"Society Is A Ponzi Scheme" - Why The Modern World Makes No Sense | Eric Weinstein
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In this conversation, Eric Weinstein explores the concept of reality as a constructed illusion akin to *The Matrix*, arguing that human perception is not a one-for-one representation of existence but rather a virtual interpretation processed by the brain within total darkness. He illustrates how our "Umwelt"—the subjective world we perceive—is shaped by biological limitations and cultural conditioning, citing examples like color blindness or optical illusions such as "The Dress" to demonstrate that different individuals can inhabit entirely distinct realities simultaneously. Weinstein suggests that true freedom comes from recognizing these hidden passages in social construction, allowing one to break free from the cradle-to-grave narratives fed to us through indirection, much like religious metaphors used to discuss dangerous topics safely. This realization acts as a "portal," shifting consciousness from accepting surface-level stories to understanding the underlying mathematical and physical fabric of reality that governs our experience. The dialogue then delves into practical applications of this perspective, specifically regarding education and human potential through the lens of music theory. Weinstein challenges the notion that musical ability is an innate gift by demonstrating how complex concepts like harmonics can be understood intuitively without advanced mathematics. Using a guitar as an example, he explains the "impurity" inherent in Western equal temperament tuning: to allow modulation between keys, musicians sacrifice pure mathematical ratios (like the Pythagorean fifth) for slightly imperfect intervals that sound nearly identical to human ears. By simplifying this process—using a coffee mug on three strings of a standard guitar—one can play thousands of songs instantly, bypassing years of painful callus-building and technical instruction. This "portal" reveals that what is often perceived as cultural or artistic talent is actually accessible knowledge disguised by institutional gatekeeping, empowering those labeled as "losers" to access deep architectural programming previously reserved for the elite. Weinstein further critiques modern society's trajectory, describing it as a Ponzi scheme predicated on fake growth and unsustainable debt rather than genuine innovation. He argues that since the 1970s or 80s, when low-hanging scientific fruit was exhausted, institutions have maintained appearances through shell games like securitization, downsizing, and offshoring while suppressing new ideas to protect existing power structures. A central mechanism of this scheme is immigration, which he describes as a deliberate strategy by older generations (Baby Boomers and the Silent Generation) to push out the labor supply curve, thereby depressing wages for domestic workers who cannot compete with cheaper foreign labor. He contends that globalization was sold as philanthropy but functioned primarily to allow established elites to access asymmetric rights in global markets while framing those who resisted this exploitation as xenophobes or protectionists. The conversation concludes by addressing the profound societal derangement caused by economic instability, particularly regarding family formation and housing affordability. Weinstein highlights how rising costs for homes and education have made it impossible for young people to plan for long-term stability like marriage and children, leading to a demographic collapse where neighborhoods once filled with families are now empty of them. He attributes this crisis partly to the commodification of relationships through dating apps and the inability of younger generations to compete in an economy that no longer supports traditional family structures. Ultimately, he frames these issues as symptoms of a system exhausted by decades of artificial inflation and suppression of truth, suggesting we are currently witnessing the beginning of a global revolution where suppressed ideas will eventually force a reckoning with the unstable nature of our market democracy.
Read the full video transcript
Everybody, welcome to another episode of
Conversations with Tom. I am here with
somebody that I am very excited to have
a conversation with, Eric Weinstein.
Thank you so much for joining me, man.
I've watched so many videos with you and
I think you have an extraordinary way of
breaking things down in a hyper logical
way. So, I thought this would be a lot
of fun and we bumped into each other at
the talks at Teal. Is that what it's
called, Teal Talks? That's right. That's
a series. Yes, uh which you guys sadly
aren't releasing, which I'm horrified
by.
Well, we released one. And that's the
one that you're do that you did with
Werner Herzog, right? But that is your
show, which I'm very excited about,
called The Portal.
Um which I want to start there,
actually. I want to understand this
concept. So, I'm obsessed with the movie
The Matrix. And when I say obsessed, I
really think it is the perfect metaphor
for the human condition.
It's become the dominant metaphor of my
life. I think about it all the time when
I am trying to explain to people the
trajectory of my own life. Like that is
the perfect thing. There was a period
where I was
um
stuck in the Matrix. I had no sense that
there were rules to the world, that some
of them could be bent and broken and all
that, and that I could completely change
the outcome that I got by changing the
way that I think about the world. Um and
so, you said that the Matrix and other
movies like that are a metaphor for
something that is real. What is that
real thing? Well, I I I think that um
that you're pointing to it, that in
essence,
um
it is by analogy talking about the real
world. And once you make the
connections, I mean, I don't know
whether you're really down for all of
the three films.
down. Oh, oh, the other two? No, I did
not enjoy the other two.
Do you think they were good? Well,
there's part There's a part of two
that's necessary. Which part would that
be?
Well, the architect's speech, probably.
What part? I don't remember two and
three well. I'll just full disclosure,
for years I used to pretend they didn't
exist. I feel I hate them so much I need
to rewatch them. That's the thing, shall
we? Perfect. Okay. Um yeah, I think one
was
almost unbeatable. I mean, there was one
serious flaw where humans were being
used for batteries rather than
computation. I don't know quite why they
did that.
But
the way I saw it was that it was talking
about the very real state
uh of our world in which we are expected
to believe some sort of cradle-to-grave
illusion.
Uh the world that has been pulled over
our eyes. And by turning it into a
sci-fi context,
they were able to talk about it very
directly. And you see this, for example,
in Islam, where everybody understands
what the metaphors are and that there
are certain ways that you can bring up
very dangerous topics uh through
indirection. And that's the way I saw it
was it was a nonfiction picture
discussing our actual world through a
layer of indirection so that uh
it wouldn't be called a documentary. I
actually have a shirt that says The
Matrix was a documentary. And uh
obviously I wear it tongue-in-cheek, but
there there is something um So, my whole
bent in life is that and I I probably
take a far more simplistic approach than
you do, and I actually want to talk to
you about how consciousness comes into
being, which normally I'm not interested
in, but I think you might have some
interesting insights. But um when I
think about the the fact that what we're
looking at really is a virtual
interpretation of the stimulus coming
into our brain, and it was David
Eagleman who first gave me the way to
think about it. And he said, "Think
about it this way.
Your brain is encased in total darkness,
and yet you feel like light is actually
reaching your brain, but in fact it's
not. It's hitting your eyes, being
translated into neurochemical signals or
electrochemical signals, and your brain
is interpreting it, and you create this
reality that's good enough that you
don't bump into too much [ __ ] But the
reality is that it's it is not a
one-for-one representation of existence.
And even if you just think about the
spectrum of light is already so narrowed
in terms of what we're able to
interpret, and you just start thinking
about okay, wait a second. If this is
if this isn't a one for one
representation of reality, how much of
my um belief system, to keep it really
simple, how much of my belief system is
shaping what I see? And that was like
the first thread that I started to pull
at, and then it was the brain is plastic
and you can make, you can actually
change the physical structures and
function of your brain.
And that was all coming to me at a time
where I felt um hopelessly lost. And I
felt like I was too stupid to succeed.
You You might actually know this
reference. Have you seen Amadeus, the
movie?
Uh long time ago.
All right, there's a character in there
called Salieri.
And Salieri, I think Yeah, yeah, yeah.
Okay, thank you. So, I I have long
thought it was a real dude. And the the
punchline to his character is that he
laments to God. He said, "Why did you
make me just good enough to realize how
much better Mozart is?"
And that haunted him. And it was like,
"Make me an imbecile. Leave me to the
point where I can't understand this
[ __ ] guy's genius, and I'm fine. Then
I can just go about my day and enjoy his
music. Or make me as good or better than
him. But don't put me in this weird
purgatory of I'm good enough to realize
that he's truly extraordinary and that
I'll never be that good." And so, I
graduate college and that's exactly how
I felt. I'm just smart enough to realize
how dumb I really am. And that was
emotionally destructive.
And I was in a super, super dark place.
And it was that what I I obviously
didn't have the realization at that
time, but it it ends up being this
understanding that my
I'm contributing to my brain's
interpretation of the world. And if I
switch this belief from I'm just smart
enough to realize how dumb I am to
realizing that humans can learn, then my
entire life will change.
And that that began the obsession with
the Matrix.
So, we have a few open threads here.
We've got a David Eagleman perspective
of the brain in a in a jar with the
little help from Descartes. And the idea
that, for example, you and I have never
met. Um I sit here in my
I'm just assuming that we actually are
brains encased in a in a in a skull. I
sit here in my jar, you sit here in
yours, and we have the illusion that
somehow we have met in a context, but in
fact, there has been no no direct
contact.
Um
So, how do you deal with this? And I
think what's been fascinating for me is
watching the world, let's say, wake up
to the
the dress or the Yanni Laurel puzzles.
And suddenly
What's that? Well, remember the dress
was it was it black and blue or white
and gold?
Oh, yeah, yeah. I didn't know what it
was called. All right. And then And then
you hear some audio and somebody says,
"Oh, he said Laurel."
And the person says, "No, it was Yanni."
And you realize that after a while your
friend is not pulling your leg.
That in fact, we are seeing totally
different worlds. Now, I grew up color
blind. And so, my brother and I share
the exact same color blindness. So, we
were always in perfect agreement. And
our parents, you know, would would sort
of freak out if one of them left town
because then it would be two against one
and clearly our reality was right and
theirs was wrong.
Um yeah, so you you do learn that your
Umwelt, that that world that you can see
uh
or perceive or taste or touch or
understand uh
gets shifted. I don't know
I just checked my my Wi-Fi um when I was
in the green room in order to see
what what networks were available, but I
can't see them in here because I need I
need an aid. And so, in essence, we
don't think of that as being like a a
jailbreak uh out of our Umwelt, but
that's what it is. And that's what the
portal concept is all about. Uh once you
become convinced that you're not
actually in the real world, that the
stories that are being fed to you are
manifestly untrue, that the entire uh,
social construction uh, is not what it
appears to be, that there are hidden
passages, trapdoors, panic rooms
everywhere, it becomes pretty addictive
because you can't imagine that you never
noticed this before. Now, so I want to I
want to get into like what some of these
are like in functioning reality, cuz I
know that you're you seem pretty serious
about your love of finding these moments
that are these portals into another
world. Um,
and I've also heard you talk about like
actual space travel. Like how much of
this is shifting your perspective and
just like, oh, I'm seeing life, you
know, through somebody else's lens, and
how much of this is like no, a
fundamental base reality, um, we're
we're sort of altering the state of
consciousness kind of thing.
Well, um,
it's an interesting question.
The altered consciousness issue, whether
you're trying to get there through
mindfulness, psychedelics, silent
retreat, there are brain states that
many people have never experienced. So
for example, I did not understand that
there are programs in my mind
that are like fire extinguishers in a
house you've lived in for several years.
If you've never had a fire, you've never
used the extinguisher. However, it
doesn't mean the program isn't there,
and they run only under exotic
circumstances.
a real example? Well, a real example
would be when your hygiene drops below a
certain level, I find that my
risk-taking uh,
changes character, and that once I've
had a shower, my risk-taking goes back
to its previous state. I didn't know
that until I was on a trek across the
Great Himalayan Range, uh,
in in
in Kashmir, and we went several days
without showers, and it got really
pretty rank.
You mean more or less risk-taking?
started taking all sorts of completely
insane risks. Like like really serious.
And you think that was tied to the
hygiene and not being out with other
people who were maybe influencing that?
I would have thought that maybe. I mean
it was wasn't controlled and then we
found a waterfall in which to take a
shower and suddenly I was back to my old
reasonably
like one shower
was enough to kick me back into my
previous uh setting. I've never heard
anyone else discuss this, but it was a
pretty clean
you know, probably took uh you know, 10
minutes at post shower and I was back to
worrying about what the risks were.
Woah, that's really really interesting.
