Video summary
Roscoe Dash opens the interview by reflecting on his upbringing in Atlanta, where he was raised by a strong female lineage including his mother, grandmother, and great-grandmother after his father's frequent absences due to trucking work. His educational journey was marked by frequent expulsions for minor infractions, which he attributes to unengaged teachers and a lack of adult supervision at home. A pivotal moment in his life occurred when an unexpected pregnancy at age 16 shifted his focus from basketball and college aspirations to music. During this vulnerable time, while his mother was away dealing with financial struggles, Dash acted hastily and signed a "bad deal" that tied up his publishing rights in a restrictive 360 agreement, leaving him feeling depressed and wanting to quit. Despite these legal entanglements preventing him from reclaiming his catalog immediately, he remains active by writing for others and collaborating with producers like Metro Boomin, emphasizing that God is still using him despite industry obstacles.
The conversation also delves into Dash's professional relationships and artistic philosophy, particularly his past collaborations with Kanye West. Although initially fearful of West's reputation, Dash came to appreciate West's genuine nature and collaborative style, which contributed to the creation of *Yeezus*. West taught him to create in a round-table setting using conversations about current events to craft controversial albums, a sentiment that has lasted over 17 years since West first emailed him recognizing his unique artistry. Dash addresses upcoming documentary projects and new music by emphasizing transparency and vulnerability as key love languages, while critiquing the industry's fear of losing money and the tendency to avoid speaking out. He advocates for connecting directly with fans through owned platforms rather than relying solely on social media algorithms, contrasting old-school hip-hop voices with modern digital-era artists who prioritize substance over commercial safety.
Dash further explores the cultural landscape of hip-hop, highlighting how Atlanta music culture is defined by constant evolution and a willingness to embrace diverse styles, contrasting this with New York's perceived stagnation prior to the rise of drill and Pop Smoke. He emphasizes the South's deep ancestral roots and calls for unity among Southern artists, criticizing ego-driven confrontations that hinder collaboration. His support for Southern culture extends to clothing lines and partnerships, noting that he only associates with artists who are actively contributing to the community. When discussing musical movements, Dash identifies Crunk as the first major impact but argues that Chopped and Screwed possesses greater longevity due to its enduring cultural presence despite DJ Screw's passing. He positions himself alongside Travis Porter and Waka Flocka as the bridge between the Crunk/Snap era and today's melodic Atlanta sound, asserting that current trends often mimic past eras rather than innovating, while also reflecting on the decline of traditional dance culture due to social media reliance. The interview concludes with Dash crediting Outcast as his top group and Michael Jackson as his favorite artist, wrapping up a discussion on legacy, business acumen, and the future of Southern hip-hop.
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I feel like that was the best dance era
out of all of the dancers
>> then during that time the 2000s because
>> I think they dance more cuz the dances
now are more Tik Tok dances and
whatever. I'm like that's not
keep going back. I'm from the old
school. We used to do the chic. We used
to do the the
we used to pray. You know what I'm
saying? The chic. You just throw your
hand on jam. [laughter]
>> Yeah, we on boss talk oneonone. Yeah, we
going to talk. We going to have fun. We
be on fire. We be lit. Lit. It's a
unique hustle.
>> Check it check. This is Unique House.
It's your boy ECO and I'm here with the
lovely amazing official Miss Jamaica.
What's going on?
>> No n going. I want y'all to stop what
you doing right now. Go like, subscribe,
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I mean our Instagram, Facebook, Tik Tok,
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Google us Boss Talk Podcast 101. We'll
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But y'all see us on the streets and talk
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Keep up the good work. How can we be a
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love you,
>> man. Listen, man. I ain't going to lie
to y'all. We got a special guest in here
for y'all today, man. This cat right
here, man. Hey, listen, man. Hey, he
come from down there out of Georgia. I
already know it, man. And listen, this
the [ __ ] sold a lot of music, man. Now,
Hook Monster ain't enough to say about
this [ __ ] I I didn't even see this
coming. I started researching and I got
I said, "This [ __ ] slick. It's going
down, man. My guys in the building.
Rosco Dash, what's up, baby?
>> How you doing,
>> man? I don't believe it's you, bro, till
you take say, "Girl, how that hood go?
Give me how that hood go."
>> How did that hood go? where you want no
hands.
>> I love the way your booty go.
>> All I want to do is sit back and watch
you move and I proceed to throw this
cash.
>> THAT'S THAT [ __ ] I TOLD Y'ALL THAT'S
HIM. YOU [laughter] SIR,
>> MAN. Thank you so much for coming on the
show, man. Listen, man. Uh we we
definitely um we always was tapped in.
You can't be in the South and I hear
them songs that you put together with
these folks, and we about to get into a
lot of them. I mean you you basically
you you know you put together a good
time for us in an era where you know I
ain't going to lie I heard you I heard
Waka of course I heard Wley I heard all
of that but I heard rich homie corn too
and that [ __ ] went to going in too you
know I heard a lot of different people
from LA y'all tried to take over man
Georgia movement I say Georgia
competitive
>> you know it was it was a dope movement
but let's get to it Jamaica I know how
you get down
>> so were you born and raised in Atlanta,
Georgia, born and raised. A little bit
of everywhere. I'm actually like a a mut
what people would consider. So, um I'm
from the original Capital Homes. It's
been completely reentrified now. But the
original Capital Homes, I went to uh
Stone Mountain Elementary School. We
lived off Pola Road. Uh Penny Brook to
be exact. Then I went to Gwynette
County. I was getting kicked out of
school a lot. So, this is why I'm moving
so much. Um but then I went to Gwynette.
Yeah.
>> Okay. We'll get into that. We'll get
that. Keep going. Yeah. I went to
Gwynette and uh I finished out my school
out there. I moved around a little bit
more, too, cuz I went to some
alternative schools and other stuff like
that. [clears throat] You're that bad.
>> Yeah. It was kind of
>> how Okay. I know you were raised by your
mom and it said your great grandma.
>> Yeah.
>> I'm like, damn.
>> My grandmother, too. Yeah.
>> I was about to say, where did grandma
go?
>> Yeah, she was in there, too. This a good
lineage of strong women.
>> Wow. Where was dad? That's what I'm
like.
>> He was around. He was like, but this the
thing. My u my dad and my stepmom were
married since I was like 2 years old.
So, he was like he had a whole and they
had u she broke So your mom and your dad
broke up when you were or they were
never together.
>> Either way, I don't know. You get
different stories from me. You know how
it go. You get them. You get your mama
going to say this, your daddy going to
say that. She going to tell you that she
ain't really like him. [laughter] He's
going to say that's you know what I
mean? So
>> they they they liked each other for a
little bit damn show. And I'm going to
be real with you, man. Uh they Hey, they
they did something special. So they need
to go on own it.
>> Yeah.
>> And you're the only child they had
together.
>> Yes.
>> Okay. Okay. So but your dad still
parttook in your life? Yeah, off and on.
We had like spots where we weren't
necessarily as close, but I was around.
>> Okay. What did he do? Do you remember
the first time when he made you mad that
you didn't want to be around him?
>> Um, yeah. It was probably from not being
around. [laughter] It was probably from
not being there. Um, and as I was going
through all the things I was going
through because like I said, I got
kicked out of school a lot. So, I was
getting kicked out of school like from
preschool on up. My mom was probably
like, "Yeah, he was." But, uh, yeah, I
was getting kicked out a lot, but it was
really just because Was that the reason
why though? because your dad wasn't
present.
>> I think I was bored too, you know what I
mean? I didn't have any. So, I have my
older brother, too. He just passed away
like 2 years ago. Yeah. So, he passed
away. Sorry for your loss. Thank you.
So, uh it was just me, him, and my mom
in the house together. So, um he was
kind of like not my father figure, but
he was like the only depiction of a man
that I was learning. And he was still
becoming a man himself, 10 years older
than me.
>> Okay. That's how my brothers are 12
years old.
>> So, you know, he got to drive his car
first and stuff like that. His friends
even being around. I got to see what
young men were before I got to be one.
That was my example. And then my dad um
he was there but he was on the road. He
was a truck driver too like for a lot of
my years growing up. So I got to travel
a lot and see a lot of things. But that
also kept me out of a household of
learning what a household would be like
with him in it. You know what I'm
saying? Cuz we were very seldom there or
whatever. And even if I was at his
house, he might have been on the road.
So it was just a lot of disconnect. And
then also that um didn't allow you to
see a healthy relationship between a man
and woman because although you said that
you had a stepmom with your dad, if he
was never there,
>> you weren't able to see that.
>> Um so going back to cuz I'm very
curious. You said
>> the first time from you got in trouble.
What was that that you did that you got
in trouble so bad that you had to get
kicked out? I think in in preschool, if
I'm not mistaken, we had this little uh
this when we had the little Macintosh
computers, like the first Macs or
whatever, and we had these little games
that you could play at uh at prek or
whatever. We only had a specific amount
of time that you could play, right,
after you finish your school work or
whatever it was that you were doing.
>> So, it was always a race to get to the
to the computers or whatever. And I
think somebody like beat me to the
computer only because like I was first,
but then I had to do something else cuz
the teacher asked me to do something and
that person took my chair down. So, I
think I like pulled the chair out from
under the person or something like that
and they uh kicked me out because
>> But that's not something warranted to
kick a kid out of school.
>> Well, that must have been like the 10th
time you did something bad.
>> I don't know. I can't I don't know. But
I remember that incident pretty vividly,
though. Like [laughter] I'm like, "Dang,
that's it." But uh
>> yeah, it was just a lot of that. It was
a lot of like simple things that
happened. So even when I um ended up
being in like grade school and I was
getting kicked out, I was on a thing
called rule 12. So what rule 12 is is
any major offense that you have
automatically gets you expelled again.
You go back before the panel. So that
could be three tardies, uh, two absences
or whatever the case may be. All of that
stuff constituted as that. So a lot of
those things that I was getting kicked
out for was like at least two or three
times was like that type of stuff.
>> I know how stressful that must have been
on your mom.
>> Yeah. And so I got to hear that too and
get
>> How did she deal with how did she
[laughter] and you didn't you didn't you
didn't like feel feel bad about it like
mom?
>> Yeah. Yeah. Yeah. I love my mom to
death. I love my mom.
>> So why didn't you straighten up? What? I
felt like I was being straight at the I
felt like I was like horrible.
>> Somebody tested you.
>> Yeah. Like it was just like little
stuff. And sometimes it was the teachers
like, you know, every now and then you
get a teacher that kind of like isn't
happy in their role of teaching. Like
they probably shouldn't be a teacher or
maybe they having a bad little stint and
they need to go sit down for a minute or
whatever and you get the brunt of that.
You know what I mean? Like if they're
not being not having no authority at
home or something like that. Same thing
we face with all these other things with
cops and everywhere else. You know what
I'm saying? Like it'd be a lot of that
going on. So I get kicked out of school
before the day even started. Like
they'll be sending me home. So, let me
So, now you're an adult. I want you to
look back on your situations because I
know that you have kids in school still
going through things like that. And when
I'm listening to you,
>> I'm like, kids, I mean, first thing you
said, you said, "Well, I think I was
bored." And a lot of kids who are bored
in school is because they're really
smart, but teachers are not taking the
time to really get them tested and to
realize how to teach this this kid
>> or even just to connect with them
>> or to connect with them. So, how would
you be able to advise whether say the
school district or is it because certain
areas are impoverished so they just
don't care about the kids or what is it?
>> I think me personally where I sit today
is like work shouldn't feel like work in
any capacity. Like you should love what
you do to an extent of where it doesn't
feel like I got to do this today. You
know what I mean? So like for the people
who are teachers or even cops or whoever
else like whatever no matter what the
job description is, if you feel like
that about your job, you probably
shouldn't be there. You know what I
mean? like you probably have a lesser
role doing that if that's something you
want to get into or whatever the case
may be. But it shouldn't be
>> to a place where the child feels like
they're doing something or they can't
have an environment to learn or um you
know what I mean like something like
that. So and I get a lot of that even
from my kids. My kid has a teacher right
now that when I met her at open house
she seemed like she was the nicest
person
>> but we're here we are on the first week
of school and she's like I can't stand
this lady's class. I want to get I want
to get changed. She's giving out tardies
for no reason for going to the bathroom.
She's doing just like little right
>> you know what I'm saying agitating
things or whatever. So, um,
>> so you going to have to make an
appearance at the school?
>> Yeah, I'm going to have to show up.
Yeah. Yeah, for sure.
>> I made a teacher cry. Yeah. By messing
with my daughter. She she end up and it
it wasn't a bad thing. I just actually
got to talking with her and I believe
and that girl, you know, she still she
became one of she was a great teacher.
