. I went and did ayahuasca,
which I don't do drugs really. I don't
know if you guys know what ayahuasca
I don't I don't do drugs. I've never
done
I don't really do any drugs,
and I'm not a drinker. That's not really
my thing, but I did go do ayahuasca
because there's so many
amazing things I kept researching about
it. And in that I had a very vivid
memory of when I was
with John Eric in his room, in his bed,
and I couldn't stop crying. And it was
like it was happening. I was during the
ayahuasca when I was on ayahuasca, and I
was just remember I was just crying,
crying, crying. I was like, and he was
right there with me, and I remember it
was like yesterday. And what was really
weird was he died a week later, and I
couldn't remember
that
when I was
Uh I didn't know why I was crying when I
was actually with him in real life a
week before he died. And now I look
back, and I was like, I must have known
something. Like I knew something was
going to happen. I wrote the thing he's,
you know, there's just a lot of really
weird things. They just
What What made you want to do ayahuasca?
What What about that piqued your
curiosity? Cuz I've seen a lot of
documentaries on it, and hearing
people's experiences, and it's it's
interesting, but I would be I feel like
I'd be terrified.
Terrified.
Yeah. Okay, that's why I did it. Because
for one, my daughter had done it. One of
my younger daughter did it, and she kept
calling me every night after her
ceremonies and be like,
"Mom, this is mind-boggling. Like
there's a lot of people just like you.
There's women your age who have had
adult kids who have had lives, and
they're very like,
you know,
they're There's so many people just like
you, normal, regular people, not drug
addicts, not this, not that." And I kept
thinking, "Yeah, but I'm terrified." I
First of all, I don't like to throw up.
Right, yeah. And that's one of the first
things, right? You just like you throw
up a lot.
up. So it's like, do not I cannot. And
so I kept saying, "No, honey, I could
never do that, but I'm glad you're
having a good experience." And my
daughter, for her, it was very healing.
And um
And so, and the place she went to was
very very high-end, and they really
educate you there. You have to do
classes about it before you even do
ayahuasca. And then you do 4 days in a
row. But you know
4 days in a row of ayahuasca?
4 days in a row. That seems Is Is
healthy? It It's fine. It's
It's They have like medics and a medical
team. You have to see the doctor This
isn't in the United States, right? In
Costa Rica. That's where I did it. And
how long does the ayahuasca trip last?
I mean
I don't think it's long, right? It the
first like you the first three nights
you go in and you start the ceremony is
like music and singing and like
chanting. It could start at 7:00 and
then you're there till like
1:00 or 2:00 in the morning. 7:00 p.m.?
Yeah. And what are the demographics of
the people?
Everyone. I mean there were like
conservative like couples from like that
have a cow farm, like really
conservative, like they go to church.
They're like there were super
conservative couples that were there. I
was like, "What are they doing here?"
And then there were like moms and there
were like young girls and like older
people and there was like older men like
in their late 70s. I mean it was really
wide wide demographic. It wasn't like,
"Oh, it's a bunch of
wanting to be sober now." Cuz there's a
lot of healing properties. So it was
really wild. But so when my daughter
came back from that trip, she said,
"Mom, you should really think about it."
I was like, "No, I can never do that. It
scares the it scares me so much." And
then I just kept thinking about it and I
kept researching and I researched this
guy Gabor Mate, this doctor. And he said
like he's never seen so much healing in
his patients and he had he had dealt
with
people that were dying and he dealt with
people that were terrible addicts. He
says he's never seen the kind of
recovery or healing that came from
ayahuasca. So it was like and they kept
saying like if it's calling to you and
if it's calling to you then you got to
listen. Cuz that's how Mother Ayahuasca
works. And so then I finally said to my
daughter, "Yeah, I'll do it." I couldn't
believe I said it and I couldn't believe
I did it. And I did four days of it in
Did you go alone? I went with my
daughter again. She went again. This was
months later.
Wow. Yeah.
Yeah, it was wild. How much does it cost
for a four-day trip of that? Well, this
this place I went to was like really
nice. It's called Rythmia. It's like a
little bougier, but I wanted that cuz I
wanted it to be like very intimate.
Really safe. You have to see the medics
office. You you have to do health forms.
you have to eat a certain diet. It's
very strict. It's a medicine. Mhm. And
so, um you know, I don't know what that
place is like
6, 7,000 for a week. Per person? Yeah.
