Video summary
In this episode of Impact Theory, host Tim Ferriss interviews Ryan Holiday, a multiple-time best-selling author and former marketing director for American Apparel known for his works on Stoic philosophy such as *The Obstacle Is the Way* and *Ego Is the Enemy*. The conversation centers on how to execute one's dreams by developing a mindset that prioritizes impact over mere potential. Ferriss highlights Holiday’s unique trajectory, noting he dropped out of college at 19 to apprentice with Robert Greene before becoming a sought-after media strategist who advised companies like Google and Taser. Their discussion reveals that Holiday writes primarily for his younger self, aiming to provide the "guide to the good life" that was missing from his own education—a guide focused on practical questions about daily living, happiness, and how to navigate challenges with resilience. A significant portion of the dialogue explores the transformative effects of fatherhood on Holiday's approach to time management and decision-making. With a 13-month-old son, Holiday learned that parenting necessitates saying "no" to non-essential commitments because physical space can be regained but lost time cannot. He describes how becoming a parent slowed him down, shifting his focus from constant action ("human doing") to presence ("human being"), which he identifies as the source of true happiness and gratitude. This lesson extends beyond parenting; Holiday argues that once one achieves success, the very habits that propelled them there—such as saying "yes" to every opportunity—can become detrimental if they lead to overextension. He uses an analogy from baseball players who must learn discipline after arriving in the major leagues to illustrate how entrepreneurs and creatives must eventually stop chasing every pitch and instead protect their time for deep, creative work that aligns with their ideal life vision. Holiday addresses a critical challenge faced by successful individuals: distinguishing between necessary feedback and ego-driven noise when evaluating one's own work or business decisions. He shares an anecdote about turning down a lucrative offer to return to American Apparel because he realized he was trading his freedom for money, effectively giving up present liberty to buy a future that might never arrive. To navigate this, he employs the "indifferent spectator test" derived from Adam Smith's *The Theory of Moral Sentiments*, asking how an impartial observer would judge one's actions rather than relying on self-justification or ego. This practice helps him filter criticism; for instance, when readers complained about his use of profanity in books like *Trust Me, I'm Lying*, he recognized it as a data point indicating the behavior was unnecessary and removed it from subsequent works like *The Daily Stoic*. He emphasizes that while one must be willing to take risks, certainty is often an illusion born of ego, and true success requires humility and the willingness to admit when something isn't working. Finally, Holiday outlines four key principles for achieving greatness: clarity on what you are actually trying to do, understanding your specific audience rather than assuming "you" are the customer, cultivating a trusted circle of people who can provide objective feedback, and recognizing that creation is only half the battle—the second marathon involves rigorous marketing and distribution. He defines success not just by sales figures but by creative freedom, personal lifestyle alignment, and continuous improvement in one's craft. The overarching theme connecting his various books is the pursuit of a "good life" through truth-seeking and practical application of ancient wisdom to modern problems. Whether dealing with emotional reactions or strategic business moves, Holiday advocates for controlling impulses to avoid becoming the "boy who cried wolf," ensuring that emotions are used as calculated tools rather than unconscious drivers that undermine long-term goals.
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Think about this way. If you yell at
your people every time something is
wrong, they'll just be like, "Oh, Tom's
a yeller. And if I just
don't mind being yelled at, I can get
away with anything." Do you know what I
mean? And that's a very That happens in
companies a lot. It's like, you have to
be calcul- in some ways calculating and
controlled
and choose what you're going to get
upset about. Otherwise, the people that
you're projecting that to aren't going
to be able to discern a minor mistake
from a catastrophic mistake. It's very
important that you're not the the boy
who cried wolf.
Everybody, welcome to Impact Theory. You
are here, my friends, because you
believe that human potential is nearly
limitless, but you know that having
potential is not the same as actually
doing something with it. So, our goal
with this show and company is to
introduce you to the people and ideas
that will help you actually execute on
your dreams.
All right. To paraphrase Steven
Pressfield, today's guest is one of the
greatest thinkers of our generation.
He's a multiple-time best-selling author
who's written a seemingly impossible six
books in the last five years. His
meditation on stoic philosophy, The
Obstacle Is the Way, is not only a true
perennial seller, it's been translated
into more than 20 languages and has a
devoted following of some of the most
driven and successful people on the
planet, including NFL coaches,
world-class athletes, entrepreneurs, TV
personalities, and even political
leaders. By my estimation, it is one of
the 10 most important books you must
read if you want to develop a mindset
for success. And even if this were his
only book, I'd sit at his feet to learn.
But every book he's written delivers a
similar level of impact. This guy is
without question my intellectual man
crush Monday. The systematic and
practical nature of his thinking is so
powerful, it's nuts.
Especially considering that he dropped
out of college at 19 so he could
apprentice with the master author Robert
Greene. And by all accounts, my friends,
he learned his lessons very well as he
went on from there to not only become an
amazing author in his own right, but in
his early 20s became the director of
marketing for the billion-dollar public
company American Apparel, helping it
achieve its astronomical levels of
success and in the process becoming one
of the most sought-after voices in the
field of media strategy. His incredible
marketing tactics, detailed in the book
Trust Me, I'm Lying, not only became a
best-seller, it helped him launch his
own media consulting company Brass
Check, which has advised companies like
Google, Taser, and Complex, as well as
world-renowned authors such as Neil
Strauss, Tim Ferriss, and Tony Robbins.
So, please help me in welcoming the
best-selling author of Ego Is the Enemy
and most recently perennial seller the
modern-day philosopher king Ryan
Holiday.
Your reaction to that last part was
amazing. Well, that was very kind. I I
appreciate it. No, I've I've been
effusive with my direct-to-your-face
praise for quite some time now. So,
hopefully you know that all of that is
is truly sincere. That isn't hype for
the show. Like reading your books,
meeting you in person, the the way you
think really does hit me like that.
