Video summary
Jon Bellion reflects on his six-year hiatus from music, which he took to step away from an industry model that no longer made sense for him financially or personally. After touring extensively and realizing the toll it took on his life versus his earnings, he walked away completely to focus on family and personal growth. Upon returning with a new album, Bellion found unexpected success; Forest Hills Stadium sold out two nights in a row, generating more revenue than previous multi-year tours combined without him needing to tour constantly. He attributes this resurgence not just to the quality of his work but to a shift in fan perception after years of absence lowered unrealistic expectations and allowed for a fresh connection based on authenticity rather than manufactured hype. Central to Bellion's philosophy is the distinction between "observable metrics," such as streaming numbers or social media engagement, and "hidden metrics" that measure how deeply art changes a listener's life. He argues against the pressure artists face to constantly produce content to maintain relevance, noting that he avoided this trap by using a fake Instagram account during his hiatus so real fans would have to dig for news rather than consuming curated posts. Bellion emphasizes that while talent is important, it must be paired with an "athlete's approach" regarding consistency and business acumen; however, true creativity cannot be forced or white-knuckled because the artist serves as a vessel for inspiration from something greater, whether they view it as God or their own gut instinct. The conversation also touches on Bellion's deep commitment to fatherhood and his desire to create music that resonates with men struggling in their roles as parents. He expresses fear of losing himself entirely to career ambition but finds balance by prioritizing the mundane joys of family life over industry validation, a stance he believes is increasingly important culturally. This perspective extends to his view on fame and wealth; while acknowledging the benefits, he warns against letting them define self-worth or becoming obsessed with health anxiety similar to musicians like Aaron Gillespie who have suffered severe physical issues due to performance pressure. Bellion advocates for accepting mediocrity in daily life as a path to long-term happiness rather than striving for an impossible standard of perfection that often leads to burnout. Ultimately, Bellion introduces the concept of "unteachable lessons"—fundamental truths like money not buying happiness or fame feeling like prison—that people refuse to learn until they experience them firsthand. He illustrates this with his own journey from being at the height of his career and feeling lonely to realizing that stripping away artistry allowed him to find genuine joy again. Using a metaphor about different types of intelligence, he suggests that while society often praises complex optimization (the "middle"), true wisdom lies in embracing simplicity and doing what feels right intuitively rather than overthinking every decision. He concludes by encouraging listeners to trust their instincts, accept the limitations they face, and understand that life is a marathon where sustainable happiness comes from balancing ambition with the ability to simply be present for one's family and community.
Read the full video transcript
new album.
>> Yep.
>> But you're not touring right now?
>> No.
>> Why? [laughter]
>> Right into it. Um
the touring thing is uh it's been a bit
of a I toured for a really long time
before I walked away from artistry for
about six or seven years. Um
I've given this uh this spiel a couple
of times, but it's just like kind of
figured out how the ins and outs worked
of it. Understood what the toll on my
life was opposed to what I was getting
paid for what I was bringing in, and the
business just didn't make sense of it.
So, I've walked away from that a long
time ago and then was able to this time
around just kind of like really do
inventory on what's important to me and
what I want to do. And we were able to
do uh Forest Hill Stadium just two
nights back to back sold out in a couple
hours. And uh because the deal was right
and I understand the business more, I
can just drive home in my minivan and
collect my money and be paid more than
I've ever done for touring combined in
two nights.
>> Two nights made you more than entire
tours previously?
>> Yeah. Yeah. just because the because I
don't regret any of it, but it just it
definitely put in perspective. Oh, oh,
this is how they're killing you. This is
how they're getting you on the backside.
And
>> so, yeah. Yeah. So, we ended up doing
just two nights. 26,000 people showed
up. It's crazy. Crazy. After every after
six or seven years of being away, it was
like moving, super emotional.
>> After such a long hiatus, were you
surprised by the positive response to
the album and the the Forest Hills
shows? Yeah, I think you you you build
up like it's like Dre with Detox or like
you build up this thing and then the
expectation becomes so high that you'll
never be able to whatever. So I think I
was fortunate enough to just like
disappear and go away and write for
other people for a super long time.
>> And I think that the pressure resolved
cuz I think the fans after a while were
just like I actually just don't think
he'll ever put out music again. So then
when I was like I'm putting out music,
they didn't have time for there to be
this unrealistic expectation of like
steps too. like they didn't have to it
didn't have to be Dumb and Dummers too.
Like it just was and on top of that I
just like became a completely different
person in seven years. Like you're
tapping in with a the sound was
different. My approach was different.
Everything was different. So I think
people were like fascinated and
interested and it ended up being a
blessing. It was a bigger debut. Top six
in the country, top 10 in the world.
Like and I'm not even like fake like oh
it's been it's been a shock of a
blessing. And it's and this time around
you don't get to do things twice. I
almost feel like I'm like Scrooge or
something. Like I woke up on Christmas
again and I'm like I get to do this
over. So looking out at a stadium sold
out two nights in a row and I've never
done that 6 years ago and somehow it got
bigger by the time I came back.
>> I wasn't even in my own self. I was like
watching the movie being like this is
crazy.
>> How'd that feel? You're so familiar with
playing performing live stuff.
>> Yeah.
>> And then you do it and it's the same.
It's the [ __ ] that you've done hundreds
of times before. Mhm.
>> And it's different at the same time. I'm
interested in what that
>> I had one of my guys who's played with
me since we were in college, my my buddy
George, he's one of my my closest
closest friends. And uh he was on keys
behind me and we both after the show
just like held each other like just like
you don't at this point it's like I'm on
such borrowed time. I really feel that
way. Like it's like you don't get to
walk away and then end up being like
nailing a few number ones to like pay
for your life and then accept the fact
that the artistry is never coming back
>> and then the label's like you know what
he's worth more to us giving him what he
wants than him just never putting it out
cuz I don't think he's bluffing anymore
like he will not put out.
>> So you played a game of chicken
basically. a six year game with chicken
and then had to go to therapy and and
you know really settled it in my heart
that's like this is okay if this if this
guy's plan on my life I'm I'm never
going to do this and I will serve other
people forever and their vision like
that's fine and I get a lot out of that
and I learned a lot about serving people
for a long time other artists
>> for sure like it definitely
>> gave me a tool belt and my vocal ability
grew and stuff but playing that show
looking out man run a clip if [laughter]
you want like you can clip to it it's
just it was nuts it was nuts I've played
festivals and stuff but I've never solo
sold out back to back 13,000 people in a
night. It's just crazy. It's crazy. With
with zero help from the machine or
whatever. It's crazy.
I'm interested in the hiatus and the
fact that your fans still should buy in
after you spent years away cuz I think
most people in every industry feel like
they always need to be producing
content.
>> Mhm. [clears throat]
>> To keep their fans engaged.
>> Yeah. You got any idea why people stayed
resonant with you despite the fact that
you were absent front facing?
>> Probably. Yeah, it's it's probably a
mixture of uh
it's probably a mixture of like you know
what you don't have. It's like you only
sell 10 t-shirts. So then the time the
10 t-shirts come out again, you don't
know if they're going to only do 10
again. So you you're going to you're
going to get the t-shirt. You know,
you're excited about I think there's a
scarcity thing and the content stuff.
I'm a very like I I still am in real
time figuring out as we're talking what
content even it's just not for me. It's
not for me. It takes It takes up too
much space in my mind. It causes me to
not be present with my family. It's it's
it's odd. And you It's like funny. I'm
like talking to the guy who's like And
you've had probably so you've spoken to
so many prolific people about it. So
your knowledge of wealth is probably way
deeper than mine. But I just don't feel
uh
like I say it all the time. I'm not
selling a chair. I'm selling me. And I
go into town square and I get on a
pedestal and I say, "These are my
beliefs about life. This is my art. This
is this is the deepest reflection I
could possibly excavate of myself." And
someone in the background goes, "Fuck
you. I don't like it." It's like they're
telling they don't like me. I'm not
selling. If you don't like a table I
made,
>> someone can say, "I don't like the
table." And I can somehow, even though
the table's a representation of me, I
can somehow separate myself to try to
draw people to the table, not draw
people to me.
>> And the selfobsession stuff, it's tough.
It's tough with kids. It's tough in a
marriage. It's It's tough. It's It's
tough to constantly be like,
I wake up and how will my next decision
make me look and my brand for the next
chapter of my life. That's a tough and
that's a tough person to be around. It's
tough for people to be around that a lot
when every move is this concerted effort
to
>> So, honestly, me walking away from music
wasn't that hard because I never enjoyed
and that doesn't I'm not like down to
earth cool Joe number one. I just
>> Hey guy, it's not
>> When were you furthest away from that
resonance?
>> What do you mean?
>> You So you mentioned that you're uh
trying to be as uh transparent as as
connected as possible to the work that
you do, to the artistic integrity of how
you're producing things, your time with
your family, presumably time with
friends, even like album artwork. You're
deep on everything, right? Yeah.
>> I really veered off a little bit there
and I started playing the game to a
level that I could
>> I think maybe the day like the first day
you get the first
>> thing on YouTube the first I had 5,000
views on the last one. This one has 10.
I think the second that became the
feedback loop of positivity and whatever
you get yourself on a little bit of a
train that's you don't even know you're
on the train until the the [ __ ] crashes
you're like I didn't even it's like frog
in the boiling water type of situation.
>> I think I was always on a trajectory of
>> it's the same thing. It's like you
mention any artist who's like I had the
most money and I was ready to kill
myself. Look at the crazy story of
artist X and everyone's like, "Wow, what
a deep." It's the same archetype over
and over and Oh, I just happened to be
blessed enough, just blessed enough to
be like, I don't know how I'm going to
walk away from this. I don't know how
this is going to work out cuz I wasn't
writing for other people at the time.
I'm going back home and I'm going to
make music in my basement and I'm just
going to walk away.
>> Maybe work at McDonald's.
>> I told my wife that. It's crazy. I told
my wife that. I said, "Yes." And she's
laughing at me. She's like, "You're
forgetting how talented you are. You've
been doing this for a long time." But I
just walked away. And then by the grace
of God, it was like, it was like, like
hit after hit. But I think that was
because I may have shedded
I may have shedded uh what do people
want and what's going to feed the next.
>> It was like my heart is vibrating with
this song and maybe that's what humans
wanted and that will always cut through.
So I try to just stay to that. I try to
I know that sounds super pseudo like
heavy. Dude, I I I couldn't
>> I couldn't resonate more. Like, it's
>> Instinct is the only thing that's ever
led you right.
>> Ever.
>> Ever. Oh my gosh. It's
>> the only thing that's ever led you
right. Like with the show, um,
>> you know, the
currency that we traffic in is plays
largely, right? Because, uh, have you
heard me talk about hidden and
observable metrics?
>> Yes. Yeah. Okay. So um observable metric
plays hidden metric uh how much it
changes a listener's life. Absolutely.
Right. There's a difference between
breadth and depth.
>> Absolutely.
>> Um and unfortunately depth is just
hidden metric.
>> Yeah.
>> When I feel most connected to the work
that I do is when I'm following my
instincts as sort of plainly as
possible.
>> Yes. And I think the big hurdle for me
and the word that's coming to mind as
you're talking about what you did is
bravery or courage
>> that I'm prepared to back myself
>> totally
>> to stick to my principles.
>> Totally.
>> How difficult would it have been to have
done that without your wife?
>> I wouldn't have.
>> My point being a lot of people think
that they can soloreneur their way
through any industry, music, business,
whatever.
>> You can. I just don't know how. Like
my wife is unbelievable. I really mean
that. It's like
it's a grounded perspective. It's an
anchor that I would just be. I don't
want to know. I don't want to know who
I'd be or what it would look like. She's
she like just she like almost knows who
I am or knew who I was. Even when she
married me, she knew the the person that
like I was going to become that I don't
even know. She almost sees that in a way
or or something. Yeah. She's and she she
even like I've not I mean I've noticed
since middle school. I sat behind her in
middle school. So she's uh what's the
best way to put it?
If I did wake up tomorrow and was just
like I'm over it. I'm out. She's like
cool. What are we doing today? She's not
It's not
She really does just want to see me
happy. So she's she's down for the all
right you want to write for six years. I
was like, "All right, you want to spend
$2 million a lot of money on an album
and and risk it all yourself and come
back after 6 years and rent the venues
yourself and buy the merch yourself. All
right, let's see if it worked." She's
ready to go cuz you know, six years ago,
I'm like, "I'm never again." And I know
my future and and then 6 years later, I
was like, I have a lot to say. And now
they want to give me my [ __ ] back. So, I
feel like morally, it's a good time for
me to actually operate because I'm not a
dancing monkey. I'm just making [ __ ] and
getting paid properly off of it. So,
>> dude, that's so cool. That's so sick.
>> Yeah.
>> Uh you mentioned that you changed a lot
in the space of six years.
>> Oh man, I had three kids.
>> That'll change you. [laughter]
>> Yeah.
>> Uh
>> in fact, actually, before we even get on
to that, I need to talk about this fake
Instagram account.
>> Yeah.
>> thing.
>> Yeah.
>> Seems like the forum ticket sales and
most of the album roll out was talked
about through a blank Instagram account
called user 12261990.
My birthday. Yeah.
>> What the [ __ ] going on?
>> Um,
social media is too much is is the brand
of my name is too much for me to care
about. So, it was more freeing
to just [ __ ] post and just say things in
real time and not curate the post and
not whatever. And then for some reason,
when I removed it from my name and it
was just this like doing this thing, I
knew that the real fans would care. And
then the harder it is for people to
access the real information that's not
on the main page, it would turn fans
into more news herald type of people. So
I just was like, let's do a Windows 98
like forum. Let's do a fake Instagram.
Let's do all do stuff that creates
people to have to kind of dig to then go
tell the rest of the world who are
passive fans, this is what it's going to
be. Cuz then I hired a label for free,
you know? So it it just took the
pressure off cuz social media is just
not for me. I haven't had social media
on my phone until I got that fake
Instagram. I haven't had it for six
years. Not a single thing. So, it's
like, how am I going to get back into
this? Because the second I post from my
main account, it'll be
>> 30,000 likes and then my
>> and then my whole [ __ ] starts to take
over again where I'm like waking up
being like, what is the thing that's
going to remain my relevancy for people
to know about my album? No, I can't do
it.
>> Did you fear irrelevance?
>> Fear irrelevance.
One of my deepest fears creatively is
100% my
ideas not being valued to be brought to
affect other people. My deepest fear is
when you lose your quote unquote
relevancy whether it be in production or
artistry or whatever. There's a viable
idea that could change the world but the
world doesn't soak it in because the
perspective that you've built of
yourself is not as strong as it was
years ago. So there is this weird dance
you have to
>> Okay. So you see your relevance as a
vehicle. My relevance is only a vehicle
for utility. My the relevance is a
vehicle to present utility to other
musicians and to other things to keep
the soup turning of culture for this to
birth cooler [ __ ] than when I'm gone
other things will happen.
>> You're like a vessel. That's it. Nothing
else. It's not
It's all borrowed books in a library and
we're taking and we're reading and we're
there's stardust coming and it's not
like um there's days I'm on my high
horse. There's days I think I'm the
worst in the world. So, it's like, you
know, you don't want to be like too over
exaggeration, but like it's all
borrowed. It's everything is borrowed.
It's all just
it's all um
anything that is good in my mind comes
from God. So, if he shows up to do it
through you, it will be good.
Good in a way that will last forever
because he lasts forever. So it's like
if he wants to show up then it'll
happen. That's I'm on that time now. I'm
on that time. He's going to either she's
going to show up or he's not. It's like
oh well then just sit in your room all
day and wait for God to show up. It's
like yes metaphorically it gets very but
I I I can only speak from my gut. And I
know right now at 34 years old with
three kids and whatever. He's either
going to he's either going to come in
the room and play or he's not. It's just
it's just it is what it is. There's a
great quote which is uh God doesn't want
to do all of the work. Some of it is
left up to you.
>> Yeah.
>> And I think this balance between faith
or belief and agency
age old. Yeah.
>> Correct.
>> Yeah.
>> You know, I I know that I need to make
things happen, but I also need to have
faith that I'm going to be pulled toward
the right direction of this.
>> Yeah. I mean, how many times in my life
creatively I thought what I was making
was for this and it ended up being
something completely different that was
not. You look back on it, you're like,
"Oh, that ended up being unbelievable
for me."
>> Do any examples come to mind?
>> Um,
just like right now, this is the number
one record at Rhythmic Radio. I've never
had a rhythmic number one in my life.
And it was a record that
I was like, you know what? I'm going to
return to just like really listening to
something that I just listen to as a fan
and I want to put it in the car and like
I just like it. Not like I need hits. I
want big songs and this it's going to
affect the world. I just want to like
get back to a place where I'm like my
taste is driving all of this and I'm in
the car excited playing it back right
now cuz there's waves and flows. There's
different
>> ways to attack product and like my gut
was saying whatever. So I made the song
and I was like oh this will probably be
for me. no one will ever find it and
like the most unexpected artist in the
world was like I'll take it and I'll
take it to radio and it'll and it ends
up going number one and it was like I
never would have thought this artist
would have took it. I never would have
thought you know. So it's like sometimes
you make things and as long as the
offering is pure and it's like aligned
with your gut, the universe will be like
you think it's going to be here but I'm
going to put it over here one day and
then you look back four years later and
you're just like I would have never
predicted what that was like ever. Like
crazy. I love the word taste. Yeah,
>> I think it's so great and it's very
difficult to define and very difficult
to replicate and very difficult to
create a blueprint for. I think it's one
of the reasons that people don't talk
about it because
>> the uh good definition of taste being
able to distinguish between good and not
good.
