Video summary
Oz Pearlman, a renowned mentalist and magician, reveals that his career rests on an illusion rather than supernatural ability; he explicitly states that while people believe he can read minds, in reality, he crafts narratives similar to magic tricks but without physical gimmicks. Unlike traditional magicians who rely on sleight of hand or hidden mechanisms, Pearlman's art form is rooted entirely in psychology and observation, making his methods learnable and repeatable rather than mystical. He distinguishes mentalism from psychic abilities by emphasizing that while psychics claim access to the "ether" with results that cannot be replicated under controlled conditions, a mentalist uses specific steps based on science to create an effect of mind reading. The core principles involve building rapport, establishing trust, and utilizing charisma, skills shared by hypnotists, salespeople, and con artists, all aimed at winning over the audience rather than manipulating them against their will. The foundation of Pearlman's success lies in his ability to generalize specific psychological phenomena into entertaining stories that resonate emotionally with viewers. He demonstrates this through a card trick where he asks an interviewee to shuffle two decks containing fake cards and then seemingly guesses the suit, rank, or even the date of birth associated with one of the chosen cards without touching them. The method relies on subtle cues such as muscle reading—the involuntary micro-movements people make when thinking about specific objects—and ideomotor responses that reveal information before a conscious reaction occurs. Pearlman explains that while he can perform these feats repeatedly, they are not magic but rather an illusion built upon observing body language and facial expressions to fill in the blanks for the audience's narrative. Pearlman shares personal anecdotes regarding his early struggles with rejection as a young performer who would leave tables furious after negative interactions, leading him to develop a mental "agent" persona to separate his self-worth from external criticism. This psychological buffer allowed him to survive the inherent pain of public performance by attributing rejections to an agent rather than himself. He also discusses the mechanics of hypnosis and suggestibility, noting that it requires cooperation and cannot be forced against someone's will, citing examples like Charles Manson who possessed natural manipulation skills unrelated to CIA experiments. Furthermore, he touches upon lucid dreaming techniques involving reality testing during sleep transitions, describing how controlling one's dreams offers a unique form of virtual reality experience accessible through practice in the hypnagogic state. Beyond performance tricks, Pearlman explores the darker side of extreme success and ambition, drawing parallels between his career trajectory and that of athletes like Tiger Woods or Michael Phelps who often face personal crises after reaching peak heights due to "gold medalist syndrome." He advocates for a balance where happiness is prioritized alongside achievement, noting that children provide a crucial perspective on mortality that liberates adults from the fear of failure. To manage anxiety and procrastination, he employs a strategy called "fast-forwarding feelings," which involves setting an alarm 24 hours later to check if negative emotions persist; typically, they do not, proving that much suffering is temporary and manageable through strategic thinking rather than avoidance or substance abuse. The conversation concludes with Pearlman reflecting on the fleeting nature of fame and status in a meritocratic society where constant growth can lead to misery, urging listeners to find contentment despite societal pressure for more accolades. He illustrates his mentalist skills one last time by asking an interviewee to think of someone who impacted their life; after guiding them through various constraints like gender, decade, odd or even years, and specific letters in names, he correctly identifies the person as Dave Gardner Chan from 2007 before revealing that Pearlman had actually met this individual just moments prior. This final demonstration underscores his ability to read micro-expressions and body language so effectively that he can deduce thoughts without any pre-research or cheating, reinforcing his claim that mentalism is a pure art form grounded in human connection rather than deception for profit.
Read the full video transcript
You have said that your career is built
on a lie. Yeah. What's the lie? The lie
is I can read people's minds.
You can't?
>> I can't. I wish I could.
>> Okay.
Why does what you do work then if you
can't read people's minds?
Well, because I'm giving the illusion of
reading people's minds, right? That's
the skill. That's really
I'm crafting a narrative which in your
mind plays out in such a way, kind of
like the way a magic trick works, but
the contract is different with the
audience. Because most of us when we
watch a magic trick, since we've been
young and we kind of first experience
magic, we know that what's happening
isn't real.
De facto, the bird that appeared didn't
really appear out of nowhere. The person
doing this isn't God. They didn't cut a
woman in half for real because you can't
actually put her back together. Right?
Science has established what can and
can't be done within reason. That's what
we believe. So, you can always look and
see and say, well, there's a gimmick.
There's a trick. There's a way that it's
being done. And the funny part about
what I do, it's called mentalism, it's a
form of magic, is that you can't really
find how it's being done because there's
never that trick. There's never the
gimmick. There's never the thing that
you do to do it because it's a pure art.
It's very similar to stand-up comedy. I
can show up with nothing. I could do a
show today for thousands of people with
literally nothing. A marker helps. A pad
of paper helps, but it's not mandatory.
Is that, you know, when you talk about
the prestige, when people talk the
reveal at the end, that's kind of the
thing that appears to be missing?
>> The abracadabra, the ah, the what's not
So, there we still get that moment of
the wow, the ta-da, the but the lead up
to it typically doesn't have any form of
something that looks like it's doing the
trick if that makes sense. It appears to
be just a test of wills where I've
trained my mind to see and observe
things about you or influence you in
such ways that the method seems to
really be mind reading. And that's
that's the illusion I'm trying to
present. Who is the greatest mentalist
from history in your opinion?
That's a tough question. I mean, there's
a guy in the UK named Derren Brown who's
really been
the Godfather the last like two or three
decades I would say who broke ground.
You can't really throw There's a guy
named Kreskin, the Amazing Kreskin, who
in the US was on
The Tonight Show with Johnny Carson. I
don't even know how many times over 80
and he was a real character and
performed. He created that whole motif,
but all of this started
don't quote me on this, but about a
hundred years ago where people used to
just pretend to be psychics or depending
on what you believe were psychics. And
then magicians kind of observed the way
psychics do their tricks or whatever you
want to call them.
Maybe they're doing it real, maybe
they're not, but they found methods and
the key thing to understand that's
different between a psychic and me is
what I'm doing is learnable,
repeatable, and based in science. Those
are very important things. You can't
teach someone to be a psychic. I've
never met a psychic that could teach me
to also be a psychic. I could teach you
No, but it's true. I it's really And
then it's not always repeatable. So, if
you're a psychic, let's do this three
times. Talk to my dead grandma three
times. I'm going to ask you three
questions, answer all three. It's not
like that, right? It's what's in the
ether. It's a little bit more
ethereal, if you will. And then it's
it's there's it's rooted in science. I
can explain to you the method of
everything I do. Most other mentalists
can explain to you how I do most of what
I do. Not all, and that's what can set
you apart, but that's the key. There is
a method. There's something I'm doing, a
set of steps. What are the component
parts? What are the core principles of
being a good mentalist?
I think knowing how to build rapport,
how to establish trust, same things that
a hypnotist can do, same things that a
good salesperson can do, the same thing
that a great con man can do are very
important. If you can't get people to
trust you and work with you, it won't
work. I'm not hypnotizing people to
cluck like a chicken. We're having a fun
experience together. So, you're winning
them over. I would say charisma is
important.
I I would say resilience is really
important. It's a lot of core
foundational skills that are useful in
all of life. So, resilience is really
important because it doesn't work at the
beginning.
So, you don't
I've never met somebody who was a
mentalist who was good at the start.
It's very similar to stand-up comedy.
You rarely find someone who's been doing
stand-up comedy 6 months who's
incredible and is headlining Madison
Square Garden. There were 10 or 20 years
of work to become an overnight success
for most of those people. The same thing
applies. It's the same core skill. Mhm.
You talk about reading microexpressions,
body language. That's part of it. How
How accurate is that in practice? How
much can you detect from being able to
see what's going on with someone's
microexpressions, their face, their body
language?
I don't have an easy answer to that
because it depends on the scenario. Does
that make sense?
A big part of what I do is create an
illusion that you can generalize my
skills to everything.
Does Does that make sense or no? Cuz I
can explain to what it means. I create a
very specific scenario that looks It
should look impossible. It should be
very entertaining and should be a story
you tell to lots of people. You go,
"Well, if you can do that, then"
Remember that? Then, the then connector
is what people fill in the blanks. Mhm.
And it's not always true, and that's the
honest truth is that I create an
impression of being able to do
everything. Should I give you an
example? But I don't know if we're too
early in the game.
>> I don't know. Let's do it.
>> But
I told your team to get a deck of cards
and they bought two decks of cards,
overachievers. My
>> wisdom. Correct.
Should we put the glass on? Grab a deck.
Yeah. I'm I'm not going to put the
glasses on. I cancelled.
>> And open it up. I don't want to touch
it.
>> All right. Crack it open.
Cracking. There should be I'm assuming
this is where CVS, Walgreens, I don't
know where you got it. Are there There
should be Joker and fake cards and
whatever. Joker. I don't know what there
is. I've not touched these, but take
everything out that's not a real card.
>> There's something advertising YouTube.
There's some rules. There's two Joker
cards. Okay. And please
shuffle them up to your heart's content.
Like mix They're They're in order right
now if they came out of the box. It's a
brand new deck. Yeah, it looks that way.
>> Are you a good shuffler? Uh no,
horrendous, but I uh At least you're
honest.
>> Yeah, dude, I've got I've got certain
skills, but shuffling cards is not one
>> Shuffling cards is not one of them, huh?
No, I imagine that this is something
that you do in your sleep. So I was a
magician before I was a mentalist.
>> Okay. It's kind of akin to doing pre-med
before you go to school and become a
doctor before you become a a surgeon or
plastic surgeon.
>> Mhm.
I used when I quit my job on Wall Street
as many metaphors to becoming a plastic
surgeon or doctor to convince my Jewish
mother that I wasn't throwing away my
life. Um
>> [laughter and gasps]
>> All right, I think I've got that
moderately well shuffled.
>> Yeah, but anybody watching this and
they're going to assume So magic is
slight of hand. As soon as I touch these
cards, everything's out the door because
I could touch them and do something.
Does that make sense?
>> Yes. And and truly, that's the honest
truth. If you hand me these cards, I
could cheat
10 10 ways from Sunday. So here's what I
want to do. I don't want this to be
about the cards. The cards are
meaningless. I just want to show you how
you could generalize a skill.
Do you feel like these are mixed? I
think so. Okay. So if you feel good, if
not, by all means, we can shuffle more,
but it it's inconsequential cuz I'm not
going to touch them.
>> They're pretty mixed. Okay.
Yeah. Yeah, yeah, yeah.
I did a good job. Good. I did good.
>> Mix them again. Do whatever you want. I
don't care. Put them down in front of
you. Yep. Okay. So you nor I can see
them.
And what I want you to do is take and
how do I describe this effectively? In a
casino, they always tell you to lift off
a piece. It's kind of like a cut. Yeah.
So I want you to lift off. It could be a
little. It could be a lot, but place a
piece over to the side.
>> go for a little. Do you feel good about
that? Would you like to do it again?
It's It's completely your choice.
>> great about that.
>> Okay. So see where you cut to. Grab the
card. Bring it close to your body.
>> This top one? I honestly couldn't care
less. If that doesn't feel right, do it
cut again. Cut somewhere different and
take this card. Here's what I want you
to do. Very important. I want you to
take and I want you to bring it very
close to you against and bring it close
to your body.
And and make sure I can't see and look
at it. Do you see it?
See it. And now look at me.
>> [sighs]
>> Right now, it's one out of 52. Are we in
agreement? If not, we start over cuz you
want to change.
So, you ask me what has to do with
actual physical parameters like
observing you.
Google right now, if you want to Google
this, Google is muscle reading real.
Is muscle reading real?
>> Yeah, you look it up cuz right now
you're saying to yourself, "This can't
be real."
Literally, if you want to Google it
right afterwards, you can Google is
muscle reading real. Everybody do that.
The ideomotor response, scientifically.
Check GPT with that. It's real. You can
see things in people
that will give away the answer. Watch.
Try not to react. Cover the card. Put it
away. I don't care what you do with it.
Think red, black, red, black, red,
black, hearts, diamonds, clubs, spades,
hearts, diamonds, clubs, spades, ace,
two, three,
four, five, six, seven, eight, nine, 10,
jack, queen, king.
It's a black card. It's a spade. It's
the king of spades. Turn it over. How do
WE DO?
>> [laughter]
>> [ __ ] YOU.
[ __ ] YOU.
