Video summary
The video explores a compelling conspiracy theory suggesting that prestigious institutions like the Smithsonian Institute are actively involved in suppressing evidence of an ancient race of giants. Proponents argue that despite the institute's role as a vital educational tool, there is a darker history involving the systematic hiding of artifacts and remains that contradict mainstream narratives. Historical claims describe these beings as having distinctive features such as bright red hair, two rows of teeth, and six fingers, with testimonies and photographic evidence allegedly preserved in old newspaper archives before being hastily covered up. The narrative posits that whenever discoveries of enormous ancient beings were made, the institute would swoop in to take control of the sites, effectively vanishing the findings from public view to prevent them from attracting unwanted attention.
Specific examples cited include the Lovelock Cave in Nevada, which is said to have housed a family of red-headed giants who arrived by reed boats and left behind a mysterious black handprint before the site was burned down. Similarly, over 300 gigantic tombs on the island of Sardinia are claimed to be the resting places of these ancient giants, yet they reportedly lack any average-sized human remains. The story also highlights Father Crespy in Ecuador, a priest who collected thousands of giant artifacts from caves like Taio, only for his collection to be looted and replaced with crude bronze forgeries after his death. The involvement of Neil Armstrong in exploring the site shortly after Crespy's passing is presented as suspicious, suggesting that powerful entities were interested in discrediting these discoveries before they could gain traction.
The central focus of the alleged cover-up centers on Ralph Glidden, an individual who single-handedly excavated the Channel Islands and uncovered nearly 7,000 remains of six-fingered giants over several years. These findings include skeletons measuring more than ten feet tall, which are described as perfectly preserved in a manner reminiscent of ancient Pompeii following a cataclysmic event. The video asserts that these discoveries, along with massive earth platforms and pyramids found in Ecuador's Upano Valley, challenge academic consensus regarding the capabilities of ancient civilizations. Despite the overwhelming circumstantial evidence and detailed documentation by researchers like Richard J. Doohurst, who claims the Smithsonian has suppressed this data for nearly 150 years since the Civil War, these sites remain largely unvisited or studied by the funded academic world.
Ultimately, the video concludes that the Smithsonian Institute, with its vast budget and government funding, possesses the financial means and motivation to hide such threatening evidence to protect its reputation and existence. The suppression is attributed to figures like Major John Wesley Powell, a strict pro-evolutionist who allegedly initiated the cover-up shortly after the Civil War. While some claims, such as a specific 2014 Freedom of Information Act revelation, have been debunked, the sheer volume of circumstantial evidence from newspaper archives and personal accounts suggests a coordinated effort to stifle attention on these anomalies. The narrator encourages viewers to consider the possibility that many gargantuan ancient mysteries are being concealed within the restricted access rooms of major institutions, urging them to look beyond the mainstream narrative controlled by those who dictate historical perception.
Read the full video transcript
This cover up and its inner mechanics,
however, go far deeper than anyone may
initially suspect.
Although such institutes as that of the
Smithsonian are an incredibly important
educational tool for humanity as a
whole, allowing one to learn about many
aspects of Earth's history and its
natural functions therein. There has
however also existed many long-standing
evidence-based claims and insidious
rumors which circle the institute's
history with a darker side to the
institute's power and influence over the
historical narrative long told to exist
by many in the know.
For example, people have long claimed
and testified [music] to witnessing
undeniable proof of the past existence
of a gigantic race of humans, often
depicted and reported as having bright,
vivid red hair, two rows of teeth, and
six fingers.
These many claims, testimonies, even on
that rarest of occasions, [music]
photographic evidence still to be found
once avidly reported upon and then
preserved throughout scores of old local
newspapers that still survive within
library archives across most of the
globe. These countless mysterious
reports, often describing in great
detail local discoveries of enormous
ancient beings, a 14t tall humanoid once
found within Dover Mound in Kentucky, or
the ancient giant once found buried
within Glastonbury in the UK, within a
spot long told of within local legends
as the final resting place for King
Arthur.
all reported upon, then seemingly and
hastily hushed up, [music] quickly
vanishing from the same headlines, with
these reams of archived articles also
notably nearly always including the
mention of none other than that of the
Smithsonian Institute.