And not to derail um too far down that
particular rabbit hole cuz I am I want
to come back out and um help me remember
this if I forget. I want to come back
out to the concept of portals but for a
second. So um as a father, I'm sure you
think about this kind of thing like so
if I think about all right, we have
these mechanisms. They've been honed
over millions of years of evolution to
exist in a certain way and now we exist
in this relatively I mean in terms of
the the scope of life on Earth, this is
a [ __ ] blip. Like we are living in
the span of a single blink in terms of
like the stretch of time. So we haven't
really evolved for the circumstances in
which we live and if you know that all
right, just not taking a shower for a
few days completely changes my
relationship to risk, what does living
in a city do? What does technology do?
Like you must begin to ask yourselves
questions about how do I shape my kids
um physical reality? Or do I want to?
Right, exactly. Like me okay, so people
talk about forest bathing. I want to
[ __ ] Tokyo bathe. I want to go to a
deeper more densely populated metropolis
with
Right. I I don't understand my own like
fetish with robots and stuff like that.
But dude, when I say I'm literally
wearing a ring with a robot face on it.
Okay.
Um I I've got a thing. So like do you
think about that? Like
do do I just leave things the way they
are? Do I shove my kid through a portal
of like back to nature, go live on an
organic farm, like that kind of thing or
Well, both.
I mean, in part I want them to spend
time in what is closer to what you were
describing as uh evolutionary Let's call
it the EEA. EEA, what does that stand
for?
Environment of evolutionary adaptedness.
This is our mythological savanna home in
which presumably we're just
like, oh, okay, this is this is what
these these fingers and opposable thumbs
were for.
Right? So, the Why do you want to do
that? Well, because in part that's where
most of as I mean, I'm just riffing off
what you were saying. That's where most
of our
up from a health perspective? Like
that's what I think about, mental
health, physical health. It just seems
like if I were a parent, I'd probably be
pushing them in that way. Well, wouldn't
it be crazy not to spend at least a
decent chunk where you were maximally
adapted to make use of all of the
millennia that you're talking about? So,
that that would be my thinking.
That there's a base assumption hiding in
that that if you're right, so the base
assumption hiding in that is that it
would be I I think you were saying um
that the base assumption is there would
be a high degree of alignment maybe the
right word uh spiritually uh physically
so that there's a sense of deeper
gratification or peace or joy or
pleasure or something positive, yes? You
know, when the grid goes down, too,
suddenly
uh all the things that you've been
depending upon that are electricity
based cease to function or when uh
supply chains break down. So, I was in
New York City when there was a hurricane
and um I couldn't get a D batteries to
save my life.
So, we we live we live in a very
I guess on top of very thin crust. So,
it's good to have an idea of what
happens when that crust breaks
uh and you might have to start a fire
without matches. It makes sense to have
an idea that you can go for a period of
time without food
That's a different reason, so
trying to
Yep, trying to bring bring all these
things together.
it home for me. At some level, we're
we're riding on a technological
substrate and so it would be crazy to
say, no, you kids need to learn how to
push a plow because uh this word
processing thing might not work out." On
the other hand, um you want them to
spend time closer to where humans have
spent most of their evolutionary
history, and you want them to be able to
navigate the stack to understand how
they got here. So, you know, um
the same people who might operate a
slingshot, might have shot a bow and
arrow, might have shot uh a rifle,
you know, and and have an idea of the
evolution that is the Taser. So, you
want people to have an idea from whence
they came, um
and what what what what is that thing?
And then you want them to be absolutely
in the moment making use of all the
things that we have. Now, I find that
the internet and digital consumption has
totally changed the micro-chunking of my
attention.
Um
you can't really easily understand what
life was like before the internet if
this is your only context. Oh, [ __ ] And
can you explain micro-chunking?
Well, um remember when it was
you know, I I I tell a joke sometimes
that uh
I don't think Twitter's negatively
affected my attention span because I can
still get through most of the longer
tweets in one sitting.
That's good. Yeah. So, that problem of
why is it that I can only pay attention
to tiny
uh punchy things ha- has to do with
being habituated to wanting an instant
gratification. I don't want to put in
the time, the energy, the work
to decode things, to you know, there's
no canon. So, I have no, you know, you
and I have really spent very little time
together. If I start referencing a poem,
uh think of that as me throwing a
Frisbee. What are the odds you're going
to catch that intellectual object?
I don't know. We're a little bit shifted
generationally. Yeah, that's the thing.
Right? But if I use a song
Hip-hop lyrics, yeah. Now now I'm with
you. Yeah, but you can you know, people
pass hip hop lyrics past me all the
time. And as a result, most of us are
not catching the uh
the frisbees thrown our way. And so
it's a lower level of communication. I'd
be happier, let's say, using
um the Indian canons. Uh if we all
agreed on the same reference point, or
the Western canon, or you know, the
Buddhist canon. But something where we
can actually go deep as opposed to just
explore explore the surface of this kind
of
um cultural and intellectual diversity,
which has a lot to offer, but most of us
just don't have don't have deep
architectural programming that prepares
us for how deep the mind can go.
Yeah, so the notion of portals, is that
tied to how deep the mind can go, or is
this um is the notion of a portal to
shake somebody out of their sort of
they're stuck in the the pink liquid and
they don't realize they're in the
matrix. Is that Is that the moment of
the portal, or is the portal something
that is glimpses into a mathematical
reality that the world that we're
experiencing has some sort of what I'm
going to call fabric, because I am just
terrible at math and physics and all
that. Fascinated, yes, but I don't
really understand it. I heard you make
reference one time to a type of number
that you said we we just can't explain
it. Octoplets, something. Octonions,
thank you.
Um and you said, but it it really has
existence in like physical reality, or
something like that. And I was like,
huh? So
I want to to really understand your
notion of the portals. So
is this an intellectual exercise, or is
this really grabbing punching through to
the fabric of reality?
Okay, so let's talk about huge wins.
Huge win for me would be to take, let's
say, some sector of the world that feels
fenced out of math or music or language
or whatever.
And give them three superpowers.
So, let me imagine, for example,
that they got turned on to the idea that
there was really deep math all around
them
that, strangely, was more advanced than
the stuff that they studied in school,
but they found it easier to understand,
and that they
had always thought that they were bad at
math, and now, suddenly,
they can't get enough.
Then, with music, let's imagine that
you're you're convinced that you're
hopeless at music. You can't do
anything. You're just not a musical
person.
And I give you a coffee mug and a
guitar,
and within 5 minutes, you realize that
you can play 85% of the songs that mean
something to you,
um by following some very simple
instructions. Or you say, "I can't do
language. I studied Spanish in school,
and if I ever have to hear about uh you
know, ser versus estar, or or or
irregular verbs, or why is it el agua,
uh I'm going to shoot myself." And then
I say, "Okay, well, what about we take
you to Indonesia,
and in the space of a couple of weeks,
suddenly, if you're not um the world's
greatest Indonesian speaker, you're
rocking and rolling in a language that
you never thought possible that it has
not that much to do with English."
Those superpowers,
once you've seen the first one, you're
like, "Wow, I didn't realize that I
could actually just do this. I must be a
mistake." Let me give you a second data
point, and you're like, "Wow, that's
really interesting.
Now I've got two things under my belt."
By the third one,
almost everyone has the idea,
"Oh my god, the entire world is just
misexplained."
And
I think it's that idea that nobody talks
about the octonions.
And then you you run off to Wikipedia,
and they're there. Or for example, I've
had this really great experience
um
where I was able to point at this thing
called the Hopf fibration on the Joe
Rogan program visually
and some people got really angry like
he's he's pointing at but he's not
explaining it and I don't get it.
But you know, I've been
I didn't get angry but I was like what
the [ __ ] is he talking about?
What is he talking about? Why is it the
most important thing in the world? Why
you know, okay. Well, the first thing is
to just plant the flag like there is
something here
and you can if you if you hear somebody
who you like
all the stuff that they're talking about
when you can understand them and then
and then suddenly they go out of the
visible spectrum and into the infrared
or something. You say, okay, can I
follow? Is there any way? So, you start
doing a little bit of research.
And I'm finding now that I've just been
you know, talking to this artist Nico
Meier
who in his shop in Temecula is machining
massive Hopf fibrations.
Uh he was a little bit aware of it and
then he saw the Rogan program and so now
he's like trying to build these things
and we're starting to collaborate on art
projects to just push this out.
Is it meant to visualize a Hopf
vibration or actually create a Hopf
vibration?
To to actually create parts of the Hopf
fibration that can be seen, touched,
displayed.
What I did on Rogan was to show a
representation of the Hopf fibration
pushed onto a two-dimensional screen
representing three-dimensional screen
representing a three-dimensional sphere
in four-dimensional space blah blah blah
blah blah.
So, this would be one layer of those
abstractions taken away.
Where you now you're maybe you're able
to walk around this and suddenly just
like all those cool Escher paintings
that took over the world, suddenly
people are saying, okay, there is
something discovered in 1931 by Heinz
Hopf
that nobody ever told me about and I was
just like
expecting to talk about mushrooms and
wolves and
you know,
mixed martial arts. And then suddenly
there's this thing intruding into my
life.
And that thing
may turn out to be the person's calling
in life. Because how if you don't even
know this stuff is there. If you don't
know that you're in a matrix and that
there is Zion. Mhm. You can't make a
decision.
Like if you want to stay in your pod and
just be in the goop,
I'm not going to
that's your choice. But at least you
should know that there's a vacation
destination called Zion and a revolution
that's brewing. And so if you're
interested in that lifestyle, that might
be a choice you might be interested in
making.
So let me articulate that back to you. I
think now I completely understand what
you're talking about with portals. So
portals to me sound exactly like the
Matrix being a very perfect metaphor.
Obviously taken to the extreme, but
where you're seeing things one way
because you don't like you said, the
world has been explained poorly. So you
don't understand that there's a simple
shift that you could make and now see
things in a totally different way. I'm
not sure if this is the piece of art you
were talking about when you said the MC
Escher drawings took over, but I
remember back in the probably early 90s
there were these
really weirdly colored
posters. And they had like an ultra
simplistic like it maybe it had a
ballerina in one pose. And so you're
looking at it doesn't look like much.
And then if you relax your eyes it would
suddenly become three-dimensional.
And I remember the first time somebody
said, "No, no, no, there's really an
image there. It's a ballerina in in 3D."
And I was like, "I don't see anything."
Like you see two of these. It's all
noise.
Is it two of these? It's not random dot
stereogram. If if I remember right, when
you were when you first look at it, you
don't see anything. You just see waves
like collory waves. Got it.
And I remember somebody was standing in
front of it staring at it. I'm like,
"Why are you staring at it?" They're
like,
"Oh, the ballerina's kind of cool." And
I'm like, "What are you talking about?
There's no ballerina." They're like,
"No, no, no, there is." And I was like,
"The [ __ ] are you talking about?" They
said, "Look, it's this thing. You have
to relax your eyes. If you relax your
eyes like focus your eyes like you're
looking past it."
might be random dot stereogram.
Okay, random dot stereogram. So I'm
standing in front of it and I'm like,
"You are lying." Literally lying. Like
this I'm on [ __ ] punked. Like
somebody is filming me. There's nothing
here. I'm looking at it. I'm doing what
you're telling me. And then all of a
sudden you figure out what to do
physically and this thing jumps out and
you're like, "What the fuck?"
discreet. Very fascinating. Like it
really shows you that this this thing
that has been sitting in front of you
has been there the whole time. You
didn't know how to look at it because
you didn't know what to do.
A whole world was hidden to you.
You're a mathematician. You're a
linguist. You're a computer programmer.
You know,
you're a musician. You're you're doing
improv. You're you're doing all of these
things that you felt fenced out of. And
the thing that got me really crazy was
that
due to some of my learning issues, uh I
did not have an easy time in school. And
I watched it was very much a Cinderella
story where you're watching all of the
all of the uh smart kids go to the ball
and you're sitting at home washing
dishes trying to figure out
um why is it my punctuation, random
spelling, uh impressionistic
capitalization holding me back? Why is
everyone else able to pull a piece of
paper that's, you know, neat and legible
and mine is crumpled and folded and I
don't even know what my assignment is.
How old are you at this point? Oh, I
would say that between age 10
and 16, I cannot buy a base hit to save
my life and I'm just existing on charm.
And do people at this point think you're
not very bright?
Um I wouldn't say that. I would say that
they've got a problem because smart and
trying
are supposed to result in success.