She actually when my daughter ended up
uh graduating when she uh top of her
class uh
>> she was actually the vice principal.
>> No, she was not the vice principal. I
ain't talking. No, I'm talking about
that fifth grade teacher. Yeah. like
like she was just playing with her and
and she grew up in the store. So I told
her my daughter used to dealing with
grown folks, man. So you know she know
how to deal with people so don't email
us no more cuz you making things hard
for at the house cuz I think she in
trouble you know and she started telling
me about all her personal business and
and how they were she was a sister too
how she was being kind of you know
sidestepped and she wasn't getting her
just do due. Next thing you know I was
like man hey she were crying and
everything. I I had to get up out of
there man. But but it changed
everything. and the temperature change.
There's a lot of stories like that. So,
having kids,
>> especially having daughters like
yourself, you know, you going to have to
be in tune and intact with that stuff,
man. Yeah.
>> But you see, as you said that, that's
something I wanted to touch on and the
fact that teachers are human beings and
they go through things. They're stressed
at home and have to come and deal
>> all of that could be teachers because
dealing with a lot of kids are
stressful. Sometimes we can't even deal
with our own kids. Imagine dealing with
30, 40, even 20 kids. You know what I
mean? different personalities don't want
to listen whatever it's hard so I don't
know how maybe they need to have
counselors themselves at the school that
they can deal with
>> I agree with that need something because
>> they are human beings
>> yeah and at the end of the day what's
the what's the goal here right is to
give these these kids a space to be able
to learn and educate themselves and to
be able to be themselves too and learn
how to grow and operate in team settings
and isolate themselves and prioritize a
lot of things that come out of school
that should be coming out of school you
know what I'm saying like life skills M.
>> So, and my daughter just started high
school uh last week, one of them. So, uh
this is the kid that I'm talking about
particularly. So, it's just like it's a
very pivotal time for her. And I'm I'm
the um parent who has her the majority
of the time, for lack of better words.
You know what I'm saying? So, like
>> it's important to me to just make sure
that she's getting the things that she's
supposed to get. And I work on the road.
I move around a lot, too. So, just being
able to create that balance and teaching
her how, like you said, be able to deal
with adults. You know what I mean?
Because you're becoming one ultimately.
So, I need to teach you this as early on
as possible. Same thing with my
seven-year-old. like she learned she
knows how to operate and how to move and
how to be respectful and all of that.
>> So I think it's just about making sure
that they have all the things they need
so they can equip themselves for life.
>> Man, I think it's commendable that you
taking care of your kids, man, and and
doing the right thing. I love do you
know spotlighting that because like like
me and I always bring up Ali and we
talking about when we talking about good
dads. You got dads out here that do care
for their kids. We don't even hang with
people who don't take care of their
kids. Who hangs with that guy?
>> Like come on, man. And if I know you
ain't taking care of your kids, why
would I hang with you? I know%
I can't if I can't trust you around my
kids, I'm not doing it. I need to feel
comfortable. I need to be like, "Okay,
I'm cool with Cuz you know, it's a lot
of it's just a different space that
we're in as a as a whole, not even as a
culture of people, just as a people, you
know what I mean? So like for me as a
dad, I watch how my if somebody's like
really wants to get a lot of hugs from
my child and I watch all that stuff, you
know what I'm saying? I make sure they
know, you don't got to hug these people.
You don't got to do nothing you don't
want to do." You know what I'm saying?
So just creating, like I said, creating
a space that just is safe for them to be
themselves in whatever capacity that is.
>> That's right.
>> And I did, that's exactly what I was
going to do is commend you on the fact
that you became a father at 16 years old
and you're so in your kids' life the way
how you are now, the way how you're
talking about that
>> and you're not with a mom,
>> which I was like in my mind I was like,
"Oo, I hope he's still with a mom." But
you're not a whole navigating.
>> Yeah. But at least you're still there.
um at 16. Go back and tell me what when
you found out that
>> Oh my gosh. [laughter]
First time.
>> I'm about to snatch you from it. Don't
worry about it.
>> You're almost out of this. Just Just go
through a little more. Just to go there,
but just don't worry about it. Just just
just just hang on. [laughter]
>> You know, you were at a pivotal point in
your life when you were playing
basketball, you were doing the rap, you
were doing a lot of things that you were
trying to get ahead and then here she
come and said, "Well, I'm pregnant."
>> Mhm. Changed my whole everything. I
thought I was going to go to the league,
bro. I thought I was gonna like I
thought I was out of
>> that little three-pointer. You thought
you like
>> straight. I thought I was good. Like I'm
like, I'm talking to coach. I'm like,
coach, I'm going to school early to meet
with coach. Like, so coach, what's the
game plan for this? I'm doing all of
that. But when I when this happened, it
immediately changed my whole everything.
And not to say that I switched it to
music cuz I really went to school for
anesthesiology and radiology tech.
People don't know that. And I got my
GED. I did that from a GED, too. So, I
got kicked out of school. So, I turned
it from a negative to a positive and was
like, I'm going to use this to get ahead
of my class. Big big bucks in that
though. [laughter]
>> That's what I That's all I was thinking
to get me to go.
>> The [ __ ] never did go to work.
>> Let's just talk about it. Let's just be
real. That [ __ ] went over there for
nothing.
>> Facts.
>> He over there trying to educate himself
in something. That ain't what God had
for him.
>> But [laughter] what you got to do
sometimes you got to be willing to
listen, right? No. No. You have to look
different. You have to look It's okay to
look crazy when you trying to figure out
what God have for you. Absolutely. Most
people think they supposed to look like
everything's together. Most of the
people I see God deal with, they look
like the like when I did this podcast,
my people come, man, what is you doing?
You won't be selling clothes in here,
man. Why you put this in here? They told
me that. I heard that a lot, didn't I?
But I just kept doing it. It's like Noah
with the ark. It had never rained.
>> So people looked at him like, man, this
[ __ ] crazy. It ain't going it's going
to rain. They wouldn't even get in. They
drowned. So because
>> for looking crazy, the smartest person.
>> So you always look crazy during that
concept. I the process. Go ahead.
>> So tell me how you what was in your
mind? What other than you say you going
to the league so like responsibly? What
did your mom say? What did your grandma
say?
>> That's right.
>> So go ahead.
>> Yeah. I I was like I think there was
only one other couple in the high school
that had a baby at the time. So we were
like the 1%. You know what I'm saying?
So and we were interracial couple. So
that my first kid's mom is uh white and
Korean. So okay, it was just a different
thing for for just that time that we
were in. You know what I'm saying? Like
we didn't have a lot of interracial
stuff or none of that stuff going on.
So, um, it, like I said, it just like
was a culture shock for me a little bit.
You know what I mean? I'm like, "Dang."
Okay. I went from just having fun doing
some stuff that I probably shouldn't
have been doing to like, "Oh, this is
going to be my life now." You know what
I mean? So, that was God's first way of
saying, "Hey, you better get better
together.
>> We about to do some stuff." You know
what I mean? So, I had to like
>> go get a job. And like I said, I figured
out how to uh turn my getting kicked out
of school to a positive thing and
getting out of school early so I could
have more time with them cuz I didn't
put them right in daycare. We put them
in a um like a at home daycare center
for the first few years before we put
them in school and stuff like that.
Yeah. So, like I said, just I've always
because I think because of the lack
thereof for me and the comfortability of
like how I was growing up in certain
spaces or whatever. Not that my parents
weren't doing the best they could do or
anything like that, but you know, we all
have uncomfortable parts or whatever.
And you're either going to become what
you didn't like or you're going to stray
away from it. You know what I'm saying?
So, again, I come from a lineage of
strong women. So, this is what I'm
learning from their traumas and stuff
that they were growing up. Luckily for
me, I got my mom who went through what
she went through to be able to raise two
boys in the capacity that she was. You
know what I mean? My grandma was a
French and English teacher for 30 years.
So, she taught me how to be articulate
and how to speak French a little bit and
this that
>> you sure can can talk a good game.
>> Yeah. Like, yeah, I play ball,
>> too. You know, no, you talking a damn
good game. You articulate well.
>> Yeah. Yeah.
>> You a real talking ass dude, man. Like,
you be real. I've been listening at you.
I said, "This [ __ ] could have been from
Congress."
>> No, for sure. I wanted [laughter] I
wanted to do uh psychology and stuff. I
wanted to do psychology and be a
counselor naturally just because of what
I was going through.
>> Exactly. Just to be there for the kids.
100%. To this day, I'm still like that
even even as the uncle to certain kids
who may or may not have both of their
parents or whatever. You know what I
mean? Like I'm I always advocate for the
kids and they always gravitate to me or
whatever. But I think that comes from
the little kid that I was at one point.
You know what I mean? So just learning
how to navigate that, finding things to
be able to lean on cuz I played in the
streets too. I gang banged. We've played
with guns and sold some weed and all
kind of other stuff too. You know what I
mean? But just figuring out like, yo, I
got a little girl that's waiting on me
to be to to show up at the house. You
know what I mean? and she looks just
like me, too. So, if I ain't here, guess
what? She's got to look in the mirror
every day and look at the person who
wasn't who didn't make it to be here in
this moment. You see what I'm saying?
So, that's what got me out the streets.
>> But then, not only that, for the main
fact that your father wasn't always
there for you. I'm sure you like, "No, I
can't be like that." Cuz I know how much
that how I felt
>> and I look just like him. So, me looking
in the mirror every day, I was seeing
that. You know what I'm saying? Junior,
too. Yep. See?
>> Wow. We going to get you pulled. Yeah.
Yeah. That's dead now.
>> I'm telling you, it's almost 20 minutes
in. We not doing this. Nobody don't
care. Nobody cares.
>> Funny, bro.
>> You said that. Okay. You were raised by
your mom, your grandma, and your great
grandma, [clears throat] right?
>> Tell me something that they all offered
that was different, like you had to go
to your grandma to hear that or to get
this from her, and you had to go to your
mama to get that.
>> Okay. So, my great grandma was like, she
was a pastor at one point to our church.
And so, she was a very strong woman. She
cleaned houses. She like was a slave at
one point. You know what I'm saying? And
so yeah, like she really did that. So
she was the disciplinary before I got to
where my dad was really putting that
belt to our ass and [ __ ] like that. You
know what I'm saying? But she would make
us go get a switch and she would make us
clean and she would make us do different
things. So I learned naturally what
etiquette was. And then my grandma that
trickled down to her, too. So she, as I
said before, she's very articulate. She
was a French English teacher, so it was
all about things being in a proper
place. The words, the commas, the
whatever else. So we had a list
literally on her refrigerator. I'll
never forget this. That was like if you
open it, close it. If you use it, put it
back. If you take it, you know what I
like a list of etiquette and I live by
that. It like taught me how to be how to
look around before I come into
somebody's house to know if I should
take my shoes off, how to like speak to
everybody when I come in a room, no
matter if I'm the biggest person there
or not. You know what I mean? Just like
different life skills that just followed
me. And then my mom who was a hard
worker and was resilient and had two
boys and had to figure it out and go to
she went to H.B.CU and gra graduated Ivy
League and was aka one of the original
ones. Like it just taught me how to like
not allow your situation to make you
>> and and instead make your situation. You
know what I mean? So like, yeah, that's
how I got here.
>> That's it. It's over. We've been talking
about music. We've been talking about
who this [ __ ] is. We got to try to
figure out who this [ __ ] is on the
music side. Nobody don't know all the
stuff you brought out.
>> Nobody don't know.
>> Nobody knows none of this. You I found
some things right here. [laughter]
>> Good. She something else, man. I know.
I'm never going to ask a question. She
going and that's why she here.
>> That's the yang.
>> There you go. Now I'm about to get all
the way in your Kool-Aid. I want to know
the flavor. Like so when you first when
did you first start like just rapping?
Like when did you know I can rap?
>> Uh probably like eight or nine years
old.
>> But you still want to play basketball?
>> I did. I played football too. So I was
just outside. I was outside quarterback
wide receiver and I play tight end. I
play kicker. I played punter. I played
all that.
>> You supposed to be able to play all
position when you trying to you thought
you going to the league.
>> I thought I was going to the league.
Either this one or that when we going
though.
>> Which one were you better at?
>> Probably basketball cuz I played
quarterback and I ain't going to lie, my
first two years of playing quarterback,
I was getting my bell rung. I know.
[laughter]
>> And this around when Vic was out there.
So I'm thinking I could Oh my god, man.
I done broke all my fingers.