This, as one can see for themselves, is
an undeniable reoccurring theme within
these countless reports.
The Institute is repeatedly noted as
almost swooping in, quickly taking over
complete control of these digs [music]
with nothing ever heard of them within
the public realm again. There are
literally thousands of such examples. It
has thusly led many, including myself,
to [music] suspect that not only did
this past mysterious civilization indeed
once exist, but that astounding levels
of effort [music] has evidently been put
into retrieving these finds to then hide
them away deep inside the bowels [music]
of these buildings. As if acting as the
men in black upon being notified of a
crashed alien craft within the suburbs,
the Institute, no matter the distance
the find discovered, appear on the scene
in rapid time, and one suspects [music]
this down to them attempting to stifle
any attention that these discoveries
would inevitably begin to attract.
And if it weren't for the sharpness of
the many journalists who initially
reported on the finds,
we may have had literally nothing left
within the public square in support of
them ever having existed.
However, [music] like everything the
powers that be attempt to keep a lid on,
there are always that rare few which
fortunately slip the net. With the
immortal legends and accompanying
evidence found long ago within Lovelock
[music] Cave in Nevada being of no
exception.
Once said to have been home to a family
of red-headed giants, said to have
traveled down from the north in large
boats made of reeds.
With the most compelling evidence to
support these shocking claims, [music]
that of a black handprint still visible
within the cave itself.
Left over after the locals once tracked
the giants there, and like a scene from
Frankenstein, [music] set the cave on
fire. Alas, what happened to these
remains is a predictable mystery. Yet,
the legends along with this small array
of corroborating and fascinating
artifacts, not the only or indeed most
incredible of these ancient [music]
giant discoveries made over the years.
Over 300 gigantic overscaled tombs are
also still to be found littering the
beautiful island of Sardinia.
each and all long told of by local
[music] legend as having been the final
resting places of countless ancient
giants. A race who once dwelled together
upon the island with possible giant
ancient mullers even once found on the
island itself supporting this claim.
Yet, as always, all these ancient
resting places, in addition to being
absent, [music] any average humansized
remains, as one would have suspected,
are completely absent of [music] any
whatsoever.
Yet undoubtedly the most incredible
array of evidence [music] found over the
past several decades. One that has
remained beyond the clutches of certain
institutes and individuals for many
years is undoubtedly that of Father
Krespy's once vast and [music] ancient
collection of highly compelling ancient
giant artifacts. All once avidly
collected by this local priest of the
church of Maria, [music] once residing
in the small town of Quanka, Ecuador,
who for many years would pay the locals
to retrieve any mysterious artifacts
they may have stumbled upon inside the
vast and ancient caves within this
section of Ecuador.
This would allow him to amass a simply
enormous and extraordinary array of
forbidden artifacts. Unbeknownst to
those whom were actively hiding all
others elsewhere,
with many of his parts of a giant scale,
with the Taio caves [music] in
particular, a seeming hot spot for the
discovery of most of his objects and a
site I have explored personally,
which although long claimed as a natural
formation, exhibits some very
suspiciously positioned [music]
and possibly artificially placed stones,
creating what appears for all the world
to be an ancient almost buried walkway
long rumored to be the location of a
solid gold library which the legends
tell as having once been built and
created by this mysterious race of
ancient giants.
It is also a cave system that for some
reason or another and shortly after
Krespy's death attracted the intrigue of
none other than that of Neil Armstrong,
the first man on the moon. After Father
Krespy's passing, his collection of
controversial, often solid gold and
gigantically proportioned artifacts were
predictably looted by unknown [music]
yet suspected institutes whom, it would
seem, also went to great lengths [music]
to attempt to discredit his collection.
