Video summary
The video explores the enduring mystery of our Moon, questioning its true nature and origin by highlighting several scientific anomalies that defy conventional explanations. It begins by citing Isaac Asimov's observation about the improbable coincidence where the Moon perfectly covers the Sun during an eclipse, suggesting this precise alignment lacks a natural astronomical reason. The narrative then points to evidence gathered from Apollo missions between 1969 and 1977, noting that seismometers recorded moonquakes causing the lunar surface to ring like a bell for nearly an hour after being struck by a crashed module. This hollow metallic resonance implies the Moon might be artificial or constructed rather than a natural celestial body formed through standard geological processes.
Further arguments presented in the transcript focus on the puzzling phenomenon of rust appearing on the Moon's surface despite its lack of oxygen, which should theoretically prevent such oxidation. The video suggests that if the Moon is indeed hollow with an internal atmosphere, this rusting could be occurring from the inside out and becoming visible only recently as it disintegrates over time. Additionally, the text questions why the Moon has a density opposite to what nature would produce—denser on the outside yet capable of ringing like a bell—and proposes that these features indicate it was transported here specifically for mining purposes, perhaps for valuable isotopes like helium-3. The discussion extends to the uniform depth of lunar craters and their resemblance to artificial structures rather than impacts from space debris, fueling theories about ancient civilizations or extraterrestrial architects who brought the Moon with them.
The summary concludes by shifting focus to recent discoveries regarding an asteroid named 1999 RQ36 (later renamed Bennu), which was found to harbor a black pyramid on its surface before being hastily reclassified and scrubbed from public records once it became associated with apocalyptic predictions involving September dates. The video connects these events to broader hypotheses about alien visitations, referencing Dr. Jacques Vallee's theories that UFOs may originate from parallel universes or other dimensions rather than distant planets. It posits that encounters with strange craft throughout history represent attempts by advanced beings to guide human evolution through technological gifts and evolutionary nudges, while also suggesting that the suppression of data regarding these objects indicates a deliberate effort to hide their true origins before they potentially impact Earth in the future.
Read the full video transcript
What is our moon? Where did it come
from?
Why is it rusting?
In 1965,
author Isaac Asimov observed, "What
makes a total eclipse so remarkable is
the sheer astronomical accident that the
moon fits so snugly over the sun.
The moon is just large enough to cover
the sun completely, so that a temporary
night falls and the stars spring out.
The sun's greater distance makes up for
its greater size, and the result is that
the moon and the sun appear to be equal
in size. There is no astronomical reason
why the moon and sun should fit so well.
It is the sheerest of coincidence, and
only the Earth among all the planets is
blessed in this fashion." End quote.
Between 1969 and 1977,
Apollo installed seismometers upon the
moon's surface in an attempt to
understand its makeup. They would
subsequently record moonquakes and
describe the moon as ringing like a
bell, particularly during shallow
quakes, as if something within its core
were making a hollow metallic-like
surface vibrate in such a way as to
ring.
Thus, on November [music] 20th, 1969,
Apollo would deliberately crash its
lunar module ascent stage into the
moon's surface in an [music] attempt to
record the reaction. And the moon would
ring for almost an hour.
Could our own ancient satellite have a
tale reminiscent of the story of Noah
[music] attached to its origin?
Over the past several decades, a number
of individuals began to notice, and
indeed measure, a strange activity going
on upon the surface of our moon. One
that, as the years go by, is becoming
more and more obvious.
>> [music]
>> The moon has begun to rust, and
apparently nobody knows why.
One of the baffling things regarding the
rust [music]
is the apparent lack of oxygen upon its
surface, making the process [music]
itself a complete mystery.
That is, of course, if the moon itself
is not indeed hollow, with [music]
remnants of or indeed a still intact
internal atmosphere. When that could be
causing it to rust from the inside out,
with it only now becoming [music]
visible to us on Earth.
The worst affected areas are currently
its poles, and as [music] the years go
on, the rust is only getting worse.
Could the true origin and original
purpose of the moon finally be
unraveling before our eyes?
Is it indeed hollow? Once made entirely
of metal? If so, what could it be? A
possible ancient alien ark? One which
served its purpose [music] and is now
slowly disintegrating?
We find such possibilities highly
compelling.
>> The moon is a very peculiar thing.
After all of the time [music] we have
spent on our planet gazing upon it in
wonder, sometimes worshiping, sometimes
fearing, but always inquiring, we are no
closer to understanding our satellite
than we were in ancient times.
No matter the money, the science, or the
effort, nobody can seemingly explain
just what it is, where it came from,
>> [music]
>> or indeed why.
There are endless amounts of claims all
over the internet, and indeed seemingly
compelling evidence in some cases, to
suggest that there are not only many
things we are yet to understand about
our closest neighbor, but that there are
certain agencies that either know far
more about this mysterious object than
they are leading us to believe, or
indeed the complete opposite.
Von Braun, the notorious rocket [music]
genius transported to the states during
the infamous Operation Paperclip, and
for whom the moon landings could not
have taken place, seemingly did nothing
but to muddy the waters in this regard.
