The BEST Creative Writing Class You Will Ever Watch This Year.. (GCSE English, Paper 1)
Watch on YouTubeVideo summary
This master class on GCSE English Language Paper 1 descriptive writing, led by qualified teacher Barbara, guides students through the art of crafting powerful responses to challenging image-based questions. The core strategy involves avoiding the most obvious elements of a scene to create a unique opening, instead starting with the least obvious details before progressively zooming in on atmosphere and mood. By focusing on a central subject, such as a person or rock formation, in the third paragraph and exploring emotional depth in the fourth, learners can build a compelling narrative arc that culminates in a subtle change without devolving into a full story. The instructor emphasizes synthesizing techniques like ambitious vocabulary, varied sentence structures, and specific literary devices rather than isolating any single element, noting that nearly 96% of her students achieve top grades through this holistic approach.
The lesson utilizes a vivid cave scene to demonstrate these principles, beginning with descriptions of sunlight filtering into the darkness to bleach rocks and illuminate mold using personification and sibilance. As the description deepens, the text employs contrast between light and dark surfaces, onomatopoeia for dripping sounds, and ellipses to convey humidity and condensation, effectively building a sense of oppressive tropical warmth. The focus then shifts to a solitary woman in black hiking clothes standing unsteadily on a smooth boulder, who gazes in awe at the surrounding features, including mold-covered rocks, broken slopes, and massive formations resembling uneven staircases. This progression allows students to practice moving from environmental setting to character interaction while maintaining a consistent atmospheric tone.
The writing process concludes with the character feeling overwhelmed by the hidden nature of the cave, illustrating how to integrate feelings and internal reactions into the descriptive framework. Throughout the session, Barbara highlights the importance of using specific, ambitious language—such as choosing "melancholic" over "sad"—and combining metaphors like the sun being an "unwanted guest" with sensory details to elevate the quality of the response. Viewers are encouraged to engage further by accessing full Grade 9 model answers and participating in weekly Sunday master classes that feature live lessons, Q&A sessions, and homework marked by qualified AQA examiners. The ultimate goal is to help students secure high grades, as evidenced by past successes including a student who earned a full scholarship to St. Paul's School after achieving an exceptional mark in GCSE English.
Read the full video transcript
Hello and welcome back to another GCSE
revision video. Now, I recently ran a
GCSE English language paper one master
class where I went over with all of my
students how to approach the challenging
descriptive writing question. This is
where students get an image and they
have to describe it to write a
descriptive essay based on that image
which has lots of imagery, lots of
ambitious language, and a really
powerful structure. So, if you're in
year 10 or year 11 and you struggle with
creative writing and spec specifically
descriptive writing, I want to show you
within this lesson how to approach any
descriptive writing question and also
how to write a model response to a
descriptive writing question. So, of
course, I hope you find this lesson
useful. And don't forget, if you want
support for creative writing or even
indeed language paper one and paper two,
I always run these master classes every
single Sunday at 5 to 6:00 p.m. And not
only do you get the live lesson with me,
you can ask me as many questions as you
want, but also students who join in will
be getting weekly marked homework from
GCSE examiners. So, I hope you can join
in and I hope you find this lesson
useful.
Hello. Hello. Hello. Hello. Hello guys.
Welcome, welcome, welcome to today's
oneoff creative writing master class,
guys. And obviously some of you guys
have probably started school. So I hope
you guys are having an amazing start to
the term. Now guys, um I'm going to
begin firstly by uh some very quick
housekeeping rules, okay? And obviously
for those of you who um haven't ever
joined these master classes and don't
know who I am, I'm also going to
introduce myself. And also guys, what
I've done is I've created a schedule of
what you can expect from today's master
class. Okay? So of course guys, you're
all tuning in because you're either in
year 10, year 11, or you're doing your
research. Okay? And of course, you are
um interested in knowing how to boost
your writing, especially when it comes
to creative writing, which carries the
lion's share of marks in language paper
one. Right? So guys, what I'm going to
do today is obviously go over that. But
guys, firstly, I'm super proud of all of
you guys having so much interest and
enthusiasm so early on in the year.
Guys, this is what it takes to do really
well. Okay? So, you guys are showing up
when at a time most people don't show up
to get the results that most people
won't. And of course, next month will be
mock exams month. The month after that
will be resets. So, I know that this is
going to be key milestones for lots of
you guys. Okay. So, guys, I'm super
excited for today's master class. And
guys, as I said, I want to make it worth
your while. Okay. Okay. The reason why
you guys are joining in is because you
English can be a really confusing topic.
There can be lots of information, lots
of things you're being told in school
and it's kind of everywhere and you
don't know how it all comes together and
how it all joins up. And I think it's
really important sometimes and really
powerful to see how it all synthesizes
together and for you guys to walk away
with literally a structure and a grade
nine answer. So you walk away with
answers and you can use this model
answer for the rest of the year. And
actually guys, I've also prepared a
second model answer which I'm going to
be sharing with you guys. I'm going to
talk about that a little bit later
towards the end of today's master class.