This regardless of the wide array of
photographic evidence of it taken with
Cresby throughout his life. They even
replaced nearly all of his many
authentic solid gold sheets and other
golden artifacts with nothing but
crudely made bronze forgeries.
All in complete contradiction to the
visible objects clearly once depicted
with Cresby in the many photos of him
[music] with his original collection.
With Armstrong himself also only
seemingly exploring the cave system
after Krespy's finds and legacy began to
publicly surface.
One must wonder why would he have been
attracted to this location in
particular.
However, although undoubtedly
incredible, Father Krespy's original
collection nowhere near as astonishing
or indeed any larger of a set of solid
evidence as that of what one particular
individual whom, even up against the
tide of countless powerful academic
bodies, once found and once
single-handedly dug up on the Channel
Islands, a discovery so incredible able
and yet so rarely academically visited,
mentioned or even studied by anyone
within the funded world. It is
regardless yet more clear and blatant
proof of my assertion of there indeed a
grand conspiracy at play here. One long
designed to stifle these very types of
discoveries from ever reaching the
surface with the islands once home
[music] and the burial site of a giant
race of humans which as the following
evidence has suggested were once
long-term residents of the island chain.
For as mentioned, this undoubtedly the
best array of proof for the existence of
this now lost race of giants ever found
and retrieved anywhere. [music]
And yet, alas, still their legacy is
repressed by the powers that be. this
almost 7,000 strong array of
discoveries, [music]
all once made by one man, Ralph Glidden,
after he had become convinced that the
island once home to this ancient giant
people, a location where they once
buried their dead.
Yet perhaps just like that of ancient
Pompei or indeed the rest [music] of
this pre flood world are instead left
resting here in Sichu perfectly
preserved in time after they too had
experienced a sudden cataclysmic event.
Ralph over the period of several years
would go about single-handedly digging
up most of the Channel Islands.
Having now retrieved and documented
several thousand separate physical
remains of sixfingered double rowtothed
giant humanoid beings,
many of which measuring more than 10t
tall. And with such data at one's
fingertips, one begins to wonder just
how big did these ancient races get. One
must also begin to wonder, could there
be others, perhaps even bigger?
found with the use of radar technology
and discovered within Ecuador's Upano
Valley, the long presumed mythical lost
city of the giants has also recently
been confirmed as having been very real
all along. With this incredible lost
city now realized as containing over
6,000 artificially made earthn
platforms, [music]
plazas, interconnected roadways, and
indeed pyramids dated to a mere 2,500
years old. [music] Yet these also all of
a polygonal nature with it regardless
still academically considered to be one
of the oldest and largest urbanized
sites in the entire Amazon. In addition
to [music] the fact that it was clearly
not even within the realms of
possibility for a tribe placed two
millennia ago to have once been capable
of constructing such a complex, one full
of still standing buildings. It is still
academically attempted. They obviously
incapable of creating this sprawling
ancient mega metropolis. one is
mentioned complete with the now globally
exposed pre flood pyramid.
Thus this attempt to create a date which
academia could all agree on indeed as to
when it was built down to its true
origins having been at the hands of a
civilization whose accomplishments
[music]
have for many years continued to be
dismissed, hidden or stowed [music] away
within the bowels of certain institutes.
For amongst the sites rediscovered
pyramids, enormous antidoluvian hand
tools were also unearthed.
All similar in size to the gigantic
stone hammers or axes once discovered in
Africa and all far too big to have been
handled by averagesized [music] men.
Thus, the stone hammers and other tools
found within the site. Compelling
exhibits in support of the city's
incredible legend. Giant foot and
partial handprints also found once
embedded, pressed into the once soft
strata all over the world. Now, some of
Earth's most ancient stones [music]
will clearly continue to remain
completely unexplainable without
entertaining their existence of these
beings.
