Shocking New Finds ~ Stuns Academic World?! 😳

This quietly kept discovery of an advanced lost civilization within China is shaping up to be the find of the decade. Shu Hong, a 31-year-old archaeologist, has been quietly beavering away at the site for the past 10 years. And although we feel the incredible mysterious and many seemingly impossible features of the Terracotta army, also indicative of the work of a lost civilization in itself, this discovery made by Shu within Sanchui near the southwestern city of Changdu is set to officially rewrite the history books. With the finds so far made here incredibly ancient. First discovered in the late 1980s, a group of researchers would stumble upon two pits at Sang Sing Dwey full of strange relics, piles of elephant tusks, golden artifacts, idols, and masks, and countless bronze figures. The artifacts, all dated to at least 3,000 years old, are unlike anything previously uncovered in China. Since its discovery, an entire highly developed and technologically advanced city has began to appear from beneath the earth with huge buildings and large city walls now identified with San Shingui now identified as the possible center of this now lost yet once gigantic city. one once built by a clearly capable, powerful, and possibly pre flood civilization, which if the dating of 3,000 years accurate, which we doubt, would have flourished in the region around the same time as that of the Egyptian pharaoh Tutin Common. This dating of 3,000 years likely to be incredibly conservative. This in an attempt to stitch their timeline of existence in with the currently upheld and we feel merely postc cataclysmic timeline with nothing prior to 10,000 years. No civilization cities or structures permitted to be entertained [music] as having existed prior to the last ice age. Thus, the Sang Sing Dwey Kingdom's origins remain unknown with ancient Chinese historians barely even mentioning any known history within the Southwest, long dismissing the region, then known as Shu, as an obscure backwater. Theories about how the civilization emerged include possibly being an offshoot of travelers from Egypt or even ancient aliens. But in the absence of clear archaeological evidence for its builders, its true origins remain a complete mystery. Although usually punting for the most prevalent archaeological footprint as the constructor of a site such as this like that of Gorna or other rare sites we posit as pre flood which have not encountered human reinhabitation are somehow completely absent human remains as if whoever constructed them encountered some form of mass disappearance almost as if they experienced a rapture. Yet I digress. During an exploration within Pit 2 at the site, more than 1,500 ancient relics were extracted from the earth, further supporting the fact that the site indeed mysteriously abandoned and also never looted. A pristine, untouched, possibly pre flood city, the first of its kind found within the modern era as far as we are aware. With the most astonishing find made at the site, a huge bronze statue simply known as the large standing figure. A giant intricately detailed rendering of a man standing 2.6 meters tall and weighing nearly 200 kg. The statue which can now be found within the central hall of the Sang Singh Dwey Museum continues to baffle researchers. It depicts a figure with glaring eyes and a long hooked nose. Features which are notably distinct from other Chinese artifacts. [music] He is dressed in three layers of clothes with their delicate patterning still visible. His hands are raised in front of his chest with his fingers forming two circles. It has been suggested that the figure was possibly once holding something aloft, but we still have no idea what yet. Most interestingly of all, and we feel a possible smoking gun for the true age of the site, the sheer number of tusks found within. With archaeologists uncertain as to how San Ching Dui acquired so many tusks with elephants not being native to that part of China for over 10,000 years. What do you think about this remarkable place? [music] Has Shu Fe Hong actually stumbled upon an intact pristine example of a pre flood civilization? Something we felt would only be possible in such locations as that of Antarctica. How did the site remain untouched for so long? What happened to its builders? Just how old is the site? and who is the standing figure? All questions with answers which we find highly compelling. Throughout history, kings, queens, emperors, and pharaohs, inheritors or conquerors of land and wealth, have often been found to have had inherent commonality. These individuals legacies often accompanied by a conviction that they were ordained by their god to their position of ultimate power in their world [music] or in some extreme cases believing to be gods themselves. However, [music] another peculiar trait of these once terrifyingly powerful leaders was a belief in immortality, not only of an afterlife, [music] but one often accompanied by their most loyal of subject and beast, which [music] they were particularly fond of. These convictions have throughout history resulted in tremendous efforts and financial sacrifices being funneled into the practice of preparation for this event with some rather extraordinary processes being undertaken solely [music] for the purpose of biological preservation. And although the Egyptian mummification process along with the many golden and otherwise created sarcophagi and death masks are recognized worldwide. A little lesser yet no less visually striking practice which created a series of what is now known as the immortal jade warriors can be found in China. supposedly dated to just over 2,000 years old, yet perfectly crafted, incredibly preciously shaded jade gem suits of armor were made for their ancient emperors. These suits indeed practically immortal due to the fact that they are nearly solely created from a solid stone, an astonishing feat. There is a contradiction in the ideology or possibly more accurately academic explanation for the [music] true purpose of these preservation practices. Within many of these burial techniques, there is seemingly a conflict of interest [music] between spirit and body. For whatever reason, those who underwent Egyptian imbalming, for example, are apparently believed by whomever has explained these practices that the kings and queens wanted their bodies to live on far beyond their death and passage into the underworld. Furthermore, in [music] complete disarray, the question then becomes, were these practices actually an ancient attempt at what we now practice with cryogenic freezing? If the body were intended to be used within the