>> [laughter]
>> NO. NOW, what somebody would think in
this scenario, one is the card trick,
but it's not cuz I I didn't touch the
cards ever. You could do this again with
any cards. It's it it doesn't matter at
all.
In fact,
try these. Try these. Try this. Take the
cards. Put them all together. Yep. And
mix them one more time, please. Okay.
You know what's dumb? I actually forgot
that that was the name of it. And for
the first half of it while you were
looking at me, I thought it was
uh
clubs. Oh, only after that when you said
go through it. I was like, "Oh, that's
why I checked again." And then you got
it right. No, but you got it right. You
got it right when you were going through
the The first time I was like, "And then
that's why I checked again." I was like,
"Oh, [ __ ] No, that's a spade." If you
would have thought it differently, the
funny part about it, I would have gotten
what you thought and not what was wrong.
>> wrong. Right.
>> All right.
Mix them again. Mix them again, please.
Now, here's where you can generalize the
skill. So, let me ask you a question
here. Do you know how to play poker?
Badly. But, do you know how the the the
rules of games like how a pair, three of
a kind, two pair,
flush, you know all the rules. Uh yeah.
Okay. Broadly.
Okay, mix. If you want to put on the
table, come mix, do whatever you want. I
just want you to feel like I've done
I've done the mixing, dude.
>> [laughter]
>> I'm aware that I can do this ad
infinitum and you're still going to be
able to guess it.
>> to watch this and go, "Why couldn't he
mix better?" That's what I know. There's
a take and I want you to I'm teasing
you. That's my skill. Lift off uh like a
a chunk. It could be a little, could be
a lot, and put one to the right.
Perfect. Pick up another, put one to the
left. Wonderful.
If you saw me, right,
guessing one card, why am I here right
now? Think about this. You shuffled the
cards, you made them three piles. Why
don't we just go to Vegas and why don't
I just play poker?
Let's monetize the skill. It's not
necessarily generalized to everything.
You've shuffled these. You made three
piles of your own volition. Is that
true? Yes. Pick up any one of the piles,
please.
Put it in your left hand.
Uh like this, like a like as if you're
going to deal poker. And pick up another
one of the piles.
Is that feels right? Put it on top, so
you're kind of reassembling. Pick up the
last one, put it on top as well. You've
cut the deck three times.
>> Mhm. And here's what I do. I want you in
front of you over there to deal one,
two, three, four, five cards face down
in front of you, please.
You can put them on top, however you
want. You're going to take those cards
yourself. Okay. No, bring them close to
you. Okay. I'm just getting them in.
Perfect. Grab them all, put the deck
away,
and bring it close to you, Mhm. so
there's no way I could see, and see if
you what your poker hand is. Now, don't
tell me,
but this becomes more monetizable than
guessing one card. Mhm.
And close the cards and bring them close
to your body.
Do you know what poker hand you have?
>> Yes.
Now,
again, statistically, you probably have
nothing
because that's what happens in most
poker games. Hmm, but you seemed a
little happy.
How happy did you feel? We don't know.
You also said you don't play poker very
much, so I'd have to observe you for
much longer, but a pair would be the
worst hand. The next one would be two
pair, three pair.
We would have a a straight or a flush or
straight flush.
This isn't a card trick. This is just
watching you.
And it's seeing where was there a
response. Statistically, again, I've
never touched the cards. This isn't a
card trick. This isn't about slight of
hand.
I think you have two pair. [ __ ] you.
>> on. Hold on. Hold on. Hold on. Before
you do this, don't do anything. Hold on.
Don't tell me anything about it.
I don't think I think the pairs two are
I would describe them as both relatively
low. That's my feeling. Do me a favor
right now.
I
Nothing jumped. I bet you there's no
face cards. I want you to take and lay
the cards out in front of you one at a
time face down in front of you in any
order you want. Just lay them in a row
of five in front of you, please.
Okay.
Eights. Was there a pair of eights?
>> Yes. There was. See, I I when I said
When I said low, you didn't know what to
say. You were confused because is that
low? It's right in the middle.
It's right in the middle. That's the
difficulty.
I don't care what the poker hand is. Do
you want to know why? Why?
Because
from the day you were born
until today
a card trick will not be something you
remember. Hmm. It won't.
So, I'm going to show you something that
you will remember. I'm scared. Are you
ready? Because you put these five cards
down
from the day you were born until today.
What month were you born in? Could you
tell me, please? February. February.
What day?
23rd.
23rd of what
88. 88.
>> [laughter]
>> Dude, no.
No. No. No. No.
>> [laughter]
[snorts]
[sighs]
>> No.
[ __ ]
I can't tell if it's better or worse
given that you're wearing that mask
right now. I can't tell.
>> [laughter]
>> I didn't even realize.
I didn't even realize.
>> [laughter]
>> You're terrifying.
You're You're a terrifying human.
>> [laughter]
>> You know we were talking about cults
before we got started.
I'm starting one now. Are you joining?
Yes. Yes. Yes. Tell me We all need to
Tell me what This is broken already,
Jared. We got six. It's okay. Good.
>> [laughter]
>> Dude, that's unbelievable.
I think you're broken, too.
>> [laughter]
>> It's very disconcerting.
>> [laughter]
[gasps]
[sighs]
>> Where do we even go from here?
>> first one. I don't know, dude. I'm
>> [laughter]
>> Holy [ __ ] Nice. Okay. Okay. Okay. Okay.
Okay. That's it from the day you're born
until today. Put these away. That was
just a fun warm-up. I didn't want to
throw these out there that early. Okay,
well
>> thing I'm going to do?
>> Okay. Holy [ __ ]
>> [laughter]
>> Thanks, man. Thanks. Now Now I feel like
I'm going to get jump scared by a ghost
or something.
Uh so
you mentioned that story is a big part
of it. That being able to sort of build
in
more than just being the trick. Well, I
think that's the key because the story
you tell is the the true power of what I
do and what provides longevity and has
been my secret to success.
>> Which is for years I didn't realize what
I was selling, which I think is a core
principle that a lot of people don't
realize. And when I say selling, people
always think that means money. I'm not
talking about money. All of us are sales
people in life. We don't realize it. You
and me, right now we're selling
attention. You're selling people
watching and listening to this program
cuz if they stop, your business is done.
And it took a long time to grow this,
right? Your equity. So, I asked myself,
what was I selling? For the longest time
I thought I'm selling I'm amazing. Look
at me, right? It's a very narcissistic
approach. I can do a cool trick. Why
does that matter to you? And then I
started inverting the question saying,
why does it matter to anyone else? It
shouldn't matter. Who cares? Sure, it's
an escape. Sure, it's fun. I could do
the same thing as 98% of my competitors
and realize it's cool, that's great. I
realized what's going to differentiate
me is when I make it about other people.
So, the way the story gets told, the way
thing is remembered is much more
emotionally impactful if it has
something to do with the person watching
you.
Right? That moment that connects with
them where that was a card trick, so to
speak. But the card trick when you
recount it to somebody will be
completely different because when I just
guessed
two pair in a poker hand, that wasn't
that meaningful. But when you sit back
and rethink this through and go I
shuffled these cards, I cut them a bunch
of times and then it was the date of my
birth, like how could that be? Right?
That story is going to get told in a
very different way and hopefully for
months and years to come. And that's a
very small parallel, but when I perform
I always make it about the people
watching. If it's for an NFL team, it's
going to be what matters to the football
viewer. Somebody who's not a fan of me,
they I they're I came along for the
ride. I'm trying to catch new people and
[snorts] have them buy into me and what
I do. And doing that is making it all
about them.
Like when I do my shows, if you come
watch my show, the audience is the star
of the show. I don't mean that in a
cliché new age you. I mean literally, I
don't have a show without the audience.
I'm panning for gold, and my version of
gold is genuine authentic reactions.
People
freaking out and other people, even if
you're not in observing that and feeling
that same feeling, because wonder is
kind of universal. Music isn't, comedy
isn't. There's almost nothing that is
universal. There's a few things, right?
But wonder is one of them. That's like
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>> wonderful example of what Alain de
Botton calls reverse charisma or inverse
charisma. Some people are interesting.
Some people make you feel interesting.
Right. Why is it that around certain
friends we have lots to say, and around
other people we don't have so much?
Right.
>> "Well, I don't know. It's
how much they encourage us to dig deeper
and to think about ourselves, how much
of us they can tolerate or they seem
like they're willing to hold on to,
uh how prepared are they to open up
about their experience that makes us
feel like we have the headroom to be
able to do about ourselves." And I think
uh yeah, a lot of people want to develop
charisma. They want to me me me. Look at
how impressive I am. They want that aura
to be electric and the stories to be
energizing and everyone in the room to
walk in and just
But I I when I think about the people
that I like spending the most time with,
it's not always the ones that are the
most interesting. It's the ones that
make me feel the most interesting.
I think that's 100% true. And the power
of silence that people don't really
observe or realize. It took me so many
years.
A comedian, if they step on their own
jokes, if you tell another joke while
people are laughing,
that's it's it's known as stepping on
you're taking away some of their
laughter. You're taking away some of the
feeling. You cut it short. It took me
years and years to realize that when
people start reacting in a performance,
I stop because it will continue. It's
like an Sometimes it's an avalanche that
continues. And in fact, we're shooting
uh pretty soon a a special. I think I
can talk about it, a Netflix special.
And one of the big things we talked
about is when you normally watch a show
you watch on stage, we have more cameras
pointing at the audience than on stage
because when people sit back down after
they've experienced it, that's the best
moment by far. No, but it's not even
that it's because they don't feel like
they're on camera anymore. When you're
standing, the spotlight's on, action.
When you sit down, you get to unpack
what just occurred and it feels as if
you're no longer on camera. I liken it
to you know when you cook a steak, how
all the juices come in? If you just take
the steak and put it on a plate, you
don't pour the juices. That's the most
delicious part of it. That's what gives
it all the you know the the the the
juiciness. It's like the the real
flavor. That happens in my show when
people sit and they turn to the person
next to them and they're like, "What the
fuck?" And he's like, "I don't know,
man." He goes, "How do you" "I don't
know, man. I like that right there." The
real part. When I leave the room and you
guys that's the best part. That's where
you want to leave the tape recorder on.
That's where you want to hear what
people really say. He goes, "Was he in
a" "Dude, I don't know how he did that.
I changed my mind in the middle. How did
he" That's the best part.
That for me is the real joy.
Sitting with silence is something that
takes a lot of skill.
To realize that there's a third
participant if you're ever doing any
kind of performance, especially if it's
between two people, you and your person
that's on stage. There's a third
participant or 3,000 participants and
that's all of the people that are
watching. Right.
>> And allowing that to sit, allowing the
sort of wonder to hang a little bit.
What What it comes to storytelling, you
know, not everybody is going to be
prestiging their way through some
date of birth revealing card trick.
Telling stories more generally, what are
some of the principles that you think
about when it comes to telling a good
story?
I think this applies, there's a parallel
which is you're not going to probably
learn to be a magician or a mentalist,
but the core skills that I have are ones
that are interchangeable in life. Asking
yes or no questions gives you yes or no
answers. Doors get closed, right? The
more you can give a branching tree and
ask questions that haven't been asked
before. So, a lot of what I do is I
design my ideas with the end goal in
mind. I literally know what I want the
ending to be, and then I work it
backwards from there. Does that make
sense? I know
I observe that, for example, I just did
something on Fox Business last week. I'm
going to be on CNBC next week. I'm
watching, what do people care about
right now? Truly. This is a unique time.
There's chaos in the Middle East, gas
prices are going up, most people are in
debt. People care about what's the price
of gas going to be. And I went on there
and I I made up the story, but the story
the hook at the beginning is I said,
"There's four F's that matter most to
all of us: family, friends, faith,
finances." So, you're going to say fuel.
Yeah.
>> [laughter]
>> You know, I I said
"Damn it, Chris. I need you on on
payroll." Uh but yeah, I I I I didn't
want to It was on Fox News, so faith was
important. But I I said that That's a
good one, though. Is that
you just needed to You the hook, the
interesting part at the beginning is you
want to liken something that somebody
can say, "Oh yeah, that makes sense."
