OCTOPIZZO OPENS UP ON 2027 POLITICS, GEORGE RUTO, KIBERA MP BID & NEW ALBUM IBRAHYMN LINDA MWANANCHI
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In this engaging interview, Octopizzo reflects on his eighteen-year journey in the music industry, emphasizing that hard work and staying true to one's craft are essential for longevity rather than chasing fleeting trends. He credits his continued relevance to understanding hip-hop culture as a holistic lifestyle that extends into fashion, entrepreneurship, and community projects like the Vtop Foundation. Octopizzo argues that while streaming platforms offer global reach, the current economic structures heavily favor international viewers over local audiences, meaning artists from Kenya often struggle to monetize their massive domestic view counts effectively. He advocates for fixing these systemic issues so that creators can earn a living solely through their art without needing to diversify into unrelated businesses just to survive.
The conversation takes a significant turn when Octopizzo addresses his political ambitions and his long-standing friendship with George Kihara, the son of former President Uhuru Kenyatta. Despite the potential controversy of associating with a politician's family, Octopizzo insists that their bond is rooted in over a decade of personal history and community work dating back before any political office was held. He firmly states that he will not drop out of his campaign for the Kibera MP seat or compromise his integrity based on hypothetical offers of money from George's father, asserting that there are no permanent enemies in politics and that true friendship transcends political affiliations.
Octopizzo also shares his candid views on the upcoming Grammys, expressing skepticism about whether the organization truly understands African music culture and suggesting that Kenya has been pioneering African sounds long before Nigeria took the lead. He believes that while a Grammy nomination would be celebrated, it should not be seen as a savior for local artists because the real work lies in building robust domestic structures first. Furthermore, he advises young content creators to treat their careers as serious businesses rather than just hobbies, urging them to build strong teams with CEOs who understand the difference between artistic talent and commercial viability. Ultimately, he concludes that while artists can certainly engage in political discourse, entering the political arena requires deep research and responsibility, as politics is a form of art that demands respect and careful navigation.
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back to my relationship with GKE
is a very good friend of mine.
Hey yo, what's up? This is Antonio Soul.
Today I'm standing in for the one and
only Silver Kido on SPM bus bars and I
am one of the happiest people in Nairobi
because I'm at the US Embassy residence
and guess who I just met? the guy, the
gentleman, the superstar, the rockstar
with the number one album all over East
Africa on Apple Music, Spotify, YouTube.
He's the only guy who, by the way, has
actually done a proper AI vid music
video. Ladies and gentlemen, sipping his
shadon shadon
from from the streets of Kirara doing
Cha Shad.
>> The one and only Octo
in East Africa and Co, you know.
>> Yes.
Happy bro. my own guy.
>> I'm really proud of you by the way. But
also one of the things that is very
coming out very clearly is that hard
work really pays.
>> So I mean by the way bro 3 years, four
years for a long time.
>> Actually this is my 18th year 208.
>> Wow.
>> So I would say uh hard work taking your
time with your craft uh not chasing
trends
>> building something unique something like
you could be proud of in your later
ages.
as an adult
but it was that was a stage that I
needed to also
>> experience but mostly is just to
grow has been beautiful
>> but you also I'm not saying that you
could switch but I feel like you could
switch a lot and I and I think it's in a
business sense in the sense that
like When we think about the US Kenya
partnership, you always know how to tap
into what's hot, what's not, like what's
happening. How do you how do you keep
evolving like this? Octo uh I would say
school. School has helped a lot. I've
had a good relationship with the US
embassy for a while too.
I was there in schooling through this
embassy I think in the area. Yes,
>> I was one of the IVLP also student
>> this has helped me to
in our local language I've learned to
adapt.
>> Yeah. Like you go to a space you realize
what kind of space am I in?
And I think it's very important for
artists cuz I feel some artists stay
street for so long.
>> Yeah.
Street I think street
what can we do? What can we do better
that we not doing? How can we leave this
place purposefully? Yeah.
>> 18 years in the music industry is like a
baby all the way to adulthood. Your
music can vote. I mean, how do you keep
yourself um so fresh to to young people?
Cuz a lot of times when we release this
music, of course, young people are the
ones who going to stream and all that
stuff. How do you en ensure that you
still stay fresh, but also stay at the
top of the charts cuz it's not easy at
all?
>> I'd say is you understand the culture.
So, hip-hop in general is a culture. Uh
so, there's there's elements that can
still keep you fresh even when you are
not doing music.
>> So, and this comes to fashion. uh this
come to just entrepreneurship. This come
also to projects uh
community. So it grows beyond do
they getting to know me like last month.
