Video summary
The reviewer introduces "The Last House," a Netflix original mystery thriller, as an absolute disaster that deserves its own dedicated streamer channel called Crapflix. The film follows a family of four who become inexplicably trapped inside their home by magical rain and mysterious forces, only to discover that the entire neighborhood—and possibly the world—is in the same predicament. Despite being marketed as a PG-13 thriller, the reviewer argues it is essentially G-rated nonsense where nothing significant or interesting actually happens for nearly two hours. The audience's reaction during his viewing session was constant laughter at the film's absurdity and stupidity, leading him to conclude that while he fell asleep partway through, what little he saw confirmed its status as a complete failure of storytelling.
The narrative is plagued by logical inconsistencies and lazy writing choices that make no sense in any real-world context. For instance, the family communicates via whiteboards because they cannot speak outside their locked doors, yet when characters write messages like "How hot is your wife on a scale from 1 to 10," it breaks every rule of human behavior under duress. The film also features baffling plot points, such as an eight-year-old child being sent up a chimney with a pulley system immediately after witnessing another person get murdered by tentacles outside, or the father teaching his children how to fillet fish on stuffed animals before magically producing perfectly cut real fish later without showing the process. These elements are presented alongside cheap CGI effects that range from Davy Jones-like monsters to frantic camera movements that suggest there may not even be a physical camera filming these scenes.
Ultimately, the movie fails to deliver scares, tension, or any meaningful commentary on themes like isolation or climate change, opting instead for a hollow allegory about social distancing during a pandemic that is quickly abandoned by the script itself. The reviewer highlights several comically stupid foreshadowing moments, such as keeping only a few pills of medicine for a sick dog while planning to eat it later, and scenes where neighbors are shown dying or beating their wives in front of windows with no consequence other than providing comic relief. By the end, after five years have supposedly passed within the film's timeline, the family decides to trap themselves again and sail into an open ocean filled with sea monsters rather than seeking help from others, a decision that leaves the reviewer baffled by its lack of logic or emotional weight.
In conclusion, "The Last House" is described as a pile of garbage that relies on magical explanations for everything while offering no concrete foundation or exciting events to engage the viewer. The only redeeming quality mentioned is decent cinematography and some well-executed practical effects before they devolve into CGI abominations. The reviewer ends his critique by noting that he hates himself enough to watch such a terrible film, but ultimately stands firm in his opinion that this Netflix original should be considered one of the worst films ever made. He encourages viewers who might have enjoyed it not to take offense at his harsh criticism and invites them to subscribe for more honest reviews, while jokingly suggesting that even if he were dead inside from watching such nonsense, there would still be no way to kill something that is already dead.
Read the full video transcript
Crapflix has a new streamer. It's called
The Last House. That's probably the name
Chad GPT suggested. The film is about a
family of four dumb asses who get locked
in their own house. And it turns out the
entire neighborhood, possibly the world,
is in the exact same boat. What's
keeping them from walking out the front
door? What's keeping them from breaking
a window and shimmying out the side of
the house? Well, you're going to have to
watch to find out. No, just kidding. I'm
going to tell you what happens because
this movie sucks ass. I guess I gave
away the game early. You know, some
critics have to pretend to be drunk all
the time to talk about this stuff. I do
it sober. I do have a big ass nas energy
drink though, so maybe I'll get a heart
attack and die before I finish talking
about this pile of [ __ ]
Oh god, that sucks.
There's probably going to be spoilers
for this one, but I'll wait until a
little later before I get into them. And
so without any further poo poo, let's
talk about the next film your grandma
put on while she did the dishes. It's a
Netflix joint.
[music] Before I get into this movie and
tell you what's really Kraken,
[laughter] that's a that's a a pun
because this movie could feature Kraken.
It doesn't. It doesn't feature Kraken,
but it would be cool if it did. It'd be
cool if anything of substance took place
in this movie. Uh feel free to sub to
the show, Adam does Movies. I would
appreciate it. I'd love to have you.