So guys, starting off with quick
housekeeping rules, guys. Um there's
three moderators in the chat today
because they're going to be monitoring
uh today's lesson and master class just
to make sure that you guys are keeping
the comments nice and respectful. Please
make sure you keep it nice and
respectful. Also guys, for those of you
that are brave enough to share, I always
love knowing where my students are
tuning in from. So obviously guys, I'm
based in London, but of course for those
of you guys who are brave enough to
share where you're tuning in from, I'd
love to know where you guys are coming
from. Um, I'm obviously going to be
checking the chat every so often. But
also guys, in terms of the Q&A, what I'm
going to be doing is answering your
questions towards the end, okay? So for
those of you guys who have questions,
please hold those questions, okay? and
I'm going to be answering them towards
the end because I know that some of you
guys are tuning in. You just want to
know the answers. You want to know how
to approach descriptive writing and I
don't want to hold you guys hostage. I
want to obviously show you guys how to
do so. And for those of you who then
want your questions answered, I will do
so right at the end. Okay. So guys, I'm
going to begin by sharing my screen and
I'm going to be checking the chat uh
just to see where you guys are coming
from. Actually, let me quickly check the
chat, okay? Cuz I'd love to see um where
you guys are coming from. Okay, so
someone's coming from Oxford Share,
Nottingham, guys, by the way. So, um, I
actually went to university. My first
degree is from Nottingham University.
Uh, so I did live in the Midlands. Okay,
so there's loads of Londoners. Okay,
guys. London, stand up. Manchester,
Milton, KE, Crawley. Okay. Heart for
sure. All right, guys. Luton. Okay,
guys. So, obviously, guys, please pop
where you're from. I always love knowing
where you guys are coming from. Okay.
Obviously, Londoners, stand up. Okay.
I'm a Londoner. I'm obviously talking
straight from London. Um but guys, okay,
Newcastle, Woodford. Woodford is East
London. So you guys are specifically in
East as well. I'm actually an East
Londoner. Okay, Rugby. Okay guys, um
don't worry if you're late, okay? You've
not missed much, right guys? So guys,
thank you so much for obviously joining
in. And guys, today I'm going to be
making today's masterass a little bit
interactive. I've created a quiz, okay?
Don't worry guys, I'm going to be
sharing that quiz shortly. But let me
first get into the agenda of what you
guys can expect from today's master
class because I want you guys to walk
away feeling like, okay, I've got this.
I've I tuned in. I made the best
decision at the start of the year and
now I know exactly how to approach
creative writing and I'm not going to be
confused in that area in GCSE English.
Okay. So guys, let me share my screen
and as I said guys, please obviously um
keep the comments respectful in the
chat. But guys, let me first begin by
having a a quick overview of what you
can expect from today. Okay. So guys,
obviously we started off by checking in,
okay? And so most of you guys are coming
in from London, but I do know that
there's lots of you guys who are also
coming from Manchester, Midlands, one of
you said Newcastle. So obviously it's
nice to see where you guys are all
coming from. And so guys, um I'm going
to begin for those of you who are not
familiar with me. I'm going to introduce
who I am. Okay, so guys, I'm Barbara.
You can also call me Miss Barbara, Miss.
When people call me Miss, I always feel
really old, but obviously I'm miss for
those of you guys who obviously are used
to calling your teachers miss and sir.
Um, I used to be an English teacher. I
qualified as an English teacher back in
2015. And then, uh, I started obviously
tutoring back in 2017. Guys, I will
answer your questions afterwards. Okay?
So guys, please, please, please don't
worry. I will answer your questions.
Okay? Um, because what I want you guys
to do is to be able to follow my trail
of thought first off. Okay? So, please
hold on the questions. I will I promise
promise promise I'll answer your
questions. Okay. So guys going back to
who I am. I'm Barbara and I qualified as
a teacher back in 2015 and uh started
these classes. So obviously I've been
tutoring since 2017 and even YouTube.
I've been on YouTube since 2017 but
started these master classes from uh 4
years ago. So this was in 2022 when I
started putting together these group
master classes. And um obviously guys
today's uh master class I'm going over
creative writing. But please remember
every single Sunday, this is going to be
from the 13th of September, I will be
going over literally both language,
paper one and paper 2 over 6 week
cycles. And this is every single Sunday.
And actually, one of the things that
I've added this year is I've taken on
four AQA examiners who literally marked
the papers for outgoing year 11s. And so
this year, guys, a new feature I'm going
to be adding in my master classes is
marked homework. And it's not even going
to be me who's marking the homework.
It's going to be qualified AQA
examiners. This is going to be part of
the master classes because one of the
things I'm super proud of, guys, with
these master classes, I always literally
I'm so committed to making sure that my
students are getting those grades that
they deserve. In fact, close to 96% of
my students have gotten grades 6, 7, 8,
and 9. And one of the things, guys, I
also want you guys to do, right? So, of
course, you're tuning in to do really
well in creative writing, but guys, I
also want you guys to see this as part
of a wider journey and a wider um
narrative in terms of where these grades
will take you in the future. So, guys,
one thing that I just want to mention
and this is something that I'm actually
really proud of. So, as part of my
master classes, I actually also support
students in their applications and one
of my students actually not only got a
full scholarship. So, this is a fully
funded bursery to St. Paul's. this is a
private A level and also six forman
school. Um, and she did so because she
had to get one of the grades that she
had to get was a grade 8 in GCSE
English. And so one thing that I want
you guys to think about is how does this
fit into your wider goals, right?
Because sometimes it can get you can it
can be very easy to forget why you're
doing this and to kind of get caught up
in day-to-day. So guys, what I'd also
like to encourage you to do when you're
practicing this and when you're doing
these practice questions and really even
in the weeks that it gets hard, think
about that goal in the end. Okay? And of
course, as I said, if you need that
support and even for example, if you're
like, okay, this is the six form I want
to get to. This is a university. I have
questions. That's something that's also
going to be supported and offered as
part of my master classes. Okay. So
guys, as I said, what now I want to do
is I'm going to share a very quick quiz
that I wanted you guys to uh try before
I get into it with today's creative
writing and the model answer that I'm
going to be going into. Okay, so guys,
I'm going to be launching a quiz just
now because I'd like you guys to start
engaging a little bit more directly.