>> Yep.
>> Right. This is good. Why? Don't know. Is
>> this is not good. Not sure either. It
just is
>> literally literally that that's a
forever coagulating uh not problem but a
very interesting interaction with
product and me it's it's always like
>> when you say product what are you
referring to
>> just like the thing you made the the
product not like a sellable thing just
like the fingerpainting put it on the
table on the table it's a product right
there it's a product of my effort um
yeah no it's it's wild there's always a
forever interchanging
uh what's good for the
what's good for me. Some people would
even say like the Rick Rubin approach is
always just like it's about if I like it
and nothing else matters.
>> But like sometimes there's thoughts that
creep into my mind where it's like this
is like almost a cooler melody or this
is like a really way like a cooler way
of approaching it in my opinion. But I
know
>> bubbling it boiling it down here to
allow the person to understand the point
of the pre to then be affected by the
hook. It will affect more people
constructing it this way. Scorsese
Scorsesei makes this and the Avengers is
here.
>> Mhm.
>> And like it
some people wake up in the morning and
want Avengers and some people wake up in
the morning and want Scorsese. To say
that both of those things are one is
better than the other in my older age. I
think that's a young man's game. Young
men want to argue about that. I realize
as a as a utility guy, I'm starting to
to disconnect from there's a time and a
place and there's my artistry and I will
take my taste to the ump and I will tell
to the world this is what I think is the
coolest [ __ ] ever.
>> Put my balls on the table and be like
ain't nobody [ __ ] with this. There's
time for that. And then there's other
times where I'm like it's not my
the world doesn't want this from X and
I'm working for X right now. So, I need
to kind of separate myself from like
even telling them I might not even
listen to this in my free time.
>> That's not my job. That's not my job.
You want to be cool and do your taste
all the way and maybe that's fine. But
like I also enjoy just like sending my
kids to college and there's times where
if you want to [laughter] say if you
want if you want to send your kids to
college sometimes you just we got to pay
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I love this point. The idea of like
artistic validity or or artistic purity
or something.
>> Oh my gosh. I mean how many people music
is very ripe with this but maybe even
art modern art for instance would be
even more so that the more obscure or
inaccessible or clunky or difficult it
is to get or to understand
>> the more sophisticated you see look at
how refined he is. He's able to consider
the the complexity and the depth.
>> Oh my gosh. And you're like, if it
doesn't if it's not popular,
it can't have impact. Like, as in if
nobody wants it, you can think it's the
coolest [ __ ] on the planet. And maybe it
is,
>> but if the world isn't ready for this,
>> yes,
>> it doesn't matter.
>> You can I say it all the time. I make
the joke in the studio all the time. If
you want to be,
you have to be seen. So, there has to be
something that makes it attractive to
say that nothing I do is attractive. And
I don't care if anybody listens to my
[ __ ] It's like, "All right, then live
in your parents' basement, eat a bowl of
cereal every day, and be broke as a joke
until you're 50." And like, okay, I
guess. But I'm not saying that that that
validates [ __ ]
I've seen the bull I' I've uh I've
worked on the [ __ ] Mhm.
>> I've worked on the most poignant
>> just the gray sludge pumped out
>> which we understand that the mom who's
taking her kids to soccer on a Tuesday
is going to turn on the radio and just
listen to that. There's there's a
directive there. There's a lot of money
there. But for me to like waste time to
just be like I am the most pure. It puts
too much. It's a young man's game. It's
it's a young man's game to be to me.
Thank the Lord for my album. father
figure is my space to go and say go
listen to what I'm saying and put it up
against
that's a whole different thing but far
be it for me to not like take a couple
of days off to go work with XX to go
make something huge that the world who
doesn't really care about some people
care about boxed wine some people care
about stomping on the grapes
>> and sometimes boxed wine sells because a
21-year-old who's going to a party just
needs to grab something at 7-Eleven and
that's viable that's real and that's a
necessity and there's utility in that to
for me to say that there's not utility
in that is is so like like pew pew like
I understand art and it's like what's
your utility the utility is to serve
then you can't get your way 100% of the
time cuz that's not serving
it's like and in order to be fulfilled
in what you do there has to be a slice
of servitude. Humanity and vanity are
very important. You can't just always be
vanity because then people will hate
you. And you can't just always be
humanity because you'll just get used
up. There has to be this clunky,
disgusting, muddy, in between greyness
as a human or at least as a creator to
help me live with myself. I have to be
okay with both sides. I have to cuz the
second I say I'm never going to be an
artist anymore. I look pretty stupid
going and being an artist. So it's like
I wiggle every day being like if my gut
tells me to go in that direction,
hopefully it works out.
It's a young man's game to be so sure of
myself. I was so sure of myself in my
early 20s. I knew everything. It
>> crazy. As you get more experience, your
certainty decreases.
>> My certainty is out the window.
[laughter]
>> The only
>> I don't even know my name anymore.
>> The only things I'm certain of are the
things that I can't pin down.
>> Like I can't pin down like the direction
I need to go to day by day, but my gut
is is leading me in this uncertain
thing. But I'm certain that the
uncertain is like the adventure. It's
the thing that brings the the spoils of
of of war, you know.
>> Okay. So, uh maybe the dynamic that's
happening there.
Early on in your career, you have less
experience. Your taste is less refined.
Your ability to follow your gut and your
instincts aren't there in the same way.
>> What that means is you need to have more
of a prefabricated plan. You can't go up
and just improv freestyle rap your way
through this thing because what
experience are you relying on?
>> Yes.
>> So you go in and you're a little bit
more contrived, a little bit more
curated, more purposeful.
>> Oh my gosh.
>> And then as you get further into your
career, into your mid-30s after having a
six-year hiatus at the peak of what
would have been most people's careers,
>> you come back and you go, "Well, I can
now tap into I I have faith that my
programming will carry me through." I
told you I told you this story about
last night. I played the town hall in
Manhattan last night and the sound cuts
out for 5 minutes in the middle of the
set. I can't keep going with what I was
supposed to be talking about. So, I just
need to find um Zack my warm-up. They
came and said, "Hey, um I know you've
practiced your set 30 times. We need you
to extend by 15 minutes because they're
doing bag checks at the front." He's
like, "Can you just create another five
songs out of nowhere for us, please,
this evening?" And he [ __ ] crushed
it. Love it. that is that faith that my
programming will carry me forward.
>> One other example uh on that I was doing
a big podcast a few years ago and I
decided I wasn't going to eat on the
morning and I was going to train hard
and I was like the dopamine and the
[ __ ] adrenaline are going to be
going. I'm going to be super dialed. I
felt amazing and then I went
hypoglycemic partway through the episode
and my brain just went completely blank.
>> Oh my gosh. Making me nervous. I'm like
staring
[laughter]
>> like watching watching someone talk at
me
>> and immediately my mind goes, "You're
messing up. You were never supposed to
be here. You're not supposed to be here.
Everyone's laughing at you. This was
your shot. You're going to blow it.
You're d like
>> and
>> he's talking at me, chatting away." And
when I watch the episode back, I'm
having a fully cogent conversation about
the power of Jake Paul's right hand.
[laughter]
I'm like, "Yeah, well, the interesting
thing is Jake Paul's knocked out every
opponent that he's faced." And I'm like,
"You were never supposed to be here.
You're not supposed to be here." Like,
and I'm like, "Oh, that's programming."
Yes.
>> That's like a thousand hours plus 2,000
hours of conversations over the last 8
years just like pulling you through.
>> So that's why you're allowed to use
experience and taste and instinct deeper
into your career and you can't use it at
the I say it all the time. It's like
Rihanna had to make Shut Up and Drive to
get to like
>> uh stay like like Bruno had to make the
lazy song to get to like Uptown Funk.
It's almost like you have to and you
also have to be okay with the growth of
what it is. Like you got to just like
create, put it out, and then there's
nothing you could do about your growth.
If you want to get to somewhere, you're
going to have to start somewhere.
>> So, it's going to be messy. It's going
to be sloppy, and it's not, like you
said, it's going to be contrived, and
it's going to be whatever. Like, if you
listen to even like any song, uh, like
Don't Shoot the Boy Down on my album now
or six years ago, what someone's
favorite song might have been. It's two
totally different worlds. Totally
different world. So it's like like even
like you said the autopilot thing where
just like your programming of what we we
only rehearsed for four days for four
sils because I used to rehearse for
months
>> but there was we did a middleion people
on stage
>> you improvd the whole thing conducting
everything [laughter]
>> that all right look I I get that you've
got lots of experience 4 days feels like
a highwire act
>> okay [ __ ] looking at your manager
through the window and he's like [ __ ]
his [laughter] head
>> yeah yeah yeah Yeah. Yeah. No, it was it
was four it was 4 days of um
>> of really intense rehearsal. I mean,
they were like in the 10 hour range, but
but you're right, though. It's like, you
understand
this will probably hit. This will work.
I can pack that in. I'll remember to
bring that part out. And I wasn't
remembering a single lyric the first two
days. But if that would have been six
years ago, I would have been like, book
another month
>> and we're going to get in another 12
hours a day. And I can never forget
while I'm rehearsing lyric. I was like,
you know, it's gonna kick in when the
adrenaline's there. And it did. Didn't
need the the the lyrics on the sheet and
[ __ ] I was just like, all right, it
worked. And then another thing hit me,
too, is that
I don't really I I don't really need to
keep touring. So, if this fails and
crashes miserably, like this is the one
show I was going to do anyway. So, I'll
freestyle the whole middle of the show.
We'll pick five songs. I'll like build
the [ __ ] in front of everybody because
that's kind of what I do in the studio.
And if it fails miserably, it's not like
it's like I'm not going to pay the
barrels to to like finish my tour. It's
It's just like that didn't work, but it
felt like it worked. So when I walked up
there, I was just
>> [ __ ] up. [laughter]
>> So when I So when we ended up
freestyling it, it was programming. It
was for sure like
I also have a bit of just like I don't
really have much to lose.
>> This, you know, I walked away from it. I
walked away from it for so long and
accepted it and like put it in a coffin
and sent it down the river and like
watched it go away only for like God to
like lift it up and present it at my
front door when I woke up one morning.
But like it was so gone that now I'm
kind of like I could do that. And so it
is actually which brings me to like I'm
I very very vulnerably speaking. It's
just like this stuff is very uh
this is point that I just kept thinking
about days before speaking to you is
that I can't express what it's like to
to be like it's it's hard for me to put
uh a thought process on like if you
really love your life then just like
love your life. You don't need to inform
people and let people know how great
your life is. M
>> so going on a podcast talking about how
much I don't care seems counterintuitive
which then makes me not want to even
just like leave my house and come and
talk to you about it cuz I don't know
how to express the like
I'm on a podcast with one of the
greatest podcasters in the world and
this is like one of the biggest
platforms and I'm talking about how much
>> I don't give a [ __ ]
>> I don't give a [ __ ] But there is a
piece of me that I do in my deepest
morals find important and I should shoot
those out into the world. But it's also
a larger risk that I don't really care
to take. Like like if I really if we
talked about how me and how you speak
with your best friend after a couple of
drinks like back home or whatever, which
is which is like everybody else, the
people you trust the most. You get down
to what you really believe. So there's a
piece of me that doesn't want to just
give fluff, but I also don't want to
like I ain't like I I don't I'm not I
don't want to be like this. like if you
want to like fight the music industry
and I but I have a bunch of knowledge
that I think can help a lot of people.
So I'm constantly struggling like I
should say something and go on a podcast
and have a conversation about balance
while playing the game that's like in
the machine that's plastic.
>> Yeah.
>> I don't even know how that popped out of
my cerebral while we were talking. I
don't even know if that made sense.
>> Why did you Why did you decide to come
on?
>> I forgot. I said yes a really long time
ago.
>> Let's go, baby.
>> And then Lewis, my my day today was
like, "They flew out, dude. You're doing
that tomorrow." I was like, [laughter]
"I'm in." And uh all jokes aside, I find
you your cause to be very uh I I find it
at base route to be noble. It's not
salacious. It's not something that is
like entertainment. It's uh it's a meal.
And I can get down with that. Like on a
moral deeper level, I can have a
conversation with somebody that I've
learned a lot from. and the guests that
you've had on like it's helped my
individual life, my silent life at home
with my family. So, it's like I I'm
down.
>> Well, I appreciate that. Thank you. I
also appreciate your uh booking agent or
whoever just sliding it into the
calendar and being like, [laughter]
Friday, what what am I doing today?
>> Um
>> and and and honestly, truthfully, I'm a
really I'm a really big fan of you as
what you've decided to put out into the
world. I respect that. Thank you
>> deeply on a really deep level. So yeah,
>> that means a lot. I am
taste is uh
>> absent even more in my industry than in
yours and uh I'm I'm trying my best to
like hold on to that wherever I can and
and and to refine that.
>> What do you what what's the temptation
for like a guy at your level, top level
of of conversation, having podcasting
content? like what is the daily
temptation of the like I know I could
blow the door open on D like what is
your like content uh well first one
would be um most almost all platforms
big big big big platforms with like
hardcore tribal audiences are built
together over the mutual hatred of an
out group not the mutual love of an
ingroup. Wow. This is how all cults how
all movements are built right by
identifying the other. The if you look
at the way that American elections have
been won, the last election where the
party that was voted in was voted for
love of party, not hatred of the other
was 2012. Since then, most people have
protest voted against I am not that, not
I am this. Wow. And that's how so a
great a great um way to judge whether or
not the content creator that you listen
to is uh playing the game correctly or
playing the game in a an honest way. Is
the audience bound together over the
mutual belief of something as opposed to
the mutual disbelief of something else.
>> Wow.
>> Uh and I've never played that game. I
don't start beef with people online. Uh,
even if I get like poked at uh a little
bit here and there, um, I genuinely try
and platform people who I can go from
[ __ ] John Bell and Matthew McConna to
like some 22year-old YouTuber from
London who I found a one video essay of
and I [ __ ] love and I'm like, you're
coming to Austin and I'm going to speak
to you on the podcast and I'm just going
to give you a shot. Um, like who the
[ __ ] am I to say I'm going to give you a
shot? But the entire industry is you
holding on to the coattails of people
bigger than you. And then you know three
and a bit years ago Rogan puts me on
when just a DM I've got 250,000 subs.
It's nothing. And he brings me on and
gives me a shot and it went really well
and that was great.
>> Wow.
>> And being the like the opportunity to go
from
you like lying in the hammock everybody
else has created for you to turning the
hammock into a trampoline that other
people can bounce off.
>> Yes. is really [ __ ] cool. Two of the
things I don't want to forget that came
to mind while you were talking. The
first one was you said that you stepped
away for six years. Have you ever heard
McConn talk about when he stopped doing
romcoms?
>> Bro, so he's like the romcom king. And
what I didn't realize was romcoms were
super easy to make, super cheap, would
generate at the box office, get replayed
at Valentine's Day, replayed at
Christmas. Like it's just it was a cash
cow. And he was the romcom king. But he
realized that it was a little gray
sludgy. He was becoming formulaic. He
was churning these things out and he
didn't want to do it. He stepped away.
>> Yeah.
>> And he stepped away, I think, for 18
months or two years at like the peak of
his career. Real similar to to your your
story. They came and they offered him 5
million for the next role and he said
no. Then they said seven, he said no.
Then they said 10 and he said no. Then
they said 14
>> and he said no. And they were like,
"Well, what's he got going on?" in order
to say no to $14 million for this role,
which is, you know, easy in, easy out,
whatever, however many weeks of work.
This is He's got something really
serious that's happening. And that was
the moment that his catalyst that got
him.
>> Exactly. See, it's funny at my age, I
don't view him as the romcom guy,
>> but now, but the only reason he was able
to get there was cuz he dispensed with
that outfit. Right.
>> It's amazing.
>> Second thing,
>> it's amazing.
>> You know those um balance board things?
It's like a skateboard deck on a little
sort of cylinder.
>> Um I always think about this. So you
were talking about the fact that
>> you have to play the game but know that
it's not about the game and sometimes
you are playing it more and other times
you are playing it less.
>> Absolutely.
>> When you think about standing on one of
those balance boards, at no point are
you actually in balance. You're always
making these little micro adjustments.
>> Forever coagulating. Yes.
>> And then every so often you go, "Wo,
holy fuck." like we really like nearly
kissed the ground there on that one and
then
>> I gotten totally
>> and I love that idea and I think that
that
>> what people want is to think if I can
get myself to the perfect level of
equilibrium I'll never have to readjust
again. It just doesn't exist.
Readjusting is the game. That is it.
Then you start to realize that it
leaning left or right is not even the
thing. It's like you could just do your
best to do ab workouts to stay on.
>> Mhm. It's like it's like you I know this
thing is going to go left and right and
I have to be prepared for it to go left
and right. So I got to make sure my core
is like very very solid and then and
then your whole entire holistic
perspective changes to make sure your
core is right to do the balance cuz the
balance is all that's happening. Like
you said you're never going to hit the
perfect thing where you go I'm perfectly
balanced no problems for the rest of
life. Then your your mind starts to
think. You're like, "Oh, it's not
perfect artistry. It's not total
commercialism.
It's the reflection of this balance
thing that is not black. It's not white.
It's it's just a lot of nuance. It's
some things there's no nuance at all.
But I'm blown away in my older age how
deeply nuanced it all is. Every bit of
it. It's tough to even have. It's it's
tough to even like confidently move
forward. The only thing I'm confident in
is is the music because I like it. My
own music.
Everything else is very very tough for
me. Even people say like what do you
what advice do you have for writers? I'm
like like I don't even know what I did.
