MIND-BLOWING EVIDENCE!!! - Sphinx Over 500,000 Years-Old? 🤯

We have long stated that there is considerable evidence to suggest that not only the Great Sphinx, but also its accompanying pyramids found dotting the plateau are far older than currently attested. We have shared the premise that many of the ancient hieroglyphs found all over Egypt are a mere 4,000 years old, while the pyramids and the Sphinx, both conveniently absent any of [music] these same illustrative writings, are far older than this age. Why are there no hieroglyphs within the Great Pyramids? Additionally, why were there never any steps or stairs built into such awkward of structures? [music] Is this a clue to the past function of the Great Pyramids? Were they never intended to be entered by humans? Not only is this absence [music] of Egyptian art a compelling clue, but it also indicates that these structures were not constructed [music] by the same people. If indeed they were constructed by the same people, why did they never document this task? There in fact exists an artifact within Giza once quoted as a must-see artifact by Zechariah Sitchin. This inconspicuous stone known as the inventory Stella amazingly is an authentic inventory left by King Kufu. It not only supports most of what we have now come to suspect regarding the plateau. A theory [music] concluded from many different avenues of research, but it is a written description of the Egyptian civilization's activities upon the plateau, including what happened to the Sphinx, or more accurately, Anabis. We have come to suspect that many of the most popular alternative researchers who have spent their careers researching these specific [music] subjects have just like academia ignored patently evident materials surrounding the ancient past. [music] Giza's inventory Stella, Zachariah Sitchin, wrote in his book, Journeys to the Mythical Past, that the Stella was irrefutable proof provided by Kufu himself, that he did not build the Great Pyramid, and that the pyramid and Sphinx were already there in his time. Predictably, [music] the Stella is simply ignored. However, some like James H. breasted commendably included the inventory Stella in his official list of fourth [music] dynasty artifacts stating that regardless of opinion that it quote bore all the marks of authenticity. Also the French Egyptologist Gaston Maspero whose most [music] famous book the dawn of civilization stated that the stella was indeed a factual record of the life and deeds of Kufo. Regarding the Sphinx, the text states that lightning once struck the head, destroying a large portion. Kufu then recarved the head into what we see today. He then built his temple in the vicinity of the House of the Sphinx and interestingly renovated the Great Pyramid. The Stella inventory not only confirms many things we have already come to suspect took place within Giza, but additionally this mounting evidence is indicating to us that other suspiciously popular supposed in-depth investigations [music] often accompanied by expensive trips to said sites are deliberately inaccurate works of controlled opposition. Regardless of other opinions regarding this matter, we will continue to present what we always have on this [music] channel, truth and honest opinions. As always, thanks for watching. There are many theories attempting to explain the origins of the great sphinx [music] and indeed its original purpose. We have in the past covered the compelling theories regarding an ancient celestial alignment to the great sphinx. most popular among these alternative theories concerning the star constellation Leo. However, this theory is not only based upon events which happened over two precessions ago, but is also reliant upon the great sphinx actually once being that of an enormous lion. And although lions are mentioned in countless religious texts, ancient and also modern, with these beasts attributed to good deeds or evil, there actually exists another and we feel more compelling theory regarding the Sphinx's true identity, purpose, and indeed its age. Since its rediscovery among the sands of Egypt, the Sphinx has been attributed to that of a guardian long said to have protected the dead. And interestingly, this explanation may turn out to have been spot-on. The Sphinx, although now possessing a human head, its form is noticeably out of proportion. If one indeed perceives it as a past guardian of the dead and the underworld in which they dwell, then the Sphinx would have been in fact a dog, or more specifically, Annabus. Additionally, if the Sphinx did once indeed face a star in our night skies, then logically there would only be one of two stars in which the dog would face. Both held in high regard for untold millennia. One of which, of course, being Sirius, the other known as the little dog star Proion. Interestingly, the star Sirius is held in high regard by many ancient cultures, some which insist that we were once visited by gods locating from this particular star constellation. And with ancient Egyptian art drenched in mysterious beings, all attributed as gods who came from the heavens, it could be postulated that the Sphinx was guarding the entrance to what they perceived as the underworld or the realm in which the gods came from. What supports this theory and the possible concealment of this knowledge is the apparent destruction and now absence of any identifiable doglike sphinxes left anywhere on Earth. Anthony West once brought the water controversy theory into the public domain, a theory he has done extremely well from. This evidence has long been used as a form of evidence that the Sphinx is much older than currently claimed. and due to the absence of this erosion on the great pyramids also used it to claim it is much older. Additionally, he has also been a verbal