Okay. So, we're going to have a very
quick 30-se secondond defroster where
I'm going to ask you guys to answer just
three simple questions. Don't worry,
it's not going to be too hard. And then
afterwards, guys, I'm going to get
straight into descriptive writing. I'm
going to get also into showing you guys
how to write this uh a perfect response
to this. And then, as I said guys, at
the end, I'm going to be answering all
of your questions in more detail. And um
at the end as well guys, I will be
sharing the second model answer which I
had prepared. Okay, I'm going to talk
about that towards the end. Okay. So
guys, what I'm now going to do uh I'm
going to stop sharing my screen for a
second because uh what I want guys is
I'm going to turn this over to you. It's
going to be just 30 seconds. I'm going
to give you guys a very quick quiz for
those of you guys that are keen to maybe
participate. And I'd like you guys to
try some questions. And this is based
off um this is based off of
descriptive/creative
writing. Okay, so guys, I'm going to
launch a quick quiz. I don't know if you
guys hopefully you can see it. Um and
there's three questions. Okay, so this
is not going to be a super tough quiz. I
would if you are open to it, I'd love
for you guys to maybe vote and let me
know. Number one, metaphor. What could
that mean? Okay. Number two, if you guys
can maybe answer the simile question.
And then number three, this is something
that's always mentioned by teachers.
Ambitious language. Ambitious language.
Ambitious language. Do you understand
what that means when it comes to
creative writing? Okay. So guys, I'm
going to give you just a few more
seconds for those of you who are um
brave enough to answer this quiz. Okay?
So I can see some questions coming in
and some answers coming in. And then
guys, as I said, uh I'm obviously going
to show you guys the poll results and
then you're going to see how this fits
in to the descriptive writing part of
creative writing and how you guys can
now take it forward, especially applying
this and also seeing how this is
synthesized in the model response. Okay,
so guys, uh I'm going to just have five
more seconds and then obviously guys, uh
I'm then going to end the poll. Okay, so
guys, uh thank you so much for voting.
I'm going to end the poll uh and I'm
going to share the results actually.
Okay, so let me see. So guys, um I'm not
usually this is the first time I've done
um this poll. Okay, so hopefully you
guys can see. But the good thing is
number one, most of you remember what a
metaphor means, which is something uh
which is when you describe something as
something else, right? Like calling
somebody um um an ice cream, right? Um
also I can see simile all of you guys
remember that. And ambitious language.
Okay guys, I'm really happy to see that
most of you guys remember ambitious
language and vocabulary which obviously
goes into creative writing. This is when
you use language that not only adds to
your essays but also shows um your
teachers advanced techniques. Right? So
instead of saying words like sad, you
use words like melancholic. Okay? So
guys, I'm going to stop sharing this.
Okay? Because obviously guys um what I'm
now going to do is show you guys why I
asked you this quiz. Thank you so much
guys by the way for participating.
That's awesome. Um I'm going to now show
you guys why I shared this with you and
got you guys thinking and how this fits
in to descriptive writing. Okay, so I'm
going to go back to sharing my screen so
that you guys can see how this all fits
in and comes together. So guys, the
reason why I did this quiz is because I
want you guys to remember three things,
okay? And then I'm going to get straight
into it with details and how to approach
this creative writing response. Okay? So
guys remember number one I asked about
metaphor and simileies because these fit
into language techniques. One of the
things that you probably are aware of
when it comes to creative writing is
your teachers probably tell you guys oh
write lots of metaphors, write lots of
simileies. What does on a matter mean?
What what is um use repetition? Use
listing. Right? But also sometimes you
hear your teachers saying oh make sure
you also use ambitious words. Ambitious
words in vocabulary. Ambitious words and
vocabulary. And sometimes your teachers
say, "Oh, actually your creative writing
doesn't have a good structure." So you
then maybe sometimes might be wondering,
and this is what makes English really
confusing. You're getting these three
different forms of feedback, right? And
you're like, "Wait, okay, so what is it?
What do I need to do in creative
writing? Is it the techniques? Is it the
ambitious words? Or is it the structure?
What do I need to focus on?" Guys, you
need to synthesize all three. Okay, so
just to be clear, guys, and this is one
of the things that makes English quite
challenging. Sometimes teachers tell you
to focus on one thing or another or
another. And then you think, okay, so
then I'm only going to think about
simileies. I'm only going to think about
repetition. I'm only going to think
about listing. But then your teacher
say, oh no, that's not good enough
because you don't have good structure.
Or I'm only going to write using really
good ambitious language. And then your
teacher says, "No, no, that's not good
enough because you don't have enough
simileies." Right guys? One of the
things that I wanted to show you, and
this was through the quiz, was that you
need to be able, and this is something
that I'm going to show you in the model
response, to bring it all together. It's
all interconnected. And remember guys,
by the way, when you're looking at this,
I'm going to be sending all of this to
you guys afterwards. Okay? So, in case
you've forgotten the meaning of some of
these techniques, I will be sharing them
with you afterwards. Okay? So guys, let
me now get straight into it as I
promised with descriptive writing. And
also guys, as I said, I'm going to be
showing you guys a model response for
this, how this all comes together. But
guys, I'm always thinking of how to give
my students maximum value so that when
they walk away from each lesson that
they have with me, they're like, "Okay,
not only do I know what I need to do, I
have answers." So, as I said guys, I've
also prepared a second model answer
which I'm going to be talking about and
sharing after today's lesson so that you
guys can have two grade nine model
answers that you can come back to
throughout the year. Okay. So guys, let
me now get into it in terms of how do we
synthesize all of this when it comes to
descriptive writing and when you get an
image because guys remember that when it
comes to creative writing I'm obviously
looking at descriptive writing you get a
choice of two questions. Okay so you
sometimes get or always you will always
get an opening of a story obviously guys
for those of you that want to go into
this I will be having a master class on
this during my Sunday lesson. So of
course for those of you guys that want
to see that I will be doing that in my
master classes on Sunday. But also as I
said guys you also get a description.
