Merimela Hit Song Has been relevant to date,i still receive testimonials about changed lives from it
Watch on YouTubeVideo summary
The video features an inspiring conversation between a host and Uncle Konaya, the artist behind Kenya's enduring hit song "Merimela." Before becoming widely known as a musician, Konaya was a professional psychology counselor specializing in HIV/AIDS prevention. Witnessing high infection rates among youth coupled with significant stigma that left many infected individuals without hope or future plans, he decided to leverage his musical talent to reach a broader audience than traditional counseling sessions allowed. His goal was to create an engaging communication tool that could educate the public on prevention while offering emotional support and renewed hope to those living with HIV/AIDS.
The song "Merimela" tells the story of Mela, a character who faces challenges but ultimately finds healing through love and treatment, blending entertainment with serious social messaging. Despite facing controversies regarding copyright infringement when DJs combined Konaya's audio with another artist's video for wider distribution, the campaign successfully spread its message across generations. The song has proven to be remarkably relevant over more than fifteen years, receiving numerous testimonials from listeners who credit it with changing their lives; these stories include individuals who chose not to abort pregnancies after hearing the track and others who gained the courage to seek treatment or come out of hiding due to reduced stigma.
However, Konaya highlights a concerning shift in the current media landscape where content often prioritizes entertainment over education, frequently promoting drugs, violence, and rebellion which negatively impacts youth behavior. He argues that while digital platforms make regulation difficult, society must actively mentor creators to produce clean content that benefits both individuals and communities. The conversation emphasizes that reducing HIV infections requires addressing economic pressures on the youth generation alongside controlling harmful information consumption, reinforcing the principle that prevention is superior to cure even with available vaccines or PrEP options.
In his concluding message, Konaya urges parents to maintain open dialogues with their children while encouraging content creators to strive for relevance rather than fleeting fame at any cost. He stresses that "information is power" and calls on society to be selective about the sources they consume to avoid normalizing immoral behaviors. To sustain this positive impact, he invites listeners to vote for "Merimela" as a legendary song through various mobile payment methods, with proceeds supporting charity programs for vulnerable members of society, ensuring that good content continues to shape futures positively long after its creation.
Read the full video transcript
Well, all right. Good morning. As
promised you, I'm I'm back and I'm going
to have a lovely conversation here. I've
told you I'm going to host one of their
favorite artists. I think everybody in
Kenya, let's say everybody in Kenya
knows him. It's go it go go goes by the
name Ankaya. So you're just wondering
who is this Ankai? If you ever heard
about Mary Kipenzi Rafika Karibu the
banger song. So we're going to to to to
have an lovely conversation with the
artist behind him. Of course we're going
to talk about combating HIV and AIDS
through arts. So just want to get to
know the story behind this song. Mela is
it a fictional story or is something
based on real life uh experience or
rather than and how he's using music as
an art even as a medium to spread uh the
campaign against campaign even awareness
about HIV and AIDS. So just want to
welcome in the building Uncle Konaya
very well-dressed. You're amazing. Just
want to even before we start the
conversation really just give us a
little bit of the
Whispers.
[laughter]
Amazing. I really wanted to put the cuz
I know I know even the the rhythm and
also the melody the behind the song.
It's a lovely song. Welcome in the
building.
>> Yes. Thank you so much, James.
>> I'm glad to have you here, man. And I'm
going to enjoy this conversation as well
because I've been uh I've been one of
you've been one of my favorite artists
ever since I was a young person. Listen
to me. I think I know the lyrics even
when you're singing it. I just wanted to
join in there.
>> Really? Yeah. Yeah. But tell me behind
the artist Anka even behind the name
artist Anka people don't know know the
other part the other side of you as a
counselor. So are we going to start with
the artist or we going to start with the
counselor part? Um let me just uh start
by the brief history about myself and
the song.
>> Mhm.
>> Is by name some Jonaya
>> official names Jonay [clears throat] Oo
>> uh artistically or stage name is Uncle
Kaya.
>> Mhm.
>> Uncle Konaya. Kaya is just the short
form of Jonaya.
