Old Chinese 8: Chinese Historical Phonology | Guillaume Jacques & Nathan Hill | Leiden 2026
Watch on YouTubeVideo summary
The video explores the complexities of Old Chinese historical phonology through a critical examination of reconstruction systems like Baxter-Cigars and their controversial use of "pre-initials." Guillaume Jacques challenges the terminology as an oxymoron while acknowledging the system's predictive power in comparative linguistics, particularly when incorporating external evidence such as Tibetan transcriptions. The discussion highlights specific morphological phenomena, including how laterals shift to *y* in Type B syllables and remain distinct or become *duh* in Type A, alongside the transformation of *tu* into *cha*. Jacques argues against the notion that every morpheme existed simultaneously in "tight" and "loose" forms without grammatical conditioning, emphasizing instead that richer reconstructions supported by diverse data sources are superior to those relying solely on internal Chinese evidence.
A significant portion of the analysis focuses on dialectal variation and specific textual exceptions, such as the unique appearance of written pre-initials almost exclusively in the *Shijing*. This phenomenon is attributed to the poem's fixed meter and folk nature, allowing poets to insert or omit syllables for metrical purposes without altering meaning. The speakers also address Baxter and Sagart's reconstruction of Old Chinese uvular series, critiquing the ambiguity between certain clusters that suggest an overly complex system requiring simplification. Instead of using clusters merely to explain sound intrusions, the argument proposes distinct phonological features or "magical things" for specific reconstructions like wheelers derived from uers, supported by comparative models found in Old Tibetan regarding similar sound changes involving medials and clusters.
The conversation further delves into the debate between scholars relying on negative evidence regarding character confusion over millennia versus Peking scholars who reject such arguments, illustrated by Middle Chinese examples where characters remain distinct despite shared origins until later dynasties. This section details specific phonological shifts, including the palatalization of velars before front vowels occurring in two waves prior to cluster loss, and how these changes influenced the evolution from Shang oracle bone inscriptions into Middle Chinese forms often involving nasal prefixes. The discussion concludes by examining how initials like *shu* derive from various origins such as *st* or *skh* across different syllable types, noting that aspiration distinctions are frequently explained through word families or dialect mixtures rather than solely phonetic series evidence. Ultimately, the video underscores the necessity of balancing internal data with external comparative methods to accurately trace the evolution of Chinese sounds and their morphological implications.
Read the full video transcript
Okay, so this is just to review what we
did last time. Uh, so
the tu becomes cha in type B syllables.
The dra becomes duh. Uh, in general, the
duh becomes duh. And then laterals, LA
becomes duh in type A syllables and L
becomes Y in type B syllables. And then
I will actually tell you uh that in the
bongo which is a text I know well uh the
the you can tell that the uh in type uh
B syllables the LA had already become
Yah but in type A syllables the L had
not yet become duh.
>> Yeah. So uh so you could so I don't know
>> that's cool right? Yeah. in in by
>> in in the well no in Chinese
>> but
>> but but because of their transcription
>> because they're transcribing a language
that we
are not completely in the dark about uh
we can use it to tell like do they use
it you know so so in particular they use
uh like they use uh I think the word
tasty what's the word tasty is is
>> it's something like
>> it's lum in old Chinese I don't know
what it is in ina
>> I think it's Maybe h
uh like uh uh yeah
>> sweet or something. Anyhow,
>> they use that to write the word house in
bang with
>> Oh, this Oh, yeah. That's what you mean.
>> And and the word house in bang is yim
definitely, right?
>> So then we know the l had changed to a
ya. Yeah,
>> sure.
>> Um okay. Anyhow, uh and then here are
the voiceless resonance. You remember
this, right? It's exactly the same slide
as from last time. Hey, can we uh I
don't know.
>> Make it bigger.
>> Yeah. Or no. Yeah. Like get rid of the
side on the bar.
>> But he doesn't have his glasses.
>> So I I I see even worse than you now.
>> Yeah. [laughter] Okay. Yeah.
>> Well, but you still match. Okay. Uh
Okay. And then here is the uvers. You
know, I'm just reviewing the simplex
initials because we need to have the we
need to have a handle on the simplex
initials before we go on to the complex
initials. Right? So, these are the the
the type A uvular. Here are the type B
uvulars. Right?
Okay. So, now I just want to in a kind
of exogetical way like sort of just uh
not empirically motivated just sort of
teaching you the Baxter cigar school. uh
they reconstruct these so-called
pre-initials. Okay. Now, I have to admit
that personally I hate the word
pre-initial because initial means at the
start.
So, [laughter]
so if there's a pre-initial, the initial
isn't the initial, right? Yeah. So, if
we ask like what's the initial of the
English word spring, people would say
it's an S. They wouldn't say it's a P,
right? Um but uh I uh decided look like
basically I tried for a few years to um
to care about this and then I got too
tired. Yeah. So now I have given up and
I use these terms like everyone else. Uh
and actually the the the the thing I
tried to do maybe this is why I got so
tired is use the Tibetan terms because
the Tibetan tradition has very clear
terminology for these syllable
positions. Yeah. Um
but uh anyhow so so if you feel
uncomfortable with the the oxymoronic
quality of the term pre-initial you have
my full sympathy but you know what to
do. Anyhow uh so they think there are
pktm
a under specified so it's not like you
see capital n you might think it's an
ugular n. No, it's it's a it's a
homoorganic initial uh that's
underspecified with respect to place of
articulation, right?
And uh s okay. And then they also say
that each pre-initial appears as a tight
which we write with a period
>> and a loose which we write with a
schwah. And actually now I suddenly
feel vindicated because like K. Glosstop
means there's no uh schwah in there.
Right.
Anyhow,
>> smallerwallerwah.
Yeah. Okay.
>> Yeah.
>> Okay. Uh, and this has some, let's say,
uncomfortable like like or one thing
that's important to me is to show you
the worst things about the Baxter cigar
system. So that you know, if for
instance, you go back to China, you can
say, "What did Nathan uh, you know, if
your teacher says, "What did Nathan
teach you in lighting?" He he criticized
the Backaxster cigar system. Yeah. Uh,
and then he goes, "Ah, I'm very happy to
hear that." Yeah.
>> Okay. So uh so with R then we have three
options T tr
and t uh schwah r and they actually do
use this whole machinery and I feel very
uncomfortable with especially the
difference between the first two like do
we really have three different ways of
saying ch in in old Chinese
>> anyhow um and they don't say anything
about the distinction between tr and t
dot r yeah so shame on them Yeah. Uh
there was another criticism I want to
make. Oh yeah, maybe I'll get to it.
Just let me take a Don't look. Don't
look. Don't look. Uh no. Okay then. Uh
then I will uh say it here. Uh cigar. I
don't think Baxter himself has commented
on this or back cigar really but they
think that let's say cigar has said that
he thinks each morphe in in old Chinese
had like two forms the loose form and
the tight form
>> and I think that is is just an outright
violation of neoarian principles. Yeah.
You you can't just
say like well every morphim had two
kinds and sometimes they use this kind
and sometimes use the other kind. Right.
It's totally not against the rules.
Yeah. So, you know, I mean, maybe
there's a way to clean it up, but uh
that cleaning up needs to be done. Yeah.
So one way of of looking at it is saying
like for instance from y point of view
we could say well if you had a verb and
it has some prefixes that we can't see
because they have disappeared like a
second person prefix for instance uh and
when there was a one of these prefixes
was in the very beginning of the word
they had one form but when there was a
prefix just before it then it had the
other form.