Well, no, that that means a lot. It's
just a it's it's overwhelming to just
stand there and watch you say
Yes, that that I imagine. Yeah. But no,
thank you. I appreciate it. Of course,
dude. Yeah. So, where I want to start
with you, you talk a lot about people
only write the book that you couldn't
not write. Um it's got to be something
that really compels you, and I love
that, and I totally agree. Sure. What
drives you? I think what what drives me
is is trying to figure out the things
that I wish that I was taught,
uh that I wish were part of what you're
supposed to learn in elementary school
and middle school and high school, you
know, um
philosophy was supposed to be
historically this. It They would call it
the guide to the good life, right? So,
it's something we've been thinking about
for a long time, but like where is this
guide? You know, like what I no one gave
it I read a lot of books in school.
There were a lot of, you know, things
that they made us look at and nowhere
did I ever get this guide. And so, I
think I I'm always sort of searching for
for the answer to that question, you
know, like how does one live? How is one
supposed to live? What do you do in the
morning? What do you do at night? You
know, how do you find happiness? You
know, the answers to these questions and
and so, I'm looking for that personally
and then I think professionally my job
is to then share the answers to those
questions as I've as I find them.
That's really interesting. So,
especially now that you're on the
bandwagon of fatherhood
Yes.
which I'm very curious to hear more of
your take on that. But like would you
ever write like for somebody in grade
school like that manual? I usually am
writing to a younger version of myself
when I'm writing. That's one of the I
think you have to as a writer you have
to have some idea who your audience is.
Like you have to be able to envision
that person and speak to them. And so,
one of the people that I'm always trying
to speak to is me whether it's 5 years
ago or 10 years ago or 15 years ago. I
don't know if I have enough insight into
where I was at that age that I feel like
I could really speak to to that exactly,
but I do love really well done
children's books. I mean like if you've
ever read The Little Prince, there's
tons of lessons in there. I think right
now I'm I've still got enough to say to
me just a couple years ago before I can
go back in time quite that far. Right.
What how had like the smile that you had
in your face, I want to make sure we
show that when I asked you about
becoming a father. How has it changed
the way that you think or approach life?
So, my son is 13 months. So, I don't
have a ton of experience yet.
But I would say I'll give you three
three lessons. I say So, number one is
it much easier to say no to things
because you realize we seem to have a a
limitless capacity to steal time from
ourselves, right? You know?
And the Stoics talk about this all the
time, you know, like we would you would
be
incensed if one of your neighbors
encroached onto your physical property.
But if one of your neighbors came over
and just talked your ear off for an
hour, you would find it rude to be like,
"Get out of here. I don't want to speak
with you." Right? Do you know what I
mean? Like So we we protect our physical
space much more than we protect our
time, even though physical space can be
regained and time can never be regained.
And so one of the things that it's like
even I've been married for a while and
and I've been with my wife for a long
time, I even found that I I was
comfortable stealing time from her and
from our relationship in a way that I'm
not comfortable stealing time from a a
child who I've promised as much of my
time as I can to, right? So it becomes
easier to say no to in essential things.
That's number one. Number two, I would
say is that especially when my son was
first born, was sort of learning that
like parenting is just actually just
being there, right? Like just physically
in the space. So
almost nothing else in my life was would
be like would sitting in a chair not
doing anything be doing something,
right? Right? And so it's it's really
slowed me down in a very good way,
right? That like my job is to sit here
while he plays around on the floor doing
whatever he wants. I don't need to be as
purpose-oriented and that's been a
really good lesson for me cuz I got Why
is that a good lesson? Because if you
think that action is the end-all be-all,
you end up doing action for the sake of
doing action, right? so I I feel like I
should always be doing and doing and
doing, but sometimes you're just
supposed to be and often times just sort
of being there and sitting there and
being still is where their great
insights come from. And this is also
where happiness comes from. You know,
it's hard to be happy and appreciate and
feel gratitude when you're just moving
all the time. It uh my therapist said to
me one time, she was like, "You got to
remember, it's it's human being, not
human doing, right?" And and and the a
kid is a really great reminder of the
the the the being part because they're
so always in the present moment, right?
And then, I think the last lesson is
just sort of watching someone experience
sort of
just complete joy and again presentness
um is also a reminder that like things
don't need to be as I I'm a very intense
person. And although that intensity is
responsible for a lot of my success,
it's also responsible for my unpleasant
moments, right? It's responsible for
anguish that I feel or insecurity that I
feel and that the need to be busy all
the time. And so, I think just watching,
you know, the simple pleasures that he
can enjoy, I think uh lets me feel a bit
more gratitude and and appreciation
and then lets me focus on what's really
essential. All right. Well, now let's
ask a really interesting question, at
least I'm deeply fascinated by this. So,
now let's imagine you wake up tomorrow
and you don't have kids. What of those
things would actually carry forward as
transformative elements for you? I would
say in a way they're all I would carry
forward all of them, but having this
having this person, this living thing
that you're responsible for,
um
keeps those lessons top of mind because
there's real consequences for it, right?
It's a reminder that you can't do
everything all at once and you do have
to prioritize. There's someone who will
be upset, who will be hurt, who will
suffer for this
rather than you just deferring those
costs into the future, which is what I
did before I had a son and and what I
think most people allow themselves to do
all the time. You know, we know
objectively that we're going to die. We
don't have unlimited amounts of time,
but we still spend it as if we have
unlimited amounts of time because the
consequences are so deferred into the
future that we can get away with it. I
also intellectually knew all those three
things that I told you before, but it's
been good. It's been the hardest thing
that I've ever done and and I think it's
good to challenge yourself that way.
All right, so abstract it from kids for
a second.
You're you're you're a very methodical
thinker. So, what is the matrix by which
you make a decision for how to spend
your time or even what to strive
towards?
Look, I struggled with the time thing
before I had a kid. So, I'm all my
instinct is I I heard a great line from
Austin Kleon and I think he got it from
somewhere else. He was saying, you know,
that the job of the mindset of an
entrepreneur or a creative person is
that you basically say yes to everything
until you can get to a position where
you can say no. But, it's really hard to
know that you've gotten to that
position, right? Especially because you
work yourself up into a state. I'll give
you another actually analogy. A friend
of mine, his name is Dr. Jonathan Fader.