I'm looking at description because this
is the most popular option with schools
and teachers and by extension students
tend to go for description. That's why
I'm looking at it. So guys number one
remember when it comes to descriptive
writing you're always given an image
just like this. Okay? And it can be any
image right? It can be like the most
vague image random image. And this is
what sometimes makes it so challenging.
This also is what makes it um uh uh the
question that gets the the most marks
awarded because teachers want to see
that level of creativity and your
approach and your structure. So let me
show you guys how we approach this type
of question with this specific example.
Okay. So guys in this question you're
asked write a description of a secret
cave that is hidden away. Right? So
you've got an image. You can either use
the image or your imagination. My
suggestion number one guys is I would
like to suggest try to use the image
that you're given. If you do everything
from imagination number one from my
experience with marking students papers
okay so I was doing a lot of marking
last last year when I did my booster
classes when they do um descriptions
from their heads and completely from
their imagination. What tends to happen
is you just have lots of disjointed
sentences just describing random things
describing random things. Guys, remember
that with descriptive writing, of
course, it's not a story, but still your
teachers want to see some kind of thread
and some kind of continuity. So, my
suggestion is try to use as much as you
can the image that's in front of you
because what happens if you're using
something that's given in front of you
in a concrete way, you are able to
create a strand that joins up your
paragraphs rather than just plucking
random sentences from your head. Okay?
And of course guys, an even better way
to approach this is then look at model
answers that do it in a strong way and
then use that and take the information
and that's why I'm going into the model
response. So guys, as I said, what now
I'm going to do is go into just your
general approach with any descriptive
writing question that you get. You will
see here guys that there is this uh
image and this illustration that I've
put together which is five circles. Why
are there five circles? There are five
circles because let's say you decide and
accept that okay with descriptive
writing I'm going to go for the image.
How do I approach the image? This is how
you do so. Step number one in your first
paragraph don't go for the most obvious
thing in the image. Look at what's
happening in the lesser obvious parts of
the image and start off with that. If
you start with the most obvious thing
immediately your answer doesn't stand
out because literally 50 to 60% of other
people who are answering the same
question will do the same thing. Okay.
So, you also want to make your writing
stand out. So, you start off by focusing
on the least obvious thing or the parts
of the image that's not so obvious. Now,
if I were looking at this and looking at
the periphery of the image, I'm probably
going to look at, you know, so my eyes
are immediately drawn to this part in
the image and probably even this person.
But I'm not going to focus on that in
immediately. I'm going to begin by
looking at what's happening at the outer
edges or the less obvious parts, right?
or also maybe at the more distant part
of the image. What stands out to me is
when I look at the outer edges, I'm
going to think about kind of this light
that's falling from this hole in this
what seems to be a cave. And I'm going
to begin by describing what seems here
in the furthest edge of the cave to be
kind of the lightest part. Right? So,
there's this light and it seems to have
bleached or lightened this part of the
image where we've got like mold, but
also the rocks seem kind of like um
sand/ uh a light color. Okay, so that
would be my first paragraph. My first
paragraph would focus in on the setting
and weather, i.e. the sunshine that's
streaming in, but also how that affects
the furthest corner of the image. Okay,
so that would be my first paragraph.
Okay. So, I'm going to begin my first
paragraph by thinking about okay, so
this is the sunshine
in the furthest part in the furthest
part of the image. But also, I'm going
to also describe what's going on in
terms of, you know, the description of
this part that's kind of been lightened
and this part of the rocks that seems
really, really bright. Okay. So, then in
my second paragraph, okay, so now I'm
looking at the these five circles. I'm
going to zoom in a little bit more in
this description and I'm going to focus
on what is it like to be there. How is
the atmosphere like? How is the mood
like? Now, when I look at this image and
when I think about okay, how is it like
to be inside this cave? What might the
atmosphere be like? Well, actually, when
I zoom in and start thinking about,
especially if I were this person, how
does it feel like to be there? I think
what's really interesting is this looks
like, you know, um it was maybe taken in
the summer time, but this cave is like
this interesting contrast of maybe a lot
of heat coming from the sunshine, but
also there's this kind of cold dark part
of the cave. So there's maybe this
humidity, right? Because also it seems
like, you know, parts of this cave kind
of seem to be glistening. So maybe
there's like condensation and it's maybe
perhaps humid, right? So, what I would
do in my second paragraph when I kind of
start zooming in a little bit more and
thinking about the atmosphere, I'm going
to describe perhaps how the atmosphere
maybe is quite warm, very humid, because
there's this contrast between kind of
this heat and also this cold, right? Um,
but also maybe um there's perhaps this
condensation. So, there's this kind of
drip that can be heard in the distance,
right? So, this kind of dripping water.
And maybe um I would think about kind of
this contrast between light and
darkness, right? and also this silence
in the cave. Okay, that would be my
second paragraph. Now in my third
paragraph and now looking at this
framework, I'm now going to then focus
on the most obvious thing to me in the
image, the central focus. Now when I
look at this image for the first time,
what draws my attention is this person
who's standing here, but also this kind
of greenish rock formation, right? So
the these rocks that are kind of stacked
one on top of the other and this person
who seems to be standing there on what
seems also to be like this quite
slippery surface. I'm going to describe
that. Okay, so that's going to be my
third paragraph. I'm going to think
about, okay, I held off on describing
the most obvious thing. Now I'm going to
describe that in more detail. Okay, so
that's going to be my third paragraph.