>> Mhm.
>> Then uncle was just an identity I used
>> Mhm. [clears throat] M uh as the
background as my professional background
of counseling.
>> Mhm.
>> As you know we have aunties and uncle.
So
>> it was my identity as a counselor
>> because professionally I am a psychology
counselor.
>> Mhm.
>> I'm also a behavior change communicator.
>> Mhm.
>> So
before I did this song Mary
>> Mhm. I used to work as a counselor
>> and especially in specialization in HIV
and AIDS.
>> Mhm.
>> So during that period
>> Mhm.
>> I saw the need because talent
>> Mhm.
>> is in me.
>> Yeah.
>> It is inborn.
>> Mhm.
>> And it was before everything.
>> Mhm.
>> So
in counseling I used to have most of the
session with the youth everybody. Mhm.
[clears throat]
>> in regards to HIV and AIDS.
>> Mhm.
>> And during that period
>> Mhm.
>> being um talented in music
>> Mhm.
>> I made a decision because I saw there
was a need
>> Mhm.
>> to develop a communication
material.
>> Mhm. to actually help the society
>> in the war against the spread of HIV and
AIDS.
Maybe educate on issues to do with the
theories
>> and uh even prevention.
>> Mhm.
>> So that's where the dream
>> of doing the song Mela came in because
during that period HIV prevalence was in
the peak.
>> Yeah.
and uh the awareness awareness knowledge
awareness level was also very low.
>> Mhm.
>> So I said to myself okay I am having
time maybe seeing 10 or 12 clients
>> Mhm.
>> in a day.
>> Mhm.
>> But there is something I can do
>> Mhm.
>> much better that can help
>> Mhm. reach [snorts] so many people at a
time.
>> So that's why I decided to use music and
specifically to use Mary Mela.
>> Mhm.
>> Um because uh sometimes it was affecting
me so much
>> coming across
very young promising
uh youths. Uh
>> some turning HIV positive.
>> Mhm. some
maybe losing hope in life because
>> at early age you are see being that
stigma level was also very high.
>> Mhm.
>> They were seeing no future.
>> Yeah.
>> But as a counselor I decided to do
something that could prevent
>> Mhm.
>> Uh could also give hope
>> to the individuals who have already been
infected.
>> Mhm. and also to promote a
>> yes.
>> Okay. Amazing. Now talking about Mara
before even you came to release the song
do you think do you did you know maybe
it will become one of the biggest eight
songs in
>> Ken?
Uh obviously yes because uh just say
I've explained
>> Mhm.
>> I wanted to do something that could
reach the mass meaning that my
expectation
>> was so big.
>> Mhm.
>> Yes.
>> Okay. Amazing. Now talking about some of
the of the controversies behind the song
you know uh releasing the song then
people saying you have copied the song
from another person how did you deal
with all that and make sure that uh this
your own creativity this your own
authenticity this song is your branded
as cocon
um when I did this song
>> I was working in home county
[clears throat]
>> and uh they wasab county
>> mhm
>> as a HIV and age program coordinator.
>> So I did it while still working there.
>> Mhm.
>> So I came to do the recording in
Nairobi.
>> Mhm.
>> Did the audio went back to Omi to do my
normal
>> job.
>> Mhm.
>> So after doing it
>> Mhm.
>> Um the song became so big
>> Mhm.
>> to the extent that the demand was so
high. Mhm.
>> And uh some people
>> Mhm.
>> and especially the DJs saw the
opportunity
>> Mhm.
>> to do a video that could help
>> uh spread this song.
>> Mhm.
>> Because uh people are transiting from
the cassett to
>> the
>> now the CDs.
>> CDs. Yeah. So a DJ or some DJ sat and
>> decided to
corrupt it
>> by bringing in a video
>> of another artist whom I can mention
>> Mhm.
>> Sudi boy
>> of the song Banati.
>> Mhm.
>> So they combined the Banati video
>> with the Mela audio.
>> Mhm.
And if you can remember that video
there was a disclaimer that it was to be
continued because the Bati song was
around 5 minutes
>> but Mela song was more than 8 minutes.