But it's for 4 days.
It's No, it's a week. Oh, it's a week.
like Oh, you do breath work, you do
meditation, you do yoga, you do
Oh, wow.
a whole retreat.
whole retreat.
And one of the activities that you do on
the retreat is the ayahuasca. Aside from
that, it's meditation.
right. And the last night of ayahuasca,
you do from like 7:00 p.m. till the next
day. You're literally
watch the sun come up and you wake up
and you're You don't wake up. You're
just like You're awake through the
night.
you around sober people? Like there are
people like if you Did you see people
like freaking out on the floor?
a giant room like
a giant room
Like a whole
massive
60 people. You're all in the same room.
So, you If Vsauce had a great
documentary on it. He went and did
exactly this and filmed the entire
thing.
I think I saw that one. Yeah. I watched
a whole bunch of them because I wanted
to But I didn't I didn't know like
to me
I I really wanted to
hear people's stories that never did
drugs, cuz I was that person. I was
like, I want to hear from somebody who
was never a drug addict.
Mhm. That's That's what I was looking
for online and I couldn't find a lot of
those.
I don't know if I found any. No. Cuz
that scared me. I was like, it's one
thing if you've done drugs and used to
be out of your mind. But it's another if
you're never done drugs and that scares
me.
How do you find it to be healing? Like
in what way?
Oh, it's just so Like I'm saying, it it
takes you to part of your brain that you
can't really tap back into usually.
Breath work, you can do it with, but
like I was able to go back to that
moment lying in that bed with my
boyfriend who shot himself. And I
remembered like a message. Like his
message was
um
I believe in you.
Go do this that go do these things you
want to do. Like
cuz he was like the big star at the
time. He had this series and I was like
I was doing my own career but I remember
like
there was beautiful messages and I did I
went ahead and and followed through like
it's almost like he said you can do this
and that was way back at the beginning
of my career and I remember things about
my mother that like it was hard for me
to connect with my mom all the time for
some reason my mom is beautiful lady and
was a good mom but she was very like
she'd look at me she'd be like
what why is your hair messy here what's
going on with that eyebrow or well it
wasn't like looking at me like I love
you it was like she she had a hard time
really seeing deeper was more like she
would great mom still but just couldn't
see me inside me
which was painful for me because I
always just want to be seen I want
people to see me and so one of the
messages I got was that
in my ayahuasca cuz you're like tripping
but you remember everything you're
literally remember yourself throwing up
in a bucket you remember yourself
crawling to the bathroom you remember
like you remember your like usually when
you're drunk you black out you don't
remember not that I ever do that but
people when they're really messed up
they don't remember anything you
remember everything during ayahuasca and
so one of the messages was
like a shaman lady would ask me like
what are you feeling I'm like I feel
really nauseous
she's like what is that I'm like it's
fear she goes what is that fear I'm like
I'm just scared of everything and I just
start sharing all these things but I'm
crying crying crying and then I just
said and I'm afraid like my mom's
getting older and I'll never get to
really have her see me and I start
crying like crying deep crying and then
all of a sudden she goes do you want to
dance with your mom and all of a sudden
I'm dancing with the shaman lady but
it's actually like I'm feeling like it's
my mother but my mother young and me
young and I'm crying and I'm like
connecting to my mother and then when I
come back to town after ayahuasca
my mom is so present and I feel her like
I've never felt her and I don't know how
how worked but something shifted from
the ayahuasca for me. And when I see my
mom now,
it's a very different, weird thing. It's
just weird. Do you think it's because
you're behaving and seeing things
differently, or do you think
I had this revelation that my mom has
always been able to connect with babies,
and that came from the ayahuasca. What's
the message was
your mom connects to babies and
children. She sees them.
She has a hard time with adults for
whatever reason. Maybe they were too
painful for her.
Mhm. But, for some reason, my mom could
connect and love children and babies.
Like, she just loves them. She had five
kids. But, adults probably scared the
out of her. So,
um I realized that in order to connect
with my mom, I connect with her
like she sees the little kid. So, it's
like I don't know what happened. Just
something There was a weird revelation
about my mom that was
profound. What's your relationship with
work look like in now? Are you still
very gung-ho about work? Are you still
very excited to take on more jobs and
continue working for the next 5, 10
15, 20 years? Or or what's your
sentiment? I'm going to be an old lady.
I would like to make it BIG IN
HOLLYWOOD.