My central focus,
right, these rock formations at the
center, but also this person. Then in my
fourth paragraph, I'm now going to think
about, okay, so I'm going to look at one
or two objects within the image and
describe their feelings. In fact, going
back to this. Okay, so now I'm going to
start zooming in even further, either
looking for an object which I'm going to
personify and give feelings to or I'm
going to look at in this image as
there's a person, I might describe how
that person feels. I might describe how
they feel as they stand in this secret
hidden cave. Right? So, I'm going to
focus my fourth paragraph perhaps on
this person who's who seems to be
looking out at, you know, this rock
formation, this, you know, really
dramatic cave which seems to be quite um
isolated, quite hidden, and I'm going to
focus in on that. Okay, so that's going
to be my fourth paragraph, feelings.
Okay, so I'm going to focus on the
person who is alone in this cave and
they're looking around. Maybe they're
feeling wonder, they're feeling
surprised, etc. And then the fifth and
final paragraph, guys, I'm going to
maybe add a ever so slight change. Okay?
So, with this descriptive writing
response, what you can do, obviously,
try not to change the what's happening
in the image too much cuz you're trying
to portray a picture of what's
happening. But what you can do is add an
ever so slight change, right? So maybe
for example, what I might do is talk
about and make the change ever so
slight, not massive. I might talk about
how this light maybe starts traveling
across the cave. Maybe the light starts
getting dimmer because the sun starts
kind of fading away. Maybe perhaps this
person who's looking at these rocks
turns back and walks away. Okay, so
that's going to be my fifth and final
paragraphs. And guys, uh what I'm going
to do is I'm going to quickly check the
chat just to see that hopefully you guys
can hear me. And uh then obviously guys
um I'm going to get into it with the
model answer and the model response. And
as I said guys, going back to um how I'm
going to um approach this, I'm going to
show you guys how all of this comes
together. Okay, so the ambitious
language, the techniques, but then also
having a structure that makes it really
easy for you to hold your teacher's hand
and for them to follow your trail of
thought and your description as you
develop. Okay. and as you develop your
response. Okay. So guys, uh I'm going to
finish off this plan by talking about
the uh slight change as I said and the
slight change could be uh so this is the
slight change which could be for example
the woman turns away and perhaps um also
perhaps the sunshine or or the shaft of
light that's kind of maybe at the
furthest edge of the cave starts moving
and shifting. Okay, so the light um
shifts from one side to the next. Okay.
So guys, I'm going to quickly check
hopefully that there's no um issues with
sound or anything. I'm just going to
quickly check the chat and just ask if
you guys can still hear me so that um I
can uh I can know that you guys uh can
hear me properly and you know I'm I'm
still audible. Okay, so guys uh Okay. So
I can see that you guys can still hear
me. Okay, perfect. Perfect. Okay. Um and
I can see one question that came in.
When should we finish the GCSE content
by? Um guys, if you're in year 11, your
GCSE content hopefully, so usually
teachers if they want to be on time so
that you guys can have enough time to
revise, it should all be done the
teaching stuff by December so that you
guys can just focus on mocks. Okay. Uh
right guys, so thank you so much for
letting me know that you can still hear
me. Okay. So guys, as I said, just to
remind you and I'm just going to uh
remind you guys of uh what I'm now going
to do. I'm now going to because
obviously guys, I've shown you guys how
to approach descriptive writing in terms
of structure. Now guys, I'm going to
show you how we synthesize all this
stuff. This is techniques plus also
ambitious language and vocabulary plus
also a structure. And then, as I said
guys, there's going to be a Q&A right at
the end where you can ask me your
questions. And also guys for anybody
that's like okay um what if I want to
practice this and then I want to um I
want my work marked. Okay guys remember
that if you want marking from actual
examiners right AQA examiners this is
something that's going to be offered
from Sunday uh when I start running
those uh master classes as well. Okay so
guys model answer time. Let me show you
guys how we now synthesize all of this
and how all of this comes together.
Okay. So guys, as I said, now what I'm
going to do is I'm going to show you
guys in terms of a model answer. I'm
going to um color code each paragraph.
Okay. So, let me color code it so that
you guys can see um how this all comes
together. My first paragraphs, let me
just go back to my descriptive writing
framework like literally physically
drawing. Right? So, my first paragraph
is going to be my setting and weather.
Right? I'm going to use the setting and
weather to still describe what's
happening in the image. I'm going to
have that in blue.
And um my second paragraph which is
going back to this my atmosphere and
mood. How does it feel like to be there?
What's the atmosphere like? What's the
mood like? Is it hot? Is it cold? Is it
silent? Is it loud? Right? That's part
of atmosphere. That one guys, I'm going
to have that in red. Okay? So, I'm going
to have that in red. By the way, guys,
I'm color coding this so that you see
how this all comes together. But when
you practice, you don't have to use
different pens. You can just use blue or
black ink. Okay? But I want you guys to
have this especially when you are um
reading it afterwards. Okay. Um you can
see how this all synthesizes and how it
all comes together. Now my third
paragraph which is my central focus, the
most obvious part of my image which I
have held off on so that my answer can
stand out. I'm not starting like the way
everybody else is starting. Now here in
my third paragraph, I'm going to talk
about the most obvious thing to me in
the image. Okay. So this is my central
focus. I'm going to change that and make
that green. Okay. So, this is my central
focus. Then my fourth paragraph, guys,
which I'm going to put in purple, is uh
my feelings paragraph. So, I'm going to
think about an object or in this case,
the person. And I'm going to really zoom
in on them and then describe their
feelings in this setting. Okay. Nothing
has happened because it's still
descriptive writing. It's not a story.