>> Yeah that would work that would work
fine. Yeah, that would
>> but the problem with this idea obviously
is if is that we don't have evidence for
it but yeah but you can have this
argument without violating the new
principle I think
>> yeah I mean this is quite similar to
what we were saying yesterday uh when we
were just sort of chatting about
grammatically conditioned sound changes
it's totally fine to produce like to
propose a grammatically conditioned
sound change as long as you come covered
in ash you know like like as long as you
say as long as you say I know I have
done badly. I will do better next time.
Yeah. Okay. Then it's fine, right? So,
Cigar does not cover himself in ash when
he when he makes this proposal and and I
think this is
>> uh
to be regretted. Yeah. Okay.
>> And then I don't know does
>> you you you cover yourself in ash when
you're a penitence, right? Like that's
okay. you. I just want to make sure the
non-native speakers know what I'm
talking about. Um,
okay.
So, another thing just kind of
continuing to criticize back cigar. So,
cigar um reconstructed in 1999 he
reconstructed armpit is kalak. Yeah. And
I thought, oh, that's a great
reconstruction. Yeah. And partly he
because he looks at Cantonese which has
something like
I'm not very good at reading IPA. Yeah.
>> Yeah. Do we have any are there any
Cantonese speakers in the house?
>> Hello. Yes.
>> How do you say armpits?
>> Oh, beautiful. Okay. Now, do we have any
Fujo speakers in the house?
No. Okay. Uh I'll now I just as a as a
proud uh servant of Trinity College
Dublin I have to say we used to have a
campus in Fujo and it and then it was
closed in 1949 because of something
called communism. Yeah.
[laughter]
>> But uh you know and but but we've had
the good taste unlike uh I don't know
Namingham or UCD to not try to restart
some colonial project in China. No,
we've said look, we stay in Dublin now,
you know.
Anyhow, Fujo, they also have a prefix.
So,
so his reconstruction can account for
these these prefixes in colloquial
readings. Yeah. Uh, but now they
reconstruct it totally differently with
uh an unknown prefix and then
duck.
>> Yeah.
>> Probably look. Well, no, don't
don't start trying to fix things before
we've acknowledged how broken they are.
[laughter]
>> So, so I mean they must have good reason
for it and we can look in their 2014
books, but suddenly these these these
colloquial forms look really bad, right?
Yes. Like
>> so,
>> you know, but like I said, they never
look back. So they never tell you like,
well, yeah, you know, we did do this,
but now we think this and this evidence.
No, it's just like here's the here's the
new version. Like every year you get a
new iPhone, you get a new
>> I may they they write it with these um
brackets, but in the system means we not
too sure about that. So
>> well, could could it be KL still?
>> No, it could be KL still in this.
>> But then why do they put a Q there? Like
I
>> the word for ampit
which is yeah in middle Chinese. So it
has a it has a use
initial
>> that would be in the view.
>> Yeah. Stop stuff stop. The point is
they
you they take let's say two steps
forward and one step backward and that's
fine. That's how science works. But
again you should cover yourself in ash
when you do this. Right. Yeah. And they
don't do that. Okay.
And
uh oh yeah, this is this is the part
that I this is a slide that I should
have had when I said the thing about neo
grammar. So back to so cigar says that
as working as assumption is that they
have um they have that each morphim has
a has an unprefixed a tightly prefixed
and a loosely prefixed and that the
three types uh of forms existed side by
side in in old Chinese perhaps as
stylistic or social variance. This is
pure mats, right? This is like uh it's
not how we should do.
>> Please don't say that in front of
>> Laur. Okay. Yeah.
>> Okay. [laughter] So, um, so we can try
to fix it like like you know by like
anyhow it's worth I think just
encouraging you to think about how you
fix it because I because my own I don't
know my own instinct maybe it's just
because I love their system because I've
learned it so well but is is uh probably
this there is something real going on
with these loose and and tight
pre-initials but we have to come up with
a a a orthodox I would say explanation.
Yeah.
Uh okay.
Yeah. And then I will also say that uh
well I'll just read it. See what I'd
say. Yeah. Okay. So the primmaacia
evidence of old Chinese pre pre-initials
is weak. Uh but the theory embraces a
wider variety of sources of evidence
than other reconstructions of old
Chinese and affords a notation system
that allows a systematic exploration of
the evidence. Yeah. So, so the nice
thing I would say the nicest thing about
their reconstruction which is what
should be the the lowest uh hurdle to
clear for any reconstruction system is
it does predict the data it's supposed
to predict right which Mata's
reconstruction prisons don't. Yeah.
>> And it's very unclear to me for instance
whether Bob blusts do for Astronesian.
Yeah. Um but uh yeah so anyhow you you
can and I have done it you can change
their reconstructions into middle
Chinese in a totally mechanical way
right so that's good it it it predicts
the data and it predicts more data than
um
>> just middle
>> than just middle Chinese yeah and this I
would say is kind of let's say another
point of difference between let's say
the
the Beijing school also we used to we
used to be able to to say the Beijing
school and the Taipei school. Yeah. But
now there's nobody who follows the
Taipei school
>> is my impression. Yeah. So um
>> um but uh yeah, which is that you know
uh I think that in other traditions
people say look I'm just not interested
in uh loan words into mongen or Buddhist
transcriptions or whatever sinoetan
comparisons and in fact methodologically
it's bad. You should you Chinese should
be reconstructed with Chinese evidence
only. Yeah, that's fine. But I think of
it as extremely let's say as an outsider
because I do think of myself, you know,
I'm a typologist, right? It's extremely
nice to have reconstructions that
predict more information. That means
they're just they're
they'reformationally
rich. Yeah. If you don't like some of
that information, you can ignore it. But
if you do like some of that information,
then you can not ignore it. whereas
other reconstruction systems just have
less predictive power. Now that's not a
that's not for me at least it's not a
claim about realism you know
>> maybe their reconstructions are all
crazy yeah but they are predictive of
the actual data and that is very
important right
>> what can I just add something more about
the loose versus non- loose prefixes so
in particular because this is something
we saw just before in the Jbook class so
the causitive prefix in Jbook has a lot
of alomos so you have an element of Z
just one consonant that occurs when you
have a dyelic uh word whose first
syllable is a uh starts with a sarant.
So for instance for we saw this morning
to go yeah with a replicate form of look
is close to look close to God. Yeah. But
if you have a monosabic form like put
then you have s. So this z versus
morphologicalation
yes productive and regular might be an
example of the kind of loose versus
tight prefixes in the system. That would
be one type of um
um phonology conditions allorphy that
could lead to the kind of phenomena that
are mentioned by me.
>> Yeah.
>> Yeah. I think I mean we should we should
have a discussion about this in the
field
>> and we haven't yet very much. Yeah.
Um so anyhow so I'm a partisan of Baxter
cigars theory system let's say simply
for this reason like which is say I can
turn back cigars reconstruction into
reconstructions
>> not the other way around
>> but not the other way around. Yeah I
could turn them into Carl's
reconstructions but not the other way
around. Uh I personally couldn't do
that. I don't know Carl's
reconstructions well enough.
>> Uh and the same thing with Wong Lee but
uh uh but any case
>> you can write a transducers. Yeah, you
you you could write a a program that
changes one to the other, but you can't
write the program the other way because
then you would have to ask a question
like what is it in min?