That makes sense to me. And right away,
I I brought it back to what are gas
prices going to be? How does it affect
people around the country? And it it
tied together. And again, you're not
going to do this as a mentalist, but
most people, I think they're in
autopilot. And when they ask someone
else a question, or when they meet
someone, they slip into, just like in an
airplane, autopilot. After you take off
and until you land, the plane is mostly
flown by a computer that just does if
this, then this. If this, then this. We
operate 95% of our lives in that exact
fashion. You meet someone, is it like
fight or flight? What do I ask them? Oh,
what do you do? Okay, where are you
from? And yes, you can do that. I'm not
saying to be like a weirdo, but if you
scratch below the surface and think of
the first question, second question,
third question you want to ask them, and
then what's the fourth? Ask them the
fourth first.
You're much more likely to hit a
question that they haven't been asked
recently that jars them out of autopilot
themselves, where they go, "Oh, that's
interesting. I never thought of it that
way. That's a great question to ask."
Something that brings you back to
something more introspective, and then
listen. I know that's the craziest part,
but most people just simply wait for
their turn to speak next. And as soon as
you say something that resonates with
them, ding ding ding, their brain starts
saying, "I need to say this next. I need
to say this." And you're not listening
to what they're saying anymore. Read and
write are two different operations that
rarely work at the same time in our
brains. So, you have to It's like my my
6-year-old has an idea and he wants it
right away. I'm like, "Put it in a
thought bubble. Leave it in the thought
bubble. Let's come back to it." Right?
That's the hardest thing. It's hard for
me, too. But the raising your hand
approach and saving the thought is such
a challenge in a conversation. Everybody
criticizes the fact that they don't like
small talk. It's It's a almost universal
thing that people dislike. The idea of
getting into an elevator with somebody
that's going to stop at every floor
trying to hold together some
conversation that means nothing to
everybody. And uh yeah, the idea of
ridding yourself of the social foreplay
and jumping straight to third base or
whatever the equivalent is. Right.
>> I think it's a good idea. Well, even
asking something that's just different.
Like I You and I probably encounter far
more new people on average than almost
anyone. I will meet sometimes thousands
of people in a week. It's just part of
my job.
So, how do you connect with them on a
real level? I will stop and try to get
everyone's names. If I don't know your
name, I'll make sure it's Jared. I want
to make sure I got it right. Like that's
a very core skill that's so easy to do
that most of us just think nothing of.
How can people become better at that?
I've
I know a million people on the front
door of nightclubs. So, it's very tough.
So, in that situation, if you're meeting
a bunch of people all at once, it can be
overwhelming. Right? It's like trying to
drink from a fire hose. There are ways
to slow it down. There's ways to
remember names for short-term purposes.
Long-term is very different cuz the way
memory imprints. Um I gave a TED Talk
last year. Most viewed in the world for
that year. Humble brag. I'm very proud
I'm very proud of that though cuz I
didn't expect it to do that well. And I
barely made it to the TED Talk by the
skin of my teeth. That's a different
story, but if you ask the TED Talk
people, the fact that I even made it for
the TED Talk was within minutes. Flight
was diverted. It landed in Seattle
instead of Vancouver. We were on the
tarmac for 2 and 1/2 hours. We're trying
to figure out how to get me there. Am I
going to get in a car and just drive
across the border?
Finally, it takes off. I Anyway, it was
very funny. I sprinted faster than any
marathon finish I've ever had
>> [laughter]
>> out of the Vancouver airport. You know
when you're changing in a car, how many
times have you changed in a car? We're
just like in a movie, legs out the
window, changing. They're seeing my
tighty whities. These underwear were
embarrassing. They were not designed for
public consumption. Anyways, it was
crazy. I don't know how that thing came
together. But in it, I taught you how to
never forget someone's name after
meeting them within 2 seconds because
it's very embarrassing.
And so, I have a a little thing where
I've switched up the instructions on a
shampoo bottle, which are normally what?
Lather, rinse, repeat. Lather, rinse,
repeat. Three words every shampoo
bottle. Here's what I say. Listen,
repeat, reply. So, when you meet
someone, most people, when they hear a
name, they actually
didn't forget the name. They actually
never knew it in the first place.
Which sounds so silly, but when they say
the name, you weren't listening because
your brain is going through a stressful
period at that moment. Do I already know
them? What's going on? You're thinking
of a million things, especially when
you're meeting people. There's all
different things going on in your brain.
So, when they said the name, you didn't
actually hear it. You don't know it. If
you ask them right then, you don't know
the name. So, right away, the easiest
part, listen.
Sounds silly.
Repeat. I immediately repeat the name
twice if I can. What was that? Jared or
Jerry? Jared, got it. Listen, repeat. If
you've said it twice, your odds go down
by over 90% of forgetting it within the
next 10 seconds. And then, reply
involves some sort of a hook. You want
to cement the name in your brain. I've
got a few different tactics I use. One
of them is how to spell it.
So, let's say Jonathan, right? We had
Jonathan here. Is that j o n a t h a N
the two A's or an O at the end? And then
he goes it's J O N A T H A N. Oh, that's
the way to spell it. That's the only
way. Those other guys. So, right away
I've said Jonathan three times.
I'm going to remember it much more
likely. Like it's much more likely it
will not disappear. Second, if spelling
if the name is Chris, I'm not going to
be like is that C H R I S? Yeah, psycho.
Of course it's Chris C H R I S.
So, you can't spell it. What I might do
in that case is pay a compliment. Which
is Chris, I love that shirt, man. I
haven't seen that logo from I don't know
where. It's a great shirt, Chris. Now
I've said it two more times. I've hooked
it with a visual which is Chris wearing
the shirt. In your brain it tends to
click more. The third one is I connect
it to somebody else I know. So, if I met
somebody I'd go Jonathan, I go that's so
funny. I just read a book by that guy
Jonathan Haidt. What a great book,
Jonathan. Good name. Boom, I've just
connected it. All of those things can
happen in under 10 seconds. It's not
that much. People like being
complimented. It shows that you care
about them and you will now remember
their name. It's been a cheat code in
life for me because I will meet people
and they will feel seen and heard or
when I leave
regardless of if I'm really a jerk they
go oh, he's a nice guy, right? It
connects with you on a level because
you're being personable and most people
don't take the time to do that.
What how can people become better
with memory outside of that? It's not
just names. Ebbinghaus forgetting curve,
spaced repetitiony stuff. This is a
little bit of spaced repetition with
some mind palace location based stuff
going in there.
>> full mnemonics because if you're trying
to remember people's names for longer,
you really have to do a little more kind
of like hard wiring and cementing and
repetition but also having something
that hooks the person to either a visual
um
I'm with you. Like memory palace is
smart. One thing connects to the next
connects to the next and you can build
that out. How many people can remember
that for a long time? It's difficult.
>> It's tough. My memory is not that great
which people will not believe. They'll
say you ask my wife. She'll be like, his
memory's terrible. But, my memory is
great for things that are important for
me to remember. Mhm. Right? Think about
that again. For most people, I think
that's the case. You can stre- like, you
can play to your strengths. If you're
good at buys and back, and those chicken
legs, then you're skipping legs day,
right? I didn't mean that about you.
Legs are great. But,
I like how Chris is like, what did you
say to me?
Train today.
>> Yeah. But,
I think that I will do very well at the
things that I have to remember, and
things that I don't care about will kind
of atrophy. And that's the part that's
harder to to really condition.
>> Well, this is something that I get asked
a lot at the live shows that I've been
doing, which is how do I get better at
remembering ideas?
>> Yep.
>> And when I first started trying to not
be so much of an adult infant, I'm
listening to Sam Harris and Jordan
Peterson and and Rogan, and these guys
just seem to have like eidetic memory.
Like, [ __ ] Ben Shapiro seems to have
this like photographic memory. I
remember reading things and then trying
to explain them to a friend later on
that day, and I couldn't even remember
what book it was I'd been reading, and
it was so embarrassing. And I thought,
god, you know, this sucks. There are
these people out there that
they either have a skill set that I
don't have, or a capacity that I don't
have, or they're they're they're using
some sort of strategy that I'm not aware
of, or maybe they're just better people
than me. And then I realized that there
was no reason for me to remember it. I
was remembering ideas to tell my friend
in the gym. Right.
>> And a lot of the time, when people are
saying, I wish I remembered more of what
I read, I'm like, well, why? Why is it
that you want to remember this thing
that you're reading? Well, it would be
cool to to explain to other people. A
lot of the time, it's that I want to be
able to say that I've read it. I want to
be able to tell other people and show
other people that I know this book that
I've been going through, or this
particular documentary, or whatever it
might be.
And as soon as I started doing the show,
I had a reason to remember things. It
was high valence for me. Like, very,
very highly important to me to hold onto
stuff, because I wanted to talk about
this thing today with this guest about
their book. Right. there was a purpose
for me to do that. I'm writing. You
know,
I do this newsletter every week.
300,000 words later,
well, there was a reason for me to learn
stuff that week cuz I know that I've got
1,000 words to hand in this Monday. So,
there is a purpose for me learning
things and remembering things so that I
can then recall them. But, without that,
it's very difficult to have memory
stick. It's very effortful.
And the only reason that you do it is if
there's an outcome on the other side of
it. So, if you're struggling to remember
things that you're learning, I think
look at
what's the motivation for doing it. And
if you don't really have one, I think
giving yourself an output reason to
remember this stuff is a great place to
start. I agree.
Yeah, I think memory's a difficult one
because again, most of us will think,
"Oh, I'm so bad at remembering names."
Or "I'm so bad at" They'll You'll You'll
give yourself You won't give yourself
credit for certain things when you
probably have very good memory for
things that are important for your
survival. For your day-to-day, I need to
pick up the kids from school. Hopefully,
you are remembering that. That's very
important. But, the things that are
missing, what is it that's that's
lacking in that department? I find if
you can't remember it, cheat. I write
things down.
Take copious notes. It's been one of my
really big hacks in life is I I would
say about 10 years ago it started
happening is I would have repeat clients
who booked me for another show. And I
have a certain set list. And with what I
do,
you don't want to repeat tricks over and
over because they lose a lot of their
pizzazz and appeal. So, I
I start panicking. What did I do for
them?
Oh my god. And then I realized that what
I had done for them was asymmetrically
special to them and not as special to
me. So, you meet someone and you guess
their ATM PIN code 2 years ago. Right it
Oh, you Oh, you remember? I don't
remember it cuz I've done 317 shows
since you. But, the feeling that I gave
you was so strong and so adamant. And
I've done things where I guess I guess
the name of kids before they're born
from parents. And I'll give them notes
and these were kept in scrapbooks. I met
kids who are 10 years old.
>> Yes. That's a a
big big reputation maker. I meet someone
who's pregnant, I go, "Do you know if
it's a boy or a girl?" They go, "Yes." I
go, "Are do you care? If it's a
surprise, I won't say, but I know right
now if it's a boy or girl. And do you
know your nut top name?" And I'll guess
the name. I've actually guessed in a few
instances not the name that you you
didn't think this was going to be the
name and it ended up being the name, the
one that your husband wanted, you didn't
want, and so again, why do I say this?
I'm not trying to brag. If you meet
someone 5 years later, they remember
that moment crystal clear. If you don't,
it's hurtful. Yeah. Do you see that?
It's like they It turns something really
beautiful into something that's actually
a little bit tarnished now.
>> Exactly. And so after that happened on
one or two occasions, now I can somewhat
to a degree fake it because I can
elevate my energy to theirs and they're
not really guessing up, but I said, "I
don't want to have that happen again."
So that never happens anymore. Do you
know why? Because after that happens, if
I'm at event, I write their name, I
write everything, I try to cement it in
my mind. Just writing things enhances
your memory. Right away, just sit down,
take the effort. At the end of my show,
which you might not have a show, but at
the end of your day, debrief. What was
really important today?
I don't journal. I'm not going to lie
about that, but I will write down
everything that occurs from a business
perspective that I want to recall and
that I can use in the future. And just
by doing that, if I go back to those
notes and I can connect these two
people, which now through CRMs, through
very simplistic methods, I can just see
this person met me here, they know this
person, they might be at this next
event. Boom, I have all this information
that I can use not as a trick. I'm not
revealing it in a magical way, but it
almost feels that way to people. If I
remember something I did for you 3 years
ago, it feels like another experience of
wonder and awe. Oh my god, how do you
know that still?
