Video summary
The reviewer approaches *The End of Oak Street* with high expectations fueled by a summer packed with Anne Hathaway films, noting that while her co-star Ewan McGregor and impressive dinosaur effects are major draws, they alone do not guarantee greatness for this survival thriller directed by David Robert Mitchell. Although the film attempts to emulate the wholesome family aesthetic of 1980s Steven Spielberg movies set in 1982, the reviewer argues it fails to capture that era's organic feel or raw authenticity. Instead of feeling like a genuine period piece, the movie feels more like an imitation trying too hard to replicate old-school charm without blending its ingredients correctly, resulting in a product that is engaging on a superficial level but lacks the depth required for true classic status.
The narrative follows the Platt family as they navigate domestic struggles and teenage angst while being terrorized by prehistoric creatures transported into their suburban neighborhood through an unexplained phenomenon. The film features a variety of dinosaurs, including feathered raptors and a T-Rex, alongside some bizarre CGI choices that sometimes lack realistic weight when interacting with 1980s architecture. While the visual effects are impressive enough to keep viewers entertained and the action set pieces involving neighbors being picked off by monsters provide excitement, certain scenes feel lifted directly from *Jurassic Park*, such as a sequence where creatures run over a car. The reviewer also critiques specific subplots, particularly one involving an annoying archer character obsessed with his dog Starbuck and another featuring a bully subplot that feels unnecessary and detracts from the main story's momentum.
Despite its flaws in logic and some questionable creative decisions regarding how characters react to giant monsters, the film ultimately saves itself through strong performances by the four lead actors who portray a loving family unit even as they face external threats. The reviewer notes that while there are moments of violence and blood that push it into PG-13 territory, the overall tone remains light enough that audiences might not feel genuinely threatened despite the chaos unfolding around them. Ultimately, the movie is deemed "good enough" rather than phenomenal; by defaulting to being a competent entry in an otherwise sparse genre landscape for dinosaur films, it earns its place as a decent watch but falls short of becoming this generation's *Jurassic Park*. The reviewer concludes that while there are plenty of criticisms regarding loose plot points and unexplained sci-fi elements, the film is still worth seeing if one can forgive its bad decision-making in favor of its fun action sequences.
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We're balls deep in Anne Hathaway
summer, and I've already seen eight
movies with her this year alone. The
Odyssey, Mother Mary, The Devil Wears
Prada 2 six times, and this newest entry
into her filmography, The End of Oak
Street. I'm joking. I didn't see The
Devil Wears Prada 2 six times.
I saw it five.
But the question I'm here to answer
today is if The End of Oak Street is
worth five or six watches, let alone
one. Sure, it's got smoking hot Anne
Hathaway. Sure, it's got equally smoking
hot Ewan McGregor. And double sure, it's
got the smoking hot T-Rex. And while I
love me a good dinosaur,
I need me something more. Does it have
the goodies I crave? This is like me
fondling the balls of a giant. I'm going
to let you know in a spoiler-free review
for The Last House on the End of Shelby
Oak Street.
I've seen a lot of movies. They're
starting to blend together. Let's begin.
Hold on to your butts because director
David Robert Mitchell has a brand new
bag, and this one features some
scary-ass dinosaurs. Previously, he did
a little film called It Follows, a film
I happen to quite enjoy in the horror
space. But how does he fare now? Kind of
switching up the genre to a survival
thriller from a straight-up horror show.
He's also playing with a much larger
stack of cash. He's got J.J. Abrams
backing him, and a lot of early reviews
were likening this film to a Steven
Spielberg of the '80s and '90s, which is
appropriate since this flick takes place
in 1982. But simply having a white-ass
family in the '80s is not enough to make
me think it's Spielberg. There was a
rawness and a wholesome element to those
'80s flicks. You felt like you were part
of the family. They didn't wait for
their turn to speak all the time. They
tripped over each other. It felt
natural. It felt organic. So, for the
critics saying that this film feels like
Steven Spielberg back in the day,
they're full of [ __ ] To me, End of Oak
Street felt like a movie that was
emulating and trying to be one of those
old films, but not really getting the
ingredients blended up quite right. The
plot of this is pretty straightforward.
We're following the Platt family. Anne
Hathaway plays Denise. Ewan McGregor
plays Greg. Anne Hathaway plays the
strong-willed wife, Denise, who knows
how to carry a gun and rock a mean
dress. Ewan McGregor plays Greg. He
plays a very positive husband and father
with a couple skeletons in his closet
that will get revealed later in the
flick. They have two lovely kids, Audrey
and Brian. Audrey really wants to attend
college at Cornell, but unless some
money tree sprouts up overnight in the
backyard, that's not going to happen.