>> Yeah.
>> Uh but either they heard their parents
talking about it or they our path
crossed in a different way. Our path
crossed maybe through school through
>> uh Vtop foundation. Most of the time we
don't do them to funds. We do them to
kids who are in school and now those
kids are like
>> 18. Yeah. They're saying, "Ah, this guy
used to come to our school and give us
sets."
>> And so I've kept that um
>> it's called momentum and freshness of
every year. You have to have new fresh
people that you inspire not only
musically but in other ways. So music is
just become something like ah who knew?
>> Yeah.
>> I think as we we get as we wind up how
comes you don't age me. I'm very
confused as to how is this possible
serious.
>> Anyway, as we conclude, we of course the
talk of the town is about the Grammys.
What do you think about the Grammys? If
the Grammys is to be held here in
Nairobi, do you feel like Kenya, we are
ready? Do you feel like that's not even
the question. Do you feel like the world
is ready to see you on that global
platform be like, who's this guy? Do you
feel are they ready?
>> I think they're late to be honest. Yeah.
Yeah. If you ask me, they're very late.
Uh Kenya has been in general from back
in the days. Even before our era, we've
had some of the best music. We have
actually
>> we're the ones who have made African
music kind of a direction. Nigeria came
and passed us, but Kenya was Kenya, you
know. So, one, they're late.
>> Two, uh I feel before even we get the
Grammys, personally, I've been
considered the Grammy three times. and I
don't understand their criteria. So
that's I'm very curious how they choose
music cuz
>> I'd say they don't have they don't
understand the music culture in Africa
in general.
>> Uh I'm not a big supporter of when it's
Grammy say Grammy Africa
>> Grammy Latin. No I want to compete with
Kendrick man cuz I know that's the level
that I'm in. So if it's where they're
putting Kendrick that's where they
should be putting us.
>> So you're saying
>> I want house Grammys.
>> Exactly. So, you're saying if
>> if you nominate me best rap album, cuz I
have the best rap album,
>> let people decide.
>> Let people decide that I'm the best
rapper. Not in African
>> Grammys, in Grammys in general. The way
they choose Jay-Z album was the best
album. I want we want that cuz that's
where that's where we're putting our
work to
>> I would say. But even before we get
there, I think personally us as Kenyans,
the Grammys cannot help us at the
moment. If you, if I'm being honest, it
is just something that we will celebrate
online for a few hours.
>> But still, I was just talking to uh
Silva Kido behind the scenes and he was
talking about like this young man who
just passed the other day, you know, RIP
>> to stupid boy. Uh you know if our
structures were working you only need
one song bro in this in this country
>> like gunman style that guy only had one
song
>> till today
>> that boy only need one song you don't
need to do this all albums if theruct he
will be getting money
>> if the structures were working there's
there's uh Instagram there's there's
leave alone even just online business
there's YouTube there's and then now
imagine how that song was played
>> and The boy didn't make anything
>> proper.
>> So are we why are we running to the
Grammys? We we need to take stairs. We
can't be taking lift to everything. You
know it's shiny at the top but in the
bottom we are struggling. So first fix
the structures. Let me know that if
today I was to leave my catalog. My
daughter should never ever be able to
work cuz the structures are working. I
should just be going checking like oh
you have $50,000 from your streams. Oh
you have $50,000 from this and
when
>> when poxy pressure started this man
>> and we're still talking about it now.
Now there's another generation after us.
They're dying.
>> Yeah.
>> So I mean you've put up a very good
question which makes me ask when you
look back now at 80 I think I feel it's
more than 18 years cuz I met you like 20
years ago. So when I look back at
>> music when you look back at music
>> do you then has it been worth it? Is
this is this worth it? cuz you if you
have to keep fighting, keep doing the
same fight, the same advocacy. By the
way, guys, man, do do you feel this is
worth it? Does it make sense?
>> It is totally worth it cuz I've never
done anything besides music in my life.
And I would say personally that I'm very
very happy with what music has done to
me. But from what music has done to me
is only 50% of my
of everything. I put my 200% to get 50%
back
>> but I I need if I put 1% I should get 1%
back. If I put 100% I should get 100%
back. But imagine if you're putting 200
just to get 50% back. So technically we
depend on shows which is not the same
way like Bob Kymore used to do it. RIP
>> uh we depend on uh
>> streaming.
>> Streaming doesn't even you don't even
>> we call the streaming economy. This is
this is another question.