advocate for the belief that the Sphinx was a lion. Worrying, however, regarding his motives, if this were indeed the case, then any compelling connections with the function of the Sphinx, the entrance beneath, and the pyramids, each made to specific sizes in relation to the distance of Orion stars, would be merely impossible to make. However, and what is most concerning is that with a little research of ancient texts, it soon becomes apparent that the Sphinx was once surrounded by a body of water conveniently named the Lake of the Jackal or Annabus Lake. This aptly named body of water has seemingly been covered up not only by West, but to attempt to conceal the Sphinx's real age, but also its true identity. This fragment of information not only discredits West's profitable rainfall theory, but also virtually confirms the Sphinx's past identity. And with Annabus being named elsewhere as the guardian of the underworld, it becomes apparent that we are on the brink of an explanation for its original purpose, no matter how astonishing. During the many journeys I have made to and through the countless unexplainable ruins which can now be found hiding all over our planet, I have encountered a vast array of undeniable, [music] bizarre, and reoccurring features. Hundreds of unexplained ancient anomalies that according to academia simply should not exist. Yet, they have all enabled me to discover something incredibly profound about our past. presenting an alternative, far more logical explanation for their existence. One that in undeniable evidential terms proves that all of these long thought isolated locations were in fact all once connected and that this indeed the reason why the features I will share have long been denied, [music] ignored, covered up and hidden. For no matter the distance, no matter the obstacles one would have to overcome between you [music] will see how they all share the same undeniable characteristics. Disproving once and for all that the long attested narrative that these differing groups each officially claimed as the various creators of these many different sites and structures and within drastically different ages. along with them all never having had contact with one another, having never had the ability of traversing the planet's oceans once completely individually isolated, as the mainstream argument goes, is actually completely and deliberately incorrect. For if this were correct, how would all these ruins share all of these same following similarities? How could this be? How could there be the same simply enormous megaliths? Each once cut, quarried, [music] and subsequently carried hundreds, sometimes thousands of kilome from where they were liberated, to their final chosen placements, found the world over. With each of these different claimed and primitive civilizations often wielding nothing more than stone hammers, not only once choosing to build [music] in such challenging ways, but somehow coming up with the same ingenious solutions [music] to once accomplish the same incredible ancient feats. How could one have found matching tool marks across the globe with seemingly the same advanced technologies required and utilized in undertaking these projects? With all these as mentioned apparently isolated groups also once choosing to construct the same repeating structures on nearly every continent. We have been expected to accept that this all by sheer coincidence as according to the mainstream paradigm these differing apparently [music] primitive tribes had no way of ever encountering each other or [music] sharing knowledge. Yet, could the truth be far more incredible, far more ancient, and far more revealing than we have initially been led to believe? Could there be another explanation [music] apart from religious scripture and mere legend which could explain the repeating inexplicable patterns which can be found throughout the many astonishing [music] ancient structures which still survive around the globe. For instead of mere legend or the mere excuse of coincidence, I will provide a completely logical explanation for these anomalies and indeed many other mysteries which I have solved. And if my [music] intention and the underlying message within this book connects successfully, you will finally be able to see this lost ancient world too. The compiled list of ancient discoveries so far established, of course, in regard to connecting features, all reveal that instead of the work of isolated primitive [music] tribes, these ruins instead, once the work of a highly developed worldwide civilization, one simply too large to fit into this opening chapter, for it indeed requiring an entire book. Yet one ancient fact which [music] this detailed explanation of Earth's ancient secrets reveals in particular, and one I thought rather fitting to this opening prologue, being that [music] this lost global civilization, not once created by a single all-encompassing ruling [music] power or order, but instead, just as we see in today's world, we're all varying, separate, and [music] identifiable cultures. a connected ancient global civilization which undeniably shared, adapted, [music] and utilized the same advanced stone cutting, moving, and other sophisticated now lost or hidden technologies to accomplish their own personal [music] achievements. Thus, although the religious iconographical themes may differ, the same lost technologies were originally responsible. These variations, however, aiding over the decades in the concealment of this fact, that they all in reality the result of the same shared lost knowledge and ancient stone cutting machinery, and that they all once the result of one [music] worldwide seafaring, possibly even worldflying civilization. For as we make our way through the book, I will provide evidence for all of this, all