Although, the family will find out a
different type of tree is going to
sprout up overnight in the backyard. In
fact, a whole bunch of them are, but
we'll get there in a second. We got to
talk about Brian. Brian, um, he really
loves his dog. That's pretty much his
entire character is he loves his dog.
The dog's name is Starbuck, based off
the popular character from the TV show
Battlestar Galactica. And if you
thought, "Oh, that's a fun little name
for a dog to have. I like that show."
You might be like me and go, "Yeah, it
was fun one or two times, but they say
Starbuck 4,000 times in this [ __ ]
movie and it gets really old really
fast." "Popsy, where's Starbuck? Mama,
papaya, where's Starbuck at? Sister,
have you seen Starbuck? STARBUCK!
STARBUCK! STAR SHUT THE [ __ ] UP!"
ACTUALLY, I TAKE BACK WHAT I SAID. Brian
has a lot going on in this movie. Not
only does he have a dog he loves, he's
also an archer who has his trusty bow
and quill of arrows at his side, just
ready for a
thwack, total Limp Bizkit shot. He's
going to attempt using that thing
several times in the movie and, uh, he's
no Robin Hood, let's just say that.
Yeah, uh, okay, nice try there, Katniss.
How about you put the bow and arrow down
and just try to run for a change. What
you're doing is not working. All right,
so he's got the dog thing. He's got the
poor archery skills. He also noticed a
new girl moving across the street. She's
a cutie. He wants to put the moves on
her. Hope there's time before the world
comes to an end. Also, at some point off
camera before the movie even started up,
he broke a kid's arm and his older
brother's pissed about it. And so broken
arm kid's brother is going to be on the
prowl throughout the movie. You're not
sure where he's going to show up. And
quite frankly, it's weird that you even
care because there's dinosaurs running
around. That takes me to the crux of the
problem here. We've established the
characters. We got some loving parents
who
uh they're maybe not so loving these
days. There's There's some chips are
down stuff going on with the
relationship. The teenage kids are at
awkward points in their life. They're
dealing with love. They're dealing with
uh the potential of college on the
horizon. And all of them are equally
having a hard time dealing with the new
neighbors because they're prehistoric in
nature. And no, I don't mean they're
old. Well, they are. In fact, they're
really old because as it turns out, some
sort of phenomenon has taken place which
has transported these people into The
Land Before Time. Don't lose your way
for each passing day.
You've come so far. Don't [ __ ] throw
it away.
I don't know if those are the lyrics,
but Land Before Time was a kick-ass
movie. So yeah, they're going to be
dealing with the new neighbors that are
dinosaurs, feathered friends. We got
feathery raptors. We got the T-Rex. And
we have a whole bunch of other creatures
that I don't want to give away, but one
of them does look like a really really
large dildo. This big fat slithery white
thing is pulse This
This big chunky fat slithery thing is
going in and out of rooms, globbing over
the sides of pools and around trees, and
now quite frankly, it's the only way I
can achieve climax.
Subscribe. All right, let's get
professional for a little bit now. Let's
put our big boy pants on. So, this film
is very fun. It is very engaging. It
also has a lot of your classic dumb
people doing dumb things, which drives
me up a wall. Now, before I get into the
complaint department, I just want to
point out that I was very much enjoying
the film from a superficial standpoint.
Visually, it looks really good. There's
some money on the screen. You can see it
being utilized very well. That said, I
don't ever really get the feeling
they're dealing with real dinosaurs. As
impressive as the CG is, and sometimes
it's very very lifelike, I don't get
that weight to the creatures. As they're
like ramming their heads into doors and
never being able to get through them.
I mean, there's a point where several
large raptor bird things are crashing
into the front door of a house, and it's
just Ewan McGregor holding them back. I
Listen, I know homes were built better
in the '70s and '80s, but come on. We
got to We got to have a little bit of
realism here. You're telling me one of
these dinosaurs could just crash through
that house. The music is popping off
pretty well, too. There was a good score
here. It wasn't anything truly
memorable, but it made itself known, and
it did keep everything kind of elevated.
So, I was all in on the music. As far as
the variety of dinosaurs are concerned,
there is a decent amount, and there are
some pretty cool, you you sections of
the film. A couple of them felt like
they were a little too lifted from the
original Jurassic Park. One specifically
where the couple's hiding in the car and
the dinosaurs are running over it. You
just replace that car with a log and I'm
transported back there in 1993 again. As
far as the acting's concerned, we you
know, we're dealing mainly with the main
four cast, but there are some supporting
characters. There's the douchey
neighbor, there's the gentle, nice, sage
old woman. They all have parts to play
and they play them very well. never
bothered by anybody in there. The bully
character, it's a very stupid, pointless
subplot that thankfully only pops up a
couple of times, but it was such an
unnecessary inclusion. I have no idea
why it exists. The girlfriend love
interest also
kind of completely unnecessary. She has
a bigger role, but for what reason?