He's a sports psychologist. He works
with the the New York Giants and the New
York Mets. And he was saying that in
baseball, uh particularly players from
like the Dominican Republic, they have
this saying. They said, "You don't walk
off the island." So, basically, the only
way you can get out of poverty or out of
this place is by swinging, right? You
can only hit your way off the island,
right? And so, on the one hand, what
that does is it creates really
aggressive players. They swing at every
pitch they can. But, then as soon as you
make it in the major leagues, it's all
about bat discipline, right? You can't
swing at every pitch because the pitches
are better uh because if you miss, it
causes problems for your team. And so,
it's this balance, right? Once you've
arrived, the thing that got you there is
now in some ways your worst enemy. And
so, that's something that I have always
struggled with is like I've always been
the person that just said yes to
everything. Early on in my career, you
know, it was like, I can do all of it at
the same time. I don't care if you think
it's humanly impossible, I will outwork
you. I will I will make it possible. And
so, there was a time where
I don't think I ever ended one of the
opportunities that I had. So, I was just
adding them on top and on top. And I
never hit a wall. Like, I just never hit
it. And so, always saying yes, always
saying yes, that became who I was. And
now, as I've as I've achieved a certain
level of success, and what I've done is
gotten harder and harder, now it's all
about protecting the space that I need
to do that work. I think just the idea
of needing to make those hard choices,
knowing what's important, what's not
important, what I'm trying to
accomplish,
not only have I struggled with that
already in my life, but then having a
kid makes the stakes of that higher, but
then it's also just a learning
experience. Yeah. There's a concept in
Perennial Seller which truly haunts me
Okay. and is is clearly the sign of the
thing that I struggle with along these
lines, which was nothing is destroyed
more great artists than the thought that
they can do two mutually exclusive
things at the same time. Yes. I
butchered the quote, but
no, right.
the idea. And you've said that of your
consulting business, you feel like all
you do is untangle people's like mess of
things that are often conflicting that
they want to do. What what is it about
that problem and how do you help people
through it? Well, I think what I what
I'm saying is that often times people
go, "Okay, here's really what I want to
do, and this is what I'm trying to
accomplish." And then, they see all
these other things that other people are
doing, and then they they kind of see
that as like a grab bag, and they're
like, "I don't want a little of this,
and a little of this, and a little of
this, and I want it all at the same
time." And that's not really possible,
you know? You can't play five sports at
the same time. You got to pick one, and
you got to specialize. Maybe you can do
two, but you probably can't do five,
right? You can't be a classical musician
and a rock star, you know, and this and
this all at the same time. So, it's
about sort of picking your lane and then
knowing that some
some goals are mutually exclusive. The
question I ask clients the most is like,
"What does success look like for you on
this project?" And I get them to really
describe it to me and let's say there's
more than one thing in there. I go,
"Now, if you can only pick one of those
things and the other ones didn't happen,
which one would you pick?" And I'm
trying to get them to sift through some
of that conflict so we can really hone
in on what we're trying to do. And often
times like where ego comes in is like
we've got the things that impress other
people and then the real meaningful
impact that we're trying to have. And
often times, I'm not saying that the the
status things aren't nice and they're
not they they're not impressive and
they're not cool, but we've got to make
sure that they're not coming at the
expense of those other things.
Right. I love that notion of, you know,
asking yourself what success looks like
for you and having that clarity. And how
important is that clarity do you think
for people that want to be successful?
Like how much of this is you start with
a goal that is abundantly clear and then
you create a path? I think one of the
things that has really helped me make
some of the decisions we're talking
about earlier
is what does like an ideal day of your
life look like? Like maybe not right
now, but like what do you want a day in
your life to look like? And so, if if
that day is like, "Look, I'm the kind of
person I love going to an office. I love
lots of responsibility. I love lots of
pressure. I thrive in that environment."
Well, then great. You know that that's
where you want to For me, when I think
about like the high-powered executive
who's who's who who an entire company is
resting and falling on,
I think, "How does that person have time
to do any creative long-term thinking?"
I don't think that they do. And so, I
had to realize that, "Oh, these two
paths" cuz I I was on two paths. I was a
a writer and a researcher and then also
I had I was at a big company that they
were mutually exclusive that one was
coming at the cost of the other and I
tried to do both for a long time. I I at
one point I stupidly uh doubled down on
the one that I didn't want and I
realized it occurred to me one day I was
I was actually in LA. Um there there was
some chaos at American Apparel and so
I'd gotten called back in they were
paying me great money and I it was like
you know 9:00 a.m. I'd just gone for a
run. I'm sitting down and I was writing.
I looked at my watch and I was like,
"Oh, I I have to be at the office. Like
if I'm not at the office like people are
going to be mad. They're going to wonder
what they're paying."
And I was like,
"But my dream is not going into an
office. The most important thing for me
is to have the freedom to go where my
day takes me especially creatively. I'm
on a path that's taking me further away
from what I want my ideal day to look
like. That's not success, you know?" And
so and Tim Ferriss has talked about this
is you know some people it's like "My
um
dream life is being on a beach in Bali."
Well, what does that actually cost?
Could you have that now? Do you have to
have a life that you don't like so that
at the end of it potentially you're
lucky enough to go there or could you
find a way to get that now? I'm trying
to think about this on a regular basis.
Is my life resembling what those days
are supposed to look like? And if I have
too many days in a row that don't
resemble what I want my day to look
like, I go I'm
I'm I'm having the opposite of success.
You know what I mean?
And what do you do very tactically in
that moment? Is it journaling? What does
that look like?