Mhm. So, what happens when you have
somebody that you believe is smart, you
believe is trying, seems to be good at
lots of things that aren't on the on the
agenda.
Um now you've got a problem because that
person is invalidating the educational
system. So, the system gets angry at
you. It tries,
but there's a very limited help budget
that's available.
And before too long, you what you're
doing is you're revealing what I call
teaching disabilities because
people don't have the time, the energy,
the understanding necessary to help and
reach that person. They don't even know
what's going wrong. And so, what you
what you're doing is is that you're
invalidating what I would call the
educational complex. And the educational
complex is a it's a guild, it's a
profession, it's a business.
And so, one of the things I believe is
that we're not taught subjects that max
in a way that maximally benefits the
largest number of learners. We're taught
subjects
uh due to the political economy of
making these subjects take a very long
time and rewarding the specialty that
might have been
uh the career choice of the person
teaching.
That's super [ __ ] interesting. So,
what
teaching method would optimize for the
greatest number of learners?
Well, first of all, um differential
diagnosis. Like, are you a Are you
mean? Are you a visual learner? Are you
an auditory learner?
And we now segment them out. Right. And
you know, you start to to understand you
you you present several different
styles. You know, let's do some AB
testing. Are you like you go to your
optometrist. Is it better like this or
like this?
Right? And so, you you start to
understand somebody's learning style and
learning profile. Okay. Keep going.
That's really [ __ ] simple and
wonderfully interesting. Hard to
execute. People can stop with the hate
mail, but No, no, no. Not hard to
execute.
even better. I was being very uh
preemptive. So, keep going. This is
really [ __ ] interesting.
And you know, then you start doing
things that nobody does. Like, for
example, most errors that we make
um are not random errors. If you start
collecting the errors that I used to do
teach learning disabled kids in college
for some extra shekels, right?
And what I noticed is is that people
would make the same errors all the time.
And so I could just tell by recording
what answer they gave.
You know,
if you give them 6 * 8
sometimes they're going to say 42,
sometimes they're going to say 56.
Whatever. You're going to have some
collection of things that you can guess
what they did to get there. Very seldom
are they going to say a chicken salad
sandwich.
Fair. All right. And then you need to
incarcerate that person because that
that sounds dangerous. So in such
circumstances, if you just collect
errors, um you can very quickly figure
out what you're supposed to be
remediating rather than just saying that
You lost me there. So your first step
sounded [ __ ] awesome and the school
system should immediately implement that
cuz it sounds scalable. The second one,
detecting errors and knowing what they
mean, Yeah. Hmm.
Uh give me say it another way cuz that
one as I as my brain tries to process
that, it it doesn't seem scalable. Well,
if I say to you, what is 2 + 3 and you
give me the answer 23, Yep. I bet I know
what you did.
Okay. You concatenated two strings
rather than adding two integers.
But how does that become a curriculum
style? Like visual, auditory, got it.
now I have a I have technology that can
very quickly figure out what you're
likely doing wrong. Or if I were to time
how long it's taking you on some step, I
could guess who didn't know how to set
up the problem,
right?
All sorts of things that happen when
when when things aren't going right.
Just imagine that your brain and your
body are giving off data. And that data
can be measured when things aren't
working to guess where the roadblocks
are because in general, we don't have a
million different roadblocks when we're
trying to learn something. All right. I
want to bring this back. This is
let me give you a simple example. Assume
that we're talking about the Big Bang.
Right? And we're talking about the
expanding universe. And I said, "You You
don't even understand, man. This is so
crazy. Not only is the universe
expanding, it's expanding at an
accelerating rate."
My contention is almost no one has any
idea what that means. The physicist will
say that a million times, I think I know
what it means, and I have no idea why
anyone says it because anyone smart
should hear that and say, "Expanding
into what? What What does that even
mean?"
Uh-huh. And so, I know what sorts of
errors people are going to make. They're
not that original. Most of us get
tripped up making the same kinds of
errors as like a thousand other people
out of 10,000 people would make.
And so, if you just If you monitor these
sorts of things, you It's diagnostic uh
data for you to use.
I think that's a super interesting way
to um think about the educational system
of doing a lot of um detective work,
diagnostics, figuring out like how to
group people. They did that back in band
when I was in fifth grade going into
sixth, like, play this. Do you have any
like Where do you show any sort of
natural aptitude? And they segment
people out. That's super interesting.
Now, coming back to um what you were
talking about earlier with the um you
Let me take you to Indonesia and show
you that you can actually pick this
language up fast. Let me give you the
mug and the guitar, and you know, let me
show you a few things. Let's make those
real. What
What are cuz I've I heard I've never
heard you talk about it, but I actually
heard your brother talk about it when
referencing you that you do have the
sort of freakish ability to identify
like what those key things are.
here? I do. Is that guitar tuned is an
entirely different question.
But yes, would you like me to have
somebody get it?
Well, yeah.
Just Just to play, just to see whether
you get anything out of it. It might It
might be a dud. I don't know. It could
be a total dud. We'll get We're going to
take a big [ __ ] risk here. And Josh,
since I know you're listening right now,
uh
if you could have Lisa, who should know
where the guitar is hiding, but it's
behind the door of my closet. Um
bring it down. We will continue the
conversation until it gets here. And uh
it'd be great to do it with an empty
coffee mug just to make the point.
a real thing. Yeah. Okay, so we'll also
need an empty coffee mug.
And and if it's a if it's acoustic, that
would be a plus because
It is acoustic. I don't have anything
else. All right. God, I hope it has
strings on it. I haven't had that thing
out in a very long time. Do you play? I
did play and um I never got good, but I
did enjoy it. And so back in the day
before I um started on my
entrepreneurial journey I was on I I
would not so much anymore, but I used to
self-identify as an artist. So my life
was all about the creation of art. My
primary form of creation is writing, so
I spent a lot of time writing. I wanted
to get into writing music. The crazy
thing is just today I heard you talk
about um I'm going to [ __ ] up his last
name. Mike Einziger? Einziger? Einziger?
Yeah. From uh Incubus. Yes. So Awesome.
the that exact period of my life was an
obsession with Incubus and uh trying to
learn some of their songs on the guitar.
And um never got good, but I wrote songs
for my wife, who was my then girlfriend.
And to this day she wishes I played more
so that I would write her more songs.
That's really nice. Um I did like that
that gave me the impetus to really like
push myself and try to get good, but
then it became a question of time
management. And so it fell lower on my
priority list and and has thus collected
dust, but
finding a way to learn things fast, that
is incredibly interesting, especially
if, you know, the notion of the portals
become real and there are these
insights. So my obsession, the whole
reason that I create content, because I
I I know we don't know each other well,
so you don't know this about me, but
what I'm actually trying to do is build
a studio, a film studio, film and TV.
Okay. Uh because I believe that the way
to impact people is to make the next
Kung Fu Panda or the next Star Wars,
something that has a message at its
core, but entertains people, hits them
at Olympic level. It's an emotional
connection. Probably going to have to
focus on youth. That bumps me out
because um while I really enjoy that and
I've always wanted that to be a part of
it, I don't want to give up on adults,
which is if you know Geoffrey Canada is
very much his advice. Um but hitting
people at an impressionable moment in
their life, whether that's youth or
they're just open
with something that resonates
emotionally that is uh able to incept
them with a portal. I'm very much using
your language on that. I would normally
think of it as as growth mindset or
whatever, but you're incepting them at a
moment with a portal that causes their
their
Portals are more violent. Then I love it
because I love that kind of [ __ ] So,
let's use violent language. I'm going to
In fact, know that anytime in the
future, since I'm going to adopt the
word portal, uh that it just comes with
a TM and your name. Okay. So, I'm I'm
certainly not trying to to rip it off,
but I will help popularize it.
they belong to us all and I think that
that's, you know, really important to me
is that the portal story like the
Matrix,
um
is
a universal. And
if you think about it, Neo, just to see
how well I remember the film, um you
know, Neo is kind of searching for
something. He's leading this underground
lifestyle by night.
And he's sort of pieced together that
there's a something and this is what
brings Trinity into his life.
Where Trinity
um
is going to go out and contact him and
let him know that if he follows the
white rabbit, uh with an obvious homage
to Lewis Carroll, so that the portal
story within a portal story. And then,
you know, he goes into this uh
Australian S&M club, uh which is very
funny.
Um that
this is his introduction to a world in
which Morpheus is going to take him
through the looking glass. And
that scene of waking up,
you know, uh in a completely different
context,
I think is it is the violence of the
portal.
I love that. Um Neil Strauss called me
out one time. He said, "All your [ __ ]
language is violent. Like, what is that
about?" But I don't
is an act of violence.
Oh, can I pretend that that's exactly
why I do it? I don't know why I do it,
but that feels so wonderful. Well, you
have to break something, right? And you
know, if you think about how we come
into this world, uh our our mother's
water breaks, and that is a moment in
which
That's a [ __ ] portal. Right. And
literally, this is something that I find
mind-blowing in the Jewish tradition,
um Passover is about the escape from
Egypt, which whose name is Mitzrayim,
which is a plural, masculine plural, and
it's the narrow places, and it is the
literal birth story of the Jewish people
out of Egypt.
think there are some people that just
get I I have a hypothesis that goes like
this. Some people think in archetypal
metaphor. I'm not one of those people,
and it actually has, I think, held me
back as a writer. I've had to really
like learn that. Or do you think that it
is, um
some people dream in archetypes, which
is another reason that I think that?
Or is it that just over these stories
that we think of now as archetype are
are told sort of bit by bit by bit and
and shaped over time based on what gets
a reaction?
You need you know,
uh the simple-minded have devils and
angels on their shoulders.
Um one step up from that, you have Sam
Harris and Jordan Peterson whispering in
opposite ears.
And you need a camp and decamp between
the hyper-rational. Now, of course, I've
been unfair to them both. Jordan is a
scientist, and Sam is a pretty spiritual
guy. But their archetypes, um Sam is
constantly reminding us of for the need
uh of the need for rationality, and that
spiritualism can be grounded in
rationality. And Jordan is really
reminding us that if you don't actually
just let that spirit free, that your
mind has the spiritual capacity built
into it. Um
yeah, there's there's danger on either
side if you're too rational or or too
spiritual and too moved by the
archetype.
Uh
in both directions lies nonsense.
But that tension is is magical.
Have you read The Watchmen?
The
By Michael Moore, the comic? The graphic
Yeah.
So, there's a part in there if you
remember, the book is broken into you've
got the main story and then you have
snippets from like a book, somebody's
journal, a diary, that kind of thing.
And one of the snippets in there, this
hit me so [ __ ] hard, was a guy had
written a book on ornithology. And he
said, "You know, the problem with
ornithology, which is the study of
birds, the problem with ornithology is
that we know the size of the feathers,
we know the orientation of the feet, and
we can tell you, you know, the gap
between the feathers and down to the
millimeter and what it all means and all
that." He said, "But we've lost the
poetry of flight. And we've lost the
sense of awe that a bird could inspire
that made it such a symbol that we would
put it on coins or on temples." And he
said, "I never want to get to that point
where I'm so blinded by the science that
I lose sight of the awe." And I was
like, "Fuck." Like that gave me the
chills. I was like, "That is so true."
And
that like so, I love Sam and Jordan. I
think they're both extraordinary minds,
but your notion of being able to camp
and decamp, I think is so important. The
ability to bounce back and forth. Talk a
little bit about that and how you see
that playing out today in particular
where people are camping, but nobody's
decamping.
Well,
it's very interesting. People sometimes
accuse me of
having it both ways or
middle-of-the-road. And nothing could be
further from the truth.
People get annoyed with that?
Well, they they have the idea that
you're you know, pick a side, man. Why?
Well, because it's pure. Because there's
mush in the middle for the from their
perspective. And what I view is
wow, you imagine that these two sides
have been warring, let's say, for
thousands of years or hundreds of years
or even decades, and it's not because
both you know, both sides probably have
a point. It's just not there's no
synthesis of that dialectic. So, you
have these these sides yelling at each
other, and I always think if two sides
have been yelling at each other with
smart people on both sides for a long
time,
that's my cue that they're not they
haven't found a frame outside of
flatland. They're trapped. They have not
found the portal.