Unclear. She doesn't add to the
narrative at all. And this is one of the
very few times I'm watching a movie and
I'm actively rooting for a dog to die.
It's not Starbucks' fault. This freaking
kid is so annoying how much he asks
about Starbuck who who runs away pretty
early on. "Where is Starbuck going to be
okay?
Papa, we got TO GO SAVE STARBUCK." SHUT
UP, KID. THERE'S FREAKING DINOSAURS
RUNNING AROUND. OH, there is one side
character. It's, you know, the the poor
kid. He's going through puberty really
hard. I don't know if that was the
intent when casting for this, but the
kid whose arm is broken and in a cast,
he is always at full-blown high-pitched
puberty voice. It is out of control.
"Where is the kid? He broke my arm."
"I'm always up here." Like, if you think
what I just did is annoying, you're
going to have to deal with that for a
good minute straight. And then watch as
the blood pools on your shoulders from
your ears. I do think this movie is
easily better than the last couple
Jurassic turd flicks. The the bar is so
low, that thing's straight in hell now.
It does fall pretty far shy from great.
I would say this falls in the category
of a perfectly fine time as long as you
can forgive some really bad
decision-making, especially around the
middle act when one kid makes such a
dumb choice that it just screws up the
entire family's night. Yeah, you can't
help but be frustrated by all the events
as they play out thinking, "Yeah, we
shouldn't even be in this situation if
not for Timmy Tough Knuckles over here."
The story is squarely saved by the
action set pieces, all these little
moments of dinosaurs running amok
through this little town picking off
neighbors. There's lots of little stuff
going on in the backgrounds of scenes to
keep your eyes moving around and you're
you're a little giddy and excited. If I
was a teenager, I think I would really
eat this up. If I was even younger, I
think I would be fully invested and
think this is badass because there's
lots of cool dinosaur stuff in this. The
movie's a little over an hour and a
half, so it's got a good run time. It is
PG-13, which is unfortunate, but you
know, they want the families to come
out. I will say it was a little harder
PG-13 than I thought it would be. There
is some blood. There is one or two kind
of like, "Oh [ __ ] they got away with
that? That's cool." It's still a far cry
from some of the carnage I would have
loved to see in this flick. And it does
give me a little pause when it comes to
the tone of the film since most of it is
kind of light and the dinosaurs don't
feel that threatening. I mean, these
people are kind of walking around them
at times throwing [ __ ] at them to get
their attention. They don't seem to be
that scared even though they're yelling
and running and Anne Hathaway's always
putting in the work in her performance,
but they're still like right up in their
grills most of the time. I mean, why are
they even going outside at all at this
point? There are a couple of those tiny
little violent parts that made me go,
"Oh, well, [ __ ] This feels so different
now. This this kind of feels out of
place." When I just saw them a scene
earlier throwing lamps at dinosaurs and
kicking them and stuff. It just It's a
little odd. If you're one of those
people that get annoyed that things
aren't explained well, prepare to be
annoyed cuz this is very very
loosey-goosey as far as any of the
sci-fi elements are concerned. [ __ ]
happens basically is what the movie
says. [ __ ] happens and we got to figure
out how to adjust. I'm okay with that if
the movie is engaging enough, if there's
enough action, if there's enough fun
parts, if there's some decent dialogue
and acting.
You know, I recently just watched The
Last House on Netflix, which was trash
from top to bottom. I said the same
thing. I wouldn't I don't care so much
that The Last House gave absolutely zero
effort in explaining what was happening
with the magical rain and the sea
creatures, but on top of it not
explaining anything, there's also just
not a lot of great parts. It's not a
very entertaining movie. The acting
wasn't good. The characters were pretty
unlikable. At least with this film, we
do have excellent performances. We do
have at least a set of four people that
are pleasant. They seem to enjoy each
other's company. And even though mom and
dad are on hard times, you can tell
there's a connection there. You can tell
there is love still. And so it does help
drive the movie forward. There is plenty
to criticize about this movie and I
desperately wanted it to be phenomenal.
I wanted it to be this generation's
Jurassic Park.
It kind of probably is all negatives
aside because there's just not that many
good dinosaur movies out there. So, by
default, being at least competent enough
makes it a big winner. Makes it the king
of the crop. I will probably do a
spoiler video on this in a few days. So,
if you haven't already, please think of
subbing to the show Adam Does Movies on
YouTube. I'm on Spotify, Apple Podcast,
wherever you watch or listen. My overall
thoughts? Good enough.
Not great enough like I was hoping it
would be. Let me know yours though.
Please put them in the comments below. I
would encourage you to like and hype
this video on YouTube if you have the
hype points to offer. I would appreciate
it. It does something for the
algorithmic gods out there, I think. And
hopefully, I see you for the next one.
All right. Take care.
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