Yeah. So, um I don't know this is a kind
of information theoretic point, but like
their reconstructions
have more information in them. So I
think for comparative linguistics that's
extremely important because maybe the
thing I'm looking at in Tibetan
corresponds to a thing in their
reconstruction system that just isn't
there in anyone else's. Yeah. So um so I
think for comparative research uh their
reconstruction is uh is the best one to
choose. Yeah.
Okay. So now uh here is just kind of
some
anecdotal evidence that will make you
believe that uh there were clusters in
old Chinese. So first we look at uh this
m prefix. Yeah. So we have this uh uh
ode O 235.5.
The five the.5 means stands of five.
Yeah. Uh so uh I can almost uh read it.
Woo n
something.
Uh uh anyhow you can read it. Yeah.
>> Okay. Yeah.
>> Yeah. So it looks like it means do not
remember your ancestors. Okay. And if
there's if you know anything about
Chinese culture,
how likely do you think it means do not
remember your ancestors? Yeah.
So, [laughter] so I don't know may I
mean this these come down to actually
you know profound philosophy of science
things like maybe I should say I you
know look if the evidence says it don't
do not remember your ancestors I should
trust the evidence rather than letting
my my assumptions about my prejudice
against you know I was going to say
against Chinese civilization
>> about Chinese civilization uh dictate
you know this. But anyways,
see what you think.
>> Yeah. So, the Mao commentary says uh
when it says do not remember, it means
remember [laughter]
[laughter]
uh so so back cigar interpret the m as a
loose prefix. Uh that Oh, you wanted
some morphology. So, I am here's some
morphology. Yeah.
>> Uh so it's a loose prefix that makes
remember into a valitional verb, right?
Because the the trouble is and this is
true of most Asian languages actually. I
would say uh non-valitional verbs like
remember, love, you can't
you can't turn into the imperative. This
is like this definitely true uh in
Tibetan uh is like I can't say love
chocolate. It's just un-grammatical.
Yeah. Because it's like either you love
it or you don't love it, right? There's
nothing you can do to to follow the
order to love uh chocolate. Yeah. And
actually, one thing that that one of the
ways I amuse myself in life is is
noticing advertisements in English that
have imperatives of non-volutional
verbs. Yeah.
>> Um so [clears throat] I don't know. I
commend you to this hobby. If if if you
find yourself bored looking at an
advertisement, you can think about this.
Yeah. Anyhow, so maybe this was true of
Chinese too. Remember is not a in
general not a voluitional verb. Yeah. Uh
you just remember like oh I just
remembered that I left the iron on.
Yeah. Um so uh if you want to make it
into a voluitional verb, you have to put
this valitional prefix. And there you
go. Now we've explained that uh ma.
Okay. Um here's another one.
Uh,
okay. It seems to say, "Not strong is
the man. The four realms comply with
him." Well, why are the four realms
complying with the man if he's not
strong? Yeah. Okay.
The M commentary says not strong. I
mean, strong. Yeah. Okay.
I [laughter] like that. Charlie finds
the the Mau commentary amusing. Okay.
And then and then here Baxter and Cigar
say uh that maybe this MA is spelling
out the M prefix that they already
proposed for this word uh to strive to
compete. Yeah. Mrons. Yeah.
So uh you know I don't know that's some
primmaacia evidence. Now let's look at
some
evidence. So here we have um
uh these Joe are greatly illustrious
God appointed them and this Buddha is
just totally unintelligible, right? Like
it doesn't make any sense. Yeah.
>> So the moral commentary says
uh you know not duh means duh. Okay. And
then you're like well what does duh
mean? And then it says duh means de.
>> Yeah.
[snorts]
>> Okay. So it means this. So it's just
saying that
was somehow an alternate form of de. I
don't have an answer for this one. Like
like I I don't know maybe de was always
de. Yeah. And they only write it out
here or something. But anyhow, it's it's
evidence like,
you know, I'm kind of softening
softening you up to the idea that it's
uh that old Chinese had uh pre-initials.
So, how about this one? Uh this one says
uh
I didn't give the translation. Actually,
I didn't give the translation. Oh, well
this says something like um
not attentive
not attentive are the horsemen or
something not full are the kitchens.
Yeah.
>> And uh if you read the whole poem this
is in I I go through all these examples
in my 2019 book. Uh it's it comes at the
end of this very long poem which which
is like it's it's it's somehow some some
some military expedition like returning
home and they're like yeah we had fun
out doing our military thing and then
everything's great at the end. Yeah. And
then you say the watchmen are so
inattentive and the kitchens are empty.
Right. It doesn't make any sense. So um
so the Mau uh commentary says not
attentive is attentive and not failed is
failed. Yeah. So there you go. But um
and this one is uh I don't I didn't find
it. I'm sure I didn't find it but it's
not in uh it's not one of the cases that
back cigar uh discuss. Yeah.
>> So [clears throat] and then I think this
is absolutely gorgeous. Yeah. So old
Burmese has this word.
Yeah. which according to normal Burmese
historical phenology goes back to pling
uh and this uh and people already
thought this this yang which is ling in
old Chinese
>> was cognate with that. Yeah. But I think
no one had pointed out that actually
here you have it with the P. Yeah.
>> So I think we can we have an exact match
between old Burmese and old Chinese with
the word for Phil playing. Yeah. And
actually uh there's a guy uh
what's his name?
His name is this there's this Italian
guy who did his PhD at Shaman University
who lives in Japan.
>> Oh yes. Uh Gio
>> Gio
>> something.
>> Yeah.
[laughter]
>> Yeah. Well he got me a lot further.
Okay.
Uh he's very nice and very learned. He
writes extremely turgid uh flowery
English which is something that
>> I I want to do but don't allow myself.
>> Yeah. Yeah. Okay. [laughter] Yeah.
>> Okay.
>> Yeah.
Yeah.
>> Oh, really? Yeah.
Anyhow, he he uh so I don't make the
comparison to the Burmese in my uh 2019
book
and I don't really remember why it's
because it's not directly relevant. It's
like the point is that the Mao
commentary itself gives the evidence,
right?
>> Um uh but anyhow uh he he wrote a review
of my book that was very positive
actually. It's it's which made me happy.
And but then he sort of says like I
don't know about this uh prefix in old
Chinese this plang example and I don't
know where I was going this but I talked
to him about and to me this like this
Burmese cognate really like
>> you know it's a slam dunk. Okay now you
say this one is from Baxter cigar. You
say look all your examples come from the
shing and I want to return to that in a
moment. Why are all these examples from
the shing? But here's one from the show.
Yeah. Uh and then I will just point out
that showed means uh like declare the
simplex characters and analyze the
complex characters.
>> Yeah.
Okay. So this is the word brush. Uh and
then it just is saying how it's
pronounced in different dialects. Right.
So that with which one writes in chu it
is called mut in Wu it is called in yan
it is called put in chin it is called
put okay and actually this would be
another great thing if you want to tell
us how does the Beijing school analyze I
know how they analyze this stuff in the
treing yeah uh but how do they analyze
this because this is really quite strong
evidence of uh constant clusters Right.
Um, yeah. So, I mean, now this raises
many questions like why why is it
different in the different dialects?
What how did those different dialects
treat clusters in general, right? But
that's we're not going to be able to get
there. But any case, we can see that we
have we have it it's it's as if the
Shushan wanted to say Baxter was sorry,
Cigar was totally right. Yeah. because
he gives us the the form with no you
know the put form the put form and the
form. Yeah. Uh although actually it's a
little bit the the put form is a little
bit weird because Yeah. Anyhow,
so this has our tight and loose uh uh
prefixes. And then uh here is from the
comment in the Yanja Hun. Okay. I don't
know about this text. Uh it's from back
cigar. Yeah. Yeah. Do you have a
question? Yeah.