And so, what I start doing is I I invite
them both into my mind, initially in a
sandbox.
You know, can I represent the other
person's arguments so they would say,
"Yeah, man, that's exactly what I'm
saying." All right, can I do that for
for both sides? Are there multiple sides
beyond two? And so, once you sort of
have all of these things playing in your
head,
then you start saying, "Okay, I'm going
to make an outreach from one sand
sandbox to the other. What if I'm
convinced that there is no god, but that
religion is super valuable?"
What does that feel like?
Or I'm convinced that there's absolutely
a god, but that it leads us into madness
with um people making claims that can't
be substantiated and we have to revere
them, right? Whatever these things are.
So, once you start doing that, and
that's why, for example, years ago on
the Tim Ferriss program, I talked about
using coprolalia. You just use a string
of swear words to let your brain know,
"We're not in Kansas anymore. This is
not safe space. We're working blue. It's
after hours. It's time to get creative.
It's time to get violent." And you have
to be decent about it. That's like, you
know, comedians, if you go to a
you know, I was just catching a set at
the comedy club at The Comedy Store, and
it's pretty pretty brutal. But, on the
other hand, it's happening in a room.
everybody's there voluntarily, and in
general,
you know, it there's a limit to how bad
it's going to get. And so, these kind of
rough spaces that aren't safe spaces are
are important if we're going to be
generative. And
you know, my belief is is that
we all have to recognize that the pure
states are to be avoided.
Or rather, that you have to embrace
multiple pure states because purity of
one particular kind or another is where
madness comes from. We have to not
uh we have to welcome the infection.
And as you were talking, like I was
getting the chills. That to me, that
notion of
being in what you're calling the
sandbox, of being able to um
steel-man the argument. Was it your
brother that came up with that phrase,
or did he just bring it to the
No, I think I brought it to the wider
world, but it came out of the sort of
East Bay rationality community. At least
that's where I found it. So, I love the
the concept of steel-manning. I think
that's so important of
I think ideologically people have to
believe it is their obligation to
steel-man somebody instead of trying to
um tear them down. Like, to first
understand, right? To
um and I say that selfishly. Like, one
of the things I don't understand is
when you and I think this is what you
mean when you say that the madness
happens in the purity, I think more from
a biological perspective that once the
crop is completely homogeneous, it is
[ __ ] at risk. Like, one thing goes
wrong and the entire crop is lost,
right? One Well, even worse, imagine
somebody uh who's eukaryotic decides
that they're infec- infected with their
own mitochondria.
Like, you know, then the thing that's
powering every cell in your body which
was initially probably a prokaryotic
infection
uh it becomes something you you need to
rid yourself of. Okay, well, in the
process, you're going to just
you know, you're going to go totally
OCD. It's like somebody told you, "Hey,
there's a quarter in your new leather
couch, go get it." You know, and there's
no quarter there, and you're just going
to rip the thing to shreds.
Yeah, so getting people to um as as a
selfish driver to put themselves in a
position where they're constantly trying
to understand where the other person is
coming from so that they can adopt uh
anything that works, right? So, Bruce
Lee said, "Take what works, discard what
doesn't, add your own." So, having that
anybody whose primary goal is
self-development, and yes, we have the
guitar. Anybody whose primary goal is
self-development, I think has to have as
a part of their operating system a
desire to
um
first listen, hear what might be usable,
even if you think that that's a rival
camp, take on what works, discard what
doesn't, and then find a way to leverage
that so that you can do things in the
world. And my obsession is getting
people to understand, and this is one of
my portals. Um and this is the path I
was going down earlier.
The reason that I'm so interested in
this particular portal that I'm going to
outline is it it will change your life
forever. So, it's
on one side of the portal, you think
that you are made a certain way, and
that is that, and life is about making
the most of the gifts you were given or
weren't, or you know, making the most of
a bad situation, however you want to
look at it.
On the other side of that violent act of
creation, of stepping through that
portal, of being kicked through, or
whatever, you realize that you can
change your perception, and the
perception will change your beliefs,
which will change your behaviors, which
will change your outcome, and the
outcome, of course, is where I'm
obsessed. So, the portal I'm trying to
cram people through is realizing that,
"Oh, I'm viewing the world from a fixed
mindset," to use Carol Dweck's um
famous book, uh Mindset,
and I can have a growth mindset. So, in
one, I believe my talent and
intelligence are fixed traits, in the
other, I believe they're malleable
traits. And once I believe they're
malleable traits, then I can get into my
grand obsession, which is getting people
to understand that skills have utility.
So, since we have a guitar here, this
may be the perfect um explanation. That
guitar, that very guitar that you're
about to pull out has gotten me laid
many times. Now, that's a real outcome
because I wrote songs for my then
girlfriend, and she was moved by it. It
was It was a full recognition of her
psychology and what made her feel good
and made us feel connected and made her
feel sexual. And because I could make
her feel sexual, then I got to have the
experience that I wanted to have. And
also, I wanted to connect and I wanted
to convey something to her, and I wanted
to create the shared lexicon that you
were talking about, you know, we could
adopt the the Indian canon or the East
Asian canon, whatever the canon. Like,
we were building a canon together, and
it was like you to be able to reference
the song that I had written for her. I
mean, it just like it began to shape our
lives together.
But, that started with my dumb ass
having to learn how to play a G chord, a
C chord, a D chord, right? But, those
skills have utility. They let me do
something. And so, the thing that freaks
me the [ __ ] out about people and leaning
back now. About uh
about people that um
they they get lost in what you call the
purity. They're They're stuck in their
idea. They're not looking to steel man
the other argument. They just want to
know how they're right
is skills have [ __ ] utility. Like, if
you learn something from that person,
you're going to be able to do something
you weren't able to do
That thing right there is based on an
impurity.
The guitar, which is even tempered You
going to break it out
while you explain?
All right.
So, I don't know whether your mics can
pick this up.
It'll probably pick it up barely.
I'll narrate for anybody at home who's
watching, and he will pick back up where
he left off. Uh he is pulling out the
guitar.
Um and we're going to learn how the
guitar itself is born of impurity. I'm
excited to hear the answer to this.
I'm not sure that I can predict it.
I think there might be one more than you
would imagine. That thing always uh
surprised me with just how many latches
it has.
Help out? Oh, I see.
There we go. There it is.
All right, like I said, I make no
promises about uh the tuning. Well, even
if we have just one string, we can
probably figure out something.
All right, so first, what's the impurity
this is based on? Well,
so
if you break the string into three
pieces, so this would be
your E string,
but if I place my finger exactly at the
midpoint, we'll double the frequency.
And if I place it a third of the way
through,
it should be giving me three times the
frequency.
Now, that number
of three times the frequency
is not actually the even tempered
version of three times the frequency.
you mean even tempered? Well,
we have 12 frets in an octave. Okay.
Those have been
specifically geared by the person who
made the guitar
to
break that 12
uh break that octave, which is a
doubling of the frequency, into 12
exactly equal steps.
Okay. If you do 12 exactly equal steps,
then you will never reach exactly three
times the frequency
as you go up an octave, which is 12 and
then seven more half steps,
which is 19 steps in total. That's as
close as you can get.
So, it's the difference between
and
that sounds almost the same.
But there's actually a tiny discrepancy,
and that's why we choose the number 12.
Because only for 12
do we get that tiny discrepancy and have
a reasonable number of steps in the
octave. The equation, if you're trying
at home, is two to the 19/12
is almost equal to three, but is
slightly below.
Okay, how does that help me understand?
Well, yeah, I'm telling
that impurity is the basis for Western
harmony.
That's the great
thing that the West did that nobody else
did.
Because without that, what would happen?
Um without that, you'd just have the
pure
So for example,
But I couldn't harmonize with that. It
seems like I could. Well, if you had
those as the exact steps, you'd you'd
notice that you couldn't switch keys.
You couldn't modulate to other keys very
easily. So you've taken a There's a
crime in our fretboard,
and you've taken the body, and you've
chopped it up into 12 equal pieces,
and that disguises the fact that third
that our fifth in even temperament and
our fifth in physics, which is the
Pythagorean fifth, are not the same
note. But they're so close that our ear
can't tell the difference.
sure what I was going to do at this
moment in the podcast. I knew it would
come where you're saying a whole lot of
words, and I don't understand how they
add up. I understand each individual
word,
but strung together in the way that
you're stringing them together, I can
only nod and smile.
Is there another way to explain this?
Cuz I Here's Here was my hypothesis with
music. That you understand math so well
that to you it is self-evident that a
guitar is math, and to me it is not. And
I experience a guitar entirely
experientially. So whatever portal
exists between the experience of music
and the math of music, I desperately
want to cram myself through because I
think it'd be [ __ ] amazing to
understand that to No, no, no, I don't
want to understand it. I want to feel
it. I want to I want to understand at a
body level.
Okay. And I don't know if my mind is I
don't like to have a fixed mindset, so
I'm very open to I just haven't had the
key insight that's going to invite me
through
the portal, but it feels like
the thing I don't understand is math and
that there is a key insight to be had in
math that until I have that key insight
in math, your sentences will continue to
sound cool. Like when you talk it almost
sounds like poetry, but I don't
understand it. Okay, well, the first
thing you have to know
is that there are certain things that
are encoded in physics Okay. that sound
to us as if they were are composed or
like music.
And if I understand them, they're going
to make playing the guitar easier? Cuz I
I want people to understand what the
punchline is if we fight through and I
figure out what I'm talking about.
harmonics that would occur if we strung
a catgut between two trees
uh in Borneo. Okay. Okay.
Do you recognize that? Uh yes. I
couldn't tell you what it is if you
played it again.
It's I'm trying to do the lick from
Pretty Woman. Oh, then definitely not.
Like by Roy Orbison.
know a lot of She walking back to me.
So, those notes are encoded into the
vibrating into the Fourier series of the
vibrating string. Okay. So, the point
was that I don't think that whoever
wrote that song that Roy Orbison made
famous
I don't think that song is
composed so much as discovered. It
really just came out of
uh expanding a series of vibrations for
the wave equation of the of of the
vibrating string. But what were you
going to say? Because of that, right?
There's certain things that people will
say are cultural like
Right?
So,
"Oh, heave ho from The Wizard of Oz or
wise men say." Right? That alternation
has to do with the natural modes of a
vibrating string. So, all of our all
over the world, people hear "Oh, heave
ho." as a natural
tone.
Right?
Okay. That's just It just has to do with
the fact that your your vo- your vocal
chords or any one-dimensional medium,
like a flute or a string, is going to
have those things as part of it.
But, why does that matter? Like, to the
average person, unless this is going to
help me get laid, right? Skills have
utility. Unless this is going to boil
down to something that I can
functionally get something that I desire
from it.
So, let's let's take the coffee mug.
disappointed. Well, no. Is it Is it that
the math of this is fascinating and
beautiful to you? Are we like in that
moment where I want the science and you
want the awe? You want something. I want
to give you whatever it is that you
want, and then I want to come back to
you.
All right. So, for example, if I take
the second, third, and fourth string,
and I play those, that is a major chord
if the guitar is tuned to standard
tuning. Okay. Right? Now, I'm going to
ignore the two strings closest to my
head and the one closest to the floor.
Right? And I have the coffee mug. So,
assume that somebody has a guitar around
the house and in standard tuning.
So, now I go
Now, I don't have to learn how to fret a
G chord or a C chord or all the things
that hurt my hand. I'm just I've got my
claw around the mug.
Right?
So, I can start immediately
playing songs or
I'll admit that was [ __ ] cool. Okay.
The next thing is is is that
Because the hard [ __ ] just for people
listening, forgive us since you can't
see what's going on,
but it the the part of learning the
guitar that is infinitely harder is the
fretting. Like using your fingers, which
hurts in the beginning, and you're
probably going to bleed, and you have to
build these insane calluses, and
yeah, I I went to my guitar teacher, and
I said, "You know what? I'm I just don't
think my hands are built for this."
Cuz I could not do a bar chord to save
my life. So, to see you use a mug that
effectively is
Right. So, I'm throwing away most of the
or half of the guitar, strings one,
five, and six.
