MIND-BLOWING DISCOVERY!! - Giants Tomb EXPOSED In Ecuador?

We have in the past covered a vast array of evidence which [music] suggests the past existence of giants. Yet alas, much of what is or has now either unfortunately been suppressed, destroyed, stolen, or forgotten about, with the remains of their initial discoveries now often only to be found remaining proverbally cast in stone in the form of the library archives [music] of the world, and the news reports now digitally preserved within. often follow-up reports [music] abruptly ceased after the mention of the rapid arrival and insatiable interest of the Smithsonian among others in said [music] finds. However, now thanks to the popularity of such subjects, the power and speed [music] of modern technology, such finds made during excavations involving a large array of individuals make modern coverups difficult and are rarely accomplished. with the only modern almost openly admitted [music] one of note having followed the discovery of the supposed tomb of Osiris when all media was immediately banned from the site. When permitted back, the tomb had already been penetrated and was subsequently claimed as having been found empty, supposedly previously looted. this regardless of its near impenetrability with Gantenbrink only making it successful with modern robotics. But I [music] digress. Working in cooperation, a team involving the Egypt's Supreme Council of Antiquities, a team from the Penn Museum, University [music] of Pennsylvania, among others, discovered a sarcophagus academically claimed as having belonged to a quote King Sobeek. [music] probably soci the first dated 1780 BC during the 13th dynasty. What we find astonishing regarding the find however is its sheer size. Carved from a single cried piece of [music] Aswan granite, initially weighing hundreds of tons, this finished tomb still weighs a minimum of 60 tons, it was somehow transported to the burial site [music] and placed seemingly with delicacy where it now lay. Its resting [music] place inner chamber also some 3 m in length. The baffling [music] enigmas of why such size, how were they moved? To explain how [music] these feats were accomplished is far less difficult challenge if one incorporates [music] into their postulations the possibility that the size of these tombs were in fact made to measure indeed a match to the height and scale of the civilization [music] who buried them. Could the inclusion of ancient giants into the many other theories surrounding the mysteries of Giza solve the puzzle we still can't solve of how these stones were moved? It is a hypothesis which we find very fitting. We have in the past covered the remarkable legends and in particular the intriguing enormous tombs which cover the Mediterranean island of Sardinia. Long claimed as the resting places of some 800 or so ancient giants who once belonged to a now lost race of beings. It is undeniable that the scale of these inner chambers is of considerable size, most capable of housing remains of a size of 15 ft or more in height. There are undeniably many compelling pieces of [music] written reports and indeed photographic evidence of the discovery of ancient giant remains. Yet nearly all seemingly vanish into thin air, many shortly following the mention of the involvement of certain academic institutions, such as the claimed 3,000 or so remains claimed to have been excavated by Ralph Glidden on Santa Catalina Island, located within the Channel Islands during the early 20th century. All of which now lost. However, like the many ancient uparts we share, there are that rare few which have fortunately made their way into the hands of private collectors or individuals lacking any agenda but that of revealing the truth of these objects existence. And one such scenario [music] involves that of a Luigi Mucus, a man who actually owns farmland on the island of Sardinia, upon which he claims to have found gigantic mullers of a homminid appearance. In tandem with her appearance on the program Coast to Coast AM in the US, Paola Harris shared [music] his extraordinary photos. After looking into the artifacts ourselves, we have indeed found an argument which will undoubtedly be used to dismiss the finds as that of ancient cave bear teeth. Yet the root patterning and indeed crown of the moler like that of the partial jaw also shared seem to us to be more reminiscent of giant human skulls rather than the patterning of prehistoric bears. What's more, [music] it must not be ignored that surrounding the claimed discovery site are indeed the affforementioned and gigantic ruins and the legends of individuals large enough to have [music] once housed such teeth in their mouths which all persist on the island to this day. What do you think? An ancient giant's moler and lower jaw or simply that of the remains of a prehistoric animal? It is a legend and indeed series of discoveries which we find highly compelling. Sardinia is undoubtedly one of the most overlooked areas of ancient interest to be found anywhere in the world. Located within the Mediterranean, it's a large Italian island with 2,000 km of coastline dotted [music] with sandy beaches. The interior, however, contains some of the most heavily concentrated ancient ruins to be found anywhere. Thousands of structures known as nuragis litter the island. Stone structures masterfully shaped like beehives, often with domed roofs that from inside reveal the mastery of the original constructors, with the largest and oldest of which known as sunaji in Bahumini. The Nuraji is a unique feature of the island