>> So when the video reached 5 minutes
>> they wrote there
>> to be continued.
>> So
um in one way or another I can say
>> it helped me.
>> Mhm.
because maybe I didn't have that
capacity
>> to distribute that song to the level
that
>> the demand
>> Mhm.
>> of it was.
>> Mhm.
>> So that video pushed it
>> Mhm.
>> very fast
>> and very wide.
>> But it was a misuse of copyright.
>> Yeah. Because it was
the Sudi boys. It was a breach
of copyright for Ban for Sudi boy for
his song Banati and my audio Mary.
>> Mhm.
>> Yes.
>> Wow. Amazing. Well, the story but let's
say by the end of the day we got the
song and we got the message behind it.
Now compared to what you did 10 years
ago, of course with the the likes of
CDs, now we have the social media
platforms like Tik Tok, we have
Instagram. Now compared to our message
of course sending the message then
people hearing about the song getting
the message knowing about the fictional
character Mela going to do the the stuff
then getting heal at the end of the day
but now compared to 10 years ago how is
the how is the how is the industry right
now and also how is the message do you
really get your message out there
>> actually I can say
the song has been still doing well to
date
>> and Uh I can say
it is among the songs that have
uh qualified
>> to to pass a positive message
>> for generations.
>> True.
>> And I think there is no any other song
that are managed
for the entertainment part.
>> Actually it's it it may not be about
entertainment but the commercial aspect.
>> Yeah. Mhm.
>> Because if you see the content we are
consuming today
>> it's not really educative.
>> Yeah. Yeah. Yeah. [laughter]
>> Yeah.
>> Maybe for the young people now how is
the now perverance of the some of these
songs do you believe maybe they take
they just love just having the rhythm
just to listen for the sake of just
listening really rather than really
getting the message behind the songs.
Uh trust me.
>> Mhm.
>> Among so many things that youths do
today,
>> listening to music
>> takes the higher percentage.
>> Mhm.
>> So um
I can say
>> Mhm.
>> that uh youths today are more into
entertainment.
>> Mhm. or the content creators are more
into entertaining than educating.
>> But uh educating and promoting or
promotion
uh may be positive
>> or negative.
>> Mhm.
>> Like today you walk into many of these
matus
>> or entertainment joints.
>> Mhm.
Trust me,
70% or more than 70%
>> content in those places
>> they either promote drugs
>> they either promote sex
>> or they promote
violence
>> or rebellion.
>> Mhm.
>> Three things.
>> Mhm. and uh because they are the things
many of our youths consume today.
>> Mhm.
>> What are the impacts?
>> Mhm.
>> Because the three things that I've
mentioned
>> are negative
and they must also bring
negative impacts in the life of our
youths.
>> Mhm.
And what are some of the evidences to
prove that some of the contents these
youths consume affects them negatively?
>> One,
don't we have the rising cases of rising
cases of new infection among the youths?
>> Mhm.
>> Is it not happening today?
>> Mhm.
>> It [clears throat] is happening.
>> Why? Because of the most of the things
they consume.
>> Mhm.
>> Drug abuse.
>> Mhm. comes in handy.
>> Mhm.
>> With the new infections because
>> control.
>> Mhm.
>> Then when we talk about the violence
rebellion
>> Mhm.
>> Don't we have rising cases of gender
based violence?
>> Yeah, we do.
And don't we is do we do we have the
connection between gender based
violence, new HIV infections and high
rising cases of teen pregnancies.
>> Mhm.
>> So you can see the impact
>> Mhm.
>> of what many of our youths consume
>> today. M
>> don't we have um uncontrolled
youths within the society?
>> Mhm. [clears throat]
>> Mhm.
>> The messages we are getting are about
being rebellious are about drunkardness
>> about sex. Mhm. Now where does now now
arts come in to collide with some of
these topics even some of these topics
that need really a deeper discussion.
Where does arts now come in?
>> Um just as I mentioned
>> arts music included
>> can be used positively or negatively.
>> Mhm.