And now,
this is going to be like a really bad
version of the four-chord song, but go
to YouTube, put in the four-chord song,
look at the Axis of Awesome with all of
their songs. So, here's the here's the
key thing. In the four-chord song,
three of the four chords are just
strings two, three, and five with the
mug at different positions along the
fretboard.
12, seven, and five, these frets.
Okay? The only thing that you have to
throw in is that there's a minor chord,
which is strings one, two, and three
played at the 12th fret position. Now,
this will be a lousy version of the
four-chord song, but the key point is if
it comes to you in under two minutes,
that you can now play all of the songs
in the four-chord song badly with a
coffee mug and a guitar that somebody
else tuned,
then you're through a portal. So, for
example, if you think let's try Beast of
Burden, which is not it's going to be
the wrong voicing, so the musicians will
object to it. So,
And I'll never be your beast of burden.
Now, that's not
a great version of the song, but for two
minutes, and you think you're musically
hopeless, it's not too bad. We're
talking about Mike Einziger, right? This
genius musician, everybody thinks is an
amazing guy. What's even better about
him is that he's a very generous
teacher. He's a good friend, he's a
great guy. How the hell did you meet
him?
The network, man. As soon as you break
out, you meet all of these amazing
people. When I followed the rules, I
didn't meet anybody.
That's interesting. That That's a
conversation worth having, but finish
this thought and then we'll come back.
So, the thought I was going to have is
is that if you think about that song
that he wrote for more or less for
Avicii that took over the world
realize he wrote a song for Avicii.
Didn't he do this um Wake Me Up When
It's All Over?
Maybe, I have no idea. Wiser and I'm
older
Wow, I had no idea that was
so it's like
it's the same four chords, but he starts
from the minor chord in the in the
cycle. So, if you put them around, it's
like six minor, so
Feeling my way through the darkness.
It's that cycle. Now, my point is that
those are things that once you learn the
coffee mug trick Mhm. you think, okay, I
completely misassessed how difficult
this was. Now, was the coffee mug trick
is that the portal or did you come to
realize everything that you just said
from first principles and that
and I couldn't understand what was being
said to me when people tried to teach me
music the standard way.
So, I had to find my own way. And you
say you couldn't understand it. What do
you mean? Actually, I want to go back to
your learning disabilities. Sure. What
What were they? How did you build
confidence in yourself? Could you tell,
I'm [ __ ] smart, man, there's just
some translation error?
I was recognized for being decent as a
student
to begin with. Okay. And what happened
was
that that
recognition translated to my being
skipped a grade even though I was
already for my grade. So, I was like
fairly advanced relative to the American
system. You know, other people skip two,
three, four grades. This was just one
grade.
But, to then have my handwriting and a
lot of these sort of executive
functioning issues take over,
you know, like no matter how beautiful a
poem I could write, I would always be
graded on punctuation.
And so, it was just this precipitous
fall from educational grace.
And
that having had a memory, like the only
remnant of my being
have having been a good student was that
I was somehow weirdly young for this
grade, given that I was screwing up
everything. And I was at a really good
school,
um which was hard to get into, that I'd
gotten into before the superpower had
fallen away.
And so, there was just this like weird
memory. And of course, in all the
Cinderella stories, right? Cinderella's
never really of lowly birth. She's
always, you know, got something special.
So, that was my little something
special.
And
then when I found that I couldn't do
music and I couldn't
do math, because you had to rely so much
on
um calculation, and that required
writing things down and being very
careful about it,
everything melted away. And I just
became convinced that I wouldn't be
fenced out of
anything.
That I was just going to be so
aggressive
that I was going to eat the system that
was trying to eat me. And I made
education the enemy, because that's what
they were.
They didn't realize it necessarily, but
all of these people who prided
themselves on being educators
were just being incredibly abusive to me
year after year, just tearing me to
shreds because it was necessary for
their fiction that the good students
were getting ahead and the bad students
were not putting in enough work or
didn't have a gift. And you know, when I
found out that
in high school at this point? Oh, even
through college. I mean, I was
determined that I I I figured I was
going to drop out of college. There was
a language requirement and I took French
and I was getting nowhere.
Like you were having a hard time
learning it? An impossible time learning
it. Because it wouldn't stick?
Because the number of things I could not
figure out from the spellings, the
accents, the irregularities, why is
everything gendered? Were you frustrated
with the nature of the language? Or cuz
like so I'm I've heard you talk many
many times and dude, your ability to
logic through something is is really
profound.
That's why I'm saying Indonesian is
special.
Because Indonesian removes a lot of
roadblocks.
even saying like logic your way through
like the following. Hey, I want to get a
degree it'll be useful to me. I'm also
by the way I've already done the whole
[ __ ] degree except for the language
thing. So I'm just going to brute force
memorize this
going to do worse. I was I was going
I don't think anyone needs a BA to get a
higher degree. So was part of it just
the anger of the school system is the
enemy and so [ __ ] these kids. I'm not
going to get a degree if they're going
to make me do something that I think is
dumb.
Well, I I I think that there's an aspect
to that which is self-protective.
Emotionally.
This is dumb.
motivating. Can you imagine that you're
going to go up against the entire system
and win? And you start envisioning your
victory over a system that does not want
you at the table? Yes. I mean, just try
to try to imagine
like being the blackest person possible
at a KKK meeting and getting everybody
singing your praises by the end. That's
that's your goal.
Right? You're just going to you were
going to inflict yourself upon the
world.
And
that
that was necessary
to build strength of character because
when I you know, I got to Harvard in
mathematics, there was no one remotely
like me.
You know, I I I
And their approach to the system is
broken and stupid.
These were like the winners of the comp
you know it was like a a tournament and
people kept winning and so they kept
advancing. You know and every once in a
while I think you know I found out that
Yo-Yo Ma didn't win any competitions
when he was young.
That's interesting.
And I
that was really distinguished because in
general the way you got to be at Yo-Yo
Ma's level
was through a tournament model. And so
what happened with me is I went to like
the Museum of Science and Industry and I
thought wow this is so cool. Uh
I want to figure out how to become a
scientist or a mathematician or an
engineer or something like that. And
then when I found out that you had to be
really good at it I just thought well
that's unfair.
No literally like if the if the universe
is written in differential geometry what
are the odds that I'm not going to learn
the language in which the cosmos was
written?
There's just no way you're going to
fence me out of that.
So I [ __ ] love that mentality so much
you can't imagine.
people don't like it.
Uh
I think that what you have to understand
is is that like I'm sure that when I was
singing there are musicians that are
cringing you know? And they've got their
hands over their ears and like you
wanted to hear where do you really hear
this difference
uh between even temperament and the
Pythagorean temperament?
Um you know you hear it in the blue
third. So the difference between
like
Like that is the place in which the
maximum
difference occurs that our third is
wildly off. And so when I want to teach
people about music I've got this problem
always. Which is I've got this these
very exceptionally good people who say
you know you're teaching people wrong
you're giving them the wrong ideas this
isn't helpful. And I have to say screw
you to all the people whose playing I
know is better than mine and whose whose
stuff I love but I'm not at I'm not
talking to the people that they're going
to reach. I'm talking about the people
who are going to die never having a
relationship with music. And this coffee
mug may rescue some of them so that they
will become the students of those great
musicians.
But what I'm interested is I'm
interested in the losers. I'm interested
in everyone who got left behind. You
know, if I had a gang sign it would be
an L in the middle of my forehead. If I
if I ever make it to the Tonight Show I
want them to play me on with maybe even
the losers get lucky sometimes. It's
just this idea of I will not be fenced
out because of your hang-ups as an
educator. There's no way I'm going to
accept the D or the F
or the you know, Johnny can try better
or you know, Arena needs to turn in her
homework more regularly. No, you're
wrong. Those kids are not failing for
the reasons you think. They don't think
failing because you think they don't
care.
They they do care. They don't know how
to do the things that come naturally to
the kids you're calling the A students.
And so I'm interested. Give me your F
students. Give me the kids with the bad
attitudes. Give me the kids with the
learning disabilities you want to put in
the corner and you want to hold back.
Because mostly you've misassessed those
people. Maybe I think 15 to 20% of our
country
is filled with unbelievable learners
who are being held back by educators and
nobody wants to take to the educators uh
those kids are with me.
And you got to get away from them
because you're doing incalculable harm.
And by the way, any parent who's
listening to this who's got a kid
who's not living up to potential is
sitting there getting closer and closer
to speaker. What did he just say?
And if I say these are gifts, they're
not they're not disabilities. Do not
over medicate your children.
Embrace entirely different ways of
educating your kids. They can learn
anything.
One, I want to know how it's a gift. And
two, are there actually places right now
that people can go that specialize in
educating people like that?
Well, I think there's something called
the Summit Center in the in Walnut Creek
in the East Bay.
Um there's a book called The Dyslexic
Advantage.
I think there's something called the
Bridges Academy in LA.
But there's an entire
You know, what I found was is that
there's a group of kids who meet in
Golden Gate Park in San Francisco to do
LARPing. And I didn't know anything
about LARPing. And the moms sit around
bitching about the schools that their
kids didn't get into. And say, you know,
uh
you know, my son Arun uh is an amazing
computer programmer. He started his
first business, but we can't get into
the swanky private schools because they
took one look at him and they don't want
him.
And I'm thinking like, yeah, they don't
want him.
But all we have to do is to make sure
that this kid doesn't develop some sort
of wrong idea about his his gifts.
And we have to inflict our best people
on the system because the system doesn't
want our best people.
Your beef with the system I find
particularly interesting. There's
something about your um imagine
godlessly if I can recapture the words
you used. Imagine taking on the whole
system knowing you're going to win.
It's not quite right, but that was
certainly the sentiment. And that is
that puts you in in a rarefied group.
Most people are they're really broken by
nobody believing in them. And I always
tell people that the biggest gift anyone
can ever give you, and it will never
feel like a gift, but the biggest gift
anyone can give you is doubt. The
problem is it breaks most of the people
that it touches. So, I liken it to the
inner cities. The inner cities break
virtually everybody that go through it.
But the people that survive it come out
the other side these extraordinarily
driven um unbreakable people. And it's
it's pretty extraordinary when you see
it happen.
But how do we begin to
get those people into a position where
they can um, and maybe it's reading the
books that you listed or or going to the
places, but I'm super curious if you
know, like what is it about their method
that they're teaching or or maybe more
easily, what did you realize? What was
the portal that you went through that
allowed you to recognize your own
struggles as an actual gift? Or was it
just that it pissed you off enough that
it made you fight? Well, for example,
um,
like the first portal for me really was
music.
And it was specifically the blues, which
it is for many people. The blues is some
of the most emotional music. Many people
in my day didn't even know that it was a
codified art form
in large measure, but um,
there was a 12-bar pattern, it was a
formula. So there was sort of on a
piano, it'd be your left-hand secret,
which would be the progression.
And your right-hand secret would be the
scale
that nobody taught you.
Right? Um, it's not the major scale and
it ain't the minor scale.
And if you think about um, I was do this
as uh, descending scales, if the major
scale descending is Joy to the world,
the Lord has come.
But the blues scale descending sounds
like the beginning to a song called
Messin' With the Kid.
Dee dee dee dee dee dee dee dee dee dee.
And once you learn that scale, you
realize how much of the stuff that you
love
was not in either the major or the
minor. And you learn about these blues
blue notes, and you learn about seventh
chords, and you learn about how to put
some grit and distortion in your guitar
got an amp.
And it's an alternate world. So the the
portal in music that was a big
breakthrough for you in terms of blues
anyway, was that there are these
left-hand right-hand secrets
um in in a very simple scale that once
you learn that, you've sort of got I
mean maybe 80% isn't the real number,
but it's like some big percent that you
can very quickly start playing
song unlocks that. And then, you know,
for example, there was
Because you realize how many songs you
love are actually only four chords.
Right. And then there was this weird
Vivaldi piece, which is classical, you
know, unapproachable classical music
that went something like I I haven't
played it forever, so I don't know if
I'll remember.