>> Question just um why does the dialectal
variation imply that there had to be a
distinction between tight and loose? It
could just be that you just had one type
of cluster that became these people.
>> Oh no, you're totally right. Yeah, but
let's say in Shushan's time there were
dialects with loose pre-initials.
>> There were pre-initials.
>> There were pre-initials and some of them
were loose.
>> In his time in some dial,
>> not in the same language,
>> not in the same language. Yeah.
>> Yeah. No, you're totally right.
Um, which is to say if you're if you're
happy to have constant clusters but you
don't like the pre and loose thing, you
can just say some dialects loosened all
their pre-initials. Yeah,
>> that would be totally fine.
>> It looks like a princess or something.
>> Yeah. Yeah. Or I mean, but then you have
the loose ones but not the tight one.
Yes.
>> Sure.
>> Yeah. Which is say, okay, fair enough.
The evidence from the choza proves there
are pre-initials. It doesn't prove that
there were loose and tight pre-initials
uh in old Chinese. Okay. So, here's this
example that I'm not going to go through
entirely, but uh uh let's just read it.
Okay.
I have exhaustively visited the Shu
region and they pronounce uh lip as pick
but at the time they had no way to
explain it. I said in the sun and the
shenaned
uh this word is written as uh by above
B. So there I give you the character and
it is glossed in both cases as uh
lip. Yeah. And then they were all very
happy. Yeah. I wouldn't I would say go
home jackass. Yeah.
But uh uh anyhow so here you see a kind
of
I don't know what to call it a
synchronic alternation between it's I
mean synchronic in a very broad sense.
Yeah. uh between uh pick and uh
>> lip
>> lip. Yeah. So, actually there's there's
a lot going on there, but uh you know,
anyhow, maybe it involved a a P uh
pre-initial.
Okay. Uh yeah. And then uh here's their
their back to scar's uh explanation
which is that uh we have a pra initial
and uh this is confirmed by protomin in
their system. Although I think actually
uh one of the areas where their system
has gotten weaker since 2014 is in their
use of min although I don't like like
basically min reconstruction has
>> has improved
>> has improved and it doesn't seem to
confirm their ideas. Uh but I don't know
very much about that. Okay. So now
before I move on to the shishing series
which is what I wanted to do uh today uh
I will explain why we think the
churching is the only text that uh
preserves this kind of phenomenon. Yeah.
>> Yeah.
>> Yeah. So when we talk about the and so
is it also here in for example
>> no you don't it's not like every
negation marker gets to be a
pre-initial.
>> Yes.
>> It's just that if you wanted to say
um I'm just looking for a handkerchief.
There we go. Have a run your nose. Yes.
Um
uh yeah it the thing is
you know P and and M are
like you like if you want to write them
in Chinese you have to write them with a
character.
>> Yeah. So you write P with bu and you
write uh m with moo. But uh this is you
know our perspective is that they aren't
negation. Now what you
>> in this context
>> in this context yeah of course they are
negation usually. Yeah. Now what you
could say is why don't you have examples
of uh T and K prefixes in the shing. I
think that is a good question. Yeah
>> that's a good question. And I think our
only answer could be well you know they
didn't write enough poems. Yeah. Um so
so that's a bad answer. Yeah. But I
still think that the question needs to
be answered. And I will give you I don't
know what people think in in Beijing,
but I'll give you Carl Grant's answer is
he thought this was like um
kind of uh rhetorically pleonastic
negation along the the the side the
along the example of uh let's say I'm a
netizen in in China and then I interact
with the great scholar Shang Bolin.
Yeah.
H then I assume because of his wisdom
and uh well suggestity what not he must
be Chinese. Yeah. And then someone tells
me he's French.
Then I might say
uh
he's he's not French.
Where I where I'm not actually claiming
that he's not French. I'm just saying
it's surprising that he's French. Yeah.
So that's kind of cognance like like
like he he's saying like the kitchen is
so full that I'm saying the kitchen's
not full. Okay.
>> Uh I I don't find this uh Yeah.
>> particularly convincing.
>> Yeah.
>> Okay.
Uh okay. Oh yeah. So yeah, I was going
to say so why the shing? Well, uh the
shing is extremely unique kind of socio
linguistically whereas much of it in any
case is uh not high poetry, right? It's
like
it's like uh folk poetry.
>> Well, it looks like folk.
>> It looks like folk,
>> but it's supposed to be metaphorically
referring to
>> Yeah. We don't don't
>> It's folk poetry.
It's folk poetry that has been canonized
in this very high style.
>> I mean the part awful.
>> Yeah.
>> Okay. Now you can talk about where these
examples come from. I haven't done that.
>> Yeah. So the the examples you find here
are from the many and andya parts and
they are older
sections of the of the
and these are significantly older than
the rest of the corpus in all Chinese in
fact. Yeah much older than the or the or
whatever. So the fact that they
preserved in the script things that
don't appear later is not surprising. Uh
and also they have a fixed meter.
>> See that that's important. Yeah. Cuz the
question is why look okay so I I let's
just try to do this very systematically.
So the first question is
>> well no the only question is why does
this only happen in the churching? And
then GM's first answer is because the
parts of the shing that it happens in
are extremely old.
>> Yeah.
>> And that
doesn't explain why it happens in the
shing. That explains why it doesn't
happen in the or the lunu or whatever.
>> Mao's little red book. Yeah.
>> Now the question is, okay, but we have
bronze inscriptions from the Joe. We
have oracle bone inscriptions from the
sh. Why don't they have this phenomena?
Okay. Now you explain that. Yeah.
>> Well, so yeah, you have a meter, you
have a number of fixed fixed number of
syllables and you need to fit in uh the
these syllables and so I I think that
even in this corpus these not all pre
prescyllables were written. Yeah. But
you could uh well one way of fixing the
meter when you make your poetry is
precisely to use a um uh a prefix and
and as a full syllable.
Um, so if I may, so once I uh was um at
campfire with a speaker of Rwan and we
he sung uh so we were singing on the
guitar songs uh from France and and and
he he was singing in Ron and I was uh
surprised to to see the sesable so the
the precables with a schla in how they
were treated when you see and Actually
most of the cases where this you have a
I don't know the I don't remember
exactly the words but let's say if it's
like in JO the word for in JO for
instance the word for star is shagan
this would count as one syllable in a
meter. Yeah. So you would have first you
have two syllables counting as one. But
you could imagine in a in a in a
language of this type that sometimes
when you want to write your poetry, you
have the choice between putting the two
syllables as one word or as two words.
And you have it think like that in
English, right? Like over as or yeah or
you have
>> I I was thinking of it. Yeah. I was
thinking of in like in William Bird
often times you get uh salvation as
salvat salv like I can't even say the
vowels right salvion. Yeahvation uh and
and probably actually in William Bird
this is my impression probably in
William Bird it has to be that way.
Yeah,
>> but uh I I I knew a guy actually who was
writing church music in like 2018 or
something and he would put in uh
salvation scanned as three syllables and
I said like
uh-uh right
>> yeah
and then and then he said well William
Bird does it so [laughter]
>> it's also reminiscent of of French sing
>> ah that's I was just going to say that
>> that's there there's lots of schw ones
that are definitely not there.
>> Yes, exactly.
>> Yes. Yes.
>> But I think in I think you have to do
them when you sing in French. I don't
know.
>> It depend. Yeah. Yeah. Yeah. Well, yeah,
you do. Yeah.