So I I do journal uh every morning and
every night. So part of my journaling is
just like a detailing of events like not
for history but just so I'm forced to
recount what happened and actually think
about it. You know the Stoics would say
prepare for the day ahead and then
you're supposed to reflect on the day
that just passed. And so that sort of
process of preparing in the morning and
reviewing in the evening allows me to
never get too far from where I I I want
to be. You know what I mean? Like I'm
never going to I'm never going to wake
up 5 years from now, hopefully, 5 years
from now and go, "This is just really
not the life that I wanted." Because I'm
I'm doing the a regular series of
check-ins.
So, going back to what you said about,
you know, for a brief moment I actually
doubled down in the thing that I didn't
want,
Yeah. which I totally get and understand
in a way that I can't even convey to
you.
Why do you think people have a hard time
identifying what they really want? And
like what can people do to not find
themselves in that situation? This is a
very first-world problem, but I would
say one of the hardest things to do
in the world is to turn down money.
Right? So, like I was in a conference
room and someone said, you know, "Look,
we need you to come back. Like we know
you have this writing thing." This is
when you're quitting. Yeah, or I'd
already basically left. I was I was like
sort of remote and and then and didn't
have a day-to-day role. And they said,
"Look, we we need you to come back. You
know, this is going to be a tough, you
know, series of months, but we think you
can make a contribution. We need you to
come back." And I said, "Well, look, you
know, I've got all this stuff." And they
they said, "Well, what would it cost to
get you to come back?" And I threw out
what I thought was a high number, and
they said, "Done." And so, in that
moment, I was like, "Well, that's a lot
of money. If it would it would be
irresponsible to say no to this, right?"
And so, I was telling myself one that I
could do it all at the same time. And
then two that like, you know, I I wanted
this money. You know, like, you know,
and and it would it would seem dumb to
say no to it. I deal with lots of
successful like entrepreneurs and and
athletes. And one of the things they're
always talking about, they're like, "Oh,
I just I love books. I love writing. I
would love to be able to do that." And
so, one of the things that struck me in
that period where I was unhappy was it
was like, "I get to do this thing that
other people tell me they wish they
could do. And here I am taking a bunch
of money to do the thing that they say
they don't like doing, you know? This is
This doesn't make any sense at all. And
so I had to back myself out of that
situation. I you know, I left some money
on the table as a result. And it was it
wasn't a fun experience, but it was it
was just I think in that moment I wasn't
thinking, "What do I want my life to
look like? What's the most important
thing to me?" I was thinking, "How many
zeros are in this check, right?" And
that
is not a great uh way to make decisions
in your life. Because what do people do
with their money? They buy freedom,
right? But oftentimes they give up
freedom to get money. And so that it was
like, "Oh, I could just skip those steps
and stay where I am and be very happy."
God, that's so interesting, man. So yes,
I think that that's a an eternal thing
that people do with their their work
they're giving up their freedom in order
to buy some sort of future freedom,
which may or may not ever come, by the
way. Right. Um Cuz what if What if you
do that and then you get hit by a bus?
Yeah, or the money never comes. Sure,
sure.
Which is maybe even more likely, right?
It just always slipping into the future,
the eternal future. So my question is
though, and there's there's two things
really. So one, how did you deal with
whatever the reverse of buyer's remorse
is, right? Where you give the money
back, and then that next time that you
want to do something and realize I can't
cuz I don't have the money, but oh if I
just stuck it out and then yeah, we'll
start there. It's not like
I was choosing between, you know,
the poorhouse and you know, paying for
my groceries or something, right? Like
this was this was extra. One of the
pivotal conversations of my life was
with Tim Ferriss when I was starting my
company, and he said, "You know, Ryan,
what do you do with your money?" And um
I was like, "What do you mean?" He's
like, "What do you What do you spend
your money on?"
And I was like, "Nothing. Like I just I
like I just put it in a bank account and
then I try to manage it responsibly. I
live pretty reasonably and and uh I I I
try to save my money and whatever. So,
he's like, "Okay, so why are you going
out and try to get more and more if you
don't need it?" And And that was really
helpful to me. So, now
uh
when I'm thinking about clients,
uh like what what my test is at Brass
Check is we go like, "Okay, is this work
we're going to be proud of or is this
giving us money that we need to do
something we will be proud of?" That
test is really, really important. A lot
of times people are saying yes to money
not because, "Hey, if I do this, then I
can pour it into the movie project that
everything depends on." It's like, "I
need this so I can lease a nicer car."
Right. One One concept I'm assuming it
comes from Stoic philosophy and I can't
remember if I read it in Perennial
Seller or Ego Is the Enemy or both
perhaps, but what would a person more
humble than me learn from this moment?
That's something I think is incredibly
powerful. Walk people through what that
means, what you're trying to get to, and
what the result is of approaching things
like that.
Well, I think there's this cool exercise
from Adam Smith, who was the economist.
He He He wrote The Wealth of Nations,
but he also wrote a book called The
Theory of Moral Sentiments, which is
this sort of brilliant book about
philosophy and kind of like why we do
the the right thing basically. And one
of the things he he was talking about is
he was like, "You should judge all your
actions." He should You should subject
it, he said, "to the indifferent
spectator test." Which is like "What if
there was a a totally impartial person
who you didn't know who's just standing
there watching you?"
What would they think of this? You know,
what How would they judge what's
happening? And that's a way to sort of
step out from your own logic, your own
impulses, your own natural feelings, and
sort of judge, you know, if you're not
religious, you're not like, "What would
Jesus do?" You're like, "What would some
random guy think of this?" And if if If
pass his test, it's probably not a good
thing to do, right? And so, I think
that's that's the test I go is like,
what would a person who isn't so caught
up in this, who whose identity isn't on
the line, how would they react to this
rude remark? Or how would they react to
this lowball offer? They would not be
nearly so caught up in it. It wouldn't
threaten them the way that I'm feeling
that right now. So, I'm going to borrow
a little bit of their objectivity, and
I'm going to try to I'm going to
incorporate it into my reaction here.
And the way that therapy is about
questioning our thoughts, philosophy is
giving us the tools to in the heat of
the moment, you know, Victor Frankl
would talk about how, you know, there's
this between stimulus and response,
there's like a a moment, and that's
where we get to choose who we're going
to be. And I think philosophy is about
that moment, really.