I I really don't like I had a I had a
weird unwavering belief in myself.
That's super important. But like I know
there's people out there that are
wickedly talented that just it just the
chips just don't fall. I don't know how
to like combat that.
>> I don't
it's it's it's it's very interesting.
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That's drinklnt.com/modern
wisdom. I've heard you say the most
talented people in the world sometimes
don't make the best [ __ ] to listen to.
>> Yeah.
>> Why? For sure. What gets in the way? You
would assume. So funny. The way my mind
works, I'm like I'm already editing that
like I'm like uh well
>> what would you say
>> in my opin Yeah. It's like
I think I've been blessed with an
understanding that when I'm listening to
something I think in my head humans will
feel good because of this. People will
enjoy this thing that hits this thing
and this will work and this will be
pleasing to people. It's a is a thing
when I'm creating. I want this to feel
pleasing to you. I want you to be
affected by this. I want you to be have
goosebumps and to be affected not just
look at how uh talented I am. I know
[ __ ] who can sing the phone
book. Doesn't mean when they play me the
MP3 in the car that I'm like I'm going
to listen to that song again. It's like
you're singing really great, but I just
there's nothing about it that makes me
and I don't know what that that about it
is, which is my obsession. I love that.
I live in the about it. I'm not the
greatest singer. I'm not the greatest
rapper. I'm not the greatest producer.
I'm not the greatest um piano player,
chord guy, harmony guy, but I just I'm
like, I think people will like that. And
I can now find a way to get I know who
to call to to get it to the thing that I
think people will like. And that's
worked for me. It's worked for me. I
don't know. People might say I'm I'm
talented, but like I also just really
really really deeply to the point of
tears love what I do every day. I love
it. I love it. I love it. I love it.
Everything else is like a a day at work.
For me to go in there,
7 hour, come in at 11:00, leave at 7:00,
I get dinner at my house, I play with my
boys, I put them to bed, and wake up and
do the same thing every day. And life
just gets better and better and better
and better and better cuz I'm doing the
same thing I did when I was 15.
>> I'm so happy for you, man.
>> Thank you. Thank [laughter] you. So
[ __ ] And it's hard not to um to just
say that. And I know that that might
make people reflect on their own thing
and not be happy about the statement,
but
why am I not touring or why am I
I'm not even I I swore I wasn't going to
get emotional, but it's like I just love
I love my life to to live.
[gasps]
I love my life. I love it. I love it.
It's It's mind-blowing. I get in a
minivan and drive home from a stadium
and wake up and clean diapers the next
day. I got it all. I got it all cuz my
life
I might not have got the diapers. might
not have got the sleepless nights. I
might not have got the
it's the [ __ ] that the world tells you
is not what you chase after is the [ __ ]
that I almost missed. It's like there's
a renaissance coming of people and it's
uh
the renaissance is real realizing that
the roof over your head, the plumbing
job, and the cutting the grass is the
good [ __ ] We've taken it to the
extreme. Our society's taken it all. We
got it all. We figured it out. We're the
most connected we've ever been. We got
the most money we've ever had. We I
think everyone start myself included. It
took me six years to be like, I almost
lost. I almost chased this thing. And
then I for 6 years, I was around a bunch
of guys who had all the stuff I thought
I needed.
No, it's the dirt. It's the muck. It's
the mistakes. It's the thing. That's
it's the good [ __ ] But we spend so much
time making sure no one ever no one ever
sees us in a light that might seem
average. Being average is the greatest
thing in my life. It's the greatest
thing in my life. Sometimes I I I go to
the shoe store and people know who I am.
And then other times I'll go 5 days
without anybody even knowing who the
[ __ ] I am. I take my kids to sports
class and nobody bothers me. It's like
celebrities. Like miss me with that.
I've never had a conversation with a
with a a famous [ __ ] I never
had a a long two, three, four hour
conversation in the studio with a famous
[ __ ] that's been like, I love
it. It was the best decision I ever made
in my life being famous.
God came out the sky and was like, you
have the money like you're famous, but
you don't have to be famous. I'm taking
that all day long. Fame makes no sense
to me. And I think the the general
consciousness of the population is
waking up to that. Like the idea of
celebrities like
everybody's like side eyeing these guys
like you're not perfect because I'm not
perfect. It's like what are we doing
here? Like what are we talking about? I
don't know how I just went on that
tangent. I apologize. I don't I didn't
mean to. Yeah.
>> You guys have to make me look like I'm
making sense. Thumbs up. [laughter]
Yeah. Yeah. That was the main thing,
guys. Even if I can get on this podcast
today and just be like like
my coffee in the morning and the grass
on my feet and a roof over my head
making music. It's like you will never
you'll never stop me. You'll never stop
me. I love what I'm doing so much. You
will never I'll never stop. I'll be 90
years old just doing the same thing
every single day because it gets better
and better and better and the
relationship changes with it. and and to
be able to get paid like that where I
don't have to I could play one show at
Forest Hills and then people show up
I think because I walked away and let go
of it. When it came back I was like I
didn't even know I had this when I had
it 6 years ago and now coming back to it
doesn't even define me but it's just
like this funny like I'm like the
Monopoly guy with a mustache. Like it's
all fake money. [laughter]
I'm rolling dice. I'm like, if I lose
money on [ __ ] Boardwalk at this this
>> Yeah.
>> Like it's just life is good, man. Life
is Life is good.
>> Have you ever seen Peaky Blinders?
>> No.
>> Okay. So, it's a a show about a a gang
from Birmingham in the 1920sish
and [snorts] in it uh it's a group of
brothers. They were in First World War.
Two of the brothers were in the First
World War and uh they went to the Battle
of the S. And they were tunnel diggers.
uh real dangerous, high uh like
mortality rate. And
Tommy and Arthur, the two older
brothers, they have this line where they
say um they basically thought that they
were going to die at the Battle of the
Psalm, but they didn't. And they refer
to it as everything after that was
extra.
>> Yeah.
>> And it feels to me like you died
>> during that that time
>> and you're like
>> everything after that was extra.
>> Absolutely. I look at I in in therapy I
did an exercise where I looked at me on
a boat and thanked him. Thank you for
getting me this far, but I have to go on
without you. You helped me survive. You
you all your tendencies and all of your
things, they helped you get to this
place cuz it was survival.
>> But I can't keep you with me anymore and
I got to say goodbye to you and I got to
move on. And I did it. It's just the
boat went away. And once the boat went
away, you start you look at things in a
in a much different
It's just much different. It's just much
different. It almost comes to you when
you let it.
H I hate being the like guru guy. You
don't I don't ch I just do I'm just not
chasing much now. I just know that if I
fish and make father figure, some artist
out there, it's going to be a commercial
for myself and some artist is going to
hear it and then ask me to go work with
them. I just I just know that. I know
that in my two-year plan of spending all
this money, whatever. It's like you when
you fish, you just you fish. You can't
get in the water with goggles and like
start swimming after the fish. Most
[ __ ] wanted to just like I
really in my early 20s, I was like in a
speedo with the goggles in the scuba
trying to trying to get a bass. I'm like
and then someone's on the dock like
young man, young man just grab the pole
and just hang out. Well, I can't see the
fishing. What if they don't show up?
They might not. But you you're not going
to catch [ __ ] from forcing the universe.
I don't know. I don't know. It's so
counterultural because most people would
tell you wake up and force the universe.
>> No, no, no, no, no. You're Dude, you
should not be doubting anything that
you're saying. I I
>> thank you. Coming from you get a lot of
uh you get so many rounded polished
perspectives of like good information.
So, I appreciate that. I believe
>> you're you're tapped in. There's two
types of people in the world. There's
people that are tapped in and people
that aren't. And um when you think about
that, you know, when you're talking
about it and you're saying like, "You
can't stop me. You're not going to stop
me. I'm just doing what I want to do."
You know that feeling that you get
that's like a bird cage opening in your
chest?
>> Yes.
>> That
>> Yeah.
>> Like that's what people should be
chasing.
>> That that is honest to the Lord. I think
a lot of successful peoples, myself
included, I swear to you that that is
the superpower of whether it's
production or podcasting or whatever is
accessing the thing cuz once the thing
is seen by people, they say that's the
thing that I have hid for like there's a
freedom in the bird cage opening up and
if you can access the bird cage opening
up, I just feel like by the grace of
God, I've been able to open my bird cage
on record. so many times
that I've learned to be okay with the
fact that I'm emotional, that I'm okay
with the fact that like things can wreck
my day. And seeing one thing on social
media will [ __ ] me up so bad that I have
to get off of it for for 6 years. I I'm
okay with those things cuz I just think
my bird cage is is uh I'm sensitive.
There you go. [laughter] All that all
that talking to to say
>> No, no, dude. I uh I I really really
appreciate you saying that. I think
sensitivity is your strength with
regards to this.
>> Oh my gosh.
>> I did I've been wearing this I guess the
the audience might not have noticed, but
I've been wearing this little piece of
red uh for about 6 weeks now and uh it's
got the letters ILM on the back and it's
got an infinity symbol on there. I went
and did a retreat um in Soma County
about 6 weeks ago, 2 months ago. It was
12 hours a day from 9:00 a.m. till 9:00
p.m.
>> Wow. uh of very deep emotional work,
>> intensive,
>> incredibly sober, non- psychedelic
stuff. And uh the ILM on this stands for
I love myself and it was the thing that
you wanted to take away. Uh but in it,
what you were talking about that I need
to send that version of me off to see.
>> Yeah. So many of the
fears
and doubts and patterns, the the
patterns that people have, especially
the ones that you don't like, they're
there to protect you. They're there to
try and keep you safe, there to get you
validation from the world. And even my
work, my work when I was 14 years old
was every night I was lost in that
screen creating and living in a world
that was not reality. It's it's what
it's what helped me get grow as a man.
It's what helped me stay alive. Like
music is lit literally something that I
held on to like a life raft and it was
so embedded in my but then at what point
when you're a grown man you say is this
escapism? Is it easier for me to be
listened to in the studio all day long
than go home and actually have an
interactive marriage where my opinion
doesn't actually end all beall of
everything. There's a It's a very very
very very interesting thing like you
said saying goodbye to that person is
saying like I know I was put on this
planet and I've been given gifts to make
music. I'm I'm pretty sure of it at this
point
but I always have to take inventory on
whether it's escapism or not. Sometimes
it's healthy to escape as men. I think
there is a something very valid on a man
who goes fishing on a Saturday. There's
something very valid about your own
time, your solace, your whatever. But
you always have to take inventory on is
like dude are you fishing on a Saturday
or are you not able to stomach the idea
of
the normaly of your life which is always
that's another thing I have to take
inventory on with my job.
>> You're on you're on that balance board
dude.
>> Totally. Totally. I have to always take
inventory of saying let me let me see
what this feels like to me. Is this a
post just went viral about me doing
something that makes me look talented.
How am I Hey.
Yeah.
>> Hey. Hey.
>> Calm down, buddy.
>> You Hey, and it's a it's a lot of that.
But I've noticed that that's been the
biggest blessing in my life. Some people
would be like, "She ripped the door
open, man. Like, you just did 26,000
people at Forest Hills. We're going all
the way back."
>> Woo.
>> And when I drove home,
>> my wife was being Michelle Obama all
day. She was tired as [ __ ] She was
taking care of the kids all day long.
There was a playground in the back. So
about the time that the show was over,
my kid my my son was like, "Dad, I
didn't My son was like the other day he
s me down. Can I talk to you?" I'm like,
"Yeah." He's like, "I just I didn't like
your show." I was like, "By [laughter]
the way, the whole thing sold out." The
whole thing about him. He's he's like,
"Yeah." And he's dead pan. I'm like,
"Oh, I thought he was going to be
joking." So like my ego, he's four. My
ego is like like everyone told me I
killed it. That thing was sold out. I
said, "Buddy, why didn't you like the
show?" So he goes, "You know, you sang
the first song, then you just kept
singing and singing and singing." And I
was just like, "When's he going to be
done singing?" He's like, "I wanted to
go play with you in the playground at
the at the back of this thing."
>> So it like puts the whole
even that my son trusts me enough to
tell me that. I'm like, "Oh my gosh,
thank God,
>> bro.
>> Thank god the the trip back in the
minivan that cuz we have too many kids
now. We used to have a navigator and a
Ranger over and now I'm I'm ripping the
Kia Carnival. Wonderful product by the
way. I'm driving home in Kia. She forgot
to get gas. I'm in the middle of Bumble
[ __ ] Brooklyn trying to get gas after
I'm like, "Yo, I'm rich. I don't need
this shit." But then it like it just was
like, "No, this is the
This is the good. This is the [ __ ] This
I'm annoyed. I'm tired. My wife's over
it." But you would look at me at the end
of that show that day
>> at the afterparty of everybody coming up
to me. my daughters needs this and my
cousin and listen to my demo and you're
the man. That was the best show I ever
seen. They don't recognize that there's
this other
thing. I'm just like, "Thank God I
didn't spend my whole life pretending
that that other thing just never
existed."
>> Oh,
>> cuz I'm way more in that other thing
than I am in stuff like this.
>> Not Not seeing the value in it.
>> Oh my god. Oh my gosh. It's so scary,
dude. And then you build a kingdom
that's predicated on the idea that you
never have sludge or you never have
mundane [ __ ] Then you're [ __ ] toast.
You're trapped.
>> It's not a kingdom. It's a prison.
>> Bro, the amount of records I've written
for people that by the end I've walked
away and been like, I'm all the way good
on everything this dude has ever.
By the way, my heart breaks for them.
That doesn't mean that, hey, I'm, like I
said, I ain't Johnny Noble. I'm not like
so much better than them. I I get on my
knees. I get on my knees in my closet
and I say, "Thank you. You didn't give
me everything I ever wanted. Oh my gosh.
Oh my gosh. If I got everything I ever
wanted at at 20, I might not be alive."
And then you and then you bring it back
10fold for me to look at it like I'm not
even this isn't even I'm not even in
this. Tomorrow I will wake up and I will
be with my children and I will be in the
studio making something maybe for me or
something for somebody else doing the
same [ __ ] I did every single day. It's
not this. The 4th of July every day
ain't the move, man. The 4th of July is
great because it happens once a year. If
Monday through Monday it's fireworks,
alcohol, and craziness,
but our job, I don't know. Societyy's
just very much like if it ain't Fourth
of July every day, then you are not
accomplishing what you want. And then
the [ __ ] who's got to sit in
traffic on Tuesday is like, my life
sucks. It's like, dude, no it doesn't.
>> No, it doesn't. Because we're all living
the same same fears, the same
validation, the same way you want to be
looked at when you walk in a room and
you wonder what other people think about
you. We just spend a lot of time making
sure that that's not
obvious. But the more time you get away
from the machine, you're like,
I'm getting I'm in my chubby phase. I'm
a little bit of a dad. I'm making music
as a dad. Like, thank God.
>> Dad music [laughter] like because that's
what the [ __ ] I am. If I spend half my
life trying to pretend like I'm not. You
get a lot of these artists I work with.
I'm like, "Man, you ain't Why you want
to say that? That's not your reality."
>> Yeah. You've got kids at home, but
you're still playing the baller up
front.
>> Me, what do the kids think? You know a
lot about a man about what his kids
think about him. I don't need to know
what your fans think about you. I don't
even I don't even know what my
>> present is and mama.
how you got
never speak to to someone who adors
somebody from a distance on on a
character judgment that you can make
about them. You will know the fruit if
you know the person. That's the only
thing you can count on. So for like you
want to work your whole life for a bunch
of people that don't know you to think
that you're a good guy and then when you
go home everyone's like this guy. That's
what that's what most of the album's
about. You've traded the validation of
the people who would love you for who
you are for the validation of people who
love you for what you do.
>> It's like and then your identity becomes
what you do. So if you can't do what you
do, your whole life is just shattered.
>> It's taken away from you. So now you're
locked into the and that's how you get
locked into the prison.
>> Bro, I've noticed that in in recently 10
years of some some kind. And it was
almost like like even when I looked at
my dad, my dad's job didn't it he wasn't
trying to get like his whole community
from his job and his whole purpose from
his job. It was almost like you made
money to then like go to church and like
have another life of I don't really know
what I'm saying. It's probably not going
anywhere. But like what I'm trying to
say is like
the job is just the job. It's it's not
the definition of what you are. And
slowly but surely given our like whole
lives being commercials which is what
social media is. You have to turn your
job into your
and I've like lo like I'm just like man
it's like this is just something I get
to do. It's not me. It's it's a it's a
facet within the other things that feed
me in my community. Spending time with
my wife, going on vacations with my
friends, spending time with my family,
eating a good meal with somebody. It's
the little things. This is
>> Well, imagine if you had a an investment
portfolio and [clears throat] 95% of
your investments were in a single stock.
>> Insane.
>> You would be very very careful and very
very anxious about the progress of that
stock. What you have is a distributed
portfolio of investments.
>> Oh my gosh. Amen. It's like I even think
sometimes too it's just like this
probably and again I'm just speaking
from I'm here and it's like someone
wants to hear me talk I guess. It's like
I might as well throw whatever out
there. is like I've also noticed just
like living under my means and not
living to the thing that I am has made
me also wildly happy by beyond most once
me and my wife stopped with the house
additions and the hot tub and the pool
and the yada yada yada
>> pivoted to the Kia.
>> What' you say?
>> A hard pivot to the Kia.