>> Literally, boy, one of them games you
like you going backwards then every damn
time you catch that ball, you going
backwards. That's just horrible. I done
did it. That's why I know
>> scoring. It's like you wake up in the
end zone. You didn't You don't know how
you cross the line. You just wake up
there and they like, "Yeah, yeah." You
like, "Oh, okay. I did it." [laughter]
Yeah, I'm cool on that.
>> But let's let's talk about it, man. So,
you basically end up um well, you know,
I've heard I you can't look you up
without this boom thing popping up.
Every time I try to research, [laughter]
I say, "Man, I don't want to just I
don't want to sound like the rest of
these cats, man." But at the end of the
day,
>> you you was talking about that in a way
that it really was a thing that really
hurt, you know, your career. But you
talk when you look at Nelly, when you
look at all of these people, man, that
getting in these deals up front,
everybody took a hit.
>> So, you're not by yourself. Your story
is every most of every these all these
artist stories not understanding
business upfront. So why did you and he
he said you know he said you was a
little you know gangster you know he did
say he said you try to act all modest in
there with me. Yeah that [ __ ] had his
gun on him. I said what that [ __ ] come
to my spot. He said he used to be in the
street.
>> I know I'm listening at y'all said yeah
this [ __ ] a real [laughter] guy. He
done check me. He want to do him like
push or something. You know what I'm
saying? That's funny.
>> So, I mean, what what what was the deal?
I'm I'm going to get off that horse, but
I might well jump right into it. Like,
what was the deal with that? I mean, and
have you seen this guy since he did
that? I think he was on what was that?
That he was on bigger
>> uh Big Facts, I think.
>> No, the other one.
>> No, no. Big Bang. Big Bang. Big
perspective. And And I seen that. That's
the only thing popped. I said, I'm going
to research it.
>> What the hell? Have you seen him since
>> I've seen him since then.
>> Then do you feel good about it? Like you
okay with him?
>> Yeah. That's between him and God.
>> Yeah. Cuz you at this age, you way more
mature.
>> 100%.
>> You done already did jump them hurdles
and know you, you know, made some crazy
mistakes. It wasn't just him. It was
you, too. Because anytime a man sell his
hour.
>> Absolutely.
>> You know what I'm saying? When you do
all this with you just, you don't know
what you just signed for me.
>> And I got you on my own contract right
now.
>> Guess what? God,
>> we going to work good together.
[laughter]
>> So, it's good. I work I work with God.
So, so all all I'm saying is like like
when that first happened to you, I know
it set you back. It was a major setback
for, you know, it was a minor setback
for a major comeback. Like
>> what was it that you feel like he done
>> when you think about it? Now, I looked
at your interview with uh the other boy.
What's that Cam New? Like
>> what is it that you left out? I'll ask
you like that.
>> When you Yeah. when you thought about
all the stuff you said, you say, you
know what, after you heard what he had
to say about it from my perspective or
just
>> from your perspective,
>> um that I took place in that I took part
in. I mean, I would say just not like I
think I was so And this is funny because
this how God moved, bro. It's just so
wild. Like you'll think you getting
something, right? Like you'll think like
because you did all this steering and
driving to like do what you thought you
were supposed to be doing in this moment
to get to the goal that you wanted to
reach, right? Like when it starts
happening, you like, "Yeah, I made it. I
told you I was going to do that. you in
that bag. You know what I'm saying? God
going to be like, "God sitting back like
this." Like, "Yeah." All right. We going
to let it unfold for a little bit longer
and then we going to show you what it
really is. You know what I'm saying? So,
like to me, I think it's moving like
that. I think it was just being hasty.
My mom wasn't around. That's like my
staple. That was my my rock. I wouldn't
do anything without her. She was in
Seattle dealing with some recession
stuff trying to keep her job. I was in
the house by myself, you know what I
mean? So, like moving around and trying
to get my record played as I was
creating these records literally in the
basement and then turning around and
trying to go get them played at the
club. I didn't know even know what going
to the real studio was at that point.
I'm just trying to see if I got if I got
what it takes. You know what I mean? So,
um I think just being hasty and just
like not taking the time for God to set
the table, you know what I mean? Or
allowing the time for God to set the
table. I was doing too much steering.
>> Was it a 360 deal?
>> It was probably
>> How would he know how to do a 360 deal?
He don't know. He don't I I'm looking at
him at the time. He couldn't have been
educated about it either.
>> No, not at all. I think he said that in
one of his interviews actually.
>> Yeah, but Okay. So, so when you look at
what he tied you in, he probably I ain't
even know I got him that good.
>> [laughter]
>> He was doing what everybody during that
era was doing to everybody else.
>> He was probably just on the phone
talking to other people like what did
you do? Send me your template or your
thing. Probably something like that. Now
I remember seeing a lawyer or two like
we went to New York a couple times like
as we were shopping my deals and stuff
and I remember it being a lawyer that
was around that was like he just had
like a weird but again it's God bro. God
don't let you feel that like okay you
see what you dealing with. It's not my
type of it's not what I set for you. You
out here on your own. So keep going out
there in them woods and eventually them
wolves going to come out and they going
to get you bro. It's just what it
Whatever. But you you said something
that he said different. You said that
Innercope they let you off or something.
He said you leaked you leaked some
music.
>> That came later.
>> Did you leak some music?
>> Absolutely. [laughter]
>> You tired of waiting on these [ __ ]
>> No. Yeah. I'm in the same boat right
now. They're still dealing with the same
admin stuff. And guess what? I'm not
going to wait.
>> The same thing.
>> Not waiting, bro.
>> Not waiting.
>> You still got my deal right now. They
still have my admin rates right this
second. Yeah. It's tied up in a deal.
That's the only reason why I can't get
them back. So, I have to wait for
somebody to pay their tab of what they
use my stuff for to get some money and
wait for them to clear that so that I'm
even in a position to be able to
negotiate to get my stuff back.
>> How hard is it when you get into these
situations like that,
>> man?
>> That, you know, cuz I think of it like
they shelfd him.
>> I'm being real.
>> That's what the world going to think.
And they don't care. It's just like it's
it's like any other street situation.
Like, we going to let them think
whatever they want to think. We know
what's going on type of thing. But yeah,
valid. I would I would imagine the world
would think I fell off or I
>> I never seen you no more. I'm going to
be real with you. When you was on a high
end, you I can't say that. OG told me
don't say that no more. Shout out
though.
>> You was on a you was on a you was on a
high like you was going up.
>> So like like what
did did you get depressed? Hell yeah.
Plenty time.
>> That's the part right there people don't
like. Remember we had Oenty
>> times. Yeah.
>> He he got depressed. You know exactly.
>> How badly of depression did you get?
>> I wanted to quit. Like I was just like
I'm cool. Like I've said that to them
even in in in trying to negotiate and
get my stuff back. Like, yo, I'm aging,
bro. I know I look good, but I'm like,
I'm moving. I'm getting older a little
bit. You know what I mean? So, like, and
it's not that I feel like my time is
running out or nothing like that, but
like I got kids that are growing up. My
first daughter that that we just talked
about in high school, she just she's
turning 20 next month. She just
graduated high school with honors. Y'all
holding up my money that I could be
going to send her to go do whatever she
want to go do. I got two more right
behind them. You know what I'm saying?
And I want to have some more kids. You
know what I mean? So, like, y'all
playing with my livelihood, my life. But
y'all kids is straight. Y'all staying in
big houses, all the cars, got your trust
funds, got your ILS and your whatever
else. Like, I ain't got that. You know
what I'm saying? So, like, why y'all get
to maneuver off of my stuff? My
monopoly. That's crazy.
>> It's crazy because at the end of the
day, you did all the work like on that
no hands. Let's go to that for a second.
Did you
>> How did they approach you with doing
that? The hook, you had the last verse.
>> That was just us being in the in the
studio or being in the right place.
>> So, y'all just being young just doing
music?
>> Yeah. Me and Walk. So, like when we was
in Atlanta, uh, growing up or coming up
in this era of music, we had this thing
called, uh, we had a couple, but we had
one particular thing called mariachi
Mondays where everybody would go to like
it was like a open mic that was hosted
by two of the, uh, hottest radio MC's at
the time, the Dirty Boys. And so, uh,
me, Waka, Travis Porter, Sean Tezy, K
Camp, you name it. Like all the people
out of Atlanta, we would all meet up in
Marietta far as hell out the way to go
do this. So, we all really was boys.
Like, we was cool. We just might not
have ever been in the in the same studio
session with with the intention of
recording a record together and this No
Hands was the first time that we got to
do that.
>> Wow.
>> Do you feel like your your hook made
that song?
>> Absolutely. I feel like I feel like it
was a camaraderie of like the beat I
wouldn't have came up with the hook
without the beat and all this other
stuff, but like the hook definitely
helps put you on the right track to
finish the record. For sure.
>> Yeah. You know, almost every song if it
the hook is slamming, that's the what
people always remember when they're
singing. That's what they always sing.
It's always a hook and they don't even
know the rest of the words. They know
the hook.
>> Mhm. 100%. And I'm like a CD baby. Like
I grew up going to the record store and
like getting CDs, opening the booklets,
reading like I came up on Mike Jones. I
came up on TI and Ludicrous. Also the
Pox and Jay-Z's and them of course, but
I have like a wide demographic of music
that I grew up on. So just learning
these different characters and these
personas and like their story and origin
taught me how to be that of my own. You
know what I mean? Like so
>> all your [ __ ] be fun all the way turned
up. all the way. It made you feel like
but you you know a lot of [ __ ]
throwing their money they were broke. I
I I got stories with dudes broke
[laughter] trying to do what what you
were doing. They didn't have no damn
money. I had one guy threw $1,000 then
as me. I got mad as hell. He asked me
can I borrow? I said no. You throw all
your money. But man, don't get too hyped
up. You know got a man. Yeah. Yeah.
Yeah. [laughter]
>> But my question is okay. So all of that
is tied up with the with the labels. all
of that
>> cuz people don't always feel like, okay,
so if that's tied up, why don't you go
make something else and do something
different
>> so you can still make your money over
here.
>> Yeah. So, I think because it's like a
360 deal, it's my admin. So, any
publishing that has anything to do with
Rosco Dash, period, is going to be tied
up in that.
>> The admin I could do that. I thought
about that a couple times, too. I
thought about doing that, but then I'm
like, man, you know what?
>> God put me in in this position to be
able to be who I am. So if I got to sit
a little longer to do this that I ain't
I'm not like on the side of the street,
you know what I'm saying? I still got
opportunities. We just had seven songs
on the Metro Boom album last year that
was like the top joint, you know what I
mean? So like we in these positions of
of still brushing shoulders and being
some of the most uh some of the best and
most uh magnified energy in the room, no
matter if you're playing on the record
or we're recording it in the studio, you
know what I mean? So like it can't be
that can't be change mind stuff to do.
So, do they get even if you write songs
for somebody else,
>> they get
>> They tried to get me for writing the
songs on the Metro stuff, too. Yeah.
>> Let me ask you this, man. You and Metro
linked up a few times, man. How
>> This was the first This was the This
last project was the first time that we
actually got to get in a studio
together.
>> Yeah. But
>> So, the first time you You done worked
on some of his music before though,
right?
>> This is the first time. This This is my
And it's funny because when I would see
him out, I'd be like, "Damn, this is the
only person I don't really
>> I thought y'all had." Mm- This is the
first time.
>> Never had cuz he be he be everywhere.
This [ __ ] be everywhere. So I'm like in
Atlanta. How could he how did y'all miss
each other all that time?
>> That's crazy. During that depression
time, I was probably in the house.
>> That's probably what it was. So how was
he working with him?
>> Man, it was amazing. The best the best
thing I tell people this all the time.
Like the best thing that that I love or
that I remember the most about this just
coming together to do this is most of
the time when we create records, we send
stuff like it's like bumping into
someone's like, "Oh, I'm going to send
you some stuff." And then they put a
verse on it. But there's no like synergy
in that. You know what I mean? When we
did this project, everybody was pulling
up to the studio. I'm talking about Quo,
Two Chains, uh, Little Baby, uh, you
name it. Everybody, anybody who was on
that project, Schoolie, all of them, we
were all in the studio together and we
had three rooms. We would just move
around like it's it's like lunch tables
almost. We just like move around and
just like see what the conversation was
about in each room and just if we liked
it, we get on that or sometimes we'd be
curating records that ain't even for us.
I don't I was in there for a few
different records that I'm not even on
that I was just helping curate the vibe.
>> Well, you got a god-given talent, man.
>> Yeah.
>> Who who have who who have impressed you
the most with the ear to understand
music? Oh,
>> like you you've met a lot of people over
the years like who you got in the studio
with or you was around and they just
knew and you was like, "How you do
that?"