THAT WAS FUN.
The next 25 years. Yes. Well, let me
tell you. Who are the grandparents on
Rugrats? Boris Boris and uh what's his
name?
Boris and Minka. Minka. You could be
Minka. Yeah, and then we do my Oprah.
Oprah, I remember when I used to watch
you.
Sounds like a little bit like Cher.
Yeah, Cher talks like this. Anyway, I
still really want to keep doing
beautiful I feel like there's so many
messages and things I've learned that I
want to find ways to put them out. You
know what I mean? If I can spare someone
some of the things I did, I want to do
that. I feel like there's so many
different voices I could still do.
There's so many roles I still want to
do. So, there's a lot of like things I
still want to do. I really do want to do
a do documentary cuz I've all the old
footage of me like performing back in
the '80s when I would do like the Sunset
Strip and the Whiskey and the all those
clubs back then and just like I have you
know videos of like I videotaped
everything back then. So, I want to use
all the live footage and So, I really
want to do that. I have to find the
right person to help me like a
person to help me put it together cuz
it's too much for myself. But, you know,
like a team that does documentaries. So,
I'm going to do that. That's one of my
goals.
And I think I want to write the a book.
And there's other roles I want to do
that are like just dope and cool and
and voice over it's limitless, you know,
there's so many different voices I I
want to play with, but
So, yeah, I still feel the drive. I
mean, I definitely um feel like the last
2 years were kind of chill for me.
Um even though I was working, I was
doing Rugrats and other shows. One's
called Grimmsburg. I still think there's
some other really cool things I want to
do and and more speaking and more
teaching and more
um
more fun and more funny and more love
and more
How were you and what were your thoughts
about like saving and investing
throughout the entire process? Was there
any concern of like I don't know how
long this is going to last. I better
save it like just in case cuz I hear a
lot about the industry could either be
like you're doing really well one year
and then there's no work for a Yeah.
Yeah. Oh, yeah. You can make money one
year and then not at all the next. I
mean, there were times where like I'd
have to move out of my house and go When
my kids were little, we moved out of our
house and went to go live at the
Oakwoods cuz I was running out of money.
The Oakwoods is like this apartment
complex that a lot of people would go
stay at when they were filming a show or
they'd bring their little families and
stay in these little apartments.
Mhm. It was kind of fun. It was a lot of
industry people, but there were times
where I had to move out of my house and
and take the kids when they were little
and
because I was like, "Oh, I'm
running out of money." You know, and
then everything just fly back and all of
a sudden we're making money again. So, I
am very aware about saving and
um being smart with money and um
I'm uh you know, I do have to you do
have to think about it cuz like I have
money
but
would I feel like if I wanted to just
retire and stop doing everything right
now, I don't think I would feel ready to
do that.
Mhm.
Do you know what I mean? Financially, I
don't think so. I think I'd like to do
some jobs that were like just really
super big money to where I really don't
even have to think about it. But right
now, I think I would want to
be more stable there.
Sure. Where are you investing? I hate
stocks and all that stuff. I literally
like the only money I put into stocks or
into
I don't know what those are. I don't
even know what they're called.
Index funds? It's with USB. What is
that? USB? Is that
USB? Anyway.
USDC?
I don't know. All I know is like
all the only money I've ever put is like
a little chunk of dough. I would put
into that.
Like that money is down by 15 or 20%.
And it's been in there for 2 years. So,
I'm like Wait, wait. It's so it's down
15% over 2 years? In the last like
whatever since they I put it in, it's
down from what the actual value was.
has gone down. Tell me about it. You
guys tell me about that.
I maybe over 2 years?
So, the S&P is down about
10% year over year.
Over 2 years, it's positive.
So, right now it's it's whatever I put
Okay, then maybe it's been a year, but
whatever money I took and I put it in
this thing
is like you should do that and then I'll
invest that for you, blah blah blah.
It's down. Which means like I'm Every
time I've ever put money in all those
things that are play the market is
always down and anytime I was like I
think I need that, they'd be like, "Oh,
it's down by this much." and I'd be
like, "I need it." And I told you to put
it in nothing unless it was really
conservative and I wasn't going to lose
and it'd be down. So, I like have no
faith. I think you just got to hold on a
little bit longer. I mean, overall the
market saw a pretty big dip over the
past year, so
going up? Do you have the I mean, you
know, let me check. Well, it did well
today. Did really well today. There's no
golden like where you can expect it to
go up by But then what? Then it goes up
and then it's 2 years later it goes
down, so you never really make any money
with it. Well, the Well, the average
about 7 to 8% a year. Over 20 years
it's about 10% a year. It's not. No,
adjusted for inflation, I'm sure we
didn't specify that, but yes, adjusted
for inflation.
a year.
would do a cartoon voice of what you
just said, "Adjusted for inflation.