concrete facts [music] and unarguably repeating anomalies which I have now found and collected. Once hidden [music] at nearly every ancient site on Earth, a deciphering, a decoding of a world we have been led to believe simply [music] doesn't exist. Yet, as you will see, it has in its entirety merely been hidden beneath a mountain of fallacies. These tool marks not left by copper chisels. These randomly shaped megalithic blocks often over 1,000 tons, once perfectly placed together [music] without any mortar. These ancient seats for clamps found cut into stones worldwide, not once made of wood, as some would like to claim. these primitive ancient copper chisels not responsible [music] or even capable of building the great pyramids and that they were all the achievements, feats, and capabilities of an incredibly advanced pre flood civilization. One whom I also believe once built these places [music] for a very specific and important reason. Yet alas, this fact, along with the following proof of such, has all but been hidden from the world. And thus, [music] it is my task to show you what is hiding, to dismantle this ancient conspiracy [music] once and for all. There are many areas of this hidden world where one could begin our tour of impossible ancient anomalies. I think, however, the perfect place to navigate outwards from, and one which, as with all the others, has been long hidden in plain sight. Yet it one so out of place that just like that of the Great Pyramids, has remained almost impossible to hide. Its lack of any explanation, along with its lack of academic curiosity, or indeed its lack of any funded investigation, all indication that it indeed a good place to begin our expose. Chapter 3. Polygonal masonry. Although not strictly made with polygon blocks as one may initially presume or expect from their description, these stone block walls were nonetheless all once constructed from randomly shaped and sized blocks. Yet also once placed together with such accuracy [music] they have completely stumped all who have attempted to explain how they were constructed and put together. for it not just a matter of being a time-consuming task. For as when one begins to explore this mysterious lost building technique [music] in any depth, they begin to not only see the same identifiable features and indeed methodology located the world over, but that many of these walls share many other identical features. Once perfectly [music] cut and put together, they often found to have also been built on specific inclines and angles. this so that they were all able to withstand earthquakes and other forms of cataclysm. And thus they have survived to this day with many of the world's incredible pre flood polygonal fortresses once having had their blocks sunk many meters into the earth. Yet most amazing of all often incorporating stones upwards of 400 tons. Along with these apparent separate civilizations, often using these same techniques to build [music] the same repeating structures from continent to continent, this now lost ability to move, cut, and lift simply gigantic ancient stones. Another reoccurring ability and feature [music] of this now lost civilization, which it will soon become clear, are another undeniable array of evidence supporting my hypothesis. The most astounding, well-known, and publicized examples of this marvelous lost building technique, undoubtedly those which can still be found scattered throughout modern-day Peru. This incredible masonry method, however, one of the most identifiable features when it comes to spotting the work of this now lost yet once globally connected civilization. For as mentioned, these walls in complete contradiction to mainstream theory can in fact be found all over the world and partly thanks to the dawn of the modern internet have rather predictably [music] begun to appear virtually everywhere. When I first began my journey into this lost global legacy, the fact that Japan's ancient temples and castles along with their sprawling and forboding inner grounds were all in fact once built upon foundations long ago, once created from this astounding masonry technique, [music] was hardly known of those aware of this peculiarity seemingly avoiding ever sharing this fact with anybody. For although as mentioned many of these polygonal structures can be found often incorporating megaliths weighing several hundreds of tons such as that of octopus rock also to be found within modernday Japan which although weighing in at a measly 120 tons is a clear example of not only this reoccurring lost masonry technique but also this reoccurring ability of their now lost builders to once lift and work with such enormous stones with the main reason why these features have remained successfully overlooked. These countless sites, all successfully pinned to many differing, more [music] recent, yet also clearly incapable and incredibly primitive ancestors. Each of which conveniently placed within the chronologically permitted timeline. Groups [music] which instead of fitting the capabilities simply fit within this long upheld alternative timeline [music] and thus this limiting paradigm. As such, these walls, although found worldwide, have such as those within Saxaian, thusly been attributed to such ancestors as that of the Inca. They nonetheless [music] display these many same undeniable, indestructible, astonishing, [music] and repeating characteristics. My evidence, as you will come to realize, although denied and dismissed, [music] simply cannot be hidden from the world forever. For as our knowledge and awareness [music] deepens, what I have discovered, what I will share, I predict an inevitable realization of all on mass [music] within our species understanding of the past. Subheader Saxaman. This gigantic three- tiered polygonal