>> It's going to be I got like three. My
three would be Kanye. Uh it would be
Mike Dean. [clears throat]
>> Shout out to Mike Dean.
>> Yeah, Mike Dean is a J. Dope.
>> Yeah, for sure. And then my last one
>> I'll probably say Metro.
>> Really?
>> I'd probably say Metro. And and when you
look at like like these guys and working
with these guys, Kanye, I've heard from
from Malik Yousef to all the people I've
worked with or or done interviews with
that, you know, how how you know like
like in the studio, he give everybody
their portion of what they done or if
they played part, he's real genuine when
it comes to that.
>> Did you Did you ever know that about
Kanye?
>> Well, I didn't know it before. I was
petrified when I went in that room. Man,
what? Oh my god, I was scared. Yeah. on
the on the uh on the elevator. I'm
coming up. I'm with the rep that was
with me. Shout out to Jean. Um and he
was like, "Man, all right. When we get
in here, man, you know, it's a little
different." Da da da. And you're hearing
all the stories about like uh camera
Kanye smashing cameras and all this, you
know, all the publicity stuff. So, I
don't know what to expect, but I love
the artist that is, you know what I
mean? I love the creatives and so and I
think that there's a m there's a mutual
uh feeling when it comes to that. You
know what I mean? So, boom. I'm shaking
when I get off the elevator. And then
it's like super militant, too, bro. It's
crazy. Like [laughter]
so it's like it's like these 7 foot
dudes sitting at the end of the uh as
soon as you get off the elevator it's
like some real suits like ninjas like
you can tell they really going to [ __ ]
you up.
>> Yeah. Yeah. Yeah. Something happened.
You you ain't going to make it out
there.
>> Yeah. Yeah. Yeah. Yeah. They with their
bare hands type. Yeah. Yeah. For sure.
So um anyway I walk in the room and it's
like hell of people in there like uh
Benjamin uh Billy Fworth, Don C uh Kid
Cuy was in there like you name it.
Everybody from the good music with the
exception of like Two Chains and and Big
Sean was in there. You know what I mean?
So I immediately felt different then
because now I'm in here with the
creative energy or whatever. But just
the way that he's able to just have all
these great things going on at one time
around him, you know what I mean? And
teach he taught me how to like create in
a round table setting. So what we would
do is we would have conversations.
That's how we did Yeezus, too. We uh sat
in the thing and we talked about like
what was going on with the uh FCC and
like all these other things that were
going on in the world. And then he'll
sit there and make songs about it based
off of like her difference in opinion,
yours, how he might not care about none
of that [ __ ] and be like this ain't for
us. We don't even d whatever. He'll sit
there and make a controversial album off
of like what the conversation is in the
room.
>> Which one? Jesus Walk. Which one?
>> Ye Jesus. So that had like Black Skin
Head on it. That had uh Blood on the
Lead. That had
>> uh uh Bound was on there a couple
through that whole process.
>> Yeah. He took he took he uh flew me out
to Paris for that.
>> Wow, man. And and he just took a liking
to you because of the way that you are
with your artistry.
>> Yeah. He told me that actually one time
I got an email from him. This was
actually why I still got email like
because he's not a phone person. he
don't you I mean or even back then he
wasn't. So he sent me an email and told
me that he was like yo you have
something special in just how you hear
music your your backgrounds and it's
like it's like a time capsule in a sense
but just like different though you know
what I mean? It was like a real Kanyeish
message but I appreciated it because
it's like coming from him and he took
the time to sit down and email me that.
You know what I mean? As a 20 22 year
old kid that was just getting his
footing and something that that was
ultimately be 17 18 years later I'm
still doing I got a diamond record now
and all this other stuff. You know what
I mean? He saw that early. So, I thought
that was cool.
>> I think that was I really know that was
cool. Like when you when you and you got
that for your archive. Like you better
hold on to it. Yeah, for sure. That's
huge. Like
>> Yeah. You better keep that, man. Cuz you
know how it can go, man. The
documentary.
>> Mhm.
>> When is it coming?
>> It's on the way. We still We still
>> You've been saying that forever, bro.
God damn.
>> We still
>> When is it coming?
>> It's coming.
>> In fact, I'm about to probably put
something out before the end of this
year. I have a couple things that I'm
working.
>> Y'all too romantic, bro. Like, y'all
wait. What you waiting on? Wait. Break
the wagon.
>> That's true. That is valid.
>> No. Like the first time I heard that.
>> You got to think about it, man. You You
act like you got Man, tomorrow night
promise to no man, bro.
>> Valid. That's valid,
>> bro. And and and and if you drop, you
don't know what God have for you. You
You waiting. What you waiting on?
>> Ain't nothing to wait on. You ready?
>> Because at the end of the day, we are in
a market now where digital marketing and
media is everywhere.
>> Just ready to go right now. They they
like to run. They don't even need it.
>> I think a lot of people be romantic cuz
they scared they going to fail. A lot of
these dudes do. I'm being real. No. For
me, honestly,
>> I'm not going to say it's you. I don't
be don't get defensive on me. I ain't
going to get No, I'm [laughter]
the thing RIGHT HERE.
>> BUT SOME PEOPLE ARE SCARED.
>> They are scared. And I think I think
that comes from just like for me, I love
and thrive off of what at least in the
last like 3 years I've been focusing on
like transparency and vulnerability. And
I think that's two love languages that
we leave off the thing. We talk about
gifting and all this other [ __ ] but
like being transparent and being
vulnerable is a gift, too. It's a thing
that it's a thing that like somebody's
choosing to do for you. You know what I
and choosing allow
yourself
now lately. So I think that now the
documentary is going to be way better
anyway
>> cuz now you get the real Rosco. I've
already I just this this Cam Newton
interview was the first time I ever told
anybody about my publishing [ __ ] or what
was going on. It's the first time I ever
said
>> it blew up every it made everybody see
you differently but they understood and
it made you feel better to release that.
Cam was he talked about a lot of things
you know and and but I really focused on
the fact of what you were saying about
you know what your deal I think it helps
it heals to tell your story I was so
anxious to do it
>> but do you get backlash when you speak
out against things like that I
understand that in today's day and time
with the internet a lot more people are
talking out but you know back then
people wouldn't talk out and if you did
talk out they sort of
>> black ball you and whatever. Is that
still somewhat the same or is it okay
for everybody talking there's no
reprimand for it?
>> I think we're in a different time than
we were then. I won't say it's
necessarily better, you know what I
mean? But I think that people have
become more gutsy in doing so anyway and
just being like it is what it is. You
know what I mean?
>> There's no cost for
>> I think I I totally disagree. I think
people wimps.
>> They are they don't talk about stuff
enough. you you whether it's whether it
be Nolan Wales, whether it be any of
this stuff that happened on that boy
just got anybody uh Carmelo, any of this
stuff. We used to have a voice
>> and that voice came through our people
of hip-hop.
>> Mhm.
>> Chuck D and all those guys uh um Ice
Tina, what they said made a difference.
And it's a problem for me looking at us
with all this entrepreneurship.
Everybody scared they going to lose
their bag.
>> Well, they drown out they scared they
going to lose their bag. They want to
drown out the truth, man. These people,
you got to understand where the money's
coming from. You know what I'm saying?
Like we talked about before we put the
cameras on, like it's from their daddy.
You know what I'm saying?
>> I just said they scared they going to
lose their bag if they speak up.
>> Yeah. Yeah. Yeah. So, it's like fast
money. Whereas us, we come from where
you had to bump into the superstar to
get that autograph and whatever. You
couldn't just turn on your phone and go
look at Instagram and see what they got
going on or see into their everyday
lives or whatever. Like, now we're going
to we're going to employ the people who
ain't talking about [ __ ] The mumble
rappers that we got autotune. We in the
digital era. let's bleed their eardrums
with this type of stuff instead of like
what we're talking about which is the
substance of how our community was built
and how we got the things that they in
here doing whatever they doing and you
know what I mean so like I think it just
takes a balance of one being accountable
for that even the people who like you
said before you got on camera too like
just what with the bridge the bridge
wasn't always like it is now you know
what I'm saying it's our job to rebuild
that is really what I'm saying
>> and God's given you a wide open lane
all this stuff is free
>> we just and the sad part about it is if
you go and post something, right?
Nothing. And and No, no, no. I'm talking
about for as getting on the internet,
putting your product out there, and at
the end of the day, you get 2,000. You
you know, if you bought 2,000 people in
here, how many people be in here? You
you mad cuz you didn't get but 2,000
views on this one. And you 2,000 views
is a lot. Yeah, it is.
>> But you so caught up in what somebody
else got
>> that you don't even understand that this
>> We in an era.
>> You see what I'm saying? Is good 100%.
>> We got to stop thinking like that. We
got to start focusing on putting stuff
out and being continuous and dealing
with our people. Getting back to a place
where we can touch those people some way
tangible like a app, something that we
own to where our people can connect with
us in a way. Kind of like what Snoop
Dogg is doing. Kind of like what O o OG
Network is doing with uh my boy Ice T
and uh uh Big Court. Uh kind of like
what Booy doing with the Booya Network.
We got to do that individually and we
got to take the hit. I know they was
like, man, Booy uh that Vlad thing hit.
No, I I I'd rather see him do bad by
himself and come up on his own with the
people who love him than to see him out
here selling his soul for a jelly roll
and and neglecting the culture.
>> Selling his soul for the jelly roll is a
new [laughter]
>> That's a old time.
>> I have never heard that.
>> Old time.
>> But am but what we talking I'm just
being real. We got to get back to our
people and that's who we are. People
love you, man.
>> No, for sure.
>> Okay. What we what we doing here? I'm
going to bless the streets. I'm
>> But I'm just saying, you know what I'm
saying? We've been talking about the
album, but I'm just saying that I'm just
talking, you know, like what are we
doing
>> to help connect with our people? Cuz our
people love us.
>> They are. Yeah. That they do love us.
And I think that like
>> we we get away from reciprocity a lot
too. Like a lot of people don't even
know what the [ __ ] reciprocity means.
You know what I'm saying? So like
>> I think it's about educate. Thank god I
had a grandma like I did, bro, that
taught me words or said some stuff
around me that make me want to go look
it up. Now people got the phone glued to
their head, but they still won't look it
up. I get on my daughters about that all
the time. Don't ask me what something
means when you got the phone glued to
your hand all the time. The least you
can do is look up what I'm talking
about. So, man, have some have some
inquisiveness.
>> Do [laughter] something. You know what
I'm saying? Like the answer is right
there. But you got to want to go find
them. You know what I'm saying?
Otherwise, you're going to settle for
whatever somebody's going to teach you.
And that could lead you down a whole
another, you know what I mean? That you
don't want to be in. I may not always be
here to reel your ass back. So, I need
to learn how to f for yourself in that
regard at least.
>> Man,
>> you know, when you're talking about the
music, right? Mhm.
>> And the funny thing
>> going back into the way how things are
now compared to the way how it was. And
everybody's different cuz you're into
the music so you'll know who sing this
and who and the songs and everything.
>> Back then I knew the songs. I didn't
know who did it unless you were just
somebody that was everywhere. This I'm
talking about before the internet.
>> Yeah.
>> All right. So how does an artist go
from, okay, I know the song, people know
the song, but they really don't know
you. So now making them know who you
are. You see what I mean? in today's
like who are you?
>> But when they hear the song, oh that's
>> yeah I've been going I've been fighting
that battle for the last couple years
and now I'm finally making some traction
in it because I'm being more transparent
and more vulnerable and
>> I'm telling people what's going on. It's
not just about the publishing situation
but it's just about letting people see
what you got going on in real life.
>> You know what I mean? So like and I
think that the more you do that, the
more you allow people to cuz nowadays
when you see something that's like out
of the ordinary, what's our first thing?
Oh, that's got to be AI because
that's numbing. That's what I say.
>> You see what I'm saying? They're numbing
us to that. You know what I mean? So,
like your your uh receptors of what's
real and what's fake or even the
attention span or how enthusiastic,
they're literally sucking the soul out
of you with that. So, for me, it's about
just carrying it in a different light.
You know what I'm saying? And just like
being more transparent and vulnerable,
telling people exactly what's if you're
having a bad day, sometimes I don't need
to have a professional camera or
whatever. I can just pick my phone up
and be like, "Hey, you know what? Come
on, man. This ego and pride messed up as
a community and we need to d sometimes
they just need that raw. You know what I
mean?
>> I love it. I love I love that.
>> I feel people need to do that more, but
a lot of people feel like, "Oh, I can't
go on camera today because I I I don't
have my hair done. I don't have a
haircut. I'm not in the right clothes."