afterlife, then firstly, why the curses often found inscribed above the sealed tombs? And why were the organs and brain often removed [music] and perfectly stored separate from the body? along with Egypt. Why in other locations were favored noblemen, loyal animals, entire chariots, or indeed entire terracotta armies left for these self-perceived gods on Earth? Were they [music] in reality preparing for a form of reincarnation? Not within a spirit world, but an afterlife, one for the mortal body, one within the future. We find such hypotheses [music] highly compelling. Chapter 8. The protuberances [music] with one of the most baffling yet also perhaps least examined and explored of these countless connecting features. One we briefly touched upon earlier, that of the mysterious protuberance. These strange, inexplicable notches are most notably found upon the millions of once randomly cut, [snorts] yet perfectly placed polygonal walls of Peru, such as upon the wall of the six [music] monoliths located at the base of Olando, Peru. All a frustratingly unsolved mystery. Yet, if one applies some logic to the matter, taking into account that the one thing in addition to their purpose that remains unexplained about [music] these features, that being its repeated inclusion within the polygonal building method, thus it is highly likely that they indeed served some kind of function in regard to these sites [music] initial construction and movement of stones. Yet, for now, I digress. [music] As mentioned, they most abundant upon polygonal stones, yet are seemingly present within many others the world over, which has only deepened the [music] mystery surrounding their mysterious existence, present is mentioned upon the gigantic unliberated megaliths of Yang Sean Quarry. And although this may suggest that they indeed once utilized in the moving and [music] placement of these stones, they have of course predictably fueled many other widely circulated [music] theories, including that of the geopolymer or the cast mold theory. All in an attempt to explain how they managed to build these perplexing walls seemingly out of randomly [music] cut stones. with the sheer complexity in which they incorporated into polygonal walls [music] specifically revealed via the few examples we have of them being broken, revealing that [music] these blocks were cut to interlock from several opposing angles, appearing reminiscent of complex blocks of Lego. Again, [music] this simply deepening the mystery surrounding just how they once cut these [music] blocks as they are and yet straight out of the surrounding stone geology. with these strange bobbles also found littering ancient undeniably pre flood stonework found globally, making them a perplexing and mystifying feature to try to [music] explain. Yet, incredibly, we also have evidence that at some point during their long life, I suspect during their construction, some of these stones had somehow also become molten [music] or at the very least partially liquefied. with a personal theory developing out of these perplexing anomalies as to its cause and indeed [music] perhaps the protuberances past purpose themselves. Possibly surrounding that of ancient atomic frequency manipulation. Perhaps they once able to match the atomic frequency of the stone to aid in the moving, aligning, and eventual placement of the blocks as the walls were being constructed, which on these rare occasions perhaps once left on or overpowered. and thus [music] causing the stones to melt. Although, as mentioned, it is merely [music] a contemplation as to just how advanced this lost tribe could have once [music] been. We do of course already have the many cup and scoop marks covered earlier, which along with strange, often square and wide scoops to be found still partially present upon the polygonal blocks across much of Peru. particularly and perhaps most overlooked within Machu Picchu upon the gigantic polygonal blocks which make up the always impressive temple [music] of the three windows or indeed the many scoop marks although now heavily eroded upon Saxaman or in Olante Tambbo. These scoops still just about visible across the blocks is [music] a tool as mentioned which was once clearly capable of seemingly melting [music] or at the very least somehow softening stone. Perhaps the technology once harnessed the [music] reason for these strange melted stones and also the reason and purpose for the protuberances themselves [music] once surrounding the utilization of these same technologies. Perhaps, as I theorize, [music] they did indeed use some kind of frequency in the construction of these places. I feel that it's a highly compelling theory. Regardless, many theories have of course been put forward over the years as to the past purpose of these ancient [music] novels, some even going so far as to try to decipher them with an eye to decoding either astronomical maps or possible long hidden secret messages. yet all predictably to no avail. [music] Adding fuel to these many unanswered burning questions are the many other peculiarities I have collected and investigated over the years, unearthed and identified in some of the unlikeliest of locations [music] with countless examples of mysteriously melted or even sometimes completely vitrified stone ruins. as if once mysteriously and inexplicably offered up to a fire of tremendous heat. Found throughout ancient Peru and indeed the world over with the stone forts located within the Shetland Isles, for example, upon the very top of Scotland, the most northern point of the UK and also incredibly isolated. These apparently stone age forts regardless. once introduced to unimaginable temperatures, exhibiting many areas where stones had gone past vitrification, forming into actual glass. One also could not cover this array of mysteriously melted ancient relics without also visiting the most well-known and [music] my particular favorite of them all, that being, of course, the melted steps of Dendera within Denderea Temple in none other than ancient Egypt. long claimed as the result of foot traffic, [music] yet any additional explanation as to how this would have caused the stone to have once pulled. Yet, most intriguingly, when one does indeed manage to identify the presence of these [music] mysterious ancient protuberances, they will also find that ancient melting, precision, or megalithic quarrying will inevitably be found nearby. >> [snorts] >> Yet, the mystery surrounding their purpose for now remains completely unexplained. Please don't forget to grab yourself a copy of the book to help in the survival of my mission. A mission to expose the truth and the real history of man on Earth. Thank you.