fortress once built up backing onto a natural cliff edge from stones often weighing upwards of 400 tons in weight [music] is just like the countless other examples we shall explore built completely without the use of any type of mortar. Yet each stone perfectly cut and seamlessly stitched together raised aloft one another with undeniable perfection and all once somehow seemingly effortlessly. [music] One must wonder how could these similarities exist across continents yet the dating of these sites making any prior contact apparently impossible with these polygonal ruins. Indeed, the now lost knowledge once needed to build them, and indeed [music] how this knowledge has become lost, is all in reality indicative of them all being remnants of a civilization which at some point within Earth's long [music] and now lost history, experienced an event, one which caused them to mysteriously vanish and our species to hard reset. These mysterious stone walls found in abundance at sites all over the globe identified within Turkey, [music] France, Egypt, China, Greece, Japan, Indonesia, India, Sri Lanka, and so on. Polygonal walls can even be found upon that of the infamously remote and incredibly mysterious Easter Island. smoking gunproof, as you will also see further in the book, that this enigmatic island, indeed its mysterious statues, not the work of natives, but along with their inexplicable size, nature, and placement, a compelling display of corroborating evidence to reveal just who it was that originally created it in the first place. these identifiable features hidden and little discussed the world over for what they reveal about the true history of our earth and indeed that which we have been led to believe about it [music] is not just off a little but would reveal that it has been almost entirely and exclusively been built upon incorrect perhaps even deliberately placed wrong assumptions from the very beginning and that if these secrets were ever to be revealed in their entirety as I am about to would require a complete rewriting of what we all thought we knew about human history as a whole. Many legends have predictably grown out [music] of the mysterious astonishing achievement Saxaian would have once been. indeed around the many others found throughout the rest of Peru and indeed the wider world often grounded in our attempts to explain these utterly perplexing ancient walls such as one which told of a plant which [music] could once liquefy stone along with many others all made with an idea of ancient geopolymers in mind. When one physically investigates these sites, however, they discover the actual source quaries, which fortunately for us can also still be found within Saxai, located within the surrounding landscape. These uncannily perfect extractions still left in Situ, perfectly preserved and still possessing the precision and symmetric scars where many of these stones were once liberated from. These [snorts] precisely cut blocks along with their once perfectly precise fits testament to the builder's lost abilities and the main reason why they still stand and survive today. Strong evidence in and of itself indicating that these lost people [music] having once possessed technologies as will be further established which have now either all but eroded away or possibly recovered over the years. Yet, just like that of the enormous smorgas board of mysterious, inexplicable ancient [music] uparts, which have also long been discovered worldwide, hundreds throughout the last century alone, with many found within coal mines [music] or embedded in strata dated to hundreds of millions of years old, have all but vanished from the public sphere. These incredible lost technologies and machines [music] that may have also suffered a similar fate. With nearly all these baffling objects and quite possibly lost ancient technologies systematically stolen, concealed, or [music] ultimately destroyed, at the very least, they resigned to the bowels of the countless historical [music] institutes bestowed with the responsibility of upholding a paradigm of human development, which interestingly [music] hangs in its entirety upon a very few specific events, most notably surrounding that of the bearing straight theory of migration. This being the only academically acceptable chronology for human civilization and indeed [music] our original route into the rest of Earth's continents. This regardless of the overwhelming amount of evidence I can and will present, which unarguably demonstrates that human civilizations were traversing the seas long before even the last ice age. The Dota Kagan, also known as the 12sided stone, found still [music] present and displayed within the ancient walls of Kusco, along with some lesserk known possessing even more corners, are all part of this [music] ancient global legacy and a signature of this lost creator. the first of many that one can now logically use to identify the works of this pre flood civilization, giving one the first of many abilities they can utilize to identify their countless other sites found worldwide. sites that although they may not contain polygonal masonry like the aforementioned walls on Easter Island [snorts] which have now fortunately given me an easy clue to reveal who it was [music] that actually built this island. The source quarry in Saxi Hwaman and the clearly exhibited accuracy [music] evident in the stone cutting procedure can too with their almost laser-like precision be used on their own to allow one to discover this lost world. one that I will throughout the book make visibly clear. These identifiable polygonal blocks found [music] as mentioned still surviving upon Easter Island beneath Japan's many ancient temples within foundations [music] across China and so on even to be found still in place upon none