It's a Friday night and you're feeling
all right. You got the family at the
house. You order up some Zah, short for
pizza. You get on the couch, you put on
Fuckflixick, and you decide to check out
what's popular, what's trending, what's
new, what's streaming. And greeting you
on that front page
is The Last House.
D. It's an hour and 52 minute long PG13
mystery thriller. I say it's PG-13, but
might as well be G. Truly nothing of
consequence or interest happens at this
entire almost 2-hour affair. I remember
Bird Box being pretty good. When did
that come out? That was a good Netflix
original. When did When did that come
out? Like 1987. I watched this film
before even calling it a film.
a digital experience with my wife and
daughter and we were laughing at the
film about 5 minutes in and from that
point on we pretty much were laughing
constantly at the absurdity at the
stupidity and at the sheer nonsensical
nature of the whole thing. All right, so
we got this family. It's a mama. It's a
papa and it's two little children.
They're at the house. They're about to
head out for the day to pick out a
Christmas tree in the pouring rain as
one does. I I unfortunately uhoh dumbass
the front door is locked. Or maybe it's
not. But some reason he can't open it.
So they try the back. Then they try the
windows. And then things get a little
bit more desperate. And the father Jason
tries to start breaking [ __ ]
Today's one of them days. I'm like a
chainsaw. What a skinny ass raw. I could
probably choke myself out with this.
We'll wait. We'll wait. Set this over
here for the time being. The movie keeps
going and it never ends. Nothing is
ending in this world. It's just a
constant. It's just a presence. I have
amounted to nothing. And here I am again
talking about another crap streamer.
They're making tons of money. They're
getting all the incentives. Meanwhile,
I'm here with my dick in my hand talking
about a movie that maybe five people
will watch, but everybody will put on at
some point. and then they will defend
the film. I didn't actually watch the
whole thing. I fell asleep at some
point, BUT FROM WHAT I SAW, IT WAS
pretty good. That is truly the state of
things. Like, I will actually fully sit
through this garbage factory and give
you a thoughtout review, try to
entertain in the process, and yet in the
comments, I will get the most magical
amount of sheer ignorance imaginable.
Now, don't get it twisted. If you like
the film, that's great. I'm just here to
tell you my personal opinion, and it's
not the right one. It's just mine. There
is truly [snorts]
nothing worth praising in this outside
of some decent visuals. The
cinematography is fine. I mean, it
obviously has that super high polish
digital stank to it, but the effects
work. The practical stuff is all very
well done. We're naturally going to have
some CG abominations later. They're a
range from that looks like Davy Jones
from Pirates of the Caribbean to oh my
god, it's just blobs of CG flying around
and the camera doesn't know what to do.
I'm not even sure there's a real camera
even in these scenes. It's just kind of
moving around frantically. If your eyes
get hurt by constant flashes of light,
you might want to tread lightly for a
little bit because there are a couple
scenes where there's a lightning storm
and the white is just going in your face
constantly. My daughter had to look away
several times like the Ark of the
Covenant itself WAS OPENING UP. LOOK
AWAY, CHILD. LOOK AWAY. SO, what are we
going to be doing here for the majority
of the film? Well, for the bulk of it,
we're just settled in with the family as
they go through old records as they
dance around the house once in a while
and just enjoy each other's company. But
outside, something sinister is taking
place. What is that? Unclear, cuz we
never really figure that out. The story
seems to not know which direction it
wants to go. What What are you thinking
about doing? Where are you going with
this one? From the opening narration,
which is I I believe the daughter doing
so, and she'll continue to talk
adnauseium throughout, it would appear
there's other survivors because she
keeps saying, "We all remember where we
were on that fateful day." But we all is
what, the four of you? Because we we
never see anyone else in this movie
outside of the first act. And once again
at the end, she's still talking as this
allencompassing thing like everyone
across the world knows what happened on
a Tuesday of whatever month and year.