I don't technically. I re re went over
my notes, but that the fact that I took
the time to take the notes and reviewed
them is already a leg up. And you can
always find that. I do a lot of sales
meetings and at sales meetings, I'm
always intrigued by the fact that one
person in the room is the number one
performer.
Why here? We're in a room with 3,000
people that flew to the Bahamas because
they all won a trip. One person did the
best of everyone. What made that person
the best that year?
That's that to me that's a fascinating
thing. That's like when I used to run
marathons, my faster days, and I would
win marathons, being at the start line,
there's no bigger rush. There's no
better drug. There's no better anything
than looking around at everybody else
and saying, "I'm going to beat every
single one today." I can't even imagine
being in the Olympics and winning a
gold. Like that's the
the rush, I can't it's unfathomable cuz
I did that at like a lower level weekend
warrior, and it was still the best. But
in that room, that person must have
believed they would be number one, and
then that became self-fulfilling, and
they kept doing everything they could to
make that happen. They didn't stumble
into it. There's no way the number one
person in your company is doing it by
chance and never thought it would
happen. It's impossible.
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eightsleep.com/modernwisdom
and modernwisdom at checkout. What about
deception? How can people better spot
liars?
So, people I wish I had
a clear-cut way and I don't want to lie
to people and tell them here's how you
can know who's lying. I feel that anyone
who does that is not telling you the
truth because people are different.
Right? We're all different, but all of
us have kind of guiding principles that
if you observe people, you can tell when
something's different. Benchmarks. The
same way that you can watch the stock
market and you see is it doing better or
worse and that's how you could judge
your financial advisor. How did you
against the S&P last year? Right, oh we
had a great year. How did the S&P do?
You got 13%. That was 15%. You're not
better. So, people to observe them when
they're deceptive, most people add more
details when they lie. They add more
details to a story.
Oh, you know, I want to come, but my
daughter's this and that. And bullshits.
Right? Like as soon as you start adding
in more, you're feeling the need to
prove beyond. When people tend to be cut
and dry and say, "I'm really sorry, I
can't make it." Boom. That tends to be
true.
>> Yeah. Not always, but more often than
not. Now, there are cases where certain
people
are are are
tight on words. They're not very
garrulous. So, somebody who might say,
"I can't make it." might be lying to
you. Is that different than how they
normally talk?
Check their cadence. I believe that AI
in the very near future will become
incredibly good at detecting deception
because if you can watch somebody when
they lie, watch somebody when they tell
the truth, watch both of those with
several examples,
I'm surprised they're not doing it
already, to be honest. Is that you can
now view the difference purely by
objective measures of how much time
between their words. When they then
speed up, right? All of those things
that are very hard to control, your body
does it the same way your heart rate
goes up if you had a bender last night.
Your body doesn't lie. You can't control
the fact that if you go for a workout
and you're in zone three the whole time,
when normally you'd be zone two heart
rate, oh man, my body's working harder
than normal. So, I think that catching
people in lies is much easier than
people expect. I do it in a very
hyper-focused way for my show, which is
at the end of the day one out of 52
cards in this case or
pick a name, think of the first letter.
You'll be like, that's impossible. Well,
there was 26 letters. Also, nobody's
name starts with a Q, X, or Z almost
ever. So, we can throw out those three,
right? I have
a skill that looks impossible, but that
I've been studying for 30 years, hence
there's kind of tactics I use.
>> Mhm. Yeah, I uh
I think it's an interesting one to think
about what AI is able to do to detect
that because you've already got it with
the baseline metrics of a uh polygraph.
Right, which is not Those are not 100%
at all. You think that the verbal and
visual cues of someone's speech pattern,
cadence, observing their face would be
more accurate than a polygraph if you
had a big enough data set?
>> yes. I think so. I think that in in
conjunction with a polygraph, but we're
not going to polygraph people very
often.
>> on the street.
>> whole to-do. Have you ever been
polygraphed?
>> No, have you?
>> Yeah. How did you able to beat it? So, I
can't tell you if I was able to beat it.
I was actually on a TV game show.
>> [laughter]
>> Okay. What which side? Were you one of
the contestants or one of the Okay.
>> Yeah, and so I don't know if I could
tell you because the only way to know if
you beat it is you'd have to have access
to the results and we'd have to sit
there and do it together, which I that's
actually pretty good idea for a show,
but I'm certainly you can't
>> deceiver is?
>> Sure. That would be sick.
>> Yeah.
Politicians.
>> What about You mentioned You mentioned
sales. You mentioned sales there. What
uh What are some of the ways that you
teach people to become better sales
people, more confident as they step into
a room where they're nervous, more
commanding and likable?
Being vulnerable is a huge one. So, if
if you feel nervous, but just saying
that is just allowing people into your
head and saying, "Hey,
I've never done this before. I'm
actually quite nervous right now, but
you seem like a great person. I just
want to tell you more about what I'm
Like, just anything that opens you up
that allows you to be human." People
hate fake news. I don't If you have
somebody who's a great salesperson, but
they feel fake to you, "Hey, I got to
tell you." You just see that's not you.
I can instantly detect deception that
that's not really you right now. And you
can detect it in a performer, you can
detect it in a politician, you can
detect it in people very clearly.
There's a spider sense we have that we
can't explain, but right now if somebody
was in the room that I didn't know
watching me behind my back, right, that
wasn't here, I could feel it. Do you Do
you know what I mean? I don't know if
it's sonar, I don't know where it comes
from, but there's some way that you can
sense a presence near you. And I'm not
talking about ghosts, I'm just mean you
can feel someone next to you.
Situational awareness.
I think there's something similar to
that where you can detect authenticity.
And for me, if you watch my show and you
meet me in real life, I'm the same
person. I'm just slightly exaggerated. A
lot of other people that do what I do
aren't the same person when you meet
them. Offstage, they're not the same.
Comedians, especially, are not the same
people. Actors and actresses.
Day and night.
>> Well, by design, but also it's shocking
when you meet some people you're like,
"Oh, you're so different than what I
expected." It's kind of a cool thing.
You've probably met a lot of famous
people, but you're You're just not at
all the person I thought you would be.
So, right away, I think vulnerability is
a huge one. Being able to open up to
somebody at a moment's notice and being
real with them. Another one is know what
resistance is going to occur. I call it
channel your inner mentalist. Try to
think like they think. Stop thinking
like you. Most of us
don't think in terms of
benefits-oriented language. I I somehow
learned this very young, which is if I
go up to a restaurant, cuz my hustle
when I was 14 years old I I started
doing magic tricks and I needed to buy
more magic tricks, was I went to
restaurants and I would get a job being
a strolling magician at the restaurant.
And I really
>> At 14. I started out at 13, but at 14 I
needed to make money. My folks had
gotten divorced, kind of really messy,
and I we had no money. So it's not like
I had no disposable income to be like,
"Give me an allowance to buy this." So
for me to keep doing more tricks, which
I loved, I needed to go work. My mom was
like, "Go go work."
And so there was another restaurant
magician somewhere else in the city. So
I knew that was a something you could do
and get tips and get parties and print
business cards. But I realized if I go
in the restaurant and show them tricks,
what makes me special? They don't care
about that. They really they they might
be cool, but so what? What they care
about is we have a line of people
waiting to get seats. They're a little
annoyed. They're on edge. Go entertain
them while they're waiting. Someone just
had to send back a steak. It was
overcooked. You know what? Go sweeten
the deal. Go make them happy because the
next 10 15 minutes while everyone else
is eating, they're kind of low-level
pissed off. Now we have this little, you
know, song and dance boy. Head on over
and I realized that the language I could
use for them wasn't they're going to be
amazed. They don't care about amazed.
Every single person that leaves this
restaurant today is going to walk up to
you and say what a great time they had
and how they're going to come back again
with friends. Boom. That's what they
want to hear. The manager wants to hear
about sales, not about how good my
tricks are. So the more you can position
yourself as a value add to the people
around you and what's important to them,
right? That's what's going to open
doors. That's what opened doors for me.
I had Will Guidara on Oh yeah, he's got
this book. So funny. Yeah. Yeah. Yeah.
>> It's everywhere. Yeah. Yeah. He's
crushed it. So uh 11 Park Ave. Of
course. With the number one restaurant
in the world for a while. 11 Madison. 11
Is it 11 Madison?
>> think so.
>> Okay. Um anyway, he said uh he was
telling me this some of the crazy stuff
that he'd done. Uh one of them was a
couple had
supposedly got married that day and the
wedding party was such a catastrophe
that they weren't able to have the
reception. They'd done the marriage
thing, but it's two families bickering,
backbiting, power games, all the rest of
it, and they had gone for dinner at this
place. They'd booked a dinner for that
evening. So, one of the staff made it
her job to work out they didn't have a
first dance. Made it her job to work out
what the first dance song would be,
and they slowed the service for this
couple did a little bit. So, they were
the only by the end of the evening they
were the only people left in the entire
restaurant. I think there's two floors
to it. And once they'd finished up, they
said, "Oh, you just head upstairs. We've
got we've we've got a thank you for you
for
They go into the elevator and they go
up, and as they walk out, they played
the first song that they would have had
at their wedding, and all of the staff
had left slowly all of the different
serving staff had left. They thought,
"Fuck, you know we kind of left here. We
were the last people here." They were
going upstairs. So, they were welcomed
for their first dance
>> Wow.
>> with the song, and they they've never
that what an unbelievable way to reverse
like even cooler story maybe than having
the reception that you would have had.
And uh yeah, that
it is very much what's the emotionality.
How much can you sort of penetrate
somebody with that? Like not just he was
able to guess the cards, but the cards
were also something special to me. It
makes it about this person.
That's that's the challenge in life,
right? Is to connect with other people
because
I realize other people are going to be
the ones who open your door. Your
network and who you are is is a huge
factor of your success and happiness,
right? As you get older, you watch so
much more of what I heard your Tristan
Harris we were talking about earlier. We
talked about how much lonelier people
are now because you don't engage people
in real life anymore. It's all screens
and text, and it's so true. It's it's
prevalent. For me, it's probably the
same as for you. I don't know how it is
for you, but I just I between family,
between work, there's just not as much
time. And especially if you're ambitious
and driven, I have definitely traded
career over friendships at various
stages where I can't be at this big
event. I can't be at this boys trip. I
just it's impossible. I travel too much
for work. So, when you have that drive
and not everyone has that same thing,
but at a certain point I think that
connecting with people around you and
either forming very strong relationships
or bonds that go past
like give and take relationships are a
huge one for me where I feel that as I
get older the people around me that are
just taking, I don't like that
relationship. I try to find ones where
you're able to keep giving, giving,
giving until the point where you have to
take and somebody wants to give at that.
Does that make sense? I'm trying I'm
saying it in a poor way, but the people
that have stuck around the longest for
me are ones where it's a back and forth.
It's a constant back and forth and it's
not always just take, take, take, take,
take. Yeah. What about confidence? A lot
of the time people step into a room
they're nervous. They are about to do
some big presentation or some pitch. I
understand that likability can come from
vulnerability. I think that's a a cool
way to connect and also to kind of
stop the additional level of pressure
and shame that you feel about having
this hidden thing. You have this secret
that you're hiding from someone which is
that I do feel nervous or whatever. But
how about getting over the nervousness,
feeling more confident, feeling more
more compelling and prepared when you
step in?
Confidence is a funny one because once
you become confident you ask yourself
why wasn't I confident 5, 10, 20 years
ago, right? Experience leads to it. How
do you fast track it? So, I had a kind
of a paradigm shift when I was young
when I was about 14, which is I would go
up to restaurants. I would go to the
restaurants. I would be going up to
somebody at a point where they don't
want me at all to walk up to them. It's
kind of like a telemarketer call.
I'm 14 years old. I walk up to your
table. You exactly. Exactly. You're So,
right away I started to understand that
when I walk up to you if if they don't
like me or they don't like what I'm my
trick or anything about the approach
went wrong, it's just negative. Some
people wouldn't be that kind of they'd
be apathetic. Even worse than telling
you get away is to just sit there and
not pay attention and look at you
awkwardly which is just brutal. Just
brutal. And so here's what happened.