I'm not changing it into a story. Then
my fifth and final paragraph, I'm going
to have that in let me see, burgundy.
Right. to this red. This is now my ever
so slight change. Of course, because
this is a description, I do not make it
into a story. Therefore, the change in
my image has to be very slight, not
dramatic. Otherwise, that becomes a
story. So, I'm going to finish off with
an ever so slight change. And as I said
guys, just to remind you, you're going
to see how this all comes together. One
thing guys is I want you guys to really
have a powerful model response that will
not only impress your teacher but also
teaches you guys new vocabulary and new
words that you can use and also change
and adapt to different questions. What
that means guys is when I'm developing
this response now you will see words
that you don't understand which is fine.
I will of course explain them. If you
don't understand them you can ask me to
define them in the end. But guys, if you
see words you don't understand, do not
feel discouraged. What you need to feel
is, okay, great. I'm learning something.
This is something that I'm now going to
be able to use later. Okay, so guys,
just a disclaimer that you're going to
see stuff and words that you may not
understand. That's fine. As I go along,
of course, I'm going to try as much as I
can to explain them. But also, guys, do
not get discouraged if you're looking at
it and you're like, "Oh my gosh, I don't
understand. Oh, I'll never learn. I'm
never going to get good at this." No,
guys. Remember that what you want to do
is learn because if you see things that
you don't understand and then you adapt
and learn them and also include them in
your response, that's how you improve.
Okay? So guys, let me show you how now
to um put it all together. Okay? And
then as I said guys, I'm then going to
take your questions at the end. Okay? Um
so guys, as I said, I'm now going to
start off with the um furthest part of
the image. I'm thinking about I'm going
to begin by describing the setting and
weather. And I'm going to do so by
thinking about okay when I look at this
image what's kind of going on around
right and more specifically when I look
at this I can see somebody has raised
their hand I'm going to address your
question in a second but when I look at
this how can I describe um especially
the further part of this image okay so
um what I'm going to do is I'm going to
start with my first paragraph guys okay
this is the sunshine in the furthest
part of the image and also what's
happening um you know looking at this
okay and obviously guys there's a plain
version here so that you guys can see
what I'm talking about so I'm going to
start by describing this. Okay. So guys,
this is now how it all comes together
and as much as I can, I hope I'll be
able to explain the words and also you
will see how these words, especially the
new ambitious words, fit in. Okay, so
I'm going to start off with a weather
sentence. I'm going to talk about how
large vaults of light, by the way guys,
vaults is rays. You can talk about
sunshine, sun rays, or the vaults of
light from the sun. Okay. So, this is a
really nice word to use. So, you can say
um large vaults of in fact I can say
white light, right? Um filtered
into the mouth of the cave, right? So,
here I'm using personification
and also imagery. Okay, this is
techniques. Um, and here I'm then going
to mention, so I'm saying that the cave
has this mouth. And then I'm going to
mention how um they fell from the sky
like a light from heaven bathing. So
this is bathing um the furthest the
furthest edge or even furthest edge of
the cave of the cave um with white
light. Right. So now here I have also
used repetition but I've started off by
describing and really concretely setting
the weather and also really concretely
showing that okay I'm starting by
talking about this part of the image
which is the light that's streaming in.
Okay. But I don't stop there. I then
develop I mention brilliant
rays of sunshine, right? Um what what
happens? So here maybe um fell through
the caves. Uh so through the caves
opening and bounced off the uh uh the
rocks. So even bounced off maybe the
rocks are quite sharp, right? So this is
a cave with lots of rocks and maybe
they're sharp, right? Bounced off the
sharp rocks.
They um and what they do perhaps I'm
going to mention how they bleached they
made the rocks especially the lighter
rocks really really light in color right
so I would say that they bleached the
rocks um with a sandy white color um the
rocks formed so this is the rocks formed
an arch as they so here I'm talking
about how these rocks they're kind of
rising in this arc or an arch shape
right so these rocks They're forming an
arch as they rose up to the mouth of the
cave. Right? So here again, I'm
personifying the cave, it's opening, its
mouth. Right? Also, by the way, guys, if
you're describing like a mountain, any
object that has an opening, you can say
that um you know, the the mouth of this
object, right? Really nice and easy
personification. And maybe um I'm going
to mention how more and more streaks of
sunlight. So here I'm using lots of
sibilance s sounds. Um maybe perhaps
they uh fell
into the cave and illuminated the mold.
The mold that sat so illuminated. So
this is they lit up. They brightened up
the mold that sat on top of the rocks,
right? Um, the mold looked the mold
looked like seaweed which was strown
across a beach um as it lay on the rocks
and dotted their surface. Right? So here
I'm describing this. Right? And then I'm
going to mention a little bit more maybe
describing the mold a little bit more.
By the way guys, the mold that I'm
talking about is this part here. Okay.
So, this is the green parts that are on
the rocks, right? So, here I'm going to
describe maybe how the mold cuz um maybe
the mold is like very um thick and quite
hairy, right? So, here I'm going to
maybe mention that um thick hairy mold.
So, thick hairy mold press crossed. So,
this is they crossed they went across
the um sharp or even the jagged sharp
surface surface of the rocks.
They curled and dried as more and more
sunlight
continued
to pour into so to pour into the cave.