How often do you think about that moment
for you, very specifically? Like, do you
have a codified set of So, I think of my
mind is a a Pachinko ball machine, if
you know what those look like, right?
You drop the ball on the top, and it
bounces around over a lot of things. And
those things that it's bouncing on is my
um the code that I live by, right? My
belief system. So, I take something
negative, uh or, you know, there's
nothing good or bad, but thinking makes
it so. So, it's like, and I put it
through all of that so that I get a a
resulting outcome that is useful, which
is how I think of it. Do you spend a lot
of time building something like that?
Yeah, yeah. You know, we're not robots,
so we can't like, okay, I'm not going to
react. This is like an intuitive almost
an unconscious process, right? And and
so, you're sort of you're trying to
you're trying to put all this
information in there. Uh you're trying
to to to sort of put in those those
little points that the thing is bouncing
around on on the way down as a way of
sort of slowing down the process. I
think most people, your average person
who who doesn't work on themselves,
who's not reading, who doesn't care
about any of this, they're just they're
they're the time between stimulus and
response is like nothing. Right. And the
the more you work on it, the more you
practice, the more you're able to
question your own thoughts. So, what is
that slowing it down?
What does that practice process look
like? Like, how do you practice that?
That's a good question. I mean, it it'd
be like how do they practice uh swinging
a bat in baseball? I mean, they just
swing it a lot and they they watch film
of themselves, so they're stepping back
and evaluating things after they happen.
They're looking for cues. They're
they've they've got other people around
them who are giving them feedback. I
think it's about a sort of cultivating
an awareness and a process of continual
reflection on the data that your life is
creating all the time. Do you think most
people do that, though? No, of course
not. That's why it's such a huge
competitive edge to start working on
that. Do you know what I mean? And and
the earlier you start working on it, the
sooner you're going to start to see
results, but the more those results are
going to compound over time. There's
nothing in let's say Stoic philosophy
where we're saying, you know, the the
idea that there's good or bad, there's
just the interpretation that we have on
things. So, I first learned that when I
was 19 years old. I'm sitting in my
apartment in college and I read this
book and some person 2,000 years ago
said that to me. So, I that was the
first time I encountered it
intellectually. A week later,
that would have only a minuscule impact
on my life, but every every time I've
thought about it, every time I've
studied it, every time I've tried to
reflect on how in retrospect I could
have done that better, I've accumulated
slightly more know- more knowledge, more
appreciation, more set more sense of
that the truth of that and and the I've
gotten better and better at it. I I
might be only 20% better at it now, but
I'm hoping that at 70 that that return
will compound not unlike my retirement
savings, right? Like, you're
thinking about this and working on it
and writing about it and talking to
other people about it and and trying to
evaluate your own behavior and then it's
just this process of of reflection and
miniscule improvement as you go. And
you're not trying to get to perfection
right now. You're just trying to get a
little bit better than you were
yesterday or an hour ago. Do you read
Ray Dalio's Principles? I have not read
it, but I've heard amazing things about
it. Right.
I I know his practice No, I know a bunch
of the principles, but his practice is
similar, right? He's like, "We're
recording all our meetings. We're
getting feedback from people in the
office about how you're doing." One of
my favorite stories about that uh Pete
Carroll, the coach of the Seattle
Seahawks, one of the best coaches in the
NFL, he was talking about how, you know,
coaches are constantly filming their
players and they're forcing the players
to break uh to break down game film.
They're ruthless. Like it's like you
could have a great game and then the
next day you're you're back in the
practice facility and, you know, the
receivers coach is telling you
what a horrible game you had and all the
opportunities that you blew. And And so,
uh obviously that's that's what makes
these guys so great. And Coach Carroll
was saying like, "I realized I don't do
that to the coaches. Like the coaches
never experience that." And so, he
started filming his coaches and he would
he would force them at the beginning of
the season to look back at all the times
that they blew it, right? That they lost
their temper or that they missed
something. And And so, I try to do that
in my own life. I mean, one of the ways
that I, you know, authors aren't
supposed to read their own reviews, for
instance. One of the reasons that I read
most of the Amazon reviews, let's say,
of my books is that I want to get
feedback from people. So, I'm not
reading them to feel like I'm awesome or
to to sort of whip myself, but I want to
see what people are responding to and I
want to get unsolicited feedback on on
I have a
a filter that I put that information
through, but I'm looking for as much
feedback as I can about the things that
I do so that I can incorporate that data
and and get better.
Uh so this is like my life's obsession,
this moment right here. So one, I want
to know what that filter is and we'll
get to that in a second, but so
you're you're incredibly successful,
right? You've got your own company, it's
doing well, working with the biggest
companies ever, you're a multiple time
best-selling author, and you have
perennial sellers in the mix as well,
which is sell sell sell sell sell. Why
the hell do you subject yourself to the
self-flagellation of an Amazon review?
Like what what is that about? Well, I
it's not self-flagellation. So you have
to make that distinction. How do you
prime yourself mentally for it not to
become self-flagellation? I can't change
what happened. So I'm looking for this
feedback for tips and information that
can help me improve so that that person
who let's say they didn't like what I
did, so that I can not let that happen
again. They'd say, you know, Ryan, uh I
really like this book, but I can't let
my son read it because he uses the
F-word a lot. And so it was like, okay,
so some people don't like cursing. And
then I noticed as I went through the the
positive reviews, no one ever said, I
really like how Ryan curses a lot. So
this was a this wasn't something that
was important to me, right? And here it
was having a negative impact on some of
the readers. And then let's say a
marginal to no impact, no positive
impact to the readers who were enjoying
it. So to me, that's a pretty easy data
point to go like, okay,
in some cases, I think I need to drop an
F-bomb here to catch people's attention,
right? And I can see that when I talk,
if the audience is
you know, sort of drifting a little bit,
I can call I can use it, you know? Um
but there's no reason for me to do this
in my and so in in The Daily Stoic there
the there's no curse words and that was
an improvement I think that I made the
book better and I got that by going
through this process. That makes a lot
of sense. Now now talk to me you said
you have like an installed filter that
you use to know what to listen to and
what not to listen to. Yeah, look at the
feedback you're getting and then
remember what you were trying to do. For
instance, I'll get a criticism from
let's call them stoic fundamentalists,
right? People are really sort of nerds
about philosophy
who will say, you know, Ryan
um
you know, Ryan doesn't add anything new.
