Pre-Flood PLASMA GENERATOR Found In Egypt!!! ⚡⚛️

There is strong evidence to be found throughout the world for the existence of high-precision ancient pre-flood machines. Tool marks which simply do not match up with that of the mainstream academic explanations for how these sites came about. How primitive ancestors with primitive tools managed to come up with the same solutions to the same problems, which only presented themselves via this now lost civilizations curious selective choices in how they wanted to build these places. With all one's going to such extraordinary and often most curious of lengths to construct them. They instead begin to paint a picture of a civilization who created these almost indestructible buildings for a purpose. One I strongly believe we are beginning to finally unravel. A message, a legacy. One they were seemingly determined to make certain would survive into the modern day. Thus, one must wonder why did they accomplish these things? What is it that they are trying to tell us? What exactly is it that these institutions found to lead them to keep this chapter of human history hidden from us? Why such tremendous efforts and this substantial funding throughout the ages? All of which designed to keep it concealed. But I feel most crucial of all just what is it that was seemingly so profound, so powerful that would lead to such decisions to have now captured and coerced virtually the entire academic world. With perhaps the most baffling sets of these anomalies, [music] they have predictably long attempted to keep the proverbial lid on. One indicative of lost ancient power tools can still be found hiding within a small place known as Valldal, within what is now modern-day Norway. Although, as I have recently discovered, they're not unique to this place, [music] they were nonetheless the first I encountered long ago during the [music] beginning of my quest. And I do still believe they also to be the most exquisite of examples. [music] These utterly perplexing ancient drill holes being some of the strongest exhibits of evidence, and I feel best [music] demonstrable examples of these once existing pre-flood machines' past [music] abilities. Known as the star holes of Valldal, these ancient antediluvian drill holes, once left across the boulders of this small town, >> [music] >> are undoubtedly a challenge, if not a near impossibility to explain within permitted timelines, even for that of modern man armed with modern high-tech drilling equipment [music] to attempt to replicate. For how could one go about making a star-shaped drill bit? One that retained its shape all the way through the stone. A lost tool that could not only carve these perfect stars, but with striations still clearly visible within their many cores. All revealing that instead of having once been drilled out in a circular or rotary fashion, as one [music] would expect, the striations instead indicating that they all once somehow cut in tiny millimeter chunks. They are compelling evidence to suggest that along with this now lost civilization once possessing some [music] incredibly impressive power tools used [snorts] and harnessed during their undertaking of the many other ancient global feats. They were also, [music] it would seemingly appear, even far more superior and technologically advanced in nature particularly when it came to the handling and cutting of these various incredibly tough stones >> [music] >> than even that of our own modern civilization. With that of what is now known as Panoias Sanctuary yet another great surviving example of these abilities [music] of now long-lost machines which according to academia just like what one finds within Baalbek it too once supposedly ordered to be built by that of the Romans specifically that of Senator Caius Calpernius ruins. They claim the sanctuary was dedicated to infernal deities. However due to the astounding precision of some of the stone cuts made into these larger hard stone boulders I posit that the Romans again [music] merely re-inhabited this site long ago. Indeed, just like the many other ancient structures that we shall explore a bit further on in the book. Across these antediluvian ruins many impressive ancient stone cutting achievements can be identified. Such as the many puzzling yet perfectly cut square and cylindrically drilled holes and thanks to its fortunate specific geographical location and climate an abundance of particular lichen species [music] I discovered now covering much of the sites many megaliths which I have researched and documented [music] in some depth with many seen growing over older now dead yet once fully developed fully grown adult specimens and although again >> [music] >> rather predictably they have been largely overlooked or indeed unrealized these particularly slow growing species are regardless an important piece of historical evidence which alone I discovered are strong compelling proof of a vastly greater age for the stones than what we have been led to believe. For due to the already established in-depth knowledge of the reliable growth rates of these incredibly slow life forms and also due to the documenting of the lichen covering the holes interiors in equal quantities to the rest of the site stones. They biologically detail as mentioned >> [music] >> the great age and indication that these machine cut holes indeed that of a pre-flood origin. Along with the aforementioned >> [music] >> impossibly accurate and almost perfectly executed stone vases investigated and exposed within ancient Egypt there are also many stone cutting achievements which although of equal accuracy and executed precision are of another scale [music] entirely. Gigantic ancient tubs found in Russia enormous mysterious pans unearthed in Java countless examples found throughout Earth's many museums all displaying an ability to achieve perfectly symmetrical artwork