Uh, [ __ ] what are you talking about?
There's four of you. You know what's
worse than watching a movie that has way
too much to say? Watching a movie that
has absolutely nothing to say. I thought
because the neighbors were all trapped
inside and the daughter's opening
narration talks about how people don't
really know each other. They don't get
out and meet and greet and have potlucks
and neighborhood dance parties anymore
and key parties where the parents are
all banging each other and it's just not
as fun anymore. I Hey, I agree. I'm
trying to get my wife on board. It's
It's not happening. Something needs to
shake up and spice up this relationship
because we're home on a Friday night
watching some garbage crap factory spit
out on Netflix. What a sad state of
affairs. But I digress. Uh, yeah, she's
like, "We don't talk to each other." So,
we're going to have an opening act where
people are communicating like they do in
Dawn of the Dead or like they do in The
Gorge and a bunch of other films, which
is through writing and interpretive
dance, maybe just the first part, not
the second, but they have the whiteboard
with the marker
and they just and they start
communicating with each other. Hello,
neighbor. How are you? Do you have any
food? How hot is your wife on a scale
from 1 to 10? And so I was thinking to
myself, all right, is this some sort of
an allegory for COVID when we were all
locked inside and didn't have that human
connection? Nah.
Is this going to go somewhere the
communicating with THE OTHERS AROUND?
NAH. Is the film going to properly
explain how this is happening and what's
causing? NO.
NO. You'll get a little sprinkling of it
here and there, but for the most part,
this is just fully up for
interpretation, and it's not enjoyable
to interpret. If you're looking for
scares, look somewhere else. There's
none. If you're looking for tense,
creepy moments, not a chance. Like I
said, this might as well be a G-rated
film. It is so lame across the board.
And I don't know if you heard this
before or read articles or whatnot, but
Netflix has decided in their infinite
wisdom to start incorporating their
dialogue in a way such that if people
aren't watching the TV, they still know
what's going on and don't miss a beat.
And so take the whiteboard for example.
when he's writing on it, he's saying to
the audience exactly what he wrote and
he reads back out loud what's being
reciprocated. Are you insane? No one
does that. Maybe you do it once or
twice, but you don't do it like hello.
How are you? I'm okay. Great. My wife's
a six out of 10. Bummer. But looking at
you, that's actually a good pull. No one
acts or talks like this in the real
world, but Netflix knows that no one's
actually sitting and watching these
movies to completion. And by completion,
I mean to climax, of course. Uh they're
sitting on their phones on the couch.
Once in a while, they look up.
Oh, okay. Swipe, sweep, swipe. Oh, okay.
Nothing. Still nothing's happening. Oh,
good. I don't actually have to watch.
They're telling me what they're doing.
I'm just going to go up these stairs and
around the corner and find a harpoon gun
that I leave under the bed as all
rational people do. I don't know if I've
gotten into spoilers yet, but we're
going to we're going to go ahead and
jump in. This movie blows ass. We'll
just we'll just lead with that. I kind
of already led with that 5 minutes,
Richard Brier, but okay. So, we're going
to spend an eternity in this house with
nothing happening outside of lumbering
creatures once in a while being in the
in their vicinity. There are several
hilariously dumb foreshadows. They have
a dog who's sick and it needs dog
medicine, but they only have a few pills
left. My wife instantly said, "They're
eating that [ __ ] dog." She didn't
swear. I'm adding it in for a little bit
of a flourish. They also have two fat
fish. Plump for the biting. I said right
away, "Those fish are getting filleted."
In perhaps one of the stupidest scenes
ever put to screen, the dad is bored one
day because months are going by.