>> Bro, I'm in the Kia and they got these
little nature sounds that you can put on
in the car and [ __ ] I'm like I like
this just as much as my $175,000 Tesla
that I got neck pain from ripping on the
highway on. I'm like oh thank god I got
the Kia. So then it really started
opening up in my life to be like, what
if I just live completely under my
means? I'm rich forever. If I live like
a [ __ ] who makes the type of
money that I make, I'm going to have to
be on the wheel forever to keep that
moving. But if I just make the house
smaller and accomplish huge things and
just don't make a big deal out of the
accomplishments and just keep it kind of
lowkey and then just tuck it away
somewhere that if anybody ever needs it,
it's there. But I'm here on the grass
with my ass on the grass with the kids
just hanging out and doing the thing.
That is like bring you to tears levels
of like thank god I did not keep chasing
whatever cuz the money ended up coming
and it ended up working out and
I got enough of it to go around. So I'm
It's so weird. It's like like frogging
hot water. I I would have been the frog
in hot water if I didn't find out how
shitty my touring contract was and and
artist contract was
>> for sure.
>> What an odd gift,
>> bro. I be looking at people sometimes
and I'm just like, man,
says the guy with a bunch of money that
money is not important.
>> I know teachable lesson. I know. I know.
We We've been down that road. I
understand. But it's like I'm telling
you, man.
It doesn't
uh the money
me and you are still here no matter
what's in your bank account and what's
in my bank account because the only
thing you can be is present. So if
you're never present with yourself and
you're never living your life, what the
f who cares? [ __ ] out there in
Thailand just on a boat happy as a
[ __ ] and they're not the hot tub
broke. It's like, dude, we we went for
breakfast yesterday at Red Diner uh
downtown Manhattan on like 43rd Street
or some [ __ ] We sat in there and
our server came over, Mexican lady, and
uh I can't remember what happened. She
asked some sort of question. She said,
"Uh, I just finished a night shift. It
was 11:00 a.m. and she started at
midnight in her other job." and she's at
the diner at 11:00 a.m.
And I'm sat next to Zach, who's warming
up for me on tour, and immediately we
start going like,
ironically, going, "Wh the ambient water
in the dressing room was supposed to be
chilled." W I'm not happy about the
particular fruit and veg platter that we
were supposed to get backstage. W the
cat five cables that we were supposed to
have triggered and it meant that I had
to do an acoustic performance for five
minutes on stage. I'm like,
>> "Yeah, it really puts you."
>> Are you [ __ ] high?
>> Yeah, I did,
>> dude. It Wealth is what you have minus
what you want. And by that definition,
some billionaires are broke.
>> Wow.
Wow. Yeah, I'm taking that one. I'm
tucking that one in the back pocket.
>> It's Morgan Hel. He's [ __ ]
phenomenal. Wealth is what you have
minus what you want. And by that
definition, some billionaires are broke.
But it's crazy because the things that
you need that you find out that you need
don't bring immediate gratification and
sometimes they're not pleasurable and
sometimes you're not even happy which is
>> life changing.
>> It's the unhappiness.
Yeah. I don't know man. It's like you
have kids and then you learn to die. And
when you learn to die, you actually get
your life in your death. M
>> the giving up of oneself by saying my
dreams, my millions, my potential, my
MVP, my Olympics are dead because I
brought a life into the world and I am
everything in my my body will make sure
that this child is okay. And if that
means me reducing myself to make this
child what to give this child even maybe
what I didn't have.
>> Mhm.
When it's not about you,
it's so much more enjoyable if
everything is about you constantly.
And I don't want to get too deep into
just like what I think is wrong in
society. Like I ain't Jordan Peterson.
I'm not like educated. But
there seems to there seems to be this
it's all about you and chase what you
want. And if you don't get what you
want, your life is a failure. But I
found so much freedom in it. not and me
just not we don't have to go down that
road with me. I I I if you want to go to
your friend's house, I will or if you
guys have to go to school today, I will
wake up early despite being in the
studio late and I will take you and I'll
feel like [ __ ] but I'm going to take
you to the studio. It's probably going
to [ __ ] my day up in the studio, but I'm
going to make sure you get to school.
>> Kids shift your perspective on a lot.
And I mean, it's so deeply to the point
where I say people who don't have kids,
that's another thing. I look at my
children and I say, "Thank God I had you
to refine me." into someone I didn't
even know I was I had the potential of
being or getting grabbing a level of
patience or exposing how impatient I
actually am. I thought I was this like
patient level-headed guy until I had
kids.
>> Oh yeah, very patient when you only have
to look after yourself. [laughter]
>> Oh yeah, your patience is really being
tested.
>> Like even now like I I wake up with the
kids. I don't have time to work out. I I
should make time to work out. So, all I
got to do is get up at 4:30 because so
and so on Instagram told me
like I'm almost I almost feel myself
becoming softer around the edges because
my concern is the life of somebody else.
So, kind of me is is to some degree,
don't get me wrong, I'm in a studio 7
hours a day. I live a great life. Uh,
you know what? No, I'm not going to um
what's the word? Validate everything
that I'm saying or or there's a
different word that my therapist tells
me like not to use. I constantly try to
like
>> justify quivering. Yeah. Yeah.
>> Yeah. Well, just on that, you have done
it a few times today and I think
>> it speaks to the fact that you don't
want to come across as preachy and the
fact that you're saying, "Hey, look, I'm
an idiot, too." But the disclaimer, the
reason that
I have the compulsion to do that as
well.
>> Part of it's a protection mechanism
because you don't want to be called out
by somebody for saying this guy doesn't
know what he's talking about and he's
still he's still proitizing.
>> Totally. That being said,
not saying a thing that you believe
because you're worried about the
criticism of people who are going to
hear it and misunderstand it.
>> Y
>> you really should not be worried about
the criticisms of people who don't
understand what you're trying to do.
>> Absolutely.
>> If people misunderstand you, that's a
them problem, not a you problem. And
it's like something to try and overcome
that is really tough. That being said,
in the music studio, we spent the first
half of this conversation talking about
taste and about how like I just know
that it's good, but you're in an alien
environment here.
>> And you're thinking, well, I I know that
this is good,
>> but I'm not sure whether or not I'm
allowed to think it's good. Yes.
>> So, this is you at the beginning of the
music career going like, well, if I can
prescribe and I'll hedge and caveat and
I'll litigate [laughter] my way through
this thing. And so it's just a new and
if you put me if you put me in the music
studio you're like I have maybe we need
to can we like roll that off on the
kick.
>> I'm not saying I'm a guitar player but
maybe [laughter]
yeah yeah.
>> That's amazing. Yeah. That's amazing.
Yeah. It's just it's funny. People even
this a usual comment my whole career has
always been people thinking I'm on drugs
when I'm in the studio. I'm a different
person. A different person. They be like
he's whacked out. He's cracked out. Is
he footage of me in the studio?
>> Your demeanor in the studio. So, I'll
sing something and it'll like be
freestyled, but then I listen back to it
like I didn't even make it. Like, this
is the best part of my day. I'm having
so much fun right now. I light up. It's
like it's the thing that like my whole
being feels like I'm supposed to be
doing that. I just tell them like I'm a
little it's like a screw loose or
something. It's not necessarily that.
And I think I've done it long enough now
where I'm like
Max Martin, Rick Rubin, Forel, every
time I'm I'm around. The other day I was
in the room uh working on BTS with and
Max Martin was in another room and it
was we I was in LA. I took a quick trip.
They're like finishing up their album,
blah blah blah. They asked me to come
out there, work on on stuff for them. Um
Max walks in the room. We're working on
something and I'm not like creatively
like what I'm not going to go there. Max
Martin walks in the room and he listens
to what we do. Max is is 20 years older
than me, you know.
I'm like, "All right, here we go. I've
never seen him work before." I'm like on
the couch and I'm looking at him and he
like he's like, "Can I give some notes?"
And he's in a room full of like eight
people. I can't explain it. And
producers, writers will know what I
mean. This [ __ ] in 17 seconds
was like he listened to it one time and
he was like, "Oh, your intro is your
pre. Just take your intro and make it
your pre cuz that's your best part."
He's like, "And then bring it back in 30
seconds later." We were like, "Boop." We
moved it all and we all looked at it and
I was like, "Oh man." Like only time can
make someone that [ __ ] cold. It's the
same thing with Forel. Freel be walking
in the room after working on something
all day. He'd be walking in and just be
like, "No, no, just move this and do
this here. I know that the wall looks
like it's 5,000 ft tall, but it's only
5t wide. Just walk around it." I'm like,
"God almighty. There's a
[ __ ] be asking me how do I get
good and I'm like yo it's just you got
to just do it for 20 years because the
20-y year [ __ ] are so cold for
so Rick Rub so cold Max Martin is so
cold they're so good and then I thought
when I got with them they'd give me this
the keys but then I realized they just
didn't get off the treadmill for 20
years I'm like oh that's true mastery
like Picasso doing like a drawing on a
napkin when he's 80 and it's just a
stick figure
>> after all that [ __ ] It's like the the
wall was only 5t wide. I really look up
to those 5t wide [ __ ] there.
There it's amazing to watch. I don't
know how I went on that tangent. I get I
get passionate about music.
>> I'm interested in what gets in the way
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o.com/modernwisdom
and modernwisdom a checkout. We spoke
before about the most talented people
don't necessarily cut the best songs.
>> Yeah.
>> How is it not the case that the person
who has the most talent doesn't make the
best music? What is it that's getting in
the way? There might be a talent of
making things that people enjoy to hear.
Like Tamman Pa like Kevin of Kevin
Parker. He's like I think he just like
has a talent in making things that
people enjoy to listen to. This is
soothing to my ears and I want to play
it on the way to the beach at the club.
I don't think he's like
the third chair at the [ __ ] Rag
Manovich orchestra in Australia or some
[ __ ] Or maybe he he might be a
savant in making the thing that
>> you know what I mean
>> in delivering instead of that. I've had
this thing. So I was thinking about um
>> most most Sorry to cut you off. Most of
the the bigger producers I've been
around I've recognized that they don't
really have any any technical ability.
None. Some of them can't even play an
imprario.
>> No, they're just like I don't care that
it's the third harmony and that's not in
the chord. The chord just feels good.
That's and that's how I've I've kind of
been blessed enough to kind of be. I I
don't can't tell you what I'm playing on
a keyboard. I could play the [ __ ] out of
the piano, but I can't tell you what key
I'm playing in any of it. I just know
when it comes back to me, I go, I would
listen to this in my free time.
>> Taste,
yo. I'm like, sometimes riffers be just
be riffing too much. I don't want to
hear you.
It's like, and then you want to play me
the song and you just just [ __ ] all
over the song, riffing. It's like, I
don't even know what you're trying to
tell me. Let me sit in the Let me sit in
the room for a bit and at least look at
the wallpaper before you invite me in
the den. I got to If you try to take me
on a house tour [gasps]
and then you got to When do you take
them out when they're bored to take them
into the next room? Not just look at
this house and there's purple walls and
there's blue walls and some some talent
[ __ ] be trying to you be trying
to just give them the whole house tour
on the whole [ __ ]
>> Can Can talent be an obstacle in that
way?
>> Of course. tal talent
self-belief. Uh what that's a whole
other deeper conversation. What is
talent? I mean we could spin our wheels
all day into the the digression of what
the basis of the root of the whatever.
But
talent is like I've just noticed it's
just like that and a dollar and get you
to ride the bus. Like it doesn't it
doesn't
Some people are talented at just working
the system. I know a lot of writers that
can't write a song.
I'd never mention their names. I never
would ever I know a lot of writers that
have no business no business being in a
room writing songs, but damn you know
how to go to the bar mitzvah. Damn, you
know how to talk to the CEO and get the
dinner.
But the some of the guys in the back be
like, "Okay, if you're going to get me
to the bigger artist and you're the
social bridge that I have to tap dance
to get to, all right, I'm I'm far be it
from me to whatever." But but that's a
talent.
>> Mhm. Mhm.
>> To say that because you play the guitar
better than everybody else makes you
successful in the musical industry,
that's more [ __ ] up than you could
ever imagine.
That there's tal What's a talent, bro?
Talent. Like I play the greatest piano
in the world. It's like, yeah, but do
you know the the radio programmer over
its owner? It's this big weird
coagulating thing. That's where uh the
artistic purity versus the game playing
sort of comes back in again, right? And
I think
>> there's always going to be a sense of
elitism in He's so artistically pure.
Absolutely.
>> If only he was prepared to lower himself
to the standard of you to have to go to
[ __ ] the dinner, the bar mitzvah or
whatever, you know, he's above that.
>> There's people, it's funny. He's like,
you know, for me in in a time in my
life, I for those six years, I was so
removed from being an artist that I just
wanted hits. So, my brain wasn't geared
toward like in six years, I'm going to
go on a podcast and talk about some of
the biggest songs I ever wrote. For then
me to go on a podcast and talk about all
the giant number one Billboard songs I
have. For the comments to be like,
here's why I hate every single song. I
can't prove to you that I'm talented.
Some people don't even think I'm
talented. Some people think I'm the most
talented to ever grace the [ __ ]
didn't need to use the British accent
then [laughter]
just thinking he came out of me.
I said, "Oh shit." I said, "I'm in."
>> Remember remember the audience.
>> I don't know why the British has to fall
into that.
>> Well, I I have to remind you that we are
on stolen land right now. Specifically
stolen from the British.
Yo, I don't know.
>> Should have started with a [ __ ] land
acknowledgement before we began this
podcast.
>> I'm getting way too comfortable with you
right now. We're going to get a a beer
after this. Um, what was that? I don't
even remember what I was saying.
>> I want to tell you I want to tell you
this thing that's been in the back of my
mind. I was thinking about this
conversation with you and I wondered
where you were going to go and I said,
"What what I I've realized that people
that are very very talented don't always
make that sell the most records, be the
most popular or whatever, even be the
most liked." like yes. Um,
>> one of the things I've noticed since
being around musicians more over the
last couple of years is that artists
tend to fall into two categories or
there's a spectrum that they're moving
in. And on one side is create like an
artist, that's artistic purity, uh,
that's skill, that's like are you an
imprasario? What's your ability to play
scales? And and also to uh create the
music like on your side, like I just
know what's good and I can put it I can
put it into a track. Mhm.
>> On the other side is operating like an
athlete.
>> So create like an artist, operate like
an athlete. And it's okay. How many
repetitions are you doing? Are you in 5
days a week from 11 till 7? Yes.
>> Are you spending your time drilling and
working and looking over game tape and
working on your mindset and nutrition
and you know whatever it is like all of
the individual components.
>> Yes. Especially after having kids, you
have to be.
>> So can't be Olympic without a uh an
Olympic approach.
One way to look at it would be uh
you have to ship at a pace required to
work out what works and
>> have to ship. What do you mean
>> ship ship a product? Send it send it.
It's okay dude. We could just we could
keep [ __ ] trying to record this riff
for the next 3 weeks.
>> Send the [ __ ] off to get mastered.
Like mix it, master it. Let's get put
it. Let's see what happens. And um just
a lot of the time what I've seen is that
because artists tend to be like away
with the [ __ ] ferry, you know, like
just a cigarette butt in a [ __ ]
afternoon. I'm in a hammock. I'm going
to have a walk. It's like, "Okay, dude,
can you sit down and do some work,
please?"
>> Yeah.
>> And uh I'm I'm interested in what you
think about the the value of consistency
might be a way to to look at it like and
of for sure. You're you're
>> I've noticed in my older age that you
can't will it you walk away from it if
it don't work. Cuz again, if you're just
the instrument, if the player doesn't
show up that day, you're not going to be
played. A trumpet can't play itself. A
trumpet alone without the player is like
some some like a metal. But the second
the player, the second God comes in or
inspiration or the muse or the whatever
comes in and and plays through you, it
becomes this thing. The issue is that
when the trumpet starts to believe that
it's playing itself and then you wake up
every day and think you can wheel this
into existence and I'm going to and then
you're like why hasn't it came in a
bunch of years is because you didn't let
the thing bigger than you come in the
room. If the thing bigger than you
doesn't come in you will never have
energy. We're not getting energy from
ourselves. You're getting energy from
this like I don't know how that song was
written that day or when that came or
whatever. So you you're a little less
I'm a little less hard on myself
sometimes when it doesn't come out the
way I want it to.
>> You can't white knuckle creativity. You
can't white knuckle creativity and you
can't control culture. Some things
you'll drop and it will not be the right
time and 10 years later this [ __ ] will
be looked back on and be like, "What an
amazing piece of art." And
>> so precient. He was able to predict
where the genre was going to go a decade
before it did.
>> Yeah. And a lot of people in the
beginning they just say it's a I've
dealt with that my whole career. Whole
career. Every album six years later is
like the new one sucks but the old one
was the one. Then six years later the
new one sucks but the old one was the
one. It's like what are you going to do
man? It's crazy.
Talk to me about the story of the new
album.
Yeah, man. Um,
get a phone call one day. It's a new
regime over at the old label that I had.
There like three presidents removed. One
of them is a fan. Why aren't you putting
out music on our label? Uh, you guys are
[ __ ] me on the contract. What would
you do if we gave you your [ __ ] back?
Uhhuh. Let's have that conversation.
Talk to my lawyer. He's like, "You know,
we might be able to get your whole the
reason why you walked away. We might be
able to reverse it." I'm like, "I ain't
an artist." Well, go find out. Go see if
it'll calls me back. He's like, "You now
have X percentage of yourself.
What are you going to do?" I was like,
"Ah, I'm not I already I already pushed
that down the river." And then over
time, it was just kind of like working
on songs for really really big artists
and then being like, "I don't have to
write about the experience. that's not
mine today. Like I could
>> felt like the door was
>> and it started to turn into me telling
like my buddy Pete Nappy or my buddy
Tenrock or whatever like
prolific prolific musicians and
producers like like ridiculous like
ridiculous only reason why the album
sounds as good as it does. Um,
yo, hang on to that one. Started
turning. [laughter]
>> It's like you play a bunch of records
for like this huge artist and there's
these millions that could possibly come
from them taking it. And then you get to
the playlist and there's one I'd be
like,
>> hit the next one. [laughter] Hit the
space bar.