>> If you stream my video from the US,
>> I get paid more
>> than a million people streaming my my
music from Kenya.
>> Yeah.
>> So why why is it that stream if somebody
from the US watch my video the the
percentage is higher
>> but in Kenya is like
>> so a million views is useless on
YouTube.
>> Yeah.
>> There's so many case studies. You can
look all of these upcoming artisties
with millions of views. They still live
in the hood if it really paid.
>> Yeah. So the only way we made money I
personally say one I ventured into
different businesses. I was in the
fashion business. Uh I was not lucky cuz
I don't believe in luck but I put in so
much work that I got a lot of
endorsement. I've worked with so many
companies from phones to Coca-Cola to
whatever.
>> And this is where we made money.
>> Yeah.
>> We really never made money from streams.
We blew up when Instagram was not even
there. You had to be played on the beat.
But see now there's all these
technologies come but the money has not
doubled up.
>> Yeah. So the only thing that is exciting
now that you get some a few dollars from
YouTube
>> but I don't feel it's like a change that
big
but the lifestyle hasn't changed.
>> Yeah.
>> So it looks it really glitters and then
you know what they say all that
glitters.
>> It's not gold.
>> Yeah.
>> So it's a glittery but it it it works. I
couldn't say that this industry is is
bad. This industry is just has bad
leaders. Yeah. The people
music copyright what blame them whatever
the leadership has not been good
artist for years and many artists don't
know how to say it straightforward like
this.
I think I'm too old to just hold on
something cuz I think
Yeah. So the question here I think and
for you who's watching and even some
octopus is asking at the end of the day
is systems structures and standards.
Where is the problem?
>> What do you guys think is do you feel do
you feel okay that when you stream your
favorite artist when you stream a
million times you're there post a
million times but then he gets 10 bob.
How do you feel as an artist? So we're
asking you that question because then
you have the say
>> allow me to ask you a question.
>> Yeah. Tell us about you know young kids
from the hoods different hoods in
Nairobi.
>> Yeah
>> we've seen
coming from the hood as well.
>> Yeah
>> they're growing up.
>> Yeah they've seen s from Kenya
>> maybe
>> what should they avoid maybe just to
stay relevant and then for coming
artists you want to
>> what does he or she need maybe just to
survive in the industry first and then
second
>> as you have a good relationship with GK.
talk about relationship with GK and then
your political ambition. It seems a new
face
>> a new change.
>> Cool. So let's conclude with the last
three questions. Two to three.
>> Two to three.
>> Two three. So the first one is HA movers
and not necessarily them as a group but
also the proliferation of like all these
you know content creators doing big
things and stuff but also coming from
the hood.
>> What what's your advice for them? Number
one to even stay relevant
>> but also use this opportunity to turn
this into an income stream.
Yeah. So, uh, one thing first,
congratulations to them.
Personally, haven't met them, but I have
friends that know them.
>> Uh, I think whatever they're doing,
Kimcho and luckily, and I would say the
power of the internet,
>> what they should avoid is hype, maz,
>> the hype business. There's a lot of hype
business and there's a lot of cloud
business. Get get your money.
>> Yeah. You know, so
guys. Are you guys making money?
>> Yeah. Yeah. So, if if they're making
money, I hope the most important thing
they should get a good team. Not
necessarily a manager. When people say
like you need to get a manager. I don't
think artist or creatives need managers.
>> I don't think so.
>> Me included. I don't think I've ever
come on public and people say that's
manager. I've had partners, business
partners.
I get
they need a CEO.
>> They need somebody who treated them as
business.
>> They need to realize the difference
between the industry and the business.
Those two those two things are very
important because talent is there most
of the time the business is not there.
So those are those are key things that
they need to get a good team when you're
at a cachino they need to have a roll
out and say this is what we're doing the
next 6 months
>> to do freestyle.
>> Yeah cuz I know people who are started
with who stayed freestyling and they're
still freestyling.
>> Yeah man
>> until today.
>> Cuz they couldn't see the business.
>> Okay. uh they need to
uh I would say what to make crazy
because now people will be
Yeah. Yeah. Yeah. 3 weeks.
No, bro.
Big up.
Yes.
Big up. Nikki is a true guy.
So I think the same the same advice also
goes to a good case study. I think the
same example goes also to to upcoming
artists. So I think then we end with um
with your relationship with GK. Tell us
more about that
>> and what we expect from you in the
future like what's up and most
importantly
27
>> MP KRA like MP Langata. What's the
story? Is it governor? What is the
story?
>> So, um I'm I'm running for the member of
parliament.
>> Yes.