You have a good message, but you tend to
not give that good message at that
moment because I'm not looking right.
>> Well, that's your fault. You need to go.
No, that's your damn fault. You're not
align. You must don't want to work. I'm
looking good every day. I'm on there
every day. If you get up there and get
and get on there every day and go get
yourself together, what we talking
about? I don't care nothing about none
of that.
>> I'm going. I've been working hard,
>> man. We f to work, man. Nobody care
nothing about that. Not no man, but a
woman do.
>> No, but these new kids, the the new
>> That's them. We better pass them up. I
don't care nothing about that. You know
what I'm saying? Leave them over there
with that. We better get on this camera.
>> No, for sure.
>> Cuz everybody know who you is. You You
Rosco Dash. you what you waiting on?
>> Mhm.
>> That's what I be tripping off of. Like,
man, everybody know you already. So,
what are we waiting on?
>> Yeah,
>> you you exactly right when you anytime
you see Country Wayne running around
here talking about he making four and
600,000 a month just off of a cell
phone. What the hell is we waiting on?
>> Sometimes they have a haircut, sometimes
he won't.
>> They don't care.
>> Sometimes he got on a Gucci and the
people love you for women can't just do
that. We ain't really talking. I ain't
really tripping on them like No, they
they could do that, right? But it it's
the same rules apply. Like they going to
want to have their hair. Oh, I ain't got
my lashes done today. Oh, I ain't got my
lashes on. I can't. There's girls that
won't even get on FaceTime because they
don't have no lashes on. You know what
I'm saying? Like, so you got to get
around that for you got to be okay with
who you see in the mirror. I I do all my
talking in front of the mirror. If I'm
on the phone, if I'm doing whatever, I'm
walking past a mirror all day long cuz I
want my I'm talking to myself, too. I
ain't just telling people some stuff
that I'm not going to do, you know what
I mean? Or whatever. And I need the the
version of me that's about to exist once
I get done doing what I'm doing to know
what we talking about today so he can be
better prepared for when we get where he
at. You know what I mean? I'm I love the
woman who go on live and whatever like
Tommy Roman, she'll go on there looking.
My girl, my girl pretty v. I'm a pretty
V fan. And she don't care. I don't care.
That's the one right there for me. She
jump on that any kind of way. Don't care
what people think. And that's why she
[clears throat] got the most likes and
>> that's why I love that because she jump
on anytime. She don't be tripping on
none of that. She don't care.
>> We got to just get back to connecting,
man. We got to just get back.
>> That's it right there. Yeah. We got to
get back. Does presentation matter
though? When I say presentation in every
form or fashion because you know how you
be, you're raised to say that when you
leave the house, dress appropriately
because you don't know who you might run
into that can get you to move to that
next spot in life. But you see these you
have girls, you have three girls. You
see these young kids love to leave their
house in their pajama pants and bonnets
on their head.
>> How do you get your kids not to do stuff
like that?
>> Leave their ass at home.
>> Yeah, I'm right. [laughter] Yeah. Yeah.
Yeah. No, you're right. or start taking
them somewhere where they look like that
and be like, "All right, come on. Let's
go." You know what I mean?
>> Cuz they don't care. They'll do it like
>> until we get around some until we go
downtown or we down somewhere where like
you can't take no pictures or nothing to
show where you've been at to put on your
Instagram because you got this bonnet on
and some slides and
>> you know what I mean? So like I'll
either leave them or I'll put them in a
situ and it's really only one, but I'm
going to say them for the sake. So
[laughter] get upset when she see she
knows.
>> Wow. 2018 55 project. You did that. Uh
what was what was that about? Let's talk
about 70 songs
>> that was coming out of that depression.
>> Yeah. Okay.
>> All right. So, you you had a lot to say.
>> A lot. I had a lot to say and I had a
lot of music that had just been sitting
accumulating for all that time. So, I
saw an opportunity to have the largest
urban music project in urban music
history and I took it.
>> Wow. Working. How did you end up linking
with like Lil John and uh MGK, you know?
>> Well, let's do Lil John first.
>> Yeah. Lil So, Lil John and MGK. So, I
was on freshman uh the WSL freshman
cover with MGK. Okay. Okay,
>> it was me, MGK, French Montana, Future
Mammore, Iggy, Aelia, Hopson, Don, Trip,
and
somebody else too. I think I forget.
Danny Brown.
>> Okay. Okay.
>> Um, and so like a lot of those
relationships form from that because
when we're in them dressing rooms, like
it's kind of like seeing a star on TV
like you, you know, BT and MTV were
still doing their thing, so you see a
lot of videos and the labels was pushing
a lot of video content at that time. So
when we run into these people, it's an
opportunity for us to be in the locker
room before the game and like get to
know each other a little. Oh, that [ __ ]
you did the other day was fine. D we
like mingling and mixing and stuff like
that. So that's where the relationships
formulated at. And then um when I
started working on 2.0, which was like
my it was really supposed to be my
album, but because of the label stuff
that I had going on at that time, this
is where the leak came in. They cut my
they cut my uh my album down to a EP. I
submitted like 20 songs. They put out
seven because seven I was on my my last
I had a five minimum due two deal for
that 360. And so I was on my second
album and um I would have been up for
renewal. Like I could change my contract
or do whatever. So I could have got them
admin rights back. See what I'm saying?
So they cut it to a EP to give me half
the credit. Yeah. And so I was like,
"Oh, bet. That's what y'all going to do
and y'all going to like take all my
songs out. I'm going to leak these
songs." And that's what got me out of my
deal with Intercope. Intercope was like,
"Oh, it's it's some friction going on
here." I told them what was going on
with the pub stuff and they was like,
"We don't want no smoke with that. So
we'll let you go and then whenever you
want to come back, you're more than
welcome. We'd love to have you." You
know what I'm saying? So that's how the
leak happened and that's how the MGK
thing and Lil John thing happened too.
>> I met MGK and Nipy at the same place at
the counter at the Palms Hotel. I'm
always at the Palms. [clears throat] I
told you. And I don't I be tripping on
[ __ ] I just start talking, you know,
like we doing now. I was like, man,
y'all ain't working. You ain't It wasn't
at the same time. Two different time. I
don't know what me and MG MGK said.
>> He's different, bro. He
>> We didn't really We just talk. I don't
even know what we talking.
>> I knew he was a star when I first met
him. I'm not going to lie. I knew it
because he was just doing We had like
>> He seemed like he a dope dude, man.
>> Yeah. It was just the stuff he was
doing. Like it just taught me how to be
more abstract. And I might not have done
it in the same way that he was doing,
but he would like literally stand up on
the furniture. Like he'll be talking to
the CEO of XXL and they'll walk in and
be like, "Hey, we're going to give him
the pres the rundown of what's going to
happen today." And he'll be talking to
her on top of the counter walking around
like, "Yeah, I think we should do such
and such such and such." And then maybe
his own world,
>> but it makes people remember, hey, this
kid is wild, man. Who this dude is
standing on the furniture in here.
>> You got to stand up. You got to stand
up.
>> He knew he know the game just like But
that's nothing new. That's just like Gib
or or or like I told you about Andre
3000. They all knew that. That's my
Mount Rushmore right there.
>> They all know.
>> You should have heard when old boy told
me we booed his ass. The one I was
talking to, he said we booed his ass off
state. I was tightening him up. We were
hugging. You know what I'm saying?
>> Yeah. Yeah. [laughter] Yeah. That's
good. I love that. Yeah. Get them
together. Can't do that.
>> So, so we just It's just a thing where
man, man, I I love the South. I love
what we got going down here and um love
what you got. The work, the hard work
and dedication. Why you and um you and
Jermaine Depri never linked up down
there?
>> It's funny cuz I just started bumping
into Jermaine where it's like the
universe want that to happen. I just
started like bumping into him and he
down there. Yeah, he down there.
>> He's down there.
>> At first I thought I ain't going to lie.
Damn. I should see this how this [ __ ] be
happening. At first I thought he was
upset with me a little bit because I
didn't get to the magic. I didn't want
the Magic City [ __ ] but I was really
upset because he didn't mention me in
that Magic City documentary. And I'm
like, "Bro, I got one of the biggest
songs in
>> ever."
>> And you was the little heart a little
hurt behind it.
>> Yeah, I was a little pride hurt.
>> Yeah. just just a tad
>> like I did my thing and it was big for
you for Jermaine to say something about
you because you know you look up to him
as a one of the ones I used to I used to
open them booklets up and go to that
record
>> and when he didn't say your name you
like what the
>> I'm like damn [ __ ] ain't even going to
ask me to come talk about Magic City and
I'm from Atlanta and I got one of the
biggest songs ever. I got a few of the
biggest Atlanta strip club songs ever
made. Like that's crazy to me.
>> Well, did you try to holl at him?
>> No, I bumped it into him. We
>> No, I'm talking about No, you should
have checked this. No, it was cool
though. No, no. That's what I do. Like,
like I'm not letting you make it.
>> That's the problem with y'all. Y'all too
damn uh uh want to be I don't know what
this is, but uh uh uh no, what's up? You
know,
>> you know, and he in a nice way like I'm
that guy like and he probably would have
laughed and said, "You are that guy."
But you you don't you won't know now
because you didn't say nothing. And I
don't like that because you did have the
biggest song. You did do those hooks.
And it's like, okay, why you ain't say
nothing?
>> Mhm.
>> He probably would say the same thing.
Why you ain't say nothing? You should
just say something. [laughter]
>> I was going to chase him down and get on
them.
>> No, you say something. Did they have DM?
They had Instagram, didn't he?
>> Yeah, but you know, they ignore you
ignore you, man. Say the other
[ __ ] [laughter] I'm going say
this too, right? Like,
>> go ahead.
>> Yeah, cuz a lot of y'all people, bro, I
be I'm I'm a down to earth guy, bro. Me,
bro. But I'll be still chill though. You
know what I'm saying? So, I'll reach
out. I'll be commending people. I'll be
like, "Yo, I really enjoy this." I do be
doing that. So, y'all need to check your
DMs cuz if I see y'all and y'all try to
get me with the with this one when I
already did that one, not going
>> No, no, no. What he's saying is and I'll
put it in layman terms, man. Y'all
[ __ ] need to stop, dog. Straight up.
[laughter]
>> You have you gotten over it?
>> Yeah. Yeah.
>> By Jermaine.
>> Yeah, that [ __ ] at the uh at the uh
>> I know he seen it, but he didn't say
nothing. He didn't
>> I didn't tell him about this, but I feel
like as I turn up and do like at the end
of the day, I'm a firm believer and
that's between them and God.
that revelation later on. I ain't going
to never complain about it. He's still a
legend in my book. He did a lot for the
city, bro. Like a lot. I wouldn't even
be able to do what I'm doing if he
didn't do it first. You know what I'm
saying? So, like I understand and
respect that.
>> At the same time, I have done a lot,
too. You know what I'm saying? I'mma
keep doing stuff. So, when it's time for
us to do that, he'll be like, "You know
what, bro? You're right. I should have
been D." And I'll be like, "I probably
should have did this, too, but let's get
to it now. I'm cool with that." And it's
good.
>> Wow. Did you go ahead go ahead and let
you ask a question? I'm I'm
>> You mentioned God a lot in your conver
conversation, right?
>> Tell me about a time. Okay. How old were
you when you found God for yourself? I'm
not talking about
>> I'm 2.
>> Okay.
>> Six.
>> 26. What did you go through to find him?
What happened?
>> Oh my god. Boy, I went through so many
bad relationships. Not even just with
chicks, but just like relationships in
general. Just like it was just an influx
of just
>> get by yourself. Like I was just being
isolated, I felt like. And so I felt
like that was my I went through like a
whole year of like celibacy and I
started reading this book called God's
Promises for Men and it just reminded me
of like the stuff that my grandma was my
great-grandma was teaching uh back in
the day too and I'm like damn you know
what I really got away from God. I can't
remember the last time I said my prayer.
I couldn't even remember it or none of
that [ __ ] at the time. You know what I'm
saying? So it just made me want to put
some attention on that.
>> And once I did, he started
>> building. Yeah.
>> And you realize I don't need to step
away.
>> I'm never doing that again. My bad.
Handcuffed me. But I'm good.