Throughout his later life, my question
is why? Why would you go on a secretive
trip to Antarctica shortly before the
debut launch to apparently collect
samples, many of which later confessed
to have been labeled as legitimate moon
rocks, petrified wood, some even given
out to other countries in acts of
diplomacy
with the real stuff, if indeed they
possess them? And I think once you hear
the following facts, you will suspect
they do indeed have them, kept under
lock and key for possibly a very good
reason.
Why would you have a verse from the
Bible etched upon your tombstone, one
that hinted at a firmament, and thus
[music] giving credence to flat Earth
theorists and indeed most importantly
moon hoax advocates?
Could these individuals have been privy
to information and knowledge about our
mysterious moon, which thanks [music] to
the work of such figures as von Braun,
among many others, quite possibly
explained its origins, its appearance,
its strange density, almost everything
about it? Yet this information, so
earth-shattering in regard to current
paradigms at the time, that the
information locked away, the telemetry
lost, and the missions covered up in
favor of a moon hoax.
The magnificent instruments [music]
built to get there left to rust,
seemingly waiting for humanity to catch
up, perhaps so we may go there again.
But this time, not just as explorers,
an explanation for such [music]
mysteries as why does the moon have such
a large radius yet such a low density?
How is it positioned [music] so
perfectly as to allow us to witness
perfect eclipses? Why does it seem
hollow? How is it that the moon has a
density [music] that is opposite to what
one would expect to see naturally,
seemingly denser on the outside, thus
allowing for it to ring like a bell? And
why does actual real moon dust appear to
be older upon the surface?
All of these or more specifically
mysterious anomalies, I feel, have been
seemingly presented to us in a limited
fashion, I suspect, to allow us to try
to solve the mystery ourselves.
For there may be one possible
explanation for all of these anomalies,
although the theory would require human
or other intelligent activities upon the
lunar surface, dating back to another
time in history, one long claimed to
have existed, a civilization that some
claim responsible for the construction
of the great pyramids, structures found
worldwide, which are interestingly also
seen to align with the stars, and one
that [music] is said to have once
traveled from them to Earth. Was our
moon once transported here long ago and
slowly mined hollow, perhaps for
helium-3, an isotope [music] which we
now value at over $20 million a
kilogram? An enormous [music] rock once
somehow transported here specifically
for this purpose.
The craters not from space debris, but
the results of mining. Another
supporting enigmatic characteristic for
this theory would be that nearly all the
apparent craters within our moon are
also somehow of the same depth, indeed,
as if artificially created. Was this
giant rock once moved to our planet to
[music] be mined? Perhaps for a precious
material that was crucial for the
construction of these ruins. Perhaps, as
the many theories, indeed, [music] the
many ancient scriptures have suggested,
that these structures once built by
people who came from the stars. Perhaps
they brought the moon with them. It is a
mystery and a theory which I find highly
compelling.
On none other than September the 11th in
the year 1999,
a discovery would be revealed to the
world, a find made on an asteroid far
from Earth, which if not seemingly
suppressed soon after being made public,
would have undoubtedly turned into one
of the most incredible discoveries of
the past few millennia.
Proving to the world that intelligent
alien life does indeed exist beyond our
Earth. Not only [music] that this
ancient alien civilization does indeed
exist, but is possibly responsible for
the numerous ancient anomalies [music]
found here upon Earth, which for
millennia have seemingly appeared
impossible to explain.
Confirming the legitimacy of that of the
monolith, claimed to be sitting upon
Phobos, one of the moons of Mars, by
none other than Buzz Aldrin, or the
long-claimed [music] picture of a
pyramid taken upon the lunar surface,
which due to being in an overexposed
state, it would appear slipped through
NASA's tooth combs.
But what if we were to also find that
this comet in actuality, an interstellar
[music] messenger,
one on a direct course with us here on
Earth. Initially spotted by the LINEAR
project, it was named 1999 RQ36.
Yet soon after what was revealed to the
world as being found upon its surface,
even releasing video and photography of
this object, its name suspiciously and
hastily changed to 101955
Bennu, which rather conveniently is now
named after an ancient Egyptian
mythological bird, long associated with
the sun, or rather a light giver, a name
that we may all come to realize is quite
fitting.
In the October of 2020, OSIRIS-REx would
briefly touch down, successfully
collecting a sample [music] from the
asteroid's surface. A capsule containing
the sample was returned and landed on
Earth in September 2023.
Again, September is chosen, with
distribution and analysis of the sample
apparently ongoing.
Upon the satellite's flyby, it would
photograph and subsequently briefly
share with the world the discovery, or
[music] rather more likely the
confirmation of a black pyramid, clearly
attached to one of the sides [music] of
this alien asteroid. This astonishing
discovery was surprisingly permitted to
be released to the public, yet the plot
[music] would soon thicken once people
began to become aware of other startling
characteristics of this extraordinary
object. Characteristics of equal
significance as that of the discovery of
this clearly artificial unexplainable
alien ruin.
Once the trajectory of the asteroid was
calculated, it was reclassified as not
only a possible future threat to the
planet, but is now classed as one of, if
not the most likely object to come into
contact with our planet [music] between
the years 2178
and 2290
with the greatest risk of impact
strangely picked as being the 24th of
September, 2182.