And I thought
you know, that wasn't perfect. It's
super rusty, but
wait a minute. I can play that almost
instantaneously. I don't need to wait.
Maybe my technique is going to suck.
Maybe I'm never going to make it to the
Carnegie Hall stage. I don't care.
That song is beautiful, and it makes me
feel good, and there's no one who can
fence me out. And I have my grandfather
um
that Brett and I both talk about to
thank me for because he gave me this
guitar, and my mom was dead set against
it. She said, "You're giving him that
guitar, it's just going to give him an
inferiority complex." And my grandfather
said, "Oh, all he needs to do is tune
it. If he can learn how to tune it, he
never has to play it."
And he was such he was such a genius
that he figured out how to get this
thing into my life.
And I tuned it, and then after you tune
it, you say, "Well, I wonder if it's
good for anything."
Right? And then you start finding all of
these techniques and hacks and and the
craft behind it, and you realize you're
behind
the radio. It's like when you program a
computer, you're on the other side of
the screen that the person who's just
using the apps
is sitting, you know, they're sitting in
front of a half-silvered mirror, and
you're looking at them like you're the
FBI, and they're just sitting there, you
know, typing away. They don't even know
that their computer is a computer. They
can't find the place where you program
the computer because now it's hidden.
So, there's just this entire hidden
world of everything. Like when you learn
a language, why don't you learn
linguistics along with the language that
tells you why, you know, what is word
production and and and morphology and
and the orthography and what's the
evolution of these things?
You know, nobody tells you there's a
book called the Cambridge Encyclopedia
of Language or the Loom of Language and
that these books are like scrolls.
They have all this extra information
that people think, "Well, we can't
bother the students with it." Are you
kidding me? That's that's the sugar for
for people like me.
I'm going to get in behind that. I'm
going to hack the hell out of it.
I I wonder though, so when I think about
and in fact maybe I can um give you
insight into what it is like to be, I'm
guessing, one of those teachers.
The shortcuts and things that you're
talking about, the portals, the ability
to sort of understand the rules of the
game. Would you say that that's a fair
way to say that? Rules of the game? That
once people understand that there are a
computer is coded, it's not this
mythical box, that there was a prompt
line somewhere that you can go in and
once you understand the rules and you
can begin to edit the code and so on and
so forth. You have to really understand
how it works.
Is that fair?
Uh I don't know where you're going with
it, but I'll play with that.
Okay, so if that's roughly fair, and
trust me, this isn't a trap, but I'm I'm
thinking so cuz what the the perspective
I want to give you is somebody who has
has come to embrace that realization as
fervently as you, but far slower and
with less
um
like being hit with the awe and the
wonder of like having this breakthrough
moment with the guitar or whatever. So,
I'm guessing the place the teachers are
coming from is they don't get that same
like big aha moment. It doesn't feel
like a violent stumbling through a
portal. What it feels like is an
insecurity trigger of this is another
thing that I have to learn and
understand and be able to convey and
teach to people. And I think it speaks
to
um
when I think about the education system
and mad love to everybody that's out
there teaching because I used to teach.
It is [ __ ] brutally difficult. It is
a time suck of all time sucks. It is It
will It will test your limits as as an
intellect quite frankly and certainly as
a um leader of minions, especially if
you have uh you know, students at an age
where they can properly rebel. Uh so, it
it certainly isn't easy. But, it
when you're in there trying to make it
happen and you're realizing like
this is intimidating and it's scary to
try to put these lessons together. I
went through school. I used sort of
brute force. I was good at learning.
They probably did reasonably well in
school, which is why they continue. They
got decent grades. They know how to play
that game. And so, their entire life is
about I've gotten good at this very
finite thing. And people want to protect
that sense of ego. And if their ego
isn't that of being the learner, it's
deeply more disturbingly that of being
the teacher, the one who knows.
students are you going to sac- How many
students do you get Do you have the
right
Like what
It's interesting. So, you and I you and
I um who I don't know if we see this
exactly the same and you are
uh
you have a righteous indignation that I
find intoxicating, but I don't have.
Okay. And so, um I heard Sam Harris talk
about this one time. He said, "Maybe
something broke in my brain when I was
meditating." And I So, I don't get this
anger. And remember I was telling you
before we started rolling, people love
it when I get like enraged about
something. But, the only things I can
get enraged about are things that I was
doing to myself in my own life and it
pissed me off about me.
No. There's an ada- There's an adaptive
aspect to my voice. I am I am aware
frustration,
To the aggression? cameras rolling and I
now have a platform. And I have the
ability to go back and save myself.
So, that's who you're talking to.
I'm talking to the parents Mhm. who are
going to take their kid
and they're going to say, "Where is your
algebra homework?
You forgot it at school again?
You tore in a a ripped piece of paper?
Did Did you not read the directions? Did
Where are your notes?
You know, I didn't know that I have this
issue called kinesthetic reinforcement
that when I take notes, instead of
strengthening the pathway in the mind,
it's so difficult for me to write that
it erases whatever notes I'm taking. So,
I wiped out
the fancy private school education by
taking the notes that were illegible and
I didn't remember what was going on in
class. And I only found this out when I
was in graduate school at Harvard
by the most precarious circumstances
possible. I mean, my my view is is that
my PhD belongs to every learning
disabled family in the country because
so so far as I'm concerned, the
difficulty of getting through the system
and surviving it
is is that you're constantly causing a
problem for every educator. And so, I am
compassionate with the problem right up
to a particular point. And that is the
point where you say, "You know what? I
don't have time for this shit."
And I'm sorry, but you're getting a C.
And I I some something in me knows
that I'm doing you wrong, but I'm not
allowed to do you right. I can't figure
out why I'm allowed to give you an A in
this class because you turned in some
other project that I was not expecting.
Because you showed brilliance. You You
showed something else.
And somehow, because of my needs for my
job, I have to give you and your family
the bad news
that you're taking it for the team. And
so, my righteous indignation is intended
to start a blaze. If there was one thing
I would love to do is to liberate the
families that are going through this
nightmare of looking at their kids and
saying
wow, you're really just
you're not getting it. Don't worry,
there'll be something in life for you.
Like why are you giving up on your kids?
If those kids are smart, like this race
and IQ thing, I cannot stand this race
and IQ thing.
I I understand the idea that IQ is
somewhat predictive. I understand that
you can correlate it with various
things.
IQ is such a crude measure of all of the
things that we really deeply care about.
And
I can't help, you know,
my friend Nassim Taleb is brutal on this
topic. He is not a nice person when it
comes to this issue. But my energy is
with him.
How many people are we going to throw in
the dummy pile? You know, I think about
Louis Armstrong a lot.
And I think about Louis Armstrong and
the fact that we white Americans
remember him as a novelty singer.
Like hello, darling.
And that's not what he is. He is the He
is the singular genius who wrote our
national classical music. And he
invented it, for my money, modern
jazz as we understand it. More or less
single-handedly as an orphan out of New
Orleans.
Now, we can't acknowledge his genius. We
can't acknowledge that this is an actual
straight-up
American genius like none other. I mean,
like I don't know, maybe Art Tatum and
Charlie Parker and a tiny number of
people who are just completely out
there.
But we are so wrapped up in this
nonsense about what makes a good student
and what makes a first-class mind, we
don't see. Like let me just give you the
simplest one that I give a lot.
People call me color blind and I say,
"Oh, do you feel bad because you're
contrast blind?" And they say, "What?"
I say, "Well, I don't think you see
contrast as well. So, if we ever need to
depend on camouflage and spotting the
enemy, you're going to really need me
around. That's why my trait is retained
in the gene pool." And I understand that
color is something that gives you an
advantage a lot of the time. But, don't
think that we couldn't have driven my
color blindness out of the system if it
didn't confer an advantage. And you
don't have that advantage and you don't
even know that you don't have that
advantage. Well, the same thing is true
for most learning disabilities. The
learning disability portion of the gift
is the price paid.
And you're not letting me use the other
part. Like, I understand that a Bugatti
is pretty noisy and it guzzles gas,
but it does go rather fast if you know
how to drive it. And you're telling me
that I have to drive it in a school zone
for 25 mph and that it has to be under a
certain decibel level and that it can't
guzzle gas that because it's too
expensive and bad for the environment?
Screw you.
I want those learning disabled kids
racing around the track at 300 mph and
now you try to catch them.
This is a This is an epidemic
mischaracterization
of a giant portion of the population
from whom you will get vaccines and new
industries.
These are the people who will write your
scripts
that you'll you'll be riveted, must-see
TV from the future. And right now what
you're telling them is that they're a
bunch of morons.
So, yeah, there's a little bit of
righteous indignation. No, man, I love
it. I think that um
I mean, it's interesting. So, not having
lived through that, not having had that
as my challenge, is something that I
will say that I've just never really
thought a lot about the way that people
learn differently. But, you hear stories
like you making it all the way to
Harvard, getting a degree in
mathematics, um and yet also being
learning disabled. You hear people talk
about how Einstein when he was young,
people supposedly told him that he
wasn't that bright. And you know, you
you hear enough stories like that and
you start to think, okay, maybe there
are some people that are just so far
outside of the box. Um your Bugatti
analogy I think is is really spot on.
It's uh yeah. Well, the great thing
about it is that
all those learning disabled kids really
appreciate
their their straight-A friends. Cuz that
you know, you guys helped us out of our
jams. You let us crib notes. Uh you very
often got us through school. I don't
look at me. I was a kid cheating. All
right.
Like like a fiend.
All right. But what I'm trying to get at
is
I don't see the learning disabled
students
wanting to extinguish neurotypicals. I
see the neurotypicals sc-
neurotypicals freaked out of their minds
that the kid who they think should be,
you know, in the dummy pile might have
some super talents. And if you think
about a lot of the energy in Silicon
Valley, a friend of mine uh
and said something which I thought was
very wise. And she said,
"If only
we could harness the energy of the
billionaires who aren't still trying to
prove to their middle school cafeteria
table that they belong with the cool
kids."
That's pretty good. You know what's
interesting and I think I heard you talk
about this once before. What this needs
is it needs a word. Like if people had a
word, you hear learning disabled and you
think, I mean, to be harsh, you think
that they're low IQ. You think that
they're not bright, that they're going
to struggle their whole lives. And you
definitely hear I've had a few of them
on the show who've been like, "Yo, I was
in the short bus classes and and you
know, my wife struggled a little bit
with that and people didn't think she
was very bright, but this chick is just
A, she's whip-it smart. And B, she is
ungodly talented from an art standpoint,
just ridiculous. But always got made fun
of because she was a little bit dyslexic
and just so it was like a real struggle
for her. Um
it needs a name. It needs a name where
it's like cuz cuz what part of what
people are struggling with is they don't
know how to think of it. They don't know
what to do with it. The system isn't
wired for it. They're [ __ ] swamped.
They've got a kid at home who's, you
know, getting in trouble and trying
drugs for the first time or having sex.
Ah, [ __ ] I don't know what to do with
this kid. Like he's he's a [ __ ]
Bugatti. He's making all the noise. He's
turning in the crumpled paper which
seems like willful disobedience or
whatever the [ __ ] do I do?
So, what's wrong with mutant? We we
watch No, seriously.
As as a comic guy, I'm with you, man.
Cuz that's [ __ ] rad.
what I'm trying to get at.
Our entire culture already knows this.
Do you want to hang with the X-Men or do
you want to hang with the Muggles, you
know? I mean, it doesn't matter. It's
the same story over and over again.
Mix and match. I I
There's some notion,
right, that the mutants are cool because
we all recognize our own mutations.
I love giving the example of Elizabeth
Taylor with her two rows of eyelashes
because she was a mutant. She had two
rows of eyelashes?
Yeah, she was pretty hot. Interesting.
Right? And the mutation helped make her
hot. Huh.
So, once you start to understand, like,
you know,
I I joke with everybody that the motto
of my family is you can have my learning
disabilities when you pry them from my
cold dead fingers because I want to make
that cool. You already have a word. It's
like you It's like queer is an epithet.
Yeah.
Okay, I'll take that.
And you want to say I'm low IQ? Okay.
What is it going to feel like to get
beat by somebody who's low IQ? Do you
sure you want to choose that?