>> Yeah. Like you say uh like I was on an
airplane once and there was this uh song
sal
is it or ah I don't remember salotance.
Yeah. Yeah.
>> So that's the always the example that
comes out to me is you say in in clo
France but in when you sing you say
France.
>> Yes. Exactly.
>> Yeah.
>> You have a I I I have a question. So so
so so if you have a choice whether you
want to um pronounce the um the um the
first syllable as as a separate
character just so you can occupy like a
certain part of the meter. Then doesn't
that logically mean that at that same
time the character that comes after
could also be independently pronounced
without the pre- syllable?
>> No. Why would it mean that?
>> Because be because because like um uh
say the like something like that, right?
Like like if you can sing out single out
the P and write it write it out as a
separate character than the second
syllable T, then that probably means
it's already an independent character.
>> No, no. You characters you shouldn't
think of as an onlogical category,
right? Characters are just a the
question is what can you do when you're
singing? Yeah. And what we're saying is
suppose you have a word like
>> like so the new word. Uh, no. I don't
want to do the m I want to do the this
one.
>> Mr. Okay.
>> So, there's uh there's a there's a a a
verb in old Chinese which is pronounced
uh I want to do it without the mang.
Yeah. Okay.
If I'm just talking, you know, I'll
usually, let's say it it's not relevant,
right? But usually I will not have the
schwah there. Right. And if I'm singing,
usually I won't have thewah there. But
if I've painted myself into a corner in
the metrics, then I can say mrs.
>> Oh, I see. So it's pronounced actually
twice in the reconstruction.
>> Well, I think you could write it
differently in the reconstruction
actually. So because the fact that you
have a G
>> uh
>> is already in the view indicative of the
presence of an M. So
>> yeah, I wrote it twice in the
reconstruction because I was just
mechanically looking up the
reconstruction. We don't think it was
pronounced twice.
>> To be more specific, so this what Nathan
wrote is a mechanic reconstruction of as
if each character was separate, but in
fact what you might have had is mank.
>> Yeah. So this would give uh gang
uh as the reading in middle Chinese.
This the m would drop and you would end
up with
with in middle Chinese. Yeah. So but
this is the the the the vu here
represents this syllable when it's not
read as clung to the verb.
>> Yeah.
>> Well, and I would actually just say I
don't think I think it must have been
with awah and not with an a. Right.
>> Yeah.
>> Yeah. Yeah, certainly. And that's also
true. So it's like in French you can say
put
>> like small.
Yeah.
>> Yeah. Completely free variation.
>> And
that's sounds weird. I think
>> no.
If you tell a story,
>> yeah, you don't say
if you want to speak like a name in
French.
cigars. [laughter] Yeah. But but no
really really the so from a French
perspective having both
[snorts] and cr
fairly uh normal normal. Yeah.
>> Well, it's just sort of probably you
just have an initial cluster under
language and you can just insert a squad
as
>> Exactly.
>> Yeah. Exactly. Yeah. Yeah. Uh but the
the the the issue is uh you know if you
ask yourself
what kind of uh like you wouldn't do
this in a in a you know you in a in a
formal bronze inscription
>> that had no fixed meter or that you know
or or like there there's an interaction
of like the the social linguistics the
timing
And and and it all points to you would
only expect this in the shing, right?
Only the shing is old enough and has the
right kind of poetry.
>> Yeah. Where it needs to have a fixed
meter, needs to rhyme, and it needs to
be not super formal,
>> I think. Yeah.
>> Um and I'm going to just credit this is
uh this explanation came to me from
Shinkong. Yeah. Like
>> Okay.
>> Yeah. I I sort of said like why is it
only in the he said
I agree with him. Yeah.
>> Um,
okay. So, now finally, uh, on to the
the,
uh, shang evidence. Okay. And now, I
don't know, uh, this will be,
you know, like when you want me to stop,
you just say like, no, stop. Okay, then
that's fine. Yeah.
>> Actually, this will,
>> you will go talk about morphology here.
uh implicitly. Yeah. Yeah.
>> Um so uh I'm going to look at shong
evidence for clusters. Uh and I will
look at S initial clusters, P initial
clusters, K initial clusters, T initial
clusters. Uh and then stops and
resonance which kind of you know have to
be treated separately. Yeah. Uh and uh M
andN before u end resonance they
otherwise disappear. Yeah. because they
become uh voiced. Yeah. So you can't you
can't tell apart in a shank series if
something's just a B originally or if
it's an MP originally. Yeah. So we don't
expect that. So uh
this is the biggest case. Yeah. So tight
pre-initial S as an origin of middle
Chinese S. Yeah. So uh
so here is uh Shaun series and then you
you'll you'll I put pre-chin forms uh
not because I'm making any kind of
paleographical uh claim. I'm not a
paleographer. It's just to make the
shang relationship look more obvious to
you. Yeah. So um so here we have uh a
series. Yeah. So, mang mang
and these ones you know how to
reconstruct already, right? So, we have
m, we have mr and we have uh you know
Yeah. Okay. And then we have this word s
with the same phonetic. So, somehow the
ancients they wanted to write song with
a m phonetic.
>> So, probably it was.
Yeah, that's the idea. Is any Is
everyone happy with that?
>> Yeah.
Good.
>> This is from Leon.
>> Oh, really?
>> Yeah.
>> Oh, yeah. Yeah. Yeah. Yeah. Leang. Yeah.
Uh but I I think it's this example
already that that um uh Baxter and Cigar
have a big fight with Yes.
>> uh our man. What's uh Msulin? Yeah.
>> Yeah. Well, the apparently there's so I
can't don't really follow the pographic
evidence, but there's pographic evidence
that could suggest that this the oldest
way of writing uh s would not have this
m element.
>> Well, I mean that's I don't care. It got
there some at some point. Yeah,
[laughter]
>> they the the opponent would say that
it's a it's a semantic here because of
the warmth meaning also.
>> Oh, yeah. Yeah. Yeah. Yeah. Yeah. Fair
enough. Yeah.
>> Because some means the
morning or something.
>> Yeah. Yeah. More like actually we have a
nice word for it in English. Obiquiz is
>> Yeah. Yeah. Sorry. French word.
is morning rituals. Yeah. Like not
rituals you do in the morning.
>> Rituals you do when someone
[clears throat] you know has died.
Morning rituals. Yeah.
>> Okay. Uh so uh here uh you know another
case. So we have uh goes back to and
goes back to ma. Okay. And then maybe
goes back to
okay.
Ah, here's a lovely one. Yeah. So, uh
this is uh I think Lauron has written
wrote about this a long time ago.
>> Yeah. Uh so, uh the west
uh so you have nay goes to n and nay
goes to n. Fine. And then say maybe it
comes from sn
yeah.
And I would uh again be very interested
how the long school go back to this one.
>> This one. Yeah.
>> So here the idea is that found the s
that you have here is a is a prefix that
would be a cognate to the um oblique
nominalization that you have in in
Yeah. And it mean a place of rest
basically.
>> Yeah. That's Yeah. Yeah. I was
>> because they there was this belief in of
ancient China that the sun were like
birds that flew in the sky. Yeah. And
this the also the archer hoard
and and so uh they would rest in the
west and flow
uh fly up in the east. Yeah.
>> Yeah. So that's would account for
thisology.
>> Okay. Okay. And then uh
I think there's there's been a
literature actually there's a literature
basically about each of these. Yeah.
>> Yeah. Yeah.
