🌊 🚣 Ruins From Before The Flood 🌊 🚣

Chapter 13. Earth's Ancient Super Anomalies. The questions which I have repeatedly asked myself throughout my explorations of this pre flood world is why did these ancient builders select these [music] specific stones to build with and in particular their enormous size? Why use such enormous stones which they would often have to cut and transport from hundreds, sometimes thousands of miles away, and clearly at significantly greater effort than was seemingly once needed. There are, however, a series of clues which do hint at a rather controversial hypothesis regarding just how and why they once accomplish these tasks. some rather compelling pieces of evidence which over the last few decades have quietly been discovered and investigated. For example, we have the baffling [music] yet incredibly rare ancient vehicle tracks found to have long ago fortunately solidified within the Friian Valley within modern-day Turkey. or indeed the equally mystifying [music] ancient tractor [snorts] also once found within Turkey during archaeological excavations at Pulour Hoyuk which although now believed to have been used as a toy is an ancient upart dated at over 7,500 years old displaying a perfectly scaled replica of a possible lost technology with it even exhibiting working axles placing its creation even with this conservative dating [music] far before the birth of modern agriculture. One may also look at the chariot wheel we covered earlier, found within [music] a prehistoric mine within Russia, or indeed the many chariots which can still be found throughout ancient India [music] as possible examples of machines they could have once had access to, which although predictably [music] we attribute these accomplishments to our more wellstudied yet clearly incapable ancestors, as with so [music] many of the other sites we will visit in the book, due to the extraordinary levels of craftsmanship, the artistic prowess, not to mention the ability to also carve such wonders as the previously covered Kaish temple or condana caves straight out of the bedrock of Earth. All indicative instead of these magnificent chariots, sometimes even depicted as being pulled by a dozen adult elephants or more, all once having been very real objects. Strong physical corroborating evidence to suggest [music] that this now lost civilization whom were once responsible for the creation of such wonders would have indeed required [music] some form of advanced transportation system. And thus it is not beyond the realms of possibility [music] that they could have indeed once possessed many such vehicular technologies. This would indeed also explain how they were once able to [music] create these gargantuan structures. Yet more importantly out of these chosen and often [music] gargantuan stones and materials. Of course, this would not explain [music] how that of the Neoliths after the reset were also able to cut, lift, and transport blocks of a similar size, albeit more crudely. Thus, for now, [music] without further concrete evidence of these machines past existence, it all remains but a theory. However, why they [music] went to such extraordinary efforts in building them, and with such care and precision, clearly to ensure [music] that they indeed survived whatever it was that wiped them out. that perhaps, as I hypothesize, [music] to preserve ancient knowledge, they once built these things into the very fabric of these places, to allow for these lost ancestors of a bygone era to eventually tell us their tale. Many of the most astonishing feats of ancient engineering are, as one will realize, often avoided by historians and academics [music] alike, largely due to a quiet, obvious lack of any understanding as to how the claimed constructors went about building them. The reason for [music] this ignorance, then should be obvious, for when one gazes upon such relics, instantly struck with wonder. A [music] natural curiosity will grow for a logical explanation for how something of such incredible size and skill could have been created [snorts] and by the individuals that these sites are often [music] claimed as the work of this but one of the main thesis of the book. For not only are these sites largely ignored and thus overlooked regardless of being [music] historically important structures, it is also by its very design suppressing the evidence of this lost civilization [music] via a process of peer pressure and a fear for these funded academics to ever [music] claim that they simply don't know who or when something they have been tasked and funded with explaining [music] was once accomplished. For all of these relics and ruins [music] possessing a very different origin story and indeed history to that of what we have all been led to believe, these structures were instead rediscovered [music] by the many academically claimed builders with their claims often argued as being supported by empirical archaeological evidence. Yet this claimed archaeology merely proving inhabitation, [music] not construction. with a record of construction [music] never found within any of these academically claimed cultures surviving records. with them instead having merely reinhabited such [music] structures for strategic motivations and in doing so left their own archaeological footprint [music] and thus subsequently concealing an unknown aspect of human history which it appears was long ago washed away with only these structures remaining as proof of a civilization which came to an abrupt inexplicable end at some point long ago within Earth's forgotten past. For one of the other noted abilities of this lost group was their uncanny ability to shift earth exhibited at such astonishing ancient fortresses as Sakaiwoman. But also notably found [music] within the foundations of Kuap, another one of this ancient tribes many fortresses found all across Peru. Yet, along with that of [music] the countless Neolithic barrerows, all hinting at remnants of abilities left over and recalled by that of our modern hunter gatherers, these enormous earthworks yet another identifiable feature one can use when trying to spot these lost ancient feats. with the Herodium being of no exception. A gargantuan ancient pyramid-sized volume of earth, millions of metric tons in weight, all once scooped, transported, built up, and leveled into this monstrous mound. Building what one can only describe as a respectably sized hill. Once one inspects this site from the air, however, its enormous size becomes apparent. And indeed the incredible feat, one among many across the world, that this site once was an undertaking if once accomplished with primitive tools, for example, once of unimaginable hardship. What one is seeing here, however, just like within Kuap, [music] is an incredibly strategically wellthoughtout sanctuary. One not built to keep people out, but to prevent the [music] fortress from becoming overwhelmed if it were to have ever been attacked. It is an unrecognized defensive masterpiece like the many others one can encounter throughout this lost [music] world with many either built with tremendous earth removal