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Talking with Brad Gillis of Night Ranger

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Brad Gillis recounts his initial experience joining Ozzy Osbourne's band, describing the intense isolation he felt upon arriving in New York where he spent days alone with cassette tapes of Randy Rhoads' guitar work. Without prior rehearsal, he relied heavily on learning by ear using a boom box and sought guidance from keyboardist Don Airey and bassist Rudy Sarzo to master complex harmonies and transitions. His first performance at Binghamton, New York, was a daunting 8,000-person sold-out show where he struggled with stage fright and even made a significant mistake during the ballad "Revelation Mother Earth" by coming in too early on a fast section, causing Ozzy to look at him with visible concern. As the tour progressed, Gillis gradually became more comfortable with the material and the band dynamics, eventually performing well enough for a live broadcast on the King Biscuit Flower Hour in Memphis without major errors. However, the atmosphere remained heavy due to the tragic loss of Randy Rhoads and Ozzy's personal struggles at the time, which made the environment difficult for everyone involved. Eventually, bassist Rudy Sarzo left the band to pursue a record deal with Quiet Riot, leaving Gillis to decide his own future path amidst the uncertainty of the touring camp. Faced with a completed record ready for release and the option to remain as a sideman or return to Night Ranger, Gillis chose to roll the dice by quitting Ozzy's band to rejoin his original group. This decision proved highly successful as Night Ranger began 1983 by opening for Kiss, supported by Paul Stanley and Gene Simmons who welcomed them warmly. The band quickly gained momentum with their second album, achieving massive success with the hit single "Rockin' America" before releasing the iconic ballad "Sister Christian," which ultimately propelled them to headline status in the music industry.
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So, when I got the call to to join Ozzy, they flew me to New York. And Bernie Tormé was with them. And I just sat in my room every day with the two board cassette tapes with Randy on it. And they gave me a boom box and a cassette player and my course my 62 red strat and I'd sit in my room all day learning by ear to his cassettes stopping it replaying it whatever trying to figure out any issues I have with with the keyboard harmonies I'd get a hold of Don Airey and he'd come and tell me oh we do this you do this right and talking to Rudy Sarzo and those guys just were open arms to help me out of course they're everybody is trying to make the tour happen and and and and finish the tour. Um So you know we on that fifth day I did my first show. And that was Binghamton New York sold out about 8,000 people and and like I said one of the scariest gigs of my life. Um I never rehearsed with the band I only did seven out of 18 songs. >> Wow. >> And here I got you know thrown on stage in Binghamton New York for my first show. I didn't even know what to wear. And they gave me this white jumpsuit and I just didn't fit in with heavy metal so they gave me a black jumpsuit the Ferrari jumpsuit very cool. And so I just wore that until I figured out what to wear and whatever but it it it was trial and error for me just trying to get through everything and the segues and and I screwed up on the on the middle of the set Revelation Mother Earth. Um which is a slow ballad that kicks in halfway through to a big chunky metal section. I came in a verse chorus too early and I just remember Ozzy you know looking at me like this look of death like What are you doing? And I stopped and I'm going hitting that fast forward and I stopped and there was still going I'm like oh god I screwed up right. And the next night uh get ready to go on and Sharon comes up, puts her arm around me, she goes, "Bradley, you're doing a great job, but tonight don't [ __ ] up." No no no pressure there, right? >> Yeah. >> But you know, after a while, you know, I started smoothing into the whole set, it became more comfortable and everything and after 2 weeks we did the King Biscuit Flower Hour in Memphis, Tennessee, live broadcast throughout the country. And um I remember playing pretty well that night. I mean, no big screw-ups. And that was everywhere and I remember you know, the Night Ranger boys listening is like, he'll never come back. Just, you know, he's he's melting into this Ozzy thing too well. And but I tell you there was it was tough in that whole camp after the tragic, you know, loss of of Randy and they were just trying to get through the tour and Ozzy wasn't doing great. You know, he had a lot of issues going on and towards the end of the year Rudy just you know, he had a he had an offer with a record deal with Quiet Riot, so he ended up quitting the band. You know, and and towards the end too and I went, you know, I got these guys and Ranger, they were called at the time, with a record finished ready to go with the record company ready to sign us, right? So instead of being a sideman with Ozzy, which I probably would have gone in and done records with them, but but you know, just things were still uneasy at that time. I felt more comfortable staying with my Night Ranger guys and and and releasing I rolled the dice, man. >> Yeah. >> And rolled the dice and and sure enough I quit Ozzy and what happened? We start nice 1983 out with opening for Kiss. You know, so that pretty good, too. And you know, Paul and Gene took us under their wing and they were nice as guys ever and just made us feel great. And Uh, we did a nice tour with them. Then we went out with everybody, you know, everybody. Then of course, you know, uh uh second record Night Ranger comes out, we do still rocking in America. First single does great, and then of course, that little ballad called Sister Christian, and that brought us to headline status.