>> Yeah. Um uh I don't remember this one
but uh there you go. So you have nyang
goes back to n in the three cases. Uh oh
and then I'll just tell you u I'm giving
these numbers from shler. Yeah. So if
you just want to look at the Shaun
series, you can find them in Schustler
because back haven't published an
analysis of the Shang series. So the
most uh I don't know upto-date easy to
use uh list of Shang series is from. Uh
okay. So uh yeah. So this here's a so
maybe it goes back to Yeah.
Uh okay. And then uh
uh and this one's a nice nesting one
actually. Okay. Yeah. So, uh yeah, this
is a nice one. Uh because you see we
have the word uh fish uh which in
Burmese is
so in old Chinese it's also
yeah uh in type B syllable. Uh and then
uh we have these other words that are
similar would have been basically and
then we have this sue which was
presumably originally. Yeah. And then
you notice that the last character is
built from the second to last character.
So that like subseries
is all with initial S.
>> Yeah. So this is where you know it's
like the Shang series don't just keep
track of the type A type B distinction.
They sometimes also keep track of things
like do you have a
an S uh prefix. And then I'll also just
make a kind of slight methodological
point which is if that last character is
late maybe it wasn't ever maybe it was
just s
>> uh because it was built you know because
the because the relationship of like
who's my fanatic is always proximate
yeah I can't you can't jump over to the
you know
>> anyhow
>> however if I may so so
I want to comment on this last
character. So we sing the S. Yeah. So to
uh be aroused or something to be Yeah.
>> So you you see here in first of all the
vowel is the one we expect
we we had already this um this uh u
vowel. Yeah. Now in so so this s would
be from s
and eventually from sna. Yeah. Okay. And
uh it just happens that in Japan
which means to uh wake up.
>> That's probably the cognate and that's
supposedly single cluster in this world.
>> Yeah.
>> Lovely.
>> Yeah. Actually, here's a if you're uh if
you're taking both the class and
this class,
>> maybe you can look for Japo cognates for
old Chinese words. Yeah.
>> Yeah.
>> Jacques, Jung, and and Lie have already
done that.
>> Uh yes. Uh you mean in the in the thing
that was published in Russia? Uh the
Yeah. But this is so old.
>> Yeah.
>> There are many new cognates that have
been found in the meantime, right? Not
so many but but I mean you can see it to
at least to um
>> to to to yeah to see how whether or not
the data confirm or inform what's
been proposed for Chinese. Yeah.
>> But I mean I do have the impression that
Yulfan has found
>> maybe a few more
>> a few more since then. And then also my
PhD student Jinxi she finds cognates
every time she looks at anything.
>> Yeah.
>> Yeah. So
>> yeah.
>> Um
Okay. And now uh and then I am doing you
if you just look at the the the titles
you know. So this is S goes to M in type
A syllables and S goes to SM goes to S
in type B syllables and then SN goes to
S in type A syllables and SN goes to S
in type B syllables. I'm trying to be
very systematic, right? Because we found
that the AB distinction matters most of
the time. So far it hasn't mattered for
S prefixes. Yeah.
>> Uh okay. So we did that one. Okay. So
how about this one?
This is goes to S in type B syllables.
So we have this and this net and then we
have this. Yeah. So there you go.
>> And now how about uh with L? So uh I
should edit these more carefully so I
don't have theialization.
Sorry about that.
>> Uh so uh yeah. So we have this or let's
just look at the first three characters
and we have yak uh heek and and day
probably originally dex right you know
from tonogenesis
uh so it's a a classic lateral series we
have d alternating with y so it's a
lateral series and then you have this se
and this presumably sex
yeah
>> uh so they're probably uh actually
originally slacks and slack. Yeah.
>> Okay. And now, how about with uvulars?
Okay. Well, here's a uvular series. How
do we know it's a uva series? Because we
have basically because we have the the
the the the va fricatives like we we
motivated the uvular because of the glto
stop, but then we found that that's the
only way we have to deal with var
fricatives. So, here's a ver fricative
one. Uh so it's uh uvular series. It's
actually it's uvular labio uvular
because of the because it's it's hook
basically.
>> Um and then you see we have this uh swan
example. So maybe it's a s before a
labou right
um
uh okay and then here's in type b
syllables also a s before a labouvular.
Okay. And then it's not clear to me how
Baxter and cigar decide between
uh S QW and SQHW. Yeah. Because they
both end up as S. Yeah.
>> Yeah.
>> Uh and they don't comment on it
anywhere. Presumably it has to do with
etmological speculations. Yeah.
>> Yeah. But yeah. Yeah. It's ambiguous.
>> Yeah. So in fact according to their own
writing they they should probably put
the brackets the square brackets around
because there are several possibilities.
>> Yeah.
>> But I mean I'm not giving their
reconstruction here. I'm just giving the
initials anyhow.
>> Yeah. Yeah. Anyway.
>> Uh okay. And there's no type B syllables
that Baxter cigar reconstruct with an S
prefix to u but without labelization.
And this is where
>> like it's just a gap. I noticed right so
uh
>> so it bothers me and now some gaps are
accidental but I think it's always worth
noticing gaps
>> because uh
>> yeah and that raises a question so you
see the more complex you create you make
your reconstruction
the more gaps
the more real gaps you occur
>> and the more question it raised so by
complexifying reconstruction actually
you also create problems
And if the more complex the
reconstruction because the the number of
problem increases then probably you're
not on the right track. Yeah.
>> Whereas as if the more complex you make
it it solves the it makes a you know
you're on the right track when there's a
snowball effect.
>> Yeah. Yeah. Yeah. So when you add
something but then it solves more
problem than it creates. Yeah.
>> Yeah. And indeed I mean one way you can
tell the story of Chinese historical
phology is you know Carl Gren came up
with a crazy reconstruction that had way
too many uh distinctions in it and then
uh let's credit it was several people
actually but let's credit Lee Funquay in
particular for just cleaning up Carl's
system. Yeah.
>> So now I think it's fair to say back
cigar system is too complicated. Yeah.
So we need someone to come and clean it
up by noticing oh there's this gap and
there's this gap and we can get rid of
this distinction you know so you know I
don't know that's something you can do
for your final assignment if you want
>> although it'll take you a decade yeah
[clears throat]
>> okay
uh and then uh
>> this one actually we mentioned in a
class
>> oh yeah
>> because this is another example of s uh
instrumental.
>> Yeah.
>> Yeah. I I will say I don't like this. I
mean I don't know it's here. I really am
giving their reconstructions and I don't
like that they do one as u and one as
verer. Yeah. That's not veryant.
>> Yeah.
>> Uh so you know but I also think it
doesn't matter right like you could do
the you could you could do them both as
u and you could do them both as verer.
And in fact, the fact that they put
their kh in brackets means that they
would be okay with you changing it to a
newer. I think
>> would be
>> Oh, you're right. So that has to be a
verer.
>> Yeah.
>> But then we
>> or maybe they thought it would be
with a prefix. They have this idea which
I don't find particularly compelling
that clusters with should give which I
don't think it doesn't work like that.
Well, but you have to like how do how do
but you do you have an explanation for
why vers intrude and u
>> that's something that needs to be
explained but just from what I've
observed when you have a cluster u it
doesn't turn into a v in any language I
know
>> but u do change to v sometimes
>> yeah but when they do only when they're
cluster yeah frequently you can just
have it's not that weird
>> yeah is very
>> yeah the becomes or whereas has uh
remains
>> something like this going on in European
actually which is
>> okay
>> I mean this is very long ago so I'm
trying to remember this is there a thing
that that the distinction between what
we call the palers and feelers gets
neutralized after s
>> oh yeah
>> towards you side of course
>> yeah maybe yeah
>> it doesn't it doesn't
>> okay
never mind this is this is old all old
memories for me.