>> So [ __ ] funny.
>> Yeah. And I I found myself telling my
wife like, I'm not having a blast right
now, but you know what would be fun? If
I went and wrote about
and she's just like
>> it's happening again. Yeah.
>> And then one night she randomly I had an
out of nowhere right before we went to
bed. She my wife's amazing. She uh
she goes, "I'm not asking you. I'm
telling you." She's like, "You got to go
do this." She goes, "You won't you're
not going to be uh you're going to be
regretful in many many years if you
don't if you don't come back and do this
again." She goes, "And I don't feel like
dealing with you." Joking around. She's
like, "I don't feel like dealing with
you in 20 years when you say you could."
She's like, "Go spend the money. Go risk
it all. Go back into the world. go do
what you got to do. She's like, I'm
telling you to. I'm not asking you to. I
was like,
okay. And then I just I had a battery in
my back. For some reason, when she
when my when me and my wife are on the
same page, life decision making, a lot
of stuff is easier. Especially when she
puts the battery in my back. She puts
the battery on my back. I'm like I'm
like drool out the mouth, gorilla. Beat
on my chest. Don't get in my [ __ ]
way. That's how I feel when she's so the
second she was like literally like
awesome. Like they need whatever you
need to say, I believe in my heart that
that the world needs to hear it and your
fans have grown up and they've matured
with you and you have accomplished so
much selfworth and you've put yourself
in the background for so many years.
She's like, it's it's it's okay to it's
okay to like accept what's going to come
from whatever's coming here. And I just
went nuts and in like 6 months we had an
album. Five months we had an album. So,
that's the story behind it,
>> bro. [laughter]
>> Crazy. Crazy. And then fast forward, uh,
there's a bunch of stuff I can't talk
about that's coming out. But, like,
I thought of this album in my mind as
like I told my business manager, I said,
I'm burning X millions of dollars of my
own money, and I don't expect to ever
get it back. This will be only pure
exactly who I am, artistry. I'm not
concerned about hits and I want to shoot
the biggest videos and be like super
creative on it and I don't expect to get
a return on my money yet. This this
money won't come back culturally for
another 10 20 years because I can't I'd
have to get back on the road and then
start to schematicize how to make my
money back which will d which will
dilute the process. So like in myself
having money, I was able to do a pure
process of burn money by working on art
that was just for art's sake. And I
think that is a a reason why it came
across as potent to bigger artists that
I'm working with now or [ __ ] that's
coming out soon or Thank God. I treated
it like a two um a many million dollar
commercial.
This is not this is just like a
commercial to stir the soup and remind
the world that there could be other
opportunity for me to go work on music
in other areas. It's the greatest
advertising campaign of all time.
>> Exactly. It wasn't the definitive thing
that's going to make me the greatest in
the world ever. It never is. It's just
always these constant It's a new lure in
the ocean fishing for a new type of fish
because I want to just keep it moving.
But when you want to keep things moving,
sometimes you got to do the thing that
doesn't make sense. The machine's not
going to help you. Then you fast forward
and we're at Forest Hills, 26,000
[laughter] deep. And I laugh about it
because it's [ __ ] hilarious. [ __ ]
hilarious. Like
The grateful the grateful thing changes
a lot of a lot of uh I'm sorry if I'm
rambling it dude
>> it's it's been a uh
someone be like my friends will be
coming over and they'll be like dude can
you believe you the [ __ ] and I'm like
I know like they paid me for it like
that's that's where I'm at consistently
in my older age. I can't believe it.
Yeah. It feels to me like uh mostly
artists get split into two camps.
Artists that have beef with other
artists and artists that have beef with
the industry. You fall into the latter
camp. [laughter]
I And also too, I was also
I also signed it at a young age. I also
like look at my publishers who signed me
early and only gave me a $10,000 advance
that I was in for 10 years before I
signed my second publishing deal.
It was all anger and it was blame and it
was whatever. And then you get older and
you and you realize like they were just
trying to do what the it's a reflection
of the norm of the industry. It's a
reflection of people's greed. It's a
reflection of whatever and it's my
response. I don't ask for the trauma but
it's my responsibility to process it. I
don't ask for it and that's not fair.
That's the injustice of life. That's the
thing. Why'd you put me here if you were
going to That's your fault for making
me. I didn't ask to be born. It's like
we don't ask for the traumas but it's
our responsibility to process them
because your life's going to be [ __ ]
miserable unless you don't. So you have
to take responsibility for even the
things that were out of your control,
which is tough. But I'll tell you at the
other end of it,
we are simultaneously living where
everything is the most important
decision we've ever made in our life
leading toward this amalgamation of our
work forever
and co could like happen again. It's
like this thing where like nothing
matters but everything matters but none
of it matters. So like
shit's working right now. This
like [laughter] I I want to know how you
want Father Figure to make men feel who
listen to it.
It's funny like we were on a vibe and a
feeling that I don't want to speak from
that feeling. I almost have to like
reenter myself to to open the bird cage
to get to the general pure intention of
what that was.
Um,
if I could soothe the guy who has lost
sight of the fact that
fathers are important and your role in
your children's life are is is more
important in the cat in the lineage of
your family from a thousand years back
to a thousand years in the future. Your
job as a father will do more than
anything you could ever do in this
physical world. It will it will echo and
reverberate further than you ever could
because you're downloading and
imprinting into something that came from
you. My son is me and his son will be
him and we will live forever through
each other. You're the most important
job you could ever do. I hope for
47 minutes or however long my album is
that you can be reminded
you've never lost the path far enough
where you can't return to your kids.
You are not damaged.
You are not
damaged so badly that you can't return
to your children because your children
need you whether whether you like that
fact or not. So, if I could if I could
put a little espresso in your cup in the
morning to go and be whatever that
figure is, which is different for all
men and whatever, but
somewhere along the way, we threw the
baby out with the bathwater. And I don't
know what I mean by that. I just mean
culturally, somewhere along we've lost
the thread of fathers. We've There's a
thread that is like I cannot put my
finger on it artistically. It's just
No, no, no, no, no, no. It's important,
man. Keep going. Clock in. Don't have
that drink. Don't pick up the pill
bottle. The child needs you and your
role is important. Just because you're
not on the radio or you're not making
hits saying, no, fathers are the fathers
are a bedrock, a pillar in something
very, very important. We can't lose
that. If I could bring some attention to
that with another man who's struggling
with that, I don't think a 12-year-old
is going to relate yet. But if a guy my
age who's like, "Man, I'm thinking about
leaving.
I'm thinking about just [ __ ] all. I'm
going to just go back to the bar because
I'm not good enough to take care of my
children. I'm not perfect." And
that's what I want that I want to just
speak to. Not I don't know how the
ending finish line will be, but if you
could just pop that on and even if one
day it prevents you from choosing
something that's not going to feed you
for the rest of your life, that's what I
I genuinely at the bottom of my heart
hope that the album speaks to.
And I wanted to make the music and the
cut so
ball
that it made you proud to listen to.
Because there's a difference between an
after school special
and
Good Fellas.
Good fellas, the lesson that you learn.
You're you're not feeling like you're
being told something because it's in
this messy murdered Italian heritage
thing. It's in this thing. But then you
go, be careful what you wish for. Be
careful who you trust.
Being the top dog sometimes is not even
what you might want. Bang, bang, bang,
bang, bang. But it's wrapped up in this
thing. Like I wanted to make good
fellas. I didn't want to make like being
a dad is important. Like so I felt there
was a responsibility there morally for
me to creatively attack it to to the
best that I could in that direction.
It's a very long-winded answer, but
was that a fear that you had? What not
being able to live up to the your own
standards for a father? It's a fear I
have every day. You don't know how I
don't know how I'm uh
I want my kid to know what working for
money is like, but I don't want my kid
to be like this like starving like cuz I
know some kids that grew up and be like,
"My dad was rich. He didn't give me a
scent. [ __ ] my dad." And then there's
another kid in rehab who's like, "My dad
never let me make any decisions on my
own and gave me all my opportunity."
So every day I pray to God. There's a
balance and a patience with my son, all
three of my sons to say,
I know I'm like lightly messing you up
somehow. I just like don't know yet. And
hopefully it doesn't like topple your
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wisdom. every single
dad uh that I've had on the show who has
achieved a level of wealth that's
significantly greater than they grew up
with has this ex exact same problem.
They know that most of the things that
they value in themselves were the
byproduct of the struggle that they had
to go through as a child.
>> Yep.
And they think, I don't want to rob my
child of the opportunity to learn those
lessons for themselves because I know
how important those lessons were for me.
>> Yes. Yes.
>> And at the same time, what the [ __ ] was
the point of working so hard if I'm not
going to give them the opportunities
that I didn't get?
>> It's like the term nepo baby. People be
like, "Oh, like you're a neo baby." It's
like, but when a man like comes from
nothing and makes something of himself,
the second he makes something of
himself, you become
it's it's like they they exalt you to
the to want you to chase after your
dreams, but then when you get your
dreams and you have kids, that kid's
just the product of a man who reached
his dreams. It's like, [ __ ] you told
me to chase him.
[snorts] Now I'm in trouble for the fact
that you It's like it's that's like
nipple baby to me. Like I hear that term
being thrown around with like kids who
have parents who are in the industry and
this that and the third. It's like what
do you want their parents to do? And if
you are an epo baby, what do you do? You
[ __ ] wear a dunk cap and sit in your
closet every night and just be like, I'm
I'm too privileged to to like have an
opinion or or make art. Like, what are
you supposed to do?
>> I don't know.
>> Interesting. You know, Fred again,
>> yeah.
>> You know, he I think comes from at least
a little bit of wealth.
>> I have no idea.
>> I didn't know that. I found that out
this week. Uh I think
>> family comes from at least some degree
of of what people would call privilege.
I think I get the sense looking at the
way that Fred presents and looking at
the sort of shows he did. Do you see
that he did a miniature tour around the
islands of Scotland?
>> No, I did not.
>> He played 200 person cap working men's
pubs.
>> Sick.
>> And clubs. Sick.
>> Right. And it was
>> love it.
>> Stor away these tiny little [ __ ]
islands or the Hebdes or some [ __ ] off
the top corner of of Scotland. and uh
the way that he uh presents online with
his social media very sort of
anti-marketing marketing type thing. Um
>> I get the sense that a lot of that will
be an additional burden that Fred has to
pay in order to like wipe the potential
accusation of Nepo baby.
>> Say that again. Re rework that last
part.
>> He needs to what's called counter
signal.
>> Okay.
>> Um that uh I'm playing these tiny shows.
I'm not flying at this ridiculous like
I'm a man of the people,
>> okay,
>> in an attempt. This is an additional
burden that he has to get over just so
that people see him as someone that is
remotely [ __ ] resonant as a normal
human.
>> Got it. Got it. Got it. And because the
accusation is so and I mean that's also
by the looks of things like who he is
like a pretty nice chill down to earth
dude uh and the way that he wants to
live and all the rest of the things as
well but there has to be in the back of
your mind this weird scenario where you
go
>> the privileges that I was afforded are a
burden that I have to get over as well.
I have to work harder or count a signal
in this weird way or
a downplay that I would say the last the
last two years have really started.
I feel like he's on an ascension and his
his moment is like happening and it's
all this stuff. So, he's going to figure
that he he seems like a very brilliant
bright guy. So, I'm sure he I wish him
the best of luck on that journey because
you're right. That is something that you
have to deal with in the public eye.
It's like it's so fake that it's not
fake that I'm making fun of it for being
fake and by the way go buy my album.
It's like we're all [laughter] we're all
uh uh
>> on that. But I recognize there's another
thing where it's just like something or
at least I'm trying to work on
creatively is just I am not apologetic
for any space I'm in anymore.
>> I will there it's a waste of time. It's
a creative waste of time. I I can't I
can't I have to believe I belong in a
space in order for something to be
believable. So for me to posture my
whole life about making sure I'm
accepted in the space creatively again
as as I talk within the music stancer I
I have a much more direct whatever
it's just like a waste of to posture.
That's another reason why it's like
social media like you're damned if you
do damned if you don't. I'd rather just
not be on it. I don't I all of the
caveatting dilutes down the purity of
what it is that you're trying to say.
Again, dude, it comes back to you're
trying to justify yourself to people who
don't understand what you're trying to
do. Oh, you don't get it. Well, that's a
shame. But if you tried to litigate your
way or caveat or uh uh uh create in
advance some odd disclaimer that front
runs the criticism that you think most
people are going to.
>> What are you saying?
>> H is this?
>> Welcome to politics.
>> It's so arduous, dude. I had Bernie
Sanders is on the show on Sunday.
>> Really?
>> Yeah. Uh that came out.
>> It's really good. It was really fun. Um
>> in the space of
a couple of comments that I saw. One was
um uh this is absolutely unspeakable. I
can't believe how judgmental you are.
You are always shilling for the right
and it's obvious that you that that all
you're doing is like uh pushing these
like hard right right-wing views. And
then the next comment that I saw was,
"You only interview liberal. You only
interview liberal guests. It's evident
who's paying you off." I screenshotted
both of them and put them in Instagram
stories side by side. I was like, "A
story of the internet in two slides."
>> Literally. Literally. Sometimes I feel
like, why do I even like
>> I'm being spit roasted by two people
pointing in opposite directions.
>> You can't be both. How could you be both
villains?
>> Well, apparently I am. [laughter]
>> Unbelievable. And this is the point. If
you try and please everybody, you're
going to end up pleasing nobody. And if
you [ __ ] caveat, you're going to
dilute your work down so much.
>> Double down. Double down. Double down
until you really in your soul realize
the error of your ways. If you don't
feel like there's error of your ways,
you're going to turn into a super angry
person.
>> You'll be angry at yourself for
cowtowing to the thing that you like the
uh the rehearsed speech you're supposed
to give everybody before you go into a
uh a space. It's a waste of time. It's a
waste of time. Art is art suffers
through that. Art suffers in the um
the validation. Some of the best art
comes from the people who were never
supposed to get their hands on music
equipment. Some of the best art comes
from But to say you haven't paid your
dues in the sense of blah blah blah blah
blah blah blah blah. It's like that
ain't I'm not you're barking up the
wrong tree with me. The wrong tree. At
least in the studio. Everywhere else in
my life I I don't know. But
>> yeah,
>> I would never be able to go into the
places I'm going into on the album
without me being like I am not by no
stretch imagine asking asking for your
opinion on that.
>> Your opinion asking for your opinion on
whether I deserve to go into that space
or not creatively.
Where do you think about self-belief
coming from? Because that sounds like an
awful lot of self-belief.
is it probably has a lot to do with my
father telling me I'm great constantly
constantly my whole life even when I
wasn't he was so proud of me playing
songs for my family in the backyard my
son made the my son made this and I'm
like dad it's not good I made it stop
embarrassing me but looking back on it
it's like you are spectacular
you're spectacular like I was I was told
that for so long that I think your brain
just snaps in and wires at a certain
point and you go I'm spectacular and
someone says No, you're not. You say,
"No, the man who made me told me I am,
so [ __ ] off. I'm" And then you look back
and you're like, "Thank God I believed
it even when it wasn't true."
>> Because that's what got me to the place
to be like, "I got really really good
because I thought I could I thought I
was good, but I wasn't in retrospect."
But maybe that's the whole that's the
whole equation is just like even when
you're not.
Yeah, I don't that's that gets really
convoluted with self-belief. But I do
think a lot of it has to do with both of
my parents telling me I was great.
>> You know what's strange?
>> And and some people to this day don't
believe things that anything I've ever
done is great.
>> God does.
>> Yeah. Exactly. Exactly. [laughter]
And I've noticed that a lot of my
actions or my things come from
A trillion fans are not worth dad saying
you did a good job.
I put my money I put all the money I
have on that and it's tough for some
people.
So I'm not a big like privilege and
thanks for letting me in the cool house.
I'm not I'm not that type of guy. But I
can't imagine
that's why that album's important.
I can't imagine.
I ain't nobody's daddy, but if I could
play an album that just tells you
stay the course and you're not broken
cuz everybody's broken. Like that's the
that's the album. It's funny that that
they just got back to that, but yeah,
without I couldn't imagine.
Couldn't imagine.
Yeah.
Silence on podcast. Crazy.
We were saying before about the
challenge of
growing up with an
a big pair of shoes to fill uh
financially uh in terms of corporate
success. Dad was a doctor and mom was a
pharmacologist and you're going to
become a lawyer or whatever it might
>> were. No, no, no. Like you could just
imagine we talked about the kind of nepo
baby expectation. Yes.
>> Uh I think it's one of the reasons that
uh kids from wealth are more likely to
use hard drugs not just because they can
afford them but secondly because they
need to find a way to be able to cope
with the expectation. It's another
reason why this is a great insight dude.
I I learned this uh on a great Substack
post. um we look at uh the kids of high
performing parents are more likely to go
to college. You say maybe that's because
of advantages, maybe it's because of
private tutoring, maybe it's because of
whatever, whatever, whatever. What if
it's because they have such a fear of
insufficiency if they don't meet the
minimum standard that their parents set
for them? They are driven by the fear of
insufficiency. So all of that is to say
classic if you come from privilege there
is an expectation that you live up to
the opportunities and also the standards
of your parents right um objectively
>> what you have which is really
interesting is what sounds to me like a
really wonderful father
and you have the obligation to try and
live up to the standard of fatherhood
that your father set for you.