>> But the so the society is not for the
negativity.
>> Mhm.
>> We are for the positivity.
>> Mhm. What if we could be working hard
>> to create clean content
>> that promote positive things.
[clears throat]
>> Mhm.
>> Uh
>> Mhm.
>> Mary Mel is one of them.
>> Mhm.
>> Is one of the contents I did so many
years ago.
>> Mhm.
>> It has lived for so long.
>> It's still relevant.
>> Still a generational song.
>> Yes. Mhm.
>> So if artist many artists can can come
come up
>> and do the same I think many of these
problems or challenges facing the
society today
>> can be highly reduced and we can have a
safe society.
>> Mhm. Now talking about mela you know uh
right now how do you maybe balance
between uh telling the story let's say
making it more of a story rather than
rather than something more more serious
in a way that it has the melody it has
the tune but still has the message a
deeper message behind it and people have
been asking about the Mela is it is she
a real person or is she a fictional
person so but I just want to get to know
how do you even balance between now when
you're writing down your lyrics and
listen to the how do you come up with
the with the the melody in a way that
you're passing the message but the same
way but same way you're entertaining us
not really not really people when they
hear about the song not really saying
that okay this is a serious song I'm not
going to listen to it because you know
the youth of of this generation when
something is more serious they're not
really going to pay attention to it but
if something is some something that can
relate to them something that is catchy
something that is has the melody into it
they they they'll go and listen to it
um they say knowledge is power.
>> So I think uh content creation also
needs a bit of knowledge and research.
>> So if we do good research
>> we come up with content that
generation can relate to.
>> Mhm.
>> It can last long and it can do well.
>> Mhm.
>> Yes.
>> Mhm. Now talking about also some of the
things that [music] you passed the
message about Mary Miller he talked
about combating HIV that just I just
want to know to get to know even now
compared to what now in reality in the
real life maybe someone stopped you in
the road and said okay you I I usually
listen to your song it really helped me
in some situation I was going through
this I was going through I was about to
to engage in some of these behaviors but
after listening to the story after
connecting with it I It really helped
me.
>> Yeah. That is one of the things that
keep me keep me strong.
>> Mhm.
>> And keeps my dream alive.
>> Mhm.
>> Because of the testimonies
>> I usually get.
>> Mhm.
>> I've made so many confessions
>> from the beneficiaries of this song.
>> Mhm. I've heard stories of people
telling me, you know, uh the first time
I heard about this song,
>> I was in a mat.
>> Mhm.
>> Heading to a clinic
>> to a boat.
>> Mhm.
>> But when I listen to this song
>> Mhm.
>> the way it was bringing the message on
abortion.
>> Mhm.
>> I made a decision decision not to
>> Mhm.
>> uh flash.
>> Mhm.
>> Today I have my twins. Wow.
>> In fact, among the confessions I have
>> Mhm.
>> 10 years, twins,
8 years, those who
made a decision not to abort because of
the song.
>> Mhm.
>> Those who had already
lost hope.
>> Mhm.
>> Because of the infection, but the song
gave them hope that
>> Mhm. uh there are people confesses to me
>> that the song helped them to there and
take treatment
>> ser seriously. I I also even have the
confession of the parents.
>> Mhm.
>> Who comes and tells me you know this
song helped my daughter, this song
helped my son.
>> Uh
some tells me you know this song before
I slept my dad used to play it for me.
So this song helped me a lot. So such
like positive stories
>> motivates a lot
>> and [clears throat] gives us hope.
>> Mhm.
>> Yes.
>> Now what do you believe maybe can be
done now? Because we are talking about 8
years ago or down the line. What do you
believe can be done right now so that we
can even get this message out there even
more vigorous than what what happened
back in the 8 years ago? Um,
one thing that I think should be done
>> is the regulation
>> of some of these content.
>> Mhm.
>> That are produced.
>> Some are very unhealthy.
>> Mhm.
>> But because we don't have serious bodies
>> uh maybe regulating or censoring some of
this
>> we see they're becoming out of control.
>> Yeah. and
they normalize
>> immoral behaviors
>> to the extent that even parents
themselves can't control their children.