and often found with polished finishes like that of the Treasury of Atreus one long told as once similar to that of glass all of which one should now see simply do not make logical sense when one explores them via the official explanations for what these claimed creators had [music] access to, especially in regards to precision tooling. Tools which would have [music] undoubtedly once been required and utilized in creating these massive anomalies. The star shafts that run through and out of the inner bowels of Khufu, for example, perfectly cutting through the entire structure with its builders once masterfully and perfectly aligning each block to create shafts that during their construction would have somehow been hermetically sealed, preventing them from filling with the inevitable dust and debris. How then can one also continue to be expected to believe that these tasks undertaken and accomplished with nothing more than ropes, logs, and copper chisels? I digress. Another set of extraordinary anomalies, which also exhibits this utilization of incredibly accurate ancient machines, can also be found under the earth of Egypt within Saqqara, very near to where the extraordinary Saqqara Bird was once found. An artifact also still exhibiting some rather intriguing features that we will cover shortly. These magnificent underground anomalies were also long ago, in a forgotten past, able to be hermetically sealed. With them now known as the Serapeum of Saqqara. Long claimed as predictably nothing more than burial tombs, once used supposedly for the burial [music] of bulls, they were rediscovered in 1850 by French archaeologist Auguste Mariette. Weighing in at some 80 tons each, how they cut them, or indeed how they once managed to get these gigantic solid granite boxes through the narrow passages. And to have then somehow place them in these chambers is of course a complete mystery. Yet, the accuracy in which they once cut, the laser-like precision exhibited by their many perfect angles and edges, all of which once intricately detailed with incredible delicacy, tends to make one suspect [music] that they may have instead once served a far more amazing, far more technologically impressive function than having once been nothing more than just mere tombs >> [music] >> for bulls. With a most curious characteristic of the boxes, and perhaps hinting at a now lost explanation for their creation, the fact that, as mentioned, [music] they have now been realized to have once been self-sealing. Which, due to the sheer weight and incredible precision of the box lids, not only once creating a hermetically sealed chamber, just like that of the modern tin can, with their mysterious contents [music] sealed in a vacuum, perfectly preserved, frozen in time. But what many are unaware of, as it is predictably rarely disseminated, the fact that they would also slowly begin to generate energy. A powerful ionized charge, one caused by these tremendous pressures that would once build inside them. With this rarely recognized consequence, or indeed feature, predictably leading to a few independent investigators to speculate as to their past purpose, with one of my favorites involving the possible past [music] generation, manipulation, and past control of electrical plasma. Which some have even hypothesized [music] could have lit up the entire chamber along with its most curiously designed and incorporated walkway or gallery >> [snorts] >> still to be found running parallel to the boxes. Additionally, they now believe [music] via in-depth scientific tests that due to the pressures that would have once been built up within these mystery boxes they would have subsequently charged the surrounding air and atmosphere above and across the entire plateau ionizing the lower atmosphere and thus once lighting the entire local in a ghostly glow throughout the entire night. This now discovered to have once been possible without even the requirement of an electrical flow or even cables as we still do today. And so, I began to wonder could the melted steps located within Dendera Temple possibly [music] be physical remaining evidence of this past mass generation? This harnessing of pre-flood energy could there be more curious features? Perhaps even ancient depictions that could possibly point one in the right direction as it were? Perhaps still to be found within Egypt or even the temple itself depictions which could if one looked upon them in this new light further indicate that such electrical and possibly even plasma generating activities were indeed once being undertaken here. Now commonly known as the Dendera light could this strange object depicted amongst the temples many other artworks >> [music] >> display a technology in which the Egyptians merely rediscovered here? An ancient depiction of a device a lost translation, >> [music] >> one which others, even without an awareness of the modern theories regarding the Serapeum, have regardless, as did I, come to the same or similar hypothesis, that being of it having also once been connected [music] to the past generation of plasma. That this light indeed displaying the generation of this mysterious fourth state of matter. Yet due to the Egyptians once being completely unaware of the true past function of such a device, or indeed [music] what that of plasma could have been, used their own symbolism instead [music] to once attempt to describe it regardless within their countless hieroglyphs. These mysterious craft, as demonstrated within my illustration, >> [music] >> for example, although clearly depicting the same machine in each, it is only the Egyptian version that uses [music] animal iconography and symbology to describe what they encountered. Thus I feel this all but further evidence supporting my hypothesis that the snakes [music] depicted within the Dendera light was and is indeed that of plasma in animal form. [music] Yet