And that's it for my first paragraph
guys. Just reminding you. Okay, what
have I done so far in this first
paragraph? Number one, I have made sure
that I am really clear in terms of my
structure. I am also not feeling like I
have to describe every single thing like
way too much that's going on in the
image. I'm focusing in on just one or
two bits in the image which is the
sunlight and also the surface of the
rocks. But I'm going into lots of depth
and detail in describing them. But also
what I'm doing in this opening paragraph
is I'm establishing a really strong
sense of what the setting and the
weather is like. In fact guys, I'm going
to go back to um one thing to remember
guys. One of the things that also can be
quite confusing guys about creative
writing and especially description is
sometimes with an image where there's
lots going on, you feel like you have to
describe everything. You then start
writing loads and loads of sentences. I
have to describe this, I have to
describe that. You then write lots and
lots of different disjointed sentences
just simply trying to describe every
single thing in the image. I would like
to recommend guys don't take that
approach. Focus on depth. What I mean by
that, guys, is take one or two things or
maybe three things max per paragraph and
go into lots of detail describing it.
You're going to see in all of these
sentences, guys, what I focused more
most on is mainly the light, the
sunlight that's coming in, the rocks,
and the mold. Those three things I've
gone into depth and detail. That is what
distinguishes the higherend mark
responses versus the responses that
describe bits and pieces, but they're
very shallow. Okay. So guys, um, now I'm
going to go into my second paragraph
talking about and describing what is the
mood like there, right? And obviously
this is a secret hidden cave, right? So
it's probably quiet, but also as I said,
when I kind of focus in on what's going
on, there's this interesting contrast of
light pouring in. So it's probably quite
hot, quite summery, but also there's
this kind of dark part and also what
seems to be kind of like a slippery wet
surface. So maybe there's lots of
condensation, right? when there's lots
of heat but also maybe a cool part and
then perhaps you know you've got these
droplets of sweat or dew that forms and
then the surfaces become slippery. So
I'm going to also describe that as well
and talk about the humidity, how warm it
is and how it's like maybe a little bit
suffocating to be in there. Okay. So
guys, as I said, I'm now going to go
into my second paragraph. As I mentioned
guys, I'm going to um go into this
response that you see how it all comes
together and then I'm going to answer
your questions afterwards. Okay? So
guys, I want you guys to be able to just
follow my trail of thought, especially
for those of you guys who just want to
see how does an answer look like. Okay,
so now I'm going to describe what's
happening in my second paragraph
atmosphere and moodwise. Okay, so now
here I'm going to think about um maybe
it's quite warm inside the cave, right?
Cuz it kind of looks like a cave that's
um in the summertime how it look it
might look like, right? So, I'm going to
mention how a tropical So, here I'm
going to mention a tropical warmth hung
um in the air, right? So, here I'm
mentioning how it's actually quite warm,
right? Maybe humid. I'm going to mention
um uh uh echoes sounded in the distance,
yet um there were no birds, no uh
creatures, no scuttling. Right? So, I'm
saying that there's echoes, but there's
nothing that's actually running around,
right? And then maybe later on I'm going
to talk about there's maybe a drip sound
and that's what's causing the echoes,
right? Maybe the condensation and the
droplets like falling. So here I'm going
to go into um mentioning perhaps um
perhaps the um the heat was like a uh
thick blanket
that hung over the entire cave as the
sun's rays continued to stream in.
Right? So here I'm just describing how
hot it is but also this cave is really
empty. Right? And then I'm going to
mention how uh the sun's heat was an
unwanted guest. So here I'm going to
mention how the sun was a guest that
nobody wanted in that cave, which is a
metaphor, right? So I'm going to mention
it was an unwanted guest as it crept in
and um uh and uh slithered through the
cave. Then I'm going to go into a bit
more detail. Uh, yet it. So, here I'm
going to go into yet it struggled to um
light up the caves
dark interior, right? Um, and then I'm
going to mention uh whilst so now um
when I look at the image perhaps there's
all of these rocks, right? So there's um
really bright rocks but also there's
really dark rocks, right? So here I'm
going to mention um I'm going to create
maybe some contrast, right? So whilst
white rocks um close to the caves, close
to the caves opening took in the light,
the darker rocks in within the cave sat
still. Right? Um maybe here I'm going to
add my one word sentence. Right? So here
I'm going to say that these darker the
darker part of the cave it was kind of
still um really untouched by sun rays.
Right? Apart from like a little bit of
light here and there. And I'm going to
create some contrast. Right? So guys,
also remember when you're writing
stories or descriptions like this, you
want to create contrast. Right? So I'm
contrasting the light versus the dark.
And then here I'm going to develop this
and I'm going to mention um uh although
heat fell from the sky, damp rose damp
rose from the ground of the cave. Um
condensation formed. So here I have
longer sentences and I'm now adding my
shorter sentences. Right? And what's
happening? Um it caused so this
condensation it caused the caves the
caves dark corners
to glisten with damp. Right? And now
here I'm maybe going to add some uh um
onomatic here sound words as well as
ellipses. Right? So what can be heard?
The dripping sound and then droplets of
condensation. So here I'm talking about
how there's kind of um this um heat but
also this cold and it's causing kind of
this humidity and there's kind of maybe
this um dripping sound and um everything
is kind of slippery in the cave. Right.
So here droplets of condensation what
happened? They fell from the uh caves
um uh ceiling, the uh caves darker um or
even uh the the caves darker rocks or uh
dark black rocks and onto and onto the
um inky black floors, right? So, uh
ground even icky black ground, right? um
in the darkness unseen strands of mold
hung in the sky or even um hung um from
the dark rocks or even um and dangled
from the dark rocks. And here I'm going
to mention um whilst parts of the black
murky rocks rocks at the back of the
cave were um completely dark. Others
were illuminated
by light streaks of sunlight.