>> Let me ask you this. There's been a lot
of fallen soldiers from down there. DJ
Young, u shoot man, shorty low. Uh um
man, I'm just thinking of some of the
ones that just recently uh like I said,
Rich Homie Quan Scooter
>> Young Scooter when you see Big
>> uh Bigger Rank, but just seeing all
these guys, fallen soldiers that you
came in the game, seeing doing their
thing, man. How does that affect you? Uh
again, mentally just, you know, uh when
you look at this, you're like, man,
>> it just make me want to just stay
aligned. Like the most important thing
that I have in my life outside of my
kids is my alignment with God. That's
just how I feel about it. I talk to him
every day, multiple times a day or
whatever. You know what I mean? So, I
think the more that I do that, um the
more I'm going to be aligned with
purpose, whatever that is. You know what
I mean? So,
>> wow. When you think about um uh Waka
Flocka, you and him got together and
y'all did that hit and W. What I mean,
first of all, do you guys still maintain
a relationship?
>> Yeah. Yeah, I talk to both of them.
>> Both of them all the time. And and I
mean, are y'all y'all thinking about
doing something else or y'all never
working?
>> It's just hard to get everybody on the
same
>> I don't know if they even care about
music no more. It's because these guys
didn't got that money, dog.
>> No, dog. These [ __ ] done got that
money. Right.
>> He [ __ ] got lazy, bro.
>> Yeah. Well, I just had a son, too. So,
>> he got that money. Yeah. Yeah. Y'all
heard about it. I right here close by. I
heard about it. You know what I'm
saying? I'm just I'm real close to the
streets. I just don't say nothing. I'm
listening.
>> For sure.
>> But I'm just saying like like uh uh that
money came in hard, man. Coming in hot.
>> He was young, too. [laughter]
>> So, so, so did you ever link with Gucci
during that time? Cuz
>> Yeah, we just never did no Did I do a
song with Gucci?
>> Ever since that happened with Poo Shist,
you don't forgot him. No, just [ __ ] is
a trip, my [ __ ] You know what I'm
saying?
>> I think WE DID. I KNOW THE [ __ ] EVEN BE
AT THE CLUB. WAS I WAS THERE WITH HIM?
NO, [ __ ] You were
>> we did a song or not? Like
>> never did.
>> But I think I did do some stuff for him.
It just didn't come out. But we ain't
got a song that's out. So yeah.
>> Well, you got one with Chris Brown. You
said you threw that slug.
>> That's you. Where is that one at? Throw
that one to me. I'm going show you the D
about that. Talk to Pol. It exists
though for sure. So you never heard it
no more since then?
>> No, since I like right after I left
>> PT he flipping and he forgot all about
that damn song.
>> Now that I'm mentioning it, it'll it'll
probably resurface to some. But yeah,
it's a record out there. I got one with
Acon and stuff, too. I got a few records
with Aon.
>> Which Acon though, you know.
>> That's funny as hell.
>> It's a bunch of Acon [ __ ] Acon that
was getting the oil and stuff over in
Africa. The first Acon, the [ __ ] that
I'm locked up a
go get the money in in Africa. Acon
>> and the divorce Acon. It's a bunch of
Acon.
>> I talked to Khan last week actually.
>> Okay, so there's three or four phases.
We got to be real.
>> That's funny.
>> I love Acon, man. I love it. I love it.
I love his tonality, his voice. Uh, man,
T pay. You did one with T pay. I've seen
that, too. You got one in the queue
right now with T Pay. That's crazy.
>> You and T pay cool.
>> Yeah, that's my dog. I ain't going to
lie. I'm going tell you, the first time
I got when I when he first uh linked up
with Antares to put the autotune out,
bro, we spent the next three days in the
studio. I wanted to beat T pay so bad.
That's Yes.
>> Really?
[laughter]
>> This [ __ ] T Paint had it going, didn't
he?
>> I'm like, the new the new T pay just
dropped, bro. We got to I [ __ ] the
streets today, bro. We going in here to
do this.
>> Okay. Was Was you influenced when Jay-Z
say you T painting too much?
>> Nah, that was just part of that's part
of I'm asking. I'm just asking. To me,
that was to me that was like that was
spotlight to me. That was like
spotlight. You know what I'm saying?
Now, I've never been a fan of like
outside of C Pain, I've never been a fan
of like the overly computerized auto
like the kids nowadays is killing me
with that. I can't do it. Right. But
Payne is such a a creator, bro. He got
so many. I went to see him at the
masquerade one time, bro. Holmes got
like almost more records than the
Beatles, bro.
>> Really?
>> He just dropping
them hoes.
>> I'm just like, damn, this [ __ ] got a
lot of songs, bro. Crazy, crazy, crazy,
crazy,
>> man. And I I think you know when you
look at these guys, man, like yourself
and like him, you guys, that's why you
was able to put all them damn songs out
like that. Y'all just in your artist
bag like you treating it like a damn
sport, ain't you [ __ ] You like sport.
It is a sport, bro.
>> So, so, okay. So, the new album, what is
the name of this new album that you got
coming out?
>> Can't catch the Lambo 2.
>> Can't catch the Lambo Too. Let Explain
to me that title, bro. So my origin
story when I first became Rosco Dash,
this is like when all the way turned up
came out, show out uh maximum. This is
like when I first went on that run with
K. My project was called Can't Catch the
Lambo. So it's basically just like an
elevated lifestyle of like being free
and being creative and just like also
how I'm able to blend luxury and sport
together like even in my music. You know
what I'm saying? So that's like the
blend you hear of R&B and rap or that's
like the blend of uh futuristic and what
I did for Marvin Gan Shard or whatever.
So all of these sounds that I've been
ushering in through other people or
whatever are on this project. It's like
my my universe of that where they came
and got us.
>> I mean
>> I know I I heard you talk about your
brother before he passed. He were
producing.
>> Uh did and you start producing. Was he
the one got you kind of in there?
>> Yeah. I wanted to do everything he was
doing. I was going to steal his
Christmas presents and play his video
games first and then put them back in
the box. All that.
>> What is something that sticks out to you
about your brother that you can remember
that you miss about him? Um, probably
just, you know what's funny? Actually,
he put me on um, Lil John and the East
Side Boys one, but this Jeezy era when
Jeezy wave first came in, he kind of put
me on that. We used to go to the record
store and stuff together. So, my ad
libs, like all my people love me for my
ad libs and all that stuff, but I really
got that from like how much he enjoyed
ad libs of like the people who he was
listening to and stuff. So, whether that
was like the what Okay, from Lil John or
the Yeah. He used to come literally go
stick his head in my room like in my
room and be like, "Let's get it." He
used to just do [laughter] like that. So
like it just made me understand like oh
the music is like it can be used like
this too. It's not just for listening to
like it's something that you can
experience. It becomes a part of your
lifestyle almost.
>> You know what I'm
>> saying? But I got a question about that
too. Um I remember hearing when you said
um whenever he left you went and you
went on his computer and you recorded
yourself.
>> How many times did you do that before he
finally caught you?
all the time.
>> What did he say to you when he get beat
up? Just beat you up.
>> Yeah, literally like I had to learn how
to fight from that. Yeah. [laughter]
>> Did you ever mess anything up? Because
going on the computer, you didn't know
how to use any of that stuff that he was
doing.
>> Yeah, I did mess up some stuff probably
a couple times.
>> Delete something by accident.
>> Yeah. But I learned I learned the
importance of
>> like he would be mad at me, but I think
that he understood that I was just being
inquisitive, too. You know what I mean?
And I really just wanted to learn and
just like that was our way of like
bonding and [ __ ] We played basketball
together till he was left-handed. I was
right-handed. We're both Aries. His
birthday's on the 24th. minds on a
second like we're like
>> just 10 years apart. You know what I'm
saying? So like
>> and uh he went to go like fight
overseas. He went to Kuwait and
Afghanistan. He went through like a
phase of like experiencing life in the
same different capacity that I
ultimately went through just not in the
same space. You know what I'm saying? So
just like a culture shock of like you
thought you were going to do this and
you end up doing that and then you got
to bring it back home and land the
plane. You know what I'm saying? So
>> um yeah.
>> Yeah. He had he had five kids actually
before he passed away.
>> So you always look out for him.
>> Yeah. So we I got, you know,
>> I got
eight kids now.
>> That's right. That's it. That's it. And
I love that about you, brother,
>> man. RP to your brother, man. WLTP
with Bobby Critical. When this is on the
new project.
>> Yeah, we like to play.
>> Talk to me about that.
>> So, um, you know, when I did the Metro
Boom and Futures Summer, the first
record that they put out was Slide,
which was like a different tempo. Like
people was like, "Who is this?" And they
found out it was me and it just became
like an infectious thing that like is
still getting hits today, right? Mhm.
>> And so to me, I wanted to just keep
continuing to like blend the genres. I
think we're in a space for music where
we take things that existed before and
we create them in a new capacity. You
know what I mean? Like so,
>> um, this is like my hybrid of that. Like
I wanted to bring back bounce music. I
wanted to bring back the freaknick era
in a sense and just teach people how to
have fun again. Cuz a lot of these kids
nowadays, the shy kids, the the the
Yans, they weren't outside like that.
They ain't had no water gun fights. They
ain't ride bikes. They didn't do none of
that. They ain't build their own go-kart
out of a lawn mower. They ain't do, you
know what I'm saying? So, we going to
teach them how to get outside and just
enjoy themselves.
>> Wow. What are you going to do to to make
your brand stand out in this climate
we're in today?
>> I think just being authentic.
>> You see what I'm saying? Like for
when I look at you, I I What's going to
make me stay tuned in? I got so many
other damn choices.
>> No, for sure. 100%.
>> I can go look at everybody right now.
Slim Thug jumps on all the time. I watch
him. Uh Booy, I watch him. Uh uh Finesse
two times. I watch him. These are all
the crazy thing that's going on. I'm
giving you some real insight here. How
are you going to get my damn attention?
You see what I'm saying? I'm giving you
some real This is what [ __ ] is doing
every day on the internet. They looking
at people's stuff. They are
>> and and they and that that time that
they all lot to that. Even boss talk.
Y'all [ __ ] better stay t
but cuz this is attention grabbing stuff
we're doing. So how are you now? I'm
serious. How is Rosco Dash, you know
what I'm saying? Go make these [ __ ]
stop and look like that. You know how
[ __ ] see you, you know how [ __ ] you
walk by, who that [ __ ] you know what
I'm saying? How you gonna grab their
attention?
>> I grew up on Infectious Music, bro. I
grew up I grew up on like the culture.
So like I grew up on Brian Mcnite,
Luther Van Draws, Gerald Lever. I grew
up on Patty Leel, Deion War. I grew up
on, you know what I'm saying? Like I can
go my list is crazy. So like I think
when you listen to my music, especially
in this this go round, it's going to
remind you of what infectious music is
and what made you fall in love with
music in the first place. You know what
I'm saying? like you're going to hear it
and be like this don't sound like
nothing I heard the last 6 months or
whatever. You know what I mean? Like
this type of music ain't out. And I
think that's where I won the first time
is just by standing out like a sore
thumb. None of my records sound like
anything else that was out before that
or after. You know what I'm saying? Like
even when the people try to
>> reenact or whatever. You know what I'm
saying? So I'm just going to get back on
get back to doing what God blessed me to
be able to do.
>> You know, it ain't nothing new. You
know, I remember when Trinidad came out
Trinidad James them ugly gold teeth and
and you know what I'm talking about and
it stopped the everything that were
going on. gold all in my we it wasn't
really the music were hidden but it was
the look and all of that what I'm saying
is to stop you know what I mean you know
when when when uh when when certain
people do certain things it's a it's a
shock it's a I shocked them and I
stopped it you know and that's what
happens with a lot of different things
so I think that's the climate we're in
but how can we do it without sacrificing
our integrity
>> I think you build off
>> you understand what I'm saying how can
we do it and make it classy
>> to where people can digest in our
children can learn from 100%.
>> You see what I'm saying? That's the
goal.
>> When you can figure that part out.
>> Yeah. I got to make my seven-year-old to
listen to it and not be like, "Dad, you
saying bad words."
>> Come on, man.
>> You know what I'm saying? I got to make
stuff that's still fun even though And
you don't even realize I didn't cuss in
the song or whatever.
>> Words are powerful.
>> Absolutely.
>> Yeah. Absolutely.
>> So, I got Okay, so here we go.
>> I have this question.
>> I already know. Did the South
>> trivia
>> take over hiphop in the 2000s because
southern artists got better or because
New York stopped producing stars that
connected with the streets nationwide?
>> That's a deep question right there.
>> Well, New York didn't have it no damn
way. It was on the West Coast. But I'm
going to let you go on.
>> I think that Atlanta particularly is a
place that like evolves. Like we're like
we're like evolving every day. You know
what I mean? And we're not afraid to be
different. We're the dance people. we'll
wear the big t-shirts and jabbo jeans
and then turn around and go skinny and
go black boy, white boy. So like we're
okay with doing different things whereas
uh New York is such a melting pot. It
has been a melting pot for just
originality in terms of like or
traditional originality I should say.