for now, I digress. The proof for the past utilization of these many [music] now lost ancient advanced stone cutting machines, however, can also still fortunately be found literally everywhere else. Once one acquires the ability to see these sites for what they truly once were, that is, known as the white rock located in Vilcabamba within Peru, very nearby to the antediluvian multi-layered polygonal fortress of Sacsayhuaman, is I feel yet another most perfect of examples to explore. With its curious step patterning found on one of its sides, which although many still remain completely puzzled by, can in fact be found ignored and thus unconnected [music] at many other pre-flood sites the world over. All hidden in plain sight. [music] These step pattern decorations were in fact, >> [music] >> as previously revealed earlier on in the book, all once intended to be used as fronting for their many incredible stone structures, >> [snorts] >> as now exhibited at the aforementioned Mada'in Saleh or Petra, with white rock being yet more proof that they indeed once the work of the same civilization. [music] Additionally, another mystery I have seemingly single-handedly solved, one which has undoubtedly baffled countless individuals who came before, can be found within the small yet mysteriously abandoned site >> [music] >> now known as Naupa Huaca. For instead of being that of a throne or even that of an ancient portal, [music] as in a false door, it is in fact simply an unliberated block, which would have eventually sat at the mouth of one of the many fountains now personally located and identified within Peru's many incredible irrigation systems. If of course those once cutting it didn't suddenly, abruptly and inexplicably vanish [music] from the face of the earth. Located deep within the Peruvian Andes, and although again many have pondered and theorized over the past purpose [music] of this enigmatic feature, often coming to the conclusion that it was perhaps some kind of ancient throne, it is in reality an unliberated mouth for the many extraordinary water temples and their accompanying springs and fountains which can be found [music] throughout many other sites within Peru. Yet these connections, due to a concerted effort to ignore such stonework and indeed that of the polygonal sites by [music] academia as a whole, largely go unsolved, unexplained, [music] understudied, and unexplored. With these walls and their incredible complexity also largely ignored, as such, when the blocks which I can easily identify [music] as once belonging within one turn up in those rarest of locations singularly abandoned, they completely confuse even those who are supposedly funded to explain these places. With this block found near Ollantaytambo as but one of many examples of this mistaken identity, one made by those claiming, funded, [snorts] and actively being paid to apparently know all the answers as to these sites' true origins. With it, as you can see, subsequently turned on its head [music] and mistakenly converted into that of a chair. This clearly proving they have no idea >> [music] >> and that this all due to none of these academics or tour guides, for that matter, truly knowing what these sites are, how they [music] were built, or indeed even realizing what these blocks [music] actually were. With many also to be found still littering the foot of the white rock also, stones [music] presumably and seemingly looted, perhaps they even once part of a never fully completed structure. These single polygonal blocks [music] displaying a rare glimpse into the true level of complexity >> [music] >> and thus the true strength of these completely mind-meltingly sophisticated ancient walls. In addition to these unfinished stone [music] features, once seemingly abandoned at the site of Naupa Huaca, there are other compelling features which have also been found amongst this [music] most isolated and tightly grouped collection of ancient activities that I feel one [music] must also share with you before we move on. Found at an altitude of [music] nearly 3,000 ft above sea level, located within the wall of a once man-made cave across the [music] way, is another seeming portal. Yet this indeed, one of the many globally occurring anomalies >> [music] >> now known as that of a false door. One which sits beneath what some have theorized [music] may have been the original reason for why this lost civilization were doing these strange flurries of activities, particularly and only in this strange, yet very specific location. For not only does this false door appear as if once hewn with laser-like precision, [music] >> [snorts] >> once carved at two precise separate angles, one of 60° and another of 52° [music] with these angles, intriguingly, also found within the Great Pyramids of Giza at numerous locations. But whoever it was that once constructed this possible portal picked the only spot in the entire mountain, in the whole of Peru for that matter, that contains a mysterious blue stone. A stone that for many decades has been quietly utilized within our own modern military-grade technology. This primarily due to its unique piezoelectric properties, a type of crystal capable of generating a particularly special and specific type of electrical charge. Thus, it has been reportedly used by radio manufacturers for many decades within receivers. With the surrounding rock also intriguingly somehow magnetic. Yet any further revelations as to the connecting of these curious [music] dots may have to wait for our own civilization to develop to a point where we again fully understand just what it was that this once highly sophisticated civilization was once truly up to. They are mysteries which I continue to find highly compelling. My first book, Life Before the Flood, a definitive guide to the lost world, is now available on Amazon, so don't forget to check it out.