MIND-BLOWING Ancient Technology We Still Can't Explain... 🤯🤯

The mystery of the Banded Buckets has persisted throughout the modern age ever since the study of the incredible history of the Assyrian civilization began. What these mysterious containers were remains unknown. What were their significance or indeed contents? Intriguingly, the buckets were often, but not exclusively accompanied by what is commonly argued today as a Turkish [music] pine cone. One of the main driving factors in the continued mystery surrounding the curious objects is the fact that any explanatory texts regarding these objects are extremely rare. It does, however, seem likely that they were together employed in rituals of purification. This revealed by their Akkadian names, which were fortunately mentioned by this mysterious group. Bandudu, meaning bucket, and Malilo, as in purifier. It is thus argued that the fir cone would be dipped in the bucket filled with blessed water before being shaken upon a subject in order to ritually purify it. Alternatively, however, the close association of the objects with a depiction of specific tree species has led [music] to the suggestion that objects represent fertilization. Thus, it is further suggested that in this case, the pollen from the male flower of the date palm would be shaken onto the female tree in question. It would seem, like so many things within ancient antiquity, we can identify said anomaly, but its true grandeur, importance, and indeed origins remain a complete mystery. Could this continued mystery be incentivized by it possibly being an advanced technology, possibly an ancient U part? There is much regarding the specific ages academia claims [music] to know so well. Yet, when one looks at said awareness, gaps suddenly appear. Entire chapters, including the true purpose of the Bandudu buckets, either [music] remains missing or possibly hidden from mainstream study. They are undoubtedly highly compelling. >> During the many journey Although not strictly made with polygon blocks as one may initially [music] presume or expect from their description, these stone block walls were nonetheless all once constructed from randomly [music] shaped and sized blocks. Yet, also once placed together with such accuracy, they have completely stumped all who have attempted to explain [music] how they were constructed and put together. For it not just a matter of being a time-consuming task. For as when one begins to explore this [music] mysterious lost building technique in any depth, they begin to not only see the same identifiable features and indeed methodology located the world over, but that many of these walls share many other identical features. Once perfectly [music] cut and put together, they often found to have also been built on specific inclines and angles. This, so that they were all able to withstand earthquakes and other forms of cataclysm. And thus, they have survived to this day. With many of the world's incredible pre-flood polygonal fortresses once having had their blocks sunk many meters into the earth. Yet, most amazing of all, often incorporating stones upwards of 400 tons. Along with these apparent separate civilizations often using these same techniques [music] to build the same repeating structures from continent to continent. This now lost ability [music] to move, cut, and lift simply gigantic ancient stones. Another reoccurring ability and feature of this now lost civilization, >> [music] >> which it will soon become clear, are another undeniable array of evidence supporting my hypothesis. The most astounding, well-known, and publicized examples of this marvelous lost building technique undoubtedly those which can still be found scattered throughout modern-day Peru. This incredible masonry method, however, one of the most identifiable features when it comes to spotting the work of this now lost, yet once globally connected civilization. For as [music] mentioned, these walls, in complete contradiction to mainstream theory, can in fact be found all over the world. >> [music] >> And partly thanks to the dawn of the modern internet, have rather predictably begun to appear virtually everywhere. When I first began my journey into this lost global legacy, the fact that Japan's ancient temples and castles, along with their sprawling and foreboding inner grounds, were all in fact once built upon foundations long ago >> [music] >> once created from this astounding masonry technique, was hardly known of. With those aware of this peculiarity seemingly avoiding ever sharing this fact with anybody. For although as mentioned, many of these polygonal structures >> [music] >> can be found often incorporating megaliths weighing several hundreds of tons, such as that of Octopus Rock, also to be found within modern-day Japan, which although weighing in at a measly 120 tons, is a clear example of not only this reoccurring lost masonry technique, but also this reoccurring ability of their now lost builders to once lift and work with such enormous stones. With the main reason why these features have remained successfully overlooked, these countless sites all successfully pinned to [music] many differing, more recent, yet also clearly incapable, >> [music] >> and incredibly primitive ancestors, each of which conveniently placed within the chronologically permitted timeline. Groups which, instead of fitting the capabilities, simply fit within this long upheld alternative timeline, [music] and thus this limiting paradigm. As such, these walls, although found worldwide, have, >> [music] >> such as those within Saksaywaman, thusly been attributed to such ancestors as that of the Inca. They, nonetheless, display these many same >> [music] >> undeniable, indestructible, astonishing, and repeating characteristics. My evidence, as you will come to realize, although denied and dismissed, [music] simply cannot be hidden from the world forever. For as our knowledge and awareness deepens, what I have discovered, [music] what