>> Yep. And this isn't you cannot fill this
with the number of records you sell. You
cannot fill this with the size of your
bank account or the house or the [ __ ]
however many keys you are does not
matter.
>> Yes.
>> And that's a
unique kind of
pressure and expectation that's holistic
and beautiful
>> but is still going to be there. Holy
[ __ ] I had I had like an Olympian level
father
and I now need to try and be that for my
sons.
>> Yes.
>> Is that a a a pressure to sort of fill
the shoes of dad for your sons that you
fell.
Wow. Um
yes in the beginning and then it slowly
turned into
un like understanding that my father
is me. And it's like, okay, we're going
to have to chop this up cuz I don't know
how I'm going to even get to the what
I'm trying to say. If
we don't ask for the trauma, we don't
ask for the trauma, but it's our
responsibility to process it. Right?
If you take the time to process it,
the mountain of a father starts to look
different. It's not a mountain anymore.
It's another human being that worked
three jobs to get his ice cream [ __ ] off
the the ice cream truck off the thing in
Brooklyn for him to move his family out
to Long Island to give his son ProTools
and to be able to afford it.
He's a guy that
like my dad be telling me stories about
his father and his grandfather that I'm
like my father is a miracle.
A miracle. Think I think it has to do a
lot with Jesus in his life. But my
father is a miracle.
All the good things I want from him in
droves and more good things than bad
things with my father because my dad was
amazing. He was he was around every
corner. or I have good I have my father
did the right things around it and
especially having children now I know
what he sacrificed to get to be present
with me I want all that stuff and then
the other stuff that I didn't ask for
that's deep rooted all the way into the
grandfather's grandfather grandfather
grandfather I didn't ask for it but it's
my job to process this so I don't look
at him as
an unattainable thing the reason I am
successful or not successful a figure
that I can't mold myself into I look at
him as
somebody trying to figure out just like
I am. And with with the tools he was
given, he did a pretty damn good job.
Because when I go to retreats and I and
I'm around people that have made
mistakes in their life or accomplished
incredible things and won the PGA tour
and yada yada yada,
it all lines to daddy. There's a weird
there's a really strong thick through
line of men with their fathers and what
it ends up being and what it doesn't end
up being and whatever. But like
I don't even know what I'm trying to
say. I just say I guess what I'm trying
to say is I look at my father now right
now like today and there's no like
Thank you for everything and I don't
blame you for anything.
Thank you for what you did give me. And
it's 90.
It's It's all It's It's all good. It's
all good. It's like
the biggest lie of it all
is that you go you can't connect back
with your father.
Your father might be too successful. You
can't connect with him. Your father
might be too much of a drunk. You can't
connect with them. Your father might be
it might not even be healthy for some
people to actually connect with their
parents because they're in such [ __ ]
up positions and whatever.
You will never be able to figure much
out without going headirst into
uncovering
what the story and lineage is with your
parents and facing that whether you ask
for it or not. That might not involve
you even seeing your parents, but I can
tell you that your life will open up if
you can process that.
I don't even know how I got to there
from the question that you asked me. And
we're going to have to edit all that
space out and whatever. But
>> no, no, no. The space is going nowhere.
Sorry.
>> Like the the
I just think fathers are very important.
I think I think that I I just might I
might think that there's not much more
importance than a mother and a father.
Whatever we have to do culturally, I
ain't no [ __ ] politician, none of
that [ __ ] but whatever we have to do
culturally to to re-establish the
importance of that is important to me.
That doesn't leave me on any side of the
political spectrum.
>> Mhm.
>> I would go to war for the idea that
fathers are important. I mean cosmically
DNA from Saturn to here and back levels
of since the primordial soup of cavemen
fathers. It's it's and depending on how
this depending on how this goes
is where this whole thing will fall or
stand. I'm speaking very symbolically
but I know how we treat the the unit
how we treat the leader
in micro leader of every home culturally
across the thing. What we do with this
will determine what it all looks like
top to bottom because it begins and ends
with that.
That's why it's tough for me to go on
podcast. I don't really even know what I
mean. I just know what I mean by that.
Whatever that means is is what it means.
>> Everybody knows what you mean.
>> Yeah. It's going to get tough, man. It's
going to get tough. You can't throw the
baby out with the bath water. In the
process of trying to get justice,
don't don't burn you can't burn the
whole [ __ ] thing down. Parents are
important. You can't you can't burn the
whole thing down in the pursuit that you
believe to be righteous. It's it's and I
don't know what I even that's not left
that's not right. I'm just saying in the
pursuit you can't [ __ ] burn the house
down in the winter. You still got to
have a roof over your head. Says there's
a hole in the wall in a room and cold
air is coming in and people are trying
to go fix the hole. You can't just sit
in the house all day and say, "Well, the
hole wouldn't be there if you didn't
[ __ ] D."
I know, but there's still a [ __ ]
hole. So, can you come with me to come
and fix the hole?
If we don't fix the hole,
it's going to get cold. It's going to
get cold in this [ __ ]
Cold. And there ain't no uh not a lot of
amount of millionaires are going to
change that.
I brought this up with Bernie on Sunday.
It's my second time in New York in a
week. And um he's big into inequality.
>> Uh as am I. I grew up working. I grew up
as working class as possible and I
wanted to get his thoughts on a few
statistics that I'll say to you now as
well. Uh I basically put forward the
idea that fatherlessness is the real
inequality.
Boys who grew up apart from their
biological father are about two times
more likely to land in prison or jail by
age 30. Fatherlessness is a better
predictor of incarceration than race or
growing up poor. Young men are more
likely to end up in prison or jail in
the US than they are to graduate from
college if they are raised in any
non-intact family setup. More likely to
end up in prison or jail than they are
to graduate college if they grow up in
any non-intact family setup. And that's
like across the world.
>> Just the US.
Just the US.
>> Wow.
Regardless of family income, children in
intact families are half as likely to be
diagnosed with depression.
And girls who grew up with without
fathers are 10 times more likely to be
diagnosed with depression.
>> What do you gather from that?
It's politically very unpalatable to
talk about fatherlessness because it
feels like you are putting blame on
something very intimate and very closely
associated to people's sense of
selfworth.
Um I think that there are probably some
breakouts by demographic here too which
are uh politically unpalatable for for
people to talk about too that there are
going to be uh subcultures and areas of
the country in which this is worse and
and and better. And that's also
something that people don't really uh
want to point the finger at because it
sounds a lot like blaming. It sounds a
lot like it's like it's a slippery slope
to get toward uh a type of conversation
that's not too nice.
>> Absolutely. Um, and yet exactly as you
said there,
we cannot deny the raw reality that
growing up without a father in the home
is not good for daughters and sons and
mothers and the local community.
And the fact that people are so
unprepared
to be able to hold two facts in their
mind at one time which is
fathers are important
and
mothers can be independent. Absolutely.
>> Uh you know how um there's a uncertainty
principle in quantum physics. You have a
what's called a superp position. the the
the particle can be um in two places at
once essentially.
>> Uh uh thinking in superp positions,
allowing yourself to hold two thoughts
in your mind at one time.
>> And unfortunately, we have a world that
refuses to think in superp positions and
it collapses down the space.
>> If you're in this, that means this.
>> Yes. If you want to give uh empathy to
men, that means you're taking it away
from another more deserving group. If
you're saying that fathers are
important, you're implicitly saying that
mothers are incapable. If you're saying
that, you know, pick your onedimensional
argument of choice
>> and um
I think that you are right. I think that
there are many things that need to be
looked at. Inequality is a big one of
them. Poverty is a huge one. class, the
focus on the diversion away from the
focus on class and into other in some
ways more arbitrary uh uh uh uh um ways
to delineate people from other people uh
is a big problem. But
removing focus from the family and from
fathers and their role in the home
in the hopes that what? By by reminding
people or but by trying to convince
people that fathers aren't important
that somehow pedestalizes women that
somehow makes them more independent.
>> Yeah. Like there's no uh one like you
said like the super Yeah. We can walk
and chew gum at the same time. We can we
can have a superp position in terms of
our thoughts. And um I think it's very
precient, dude. I think this weird
position that you're in where you're
talking your your album is a tribute to
your father and an offering to your
sons.
>> Yes.
>> At the same time.
>> Absolutely.
>> It's going in both directions.
>> Absolutely.
>> Um
I don't think we need to be ashamed. I
don't think we need to do this [ __ ]
land acknowledgement each time before we
do this. I I I I I talk about men and
the the problems of men an awful lot and
I it will never not fatigue me to have
to do well we must remember that women
have fell behind for all of this time
and oh it's also important to remember
that it's only been not been long since
D like guys I get it I get it I wish I
could just say it once
>> or like have a disclaimer on my website
and be like I understand completely the
challenges that we're talking about I am
not saying any of this huge list of
things. Remember what we were talking
about before? If you have to try and
justify why you're in the room in order
to be able to do the thing and you water
it down and you have the caveat, which
is exactly what I'm doing right now.
>> No, no, no.
>> You'd never get yourself
>> Yes. No, no, no. This is not This is I
don't see this as caveat. This is like
>> You understand what I mean? Calling
>> excavation of the thing.
>> Yeah. Um
I think I think people are deathly
afraid of the excavation cuz you just
don't know what the [ __ ] you're going to
find. So, it's a lot safer to just not
excavate it.
>> You say this, you mean this. If you say
this, you mean this. And now I get to go
home and live my life and whatever.
Because if we were both to excavate,
[ __ ] I might actually like you. I might
actually agree with you. We might
actually be on the same page. Then I'm
going to have to revert everything that
is makes my life easier. It's easier to
not excavate. It's easier to not
excavate. If you have to excavate
everything, that means you might have to
really face yourself to find out what
you truly believe at a gut level. Most
people I don't think I just don't think
people it's just a lot it's a lot easier
to just not to excavate the problem. If
we es if you excavate the problem you
might have to ruffle some feathers. It's
like oh I'm dealing with abuse in my
family. Abuse runs in my family. Uh we
just don't talk about that. It's like
might be a little bit easier for now to
not excavate it because if I excavate
it, I might die facing that type of
but the only way you get anything is the
you got to have the the discourse I
guess. And I just I guess discourse is
not uh
it's just risky, dude. It's risky. It's
becoming increasingly less risky, which
I like.
>> Yes. And I think that this doesn't mean
we need to have mask off. You can [ __ ]
post whatever you want. Totally.
Obviously.
>> Um you can
>> Yeah. [ __ ] God [laughter] damn it.
Yeah. We should call each other out
every time we do it. Yeah. Yeah. Yeah.
Absolutely. Absolutely.
>> Um
>> but I uh
it seems to me like the trend is moving
in the right direction now. I think
people are prepared to say what is
accurate and and caring and holistic and
um makes the world a better place. It's
it's yeah just with less of a concern
about how it's going to land. I that
will help art greatly,
>> right?
>> Yeah. I mean, if there's no
it's just it's like when the Italians
and the blacks and the Jews get together
is magic. It is like it's just like
we're all you can learn. There's there's
uh art is like
you take the Africa with the Europe with
the thing to then make the thing that
says this is the most newest European
African thing I've ever like you got to
be able to like you know but I think
it's all it's like tribalism it's and to
be honest with you I have taken the
stance of kind of like
like I got to make sure like my house is
clean like I I I don't know what I mean
by this but like I have to make that my
like shoes are lined up at the door and
my underwear is in the hamper for my
wife before I'm like
cuz there all these voices that's like
how dare you make an album about your
father when you about being a father
figure and trying to be better when you
lost your patience with your kid. Yes.
>> Yeah.
>> And there's this like but
>> that is humility though.
>> There's grace. Uh there there has to be
some sort of grace to be able to make to
be able to stumble into art. There's
grace and stumbling. It's grace. It's
stumbling. It's a it's it's uh learning
what you did wrong or refining the
product or whatever. But if there's
people who you're not welcome in a space
to create, we've already cut the art at
the legs. So like you said, if there if
as a cultural whole people are more
excited about, I'm just going to do what
I feel and let the chips fall where they
fall, the potency of art will 100%
change. It won't be watered down or
homogenized or whatever. But I'll tell
you what,
I I don't know how much time we got. I'm
having a blast. Um, not to just like
expound on expounding, but like
you know what the last conversation with
my wife for the last six days and my
therapist this morning was just like
I like I also just like don't I like
like I don't want the smoke. I don't
need the smoke. I don't care. You can
you just like I don't it's not even my
uh
when I go on social media I'm like
whipped up into this frenzy to believe
that like it's my role to speak out to
join the ranks of the thing. I'm just
going to shut social media off today and
make sure I threw my underwear in the
hamper for my wife. Like let's just like
start there. Like, let's just like take
a [ __ ] second to I have strong
beliefs about a lot of things and a lot
of things that I'll expound upon with
people in the studio for four hours.
People who lean super left and people
who lean super right and people who
don't believe the government's real. All
of those things combined I will have the
nuance conversation with. I I I struggle
with just like
I have a moral obligation in my art to
like say what I believe in, but I also I
don't need I don't need it to
like I like I like going to the store
and just like [ __ ] like hanging out,
buying my [ __ ] going home, eating
dinner, working on music, coming back.
>> Well, you have to remember I I
>> I struggle I struggle in that. That's
that's the best way to put it. I have no
answer. I I I struggle deeply with who
I'm called to be. It's the balance
again, dude. It's the balance board. It
is.
>> Wow.
>> It keeps on coming up. And the reason
that it keeps on coming up is that you
have no obligation as a recording artist
to do anything that you don't want to
do.
>> Yep.
>> You have worked this hard to afford
yourself the opportunity to not have to
do anything that you don't want to do
and say anything that you don't want to
say.
>> Yeah. I even say sometimes I say you may
have been conditioned by too much
content to grow to be angry at me for
expecting what you think my output
should be.
That's not my fault.
Like it's like somebody being like,
"Well, you don't get good ticket sale uh
ticket sale splits on your money because
that's just the way the industry works."
Like that's not my issue. Don't [ __ ] on
me because that's just the like the
artist is just this isn't a this isn't a
weird
It's It's weird.
>> I want to
>> like I owe you my music. Maybe if that
>> kind of Yeah, if you're lucky.
>> The gratefulness that pours out of me
for people that like look back at me at
a stadium is like a whole other level of
appreciation. You took time out of your
day and you spent money to come and do
this. And I am so deeply thankful for
that. But
it's not my like I don't uh
whatever you've come to expect from
artists
I'm not going to be unhealthy to fit
myself into that if it just doesn't work
for me. If my pace is four albums uh one
album every four years and you get the
best of me and I'm like a healthy father
because of it and whatever like I you
might have to like
>> sorry
>> sorry I'm not going to be doing two
albums a year double-sided deluxe with
the thing with the performance at the
thing with the and I also don't need to
be um right. I don't I don't I don't
need to prove to the I do the thing I
love every day and in that service it's
between me and the creator. I create
with collaborators and it's between me
and him. And as long as I'm here and I'm
doing the thing and I'm doing the crayon
and giving it to my daddy for him to put
on the refrigerator.
>> Oh, look at this little creator thinking
he made a masterpiece. And it's like I
made the whole universe. As long as I'm
here saying, "Hey daddy, I made this for
you."
There's not much else I could give to
you. Cuz anything else beyond that to
me, it's it's not in my alignment. It's
not in my like it's not in my um
>> the deeper I am in my purpose I will
provide more utility for the long term
of the world
>> and I can only determine what I believe
my deepest utility to be. So I have to
operate within where I think I'm humming
at my highest frequency of utility. For
someone to say you're not you're not
utilitizing the way I want you to
utilitize. It's like well like what are
we?
It's a rough It's a rough go of it for
artists right now. It's a rough It's a
rough go of it.
>> It is. It is. It's insane. Analysis
paralysis. I don't know how I do not
know how they do it. Kids, I have no
idea. The [ __ ] out here 11
years old talking about so blessed to
win the athlete of the year award
comments. He ain't so and so old from
Houston. It's like you're 11, dude. Some
they're going to look at this like
cigarettes.
And artists are the main cigarette
smokers because we got to use that to
get
streaming services [ __ ] on us. So we
have to double down by using the
platforms that only need us to use it
because it makes users use the platform.
They don't actually care about the
artist. So then we have to change our
behavior as artists to succeed on a
platform that only cares about the
platform getting eyes. So then we turn
into like stupid monkeys performing for
Instagram.
You [ __ ] doing a Carlton out on
TikTok to be like listen to my song. Do
you think [ __ ] 20 years ago
were like, "This is where it's going to
go." But it's like once you invent the
thing, Tik Tok just needs you to act
like Tik Tok needs you to act to get the
most eyes to keep the most people on the
app. Tik Tok's not helping you get to
your fans to you. They're helping you
keep fans on the app.
I don't know how to navigate it. I don't
I wouldn't know how to navigate if I
didn't have money. I'm just making an
album, putting it out. And again,
caveat, I ain't pure. I ain't the most I
only make music because I'm the most
moralistic. No, it's like I
don't I mean, we're supposed to talk. It
is what it is. I don't know. I don't
know. I don't know. I don't I don't I
don't know how to
You're just going to have to create
really thick skinned [ __ ] in
the future cuz it's only going to get
worse. So maybe this will breed a bunch
of people who like naturally in the
response of overcriticism by every
comment. Maybe the generation next be
totally [ __ ] from social media with
self-image and all that stuff. Or it
would breed like really resilient like I
don't give a [ __ ] that you said I was
>> that they follow the culture or that the
counterculture.
You drop a song and a [ __ ] is
filming themselves as someone is
watching them film themselves to react
to them filming themselves.