or built up significantly foundations or simply gigantic megalithic sometimes even [music] polyonal constructions. and on occasion all of the above features mesh together. All the proof one would ever require supporting the hypothesis that these ancient fortresses once all the work of the same civilization. Yet all once differing tribes which together made [music] up this pre flood world with undoubtedly one of the most curious of Earth's ancient anomalies and one of the hardest to explain without resorting to an extraterrestrial origin. Undoubtedly that of the Hippoium. Although one could perhaps forgive such [music] assumptions once one learns of the simply mind-meltingly advanced features which throughout its many years being within the public realm have subsequently been deciphered all once built into its very blueprint. Also known as the Hal Safleani [music] located within modern-day Malta. It is a structure that was undoubtedly once created by a civilization which just like that of ancient India's many aweinspiring temples [music] or indeed the accuracy that went into building Kufu with its little known yet very real eight [music] sides all once masterfully constructed by a people of tremendous intelligence [music] and abilities. Among its many impressive features and what many believe was its original purpose is the structures spooky ability to manipulate and control sound frequencies. With the entire layout built with laser-like accuracy, the entire building itself now realized to have enabled the complete control, direction of travel, reverberation, and even the manipulation of [music] the resonance frequency of any sounds emitted within. For when one stands in a [music] specific place mysteriously known as the altar within the equally enigmatically named oracle room and speaks at a respectable volume. Their voice will not only be heard throughout the entirety of the structure. But the voice in addition to being somehow [music] pushed through every chamber is also bafflingly and completely [music] inexplicably amplified. Additionally, and as mentioned, the reason why one could be forgiven for jumping to the conclusion that instead of the work of ancient man with advanced yet now lost stone cutting machines, the Hall Safleni could instead have had a more alien of origins. The discovery once made within during excavations, dug up shortly after its rediscovery within the modern age, having been found buried under an ancient and as one will soon see very familiar several meter thick layer of ancient sludge and sediment amongst nearly 7,000 decapitated and mutilated skeletons. the remains of a number of strange beings, all displaying incredible yet completely puzzling elongated skulls, which although displaying characteristics reminiscent of the tribal practice of skullbinding, [music] are instead all seemingly absent the usual napping, which one would expect [music] to see upon that of a human skull, as if they all once naturally grew into this elongated shape, which just like [music] what several of the skulls of paracas have suggested instead of the result of tribal binding practices, this is instead the skull's natural original form. An interesting caveat being that many [music] ancient sculptures still to be found within ancient Egypt, such as that of Nefertiti, [music] for example, which although many are unaware due to most of the images of her, she is seen depicted wearing her headdress beneath these elaborate cloaks along with many other such figures and pharaohs, [music] I may add, share in this same bizarre skull shape. Was the site once invaded and all its inhabitants killed? Or perhaps those who built and dwelled [music] within and around the Hippodium once meeting their demise during the cataclysm. It is simply unknown why so many remains were found within or indeed why these strange possible alien skulls were also found with them. Perhaps they like so many other more modern ancestors once reutilizing the Hypoam as [music] a tomb or burial site. Yet for now, we simply have no idea. These bodies, as one may have already predicted, have all since been declared missing or stolen. Although this is, I may [music] add, not before my work had shown a spotlight on the site, and indeed its strange alien inhabitants, [music] which it would seem was the very thing which had provoked those involved in the academic study to even try to deny they even existed, suggesting nothing but human remains were ever found within. This also in direct contradiction and denial of the photographic evidence fortunately [music] once taken of them all with many more anomalous buildings also found hidden [music] within Malta which long ago were all simply brushed under the rug by modern academia. The Halarian temples for example [music] which litter the landscape. These complexes clearly once highly [music] sophisticated structures with some even appearing in areas to have been similar in their layout to the longargued oldest ruins of earth. That being of course Gobec Leepe temples which as one will see have many other unexplainable connections with many other sites found worldwide [music] and thus even more compelling evidence of this pre flood civilization having once [music] been responsible for much of ancient Malta's temples for along with the aforementioned [music] outstanding capabilities exhibited within the Hippoium the Halarian temples in particular also in possession of single stone blocks weighing upwards of 50 tons each all once used for its construction. Furthermore, [music] there are many other lesserknown or indeed academically shared [music] curiosities which can be found throughout the temple complexes, intricate spirals and other precise carvings. An extremely ancient form of concrete. Even the familiar machine drilled stones [music] just like that of what is found within the basalt floor in Giza along with many others we shall cover later. All seemingly once accomplished with the harnessing of now long-forgotten high revolution power tools. The Halarian temple is widely accepted to be the partner or sister temple to the Hippoium with many concluding that the structures were built [music] at the same time and by the same builders. However, again, any explanation as to how they accomplished this task, like all the other sites we indeed shall cover, all being clear evidence of an advanced, now lost civilization, obviously continues to elude all who stick within the currently upheld paradigms. End of chapter 13. I am now completely demonetized across YouTube. So, please do consider purchasing a copy of hopefully my first of a number of books I have long intended and declared I would provide to you and the rest of the world in my fulfillment of the promise I made long ago to finally expose our planet's now lost and still hidden ancient civilization. For as you too will see, not only am I indeed capable of this, but I have indeed delivered. Thank you also to everyone who has purchased a copy so [music] far and for the overwhelming amount of positive feedback I have thus far received. For without you, this mission simply could not survive. Thank you. [music]