other than that [music] of the great pyramids themselves in the form of casing stones which are in style shape and form almost [music] identical to the blocks which one can find still in situ within the aforementioned surviving [music] walls throughout Cusco. with many of the Giza Plateau's other megalithic [music] temples, each also quietly exhibiting this little shared or investigated [music] polygonal masonry. A mystifying building technique, the knowledge behind which [music] in regards to replicating such wonders, now lost, it's still yet to be explained or again even to be fully understood. It should be becoming obvious that this technique of stone [music] building instead of the work of Incas or indeed that of the ancient Egyptians, [music] each academically admitted as having once been completely isolated from one another, but also placed at vastly [music] different dates within known and documented history, are not the work of who they claim, and are, as I [music] attest, an identifiable feature, one of many which can be [music] utilized in one's quest to see the true and hidden history of Earth. These walls, although varying in shape [music] and style, were all clearly built using a shared knowledge and ability found all over the planet. This variation in style and block size from continent to continent and from tribe to tribe may indeed change, however, and rather crucially, like many of the other exhibits I will share, [music] the actual methodology and indeed technological prowess behind these ancient feats. Abilities once required and responsible [music] for this wide and varying array of differing areas of antiquity found across nearly every one of Earth's continents were all the result of shared global knowledge and developments that even to this day remain lost and thus continue to be unexplained mysteries. This in itself an undeniable artifact of evidence displaying the clear severing of our [music] knowledge and past memory in general. one which such realities will continue to indicate occurred somewhere long ago within a forgotten human timeline. with some of the most astonishing examples of note, undoubtedly including that of the Necroman Teion, which according to historians [music] was built here due to it being located at the meeting point of three of the five rivers, once said to [music] have sources in the realm of Hades. According to ancient Greek beliefs, while the bodies of the dead decayed in the earth, their souls would be released, traveling to this purported underworld via fissures within the earth. If one explores the architecture with this newfound [music] vision, however, not only does this ancient Greek claim of construction become a clearly dubious one, but this telltale now globally found lost polygonal ability, knowledge, and methodology suddenly appears. the true original builders revealed [music] and another of their feats long hidden in plain sight, the Healey archaeological site, which according to academic study, [music] quote, is the earliest known evidence of an agricultural village in the United Arab Emirates and the largest collection of tombs in the entire country. Known as the Hilly Grand Tomb, it has suffered this same fate as so many other structures of unexplainable origin. indeed also once having that of a pre flood lost or hidden purpose, having conveniently been labeled as that [music] of a tomb. Yet due to the polygonal masonry technique clear for all to see and of an exquisite and advanced [music] quality, this labeling of a mere tomb is brought into question with another little shared yet no [music] less incredible site now known as Tarowasi, which in my opinion is one of the most astounding examples [music] and displays of this lost yet simply amazing building technique found anywhere on Earth. The reason I feel as to why this site is rarely mentioned, rarely visited, or indeed [music] studied, clearly due to this truly remarkable and almost unique polygonal [music] blockwork, which can be found making up the walls of this little publicly shared ruin. Found some 80 kilometers west of Cusco, the site was predictably used in antiquity as a ceremonial center, a [music] resting place for the Shaski, legendary Inca runners who would deliver messages by foot throughout these mountainous regions and at incredible speed. Yet, as with all the other remarkable polygonal masonry found throughout Peru, I feel that this site merely adapted [music] and reclaimed by the Inca. and due to its remarkable location [music] and the unique polygonal stonework present was also seen by the Inca as a significant location. With these walls now found all over the earth, another of the many reasons one can confidently identify [music] the entire site as the work of a lost civilization accomplished with that of now lost [music] yet clearly highly advanced, incredibly capable ancient machines. with additional evidence which one can find accompanying these many ancient feats. Not within the perfect [music] finishes present amongst the blockwork, but rather amongst the many as mentioned source quaries. All once selected for their creation, yet also once left abandoned long ago, scattered across the ancient world. My first book, Life Before the Flood: A Definitive Guide to the Lost World, [music] is now available in paperback. The link is in the description and pinned comment. If you would like to buy a copy for your own research, to read along with these videos, or just to support my work through this challenging time of being demonetized, all your support is greatly appreciated. to join us on this truly epic journey into the past, future, and hopefully with your continued support into the [music] next book in the series. It is the first of many and a book and mission I am convinced you too will find highly compelling.