I will share, I predict an inevitable realization of [music] all en masse within our species' understanding of the past. Subheader: Saksaywaman. This gigantic three-tiered [music] polygonal fortress, once built up backing onto a natural cliff edge, from stones often weighing upwards of 400 tons in weight, [music] is, just like the countless other examples we shall explore, built completely without the use of any type of mortar, yet each stone perfectly cut and seamlessly stitched together, [music] raised aloft one another with undeniable perfection, and all once somehow seemingly [music] effortlessly. One must wonder, how could these similarities exist across continents, yet the dating of these sites making any prior contact apparently impossible? With these polygonal ruins, indeed the now lost knowledge once needed to build them, and indeed how this knowledge has become lost, is all in reality indicative of them all being remnants of a civilization which at some point within [music] Earth's long and now lost history experienced an event. One which caused them to mysteriously vanish and our species to hard reset. These mysterious stone walls found in abundance at sites all over the globe, identified within Turkey, France, Egypt, China, [music] Greece, Japan, Indonesia, India, Sri Lanka, and so on. Polygonal walls can even be found upon that of the infamously remote and incredibly mysterious Easter Island. [music] Smoking gun proof, as you will also see further in the book, that this enigmatic island, indeed its mysterious statues, not the work of natives, but along with their inexplicable size, nature, and placement, a compelling display of corroborating evidence to reveal just who it was that originally created it in the first place. These identifiable features hidden and little discussed the world over for what they reveal about the true history of our Earth. And indeed that which we have been led to believe about it is not just off a little, but would reveal that it has been almost entirely and exclusively been built upon incorrect, perhaps even deliberately placed wrong assumptions from the very beginning. And that if these secrets were ever [music] to be revealed in their entirety, as I am about to, >> [snorts] >> would require a complete rewriting of what we all thought [music] we knew about human history as a whole. Many legends have predictably grown out of the mysterious, astonishing achievement Saksaywaman would have once been. Indeed, around the many others found throughout the rest of Peru. [music] And indeed, the wider world. Often grounded in our attempts to explain these utterly perplexing ancient walls. Such as one which told of a plant which could once liquefy stone. Along with many others, all made with an idea of ancient geopolymers in mind. When one physically investigates these sites, however, they discover the actual source quarries. Which fortunately for us, can also still be found within Saksaywaman. Located within the surrounding landscape. These uncannily perfect extractions still left in situ. Perfectly preserved and still possessing the precision and symmetric scars where many of these stones were once liberated from. >> [snorts] >> These precisely cut blocks, along with their once perfectly precise fits. Testament to the builders lost abilities >> [music] >> and the main reason why they still stand and survive today. Strong evidence in and of itself. Indicating that these lost people, having [music] once possessed technologies. As will be further established, which have now either all but eroded away. Or possibly recovered over the years. Yet. Just like that of the enormous smorgasbord of mysterious, inexplicable ancient [music] OOPARTS. Which have also long been discovered worldwide. Hundreds throughout the last century alone. With many found within coal mines. Or embedded [music] in strata dated to hundreds of millions of years old. Have all but vanished from the public sphere. These incredible lost technologies and machines [music] then may have also suffered a similar fate. With nearly all these baffling objects and quite possibly lost ancient technologies. Systematically stolen, concealed, or ultimately destroyed. At the very least, they resigned to the bowels of the countless historical institutes [music] bestowed with the responsibility of upholding a paradigm of human development, which interestingly hangs in its entirety upon a very few specific events. Most notably, surrounding that of the Bering Strait theory of migration. This being the only academically acceptable chronology for human civilization, and indeed [music] our original route into the rest of Earth's continents. This regardless of the overwhelming amount of evidence I can and will [music] present, which unarguably demonstrates that human civilizations were traversing the seas long before even the last ice age. The dodecagon, also known as the 12-sided stone, found still [music] present and displayed within the ancient walls of Cusco, along with some lesser-known possessing even more corners, [music] are all part of this ancient global legacy and a signature of this lost creator. The first of many that one can now logically use to identify the works of this pre-flood civilization. Giving one the first of many abilities they can utilize to identify their countless other sites found worldwide. Sites that although they may not contain polygonal masonry, >> [music] >> like the aforementioned walls on Easter Island, which have now fortunately given me an easy clue [music] to reveal who it was that actually built this island, the source quarry in Saksaywaman, and the clearly exhibited accuracy evident [music] in the stone cutting procedure can too, with their almost laser-like precision, be used on their own to allow one to discover this lost world. One that I will throughout the book make visibly clear. These identifiable polygonal blocks found, as mentioned, [music] still surviving upon Easter Island, beneath Japan's many