Eventually, five full years will go by,
but let's stick with like the first
couple months. The dad, Jason, I
believe, has his daughter Ruth, who's
around eight, grab a couple of her least
favorite dolls. He's going to put on a
little workshop for the kids. Graham is
the son. He's 12. The father, by the
way, has a very thick, rich accent. I
can't understand half of what he says,
and I don't like him. He's annoying to
me. He's very overthe-top at times. The
mother, Ann, played by Greta Lee, very
nice on the eyes. Um, can't act where
[ __ ] in this movie. I heard she's very
good in a different thing, but not the
thing I watched. I guess she's solid in
past lives. I'm only familiar with her
work in Tron Aries. Can't say I was
impressed there. And here she is hamming
it up. I don't believe anything she's
doing. It's It's just really bad. Not
knocking her as an actress. I'm knocking
the performance though. And that could
totally be at the fault of the director.
But what whatever. It doesn't matter.
Either way, awful. Let me weave back.
Okay. The dad's with the kids. He now
has three dolls in his possession, one
for each of them. Pops the head off and
he takes some knives out for the
children. The little girl's all into it.
She's like, "All right, papaya. What are
we going to do?" and he shows them on
stuffed animals how to fillet a fish one
time. Now, I don't know if you filleted
a fish before. It is absolutely nothing
like filleting a stuffed animal. There
are a lot of bones. There are a lot of
like little things you have to cut
around to get that nice little thin
fillet slice out depending on the size
of the fish. I suck at it and I've I've
done it a bunch of times. But it turns
out all I needed was one lesson from
this guy to know how to do it properly
because later in the film, Graham's
going to walk into the room with a plate
and four freshly laid, perfectly cut
fish fillets for the family. And we
don't even get the service of seeing him
beat those fish to death before he cut
them up. And yes, they do have dog chops
later, too. The dog sadly dies and and
the dad cuts up the body parts and puts
them in the fridge. We don't see any of
that. All we see is THE DOG LIKE,
"GOODBYE, JASON. Don't eat me. Don't eat
your friend. Shut up, dog. We're going
to eat YOU LATER." JASON, DON'T EAT ME,
JASON. His voice keeps changing. You're
going to die, dog. And if you don't die
soon, I kill you faster. You can't kill
me. SEE, I'M YOUR BEST. SEE,
[snorts]
[screaming]
and that kids is how you kill a dog and
chop up the body parts. Okay, we go.
Capich? Bada bing, bada bang, bada boom,
bada penis. That that that one's for me.
I'll take this later.
Speaking of uh body parts and feeding
animals, that's going to be another
major deal in this film. They are
eventually going to run out of food and
they are eventually going to run out of
pets to eat. So, they have to rely on
the wildlife outside. How are they going
to get out there and fish though without
opening that front door? Well, they're
going to have an easy access point
through the chimney. Yeah, it turns out
the chimney's damaged and the foundation
of this house sucks and they haven't
been paying their bills for a while
because they're a bunch of deadbeat
loser parents. But that's a side plot we
don't really need to go into much. We
just see them burn up some letters that
say like, "Can you pay your house bill?"
What we are going to see though is one
kill in the entire film off camera
pretty much where a jogger who was stuck
outside earlier in the movie is going to
run up to the house at night. Help me.
Let me in.
And the family's on the other side
eating popcorn and [snorts]
you know we can't open the door. You
know that. And she's going to get
grabbed by a tentacle monster to which I
thought, "Okay, now we're now we're
getting somewhere. I've seen stuff like
this before online." And she gets pulled
away and presumably killed. You hear the
blood curdling screams in the distance.
The family reacts AS ANYONE WOULD. OH MY
GOD. OH, SHUT THE CURTAINS. Get away
from the windows. And then the next day
comes and they go, "You know what? Why
don't we have little Ruthie, who's eight
years old, scale the [ __ ] chimney and
try to get out of the top?
What I could just like if I could just
attach this up here that I think that
would work. We'll save that for later."
Yeah. Not even a day after they watched
a girl get murdered outside by some
giant water monster, they think to
themselves, "You know what? the daughter
could climb up the chimney and see
what's up, see what's happening. And so
the dad, who I guess was an engineer at
some point, starts maggyvering a bunch
of stuff around the house. He sets up
this pulley system to bring his daughter
up to the chimney, and she almost falls
down and dies, but you know, who cares?