>> Mhm.
>> I think one we should have a body
>> Mhm.
>> that controls
>> some of these content.
>> Mhm.
>> Like in Tanzania
>> Mhm. There are some contents that can
not be played
in their mainstream media or social
media.
>> Mhm.
>> Uh cannot be played anywhere.
>> Mhm.
>> Because they have bodies that regulate
>> they can guide you, you know, like
um
this talent
>> Mhm.
>> there is no bad talent.
>> Mhm.
>> But they can be mentored. Mhm.
>> The content creators can be mentored
>> to use the talents they have
>> positively to help the society
>> because at times I listen to some of the
contents you wonder
>> Mhm.
>> whether
>> such a like content creator
>> Mhm. have a vision of maybe having
children one day or being a grandfather
and maybe admiring listening to his
contents or our contents
>> when he's now old.
>> Mhm.
>> There are some contents you cannot
listen to your parents
>> but they try to normalize them. So
>> so we need to have these things
controlled
>> or else
>> mh
>> uh we will not be in a position to do
anything.
>> Yeah.
>> Yes. But do you believe maybe this
generation maybe the reception will it
be the same because I'm getting the
message here you're trying to say we
have normalized this type of song at
least explicit song that of course get
no get really the the morally upright
message out there really rather than the
opposite of what you did but do you
think will be still the same compared to
what we had eight years ago?
>> It may not be the same because um things
are changing. Mhm.
>> Like the digital transformation
>> Mhm.
>> has made things become so complicated.
>> Mhm.
>> Uh you know like you may control the
mainstream media. You maybe
control what KBC or
Y254 can
give to the public
>> but you may not control what is
happening in the sites.
>> Mhm. where some of these genses visit
>> uh where they get some of this content.
So
>> things may not be the same
>> but we can reduce
>> Yeah.
>> Yes.
>> We can reduce
>> if we can start by mentoring some of
these content creators
>> on how to develop messages that can
benefit the society not only the society
even themselves. For example, um if I
say
the song Mela I did more than 15 years
ago.
>> Mhm.
>> But it still benefits me in terms of
>> the name or the brand
>> in terms of uh maybe the revenue
>> Mhm.
>> uh the royalties.
>> Mhm.
>> If it was just a song to pass, it could
have not been helping me today.
>> Yeah. But if you do good content, it can
help you and even help
>> your coming generations because there
are good songs that we still consume but
they are honors.
>> Mhm.
>> Uh passed on long time ago.
>> Mhm. [clears throat]
>> We had the lucky dub, we have the
not there.
>> Mhm.
>> But the contents they did still lives
and still help in shaping the society.
>> Mhm.
>> Yes. Now uh talking back now coming back
to the the discussion topic about HIV of
course stigma being one of the barriers
of uh even treatment and even testing
but what what can you say the heart as
even your song has come to break this
type of barriers?
>> Yes. Uh I can say
>> that um the war against HIV and AIDS
>> has got gains and maybe
uh losses. Mhm.
>> We have encountered
>> for one the stigma level currently is
very low.
>> Mhm.
>> Uh maybe adurance
uh is high.
>> Mhm.
>> But these things these gains also comes
along with some challenges.
>> Yeah.
>> Like uh
low level of stigma
>> Mhm. has also
come up with the another courage,
another negative courage.
>> Mhm.
>> Where people do not care.
>> Mhm.
>> Because after all we have realized that
somebody can live positively with the
HIV.
>> Mhm.
>> We have also realized that HIV is no
longer death sentence.
So prevention
level [clears throat]
has also reduced.
>> Yeah.
>> And this why we are now encountering new
cases
>> of infection because
>> Yeah.
>> Because
Yeah.
>> Do you think maybe people are not
treating it as more terrifying type of
disease compared to what it happened
back then
>> what it used to be?
>> Yeah.
>> Yes. Uh-huh.
>> In fact,
even before we did Mime, I can remember
some of the IC materials, communication
materials. Some of them were so scary.