He's just taking stoic principles and
illustrating them with stories, right?
So that'll be one criticism or they'll
so they'll say you should read the
originals. Don't read Ryan's book or
other people will say,
you know, Ryan is taking these timeless
virtuous principles and then
illustrating them with famous successful
people and you know, that sort of
cheapens it or you know, that's that's
uh
that's not what stoicism is about, let's
say. Well, in both cases I was
explicitly trying to do the thing they
were criticizing me for, right? So I say
in the book, if you're really interested
in stoicism, go read the ancient stoic
text. I cannot do better than them. What
I was writing The Obstacle Is the Way
and Ego Is the Enemy is for people who
don't have time or interest in ancient
philosophy but are trying to improve
their life in some way. So I'm trying to
meet them where they are. So when
someone says that I didn't do this thing
that I explicitly wasn't trying to do,
my filter is going, okay, this person
shouldn't have read the book. This
wasn't for them. I don't need to take
this personally, right? If you're trying
to be everything for everyone and you
read feedback, you're just going to get
more lost cuz some one person's going to
say this and another person's going to
say that. But if you know, here's
exactly what I was trying to accomplish
and here's what that success looks like,
then you can you can filter this
information and go, "Okay, is this
person's advice getting me closer to
where I want to get or further from
where I want to get?" And that has been
really helpful to me. What I love about
that, and I really hope people are
listening to what you're saying, is
you're doing it with an eye towards
getting better. To me, there's an
element, and this is why I brought up
Principles by Ray Dalio, is his thing is
all about like, "I'm just trying to get
to truth." Yes. And one of the things
that I wish on every human being is to
one day, in some way, shape, or form,
understand what it's like to be an
entrepreneur in that if the company does
well,
fortune can be yours, and if it does
poorly, you can lose everything. Sure.
The amount of [ __ ] that cuts through
is crazy. Like, it's not even
necessarily that I don't want to have an
ego. I would love to have a big,
thriving ego, and people are always
saying like, "How do you stay humble
with the success?" Dude, because if I
don't, I'm going to lose everything. No,
the the reality of how low the margin
for error is is like the ultimate recipe
or sort of shortcut to humility. Like,
let's say we're I'm fighting with um
uh an editor or or someone or even just
a friend who's reading one of my books
about, you know, the use of this
sentence or this paragraph or this
stylistic or you know, something in a
book. I don't have the room to be like,
"You don't know what the [ __ ] you're
talking about. Like, I'm the genius. Let
me do this, right?" Because if I'm
wrong, I don't feel so secure in uh what
I do that I feel like I can afford to
let ego make any of those decisions. I
have to let truth make those decisions.
So, you know, there's a a writing adage.
It's like when when someone says that
something's wrong, they're almost always
right. And I think this is true in life.
When someone says there's something
wrong with what you're doing or, you
know, how you're carrying yourself or
what you're, you know, project or a
product, um they're almost always right.
When they explain why it's wrong or how
to fix it, they're almost always wrong.
So, it's like when someone's saying
like, "I don't like chapter six."
They're right. They don't like chapter
six, right? When they say, "You should
get rid of chapter six, or you should,
you know,
make chapter six the opposite of what it
is, or get rid of this or they're
probably wrong, but you should try to
figure out why chapter six isn't working
and improve it, and make sure that it's
aligned with your vision, cuz maybe it's
not. Or, if it's perfectly aligned with
your vision, then you have to make the
tough call and go, "Look,
I'm not going to please this person."
All right, so now the million-dollar
question is, how the hell do you know
the difference?
First off, you should just go like,
like, I'll give you an example. I I I
I've talked about this before, too, but
like, one of the dangers of
entrepreneurship is, or making anything,
is that like, people around you are
going to be like, "That's not a good
idea. Don't do it." And then, you don't
listen, and you do it, and you end up
being right. Well, you've kind of just
learned a very dangerous lesson, which
is like, just disregard what other
people say. So, one of the reasons you
tend to see people on the way up, take a
company like Uber, they're just like
blowing past conventional wisdom,
business best practices. They're doing
it their way over and over and over
again, and they're going up and up and
up. And that's creating a feedback loop,
where it's like,
"The rules don't matter. We do it our
way. We do it our way." And they're
being rewarded for it over and over
again. And then, at some point, they
cross a line, and now all of a sudden,
they started to do things that are
illegal, that are unethical, that their
customers aren't going to like. But,
there's a delay between doing that and
being held responsible for that, and
that's where the sort of catastrophic
explosion and consequences inevitably
come in. And so, whenever you feel
yourself going, "I'm just going to blow
past what everyone's saying. They're all
idiots, you know, they don't know."
That's a really bad sign that you're
probably doing something out of ego. So,
I think that certainty is something I'm
always uh nervous about. Like, so, it's
become sort of cliché in entrepreneur
circles and and you've probably read
this article. You know, the idea of like
it's it's hell yes or hell no, right?
Like you either you're either a thousand
percent on it or you say no. But, all
the difficult decisions I've ever made
in my life were like you know, 51-49.
So, so it's like in some ways I'm
actually really skeptical. I I think
that there's a great point in that
article, which is like just don't do,
you know, don't do stuff just cuz you're
supposed to. But, it should be tough.
And if it feels easy then I want to
question that. I guess is is one of my
answers. And then look, nobody said
writing a book or being a leader or, you
know, shepherding some vision and no one
said it was going to be easy and clear
and you were going to know. These are
things that are going to keep you up at
night and that you got to roll the dice
on to a certain degree. And so, you just
do it and then if you're wrong, you
learn and you do it better next time.