You know what I mean? And just like all
the beats are going to be like this
because this is our culture of how we do
things. Same way how when we go to
Houston, we going to put the uh the
swangers on and we going, you know what
I mean? It's the same thing. When you go
somewhere else, you're never going to
hear the music that you hear everywhere
else in that space. They got their own
thing. So I think that's what happened.
It's like New York stopped evolving in
that space before the the drill came out
or the Whoopde or the Pop Smoke sound or
whatever. It took a while. It was a long
gap between Jim Jones balling in that,
you know what I'm saying? Like to me, in
my opinion, and I think we just kept
evolving even in our records that
weren't as good. You know what I mean?
Like we still weren't afraid to fail in
terms of just keep getting our creative
energy out.
>> I I I remember all that happening. And
when you it's funny you say those names.
South still was mean always
>> the South was still holding as we say it
was still holding meaning it's just
going to make us get more great it's
something about down here the ancestors
you know they speaking from the graves
[ __ ] you know what I'm saying that's
valid and and and everybody up there
came they came from down here so it's
really speaking it it it's where it
supposed to be anyway and at the end of
the day you got to respect it and and
that's all it is man and if we can
figure out a way to unify as a people in
the music. I love to see it overall just
take, you know, but that unity thing is
tough for us. We've been having problem
with that for many years.
>> But why?
>> Because you [ __ ] always trying to be
confrontational.
>> Yeah. Be all you egotistic edging God
out. Edging God out, bro.
>> Just steadily. It's about I don't It's
all about how I want to do it instead of
working together. I'm telling you, you
know what I The moment I stopped getting
in that driver's seat every day and
steer, bro, is when my life start chang.
When I start getting that second run,
when I got the B.
>> Anybody ever tell you going to be a
preacher? I hate when people do me like
that. [laughter]
[laughter]
>> He asked the question.
>> I hate when people do me like that, bro.
I know they get you. They get you. They
be like, "Man, you could be preaching."
I don't really I don't look at Tylen
position to guarantee positivity. So I I
just But you just hitting me with so
much, you know, spiritual stuff, you
know what I mean? Loving God and it's
like and I I love that. That mean you've
been beat down. You went through your
three days of dying. You don't want me
to go there. It'll be over. Y'all be
like, "Whoa." You know, [laughter]
everybody crying getting their napkins
out. I got the napkins right here.
[ __ ] don't play. But at the end of the
day, man, I just know that you when it
come down to the music, you met Soulja
Boy. You You and Soulja Boy didn't I
used to get him hell at the shows, man.
Funny.
>> That's my dog, man. I love Soulja Boy.
>> I just ran him a couple weeks ago, too.
>> No, no, no. I'm like I'm I'm like a
Soulja Boy uh dude. Like every time he
cut up, I love it because I love people
like that, too.
>> I love it. I just love it. That's how he
stopped doing that.
>> My daddy. [laughter]
>> So, how did you and him link to do the
uh which one was y'all? Y'all did turned
up. How did y'all
>> K actually made that happen for me?
Shout out to K. So I really went down to
Vald Dasta when the when the whole boom
thing happened and I ended up in a
situation. Boom. I really was going down
there to work with K on the track
because I grew up watching Spit Your
Game and he was like one of the hottest
producers at the time that like I wanted
to go work with. So when I got the
opportunity to do that the first time
was with the Porters with Travis Porter.
But then they called me back like a week
or so afterwards and asked me if I
wanted to come down and do my own stuff.
And so this is where the origin of the
original can't catch the Lambo came too
because we started working on some music
and he was like you know what first of
all we need to get this record the world
to know this record is yours. So, what
I'm going to do is we're going to take
them off this record, reproduce it. This
is partly Boom's idea, too, cuz he'd be
thinking about
>> giving that [ __ ] some credit. No, cuz
he's This is This is the same This is
the same like a good interview now.
>> Same. Yeah.
>> Yeah. It's got some credit.
>> He was like
>> He was like, "We're just going to take
him off the song and we going to get
Soulja Boy on the song or something like
that." I think maybe it came up in the K
was like, "I can call Soldier and send
it to him. He'll love to get on this."
And he sent this. Soulja Boy sent the
verse back in 45 minutes. Literally.
>> Wow. Swear
>> Soulja Boy was on it, wasn't he?
>> He was on it. And so so when you looked
at at that you did you like what he sent
you back?
>> Yeah. Hell yeah. I was like man I got a
verse boy but it's crazy.
>> How was it when y'all first met Mick?
>> First time meeting him was at I think
Beats he ripped the runway.
>> Okay.
>> And it was really cool. He's always been
like the same like when he seen me and
he go laugh like that [ __ ] start
laughing like
>> like it's just like but I learned like
from my from my peers. I'm an Aries so
like we play off of the energy that
we're around and stuff like that a lot.
You know what I'm saying? So like I
learned how to be like a star from being
around stars that were receptive. Now I
had experiences where people weren't as
receptive and tried me too and I had I
had to delete all this [ __ ] off my iPod
but
>> yeah jail
>> yeah I just been like that erase
>> them immediately. Um, but for the ones
who didn't do me like that, we're still
cool to this day. And I appreciate them
just for even allowing me in a space to
do that cuz some people will see
somebody and know they got some some
flare to them and be like, "No, I don't
want to." You know what I mean? Cuz they
might feel threatened by that or
whatever. But not my not my partners.
>> Sometimes people want to get to be a
part of that cuz they lose their buzz
too. So it's it can go either way. But
when you look at Soulja Boy, that's my
dog. I told you that.
>> And he really like helped invent the
internet.
>> Bro, let me tell you something. That
[ __ ] got I still got some sod money
gang shirts in this hole. Yeah,
>> I still got some Palms hats in this hole
right now. I always supported my people.
If you had some, I had it. If it was uh
two chains CEO uh clothing line, if it
was any picture you see on there with
Jewel House with Booy, I supported our
people. Uh Black Pyramid with Chris
Brown. Uh Tiaku, I I sold this stuff for
the last 20 years here. I always brought
our people stuff in here. I always would
talk to them. These pictures on the
wall, me and Rocco, all these people,
this stuff represents the culture. Yes.
And and and the clothing that they the
work that they done. If they weren't
working, I wasn't on no picture with
them. They had to be doing something.
You know what I mean? That that added to
the the culture and that's how you get
bossed off really. Like I'm just like
that anyway.
>> That's hard.
>> So that's the way it go. So just why you
didn't have no clothing line or nothing
out back then too? Actually,
>> no, I'm talking back then, [ __ ] Don't
try to act like that.
>> Booming 360.
What you want me to do?
>> God damn, man. 720 not even 36 20 25% of
the front end the back end
>> you couldn't get no SHIRT YOU LIKE I
AIN'T see you at was at magic that's how
me and him kept meeting you wasn't there
>> somebody was probably there on my behalf
[laughter]
go ahead you got something
>> which movement had the biggest impact on
the south
>> here we go
>> Atlanta's crunk snap error Houston
chopped and screwed movement or New
Orleans cash money Now,
>> boy, that's a hard that's a hard lick
she hitting him with. Boy, that [ __ ]
boom. She hit him in the stomach. Boom.
>> And the first one was the This first one
was crunk.
>> Crunk.
>> Okay.
>> Screw.
>> Uh-huh.
>> Or um Cash Money.
>> Damn.
>> Boy, you from You Georgia.
>> Well, I know, but I got to be honest,
though.
>> You run your ass up. You won't make it
back. Transparency.
>> You going to limp back?
>> I'm going I'm I ain't going to lie, bro.
I'm going cash money.
>> Oh, really?
>> I'm going cash money.
>> Me, too. Cuz they [laughter] No, I ain't
going to lie to you. I'm going a style,
[ __ ] Yeah, I can't go there. I'm not
doing that with you.
>> He's being totally transparent, though.
>> No, he ain't being transparent. That
[ __ ] look [ __ ]
>> No, he ain't No, he ain't being
transparent, man. That is okay. Why?
>> Because you're telling me that's better
than the screw.
>> You can't just say because
now the screw movement cuz y got y'all
got more longevity than any of the
answers. So, that real answer would be
if we're talking longevity, it would be
the chop the screw era cuz you still get
that now to this day. That's still
all of those music.
>> Yeah, 100%. But I'm just saying as far
as like being a fixture in music, like
Cash Money in them, don't get me wrong.
We love Wayne. We love Juvenile on them,
but they're not a thing thing in its
totality in the form we received it in
since inception. You see what I'm
saying? But Chopped and Screwed is still
in its full totality. Kunker is already
a thing of the past, too.
>> Chopped and screwed is always going to
be a thing.
>> Wow. That [ __ ] there been, boy, that
[ __ ] watch a lot of damn Instagram,
YouTube, and stuff. Do you think screw
>> is always a thing because DJ Screws
passed on so he made it live on?
>> Probably. Yeah. I think just I think
because it's so embedded in the culture.
So yeah, that would come from the
groundwork that he put down for sure.
You know what I mean? But I think that
like it's about the longevity. It's
about outlasting the other stuff, you
know what I mean? Or what's going to be
around and embedded for the longer
duration of time. No, I I agree with
you. Uh that that that this whole
movement is is serious, man. So So how
who did you first tap into in in the
screw era?
>> Um
honestly, I got my first pair of twelves
back when like Lil Kiki was out. I'm not
going to lie.
>> Yeah. So that I forgot the name of the
song, but it was the one song uh with
the snaps and I can't remember the name
of the [ __ ]
>> Man. That [ __ ] had a bunch of them,
dog. He the creepy that that he got the
most samples, man. like nobody got more
samples JBL Rock
>> No, but the first time you heard about
that
>> I did but I like the I like the chop of
it and then the other thing too remember
when this is another reason why I say
that that Chopped and Screw will live
forever too because remember T pay did
that song Chopped and Screwed and did
the song even though it wasn't broken
down like pitched down like Chopped and
Screwed it made it outside of Texas
because there's somebody in Tallahassee
that's doing this [ __ ] you know what I'm
saying and just riding around with the
same type of cars y'all got except they
got dunks and instead of you know what I
Like it's the same
>> the culture made it all the way outside
of where where it originated from me.
That's that's like going diamond. You
know what I'm saying? Like it's like
>> Yeah.
>> Yeah. Them boys they they
>> I thought it was weird the first time I
was like
>> I did too. She Jamaican. I think a lot
of stuff we went over there.
>> Yeah. That's probably what that's
probably
matter. It was
>> Oh, it definitely
I like that part. I like that.
>> Well, I mean uh man DJ Screw man OG run
see Michael Watts. All them boys. Yeah,
>> listen man. RP to Michael Wise. But it's
like you can't deny what happened man.
Pimp C man. Diamonds and wood. Bun B
man. Stop playing bro. Like you you know
what it is like when it come down to you
know this whole thing. My [ __ ] Big
Tuck. [ __ ] stop playing. When you screw
it down it's a whole different world.
>> That's what I'm saying. That's
[laughter] what I'm saying.
>> I would appre I feel like you didn't
make it if you didn't have a version of
whatever project you just put out. If it
didn't have a chop the screw version
that was just created from by some
random user, user number 98764 or
whatever. Like if it ain't no chop the
screw version of your [ __ ]
>> it was like that.
>> But then you got to think about it. That
was eras also going on with uh Little
John them when when they did their thing
the hy part with party them like it was
so many we you guys are so talented. You
got to think about it. It's a lot man.
>> You can talk about some and isolate them
but you really
>> you really going to miss something
because we got talented ass folks man.
And everybody in the world mimic it
every you think about it. you had now.
But now and yes, 100%. I was going to
say that cuz we we did a lot of uh
overseas tour. Me and Fly did a lot of
like uh Japan stuff, Germany, all stuff.
But the thing about Japan is it's like
you know what they listen to by how they
dress cuz they're going to dress like
however stuff. They listening to dub CN,
they going to have on a Dicky suit with
some Cortezes. If they got if they
listen to, you know what I'm saying?
Like you're literally going to see it's
wild. Like they know the words verbatim.
I'm talking about don't miss a beat.
They
>> speak English but love it.
>> Yes.
>> Wow.
>> Yeah. That's heavy, man. That is so
that's really heavy, bro. Like, so when
it come down to it, man, tell me when
when you think about just
>> all the stuff y'all had going cuz it
ain't going like it was. What is Atlanta
now? What are we looking at here? Is it
is it you? Come on now. Let's be real.
I'm looking [snorts] at what I'm looking
at. Peewee Long Way got locked up. Uh
it's a lot of people. Uh uh Gucci, you
know, he rich now.