>> But today you can find they are so
appealing,
>> they are too [clears throat] soft,
>> you see.
>> But uh the fact remains that is there
something
>> Yeah.
>> coming up that we never expected. Mhm.
>> Because we were expecting that right now
we were fighting to move towards zero
infections.
>> Yeah.
>> But what were we witnessing today?
>> Mhm.
>> We are witnessing cases of new
infections especially among the
>> the young people,
>> the youths.
>> Mhm.
>> This means that there is a lapse
>> Mhm. in some areas
>> that needs to be
uh we need to fill those gaps.
>> Yeah.
>> Or else
>> we may not achieve what we expected to
achieve.
>> Mhm.
>> One we must control the informations
>> Mhm.
>> these youths are consuming. I know there
are even challenges of maybe supply of
>> prevention materials like when we had
the case during Trump's
>> uh administration you saw so many
support programs
>> were cancelled
>> this one could have also contributed
>> to the rising cases but
>> another thing my point of view.
>> Mhm.
>> Like today, many of the genesis, the
youth [snorts] generation we are talking
about today,
>> many of them are college students.
>> Mhm.
>> University students,
>> maybe secondary.
>> Mhm.
>> One thing we must accept is that economy
>> is very tough.
>> Mhm.
>> And some of these
uh comrades
>> Mhm. are undergoing a lot
>> of pressure economically.
>> Mhm.
>> Because
it becomes so hard for comrade to
balance between what to eat,
>> Mhm.
>> data,
>> maybe paying phone,
>> paying rent and the rest. So you find
the some of these challenges
>> Mhm.
>> putting them to more risk.
>> Mhm.
>> Like uh if you can have somewhere huh
>> Mhm. to get what can sustain you because
even the parents
>> are undergoing a lot of economic
pressure.
>> Yeah.
>> They cannot maybe support the lifestyle
or the life of these genesis.
>> Mhm.
>> So you find most of them being too much
vulnerable
>> to the extent that they can do anything
as long as it can sustain them, give
them money,
>> pay their rents or pay their phones or
pay their data.
>> Mhm.
>> Yes. Now why have we have we maybe
normalized this some of these type of
behaviors because we have seen it on
social media trending people just doing
anything for money get into unnecessary
even um bad behaviors just for for the
for the little money that they're
getting there. Like uh we said uh these
youth need a lot of guidance
>> and mentorship.
>> Mhm. [clears throat]
>> But we don't they don't have that
opportunity.
>> Mhm.
uh they like even today
programs that support youth
>> they're not there
>> or they are minimal
>> but [clears throat] these youths need
information
>> whether at the church at church level
>> school level [clears throat] college
level
>> or anywhere
>> because they can also learn that
>> you can manage
living with a little
>> you have
>> hoping to get the best out of your
perseverance.
>> Yes.
>> I think people just want to to get the
easier way out and even get
>> that soft life.
>> Yeah. That soft life
>> which you can't afford.
>> Yes.
>> But now what's your view maybe on the
vaccine? Of course the vaccine and
vaccine that was put in place maybe. I
don't know if it's it's working in Kenya
but I heard it is there. What's your
view on it?
>> Yeah, it's working.
>> But um still
>> Mhm. We must just remember that
prevention is better than a cure.
>> You may not sustain the vaccine
>> or the the preps or peps.
>> Yeah.
>> Yeah. So, personal
>> care
>> matters a lot.
>> Yes.
>> Yeah. Of course, prevention be better
than uh even getting it and then going
for the vaccine or even prepping before
even engaging some of these unnecessary
behaviors. But what can you say? Just
finish it up cuz I see the time is not
really on site. Just finish it up. Maybe
a person there maybe
has doubts on whether he or she has the
has the virus or maybe someone living
with with the virus had not yet come
publicly or told his family or family
about it. How can you say maybe as a
counselor or both as an artist? How can
you give them the best advice? was the
first thing the first step that they can
take so that they can even have an easy
way of living this type of disease.
>> Yes. One to anybody who has not taken a
step
>> Mhm.
>> to know his or her status,
>> I can say the strongest [clears throat]
>> weapon
>> Mhm.