How do you keep your emotions out of the
way? Like I I have a very simple
formula, which is the thing that I want
in this world I want so desperately that
and it's not an ego thing. So, it's very
I have an ego for sure, but it's very
easy for me to set that aside cuz it's
not the thing that I want most.
Okay. And so, in those times of like
emotionally I want to do this, but then
I just check it against oh, does it
actually help me get where I want to go?
No, okay, cool. Then I'm going to go
after that thing. What mechanism do you
have for dealing with that? Well, what I
think one of the best ways is just time,
right? Abraham Lincoln famously,
whenever he was like really mad at a
subordinate, like, you know, one of the
generals in the Civil War, he would
write them like just a really nasty
letter. Like he would just this is what
you're doing wrong. This is, you know,
he he would write everything that he
wanted to say and then he'd put that
letter in an envelope and then put it in
his drawer and then wait, you know, a
day or a week. And then most of the time
he wouldn't send it. And so, one of the
things I try to do is I go like
do I really need to respond to this
right now? Because that tends to be
where that emotion The emotions are
typically immediate, right? Like I'd
find even the things that I'm really
upset about, I'm most upset about them
when I first find out about them. If I
give it a weekend or if I sleep on it,
I'm much less upset about them and I'm
going to be more rational and I'm going
to be more
responsible with how I reply. So, I I
just want to give it some time. I mean,
one of the tests that I have
I do this with emails a lot. Like if I'm
fighting if I'm arguing with someone,
I'll go like, "What if I just pretend I
didn't get their response?" Like I'm not
even going to read it. Like I know like
I just said I just said my peace
and then they sent me a response back
like 5 minutes later. I'm just not going
to I'm just going to delete it, right?
And then I'll let them have to resend it
to me or just let the issue drop. Right?
So, I'm kind of just sticking my head in
the sand, but I'm I'm really just
creating space for there to be less cuz
they're not going to resend the exact
same thing. They're going to "Hey, we
need to talk about that thing." I'll go,
"Oh, what was it?" And then we'll You
know what? We'll have a little bit a
more reasonable of a dialogue. When I
feel that impulse is like I got to do
this right now, that's emotion and
that's probably not going to get the
best solution out of things.
What are things that wind you up to use
a nice British phrase? That get me
pissed off?
Yeah. You know, when people mess with my
stuff. So, like if I like writing is
about what I'm trying to accomplish,
right? And so I did it the way I wanted
it to be done and I'll get really upset
like if something comes back to me even
if it's small and like a change is made
without just like I'm very open to
taking criticism and feedback, but like
I I caught something let's say with a
copy editor recently on on a book I was
working on where like they reworked
something without They just assumed I
would be okay with it and they reworked
it and I caught it and that was very
upsetting to me, right? Because if I
hadn't caught it, something that I
didn't sign off on could have gone out
to the my readers. But you know,
uh I was much more upset about it at
3:00 on a Tuesday than I was the
following Thursday when I finally got to
the bottom of what happened and I worked
through it. It's just never that great
to act out. Okay, actually I'll give you
something cuz I think about this
question a lot, too. And so I've asked
some of the basketball coaches that I've
that have worked with or have read my
book. I was like,
uh I was like, "Do you ever get like a
technical on purpose?"
Because like a coach, you know, the
worst thing a coach could do is get so
mad about something that they give the
team the opposing team an extra point,
right? So obviously you don't want to
get a technical on accident like cuz
you're just ripped around by your
emotions, but sometimes
you should get upset to send a message
to your team, to send a message to the
refs, you know, to get the crowd going,
whatever it is. And so I'm I I was like
that I'm I'm interested if I'm going to
use my emotions, I want to be calm
internally but projecting the emotional
response that's going to be effective in
that situation, but I don't want to be
jerked around by those emotions
unconsciously. Did that That's advanced
class [ __ ]
Yeah. So this is something I don't often
talk to people about, but is is
absolutely necessary, I think, to
certainly be running a company is A,
you've got to be able to control your
emotions so that you're not getting
whipped around as you said, but B, you
have to understand that all of this,
even emotions, expressed, suppressed,
facial expressions, all of it is a
performance meant to convey something.
Yes. And once you understand that you
can leverage outrage, intensity, anger,
whatever the case may be, as a tool
Yes. to move somebody down the road,
then you can really start to become
effective. Well, think about it this
way. If you yell at your people every
time something is wrong, they'll just be
like, "Oh, Tom's a yeller." And if I
just
don't mind being yelled at, I can get
away with anything. Do you know what I
mean? And that's a very That happens in
companies a lot. It's like you have to
be calcu- in some ways calculating and
controlled
and choose what you're going to get
upset about. Otherwise, the people that
you're projecting that to aren't going
to be able to discern a minor mistake
from a catastrophic mistake. It's very
important that you're not the the boy
who cried wolf, you know, the the one
who's who's uh
screaming about inconsequential matters
and then when someone messes something
up when they cross that red line,
they're not going to take it seriously
cuz you're like, "Look, you yelled at me
yesterday cuz the the coffee was cold."
And you know, here you messed up
something on my calendar or whatever it
is. You've got to You've got to be able
to use the Those are Those emotions, how
you articulate what you're feeling or
your you know,
how you're going to act in a meeting or
how you're going to you know, present a
plan. That's a communication tool and
you've got to be able to use that. You
can't just be, "Oh, I'm not feeling it
so I'm down today or I'm in a shitty
mood so I'm going to be yelling today."
That's not a good way to make those
tough decisions. I think of
Enemy and Perennial Seller somewhat as
compendiums to each other. I don't know
if you feel the same.
Um
What and I guess if you don't, I'll give
you my reasons for that. If you want to
create something great, Yeah. you need
to get your ego out of the way, right?
So that's the sort of the moral of the
story for me, right? So the Perennial
Seller addresses how to actually
tactically create something that's
great, but you can still feel the Ego's
the Enemy elements in it where it's like
you're ultimately the one that's going
to stop you or propel you forward. Yes.