And then he's going to rig up some
fishing equipment so that he can cast a
line over the side of the chimney down
the house and trap little critters,
squirrel, skunks for some reason. That's
good eating, folks. And
he's going to reel THAT SOME [ __ ] IN.
HEY, WE'RE EATING good tonight, folks.
Little bunny eating a carrot. Don't eat
me. Don't eat me. I want to live. Don't
eat me.
He just beats it to death with his fist
stone cold.
[laughter]
THERE'S PLENTY MORE WHERE THAT CAME
FROM. ALL RIGHT. WHERE'S PLENTY MORE?
YEAH, these guys are going to be eating
a lot of nature. Again, it's all
G-rated, though. We don't get to see it.
We just get them reeling it in. And then
the implication, you know, there's
there's one point where they look like
they're having some KFC around the
table.
That's good. Yeah, that's good. Could
you uh pass the porcupine, please? Thank
you. What else? What else? What else? I
mentioned the neighbors and how that was
kind of a thing for about 20 minutes and
then the the story just gives up on
that. Everybody's just dead. There are a
couple comical scenes where people are
constantly just doing stuff in front of
their windows, beating their wives,
dying in front of the family room
window. That's my favorite. The the the
man or the the old lady, I can't
remember who, it doesn't matter. She
collapses and the little girl Ruth sees
this and goes, "Papa, is she going to be
okay?" And the dad just sits there. No,
she's not. WHO WANTS DOG CHOPS? Little
Ruth, eight years old, mind you, she
starts balling, of course. What a
douche. It's just It's just good stuff.
Unintentionally funny. All right. So,
from what I can gather, after these five
years go by, where the family has grown,
the kids are uh different actors when
the film ages up, their house has
completely changed. They have a nice
farm fresh field growing straight from
the floor. It really does shine a new
light on farmtotable eating. The dad now
has his fisherman's chair pulley system
automated somehow. Oh, I guess he
managed to harness the power of AI only
using spare parts from his car in the
garage and of course fueled by the blood
of their dead dog. No, that that's maybe
not how that happened. But eventually
all stations have to come to an end and
ding ding dong, one of the bad fish is
at the front door. He lets himself in.
Squidward is home. Timu Davy Jones
enters the home, starts slithering
around. He gets his saltwater skin all
over everything. It ruins the crops. It
ruins the furniture. Oh my god, what a
mess. And so the kids are just kind of
at their wits end. The whole family is
That's it. I'm sick of this. Poor Graham
is 17 years old. He wants to leave more
than anyone else. I'm sick OF IT HERE. I
HATE THIS PLACE. I'VE BEEN JERKING IT TO
MY MOM AND SISTER for four freaking
years. This is ridiculous. And so after
some heavy argumentation, it's decided
they're going to home alone their house,
booby trap it up, and then ring that
dinner bell for the wet bandits to come
inside again. And it's very stupid. They
show the kind of like the armor up deal
where they're like attaching [ __ ] to
baseball bats and they're loading up
their squirt guns and they're booby
trapping different parts of the house
only for none of it to have any payoff
at all outside of some insane freaking
nonsense where they strapped a long cord
to the car in the garage and snaked it
up all the stairs to the attic where
they're at. As the water is [ __ ]
flooding this place and there's
Squidwards swimming all over, they hold
their breath for what felt like 18
minutes straight and then they pulled on
this ball that pulled on the rope that
shot the guy over into the mouse trap
and it did something and all the CGI
blew up all over the screen. And then
they get out of the house. The house
collapses in on itself like a dying
star. And they think, "Hey, now that
we're out of the house,
why don't the four of us get on a
[ __ ] boat and sail out across the
ocean? WHAT?"