>> or the most powerful thing
>> Mhm.
>> is knowing your status. Mhm.
>> It will help you a lot
>> because if you are HIV negative,
>> you will know what to protect.
>> Mhm.
>> If you are HIV positive, you'll know how
to live with it.
>> And uh
>> just as we said,
>> HIV is no longer death sentence.
>> Um and uh for you to live,
>> you also need live with it
>> positively. One of the things is having
a good support network.
>> Mhm.
>> Yes. And that is where the family, the
friends comes in.
>> Mhm.
>> Yes. Because by the time you are also
not
being open.
>> Mhm.
>> It simply means
>> that you still have
>> stigma.
>> You have stigma within you.
>> Yeah. And stigma kills.
>> Mhm. Yes.
>> Of course. Uh maybe what's the message
as we finishing up? What's the message
that you can give the young people out
there? Maybe a young man or even a young
lady listen to you. Even a parent listen
to you. Maybe what the best advice you
can give them so that we can even stop
this type of uh let's say uh let's say
familiarizing yourself with this sort of
behaviors using music in the right way
rather than listen to some songs that
are really not really mentoring our our
young children. Maybe what's the message
that can give the people?
>> Yes. Um let me just finish by saying
information is power.
>> Mhm.
>> And uh information can be both negative
and positive.
>> Mhm.
>> Uh let us be keen on the kind of
information and sources of information
that we get.
>> Mhm. As parents,
>> we also need to have a free time
dialogue with our children
>> because there is a lot they learn from
us
>> and um the content creators
>> or the message developers.
>> Mhm.
>> Let us consider the society.
>> Let us have hope
>> for the future of this society.
>> We are not here to live permanently.
Mhm.
>> One day, one time Kaya will no longer be
there.
>> Mhm. [clears throat]
>> But uh sometimes we find it tricky
>> Mhm.
>> fighting between fame
>> Mhm.
>> money
>> Mhm.
>> and maybe
money.
>> Mhm.
>> But let me say
that uh it is just important
>> Mhm.
>> to struggle or work hard to remain
relevant.
>> Mhm.
>> Yeah. Because remaining on top or
fighting to be on top sometimes me I do
say it is God's favor.
>> He chooses whom to be on top and who to
not to be on top.
>> Yeah.
>> So fighting to remain or fighting to be
on top sometimes exposes us to so many
things [clears throat]
>> that are dangerous to us. You have he
had maybe people getting into cult. Mhm.
>> You may have seen cases where people are
fighting physically or maybe killing one
another
>> to remain on top of but if you fight to
remain relevant
>> Mhm.
>> that is the best thing
>> because even if I'm not a star or a
celebrity today
>> but my work is still relevant. Somebody
can call me today come and share with us
>> tell us this. How do we go about this?
>> Mhm. Do you see that? So let them just
fight to remain relevant
>> but not fighting to be on top or maybe
>> Yes.
>> Yeah. Wow. Amazing message cuz I think I
believe you know it doesn't take a
celebrity or even a famous person so
that message can get there start with
the individual just get tell people be
aware of it first then spread the
message which is amazing but maybe tell
us about the me and that is the nation
maybe how people can vote for you and
where they can find you on social media
as we finish.
>> Yes. So
Mimea
>> has been a good song
>> and in mema award it was identified
>> nominated
>> as the legendary song of the year
>> in the legendary song category
>> because of how long it has lived
>> how relevant has been
>> and how it has been positively received
>> by the society. Mhm.
>> So people are voting.
>> Mhm. [clears throat]
>> And uh we have various uh ways of
voting.
>> Mhm.
>> And each vote just cost 100 shillings.
>> Mhm.
>> Yes. So if you believe and trust that
Mary me is truly a legendary song.
>> If you know the song, [laughter] it's
worth being legendary.
>> Yes. If it is really worth huh.
>> Mhm.
uh maybe being crowned as the
[clears throat] legendary song.
>> Kindly
>> kindly I'm requesting
>> you support it through your votes by
>> Mhm.