Um yet tiny droplets
continued continued to fall from the wet
surface of the rocks. That's my second
paragraph done. I'm describing this
humid atmosphere, how humid and
uncomfortable it is, but also there's
this kind of drip sound or um echoing
through the cave. Now, in my third
paragraph, I'm going to go into my most
obvious thing in the image, my central
focus. This is now the person that's
standing here. But also, I'm probably
going to describe these rocks here. I'm
probably also going to describe kind of
this um sloping rocks um on this side of
the image as well. I'm going to describe
now in lots of detail. This person who's
standing and looking out, what does she
see? I'm going to describe her in third
person perspective. Right? So, I'm going
to describe her as if I were not her. Is
this a different person? Okay. So here
I'm going to describe I'm going to say
I'm going to assume that this is someone
who's kind of trekking and they've come
across a secret cave right and they're
looking around maybe in amazement in
wonder they're like oh my gosh I've just
stumbled across this place right and
describing what they see in front of
them. So here I'm going to mention how
they were gazing around in awe. So in
amazement the solitary woman um stood in
um or even on a smooth boulder. So this
is like a large rock with her hands on
her hips. Right? So here I'm describing
in detail this individual and she's
standing on this rock. So I'm describing
that and also describing maybe the color
of her clothes which seem all dark. So
maybe she's in all black hiking clothes
and she's looking around in wonder.
Right? So I'm now going to describe that
in a bit more detail. So I'm going to
say how she's standing unsteadily.
Right? So maybe the surface is quite
slippery. She's standing a little bit
unsteadily um on the smooth on the
smooth rocks or even on the smooth rock
um or mass of rock even mass of rock.
She held um her breath
gazing or even peering around peering at
the vast cave. She uh closed her eyes
and took in her eyes and took in its
earthy scent. Right? If you're
describing anything in nature, you can
say that it's got like an earthy smell,
right? It's earthy scent. Then I'm going
to talk about how um her eyes rested or
even her um maybe perhaps she's standing
with her hands on her hips, right? So
her hands rested on her hips as she
peered around. Right? So, as she slowly
looked around um and maybe I'm going to
say her black hiking clothes
plung to her body as uh to her body as
sweat fell from her temples
and
and her clothes even as sweat fell from
her temples in the humid cave. Then I'm
going to add a bit more. So maybe uh
she's looking around. So peering left
then right. She surveyed she looked at
the cave um or even the enormous
enormous
enormous cave. Then maybe perhaps she um
breathed slowly. So breathing slowly
slowly she looked around right. So um
she perhaps um to her. So now maybe
looking uh perhaps she's looking to her
left here. So now here I'm going to
describe these rocks, right? I'm going
to talk about the mold that's kind of
carpeting the rocks and what she's
seeing there. And then maybe I'm going
to talk about what she sees on her right
as well. These kind of rocks that seem
to be broken and they're kind of sloping
downwards. Right? So I'm going to
describe what she sees to her left.
These kind of rocks covered in mold, but
also to her right, these rocks that seem
kind of broken and are sloping down.
Right? So here I'm going to talk about
how maybe uh gazing to her left or even
to her left gigantic rocks perhaps um
which were harpeted. So this is another
metaphor with green or even emerald mold
um stood silently and watched her back
right or even and just watched her um to
maybe to her right um broken sharp rocks
stood or even formed a hill that sloped
downwards downwards
right in front of her. Now, what can she
see in front? Right? So, here I'm going
to talk about literally these kind of
rocks here. Um, and even this kind of
huge rock at the top, which is kind of
sitting in between the light and the
dark. Right? So, I'm going to describe
what she sees right in front of her. So,
right in front of her were rocks. Uh, of
her were rocks. Masses and masses of
large rocks. They were piled on top of
each other like moldy uneven staircases.
Right? So here I'm basically saying that
these rocks they're kind of piled on top
of each other and it looks like kind of
this moldy staircase. Right? Again I'm
using lots of imagery, lots of simileies
as well as metaphors, right? To really
bring my description to life. Then I'm
going to finish off by maybe mentioning
how um these uh especially the rocks at
the top, they now start soaking in the
light, right? And so maybe perhaps I'm
going to mention how um they sat and
soaked in the light which continued to
stream in from the open mouth of the
cave. And here I'm going to mention um
perhaps um actually now once I'm done
with that, so I'm going to actually move
on to my fourth paragraph, which is now
I'm describing her feelings, right? I'm
now going to zoom in really specifically
on her. And actually what I might also
do is um describe how she feels as she
looks around in this hidden cave, right?
The awe. And maybe she's even asking
herself, how come nobody has discovered
this hidden secretive cave before,
right? So now I'm going to finish my
fourth paragraph with mentioning how
does she feel, right? Zooming in
specifically. So I'm going to say, thank
you for watching this lesson. And if you
want to access the full GCSE grade 9
model answer, simply send me an email
info@firstteers.com.
Let me know that you watch this video
and I'll be more than happy to share
with you a grade nine full mark model
answer for GCSE English language paper
1. And as I'd mentioned, don't forget
that this is part of my weekly Sunday
GCSE language paper 1 and paper 2 master
classes. So don't forget that these are
live lessons that I run every single
Sunday where you can ask me as many
questions as you want. And also, if you
want marked homework and marked exam
feedback from GCSE examiners who
literally examine and mark students'
work during exam season, that is also
going to be part of the Sunday master
classes. So, I hope you can join me. And
of course, if you want to see the full
model answer, just simply send me an
email and let me know that this is a
video that you watched.