Don't talk about it." I would do a
little kid with like, "Hey, let's talk
about inflation here." Let's talk about
inflation. 7 to 8% a year, Jack.
a year, Jack. Okay. Yeah, well, adjusted
for inflation, it's 7 to 8% a year. But,
if not, it's 10. And for Rugrats, do you
get Do you need to get royalties? Yeah.
Wow.
Well, then that's That's a retirement. I
mean, that's
great. And I you get royalties from like
I'm good. I'm fine. I could retire if I
want. I mean, I You get royalties from
like Two and a Half Men. I did like Took
me like 5 20 minutes to record that
song, and I get gigantic royalties on
that song. And I didn't even write the
song. But, it's uh in syndication, that
show. So, it is a really big money
thing.
Yeah. Who would have thought? You know,
I did that so long ago, but it's great.
Chuck Lorre has good projects. One of
the stories that sticks with me for a
theme song is Danny Elfman, who wrote um
The Simpsons theme song, did it in the
car in 15 minutes.
Yeah. Submitted it, and that's it. The
Simpsons theme song.
when it's really good, and it it took me
15, 20 minutes to cut the men, men, men,
men, manly men. Woo hoo hoo. That It's
so funny. I I didn't realize until
recently that you were the voice for
that intro. But, I always wondered
because his singing was too good. Like,
there's no way. I thought maybe it's
like
he You can sing like this, but he can't
really sing very good. So, yeah.
Men, men, men, men, manly men. Woo hoo
hoo. How to sing it. I always thought
maybe it was just like really
auto-tuned, and they used him and like
just like fixed the voice cuz it was
like too good.
That was magic of me.
No. Yeah, I know. Yeah. Can you do the
voice of Chucky? Can you imitate But,
can you do any of the voices? Like, can
you cuz you're so good at at picking
other characters and like doing it?
Could you or no?
You know, it's really funny. Chucky I
don't really do. Huh. I really don't do
it. Um
There was a time on the show where I did
one of the other characters.
I can't even say what cuz I had a little
issue. But um
uh
I did do one other character on the show
just one or two episodes cuz the person
wasn't available or something. But um I
don't want to like
It was probably supposed to be on the
download but I did do that one of the
characters once. Um
and uh
But like yeah, I don't do Chucky which
is really funny. Yeah. There's once in a
while there'll be a voice I don't do. I
mean I don't do men's voices obviously.
You know. But I used to do like I did uh
Mrs. Incredible. "Dash, you have to get
over on that you know." What's her name
she does Dash.
Oh, Helen Hunt. That's It's Holly Holly
Hunter. Yeah.
Holly "Dash, I want you to tell your dad
something." You know, she talks like
that. Yeah. So I actually did Mrs.
Incredible for all the like pickups and
the commercials. She did a Tide
commercial. And uh so I do things like
that. Like they say, "Can you do Holly
Hunter's voice?" I'm like, "No, I can't
do that. She sort of talks like this."
And I was like, "I can't do it." But
then I did it and then I was like, "I
guess I can do it." Or they'll say, "Can
you do Cher?" I'll be like, "Oh honey,
I'm not sure how to do it." You know, so
I try to do Cher, you know. "Snap out of
it." That's Cher.
Yeah, that was pretty good.
It's pretty good, right? Oh my gosh.
Yeah, so I do that. But it's a weird
thing. So it's certain voices yes and
there might be a voice here and there I
don't. And I don't do Chucky.
Hm. Yeah. But Nancy does great. How
often do people ask you to do Tommy
Pickles? All the time. Really? Yeah. Do
you ever get tired of it?
like workers at my house and they'll be
like, "Oh, you do Tommy Pickles." And
I'll be like, "Yeah." And then I'll do
it.
No, not really. It It's pretty sweet.
It's pretty sweet. You know. You see
them like light up like, "Oh my
god, you're the voice of my childhood."