>> one you can vote through USSD
>> Mhm.
>> which is star
>> Mhm.
>> 657
>> star
13
>> Mhm.
>> star
>> Mhm.
>> 1078 hash
>> Mhm.
star
657 star 13 star 1078 hash
>> Mhm.
>> Or you can visit me awards
>> Mhm.
>> um platform.
>> Mhm.
>> Just select the legendary song category.
You'll find Mary and another song there.
>> Mhm.
>> Just vote for Kaya.
>> Mhm.
>> Or there is also another very short way.
>> Mhm. You can use pay bill. Mema pay
bill.
>> Mhm.
>> Member pay bill number is 40.
>> Mhm.
>> 46
609.
>> Mhm.
>> That is the pay bill. Then account is
1078.
>> Mhm.
>> Account is 1078. It will automatically
go to Konaya Marela.
>> Mhm.
>> Or if you think those those ways are
complicated for you,
>> Mhm.
You can send your money to our team.
>> Mhm.
>> They will use the money to vote.
>> Mhm.
>> And you can use this Empessa number
>> Mhm.
>> to send your money.
>> Mhm.
>> So that the team can use to vote.
The Empessa number is 07
>> Mhm.
>> 24
11
92
>> Mhm.
>> 80.
>> Mhm. 04
0724
11928
to make any inquiry
>> about me
>> we believe
>> through your support
>> uh I'm talking to a parent somewhere
>> whom this song helped
>> [laughter]
>> I appreciate your artist.
>> Yes, you are maybe a millennial who
benefited from this song directly.
>> This is the way this is the only way you
can
>> prove that really this song helped you.
>> Mhm.
>> Um you are a genie
>> who feels this song is shaping your
future. Mhm.
>> Kindly
>> you can support the song
>> through the mods we have
>> indicated.
>> And I think we will celebrate together
because if we come out uh victorious
>> it will also communicate something
>> even to the new generation of content
creators that really
>> if we do good we can be rewarded even
after so many after so many years. Clean
content pace.
>> Mhm. Yes, that's why I love Dr. Ezekiel
>> Ma. He has been very firm
>> on create creation of clean content,
cleanness in content creation.
>> So if you do that, I will highly
appreciate
>> and uh if I win
>> Mhm.
>> I believe a better part of the prize
>> Mhm.
>> will go to charity programs.
>> Yeah.
>> Yes. Mhm.
>> Because I know there are so many
vulnerable
>> members of the society
>> that needs your support and my support.
>> Mhm.
>> Yes.
>> Now maybe what they can where can they
get you on social media if they want to
engage with you?
>> Yes. If you want to engage with me
>> my social handles
>> Mhm.
>> apart from Facebook
>> Mhm.
>> are all Ankai.
>> Just search for Ankokaya. YouTube
>> Twitter
um
Instagram
>> or
Facebook.
>> Mhm.
>> Yes.
>> Amazing. Thank you so much for coming.
>> Thank you so much, James.
>> I highly appreciate and I believe, God
willing, next time
>> we'll sit again.
>> Yeah.
>> And maybe review,
>> of course,
>> the impact of what we have shared today.
Thank you so much. And I hope the the
the the Marla song will be crowned. We
finally get the crown of the legendary
status.
>> My prayer, your prayer,
>> everyone's prayer. [laughter]
>> Yes.
>> Okay. My good name is James John. Our
social media James John. We had a lovely
conversation. We talking about combat
HIV and AIDS through arts. And of
course, I was joined here by Uncle Kaya,
the artist behind the song. If you
missed this segment, make sure you rush
to YouTube. We'll be upload this this
section there. Then you can watch, maybe
review, even comment and tell us your
thoughts about it. But right now, I just
close it. And closing it, I mean, give
us a little test of Mela back again so
that we can close this segment.
>> [laughter]
>> Thank you so much. Amazing. Amazing.
Thank you so much for coming.
>> Thank you so much. Okay, for now we are
just going closing then I'll be coming
up with sport. So make sure you stay
tuned. # is still by in the morning at
white for channel.
[music]
>> [music]