of Sardinia that according to mainstream academia were constructed during the Neuragic Age between 1900 and 7:30 BC. However, the Nuraji is not the only compelling ancient ruin to be found upon the island that regardless of the mundane academic explanation for their origins [music] are indicative of an enigmatic, highly capable lost group of ancient beings locally said to have been of tremendous size known as the giants's graves or tumba de Gigantis locally. The legends that can be found still circulating within the local population tell of giants having once been responsible for these structures [music] with the graves supporting such claims due to their enormous scale. However, predictably, academics argue that the size of these tombs [music] were merely due to them being mass graves, although any remains from these supposed neurogic inhabitants dated to the Bronze Age remain elusive. Additionally, many of these giant graves, which number around 800, are constructed using enormous megalithic stones, many tons in weight. This use of enormous stones is strangely absent from the 2,000 or so Nuraji that are instead constructed from more manageablysized stones. However, [music] interestingly, legends in other areas of the Med, such as the Nveta Desttoones found in Manorca, also built with manageable stones, shares these legends of giants having once been responsible, a structure built for human habitation by supposed giants using similarly sized stones [music] as the Nurajia. Ganchia found on yet another Mediterranean island called Goo shares these same local legends of giant builders. Is it mere coincidence that all of these ancient ruins are found within the same global vicinity as each other? An extremely ancient ritual still practiced within Sardinia, predating Christianity by a considerable time, could hold clues to the construction of these giants graves. A carnival so old the story behind its purpose has been lost throughout the ages. Depicting monsters of giant proportions, often covered in cowbells and adorned with horns or goats heads, [music] these monsters marched through the local town. Controlled as they go by humanlooking counterparts named the Isizohodoris, known as the carnival of the Mamothonus, what exactly the Mamothonus are, or indeed possibly were, is also lost to history. Although these beasts who grunt and stomp through the town center are tethered and controlled by the Ishoadoris as they go. Were these mysterious beasts once a real creature? Were they utilized for their strength and size by these Ishoadoras to build the inexplicable structures still found within Sardinia? Are these widespread yet openly shared local legends passed down from generation to generation pertaining to giants having once been responsible for Sardinia's intriguing ruins? A true story with the visually [music] stunning ancient ritual still preserved by the Sardinians. Clues to the origins of the giants's graves and indeed the Narajis. We find the spectacle practiced by the Sardinians along with their local legends surrounding the giant's graves [music] highly compelling. We have in the past covered the fascinating legends and indeed recovered artifacts that have been found over the years within the Ecuadorian cave system known locally as Qua de los Taios. The legends of the cave nearly all surround hidden treasures of lost ancient and giant civilizations, including the posit of an ancient yet [music] inexplicable library room made entirely from a curious [music] metallic formula. with caves with an intrigue strong enough to even attract the attention of the first man on the moon, Neil Armstrong, one began to wonder whether these legends be true. And when [music] you bring Father Krespy's collection into the fold, the flurry of interests surrounding these legends and indeed the artificial nature of some of [music] the portions of the cave itself all become easily explainable via [music] such motives of discovery. Father Kresby, as the title would suggest, was a [music] religious man and one who was highly philanthropic and also incredibly interested in the artifacts of antiquity. And fortunately for him and us, the location in which he lived was steeped in lost ancient artifacts, all just waiting to be recovered. Father Kresby was a man of modest wealth and in return for curious artifacts often found within the Taio cave. Even reported to have given food in return for clear forgeries offered by hungry individuals. Although he would offer more and often money respective of the artifacts clearly historical value. This allowed Father Cresby to gather a literal horde of authentic ancient artifacts, many clearly from this long claimed to exist metallic library. His collection full of metallic plates of unknown writings and other fascinating metallic artifacts. The reason for our revisiting of these caves and indeed the fascinating character that was Father Krespie is our recent perusing of new information released on the cave. Deliberately ignoring all aforementioned facts, including the artificial nature of some of the portions of the cave itself, in particular at entrances [music] as if reinforced with enormous ancient lentils. Unfortunately, all that remains of Father Krespy's collection that can be confirmed as 100% his and authentic now only exists within the photos taken of him with his collection prior to his death. Whereas the horde of artifacts was ransacked and many replaced with poor quality forgeries. Thus, it is a mystery and we believe conspiracy to conceal a lost history which we find incredibly frustrating. [music]