That same thing you talk about
confidence. I would leave the table
furious. I would feel terrible. I if
that happened at two or three tables in
a row, it would compound. And by the
time I got to the fourth table even if
they were nice to me, I kind of hated
them. I had low comedian chasing the
audience. But I had low level rage and I
realized but truly I can't I can't allow
you that power over me. I had this real
and here's why. It was selfish because I
go if I can't keep doing this, I'm not
going to be able to buy more tricks. It
was it was very A to B, very linear. And
I go if I can't buy more tricks, how am
I going to get better at this thing? So
I said I have to find a way around this.
It was a do or die in my mind of I can't
allow the audience or in anybody else's
case the people around me to dictate my
self-worth and my confidence. And what I
did was almost a weird schizophrenic
multiple personality thing. I decided
that I was almost two people. And in my
brain I created this like split where I
said they don't actually know me. The
people that were just not nice to me,
they don't know me Oz Pearlman. They met
Oz the magician. And I thought the same
way that a movie star has an agent. The
agent handles the negotiations for
contracts. Right? You don't go to Brad
Pitt and say you can't have this
trailer. I'm not paying you 18 million.
You get 60 million. He has somebody who
does that for him. Who doesn't who deals
with the dirty work. Now most of us in
life don't have agents. So I decided
that I now have an agent in my mind. And
when I walk up to you if you don't like
me and you were nasty to me, I don't
care at all. The agent handled that.
That wasn't me. I didn't take it
personal anymore. And I know that sounds
easier to to to say than to do, but I
truly somehow disconnected the pain
associated with rejection which is
really what it is for most people. The
pain and fear of rejection and decided
to put that on someone else who wasn't
my core psyche. The best way I can liken
it is a visual metaphor as if you have a
bowl of water
and if I take salt and I pour salt in
the water, that water, once you stir it,
is salt water. There's nothing you can
do about it. But if you could somehow
find a way to insert a piece of
plexiglass in the middle, it's
invisible, and I poured salt into only
one side, this other side stays fine.
So,
I did this as a survival tactic at a
young age because otherwise I don't
think I could have made it through
continuing to do this job because the
rejection is so is so pronounced when
somebody just dislikes you. It's the
same as romantic rejection. I had
trouble with that as a teenager. That I
wish I had that agent in my mind. I'm
like, "No, it wasn't the trick. She
didn't like me." You weren't able to
apply the agent model to the romantic
No, because I like I didn't have
anything There was no buffer. I'm like,
"She just doesn't like me. Damn it. I
don't know what to do. I can't get any
taller. Yes. I have shoes that are
thick, but I don't know what else to do.
But if you can find a way to do that, so
when you go into that presentation, be
prepared. There's no such thing as
getting in there being unprepared and
saying, "Oh, that's my agent." That's
you who screwed up. So, be prepared. Do
your homework. Practice. But when you
leave, understand that there are two
different parts and that you shouldn't
assess your self-worth based on if they
rejected this little part of you.
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That's drinklmnt.com/
modern wisdom.
If you know these techniques so well,
how good are you at stopping yourself
from being manipulated? Uh uh not great.
There's It's funny because
>> God damn it, dude.
>> [laughter]
>> I think that
that's funny because it it's it's almost
like the chef who goes home, you know,
and it's like, you know, exactly, it's
ramen. So, figure that one out. Three
Michelin stars, best restaurant in the
world, hitting up Shake Shack
afterwards. But I think that I'm I'm
very astute at being manipulated in
certain parts of my life versus like my
kids can manipulate me like crazy. That
love gene. Well, well, they come home
like, "Hey, Mom said you could do that."
I'm like, "Did she though? Did she?"
Like full manipulation.
>> Yeah. Yeah. Yeah.
>> Like my son, this is so funny. He's in
like a after-school math program, where
I know for a fact he's not allowed to
use a calculator. But he was so damn
convincing. He's going to love when he
hears this. My my my 9-year-old is going
to love this. And he's like, "No, we're
allowed because we're only in fifth
grade." And he goes, "For certain word
problems, she told us that we should use
a calculator because it enhances our
skills." And I go, "There's just no way
that's true." He's like, "Email her."
And so, he was trying to call my bluff.
So, I
>> He knew that he you weren't going to
email.
>> I freaking emailed her, okay? And here's
what happened. She writes me back the
most dismissive email of like, "All of
our questions are designed for no
calculator. So, no, there's no cal- As
if I'm an idiot." Meanwhile, I know
getting trouble from my wife for how did
you allow him to influence you? And you
didn't even email. And now he looked at
me because he couldn't believe that he
had gotten me to email the teacher. So,
to answer
>> wins either way. Either he gets to use
the the
or manages to get dad in trouble and
look like an idiot.
>> wins because if he hears this podcast,
he's going to be in heaven when he hears
this. So, yes, it was full manipulation.
I can't lie to you and pretend that I'm
not manipulated either. But again, I
have a hyper-specific focus on what I
use money manipulation for. I am an
honest con man. If that makes sense. Our
contract is not one of I'm going to talk
to your dead aunt and tell you things
and you're going to pay me money.
I'm providing entertainment and
memorable moments
in the guise of deception. I tell you
from the outset that this is not real.
I had a John Lyle on the podcast and he
was looking at MK Ultra.
He's great, great historian researcher
here at University of Texas and he is
doing original research getting into the
archives, seeing all of the notes of the
people that were getting the
electroshock therapy trying to do the
complete reset on people to make them
pliable Manchurian candidate type
things.
And LSD, too. Yeah, well, they were
applying a lot of LSD in an attempt to
see if that made people more pliable,
more suggestible, more able to and there
was a Charles Manson wasn't a part of MK
Ultra. He wasn't a part of MK Ultra.
However, the fascinating thing is the
story is
people believe Charles Manson was
studied in MK Ultra because
there was some
additional skill he had that made him
good at leading a cult and he maybe he'd
learned that from the CIA's
investigations or there'd been some sort
of sharing of information in that. That
wasn't the case. He wasn't a part of it.
However, Charles Manson was unbelievably
good at manipulating people and getting
them to become suggestible. So, he
didn't learn anything from the CIA, but
John's line was the CIA could have
learned a lot from him. Right.
>> If they'd gone to cult leaders,
uh Danny Trejo, do you know Danny Trejo,
a Hollywood actor?
>> Of course. Yeah, of course. Yeah. Um he
was in prison
with Charlie, little Charlie, he called
him, Charles Manson, and little Charlie
was getting beaten up to one of the
smaller dudes around the block.
He's getting beaten up by some of the
other prisoners. He had a rope for a
belt, maybe he didn't have even have a
belt, and he gave him a rope. Danny gave
him a rope. Danny and his friends had
heard
that Charles, Little Charlie, was able
to get you loaded on heroin
just through your mind.
And they started letting him sleep in
their cell cuz they would protect him
in return for him giving them
mental heroin. And he did it to three of
the guys.
Only two of them had ever had heroin
before. And apparently, if you do
heroin, you throw up. You're likely to
throw up when you take it. The two guys
that had done it threw up. The dude that
hadn't didn't because he didn't know
what his response to heroin should be.
Right. Uh but they were basically
painting the picture of Charles Manson
this unbelievable reader, manipulator of
people, that supposedly might have
learned these skills from the CIA, which
he didn't. But in fact, if the CIA had
really wanted to learn how to control
and manipulate people, they could have
gone to him and said, "Hey, you've got
some You've got some really strong
skills here. All of the cult leader
things that we've seen before, the fact
that people are able to bow down, give
over their life, their wife, their bank
account, their entire sort of spiritual
essence to whoever this person is Right.
because they've managed to sort of play
this conducting game. They have. There's
there's a real I'm I'm fascinated cult
leaders and just everything about how
they're able to win trust and it's these
incremental changes. I liken it to kind
of like a cruise ship or a large tanker
that would just turns 1 degree, it start
changing. 1 degree, little changes over
time can
start pushing you in that direction of
especially when you earn trust. So, with
My Craft, it's kind of again, I kind of
guide you in a certain way, not for cult
leader, I'm not trying to take anything
from you, but I can't do it. When you
asked me earlier, can you do this with
somebody who doesn't want you? No. It's
It can't be done against your will.
That's You asked me, what's the core
skill? Building trust, building rapport,
and connecting with somebody.
>> Why can't you do it against someone's
will? Ethically or they they
>> They won't Just think about it. If you
decide you don't want to take part, then
you'll say, "No, I'm not doing that. I'm
not doing that. I'm not" It's like it's
not an against your will type of thing.
Right. You need to have them I'm not
going to touch those cards. I'm not
going to You're just going to stop me
dead in my tracks. It's not something
you can do against your will. Do you
know if the same's true with hypnotism?
Hypnotism is interesting because um
people have a level of suggestibility,
and a good hyp- hypnotist will check
that as they go. So, stage hypnotist
does compliance testing out in the
audience. They'll do something for
everyone. Put your hands together, close
them together, close your eyes, imagine
they're glued together, and they'll see
who's the most suggestible.
>> Mhm. And based on that, they'll bring
you up. Mhm.
Are you You must be familiar with a
bunch of
tangential skill sets. Hypnotism,
magicians, who else are behind who else
is sort of if there was a dressing room
of people doing stuff similar to yours?
Magicians, hypnotists, who else is in
there? I would say stand-up comedians.
Right. Because stand-up comedians, in
essence, are hypnotizing an audience in
a certain way. And the best ones are
guiding you kind of up and down, and
there's a rhythm to it. And my show has
a rhythm. So, if you were to watch a
full show, I have I keep playing devil's
advocate as I go. If you were to watch
my full performance, which I'm starting
to tour, so should we Should we plug
this now?
>> Absolutely, yeah. So, I'm I don't know
when this comes out, but May 2nd, I'm at
the Wynn in Las Vegas. Uh June 5th, I'm
at the Borgata in Atlantic City. And
coming this summer, I'm shooting a
Netflix special, which is going to be I
don't know the exact date yet. I don't
want to But it's going to be in July in
New York City. And all those tickets
>> out? Everything is on my social. You can
just click the link, but I'm at Oz the
Mentalist. So, it's @oz, looks like Oz,
the Mentalist on everything. Twitter,
TikTok, Instagram. Go there, click the
link, get tickets, come see this for
yourself.
>> Unreal. I had Dr. David Spiegel on the
show, and he is Stanford's head of the
hypnotism
evidence-based sort of hypnotism
lab and he was saying that you can have
a single one-time intervention
for lifetime smoking addiction
that's got a 25% chance of single
intervention full cessation for the rest
of your life. And I think when you do
two or three or four sessions that goes
up to 50 to 60%. But again, I would say
that that and ask him, is that against
somebody's will? So if somebody doesn't
want to quit smoking, then that won't
work is my opinion. But if somebody
comes in and they now connect a core
memory of something disgusting,
something that repulses you. Again,
there's different ways that they do it,
but I've seen smoking cessation
sessions. And now if you connect the two
together inextricably in your mind where
this thought of doing this is no longer
my feeling of I want to have coffee and
a cigarette in the morning, that feeling
of it now feels disgusting. It feels
like if you were to take a a bunch of
cockroaches and crunch them in your
mouth. If you could create those two
together in your mind or subconscious
level, then you won't be able to do it
anymore. It will disgust you. Isn't it
funny that the human brain has got these
sort of weird keyholes? Yeah, it's
tricky.
>> able to slot into, that hypnotism is
able to slot into, that comedy is able
to slot into. And I I with comedy you
can kind of see why because normal
day-to-day human interaction, people say
things and you both share in a little
bit of surprise and delight. Isn't that
cool? When you get toward hypnotism, you
go
what is the mechanism that's going on
inside of the human brain? Why is it
there? Is it purpose-built? Right. Or is
this spandrel in the same way that a
lightbulb gives off light but it also
gives off heat? It's not supposed to
give off the heat, the heat is just a
byproduct of the light. A human brain's
meant to have this. Is it built in for
us to be suggestible or is it a
byproduct of us having a few other
attributes that need to be important?
And by playing with it for a few
thousand years humans have found out,
ah, actually I can tell something about
your cards. I can tell something about
your life. I can suggest you to behave
in this sort of a way, or I can
encourage you to stop or start doing
something. Well, why do we dream? That's
a Have you ever Have you ever lucid
dreamed? A little. A little, not much.