Do you really want to put processing as
one of the four categories of inputs to
an intelligence quotient? Your call.
Mhm.
I mean, I think that the point is
we have to turn this into a really fun
blood sport.
You had me at blood sport.
Yeah, you see?
Because what we need is we need people
And I also, you know, there's a version
of this that also works
um for women. There's a whole version of
this that works for African-Americans
because there are different thought
processes that have huge advantages.
And what I believe is that
we can lie about us all being the same
or we can recognize that our gifts lie
in different places. And I don't know of
I mean, the gene pool seems to retain a
lot of things that people claim are
errors.
I'm pretty sure that those things would
be driven to frequency zero if that's
what they were. Dude, have you read the
book A Billion Wicked Thoughts? No. Oh
my god. What is that?
I've got a treat for you. So, it is a
book, I think, written in 2011 by
I think they were former Google
engineers. Anyway, they were very savvy
on search and they said, "Hey, the
problem with sex research is that
there's ethic
ethics boards that like are convinced
you're doing it for the wrong reasons,
so nobody's ever really done this.
People put you under a microscope. They
wonder what's wrong with you. It can be
career suicide, so nobody's looked at
sex." Then they thought, "Well, wait a
second. The internet is the world's
largest experiment experiment of what
people are actually desiring, not what
they say they desire because if you put
somebody into an environment and say,
"Hey, we're going to keep these
anonymous. Don't worry." Right.
People still lie. They said, "But if you
look for what they search, it tells you
everything you need to know." Dude, that
book is [ __ ] amazing and it makes it
so clear. Like, I read it as a writer,
as somebody who wants to write better
characters.
And not wanting to write men who think
like women or women who think like men.
I want to write like I I don't need to
stay in the the purity of the archetype.
I I like what you're talking about, the
tension, but it's like if you don't
understand the archetype, if you don't
understand like that sort of this is a
hyper male brain, this is a hyper female
brain and and now I can nuance off of
that into real characters who are far
more diverse and heterogeneous and all
that. But anyway, I like to to know
where we're at. Right.
The breakdown of what people search for
pornographically, what they pay for
pornographically was beyond [ __ ]
enlightening.
Give me three takeaways.
Amazing. Takeaway number one.
It's when you compare back-to-back
descriptions in erotica uh written by
women and basically smut is probably a
better name written by men. So, words
only descriptions of sexual acts, the
women it's like he drew near to me with
a steely gaze, he pressed against my
body, he was engorged, okay? I mean,
that's pretty [ __ ] close to direct
quote. And then you have the guys. Um he
grabbed her and anybody with kids right
now would be the time to hit pause if
there are children around. But it's
like, you know, he grabbed her ass
cheeks and like just I mean, I'll I'll
stop myself there, but in the book they
[ __ ] read the next like six lines
which are just ridiculously pornographic
about the body parts.
So, you've got women talking about the
relationship to bodies, it's not
description of parts, and then you have
guys obsessed with things, parts,
anatomy. And like it it is hysterical
seeing them read back-to-back. Number
two,
when you have female porn essentially,
the female porn genre is all
relationship-based and it is in the In
fact, who would you say is the This is
going to be ultra controversial, so I
say this tongue-in-cheek. This is I'm
quoting from the book, but who would you
say is like the biggest perveyor of
essentially female pornography, though
it doesn't meet the typical criteria?
Female pornography.
I don't know You need to give me more of
a clue.
Stephanie Meyer, the author of Twilight.
Oh, yeah. That is basically it is all
romance, it's werewolves, it's vampires,
it's all about lust and desire and this
triangle of desirability where you have
one woman at the middle being desired by
two men and it's so fascinating to hear
their breakdown of how like that is the
swirl of what women are really drawn to
and then you've got men that are doing
your classic pornographic search and
it's all about, you know, um God, men
search for
butts, breasts, and feet. Those are like
the three big ones and they go into
detail about why that is and I was like,
"Fuck, this is so interesting to hear
like how different the two takes on on
sexuality are." And then you're getting
sort of into the base desire. Now, what
makes the book so [ __ ] interesting is
they explain why it happens. So, with
women where the cost of sex is child
rearing, which is 9 months, potential
death, and then years of having to take
care of the child, it is extremely labor
intensive. It is extremely calorically
intensive, time, attention, all of it.
Guys, exact opposite. You can the cost
of sex is very low, you can abandon the
child if you want. So, you have this
super unequal um distribution. So, you
have women in the book they called it a
detective agency. The female psyche is a
detective agency trying to figure out if
you're a male that's going to stay
around, help protect the child, rear it.
That is incredibly important. So, they
put them through the psychological
ringer before they decide whether
they're going to have sex or not.
Whereas guys, it's cues basically of
fertility. So, you're looking for youth
and you're looking for a certain
distribution of a certain type of fat,
which is largely associated with youth
And then with feet it comes down to,
oddly enough, estrogen, which is a sign
of fertility, tells feet to stop
growing, which I didn't know. But so
women with I guess ideal
levels of estrogen tend to have a
shorter feet, which is why there are
cultures that practice foot binding
because small feet in women are a point
of attraction for men who over millennia
have been sharpened to find women that
have these signs of fertility.
[ __ ] crazy. So you put those two
together and now and clearly it is far
more nuanced and all of that. I'm giving
you like a real thumbnail sketch.
But I found that so [ __ ] interesting
in terms of what you were talking about
of don't pretend that they're the same
and don't pretend like they don't have
advantages. Like when you really
understand why a woman would need to
focus on relationships and relationships
with other women and being able to get
the information that she needs about
whether a partner is valuable. Um that
finding ways to short circuit that. So
one of the easiest ways to know if a man
is is is
worthy is whether or not other women
desire him. And so like that whole thing
of like one of the things that makes a
guy attractive is already being in a
relationship. And so all of the the
interesting intersections of desire
arising out of another woman's desire
for somebody it's [ __ ] fascinating.
So it's interesting. I I thought about
why not do evolutionarily aware porn.
Like allow Very interesting. allow
the greatest evolutionary theorists to
write the scripts.
No, I'm not kidding.
No, no, no. I'm actually It's funny
because it would be a fantastic test. I
believe that actually it wouldn't work
because we are so far out of the EEA,
the environment of evolutionary
adaptedness, into this thing which I
call the EEN, the environment of
evolutionary novelty,
that with the amount of birth control in
our system, I think that a lot of we
don't really understand what the pill
has done to female eroticism.
Um I think that with
a failed economy,
Uh changed what people desire, the
number of women I find now talking about
preferring really exaggerated age
differences, which is probably a proxy
for people who are willing to commit and
have the resources to raise a child, um
is changing some notion of
attractiveness. Men are on a hedonic
treadmill where they're cycling through
porn at such a rate that they're
becoming really deviant and things are
not getting through to them that would
have once been considered extremely
exciting.
So, then, you know, you you start to see
um
these podcasts, uh
you know, we were just talking before
about this show Call Her Daddy, which is
extremely kind of
I've never heard it.
It's pretty raunchy, man. It's not what
you
Two women? Um
they're funny, they're playful, but
they're also really over the edge and I
think you might
you might learn something. I did because
I was trying to understand podcast
demographics and somebody said this has
mostly a female
uh listenership.
Um I do think that a lot of the things
that you're talking about about um women
taking a cue as to who's desirable based
on who other women find attractive uh is
pretty highly conserved, but I think we
are now somewhere so far east of Eden
that even the evolutionary predictions
of our erotic differences
are probably being really challenged at
the moment. I don't think it's as
clean-cut as it used to be. That's
interesting. So, one thing I'll say to
that though is one of the predictions,
of course, would be on the male side a
desire for novelty. So, some element of
that that would be a largely weighted
part of this would play into it. Now,
whether they could predict exactly what
people would search for, but some of the
stuff that um popped up as like being
really high search for terms or websites
that have done well from a pay
standpoint or made the Alexa ranking.
Now, keeping in mind this is back in
2011, so things may have changed, but
um
man, it's it's it it is surprising if
the answer were anything other than
novelty.
Well, I think we're I think we're
getting to the point that normal porn
has gotten really sick.
That
if you're not a prude about eroticism,
um some of the things that you're seeing
pushed have to do with the fact that our
brains are now
habituated
to all sorts of things that you probably
would never have seen visually unless
you were like Genghis Khan.
Right?
Because everything's on demand. And so
the search for novelty
uh I think is taking in some cases quite
a dark turn even for people who are
pretty okay with the idea of pornography
and eroticism as being a an important
part of an adult diet
Mhm.
for the mind. Where it where it worries
me is kids, for sure. And I'm maybe even
less worried about today than I am in 15
years when you have VR that is bordering
on photorealistic, and that's where
Photoshop
whoever you want in, Yeah.
you know, choose your own experience.
That's very disturbing.
But I I'll be honest, I'm more concerned
right now
about um
people finding
partners to have children with. I think
that this is
a an economic epidemic that we don't
feel comfortable talking about, and
people comfortable talking about
Well, because for example, if you have a
fair idea that
you're at risk for not having the family
thing work out, like it's gotten a
little late in the day, and you don't
see a lot of prospects lined up, and
you've had a few relationships that
haven't ended in commitment and
resources and children and the economy
doesn't seem to want to
come up with a 30-year plan to fit a
mortgage and getting some kids through
college.
Um I think that the transition from the
previous world
has been pretty brutal and a lot of
people don't want to say, "Yeah, I
really want a family and if it doesn't
work out, I'm going to be
it's going to be a major hit to my life
and my sense of myself."
And we need, you know, in part I think
that a lot of us don't want to see
um young women forced onto the apps.
You know, which seems like it turns life
into this
From a dating perspective?
Yeah, like a sing it's just, you know,
somebody somebody said that this is a
singles bar in my pocket. And wherever
I'm bored, I just go to the singles
bar and start swiping.
And I thought, "Okay.
And how do you feel about it?" So, well,
in the aggregate I feel pretty terrible
about that, but I can't stop.
And so, you now you've commodified all
of this stuff and I don't think it's a
good deal for young women at all.
Um I think that, you know, young women
have been used to putting men through
their paces and demanding a lot.
And you know, saying, you know, jump
this high and seeing who can clear the
bar.
And when that power is not present and
when men can't win
these competitions and have those
competitions really mean something.
We derange as a society because society
is about continuity and continuity is
about babies. So, no matter what you
want to do,
you can take it away from babies. I
remember I was talking to a young woman
who was like 26 or something.
And she asked me if I had kids and I
said, "Yes." And I said, "Do you have
kids?" And she like practically spit out
her beer. Like, "What?"
And I thought, "Do you think it's really
like crazy question that I would ask a
26-year-old woman if she had kids.
Um and then, you know, she thought about
it. It just feel felt very remote.
And this is the economy that we're
bequeathing to people. And my belief is
is that if the median individual cannot
count
on being able to, you know, have a home
in a reasonable city that has lots of
jobs so that if one job doesn't work,
they can switch, and one person can stay
home. Doesn't have to be the dad.
Doesn't have to be
mom and a dad. Can any pair, but you
need somebody with the freedom to stay
home to raise children while somebody
else can be counted upon
to go be the breadwinner in an economy
that isn't, you know, absolutely
razor's edge.
This is nuts. And, you know, it was
driven home to me recently when my
father turned 85.
We were at a party for his friends, and
some of their closest friends lived in
in our neighborhood when I was growing
up.
They were saying, "Oh, yes, you know,
when we moved in
all those years ago, um
there were 14 boys who used to play on
the street, and now there are none."
Wow. And I said, "What do you mean there
are none?" She says, "What? Young
families can't afford to live on this
street."
And I said,
"Do you have any thought in your mind
that that was a catastrophe that
happened to your street?
And that maybe your generation had some
responsibility This is the silent
generation, so before the baby had
something to do to say, 'Hey, maybe this
is not good for society if young
families
She said, 'Well, the these homes are
perfect for families.'" And I said, "But
you just told me that there are no
families on your street."
So, this is an epidemic, and this is
deranging us, and this is a lot of
what's behind
this kind of sense of injustice and
people trying to
um
find groups, I think, to take care of
because you've got a lot of maternal
instincts that are not grounding
in
happy, hopeful homes raising kids.