And they set this whole Mickey Mouse
[ __ ] up for a sequel. Are you out of
your [ __ ] mind with this? Just forgot
about the best part. So, we don't
actually know why they were locked in
their house. It had something to do with
magic rain that was healing any sort of
destruction they would do to the doors
or window. It's just magic. And where
did it come from? Well, it's kind of
inferred, I guess, that the creatures
from the water were doing it. They can
control the sky because there's like
mermaids and mermen and these Davy Jones
Squidward people and probably other
stuff that we never see. But that's as
far as the plot goes. It's nothing
really about, you know, man versus
nature, about climate change, about
anything. It's just nothing. It's
nothing has nothing to say. And having
nothing to to say is fine. I don't need
a message in a movie. But if you don't
have that, at least if you don't have
any layer to your story, at least have
it be interesting on its face. At least
have some exciting stuff take place. At
least have some lore or or like a solid
concrete foundation. Ironically, this
doesn't just like their house. But we uh
have to get to the crux of the story,
the the real meat and potatoes of it
all. What really turns the tide so so to
speak, and that's going to be at the end
when they are drowning underwater for
for 20 hours straight. And they tr they
actually trap Squidward to the car. This
pulley system reels him in,
slams him against the side of the door,
and the cables are pulling into his
skin. The dad is about to axe him to
death, but then the little girl goes,
"Papa, let me axe him something first."
And she starts to try to communicate
with the the creature. And she explains
to the dad that they need to show some
sympathy. They need to show some
restraint just like those creatures
didn't do to anyone else. And so he he
walks away, drops the axe, ting, and
then the magical creature thing opens
the front door.
The family goes outside. Other CG
monsters surround them.
Crab people. Crab people.
This time I'MMA LET IT ALL COME OUT.
FRED DURST IS THERE for some reason. But
before they can pounce, the one that
they saved COMES OUT. WAIT,
NO. BUT IT SPEAKS IN ITS NATIVE TONGUE.
[laughter]
All righty then. The translation for me
said, "Hey guys, you know all the awful
humans on this planet that we killed by
trapping them into their houses using a
a magical Harry Potter spell, but these
four people let me live." And so I think
there's still some magic in that old
silk hat we call human nature. We should
let them live. Let's head back into the
ocean. We have a lot of it now. We
expanded our territories and we'll just
kind of let the chips fall as they may
in the future. Speaking of chips, who's
hungry? All right, let's go get some
fish and chips down under the sea.
And that's it. They leave the family.
Mhm. Yep. That's That's exactly what I
thought would happen. Ruthie takes off
in a mad sprint. I'm running. I'm happy.
I'm on land. I'm out of my house. Let's
get in a boat. I want to be constrained
as much as humanly possible now that I
have freedom. I want to be isolated to a
small boat with you dumb asses. Instead
of searching out other people, let's
head off into the wide open ocean.
That's exactly what they do.
What an achievement in cinema. The Last
House should be the last straw for me
when it comes to Netflix originals. But
obviously, as it's been established, I
hate myself. And I'm even at the point
where I'm looking at a little computer
cable thinking this will do the trick.
But in all reality, you cannot kill that
which is already dead. All right, there
you have it. My thoughts on The Last
House. Let me know if you saw this movie
in the comments below. Maybe you feel
like you already did just now. Either
way, I'd love to hear from you. Please
think of subbing to the show. Adam does
movies. It's perfectly free of charge.
doesn't cost you a dime. You can follow
me on socials as well. I've I've been
trying to post more to the gram and the
and the talk as no one calls it. And I
would love to see you around those areas
as well. All right, that's all I got for
you. Hope to see you next time. Take
care. Jason, it's your dog Roffus. You
can't kill old Roffus. That's not his
name, but that's what I'm CALLING HIM.
COME ON, JASON. I'M still alive somehow.
I've reattached my body parts. I want to
I WANT TO SEE MY family again. I JUST
WANT TO HOLD YOU AGAIN. I OH, THERE'S
ONE OF those squid people. What was What
is he? Hey, could you help me? Could you
come over?
Thanks again for watching the video. If
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