Why are we making music? Like it's
almost as if
the people trying is just raw content
for these people who just want to be
seen on the internet
to use as a tool for their channel to
blow up.
>> It's a human centipede where everyone's
attached to the person before them. It's
like a you drop a song and a
motherfucker's like, "Watch me listen."
Why the [ __ ] would I watch you listen? I
don't even I don't know, dude. I don't
know.
Some I you know what? I could be wrong.
Sometimes I like watching people listen
to an album that I love because I'm
like, "Wow, you're gonna you're gonna
experience it the way that I did and
like this is a great album. I can't wait
to see what you think about it."
>> Dad listens to Nirvana for the first
time. Like those are cool. I don't like
mind them. But in general though, the
whole over scrutiny of like a 100
comments and 20 of them were bad and
then it
>> Did you not always used to have this
though with music critics, but it would
have been in magazines and stuff like
that
>> for my [ __ ] or just like in general?
Generally, you go back a couple of
decades. That would have
>> Yeah, but it's like if if the the
newspaper of the New York Times just
says like the Beatles, Sergeant Peppers,
overindulgent and sloth of a mess and
whatever. The New York Times said it,
people read it.
>> It wasn't
uh like
Taylor Swift, Life of a Showgirl. Okay,
now it's not just the New York Times and
then people talk about it for two days.
It's here's the dissertation as to why
that this album felt redundant and
malignant and not in the I found it to
be the exact opposite given its sweet
nature and by the way buy my protein
shake. It's like it's everybody is like
a people are weighing in to such a
degree that artists have to become a
sensei at just being like the chips are
going to fall where they fall. I cannot
be affected by
>> everybody needs a mindfulness practice.
What did you make of the reaction to
Taylor Swift's album? I don't think that
I've seen a public reaction to that.
Political commentators giving their
thoughts.
>> Were they?
>> Oh, yeah. Yeah. Like there was no one
that was beyond it was honestly the fact
that Bernie Sanders and Donald Trump
didn't do reaction videos [laughter] to
it. In fact, Trump might Did Trump say
something about the Taylor Swift? I feel
like he did. I feel like he did say
something about it.
>> What was the general gist of the the the
discourse? Was it a split discourse? Uh,
I was certainly split. I think a couple
of things that were interesting that
people picked up on. One was you used to
never be able to criticize a Taylor
Swift song or album without Swifties
calling for your head.
>> Okay.
>> And the fact that this time criticisms
were put out and the Swifties didn't do
that was seen as indicative that even
her most ardent fans realized that this
might not have been the thing. Whatever.
It's like the the inside of the box is
the inside of the box which brings the
inside
Christmas.
>> The fans nonresponse to the criticism
was indicative of what we might believe
to be
>> I'm not kidding. That was that was like
a big that was a big talking point where
three levels of derivative away from
what the actual initial piece of content
is now.
>> Um fully vulnerable and transparent. The
only clip I saw was over my wife's
shoulder. it. She was scrolling through
and somewhere on some sort of
entertainment tonight or something it
was her saying, "I'm not the art police
and I like it." And like kind of just
like leave it at that. And I thought
that was pretty cool. That was the that
was the whole my level of receiving
discourse of like what that was. I
listened to it. I listened to it and I
have my opinions musically on I can get
I can get into the minutia of like what
I really thought about the wine as it
was being stomped on the grapes like for
sure. But I don't know how like a
14-year-old feels about it or like how
it relates to the zeitgeist of her
applying to her relevancy. I don't know.
I I I uh genuinely did not take enough
inventory to know. I just know what I
thought about the album when I listened
to it in my car.
>> What did you make of the album?
>> I liked it. I enjoyed it. I think she's
a great songwriter.
>> What a great opinion.
>> I liked it. I I don't know. I just
>> Or you could have said Yeah.
>> It wasn't for me.
>> Some songs were, some songs weren't.
like 100% of the albums I listen to.
Very rarely across the board am I like
stopping an album and I'm like dog [ __ ]
The whole thing was
Taylor Swift must be kidding. Like I'm
like no. Like the second pre on that
third song was pretty sick. I could
probably take something from that and
that's Max G. Max Martin's a genius.
Man, Taylor Swift knows how to write the
[ __ ] out of song. I wonder what she
means by this. I don't agree with that.
H I'm not like I don't agree with that.
Max Martin's a genius. Then make sure
everyone knows how I feel about it. I
know how I feel about it cuz I [ __ ]
listen to it myself. I don't need you to
know that I thought that I listened to
it. It's like but that's my I think
Teresa's been Olympic for a long time.
And the crazy part is she writing them
too. She's writing them. She's good.
She's good. And that type of run I What
am I going to be like? Her fault from
Grace should be studied if people don't
like the album. I don't [ __ ] know. I
don't look at her that way. I look at
her as she's like a very high level
force Olympic creative that's just like
like wow she does it at a really really
high level and a lot of the songs I end
up liking like these catchy I like this
catches on the way to driving my son
somewhere I'm like
>> kind of going what's the sound system
like in the Kia
>> it's pretty great
>> is it I paid the extra 15 grand for the
uh deluxe Bose [clears throat] sound
system
>> this is turning into an ad [ __ ] key I
want to talk about the direction of pop
music right now I've seen those videos
of Ed Sheeran playing 50 songs over four
chords. You know, it's the same chord
progression of whatever.
>> Ed is Ed is like mind-numbingly
talented. It's crazy. But
>> um does that suggest that pop music is
formulaic now? Where are we at in the
arc of what do what do you consider pop
music?
>> I guess anything that hits the charts.
>> Yeah. formulaic in the sense that
bro sometimes I literally just be like
like literally in my head I just like
nothing means anything like it's like
what do you like defeats the whole
person's podcast but you're just like
what do you what do you mean like is pop
music formulaic it's like
the bass that's going to pop music is
looking to be fed in a way that is not
that might not even um uh necessitate
breaking the mold,
>> right? It doesn't need to be
experimental. It can be predictable.
Another way instead of formulaic might
be predictable.
>> Yes. And some of the best people in the
world are the best at taking something
that's completely experimental and
still creating like if it's we're all
trying to make bikes, you're still
trying to make a bike that will last
long for you to do the the the marathon
in the country. [gasps] Pop music, I
guess, is just like the most people can
ride the bike and enjoy it and whatever.
And then there's some people will be
like, "I drive a motorcycle." Like, "You
don't even know what biking is like."
And it's like, "I just like my huffy,
dog." Like, I'm just I don't give a [ __ ]
that you're so angry at the fact that
I don't I don't have like answers. Like,
the older I get, the more I'm like, h
this is like a whole [ __ ] ton of
everything matters and nothing matters.
Like, everything matters and nothing
matters.
those six years while I was gone, I was
like, I want hits. I will tap dance for
whatever
guy that's best friends with the artist
that D and tell them they're great to
just like sneak in and do what I got to
do cuz I don't know how where this money
is going to come from. Like, I need hits
because songwriters
do not get paid. Songwriters do not get
paid. They are at the all the way the
whatever the bottom of the barrel is.
ask who's in the basement and who's got
barrels in the basement. The bottom of
the barrel. So, I was like, I need hits
in order to really make a living to
still do what I love to do. So, my focus
is hits. I wasn't I had to kind of shut
off the reverberation of like, maybe in
six years I'll do a podcast and talk
about it to the top comment to be like,
he made a bunch of shitty songs that
went number one because pop music sucks.
It's like, dude, I don't know. I was I
was trying to make some big songs and I
tried to get in the best rooms to make a
living for my family and the
repercussions of that and what I did
with pop music. Now, because I have
money, I'm able to drive my taste more
and a lot of the [ __ ] I'm making is just
like cooler and harder and more like
[ __ ] you if you don't like it type of
[ __ ] because like you said, I'm not as
rehearsed. I'm not as whatever. I'm a
little bit more on autopilot and I could
take a bit more risk.
>> Dude, what what is the point of having
[ __ ] you money if you never say [ __ ]
you?
>> There's no point. There's no point at
all. So you say like would you say
you're asking a musician like you're
asking a musician on why pop music can
it be formulaic? Is it it's like yeah it
formulaic in the idea that
one day when we get to heaven we're
going to find out that the wall was only
5 ft around. Like like when we get to
heaven like all of our lives like in
this realm of trying to make music like
all of us like in our flesh these
magical things happen and God enters the
room and you make like John Lennon makes
Imagine and like these things happen and
they change a generation and Bob Marley
happens and it's it's this this thing
that seems bigger than what our flesh is
capable of and as music creators like
we're going to find out that the wall
we're in the wrong like dimension of it
and we keep trying to pretend pretend
like it's not 5 ft around. And I think a
lot of the greats
are somewhat have an understanding
that's like you don't have to climb so
high to try to like
>> hey man, people just want to feel good.
>> You know, like like when we get to
heaven and we have the perspective
that's outside of like the the body
trap,
>> get to heaven next plane, whatever the
[ __ ] you believe. Great.
>> We'll we'll um
I don't know if pop music's formulaic. I
think the world is searching for a lot
of the same thing,
you know, and then there's the young kid
who says, "I'm going to change that
thing up there and then they get too
much money and they become depressed and
they have to find out who they really
are without the success." And it's the
same uprising and falling of the same
[ __ ] over and over and over again.
>> Oh man, I look the reason that I keep
laughing. We've we've
>> all that from you said it's me is pop
music formuling. Yeah. Yeah. You're the
best sort of guest, dude. I flick you
once and you're a [ __ ] infinite
content infinite [ __ ] perpetual
motion machine that just ticks away. It
add ticks away. It takes away.
>> Like guys like Max Martin, they're
concerned about it feeling really good.
I don't think they're in the room with
the weekend.
Max can correct me if I'm wrong. I just
don't think Max's in the room with the
weekend being like
>> Yeah. I think he's like
this will keep them listening because it
feels good to listen to it. And
sometimes that might come off as
formulaic. Sometimes it might be
groundbreaking. Sometimes things work
because it resonates within like Olivia
Rodrigo Driver's License. That's not um
formulaic, but people would consider
that somehow pop garbage. I don't
understand how you would. That's one of
the best to me that's one of the best
written songs in in a very long time.
>> It's so antithesis of what pop is,
whatever, but you're still going to get
people being like because she's in this
sphere of artists, it's pop and
formulaic and what?
>> Let me give you a
>> what is pop? What is cool? What is not?
I'm not I don't Let me give you an
insight that I've played with for a long
time. There's a guy called Jack Butcher
who made visualized value. He was a
graphic artist for a very long time and
then he started creating uh graphic
representations of quotes and concepts.
>> Now, you'd think as a graphic artist
what you traffic in are fonts and colors
and design. There's a million different
degrees of freedom. But he put
constraints in. He said it's only ever
going to be white on black. It's going
to be geometric shapes and it's going to
be one font. What that meant was his
constraint bred creativity.
>> Absolutely.
>> And I think about this which is why to
me like Ocarine of Time or Toy Story or
like the staples of creative genius
were because of the constraints of what
it was. Like now they drop games and
it's it's like it's too good. Like I
don't even want it to look this real and
I don't want to like pay my taxes inside
of a video game. It doesn't need to be
like life. It's it was so removed from
life that it Yes. Yes. The constraints
that the Nintendo 64 had is what birthe
Ocarine of time because they had to
trudge through the limitations that they
had which forced them to do really smart
things to make the mountains look bigger
in the background without doing
bandwidth and [ __ ]
>> What is it that people care about the
most?
>> Right? And for instance, like the the
the analogy that we're talking about
here when it let's say
>> that you could only use four chords for
the rest of time. Let's say there was
some weird other universe.
>> Yeah.
>> Only four chords are allowed to be used
in every song.
>> Yeah.
>> Okay. Well, what do we start to play
with then? Well, we start to play with
the arrangement. We start to play with
the complexity. We start to play with
the lyrics. We start to play with the
musicality of
>> this never ending unfolding,
coagulating, resurfacing thing that just
keeps eating itself into just
>> you can end up with the reason that I I
I thought it was real interesting.
Constraint breeds creativity. So if you
do have inside of pop music some
constraint, some regular um uh formulas
or levels of predictability or
expectation or whatever it might be,
>> it means well perhaps people begin
competing
>> in the area which is the highest
contribution and maybe that's the
resonance. How much of the artist's uh
soul is put into it? What's the message
of the song? Uh and I thought that was
really cool. I was thinking about this
on Walk through Manhattan. And I'm like,
[ __ ] Like, wow. That constraint that
Jack put on himself where he said he
wasn't going to allow himself to use
different colors, different shapes, all
the rest of the stuff. It meant that the
only two things he thought about was
what was the quote I'm choosing and how
am I representing it? That's it. Those
are he had two things to play with. I'm
like,
>> well, those are the two highest points
of contribution. Yeah.
>> So perhaps
>> unlimited degrees of freedom result.
>> What do you think are the two highest
points of the both
>> for him? For him, it was what is the
quote that he was choosing from a
gazillion.
>> Got it. Got it. Got it. Got
And then how is it going to be
represented?
>> I can have all the colors in the world.
And I think the same thing can be true
of something like music where you have
an infinite number of ways that we can
represent this and but perhaps if you
bring the constraint in you focus on
what do people care about the most and
where do I get lost in the source?
>> Utility.
Utility. What's the utility of this? Are
we making a song? Sometimes, sometimes
you'll be an hour in, you'll be like,
"Are we just making a song because we're
making one? What are we doing here?
What's the purpose here? Where does this
get played? Who's going to listen to
this? Who's going to like that?" It does
come into your mind.
>> Lately, lately, I've just been I I can
only stomach
making something that I'm just like, I
will listen to this in my free time.
There's been other times where I
haven't.
>> There's just other times where I just
haven't. I've just gone along with who's
in the room, [gasps] whatever gets the
cut and their fans will like it and it's
big and it's just like whatever. And I
can use my talents to kind of treat it
like a day at work and
making x amount of dollars off of just
me spending eight hours by helping this
person do this thing. It's like cool.
But lately, it's tough for me to feel.
For some reason, six years ago when I
was making hits, I just wanted hits and
it excited me. didn't I just wanted to
figure out the code to get to the top of
radio with the biggest artist with the
thing and then that becomes just like
everything else. It all becomes
disenchanting. It's like the artist
thing. I'm walking away and then I just
want hits and when I just want hits I
made enough money to where I'm like I'm
not interested in making hits right now.
I want to make an album and I make an
album and go play Forest Hills and
that's really interesting. So now
>> what's interesting to you now?
>> Shutting off as many things on the
outside world as possible and making
something that I am 15year-old John
going batshit crazy about in my car
and then maybe maybe again bringing that
to the world one more time. I that's
what's really interesting to me right
now is not is just like shutting down.
It's like open eyes, wake up, coffee,
music, music, music, music, music,
music. Kids, go to sleep, wake up,
music, kids, music, music, music, music,
kids, go to sleep, wake up. And
it's been an interesting It's been
interesting to see what artists have
just like came into my universe from me
just doing that. Cuz now I'm sending out
songs that I'm like, I didn't even
consider this, this, this, and this. But
somehow that somehow makes more
interesting for artists of different
artistic calibers and how the world
views them and blah blah blah blah.
I don't know [ __ ] about [ __ ] I really
love what I do. I really love what I do.
So, right now,
taking the necessary steps, whether that
be living healthfully, living
Olympically, um processing drama in
order for my balance to not take too
much out of me.
>> That's what I'm what I'm enjoying right
now is enjoying myself.
>> I'm so happy for you, man.
>> Thank you. I'm so [ __ ] happy for you.
>> Thank you. I really I appreciate that
deeply.
>> And you did it all from [ __ ] Long
Island.
>> Yeah. And are there days
where you want to strongarm the
perspective and you don't feel like
you're getting the just do of it comes
and goes. It comes and goes. But but
a normal life is a great life.
I'm positive of it because in the
details is where you find infinity.
Infinity is in the details. It's not in
the
it's not it's just like not in the
headline.
It's just not. [snorts] So you see like
[ __ ] seem like I live a very
odd me and my wife talk about it a lot.
We are smack dab in the middle of
regular life and we're also smack dab in
the middle of not.
like there's no uh
and I'm not even sure that what I'm
doing is the right way to live. I just
know that I'm I'm happy
uh in an overarching sense. Not every
day is perfect at all. But
when you almost get wrapped into
something and almost lose it all, like
going to get smoothies with your kids is
like it's hilarious. the jokes, the
development, the way that they see life,
the things that they trust you to say
that the just like, man, if I would have
just like lived for me,
what a bummer. What a bummer. I know a
lot of [ __ ] that got it.
didn't turn uh
didn't fill the hole,
but the industry.
I know it's the age-old archetype, but
you'll be different
>> because your message is the most
important. So, of course, you're going
to sacrifice a little bit of family time
and a little bit of social time and a
little bit of health right now. And of
course you're going to do that because
what you have to say what when when you
get your message out into the world
it'll be and that's what they tell you
and that's what they that's the
temptation. That's the thing.
>> And then when you get there you've made
so many [ __ ] sacrifices to get there
that you're not even the person you
began to be in the first place. It's
like I have to become the I don't know
like metaphorical president. But in
order to become the president of course
I'm going to have to slide some money
here and do this because my
>> burn my life down. My goal is the noble
one. So me doing the wrong thing, what's
immediately wrong in my present to get
to there is the sum of all games. It's
like that was something that I
considered.
You uh had this
eye opening moment when you realized how
much you're getting screwed on your deal
and from that I don't want to tour
anymore. But would you actually even
want to tour as a new father if a
touring deal was the most perfect you
could
>> they put it on the table right after
fours they were like
they the proverbial they were like holy
[ __ ] we didn't know he was going to sell
it out in 3 hours we didn't know that it
would stream this way it would chart on
Spotify blah blah we had no idea they
put in front of me they put in front of
me like multi multi multi-million dollar
40-day just in case you want to see it I
just looked at it as like I looked at it
like a joke. I just looked at it like,
"No way."