That's really interesting. What do you
think is um the sort of key driver? Is
this
uh student loans? Is it um
the average salary isn't going up? Like
And part of the what drives my question
is I know what I pay. So my my previous
company I had at one point 3,000
employees, about 1,500 full-time, and
then another 1,500 part-time. Here I
have 20-plus
employees full-time, and then another, I
don't know, seven or eight part-time.
And I know what I pay them, and it's a
good wage. Um it's a hell of a lot more
than I was making at their age. That's
probably the easiest way to say it.
Okay. So where is it that just the way
that we are and what we pay is not
indicative of what other companies pay?
Is it um is it something else? Is it
something else?
just going to be um really kind of
brutal.
First of all, uh we were in an orchard
with lots of low-hanging scientific
fruit, where you could take the
scientific fruit and turn it into
technology in short order.
We're still making scientific advances,
but most of those that are even fairly
profound are not instantly
convertible into technology. So
there might be low-hanging fruit in a
new orchard, but we haven't found the
new orchard, so we're picking
fruit that has a very different
characteristic. So that's the first part
is that our pipeline got screwed up.
And
But how does that really play out in
like dollars and cents? So I'm thinking
of the street, right? It's the perfect
analogy. So you have a street. The
houses have a price to buy, they have a
price to rent. So when I think about,
okay, what is stopping somebody from
either buying or renting? So if the
prices are too high Prices are too high.
So then is it that the prices are
artificially too high because we have a
bunch of empty houses and people who are
buying as an investment and they're just
being stupid or
you're you're fairly familiar with my
theories and acronyms and things. So you
you probably heard about the embedded
growth obligation, the ego.
what I have I and I get that and that
scares me and I totally buy into it.
What I don't and for anybody listening
and tell me if I [ __ ] this up, but like
basically we have a system that's
entirely predicated on continued growth
and that growth slowed down starting the
70s or 80s and we've done a lot of
[ __ ] shell games to make it seem
like we're growing and the one that when
you give I'm always freaked the [ __ ] out
by is the essentially Ponzi scheme of
education.
Yeah. Where higher education you're
teaching people to be professors,
um but there's only going to be so many
professors or the law firm's only going
to be so many partners. So it's like
Every graph tells the same story. So but
what I don't understand is if that's
been the same since the 70s, like
I didn't even graduate high school until
the mid-90s and this is nothing ever
seen I mean look, there were times I
couldn't quite pay my bills, there were
times where um you know, I was sharing
an apartment with a bunch of people, but
it's like it it never felt like the
system had broken in some impossible
way. And this isn't me saying that it
isn't broken, this is me just saying I
want to really understand like where
we've gone wrong.
this is what I say to my friends in San
Francisco. So they've got good jobs,
they're programmers, they're having a
blast, they're going to Tulum and you
know, traveling to Bali and all these
things. And so I say
um you're living in a group house.
What do you think about buying your own
home and asking that gal you've been
um going out with for a couple years to
get married? And like the conversation
just gets really weird.
Uh well, I'm not so confident that I can
commit to a 30-year mortgage and you
know, prices are insane and I'm not
positive that she's the right one for me
and you know, all these things. Or if I
talk to my female friends, they have a a
set of different stories.
Um which is like, I'm so tired of little
boys who never grow up.
Um Is this a psychological malaise? Like
cuz that explanation I can understand.
We're not excited
about
low variance futures needed for children
as we see them.
don't see things popping off like this
isn't Beijing in 2006 where it's just
like the sky's the limit or
Well, I think people have a have a
pretty strong sense. Well, like I hired
a millennial who I'm very good friends
with.
And I noticed that he was like not that
committed to certain
kinds of projects. He would he'd work
hard, but he also had a very clear sense
of you know, my obligation ends at this
point. I said,
I know this person. I think they work
here. Okay.
Keep going. And
um
I I said, well, why why why do we have a
difference in in a sense of work ethic?
And he said, "Oh, because my generation
watched your generation get screwed by
the baby boomers. And we're not falling
for it."
Do you buy that?
Yeah.
That sounds like [ __ ] to me. And and
when I say I'm happy to be convinced,
what I want is the [ __ ] truth, dude.
Because I have no interest in the Let's
get to the truth. Because so, I have a
psychotic work ethic. Why? Because I
didn't used to and my entire life
changed when I changed my work ethic.
But you Look, you're talk Sounds to me
like you're talking about founding
companies.
I've done both. I've been an employee
and I've founded companies. So, I've
played both sides of the fence.
And how did How did the employ Well,
look, I I don't want to over index on I
mean, because you know, there are
particular lawyers and particular law
firms who aren't founding anything who
are doing just fine. But it's a minority
position.
And what I believe is is that we are in
a situation in which we are not excited
by the future. And the people who are
real stakeholders in the system
have in general been very focused on
making sure that the pyramid is always
supplied. So, this idea for example of
you have to go to college, the debt has
to become non-dischargeable in
bankruptcy, we get to load up the
universities with administration, all
that kind of stuff.
And then of course the main one which is
really bizarre
which is there's the secret weapon. And
the secret weapon is immigration. And
the great part about immigration as a as
a
invidious tool for one generation to
screw another generation with
is is that if you call it out, there's
only one explanation for why you would
fight having other people added to the
bottom of a pyramid scheme. Which is you
must be a xenophobe or probably a
racist. And the answer is no, I'm really
just trying to choke your supply of new
virgins to add to this pyramid scheme so
that you can continue to transfuse
yourself.
Yeah, that's interesting.
Um
So, let me see if I can uh steal man
this quickly. I
This is the one time in my life where I
am the one that has a hard out in 5
minutes. I'm so [ __ ] horrified. This
is so interesting to me. Um so, I'll try
to do it quickly. Okay, so um
we have a pyramid scheme in that there
are only so many jobs
and I'll even abstract it from being a
lawyer which is very easy to understand.
There's only so many people make
partner, being a teacher, it's easy to
understand. You can only create so many
other teachers and obviously we're
talking at higher education. Um and I'll
just say your normal job. Now, I've told
my employees this. Like, look, every
step you go up, you there's fewer
available positions until you get to the
CEO and there's only one.
So,
there's only like you can get promotion.
I've never thought of there being sort
of a money does not strike me as the
finite resource. The promotion strikes
me as the finite resource. You can keep
making more and more money depending on
the health of the company and your
contributions to it. So, that's part of
my bias is that when I try to use just
first principles, I'm like, if this
person is that valuable to me, I'm going
to [ __ ] pay them because I have fear
of loss. I don't want to lose them. So,
which is why I default to create fear of
loss in your employer if you want more
money, but the company has to be doing
well. So, let me stick to the Ponzi
scheme here. So,
um very interesting take on immigration.
So, you have people coming into the
system. They're willing to work cheaper
than the other people would otherwise
work in the system.
You got to be careful about that, but
keep going. It's interesting. I'm trying
to represent your position.
no, but what I'm trying to say is that
really the biggest issue is push out the
labor supply curve.
You say that another way.
Your wage is your price. Yep. And I
bring people from foreign countries to
make sure you can't compete cuz they'll
do it for cheap. Yes.
No, it's it's not even that. I mean,
maybe maybe the idea is that you're
you'll you're a superior source of
labor. Who's you? Whoever you are,
you're the domestic
Let's assume that you're a worker inside
of the US.
Yep. The big play in some sense of the
previous generations, the silent
generation and more importantly the baby
boomers,
was internationalism, which they called
globalization. And the hidden part of
globalization that wasn't the United
Colors of Benetton was the idea if we
can just break our dependence on each
other
and look abroad and talk tell a
beautiful story about what we're going
to do for Africa and Asia,
then the idea is is that we can continue
to grow our slice of the pie even though
the pie might not be growing at the same
rate because from my perspective as a
silent generation or baby boomer,
I'm focused on a slice, not the pie.
And so, there was a huge amount of value
gotten from tricking people
into thinking that globalization was
this beautiful Davos-inspired
uh kind of philanthropy that was going
to be a rising tide to raise all boats.
And
those Americans who had rights inside of
our system, and this goes for Brits who
had Brit-
British rights, and French who had
French rights, whatever.
Had a right that was valuable, which is
I have asymmetric access to my labor
market, and that's how we worked as a
nation. So, now you start the the
world's greatest PR campaign, which is
patriotism doesn't exist, it's only
nationalism. And of course, nationalism
is really ultra-nationalism, which is
jingoism, which is a precursor to
Nazism. So, you start saying, "You know,
I kind of believe in citizenship and
patriotism, and now you're telling me
that that's I'm a bad person." And now
you've got the Davos crowd talking about
financial inclusion in Africa and Asia,
and you notice that they're not really
that interested in Michigan or Alabama.
And it's a it's an
Tell me why they're not, because I felt
like I was interested in it until you
told me that I was getting on the
Because the amount of value, you see, if
I had to purchase your rights Uh-huh.
And I wrote a paper rights to what?
Well, your asymmetric access to your
labor market. I wrote a paper called
migration for the benefit of all,
published in the International
in the, um,
International Journal of Labor. I for- I
forget what the title is.
Migration for the benefit of all, which
said, "If you pay people for their
rights,
like if the baby boomers in silence
said, 'Look, we think we can get better
labor outside,
and we want to pay you for the right to
shop elsewhere.'
Then the idea is that everybody would
have been better off, and we would have
all screamed Kumbaya at each other as we
got rich together. But instead, what
they said is you're a protectionist, and
a jingoist, and a xenophobe. We loaded
them up with as much negative imagery as
we could pos- You're just a bad person."
And they were doing that though, so they
can get cheaper labor, right? So, they
can keep you from having leverage.
But you keep saying it is we're will-
we're willing to work below. But my
point is is that if this coffee mug Mhm.
cost $10,
and now we have 10,000 coffee mugs,
it's not that those coffee mugs are are
willing to be uh
bought for less. The entire cost of
coffee mugs plummets. It's just pushing
out the supply curve on labor. And wages
it's price. So it behaves much as supply
and demand should. Now you can then
point out you can make lots of other
arguments like, "Well, some of these
people are starting business and people
are not coffee mugs and these are the
most vibrant members of our society."
You know, you queue stars and stripes
forever, you put your right hand over
your heart, but the key point was
is that
all of these arguments were necessary to
keep the institutional structure going
as the Ponzi scheme ran out.
And a lot of this has to do with
what I've called fake growth.
Downsizing, offshoring, immigration,
securitization.
It's just this mind-numbing
uh parade of different techniques that
these older generations have used to
keep a system afloat that has been
saying, "We're exhausted."
Like the law firms are supposed to fail,
the universities are supposed to fail.
All sort of the the the newspapers are
don't make sense as a business model and
things that you're creating and that we
all might create
would be replacing these things. But
instead what we've done is we've come up
with an exotic kind of economic
parabiosis where we're going to
transfuse
our fellow Americans and the younger
generations
to pay for a group of people who are
just far too expensive to keep living in
the style to which they have unjustly
become accustomed.
So, I'm sorry about your heart stop, but
I think that there's a tremendous amount
to be excited about and enthusiastic
about because in essence, getting back
to your original point,
you're right about the Matrix.
For 50 years, we've been
in a constellation of ideas, suppressing
the really interesting new ideas, and
calling names
on anybody who would propose ideas that
would point out the unstable nature of
of our market democracy. And right now,
what we're doing is we're living through
the beginning of a global, low-grade
revolution of a type that we've never
seen before. So, tune in next time to
find out what happens. Oh [ __ ] I love
that. That's a great place to end. Dude,
thank you so much. It was absolutely
amazing. I hope this is part one. I'd
love to have you back. This is so
[ __ ] fun. I could have gone on
seriously for a lot more time. So, uh
thank you. I am very keen to uh dive
through some more portals with you. So,
next time. Thank you so much.
Thank you. Be well. Peace out,
everybody. Till next time. Be legendary.
Later.
My first, you can notice that anxiety
isn't even that unpleasant. I mean, it's
it's so close to excitement in its
actual physiology, that really the
difference between excitement and
anxiety is more
or less just the the framing. It's just
the story you're telling yourself.