So, when I was in high school, and I
this is no connection. I wasn't doing
mentalism. I was doing magic, but I
really was very into like Carlos
Castaneda. I was into his books and just
some with lucid dreaming and remote
viewing and all of this kind of
paras- paranormal things, which I didn't
know if I believed or not, but lucid
dreaming is real. And for about 6
months, I I wrote a paper on it in my
senior year in a psychology class, and I
was doing it. So, lucid dreaming, do you
know the techniques to do it? These
might be rudimentary cuz they go back
about 25 years. Okay.
You do reality testing. So, what I used
to do is I would wear a watch, and I
became almost OCD level. I would check
my watch every 5 minutes. It's kind of
like the Leonardo DiCaprio Inception
where he spins it. I would check my
watch every 5 minutes, and you have to
start doing this religiously. So, it
becomes a tick. Not a big deal. I check
my watch, I look at it, I look away, I
look back and make sure it was the same
time. I did this at school every day. I
did this throughout the day every day.
Then, as you're going to bed, this I
didn't invent any of this. This is all
from a book. There's I I I hope I'm
saying this word correctly, but it's the
hypnagogic stage. Hypna- Do you know how
to say that word? Yep. So, as you're
falling asleep, the best way to do it is
hold your arm at your side up. And you
know that moment when you jolt right
before you That's when your brain goes
into that kind of That's the most
suggestible part of your whole night. If
you can hold your arm up right before
you go to sleep, everyone try it. And
when you feel that, that means you went
into it. Now, start self-suggesting. In
my mind, I would say, "I will remember
my dream. I will remember my dream." And
you will nod off to bed within the next,
for most people, 30 to 45 seconds once
you feel that jolt. If you say that is
the last thing before you go to bed,
what started happening is you will start
to remember anywhere from three, four,
up to eight dreams a night. This was my
my my project. And you'd wake up for a
minute in between the dreams. If you
want you can write them down, but you
start having very vivid dreams. And
within about a week of doing this, the
checking my watch in my dream, I would
now check my watch. It's fully
Inception.
I'd look away, I look back, the watch is
always a different time if you're in a
dream.
It never has consistency. So I look at
it. Now your brain goes into overdrive
trying to explain, well, this is the
reason why. The same reason that an
alarm in your in your house turns into a
car honking in a dream. Do you know what
I mean before you wake up? So now your
mind is racing against you to try to
pull yourself out. So as you get better
at it, you realize I'm dreaming right
now. This isn't real. I will not wake
up. And now you can take control of your
dream. And it's actually the coolest
thing in the world if you can put the
work in the work to do it. I have had
moments where I've been lucid since
without doing just spontaneous. But I
used to have lucid dreams almost every
night. And it was the coolest thing.
>> video game while you're asleep.
>> It is truly it's The original virtual
reality.
>> It's better than virtual reality cuz
it's real.
Yeah, it's it's incredible. It's worth
it's not that hard to do which is most
people don't put in the work. I haven't
put in the work. I don't sleep that much
anymore. I've got five kids. But like
it's it was super cool at the time and I
think that I realized at that point
there's much more to the mind and there
are these things which I don't think are
explainable. They're not mystical, but
why is that?
>> Yeah. Why is that a skill that I could
learn within a week and be able to just
take control of my dreams?
>> It's like a back door in a computer
program. It wasn't designed to
necessarily be that, but for some reason
it is. And because we've tested and
played around with it so much, people
have found these ways to do it. How long
did it take you to do the to learn to
lucid dream? I think within less than a
week I was able to start doing it
somewhat consistently. And then it was
because if you again, if you were to
just do that, little changes. You know,
like the atomic habits you have to do
like small. This was one that wasn't
that hard. Every five minutes check my
watch. I would always check my watch
anyway, but this was just more
obsessive. But I would only look at it
once. Now it was the double tap. Look at
it, take a moment, then look back. If
you just did that, it's starting to
become something. And then when you in
the dream, it was so crazy because the
dreams are just as real.
When was the last dream you remember?
Uh So, I don't remember my dreams that
frequently anymore. Uh I had one last
night that I kind of remember.
>> How much do you sleep per night on
average? 7 hours. Oh, wow. That's yeah,
much better than me, yeah. No kids.
>> [laughter]
>> Yeah. Yeah. Yeah. Yeah. Yeah. I'm I'm
trying to bank as much sleep as possible
in anticipation. Well, you might with
kids, too. Everyone's different, but I I
just
>> I don't know any parent that has sleep.
I don't know any parent of of kids that
has that much good sleep.
>> I mean,
no one's awake, but I just go to bed
later. I just don't want to go to sleep.
Okay. Cuz once they go to bed, that's
your only time that you get to like
Yeah. [ __ ] I'm liberated.
>> [laughter]
>> This [ __ ] this 9-year-old that's
gaslighting me and letting him use his
calculator has finally gone, this tiny
little tyrant.
>> judgment from the tutor who writes me
back, and you could just tell that the
the parentheses was like, "You freaking
moron." Like you She couldn't say that,
but she wanted to put that in the
parentheses.
>> Yeah. Oh, it's so it's Yeah, that's
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When tricks go wrong. Mhm.
How First
Do I Do Do any times
>> go wrong. I'm perfect, Chris. No, uh
they they definitely go wrong.
>> Do any times come to mind where there
was a really big face plant and then I'm
also interested in how you recover from
that in front of a live audience,
whether it's big or small, because I
think that
you know, someone meant to do something,
they messed up this thing that they'd
maybe planned or prepared. Perhaps it
was their fault or it wasn't their
fault. Something occurred just at the
right moment or the wrong moment. Or on
a sales call, they quote the wrong
number and that kind of they notice
themselves starting to lose it. What
have you learned about dealing with sort
of failure in the moment? Can we talk
about sort of the more fluffy side of
failure, seeing yourself as a failure,
the self-labeling, the overcoming of the
self-rejection and the esteem side? But
I think in the moment, winning back uh
because you have to do that. If you're
at the table and you mess up the first
one, you go, "I I think I I might be
able to salvage this." What have you
learned about dealing with it
emotionally, psychologically, and then
also trying to charmingly bring that
back around?
>> So, I've gotten better like on a a
couple fronts. One, I've gotten better
at realizing that people remember uh
the beginning and the end more than the
middle. Mhm. So, how you leave someone
is so much more important than what
happens before that. If you can win
somebody back over, that will be the
last feeling they leave with.
>> Recency and primacy. Yeah, huge. And
people forget the misses and remember
the hits. So, and that's the key to
psychics. So, a lot of psychics, if you
were sitting in a room and check off,
"What did you get right? What did you
get right? What did you get right?" They
mostly get things wrong, right? It's
kind of the Roger Federer. He only won
54% of his points. He's arguably one of
the greatest of all time.
>> that stats. It's crazy.
>> 54% of his points but 80% of his games.
>> Exactly. Yeah. It's wild. So, the win
the right points. So, with me, I
realized that how I end is the most
important in a show and the the ones
that move you. For me, it's cuz I'm a
performer that what matters. But, there
are still major face plants. There are
things that go wrong and I actually find
I learn way more cliche, but from the
mistakes. Because if there it's a
mistake that I completely didn't see
coming, it really eats me up of like
what happened? How did I misjudge that
so much? And some of those you learn
from, some of those you kind of take the
hit and you move on. I learned in a big
way for me is that
defining something as a mistake has been
a gray area. For years, the only way
that you know if I made a mistake is if
you know what wasn't a mistake.
Which is funny because my career is a
pick your own adventure. Hear me out.
It's very clear in a football game if
you made a mistake cuz you lost the
game. Right? The score at the end of the
Mine isn't like that. That trick, I
could have never shown you
your date of birth at the end
and you would have still been impressed.
So, it could have gone completely wrong
on my end and I would have never gone or
maybe there was a second ending at the
end of that that you didn't know that
was like the kick kicker on the kicker
that I didn't do that went wrong that
you didn't
>> for success hasn't been defined.
Therefore, the failure can't be defined.
>> what the ending is.
>> I'm going to guess not only your cards,
but I'm also going to make sure that the
cards are your birthday. Exactly. So,
what if that never happened? So, what if
that last bit never happened? You didn't
know what wrong. So, I've learned that I
don't in essence foreshadow the ending
in many instances of what I'm going to
do beforehand so that if something will
go wrong
>> get a get out of jail get out of jail
free card.
>> I get to get out of get out of jail all
the time cuz you don't even know you're
in jail when you're performing.
So, that happens. But, there before
that, there have been mess-ups and
there's also things where I take a big a
big leap of faith. Like I'm going for
stuff. I don't know exactly when this
airs, but I'm hosting the White House
Correspondents Dinner this year. Uh
President Trump has never attended while
in office before, ever. Mhm. So, this is
the first time. I believe that that is
not a coincidence that he is coming uh
somewhat because I am there, because in
the past there's been comedians who kind
of roast him, and my intention is not to
roast. So,
>> Wouldn't it be funny if you got in there
and you decided to do a roast? It's
like, "We're not actually doing any
magic this evening. No mentalism. Donald
Just Tony Hinchcliffe, come on down.
It's just a [ __ ] Avengers assemble of
people come into the Kill Tony? That
would I mean, that's the ultimate rug
pull. You want to talk about that? It's
like you've spent your entire career
three, four decades doing this thing.
Just to fake this.
>> To rug pull the president of the United
States into a night roast. Oof. I I
>> you might lose
>> the long game. You might be jailed, but
uh the I I think that's the way that you
should That's the swan song.
>> 50% of you would hate you, 50% of you
would love you. There's just
>> I actually think that probably almost
all people would love you. Even Trump
Trump's
uh biggest supporters would love her
what to watch him go through a roast.
He's kind of like hilarious. He's been
roasted before. That's true. But I mean,
Barack Obama roasting him is just I
mean,
yeah. Barack Obama doing that um
"The difference between us is that one
of us is going to be president." That's
one of the sort of genesis points
supposedly, who knows, of uh
him deciding that he's going to run for
>> So, that was the last time, 2013. That
was the same one he was at. But he
wasn't there as president. Yes. Yeah.
Yeah. Um Barack sort of points him out
in the crowd of the the differences that
one of us is president or going to be
president. Hilarious.
>> I mean, it was it was That's sick. So,
have you got something special planned
for the Donald? The most special thing
I've ever planned in my life, I think. I
think I Again, you never know what will
happen, but my hope is that it's kind of
like the Joe Rogan moment. When I When I
guessed Joe Rogan's PIN code, there was
a feeling of there's no way that Joe was
in on this. There's no way Joe didn't
even know that was going to happen, cuz
you can register surprise very clearly.
It's very hard to fake surprise. It's
truly like even an actor actress to say
if you know what's happening, you can't.
That's why a lot of the scenes they do
that are surprises, they actually first
take surprise them.
Uh like the Die Hards. You know the Die
Hard when the drop the
Alan is it Alan what's his name? Alan
Rickman? Can you say that for me? When
he gets drop Oh, spoiler alert. Die Hard
one.
Sorry for anyone who hasn't seen it, but
it's been 30 years. The drop I was told
I think I saw the behind the scenes the
director's cut is Do you know at the end
when he
that they didn't rehearse that and in
the first take they actually dropped
him? Like do you understand that he was
it was Yes, so the first one was an
honest one because otherwise it's just
like shooting a gun. If you know, you
jolt up because you register before you
shoot that you're going to feel it. Your
body freezes.
So I think that
I think that
like seeing Joe react to the pin code,
he's almost as high level as you know
he's not in on it.
But a hundred X more is Donald Trump.
Donald Trump will not fake it for
anyone.
That will exactly. There is no world in
which I can get him to do what I want
for any reason.
You'll see what happens.
>> [laughter]
>> Yes. Interesting on the first take thing
McConaughey in Interstellar. So when
they go down to the planet that's full
of waves and they lose an additional
seven years because they're down there
for one more wave before they can get
out and go back up to the the ship. The
ship's been receiving all of these
messages so there's these backlogged
messages for
Good, there we go.