>> We losing a lot.
>> No, he rich. Jeez. He wearing suits in
at the symphony. Now, now let's be real.
Crazy, right?
>> Let's be real. Jesus is at the symphony
now.
>> Yeah. Yeah. Yeah.
>> You know, he not he don't he don't talk
about the Yeah. the way he used to come
do it. Can trail plate. He don't know
nothing about that. He ain't at a
cantrell plate. And so, man, [ __ ] ain't
been over there in a long time, man.
>> That's very true.
>> SO, SO WHAT WHAT'S UP WITH THE MUSIC,
MAN?
>> WELL,
>> here's the thing. Like, Atlanta's always
going to find a way to be Atlanta. Like,
that's one thing I know. Even when we
don't know what the hell going on, like
in a short minute, it's gonna it's gonna
you gonna know exactly what's going on.
And my short minute, I know my [ __ ]
gonna drop. So, I'm gonna be I'm it's
gonna be like it need to be. But this is
how it was before it was wide open
before, too. So, I'm just I'm just
excited to
>> be in this position.
>> Got a hell of a rep over there, y'all.
Now, before people telling it, it's a
lot of stuff I let I'm letting you make
it. We going to get away from you. I I
ain't saying you was. I'm just saying
it's a lot. I ain't You ain't saying
this. I'm saying this funny. You know
what I'm saying? It's a lot going on
over there right now. You know what I'm
saying? We know it. We ain't going to
talk about it. I know you over here. You
know, you don't want to be a part of
that. I'm cool with that. But it's a lot
going on. People got on sale phones a
lot in the jail.
>> Dude, one of my partners in Atlanta
right now, um, he just posted, I guess
yesterday, I think, two-way pages is
back.
>> No, we going to get off the phones.
Yeah, I swear.
He has the largest collection of like
>> I want to talk to that [ __ ] cuz I want
my people back. I've been want my pager
back. I've been want my Bieber back. You
call the pager. I call the people.
[ __ ] where that [ __ ] at? I give me
his number. I want two of them. One for
her and one for me. No cell phone
sometimes, honestly.
See, now we're starting to wake up a
little bit. I think like we're starting
to learn like, okay, that probably
wasn't a good idea to just be, you know
what I mean, doing this for however
long. So, I think we're going to get
back to um a lot of things that existed
before, but just in a new facet or a new
capacity. I can see. But then the way
how social media is and everybody is
trying to make money on social media and
it's so fast to have it on your phone
and do work cuz a lot of times yeah I
have my computer and my iPad but a lot
of times it's quicker for me to grab my
phone and work on the go and stuff like
that. So it's like I can't help but be
on the phone. I'm on the phone for work
more than anything else
>> not really to talk.
>> Yeah. I think all that's going to change
too.
>> I think we'll get a new social media. I
think we'll get a new way to use phones.
I think like all this stuff is like
coming up soon.
>> I got this question for you. Okay. So in
your career it says you came in towards
the ends of 2000 when Atlanta was
changing again.
>> Do you believe artists from your
generation including you Travis Porter
Waka Flocka and others
>> were the bridge between the Kunk Snap
era and the melodic Atlanta sound that
dominates hip-hop today? And if so who
hasn't gotten their proper credit?
>> Oh that's great you looking at them.
[laughter]
It's you, huh?
>> It's me.
It's me. But yeah, I think we are the
bridge though. For sure.
>> I think we're the bridge.
>> You are the bridge between those eras.
>> I think so. Yeah. I think so. Because we
had Black Boy, White Boy. We had the uh
Oh, let's do it, which was not black. It
Waka was like it's like in each person
was representing an era of music at the
same time simultaneously. It's how I
look at it. So like Waka was like Lil
John and the East Side Boys and Crunch,
but he had a little bit of Gucci in them
too because he came from that camp,
right? Boom. Then you got like the black
boy white boy which is more like outcast
dungeon family because they were the
ones that were abstract. You see what
I'm saying? So all these things were
existing in the same space just and and
then I'll be like the kilo Ali or
whatever. You know what I'm saying? I'll
be that. I'll be like the person who
added the melody to the club over 808s
and stuff like that. So all these things
just existed at the same time
simultaneously. And now we're getting to
a place where these things are starting
to revert. But the kids that are that
are in charge or the kids that are
having the opportunity to be those ones
now to be where we were all those years
ago, they don't have the same equipment
that we had. You know what I'm saying?
Like now they're dumbed down because
they on their phones all the time. Now
they're super trendy because they're
following people versus being the trends
setters and being the ones to cut the
mohawks and go to Abberrombie and Fitch
as a black man and go buy some clothes
or whatever. You know what I'm saying?
So like they don't have that same flare
to them. I feel like that was the best
dance era out of all of the dances
>> then during that time the 2000s because
>> I think they dance more cuz the dances
now are more Tik Tok dances and
whatever. I'm like that's not
>> jazz. No, let's keep going back. I'm
from the old school. We used to do the
chic. We used to do the the prep. The We
used to pray. You know what I'm saying?
The chic. You just throw your hand that
way. [laughter]
>> Uhhuh. [screaming]
Uhuh.
>> Yes, sir. Oh, we did the Gucci. Just
throw your hand and just let that just
roll down your man. Y'all didn't know.
And we did and we did we did that. We
did the Gucci. It was a Gucci dance,
too. You didn't You were too young. No,
you had to go down and do it. Or the
Pee-Wee Herman. We had the Peewee
Herman. So, you can't just think
[laughter] about one era. No, [ __ ] The
Peewee Herman was a error, man. Y'ALL
CAN'T JUST TAKE it and make it about
y'all time. It's phases. They had to
They had error, man. They did [laughter]
the mashed potato when my mama and them
were living.
>> So, you know, you got they the organ
stuff was the best.
>> They wore tom walkers and they had bell
bottoms on just like they wearing now.
Y'all calling them uh flare pants or
what's them long ones they doing? Same
thing. They were doing stack stack
pants. Same thing. So, you trying to act
like you coming up with something new,
but the word of God said ain't nothing
new under the sun. So, I believe that in
the book of Ecclesiastics, I really
believe y'all just doing the same thing.
Y'all ain't cute.
You [snorts] just doing your thing, but
we seen it before.
>> We already did that.
>> But I'm cool with it because I love
y'all. But don't think y'all doing
nothing. You know what I'm saying?
[laughter]
>> Yeah. They start trying to phase us out
too far.
>> Yeah. Y'all doing Yeah. This is who we
are.
>> See, I'm I'm going to tell you where it
came from. My mama's like that, too. My
When I play some stuff on the radio or
whatever, like whatever song I got as a
sampling ship. Let me show you where the
original CAME FROM.
>> THERE YOU GO. She going to tell you.
>> She know, don't she?
>> She does. She love her music.
>> There's an importance in always knowing
where it came from.
>> Absolutely. I agree.
>> And giving honor where honor is due,
>> man. Lotus Flower Bum, man. You wrote
that?
>> Absolutely.
>> Okay. What was the first verse? See See,
I catch [ __ ] in lies on here. It's
okay. Lotus flower bum.
>> I ain't write the hook. I ain't write
the first verse, but I know
>> that's what I thought. Well, what did
you Who did you write?
>> I wrote the uh the hook.
>> You wrote that hook.
>> I'm living
a feeling when you dance for me. It's
feeling like you need
>> What made you write that? I just I'd be
making my own little
>> And how did he end up connecting with
you to what motivated you? No, no, no,
no. I'm trying to get to the bottom of
it.
>> It just it just it was what was going on
in the moment like Okay. So,
>> we we were in like a time where uh me
and Wall were like super tight. We were
like every day with it. You know what
I'm saying? So, he happened to be at at
my studio cuz we were trying to work on
some records. We did like three records.
>> Was y'all really cool?
>> Like super cool.
>> Super cool. So, you kind of got offended
when K and I didn't even know who he
was.
>> Yeah. You know, but they'd be trying.
>> No, I'm just saying. Yeah. you was
offended.
>> Or or the girl that streaming you that
did that.
>> She didn't know me. Yeah. She didn't
know T.
>> But sometimes people really don't
[laughter] know these
got the phone right here.
>> But I streaming on the phone.
>> You know what? There's I knew you I knew
it hit you.
>> That that's that's them.
>> Let's go back to Lotus. I I [laughter]
>> Lotus Plum. Okay.
>> Uh we just happen to be in the studio uh
working or whatever. We did like a few
records. Shout out to Sydney Renee. She
was there that day too cuz we did um My
Type of Girl or some other record that
we had too. But this record was
originally called Fantasy. Okay.
>> And so that's how I came up with the
thing. And uh shout out to uh who made
the beat? Jiren Howard made the beat.
That was a beat I had just sitting in my
email or something. And I wanted to just
give like who I knew while I laid the
beat before we did no hands is like who
I tried to get him to be on Lotus Flower
Bomb. Like I wanted the space for him to
be his full authentic self. You know
what I mean? So like with the same swag
that we just came off of No Hands with
like I still want to be in his bag cuz
everybody I'm going tell you this.
>> We all go through depression as [ __ ]
creatives. You know what I'm saying? So,
like I just wanted my boy to be good. I
just wanted him to be straight. I wanted
him to have some I wanted people to stop
treating him like like they still do it
to him to this day. They still try to
kind of like write him off and like act
like he's not the talent that he is.
He's super poetic. He's super deep and
intellectual and makes like different
music that people he's carried a whole
tri-state on his back for the last, you
know what I'm saying? So, like you got
to give my boy his like let him do his
thing and he and he get down with the
pen.
>> So, I just want him to have a space to
be able to do that. We talked about this
after the last little shade room thing
came up and I told him like when I did
these records for you, bro, I wasn't
doing these records to like be able to
go talk and be like, "Hey, I wrote this
record for so and so or so and so." Like
I wanted the world to know how great you
are. You know what I'm saying? Like we
had conversations where he didn't he
wasn't looking at himself like that.
That's right.
>> You know what I'm saying? I'm like,
"Bro, you tripping." He's like, "Man,
y'all just so I'm like, "Bro, you were
that too. So, let's go figure out what's
going what it's going to take for you to
be able to feel like that about yourself
when you look in the mirror." You know
what I mean? Like we brothers, bro.
>> So, um that's how the record came about
ultimately. Shout out to Sam Clown
Eater, too. He was in he was in there.
He actually vocalized the original um
Lotus Firebomb before Miguel got it.
>> Wow. Yeah. So Miguel Yeah, he jumped on
that track too. I think it was a dope
track, man. Like I say, W dope artist,
man. I've always respected him. Um you
know, all the stuff he done. You know,
you a lot of times people don't get they
just do because of the way they they
humble or the way they approach. He
seemed like a person who kind of just a
humble guy
and um you know that's the whole game.
You know, I'm getting people sending
signals like you guys signals.
>> I don't like No, just calm down. We got
two more questions. [laughter]
>> No, I enjoy I definitely enjoy you guys,
man. And um I ain't going to hold you
too much longer. Um top three artists of
all time, dead or alive, any genre.
>> Um I'm going to go Outcast. And I'm
gonna say Outcast because they always
try to split them up. I don't be liking
that.
>> Yeah.
>> Um I'm gonna go,
>> we said artist. I'm gonna go, man. I'm
going Michael Jackson.
>> There it is. There it is. You're not
Chris Brown or Michael. Now, if we come
Don't get I [laughter] deal with a lot.
>> Yeah, I dealt with a lot for that.
>> I'm just messing with you.
>> Uh [laughter] I'm going go MJ and then
I'mma go uh Damn. Who's my three?
>> Uh I'm going go me
>> already. I like that. Come on, man.
Writing our story,
>> man. Listen, man. I I'm I'm being I'm
being rushed. Your people is telling me
that it's time for you to go. Like I
don't know where y'all going, but it
better be damn important. [laughter]
>> No, I appreciate y'all.
>> No, man. I I definitely know, man. I
love the fact, man. Shout out to you,
man. And and and and I know um I'm going
to be I'm I'm going to be seeing you
again. I'm coming to your listening
party. I got to now. You know, I play I
played myself right into it. [laughter]
>> Yeah, that [ __ ] funny.
>> But I was going to come anyway. I just
told a [ __ ] that. But anyway, man, I
just Hey, Rosco. Thank you for coming on
the show, man. We appreciate you. We
love you, brother.
>> Love y'all back, man.
>> Man, it's been another great segment of
Boss Talk 101, where the bosses talk.
>> And we out,
>> man.
>> Yeah, we on Boss Talk 101. Yeah, we
going to talk. We going to have fun. We
be on fire. We be lit lit. It's a unique
hustle. Peace.