>> Okay. Well, I mean maybe the in the in
the Jacques Hill reconstruction, we can
say there are wheelers that come from
uers, but the explanation for them is
not clusters. It's it's some magical
thing that
>> Yeah. It's some feature
>> feature. Yeah. Yeah. That we need
>> Yeah. that we need to
>> to to figure out
>> to figure out. Yeah. And use for some
other purpose. Yeah.
>> Uh okay. Yeah. Oh, I just said that.
Yeah. Yeah.
>> Exasperation.
>> That's right. Yeah. Maybe maybe that was
whereby
>> Okay. And then here's a nice one,
I think.
>> So, we have a word for
cat. Is it cattle or what's what's the
middle one?
>> No. Well, it's it's one of the tendant.
>> Yeah. Oh, yeah. Yeah. Yeah. Okay. Yeah.
Well, that's actually one of the
characters that launched a uh was uh
under attack from several people in and
people from picking school.
>> Oh, this v character. Yeah.
>> Because uh you have two homopones,
right? You have this character and a
word for five.
>> Yeah. That has a no initial. Yeah. So,
>> these two are not homophobic. So these
two phonetic elements
this
and this uh five
they come from different origins and uh
so one of the arguments as we've said
previously is that you don't have
according to Bakar and Seagar characters
that can be used with either of these as
phonetic.
>> Yeah. And so the two were separate at
least in the early stages of the Chinese
script maybe later confused only after
the cluster was simplified to
>> yeah so well that's an ongoing debate.
>> Yeah. Although I let's say okay so I I
think you may have missed that but uh
>> but the the
let's just take a slight digression.
Yeah.
>> So Baxter and so so there's a thing
called
Yeah. which is basically spelling
variation is the way I think about it.
So this is actually something I talk
about in my inaugural lecture if anyone
wants to you know uh see me lecture
about it
>> uh I give you the short version. Yeah.
So in English we have uh night and we
have night. Okay. at the point that uh
uh well actually in this case it's very
con convenient because um uh because um
because uh old English poetry and let's
say archaic style middle English poetry
has uh alliteration. So in uh the let's
say early 14th no yeah I think it's
early 14th century uh knight alliterates
with king. So then we know the K is
still there,
right? It alliterates with king. But
then in uh some letters from Cambridge
about a 100 years later called the
stoner letters, you get uh you get
spelled no. Yeah.
>> Yeah.
>> So that means that like and I'm
oversimplifying because actually this
happened in different parts of English
at different times over a very long
period. uh but uh basically we know the
K was still there when this poem was
written and the K was definitely gone uh
when this uh letter was written. So we
can try to use um spelling variation uh
in middle Chinese sorry in Chinese in
the same way right where if two things
are kept separate then they were
pronounced different and if they're not
kept separate then they are pronounced
the same. Yeah. So the example that I
talk about in my lecture is these two
characters. Yeah. So these are both in
middle Chinese.
>> Yeah. Or I should write it in my system.
Um
>> it is a K.
>> Oh.
>> Oh yeah. Okay. Yeah. Uh so uh so
everyone agrees absolutely everyone uh
that uh these two never gets confused
and it's not even just these two
characters no characters from the
Shashan series built on these two
characters get confused until the Han
dynasty.
So Baxter and Cigar think they must have
been pronounced differently
in order for them not to get confused
for a thousand years. Yeah. Uh and then
in Piking they say no basically they
make a philosophical point. You can't
use negative evidence in science.
>> So the fact that they're not confused
doesn't count for anything.
>> The fact that there are that they are
confused can be used to argue that
they're the same. Yeah. So that's a
philosophical difference and that's what
my lecture was about. My inaugural
lecture was about the philosophy of
science implied in the bachelor cigar
school versus the picking school. But uh
anyhow uh so now help me out which one's
u one. I think this one's
>> this one is the first one is u
>> because it has in it series
some characters that have like for
instance.
>> Yeah. Yeah, there's also some some that
have like some like with a that have a
yeah different.
>> Now I think there is something very nice
about this which and I forget which
actually can you write the character
that that has the move?
>> Yeah.
It's the
>> several I got right at more.
>> Yeah. Yeah. There are several of them.
Yeah. prettily. This is the wing on.
>> Yeah. Yeah.
>> Yeah. Maybe it's not more prettier.
>> Yeah.
>> It's bigger at least.
>> Yeah. Yeah.
>> Okay. And then this is I think it's uh
>> right.
>> Uh yeah. Yeah.
>> Okay. So this one has to go back to
>> according to back. So what's nice about
uh I would say just you know I don't
know in very abstract terms what's nice
about their reconstruction is we notice
that this series has contact between
veers and gadles and this series is pure
ver yeah
>> and in a sense that reconstruction of
kong versus kong
predicts that they would not be confused
in uh in philology and in fact they're
not. Yeah. So in this case in a very
non-poparian way we make a prediction
and then we find that the prediction is
confirmed. Yeah.
>> Uh so uh the other example that so this
also gets talked about a lot in the
reviews. Yeah. Axel Shler is very
unhappy about it. Uh and then the other
one is this one that Guom uh gave and I
will have to look at the character to
remember it. Yeah. Uh so this so
basically the same argument applies mut
mutatis mutanis. Yeah. So uh
there is no tongja in very late. Yeah.
>> Yeah. Um uh and then I will point out
again right it's it's very nice where
here you have to you know this uh this
one uh this this character the the this
one
uh it has an h initial and there's no
way to get so this is Nathan's age so
it's x for y uh there's no way to get
that back to aer
Mhm.
>> Yeah. So, um
>> well, the only way would be a
aspirated maybe.
>> Oh, that's true. That's true. That
>> it would be a bit more comp Yeah. Yeah.
>> Yeah. Yeah. You could do it.
>> Um
>> Yeah. Because it's a because it's a
because it's a a ver nasal series, you
do have two ways to get it.
>> Yeah. You could have the first you could
say it's a sn it would also work.
>> Yeah, that's true. It's not completely
impossible.
>> Yeah.
>> Uh
okay.
>> There's a question in the chat.
>> Okay. What's the question in the chat?
>> No, it was just somebody saying uh
somebody said change shift to respond to
something very
>> Oh, okay.
>> So, let's see what I say here. It's not
clear to me. Oh, yeah. This is exactly
what you were just saying.
>> [laughter]
>> It is not clear to me how Baxter Cigar
choose SCA uh rather than SCA. You know,
this is uh this is the point of again, I
don't see how they can decide whether
something's aspirated when it's covered
up with an
>> AS uh and uh
and I don't see why they don't
reconstruct this one with with a ver
nasal.
>> Yeah, it's also possible to do with a
possible.
>> Yeah. So maybe the reason they don't uh
reconstruct with the veno is because
there's no tonga between these two
series. Yeah.
>> Yeah. And also because you have Okay. So
I think one of the evidence they take is
this word is used as phonetic is the
true. So uh and it would be more
difficult with unknown. So the word for
uh what do you say in English the uh
when the
>> no that's used to
>> ple
uh
>> and what is it in middle pennies?
>> It's
true. Yeah, it's a it's a
pron initial.
>> It has a TSR and H.
>> Well, but how how do how do they
reconstructed then? Cuz you it still be
hard to get it from a dealer.
>> TQ
>> TQ. Okay. Something. Yeah.