ancient temples, within foundations across China, and so on. >> [music] >> Even to be found still in place upon none other than that of the Great Pyramids themselves in the form of casing stones. Which are in style, shape, and form almost [music] identical to the blocks which one can find still in situ within the aforementioned surviving walls throughout Cusco. [music] With many of the Giza Plateau's other megalithic temples, [music] each also quietly exhibiting this little shared or investigated polygonal masonry. >> [music] >> A mystifying technique, the knowledge behind which in regards to replicating such wonders now lost, [music] is still yet to be explained or again even to be fully understood. It should be becoming obvious that this technique [music] of stone building instead of the work of Incas or indeed that of the ancient Egyptians, each academically [music] admitted as having once been completely isolated from one another. But also placed [music] at vastly different dates within known and documented history. Are not the work of who they claim. And are as I attest an identifiable [music] feature. One of many. Which can be utilized in one's quest to see the true and hidden history of Earth. These walls, although varying in shape and style, [music] were all clearly built using a shared knowledge and ability found all over the planet. This variation in style and block size from continent to continent and from tribe to tribe may indeed change, however, and rather crucially like many of the other exhibits I will share, the actual methodology and indeed technological prowess behind these ancient feats. Abilities once required and responsible [music] for this wide and varying array of differing areas of antiquity >> [music] >> found across nearly every one of Earth's continents were all the result of shared global knowledge and developments. That even to this day remain lost and thus continue to be unexplained mysteries. This [music] in itself, an undeniable artifact of evidence, displaying the clear severing of our knowledge and past memory in general. One which such realities will continue to indicate occurred somewhere long ago within a forgotten human timeline. With some of the most astonishing examples of note, >> [music] >> undoubtedly including that of the Necromanteon, which according to historians [music] was built here due to it being located at the meeting point of three of the five rivers, once said to have sources in the realm [music] of Hades. According to ancient Greek beliefs, while the bodies of the dead decayed in the earth, their souls [music] would be released, traveling to this purported underworld via fissures within the earth. If one explores the architecture with this new-found [music] vision, however, not only does this ancient Greek claim of construction become a clearly dubious one, but this telltale, now globally found lost polygonal ability, knowledge, >> [music] >> and methodology suddenly appears. The true original builders revealed, and another of their feats long hidden in plain sight. The Hili archaeological site, which according to academic study, quote, is the earliest known evidence of an agricultural village in the United Arab Emirates and the largest collection of tombs in the entire country. Known as the Hili Grand Tomb, it has suffered this same fate as so many other structures of unexplainable origin. Indeed, also once having that of a pre-flood, lost, or hidden purpose, having conveniently been labeled as that of a tomb. Yet due [music] to the polygonal masonry technique clear for all to see, and of an exquisite and advanced quality, >> [music] >> this labeling of a mere tomb is brought into question. With another little shared, yet no less incredible site now known as Tarahuasi, which in my opinion is one of the most astounding examples [music] and displays of this lost, yet simply amazing building technique >> [music] >> found anywhere on Earth. The reason I feel as to why this site is rarely mentioned, rarely visited, >> [music] >> or indeed studied, clearly due to this truly remarkable and almost unique polygonal blockwork, which can be found making up the walls of this little publicly shared ruin. Found some 80 km west of Cusco, the site was predictably used in antiquity as a ceremonial center, >> [music] >> a resting place for the Chaski, legendary Inca runners who would deliver messages by foot [music] throughout these mountainous regions and at incredible speed. Yet as with all the other remarkable polygonal masonry found throughout Peru, I feel that this site merely adapted [music] and reclaimed by the Inca, and due to its remarkable location and the unique polygonal stonework present was also [music] seen by the Inca as a significant location. With these walls now found all over the Earth, another of the many reasons one can confidently identify the entire [music] site as the work of a lost civilization, accomplished with that of now lost, yet clearly highly advanced, [music] incredibly capable ancient machines. With additional evidence which one can find accompanying these many ancient feats, not within the perfect finishes [music] present amongst the blockwork, but rather amongst the many as mentioned source quarries, all once selected for their creation, yet also once left abandoned long ago, scattered across [music] the ancient world. My first book, Life Before the Flood, a Definitive Guide to the Lost [music] World, is now available in paperback. The link is in the description and pinned comment. [music] If you would like to buy a copy for your own research, to read along with these videos, or just to support my work through this challenging time of being demonetized, all your support is greatly appreciated. To join us on this truly epic journey into the past, future, and hopefully, with your continued support, >> [music] >> into the next book in the series. It is the first of many, and a book and mission I am convinced you, too, will find highly compelling. [music]