For although there are overwhelming
amounts of peer pressure for one to only
see the world through the lens in which
those who control the mainstream
narrative [music] and indeed that of the
Smithsonian itself would wish you to see
it through. the supportive evidence to
suggest that the institute and indeed
that of academia at large is involved in
a mass cover up of the ancient past and
particularly that of the existence of
ancient giants [music] is an accusation
with much smoke.
Thus, it is not a massive leap of the
imagination to suspect they could indeed
be covering up many gargantuan ancient
anomalies of a now lost ancient world.
Established in 1846,
the Smithsonian is a tightlyknit network
of museums and research centers
exclusively [music] and uniquely funded
by the United States government. It is
nicknamed the nation's [music] attic,
and for a very good reason.
It is made up of 19 museums, nine
research centers, [music] and even a
zoo.
It is the official storage place for
over 154 million historically valuable
items. And [music] with an annual budget
of around 1.2 billion public dollars,
2/3 of which coming from annual federal
appropriations,
it is safe to say that if the institute
needed to hide something, it would
undoubtedly have the financial clout to
do so, [snorts] especially something
which could threaten its very existence.
and indeed its reputation.
Through the years, the meddling in which
the institute has been reportedly
involved can be seen as not only
overwhelming but condemning of a hidden
agenda. For even during my own extensive
research into alternative and
controversial historical discoveries, I
too am often confronted with such
statements as
the Smithsonian people will be highly
pleased to get their hands on this one.
Though unfortunately, these sorts of
condemning [music] phrases have all but
disappeared from mainstream media as the
years have passed. They do however as
mentioned earlier indeed still exist
within countless newspaper archives
stored within libraries across the
world.
Apparent reports that hit the internet
in 2014
claimed that a Freedom of Information
Act had revealed that the Smithsonian
had indeed covered up the remains of
thousands of giants. This [snorts]
claim, however, was apparently
eventually debunked. Yet the
circumstantial evidence so overwhelming
one has to wonder how they could declare
themselves to have debunked these
accusations regardless of them
originally being claimed as a prank,
especially without them even attempting
to approach this vast array of
circumstantial reports [music] and
rumors
made and circulated over many years. All
of which indeed suggesting their
involvement in such activities and
specifically so many of them being the
same often quoted giant of fines and all
with the same [music] reoccurring
characteristics
yet additionally and I feel pertinent to
the case also having never shown
anywhere near the same levels of
interest and intrigue [music] in regards
to their seeming hunt for any other form
of ancient discovery. Yet
it seems when it came to giants and
indeed that of possible giant remains
nearly always mentioned and always
quickly on the scene and evidently
[music] never to be followed up on after
these initially made reports as if the
discovery simply fell off the face of
the earth. With a highly recommended
source being a book by [music] Richard
J. Doohurst titled The Ancient Giants
Who Ruled America: The Missing Skeletons
and the Great Smithsonian Coverup.
It cataloges 400 years of excavations,
newspaper articles, firsterson accounts,
state historical [music]
records, and illustrated field reports.
It reveals that not only was North
America once ruled by an advanced race
of giants, but it also claims that the
Smithsonian has been [music] actively
suppressing this physical evidence for
nearly 150 years.
Dooher shows how this suppression
[music]
began shortly after the Civil War and
transformed into an outright cover up.
He claims [music] that this all being
due to Major John Wesley Powell,
initially being appointed Smithsonian
director, whom was once a strict
pro-evolutionist. [music]
It also includes in-depth details
surrounding Ralph Glidden's [music]
discovery on Catalina Island, revealing
that it indeed once a megalithic burial
complex with over 6,000 years of
continuous burials [music] and
containing over 4,000 giant skeletons,
including a succession of [music] kings
and queens,
some of which more than 9 ft tall.
The evidence he claims within the book,
all now hidden [music] within the
restricted access evidence rooms beneath
the Smithsonian. [music]
It is a mystery and possible cover up
which I continue to find [music] highly
compelling.
My first book, Life Before the Flood: A
Definitive Guide to the Lost [music]
World, is now available on Amazon. So,
don't forget to check it out.
[music]