>> Fine. Fine. Maybe we'll run into it
again. [clears throat]
>> It's not the most elegant u uh Yeah.
thing you could imagine. Yeah. So, um
yeah. Oh, no. No. I I I was wrong. It's
au So it's a ch So no I was wrong.
>> So it's in middle Chinese not
>> okay but it's still
>> it's it's still aspirated. So it would
be
>> in middle Chinese according to them.
Yeah.
>> Yeah.
>> So just I just write it for make sure
that everybody follows. So, middle
Chinese in my system. Uh, in system it
would be something like
>> that's a C, right?
>> Oh, C. Yeah. C H I O. Yeah. And uh Yeah.
And that comes from accordically
come from H. Yeah. If you don't do
anything, but they would reconstruct it
as something like that. I guess.
>> Yeah, this that's exactly
>> Yeah, but actually
>> Okay. Okay.
>> This actually has to be a
>> Okay. Sure. Sorry. [laughter]
>> Okay. Uh Okay. And then my last comment
is back cigar also proposed that s qh in
type a syllables in a different dialect
can become so. And now now I will really
say this is where it's like you know
they're doing the best they can but
they allow themselves many tools to
throw back into old Chinese and then
they allow themselves dialect mixture as
a explanation quite promiscuously I
would say uh and that's you know that
may be the truth is the thing right
dialect variation does happen but it's
not very satisfying
okay how about uh s before How much time
do we have left?
>> Uh, we have 10 minutes.
>> 10 minutes. Okay, then we can maybe we
can get through S.
>> Okay. How about S before T? Well, here's
uh a Shang series. That should make you
want to reconstruct an S before T. Yeah.
>> Same clone change happened from old
Tibet. That's
>> Yeah, it did. Yeah, it did. Yeah.
[laughter]
>> Uh, yeah. And and maybe for that reason
I find this series of proposals very
credible.
>> Okay. And then here it is in type B
syllables. So we have this sit and we
have this
uh Yeah.
Okay. So all of those were uh S
pre-initial as an origin of middle
Chinese S. And now is S pre-initial as
an origin of middle Chinese SH. Yeah.
Well, you won't be surprised that these
are cases that involve a medial R,
right? So, we have this uh Leo which
comes from R. We have this Lu that comes
from R. We have this
Q rather that comes from
and this
that comes from
S.
Yes.
out with just
also defined. So
>> yeah, it would be the same.
>> It would be exactly the same.
>> Okay. So the only reason
>> so so maybe the period there is only
giving morphological information. Yeah.
Um,
and I say they appear not to reconstruct
any words with uh
type ASR, although they do reconstruct
type A S.
>> Yeah. [laughter] And and th this I think
is a place where maybe we can simplify
it and just say that like after S the
voicing wasn't distinguished,
>> you know. I don't know. Uh but it's
another gap I noticed where where I
think maybe some cleaning up can be
warranted. Okay. How about uh this one
is a So we have this so it goes back to
N. And then we have this uh
which goes back to
and then we have this
goes back to Yeah. Okay.
and they appear not to reconstruct any
words with type a.
Okay. So here is uh next is this sha.
Yeah.
>> So here I just uh give the overview. So
uh st
k skh they all go to sha. So just here
um in relation with the previous uh
lecture notice that this initial
has several origins one of them being
the and in the type. Yeah. And this is
another origin in clusters and this is
you found a different is mean basically.
Yeah. So that's not made up. Here is one
of the examples where you can actually
something that has merged in middle
Chinese can be disambiguated not just by
phonetic series but also by comparative
evidence.
>> Yeah. Actually, I'll also mention it. Uh
Julian and I are in the middle of uh
writing a a proposal.
>> Mhm.
>> And our proposal is to look in
particular about
>> Tongja
>> uh and to compare the EV the Tongja
evidence for the different origins of
>> Shu
>> and the uvular hypothesis because this
hypothesis let's say at least outside of
China is not at all controversial.
>> Right. Yeah.
>> Whereas the uvular hypothesis is very
controversial. So I think it would be
very interesting methodologically to
look at what is the tongja evidence for
keeping you know sk and whatnot all
separate
>> versus the uvulars. So then you have
some control on how unreasonable is the
uvular.
>> Yeah. So that's we are developing a
proposal for such a project. Yeah.
>> Uh okay.
Uh and then uh yeah that this this is
actually no surprise the sk origins of
shu only happen before front vows
>> because also actually
I mean I I don't know how to state state
it but
the the the normal K also is weird
before uh front vowels it it palizes
very early this is the kind of there's
sort of two waves of palization in in
old Chinese. This is the early
palization. So, so like ki uh let me
just write it here like um I'll do it up
here. So e and t merge. Yeah.
>> So that's because
t becomes I don't know chi and then
later he becomes ch. Yeah. Mhm.
>> Um yeah and the the precise conditioning
environment is quite tricky and actually
actual shrimper has written a very nice
article about this problem from a while
ago.
Uh okay yeah and I just write that the
restriction is a result of the first
palization of old Chinese whereby veers
become uh paliz before frontal. So it's
a
it's a corary.
>> Yeah.
>> Of the previous
becoming becoming
>> exactly. So actually so this is also
something interesting in terms of
relative chronology which is we know at
the time uh that we know that the first
paralization actually precede the loss
of clusters.
>> Right. Yeah.
Uh and for a little while we must have
kept
>> uh we must have kept uh you know
>> uh
as Yeah. as a complex class.
>> Yeah.
>> So and and yeah
>> yeah and that I just point this out here
right yeah
>> and yeah so so Josiah mentioned in
Tibetan and in as we saw this
morning we don't have exactly the same
but you don't like cluster like that. So
in it's the S that changes in but so
so Tibetan languages don't like clusters
or
>> yeah I will point out so in Tibetan I'll
just give an example uh so uh so the
word etc which is sock in uh in uh in uh
classical Tibetan is
>> in old Tibetan. Uh and now the change uh
this this change of cha is more uncommon
but we do have the word uh tamch.
>> Yeah.
>> Which in old Tibetan can be written
>> to
>> Yeah. So that's also becomes show
>> and
>> Oh yeah. Yeah. That's an even better
example.
>> That's an even better example. Uh we
have uh nishu is how you say 20 and uh
it's kind of what you expect is
buu. Yeah. Okay. So
so if I can just allow myself a trick
here. First you delete the prefixes and
then you end up with nu and then becomes
sh. Yeah. Yeah.
So, uh I don't know that's doesn't have
anything to do with Chinese, but is a
similar sound change.
>> Um
okay.
>> So, let's see.
>> Is this
Yeah, we can't we can't uh uh we can use
min to distinguish the aspiration at
least in some cases. Yeah.
Okay. So, let's just do this one. So, uh
this is a t. Yeah. So, st becomes sh in
type b syllables with this example of uh
this last character. Yeah.
>> Uh and let's do this one too. Yeah. So,
here uh we have c and sk, right?
>> You get the idea.
>> Yeah. And then I just mentioned that
they do have this in type A syllables
but not from patient series evidence. U
>> yeah a lot of the examples they propose
are based on word family.
>> So words that are written with a
different phonetic element but um
>> yeah and then here's
>> to be related.
>> Here's another one. Yeah. This is this
is skh
uh
and and here they're relying on Mandarin
and Guangjo
which is Yeah. which for the aspiration.
>> Uh and let's stop there because now
we're switching to S as a source of Z.
>> Yeah. So, so far we've gotten S clusters
to give us S, sh, and show. Yeah.