So taking that concept of if you want to
create something great, this is how you
get out of your own way,
what are like the three or four things
that people need to do, think, believe,
whatever in order to achieve greatness?
Well, I So number one, like what are you
actually trying to do? Cuz you can't do
15 things at the same time. So like
here's what I'm making. That's the the
main like do you actually know, right?
Cuz sometimes people are trying to do
too much at one time. And then who is
this for? Cuz it can't be for you. You
know, like obviously everything you work
on should be fulfilling and exciting and
interesting to you. But you're not
the customer of your product by
definition, right? You can't buy it from
yourself. So like
how is this going to provide value for
the audience? That's like the most
important thing and and that has to be
the ruthless test that you
check everything you're doing against.
Number three is like who are the people
that are helping you check whether
you're doing that or not, right? And so
I think you need to have that test even
if you're self-funding an
entrepreneurial venture. Like
the fact that, you know, you were
successful in the past so you don't have
to get venture capital on your next
project, that's great, but it's also a
potential disadvantage because now you
don't have this external objective
feedback telling you where you can
improve, where you can fall short. So
that means you need to work extra hard
to cultivate those people, whether it's
a board of directors, whether it's
trusted friends, whether it's a a focus
group. Like who is interacting with this
thing and giving you feedback? I think
that's really important. And then I
would say that fourth, and the most
important one,
and this is where ego I think kills a
lot of projects, is people think like if
I build it, they will come, right? If I
just make something so good, it will
automatically be successful. Or they go,
"I'm a maker. Like I shouldn't have to
also be a marketer." And and to me the
creative process, the entrepreneurial
process, is sort of two consecutive
marathons. So you run this marathon, you
you make a book, you know, you you have
a movie in the can, you have a a
prototype of an invention, whatever it
is.
You you know, you stagger across the
finish line. You're like, "I did it."
And like, you know, the race proctor,
they grab you and you think they're
taking you to the metal stand. They're
like, "You know, you did it. You won."
Uh but really they're just like taking
you through a shoot to the starting line
of the second marathon, which is now how
the hell do we get this into people's
hands, right? And so, with every book,
it's like the first marathon is making
it for me, and then the second marathon
is like, "All right, now I have to be as
creative, I have to work as hard, I have
to throw as much energy into
selling this thing to everyone that it's
potentially for as humanly possible."
And so,
I tend to find that creatives are either
or with books or movies or what whatever
I'm working on is either they're only
interested in the marketing marathon cuz
they're great sales people and they
think like, "Oh, I'll just slap
something together." Or they're so
creative and they so love that process
that they want to
they want to skip the second marathon.
What does success look like for you? So,
we started with that, you know, that you
have to have that clarity. Like, in in
life, what is success?
For me, success is a couple things. I
think it's to have the creative freedom
to make the things that I feel
compelled to make and produce, having
the sort of lifestyle and personal
freedom to set up my life how I how I
want it to be, right? So, to not be,
"Oh, I've got to go to Cleveland
tomorrow for this thing that I don't
want to go like I don't I want to have
that freedom." And then, um, I think
success is also getting better. Like, I
I love books, I love writing, I've
dedicated my life to this craft, and I
want to be like one of the best people
to do it. And so, success is, am I
moving up in my abilities? Like, is
every book, regardless of sales, is it
better than the one that came before?
That's it That's also one of my
definitions of success. All right, and
before I ask my last question, where can
these guys find you? @ryanholiday on
pretty much every social platform and
then my website's ryanholiday.net
and then the books are everywhere books
are sold. Nice. Yeah. All right, so
final question. What's the impact that
you want to have on the world? This is
part of my definition of success
obviously is is to have impact. I think
my impact is I I want
to write things and come up with ideas
and communicate sort of stories and
connections from history
that give people
the that that that that answer that
question that we started with talking
about which is like how do you live? You
know, what how do you get to the good
life? I'm I'm trying to make the things
that I wish that were there for me
but that if they weren't there for me I
can make them for other people. So like
when someone says, you know, like this
book changed my life or when someone
says, I don't read but I read your book.
That's the kind of impact. So I'm I'm
trying to have impact with people that I
feel like are maybe not well served by
the existing things in the in the
market. So I'm trying to
You know, I'm trying to make books that
that that help people with life, you
know, that that's a that's a an easy
thing to say it's a hard thing to do but
I feel like I'm chipping away at it.
I love it. Ryan, thank you so much.
Yeah, yeah, yeah, man.
All right.
Guys, that to me is exactly what you're
going to get as you dive into the world
of Ryan Holiday is how do you get to the
good life and that I don't think that
there's a much better question anybody
could be asking and answering
themselves. So no matter what it is that
you're trying to do, I'm telling you if
you look at the the entire universe of
the books that he puts out, there's this
through line that I find incredibly
important which is growth, learning,
getting better, seeking truth and
finding out the answers and even when
you take Trust Me, I'm Lying, it it was
the first really sort of naked raw look
at what was going on and in that book,
by the way, he thought that was going to
end his career as a media strat a media
strategist, not kick it off. And so, it
was somebody who really wanted to say,
"This is the truth of the way the world
is." So, rather than dealing with the
world the way that you want it to be,
actually accept the way that it is. So,
when you understand that book in context
of somebody who's finally just saying,
"Look, this is the reality. This is the
world that we live in." And then you see
him follow it up with stoic philosophy.
And then you see him follow it up with
um meditating on the ego and its dangers
and perennial seller in the daily stoic
and all the things that he's doing, it
it really is all meant to be taken
together as a gestalt. And when you do
that, it really does become maybe the
first movement in a grand book about how
to find the good life. I I am obsessed
with this guy in ways that you can't
imagine. Uh I will leave it at that,
guys. Dive into his world. It is
incredible. It will help you become a
better person. It has certainly helped
me become a better version of myself.
So, if you haven't already, be sure to
subscribe, my friends. And until next
time, be legendary. Take care.
Ryan, thanks again, bro.
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