Many internet sleuths and film buffs
alike will already be aware of a strange
synchronicity found within countless
blockbuster movies surrounding
apocalyptic or other world-altering
events, indeed, [music]
such as an asteroid impact. Featured in
such movies as that of Deep Impact,
Knowing, Bruce Almighty, and so on and
so on.
This strange premonition of a date of
September the 23rd, or an event starting
on the date of the 22nd of September,
reoccurs incredibly frequently as if
placed there on purpose.
Could the creators of these titles know
something we don't in regard to not only
this asteroid, but the future fate of
our planet?
Could we not be expecting an impact, but
rather a visit from the gods?
As soon as this designation of the
asteroid's threat level literally went
into the stratosphere, and indeed
[music] the attention surrounding the
asteroid's validity then increased, not
only was the name of this comet abruptly
changed, but a number of media articles
which had picked up on the initial story
was promoting the asteroid as not only a
world-ending object, but were calling it
the [music] quote asteroid with the
black pyramid, only for all of these
stories to later be attempted to be
scrubbed from the internet. It is clear
to us that any correlation between the
asteroid's trajectory and also it
housing this mysterious yet incredible
black pyramid were clearly informed they
were [music] to be distanced from each
other. What is this black pyramid? Why
and how could it be upon this asteroid?
One that is not only heading to Earth,
but is set to arrive on a date now
realized as prophetic of a
world-changing event. Have we quietly
discovered proof of alien life? Not only
proof of alien life, but that the
legends of Thoth true? The builders of
these sites indeed that of the gods.
Long foretold to [music] eventually
return. Have we quietly found this
messenger? One slowly making its way
here. One of such great importance it
was [music] decidedly released to the
world just long enough for those in the
know to be made aware [music] of its
discovery.
Only for it to be swept under the
carpet. What will happen when it gets to
our planet? What is hidden [music]
within?
These are all questions surrounding this
astounding, possibly history-altering
anomaly, which we find incredibly
compelling.
Are we being visited by an alien
civilization?
Beings millions of years ahead in
regards to technological developments.
Able to travel from far away stars.
Somehow warping space-time to travel the
universe on a quest. A search for life
amongst the galactic marbles. Marbles
such as ours.
Perhaps instead of extraterrestrial
beings, what we are seeing didn't come
from space at all.
Perhaps they travel from other
dimensions.
Sightings of strange craft [music] and
claims and tales of possible alien
visitations stretch far back into our
distant past.
In all possibilities, [music] these
encounters have dated back to the
beginning of time.
With one individual in particular, via
his many years of in-depth study of
modern and also the many ancient reports
of encounters with these strange craft,
has developed a highly compelling
hypothesis [music] for not only what
these things are, but why they are here
and why he believes we will continue
[music] witnessing them.
Dr. Jacques F. Vallee has long been
regarded as one of the most respected
scientific investigators of unidentified
aerial phenomena.
In his landmark 1969 [music] book,
Passport to Magonia, Vallee argues for
the validity of a parallel universe
which is coexisting alongside our own.
He states, quote, unexplained close
encounters are far more numerous than
would be required for any physical
survey of the Earth.
>> [music]
>> The humanoid body structure of the
alleged aliens isn't likely to have
originated on another planet as they are
not biologically adapted to space
travel.
The reported behavior in thousands of
the abduction reports contradicts the
general hypothesis of genetic or
scientific experimentation on humans by
an advanced race.
The apparent ability of UFOs to
manipulate space and time suggests
radically different and richer
alternatives.
One of the most interesting aspects of
his argument for these [music] entities
arriving here via atomic resonance,
somehow materializing into our
dimension, are the vast array of
similarities found [music] within the
ancient reports and descriptions he has
collected and corroborated over the
years.
Specifically, the development in the
apparent technology these creatures can
[music] possess.
Most of the medieval accounts, for
example, indeed describe ships, however,
not spaceships, but rather maritime
vessels [music] seen flying through the
air, on occasion witness dropping a
physical anchor to the ground below,
appearing to dock in the sky.
It would seem that the technological
advancements visible during these
encounters reflected advancements in
technology a mere few decades ahead of
the human civilization at the time of
the encounters as if they are providing
us with this technology as if they are
repeatedly attempting to give our
species an evolutionary nudge.
With an interesting caveat being that on
countless occasions a reoccurring theme
is these craft materializing upon a busy
road
placing themselves almost always
perfectly in the center
as if to deliberately block both lanes
of traffic so the chances they are
[music] witnessed being in our realm a
near certainty.
Many people believe and whistleblowers
from some of the world's [music] most
secretive agencies have claimed that
many of the technologies we hold in our
hands and many more which are hidden in
bases originate from the retrieval of
these specific crashed craft.
Could they be gifts?
Perhaps like the clockwork elves they
are sent into [music] our dimension to
aid in our direction and development as
they or the ones who send them [music]
created it.
It's a pretty wild hypothesis but with
the vast collection of evidence that
Jacques has correlated in support of
such a theory
I find the possibility highly
compelling.