These backlogged messages for um
like two decades and it's his kids you
sort of watch his kids unfolding as
they're saying Dad we haven't heard from
you. We don't know if he's going to
That's the first take. The one that they
used was the first take and he he told
me the story where he was saying he was
waiting sort of getting himself in and
people try and come and speak to you on
set before you're about to go in and he
sort of did a this thing and he watched
it and sure enough the first take that
they did I don't think he'd seen
what the video was going to be that he
was going to be reacting to and I mean
Danny Trejo told me this as well this is
years ago when I spoke to him on the
show and you know you've got some
Mexican
gangster dudes like massive Mexican
gangster covered in prison tattoos and
he goes you know you need to learn to
act like
Danny's a fascinating human and an
interesting actor but like not
classically trained right right and his
whole thing was if you need to walk into
a room sit down and take a drink of
water you don't act like you walk into a
room sit down and take a drink of water
you just do that thing right and
unfortunately when you're talking about
emotional reactions after a while it
loses it I mean after the first time 50
60 70% of that emotional intensity is
gone and of the surprise almost all of
it's gone which is the same reason that
you don't want to do the same trick
twice comedians can't do the same joke
twice but musicians can Oh so lucky yeah
they are expected to Of course if you
don't play the whole play and you don't
do yellow
If you see the killers and they don't
play Mr Brightside you feel short
changed if you go back and watch Matt
Rife do a set that he did last time
which I think is one of the reasons that
crowd work is becoming so important it's
such a so I went to go and see Jimmy
Carr in Australia he actually looked
after our clothes as we jumped in the
sea at Bondi Beach which was the oddest
scenario that me and me and my video
guys and my friends went and jumped in
the sea and Jimmy was like I'm going to
look after the kit so he sat on the
grass on the edge of Bondi Beach like
dad was watching the clothes as we
jumped in and we came back and he's like
right I've got a gig to 7,000 people
that I need to go and like get dressed
for and Jimmy's like afternoon was spent
watching our stuff as we [ __ ] about in
the sea anyway um I went to go and watch
him and he does he must do, I'm not
kidding, dude,
350 jokes in an hour and
40 minutes. Yeah, he's you talked about
sort of up and down for comedians,
Jimmy's more like sort of an M140
Uh, but even he's throwing a lot of
crowd work in. Yep. And I think that a
big part of that is that it doesn't
matter. People ask you a question, it's
always going to be different, it's
always going to be new, you're in a new
place. And um yeah, the
the differences in terms of art form
from musicians and music, which is
another keyhole in the back of the human
brain. Like, why? Why why these rhythms?
Why these harmonies? Why these
particular sorts of progressions? Why
tension and release?
And why do we like familiarity
in music, but we don't like familiarity?
Even watching a movie, you like watching
a movie, but usually the most amazing
time is maybe the first or perhaps the
second, but after a while Avengers:
Endgame just sort of starts to lose some
of the And then you need a break. Right.
>> a break from watching Interstellar for 5
years, and then Comedy is different.
Some comedies are better the second,
third, fourth, fifth time.
>> That's true.
>> Wedding Crashers, I can watch Wedding
Crashers anytime. That movie So, I think
you it's really interesting when you
talk about comedy movies, because what
you're looking for are your favorite
moments.
>> Moments.
>> Yeah, it's almost like a shared
microculture around that thing.
And perhaps the same thing's true with
types of stand-up. But for the most
part, if you're going to go and see a
show, you want a new joke.
>> a new joke. I know what the I know what
the answer to the The only time that you
don't want that is if someone is with
you that hasn't been. You're like,
"Dude, you got to listen Listen to this
one, this one, this one." But that's
because you want the special I know, I'm
in the know. And there's an awkward
moment that's involved exactly with that
scenario when you're showing to someone
else something that you really care
about. There's this moment of what if
they don't think it's that funny?
>> sucks. And now they think I'm like And
I'm And then you start justifying go,
"No, well, it's really funny to me."
Like
>> yeah. I know I know I know it was he did
it better last time. Yeah. It's like
being passed It's like being passed the
aux cable at the front of the car,
playing a song. You're like you got to
listen to this and looking back and
everyone's like Yeah. Yeah, that is very
awkward.
>> There is no pain
like that. Like playing a banger that
you think is it was your top played song
last year. Everyone's just like
I'm a massive fan of Sleep Token, dude.
They kind of suck. Uh
So That's heavy pressure.
>> recovering from fails, you know,
I how are you going to feel do you think
going into this White House the the the
dinner? Is that going to be
>> to hyper prepared. It's it's really I'm
thinking of every scenario that can play
out to a degree and just thinking how to
how to kind of if in every road A B C D,
what can I pull off? What can I do? Most
of it is centered around I'm going to be
trying to do the most amazing thing ever
for Trump. Mhm. That's the moment. Know
that the people in the room, it's also
going to be a live TV. That matters. But
what matters is the headline. What
matters is the clip. That's really in
today's day and age what people truly
remember is typically one or two lines
Yep. of text. That's what they know.
Think about it. Think about people that
you know of and you you say, "Well, what
do you know them for?" "Well, this."
"Well, tell me more about that." "Well,
I don't you know, you don't really know
much more than that anymore about a lot
of people." Yep. Well, the simplest
message is the one that goes the
furthest. Right. Which is a
problem because for the most part
answers to the big questions that we
care about aren't simple. But the ones
that are most memeable, most repeatable,
most memorable
are Right. the ones that go the
furthest. So you actually end up with a
world in which the answers become less
satisfactory and less accurate as the
world's demand for answers becomes
greater and the ones that actually are
correct are the ones that are overlooked
because they're too complex or too
nuanced. So it's it's
it's too much work. It's too much work
for me to work out what this actually
is. I would much sooner just have this
simple four-word sentence. That's great.
Right. That works for me. So yeah,
you're right. Clipping culture has kind
of moved into print culture and memory
culture as well. It's everything.
>> Everything.
>> How short, condensed, and uh pure how
weapons grade can I make this one thing?
It's a shame. But it's also what defines
people. I you know, there's a the the
peak end rule, which is what you use at
the the most memorable part of any
experience tends to be the most
emotionally salient bit, the most
intense, and the end. And sometimes
they're the same. That's why bands tend
to finish on their biggest song. That's
why comedians tend to finish on one of
their best jokes. I imagine that the
same thing's true for you when you
design your site as well. Like, "Oh,
it's going to be the big finish," so to
speak. I tried to do the same thing with
my live show.
Um
I had this idea, the peak hate rule,
which is that
uh
cultural commentators and individuals in
um popular culture are defined by their
biggest
drama and their most recent one. So, if
you're Jordan Peterson, um you are
someone who pushed back against Bill
C-16 in Canada, and also whatever the
[ __ ] he's done recently, right?
Something to do with Christianity. Uh if
you are Hasan [ __ ] then you said that
America deserved 9/11 and whatever he
did recently around Iran. Like,
everybody online is defined by their
biggest blowup and their most recent
blowup. And the same thing is true for
the answers that we're looking for as
well. It's like, "What is the simplest
way to define who this person is?" Well,
we know who this person is. And I think
that, you know, one of the
criticisms that gets thrown around or
one of the one of the explanations for
why people hate um criticism is the only
criticisms that hurt are the ones that
we believe. Right.
>> I don't think that that's true. I think
the criticisms that hurt most are the
ones that we know aren't true, but that
we fear other people might believe.
That's Yeah, that's the perfect
>> optics management is, because it's not
just the pain of being misrepresented,
it's the indignation of knowing that
it's not true, and the fear of thinking
that other people might believe it. That
all together, I think, is kind of the
eye of the storm of feeling really,
really hard done by. It's like, "I'm
being scapegoated for this thing I don't
deserve to be. I know that it's wrong
and I'm worried that other people are
going to believe it. Like that is a real
trifecta. Uh so yeah, that's why the
optics management thing is important.
But dude, Trump I mean, if you want
somebody that has just inbuilt hilarious
responses, like I would roll dice in
front of him and I think that whatever
he would do would probably be pretty
hilarious.
>> There's no there's no bad reaction. So
if if he's angry, if he's happy, if he's
not amazed, if he is amazed, it's a
litmus test it's almost like a mood
ring. The mood ring is based on the
person observing it and not based on his
reaction. Does that make sense? So if I
guess something
it's fully it's because if I guess
something if he is uncomfortable by it
or he's amazed, depending on what your
view is of him, you will emotionally
register that. Does that make sense?
Like I might get something even if he
says I got it wrong, I would say did I?
I don't think it I think that a lot of
people I think that the majority of
people would say, I think he got it
right and Trump's lying. Do you
understand? I I I actually think it's an
asymmetrical upside bet with whatever
I'm going to do. Because and so I've
worked out the only thing that could
happen that's terrible is apathy. Apathy
is the worst like absolutely not caring
or not being engaged um
or not being involved, which is that's
my real
>> when you pull out the roast.
>> Yeah.
>> [laughter]
>> That's when Tony Hinchcliffe jumps out.
Shane Gillis gets Shane out here.
>> You've got him in your pocket.
>> Shane can really nail that. Shane is
that Do you know Shane?
>> Of course. Yeah, yeah, yeah. What
I'm interested in what you think your
work teaches us about how unreliable our
perception of reality is. Very. Yeah.
What have you learned about that? About
people's attachments to
>> so I this is something that I've kind of
had a process is yes, I've spent 30
years doing this and I've really studied
this and it's been my mission to exactly
create these moments of wonder and
amazement that can't be explained by
seemingly reverse engineering the human
mind. Knowing how people think and using
that knowledge against you in a certain
way. And doing this I've done this for
some of the most successful and
literally of the top 10 wealthiest
people in the world, the majority of
them. And knowing that they've run
companies, built companies, and I'm not
saying that your measure of wealth is a
measure of your intelligence. I've also
done this for people who have won Nobel
Prizes. None of those things are de
facto, your IQ doesn't have anything to
do with the way in which I fool you and
use your behavioral like your knowledge
of your behavior against you and knowing
how people think to trick them in a
certain way because misdirection magic,
a lot of things, the core principles.
What do I I'm blown away by? How easily
people can be fooled. It's wild because
it's like what you just said. You said
there's a keyhole in the back. There's a
certain set of tricks. It's like a lock
that you you have to you know certain
locks the key doesn't really work. I
call it the jiggle master 3000. But if
you hit the door certain way, click up,
click over, it opens. Like I had one of
those apartments in college where if I
gave you the key you could you'd be
like, "Dude, the key's broken." And I'm
like, "No, no, no." It's both a
combination lock and a keyhole. It's
everything. I have to lift it up while I
do it cuz the lock is not straight and
then I have to kind of like jiggle this
way and then turn. And if I did it I'm
like, "Don't you know that you Dude,
it's broken." It's a jiggle master 3000.
Your brain is the same way and all I've
done is
learned how to use the keys in different
way where if it doesn't jiggle this way,
if I say to you this do this and you're
like, "No." I can see that you're going
to move a little this way, a little this
way and now I've got you. And what
people want in general is to feel like
they're in control and I know when
people heckle me, people always think
the hecklers are the tough ones, the
skeptics. I think that's easier because
if you can figure out what is the core
motivating factor for them. What is it?
Is it attention? Is it not looking like
they're stupid? Is it not being the
center of attention? What's driving
their behavior at this moment? If you
can figure out what that is, give them
what they want within a seeming set of
parameters that they've chosen but
you've chosen. So again, within the
guise of my show, that person wants to
call me out. Great. I'm prepared for it.
Call me out. Oh man, you're a smart guy.
You know exactly how to come on up here.
Let's get you and now you've gotten that
shine. You've gotten that love. You felt
like you're the smarter person. I've
shown you behind the curtain in a
certain way for certain people and then
I do something you don't understand
that's more impressive. Now you've
bought in. So, the same way that a very
good comedian neutralizes a heckler not
by punching down where the crowd turns
against you, but more of we laugh
together at this person in a perfect
world they laugh with you. So, we've all
won together. It's not a zero sum game.
The same thing applies with me. I'm
constantly trying to see how I can get
to the end goal, which is a huge amazed
reaction.
>> Kind of alchemy in that way. It It's
jazz. I would describe it. I don't have
the song set up. I have different ways
that I can go. I can go from this
bridge, this chorus, different melodies
and I'm kind of playing people as I go.
>> Mhm. And that's why I've gotten better.
I think if you asked me 5 years ago, how
good were you? I'm like, much worse than
now. Much.
>> Mhm. Because I I
I improve with time. I'm curious to see
what I'll be doing in 5 or 10 years.