>> Of Kibbra.
>> Yeah.
>> Yeah. Cuz this is where I grew and I
think it's time to I've been serving
this community musically
>> as a private citizen
>> uh through either my art
>> and also through my organization. And I
think there's some few things I've
learned that organizations can't do.
>> Yeah. organization can only do much.
Yeah. But there's some things that you
still has to be a legislator to pull
those strings.
>> So yeah, that is on
to back to my relationship with GKE.
George is a very good friend of mine.
Yeah. From long way back.
>> It feels like an oxymoron. You being his
friend.
>> Yeah.
>> And we know who his dad is.
>> And his dad, of course, not Linda
Monanchi. How does that I I don't know,
>> bro. So one uh let me try to explain to
this first. I'm an independent person.
>> Okay.
>> I'm an independent thinker.
>> Uh I'm Mr. Henry before Octopis. Okay.
Me and George have known each other
before his dad was president. Okay.
Before his dad took that office. I've
known him for around 10 years. Okay. Uh
the projects we do together are
community based. Okay. Cuz he doesn't
hold a public office. So I don't see an
issue.
hypothetically.
No. So my my my
>> I can have an independent thinking uh
and in politics there's no permanent
enemy. enemy. Yes, you're clearly now I
I can clearly see
>> the politician in in Octo.
>> There's no permanent enemy and this boy
is not a politician. This man is my best
friend and if me being friends with him
can affect my political ambitions,
>> then be it bro.
>> Let me let me put you in a scenario here
which is what I also want Kenyans to
poll and tell us if it happens. If GK
>> walks up to you and tells you, my dad
has seen that you and I are really close
and my dad is telling me he's going to
give you 100 million shillings, a
million dollars
>> to drop out of the race
>> and just, you know, like you're bringing
so much momentum to
>> drop a million dollars.
What would OT do? Tell us in the
comments. What would OT do? The answer
is coming up shortly.
>> But no, just to add on what wait.
What would oto do
>> so fast? I'm priceless.
>> I'm priceless.
>> I should have given you a beat.
>> That beat your idea.
>> You know I'm priceless and I've all
money man. You know me man.
>> Let me tell you this guy
>> bro.
>> This guy has suffered.
>> I have suffered with this guy. me him
and some other rappers mentioned going
to look for
>> to him telling me
Java to end this guy suffered to him
traveling flying all over I think it's
very difficult for me for anyone to hate
on OT all my friends know cuz I'm like
you don't know Oto's story I don't care
if OTO took money today and threw it in
the air cuz I be like I know how he
suffered so he deserves all the money
you're making but still a million
dollars
>> a million
I'm priceless. Uh I'm a man of values. I
have my values and principle. I have a
family and uh everything comes down to
my
>> integrity.
>> Exactly. And my interest. So uh I don't
want we should not be talking about
somebody's dad. We should be talking
about I've never met his dad.
>> You know I've met him so many times. He
came to visit me in my palatial home in
>> which kind of friends visit you in
Manga?
That's a true friend. Okay. And people
should differentiate between friendship
and political stuff today. Let's say let
me give you another hypothesis that
what
do you think I will step down for him?
Would you how
we are friendship
probably will be running for do you
think I'll step down?
>> I don't think so.
>> Me and Junior are friends.
>> Me and Junior are friends. So friend
George.
>> Okay. So the final question if
>> this wait I have to ask this question. I
have to ask this question.
>> We've seen debate online. Yeah.
>> Yeah. Should artist should Yeah. Should
artists do politics,
>> bro? Politics
>> and comedians, should they do politics
or they just make us laugh?
>> When we talk about art, artist art, art
is a very broad thing. When art is
broad. When you say art, can art, should
artists be politicians?
>> Yes. Why? Because politics is art.
And if you don't if you don't do
politics, politics will do you.
>> Politics will do you. Politics is art.
And an artist before he was an artist.
So
yeah, me I respect everybody's opinion,
but I feel like he doesn't do research.
That time we went back and forth on on
Twitter and I was asking him question.
Would
you like me to answer him?
So, everybody's allowed to talk about
politics. Nobody's allowed to run.
Everybody's allowed to support.
>> Yeah.
fans support.
It is normal. Life moves is normal. But
do your research before
music
cuz I don't know much about comedy and
movies. But when you're talking about
music,
>> music is a spirit. It's not something to
play with, man. We play music but don't
play with music.
>> That's it's a rap mic drop.
So
especially
you have a strong opinionate.
So
27 Seven after
security.
So,
make sure
Cut the pattern.