>> Why?
It's like a guy like Ed or like
certain artists you have conversations
with, they live to be on stage and it
brings them a lot of joy bringing people
joy in that way, you know, like like Ed
is just like he lives and breathes by
playing his guitar and singing and being
like playing stadiums and that that
brings his life so much joy that it's
worth putting in the effort with his
children to do that because it's so
important to him. It's just not that
important to me.
People like the shows and they like when
I'm on stage and I have fun and it's my
adrenaline pumps, but I don't like the
calm down.
>> I don't like the two days of staring at
the ceiling of being like, "What drug
did I just take?" I don't like the drug.
The drug's not It's not It doesn't feel
normal for me. And I don't know how to
regulate that. You do enough shows and
you learn how to like not give it
everything. I'm on stage losing my
[ __ ] mind. And then by the time I get
off stage, I'm reeling for two days. I
don't enjoy it. I barely enjoy the the
album release process. I don't like
going into this thing where it's like
you're about to release this thing and
this podcast is coming out and will you
get clipped and will it become this
thing? That's I don't enjoy any of that.
That's not none of that is like it's not
exciting to me. But I'm lit up when
someone plays a a just a a mean honking
chord over just some ill [ __ ] drums
and I'm just like I could just do this
for the rest of my life. This is great.
There's other stuff that comes with it
because you have to make a living and
your relevancy and
>> play the game. play the game to some
degree because you can't abandon the
game completely. That's just like a
again that's me at a young age. I'm
burning the whole thing down. Just
doesn't work that way for me at least.
>> Nice pipe dream.
>> Nice pipe dream. Not not possible. But
yeah, it's uh
I love what I do. I really do love what
I do. The torren to answer your
question,
I don't enjoy it. I don't even enjoy
I I I I don't even really enjoy um
it's like the fanfare or the praise. I
don't I don't like it.
>> How's it feel?
>> You know, it's it's like a selfish
thing. You want it how you want it. It's
like, dude, listen to my music and be
affected by it and like think I'm the
greatest, but like don't like put too
much pressure on me cuz like I'm not
that like it's not that serious.
>> But it is very serious. But it's not
very serious. But it is very serious and
know it's like what how to even um
how to even operate in it. I still have
no idea.
No idea. Well, I have an idea cuz I know
that if you put a $7 million tour in
front of me, it ain't 40 million or if
you put a 70 I'm like I'm good because I
just know myself at this point. I've
walked away long enough to be like,
"Finally, I'm back and they're accepting
me and I can go on this soldout tour if
they want me." It's like, "Dude, I made
an album about being a dad to three
boys." Like, I wasn't trying to apply to
everybody.
>> You imagine playing that live being
like, I'm working really hard as a dad,
but not for the next 39 days.
>> Thank you for coming to the opening
night.
>> Honest to the honest to the Lord, that
is the conundrum of my existence. That
is the conundrum.
>> Yeah. Yeah. Yeah. Yeah. So, just to give
you a little bit of insight that um you
know uh Aaron Gillespie from Underath,
he's the drummer and singer from Under
Metal.
>> I know Under
the Drummer singer from that. Uh he
struggled a lot, struggles a lot with uh
performance anxiety, anxiety generally.
I think he said on the pod that he's
been to like
>> [ __ ] the emergency room hundreds of
times while he's been on tour. He's
adamant he's having a heart attack,
health, anxiety stuff. And
as I was sort of listening to him talk
about it, and I'm hearing sort of you
say the same thing,
he has a particular
type of obsession which has caused him
to get some outcomes that he's not happy
with. having to go off tour to go to an
emergency room and telling the nurses
what scans to get because it's the same
scans that he know that he got last time
because he's been so many times like
like going to a pub and ordering the
usual despite the fact that he's never
been to this hospital before but he
already knows what he needs to prove to
himself that he hasn't got the
>> and I'm like you do understand that the
level of obsession that is tormenting
you with regards to your health
>> is the reason that you're in one of the
most famous and successful
metal bands of all time. And the same
thing for you with this.
>> Yes. I I I run into all of these
reminders every day that don't that feel
counterintuitive to ambition, success,
whatever. It's almost like this John
guy's crazy. He's coming here preaching
mediocrity. There's times in my life
where I say, "I could finish this song
today, and I know that so and so needs
it, and I know I could this could really
be a big win, and it's just it's just a
graduation. It's it's just Christmas
Eve. It's just a random day in July
going in the pool and my kids are going
there. I'll be three hours late.
I run into that a lot where I'm just
like this feels unimportant.
>> But the thing I tell myself in my head,
I just go follow that. And a lot of
times I'm doing things that don't feel
as a father. A lot of times I'm I'm
doing things that don't feel uh they
don't feel fun. They don't feel
important.
>> And I don't realize their importance
until like 6 7 8 9 10 months later. So,
a lot of it's just like kind of feeling
out in the dark to like I'm actually
walking toward the exact opposite of a
self-help podcast. I walk toward
mediocrity very aggressively because I
find that the nuance inside of the
mediocrity gives you a stronger baseline
for a longer level of happiness. Mhm.
>> When your ambition is so like
I'm not going to throw any names under
the bus of like giant athletes or
whatever, but the ambition is so
obsessive and so whatever. Just look at
the fruits of the look at the fruits of
the thing.
>> How did ultimately your career is a
marathon, not a sprint?
>> It has to be.
>> And uh
>> why do you think every [ __ ] artist
goes on a podcast over and over and it's
the same story? It's the same story. I
was at the height of my career and the
loneliest I've ever been. It's like at a
certain point someone I might be mildly
not too dumb to look at that and just be
like I'm going to I'm going to believe
all of them and never look over the
fence and never chase after the thing
that no, if I got it because enough
people have told me that it's not the
end all be all.
>> I'm going to have to do this. I was I I
I didn't want to have to [ __ ] pull
this one out, but I'm going I'm I'm
going to have to read you I'm going to
have to read you an essay. I'm sorry.
>> I I'm in.
>> Okay,
>> I'm so in.
>> Okay, here we go.
>> Such [snorts] a good um conversation.
>> I uh came up with this insight about a
year ago and it's it's exactly what
you've been talking about. Uh and I
called it unteable lessons. Basically
what I realized was that there is a a
certain category of lesson that no
matter how often people learn it, we
refuse to uh to be able to hold on to.
>> Yes.
>> I've been thinking about a special
category of lesson, one which you cannot
discover without experiencing it
firsthand. There is a certain subset of
advice that for some reason we all
refuse to learn through instruction.
Untachable lessons. No matter how
arduous or costly or effortful it's
going to be for us to find out for
ourselves, we prefer to disregard the
mountains of warnings from our elders,
songs, literature, historical
catastrophes, public scandals, and
instead think some version of, "Yeah,
that might be true for them, but not for
me."
>> Absolutely.
>> We decide to learn the hard lessons the
hard way over and over again.
Unfortunately, they all seem to be the
big things, too. It's never insights
about how to put up level shelves or
charmingly introduce yourself at a
cocktail party. Instead, we spend most
of our lives learning firsthand the most
important lessons that the previous
generation already warned us about.
>> Things like money won't make you happy.
Fame won't fix your self worth. You
don't love that pretty girl. She's just
hot and difficult to get. Yep. Nothing
is as important as you think it is when
you're thinking about it. You will
regret working too much. Worrying is not
improving your performance. All your
fears are a waste of time. You should
see your parents more. You will be fine
after the breakup and be grateful that
you did it. It's perfectly okay to cut
toxic people out of your life. And even
reading this list back, I'm rolling my
eyes at how [ __ ] trite it is. These
are all basic [ __ ] obvious insights
that everyone has heard before. But if
they're so basic, why does everyone so
reliably fall prey to them throughout
our lives? And if they're so obvious,
why do people who have recently become
famous or wealthy or lost a parent or
gone through a breakup start to proclaim
these facts with the renewed grandiose
ceremony of someone who's just gone
through religious revelation. It's also
a list of very contentious topics to say
on the internet. If you interview a
billionaire who says that all his money
didn't make him happy, or a movie star
who said that her fame felt like a
prison, the internet will tear them
apart for being ungrateful and out of
touch. So, not only do we refuse to
learn these lessons, we even refuse to
hear the message from those warning us
about them.
>> Even more than that, for every one of
these, if I think a bit deeper, I can
recall a time, including right now,
where I convince myself that I'm the
exception to the rule. That my
particular mental makeup or life
situation or historical wounds or dreams
for the future render me immune to these
lessons being applicable. No, no, no. My
inner landscape would be fixed by
skirting around the most well-known
wisdom of the ages. No, no, no. I can
thread this needle properly. Watch me
dance through the minefield and avoid
all the trip wires that everyone else
kicks. And then you kick one. And you
share a knowing look between another
person, the kind that can only occur
between two people who have been hurt in
exactly the same way. And a voice in the
back of your mind will say, "I told you
so. I to the tea to [laughter] we could
have saved ourselves a whole [ __ ]
conversation. I love it.
>> That's exact, bro. I could never have
related with something more in my entire
life. It's like
the gr is hey man the grass ain't
greener. Like hey man, being present is
really good. Like you don't know until
you got like I give up artistry and I'm
walking away from it to be it's like wow
that I didn't even need it in the first
place. Thank god I stripped that of
myself.
>> Dude, I love the fact that you are a
this weird role model for both ends of
the [ __ ] extreme for the complete
dedication purest art form going forward
and also winning in the weeds of taking
your kids to the ice cream to get a
[ __ ] like uh what's that [ __ ] ice
[ __ ] that everyone on Long Island eats?
>> Italian ice.
>> Yeah, Italian ice. Yeah. Yeah, that's
it. Why did you got to throw Italians in
there like that? British did it, dude.
Talking to me.
>> He did the British thing. He did.
>> Oh, well, I tell you about the It's like
a French ice [laughter] or something
like that.
>> Yeah.
>> Um,
>> exactly.
>> But I think it's really cool, man. I
think that you are uh without knowing it
like very on the nose of the zeitgeist
of where people are moving. You said
before, I think that fathers are
important. I think that fathers are
going to be increasingly important as we
move through the future. and also might
be one of the most culturally outofouch
people that's been on the podcast. Um,
and you know, you know when well you
know when two of your different friends
tell you, "Hey man, you got to watch
this new series." And they don't know
each other and they didn't coordinate to
do it and you go, "Whoa." Or two people
say, "Have you checked out the new
[ __ ] Sleep Token record or whatever
the fuck?" You're like,
>> "I should probably pay attention to
that."
>> Cuz people are a lot of people are
talking. Yeah. Yeah.
>> You two independent people came up with
the same realization.
you you came up with in Unteachable
Lessons, you had some other name for it
in your mind. I wrote that essay a year
ago.
>> There's probably something there. I feel
like there's something there.
>> Yeah.
>> The fact that the fact that you,
Mr. [ __ ] Faraday Cage, sterile
laboratory of music production and child
rearing have arrived at the realization,
I think fatherhood's important. I think
you win in the weeds of life. Yes. I
think that normality and boring
victories and mundane successes daytoday
are where the juice is to be squeezed
from.
>> Absolutely.
>> I think the fact that you have done that
and if you look at the zeitgeist that
they're pointing in the same direction
too that people are like dude the glitz
and the glamour and chasing all of that
stuff is becoming
>> go. It's becoming cringe. It's becoming
an ick. It's becoming shallow. it is
>> in a way that maybe it didn't
previously.
>> Yep.
>> I think that suggests that you're on to
something, man.
>> Which also takes me like and again last
things just
I totally agree. The zeitgeist is
the there's just a level of
consciousness that seems like if I if
I'm conscious like that then we all
connected then like if I feel that way
chances are a lot of other people might
feel that way. In the depths of myself
it was songwriting. I recognize that
when I identify something deep inside
myself, I say, "Oh, hold on to that
one." And try to always hold on to the
way that that felt because you might be
able to put that in something to then
deliver it to the world because you're
human just like everybody else.
>> That's why when you start to doubt
yourself, it's so dangerous.
>> If you start to caveat for other people,
that little whisper, Rick Rubin calls
them whispers, right? Or my therapist
said, uh, pay attention to fleeting
thoughts,
>> you're like, "Oh, hold on."
>> Yes.
>> Come back.
>> Yes.
>> Let's have a little listen to that.
>> Mhm.
>> Mhm. And that's where Oh, he sees me.
>> Yes, he sees me. Yep. Holy [ __ ] dude.
The the consciousness of it all.
It almost feels like the uh times are
are times are coming to a tie a tied up
end. And I don't know what that means.
It's just that and maybe you know
nuclear war was always a threat threat
and all this different stuff but in my
deep in my gut somewhere it feels like
the bedrock of reality is starting to
like crack open like is school good
what's college who's the president
what's going on do we trust the
government I don't know but it's like
coming to this thing because
everything's being recorded and truth is
quickly getting you know thrown to the
top of the pile because of our access to
it that you're right there is some sort
of consciousness that's moving in a
direction that I don't Hopefully, it's
toward
>> Honestly, dude, as long as you know what
I want to return to,
uh, I appreciate you giving me the
freedom to even feel this comfortable to
have this conversation by the end of our
conversation, but
I almost like want to go back to being
stupid because the dumber I stay,
the larger and more aware I am of like
in my happiness to some degree. And I
don't mean willful ignorance. I don't
mean ignoring problems and not
addressing things and pretending like
things don't exist just
I don't know it felt good to make it to
make that song or I don't know like one
so one show it's like I don't know it
just felt right with me it felt right
well you're stupid you didn't get $7
million deal from your 30 tour you're
back dude people are listening to you
the whole world wants you you're dumb
it's like I just like I'm think I'm like
I'm start I was like I'm dumb like I'm
all just be over here just like in my
dumbness doing nothing having a popsicle
on a Tuesday with my boys. I just going
to stick to dumb cuz I think dumb's been
work mundane and dumb has really saved
my life. It's really helped me out.
Sitting with the uncomfortability of the
things that you don't want to touch,
slowing it down and in the dumbness, you
end up you end up coming into grips with
that monster. You end up you end up
things kind of just worked out. I've
smarted myself into being so stupid. I'm
like the I'm like the I'm like the
smartest dumb person ever. I'd rather be
like the dumbest smart person willfully
letting go of like the wisdom. I feel
like the more like insane wisdom I get,
the more I'm like,
>> "Okay, I I I need to I need to do a bit
on you that most people on the internet
will know, but given you're not on the
internet, you wouldn't have seen it. Do
you know what the Midwit meme is?
>> Midwit.
>> Midwit meme. Okay. So, imagine a bell
curve that you've got here. And on the
left hand side you have a meme of a guy
who
>> Will people not believe that? I don't
know what that is. Like, is it that
popular?
>> Uh, probably not. No. I think it's a
justifiable level of ignorance.
>> Okay.
>> Um, [laughter]
>> the rest I can't speak.
>> No, no, no. You're hopeless outside of
that. Um, left hand side guy that looks
a little bit like a caveman, big brown.
He's so stupid like that. And then at
the top of the bal curve, which is where
most people are, you have this sort of
screaming, raging, over complicated
optimizer person. And then on the right
hand side, you have this guy that looks
like a Jedi with his hood up. And the
meme, the joke is that the guy on the
left and the guy on the right always
agree. They always come to the same
conclusion. And it's the person in the
middle who overcomplicates everything.
>> I love that.
>> So, for example,
>> I love that.
>> Um, uh, how do I build muscle? Eat
protein, lift weights. Eat protein, lift
weights. I must ensure that my
predigested weight is consumed
[laughter] within a 30-minute window
from a grass-fed, grass source, non GMO
like right. Okay. Yes. And for this
>> the everybody that is every guy in the
middle is a guy on the left trying to be
the guy on the right. You cannot be the
guy on the right. Okay? There's no way
to become the Jedi. You can only be the
guy on the left. So question to ask
yourself is what would the guy on the
left do? the guy on the left Tuesday
afternoon.
>> We should get lollipops
[laughter]
>> as opposed to
>> Yes.
>> What is the most optimal way for me to
ensure because that is you trying to be
the guy on the right and ending up being
the guy in the middle.
>> Chase, have you still got that? Can you
lift it up? Okay. So, this is what we're
talking about. So, guy on the left,
[laughter]
guy in the middle, guy on the right. You
can't be the guy on the right. It's only
possible to be the guy on the left.
>> Yeah. It's And it's almost like the more
you're okay with being the guy on the
left, you're kind of like it all just it
all just ends up being all right,
>> dude.
>> Hey, I don't know, man.
>> Dude, I I love it. John Bellian, ladies
and gentlemen, dude. [ __ ] I've enjoyed
today so much.
>> That that means a ton to me. Over the
years, like I I try to give people their
flowers if I ever meet them and say, "If
I ever come across that guy, I'll let
them know first day, whatever."
>> I just think it's very very noble. I
think it's very uh
I wish a lot more people thought the way
that you did in what they decide to help
people with and how they decide to help
people. And I've seen you refine it over
the years cuz I've been a fan for a
super long time. So, I'm in, man.
>> I appreciate you.
>> I appreciate you having me and thanks
for, dude, thanks for doing this all the
way where I live.
>> I got you, man. I got you. Until next
time.
>> Yes, sir.
>> Congratulations for making it to the end
of a podcast episode without getting
distracted. What a wonderful
achievement. How about another
achievement? [music]
Uh, this episode which I also love.
Go on, watch it.