I mean like if I'm like
um
if I'm in a restaurant and I'm eating
dinner with somebody or you know and
somebody walks over the table and is
like, "Oh, can you do the voice of my
kid?" I'm like, "I'm on a date."
We just It's probably not a good time.
You get asked that while you're on a
date?
there'll be times when people walk up to
you at the table like, "Oh my god, I I
know you." And they're very sweet and I
always try to be very gracious, but
sometimes I'll have to say, "I'm on a
date, so it's not really appropriate for
me to So I'll have to say that, but I
try to be nice cuz they're sweet.
Your date doesn't encourage you, "Oh no,
no, it's okay. Go ahead. Go ahead. He
wants to ask
the exact same thing.
Sometimes. He said I've been waiting
this entire time.
Yes, you already set them up to ask the
question.
Yeah, he set it up.
No, I mean sometimes just to be sweet to
people. You don't want to make people
feel terrible. I don't like making
people feel bad. It's hard enough for
them to walk up and say, "You're the
voice of my childhood." And that is a
gift to me. But just sometimes there
might be like I might be in the middle
of something and it's really a bad time.
I might just say, "Oh, I'm just in the
middle of something. It's not a good
time for me, but thank you, you know."
Just want to be gracious. Yeah. Is there
anything else that you want to talk
about? Anything else that we you feel
like we didn't hit?
I think really honestly you guys should
watch the Listen Closely.
Okay. It's the one woman I
autobiographical musical. It's on
Amazon. And the one woman Oh, I do have
the voice over seminar, which is pretty
cool. And I did have like some guest
people come and talk about voice over
and I did share some interesting facts
about voice over. It's really kind of
interesting. And I talk about my journey
a little bit, too. And because I really
think a lot of the journey is
is is being open. And I talk about
offshoots like be open to like
somebody trying to point you to
something new that you might say no to.
And again, it is a fine line like we
talked about it. You might You might say
no to I did say no one time I got
offered a partner Chuck
Norris movie to play his daughter in
something and I remember that. I was
like, "I'm not doing Chuck Norris
movie." You know, I passed on it and I
was so sad I passed on it cuz they were
in Calgary filming riding horses and I
was home in the summer doing nothing cuz
I had no other jobs that came that
summer and I thought I was going to have
like So sometimes it's like I find more
opportunities come by saying yes. Do you
know what I mean? So, I talk about
things like I talk about different kinds
of things, but I like to teach people
things other than just how to do voices
about life so that it's life and art and
it's not just like you're doing your
work and you're obsessed with your work
cuz I did obsess with my work and that's
not a fun way to live.
Oh, that sounds like me.
Yeah?
But he loves it though. I love it. So,
you can engage when you're doing
something else, too. Yeah, well I'm
doing both, but like but I love work.
For me that's my escape is just like
loving work. And I do, too. I do, too.
But um I think um
if you have a box and you have like nine
squares and you have like work and your
fiance and your animals and your fun and
your family and your aquarium and your
blah blah blah and you put them all in a
box that your life should be balanced
and it shouldn't be like
99% just the work and then you give a
tiny bit. I just think it just needs to
be balanced for it all to really be
good. I always feel like it it can't be
balanced. It's got to be like if you
want to excel at one thing, you have to
be like more overweight
Yes, that's true. There are times you
want to be a little intense, but it
it'll make you crazy. And the thing is
you don't want to get to where you're
just you feel like an empty shell, which
is what I've experienced where I was so
obsessed with making my work happen that
I couldn't say no to people. I did
things I didn't want to do. I went
places I didn't want to go. Everything
was for work and I think I would want to
encourage people to
um
to not give up yourself so much. You
know what I mean? It's one thing to be
ambitious, which is cool
and be driven, but don't give up
your integrity to yourself and that's
the difference. Do you know what I mean?
Yeah. And goodbye. I said yes to things
I didn't want to do or yes to hanging
out with people I didn't want to hang
out with because I thought I could get
an opportunity with that person and then
I was like
things happened that I didn't want to
have happen then I'd be like that's
that's a line you shouldn't cross. You
should
I feel for myself I would take better
care of myself. Well, thank Thank so
much. Is there anything else we'll link
to everything that you mentioned in the
description so like all that'll be
there.
I like the Tik Tok.
Cool.
Well, it'll all be in the description.
Thank you so much.
Thank you. I appreciate it. All right.
Thanks, guys.
Thank you.
Although you know what while we're on
the topic of being a creator I got to
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