Yeah, well, levitating maybe. I am
>> [laughter]
>> I definitely watching Jimmy
work the crowd. I mean, it was 7,000
people at the TikTok Arena in
uh it's a TikTok theater, I guess, but
it's a a big boy
in Darling Harbor in Sydney and you
know,
Shout out to Bondi Beach to Coogee
Beach, one of my favorite runs in the
whole world. That is such a beautiful
run. Across the front? Yeah, you know,
you go along.
>> Yeah, it's like I don't remember how
long it was, but I've done that run. I
performed in Sydney once and it was
awesome.
>> Are you still doing I know you said you
ran with Casey Neistat yesterday. Are
you still pushing on the endurance stuff
at the what?
>> Yeah. So, I right now what's happened
and I always have excuses. Do you know
Do you know Ken Rideout? Yes. Yes, I
just did his podcast recently and Ken's
like, that guy just man, I I like seeing
people He's got four kids. He's so busy,
wrote a book and just keeps executing
and it he kind of reinvigorated me that
day where I have always excuses. Screw
that. My baby's old enough now, she's
almost a year old, she's sleeping. There
was some difficulty where if I don't
sleep through the night, it's very
challenging for me to get up at 5:00
a.m. I can make all the excuses I want.
If I've only slept 2 hours,
I could be tough talking. I could call
David Goggins, be like, "Stay hard." I
want to go back to bed. So, now I've
I've dialed in where I'm waking up 5:00,
5:00 or 5:30. I'm getting an hour and a
half to 2-hour run. No excuses. Get it
done before anyone's awake. And I had
that a few years ago, too. And now I'm
getting I'm finding myself again cuz for
about a year, I just wasn't really with
it. And now I'm doing I've got a
marathon in a week and a half, and I'll
probably do an ultra.
>> House dinner?
Uh I'm doing the marathon 6 days before.
But that's I would run a marathon that
day if I could. I might run a marathon
that morning. That's not a big deal.
>> Dude, holy [ __ ]
>> Anything less than 50 miles does has no
material impact on me.
>> Like, how old are you? I'm 43.
Jesus Christ. But a 100-miler, 100-mile
give me a little run for the money. But
I'd like to do a 100-miler this year, at
least one.
>> 100 miles inside of Central Park. 116.
Yeah. Just 4 years ago today.
Congratulations. Thanks. I mean, you
you're kind of an insane person.
>> [laughter]
>> I like to talk about
>> in a nice way, but
>> talk about the running, but the running
is a different form of mind control,
where just I like to find out what I'm
really capable of. And I think that so
few of us know what we're capable of
because it's so easy to talk about stuff
when you're not in it. But until you
push yourself mentally or physically
into a certain
point of complete discomfort, where you
hit a breaking point. I think it's kind
of like the way military operators are.
You don't know if that person, why do
they do these SEAL trainings? Why do
they Hell Week? Right? Because you can
talk tough, but before you get there,
you're freezing cold, you haven't slept.
All of these factors are working against
you. Your core motivating factors, like,
do I really want it that bad? How bad do
I want it?
I haven't done it, so I couldn't tell
you, but I want the guy or a girl who's
next to me in a life-or-death scenario
to have made it through that training
and found their motivating factor, that
they want this so bad that they're
willing to do this because that can't be
faked. And so you have to push yourself.
So the running is one of those things
where I like to get to a certain point
where I hate it, don't want to do it,
feel miserable, body broken, ideally
heat exhaustion. I've had heatstroke,
which is very dangerous. Don't recommend
that. Got through it. Somehow got second
place at that race. Don't ask. But uh
everything like breaks down and I 100%
want to give up and I talk myself out of
it. That That right there changes who
you are afterwards. It's like a flips a
switch where now when you go back to
regular life where things are
comfortable, which everyone's different.
I know a lot of people are struggling,
but call it comfortable as you're not in
danger.
Now you can readjust how you handle
situations, I feel. So for me that was
the running. The ultramarathon really
does that for me.
What have you learned about being able
to push through that discomfort? You
know, you That I can do it. That I can
do it. That it's it's your mind plays
tricks on you. Your body your your body
is directly impacted by the way you
think. I had I had a race called the
Spartathlon. It's in my book. I love
this race.
>> Such a dumb name.
>> [laughter]
>> It's a great race. It's 100
>> Asphalt Spartathlon 3000
killer. So it's called Spartathlon for a
reason cuz you run from Athens to
Sparta. Oh, I know. It's 153 miles and
it's recreating
the run that Pheidippides did for the
movie 300. Did you see 300 with Gerard
Butler? So I'm not going to tell you the
whole story, but like that moment where
the 300 Spartans defended against the
Persians. If they had not held
Thermopylae, the Greeks couldn't have
assembled an army. They wouldn't have
come. They wouldn't have beat them and
we wouldn't have civilization today. The
Greeks paint it in a very So the country
rallies behind this race and it's this
cockamamie, you have 36 hours to run 153
miles. It is really tough and I will
tell you that all these other races you
hear about, some of them are very
difficult. There's 200, 300. The
cutoffs, okay, are very easy on those
races. No offense.
>> The pace. There's just Yes, it's harder
to run 200 mi or 300 mi, but not if you
have 6 days versus a day and a half.
Just space out You have to be running
the whole time. If you take a nap for an
hour, get up, walk for an hour, you're
toast. You get hit by the cutoffs.
I did that race the first year. I did
not finish.
And when you don't finish a 36-hour
race, I got swept, which means I gave up
in the middle of the night. The cutoff
was behind me, but I gave up. I'm not I
know I can look in the mirror, I gave
up. I was puking for 8 hours, [ __ ]
I gave up. I could have kept going.
I went to bed in a hotel, woke up, had
lunch, and watched people that were
older than me, that were less physically
fit than me. I was a 2:25 marathoner at
the time, which is quite fast.
>> That's [ __ ] insane.
>> my fast was 2:23. I'm with a guy who's
never run more than a four faster than a
four-hour marathon. He finished the race
when I didn't. That changed me for life,
because I I was crying. I was like
watching him, and I felt so good for
him, but I realized at that moment it
had nothing to do with my body. Nothing.
It's like the Matrix, when Neo jumps,
it's not your body, it's your mind. I
gave up, and I realized at that point
you have the ability to flip that
switch. And everything is excuses in
life, everything. I've seen people who
are like paralyzed who go play
basketball and do things. It's It's
people have a decision where they decide
are the factors external to me the one
that decide what I do, or internally I
can make things happen and be relentless
in my drive. I came back the next year,
I was going to die before I didn't
finish that race. It was a complete
mental shift. It was no question, I am
going to finish this race, and I did.
And so it was just a complete different
shift in mentality. And again, it's
stupid, it's ridiculous, it's not
necessarily healthy. I'm not telling
people to run an ultra, but what I got
out of doing that
undoubtedly has allowed me to achieve
the success I've had in the rest of my
life since, because it recalibrated my
mind from like
to I know what a real 10 out of 10 is.
Before I knew what a six out of 10 was
and I could lie to myself about what the
other four out of 10 was for effort. Now
I know that if I decide without question
I'm going to do this, I'm going to do it
and I can look in the mirror and tell
myself I know I'm going to do it.
It's so fascinating that you've spent a
long time trying to understand how other
people's minds work and to manipulate
and guess those appropriately
uh but a good part of the lab that you
found that in has been internal. Yeah.
In yourself. Well, everyone I think you
probably I still have imposter syndrome.
I still am in rooms where I go, how am I
in this room right now? How is am I or
you go back to some part of yourself
that was probably the most insecure. So
like maybe 15-year-old me is still
somewhere in me and there's like I don't
know if it's trauma or whatever you
don't really believe you deserve it, but
you have to earn it. So I I still have
those. I could be as confident as you
could think of on live national TV,
millions of people watching, some part
of me is in there that's still that
person, but I think overcoming that
person is
kind of the mental talk that you give
yourself is it's there, but I've now
earned the fact that I think I'm here.
I've worked hard, I deserve it and I'm
going to tell myself that I'm going to
kill it.
>> What's the
biggest lesson that you've learned about
overcoming that imposter syndrome?
I don't know if you can ever overcome
it, if that makes sense. I because
overcoming it means it doesn't stay
there. I think that it helps me in a
certain way where if I have a show that
other people will think was a 10 out of
10,
it might have been a seven and a half
out of 10 for me and I'm going to be the
one who says, how could I have done that
better? And it's a relentless drive to
improve and iterate and improve and I
actually see some people who are in my
field who I don't want to say I'm
jealous cuz that's the wrong word, but I
envy in a certain way where they go, I
just killed it. That show was amazing.
That was and I'm like, how do you
believe that? Because I have the best
show ever, I'm still looking on how to
polish it, how to make it better, how to
improve. You have found such fulfillment
and satisfaction in not necessarily
mediocrity, but I'm obsessed with being
the best ever at what I do.
>> difficult though if you don't have that
level of intense self-scrutiny to become
the best ever at what you do. And I
might never become the best ever, but if
I never stop going for that, I think I
will continuously improve.
>> If you had the mentality of someone who
is happy with where they were at or more
grateful. It's interesting that
gratitude and performance a lot of the
time are kind of inverse because the
gratitude helps you to not push so much,
to not
self-assess and scrutinize and
self-criticize and improve and continue
to sort of exist in that lack. And you
know, this is a
a balance I think that a lot of people
are looking at at the moment, which is
well, how much do I want to have a
string of more miserable successes that
reach a higher peak Right.
>> and how much do I want to trade some of
that in place of being happy. Right.
>> Contentment unfortunately by design, you
know, it's radical in the modern world
that's filled with ambition and a
meritocracy and capitalism and people
trying to acquire as much status and
acclaim as they can.
It's radical to say I'm satisfied. Like
that's one of the most radical things
that you can do. It feels like you're
dying. People like, "What do you do
next? What's next?" Like as soon as I do
this, even if it's the biggest moment in
my career, this White House
Correspondents Dinner, "What's next?"
will be the question you get the next
day. Right.
It's very funny how that exists.
>> I
one of them in the middle of December
last year, I didn't know that it was the
day that
the Spotify charts were going to drop
and Modern Wisdom was eighth in the
world on Spotify. It was amazing
for a bit.
And then I saw that. I saw you post
that.
>> And then
Then you started saying, "How do I get
to seven?"
>> Yeah. You go, "Well, if I'm anything
less than eight next year, if I'm not in
the top 10, I might as well kill myself.
And if I'm eight, then it's just about
acceptable. If I'm seven, it'll be again
for a while.
And you go
I that you can see laid out in front of
you what the hamster wheel looks like.
It's a hamster wheel. Correct. And so
that's a very funny thing and it's very
hard to relate to, so I feel like it's
an obnoxious thing for me to say and you
can relate to it, but it's it's that
when I'm things are at their best for
me,
it's almost it should be the happiest,
but it's almost an inverse because now
you say I can only go down from here.
Yeah, if you're number one, there's only
one place to go.
>> There's only one place to The higher you
climb, the further you fall, dude. And
we look, this is this is the gold
medalist syndrome. Michael Phelps is
kind of the connect Look at um
Tiger Woods. Right.
>> Tiger Woods, you one of the goats. And
this week he just flipped his car for
the second time. I think he's been in a
traffic accident that maybe it's because
of alcohol or or some drugs or maybe
you know, or just something that's going
on inside of his mind. Like, do you want
Like, that's the price you need to pay
to be the best in the world. That's the
price that you need to pay in order to
do that. And it's a rare time. I was
with um some guys in Byron Bay on tour.
And uh one of them made a really
interesting point. He says, "I'm not
interested in people that are just
successful anymore." So, he's like, "I'm
interested in people that are successful
and happy and balanced." Cuz that's so
much rarer. So much rarer.
The the success thing is hard. Right.
But success and happiness is easily
three times harder.
And the success and happiness and
balance is like 10 times harder than
that. It's a rare time. So, what I'm
seeing as I continue in life and
something that if you do have children,
I don't like judge it in a certain way,
but children instantly give you a sense
of your mortality. It's it there's
nothing else that did it for me before
and that might be age-related, but I
don't think it was. I think that as soon
as you see the next person, you just
realize that you are just
>> One day I'll be gone. You
100%. That's so true. You don't really
see it or feel it as much until you see
someone else who's your continuation.
Who's your continuation? Also, somebody
that you instantly want them to outlive
you. So, that it it's hardwired in your
DNA where when your children it's this
really crazy thing when they're at a
certain age, it's usually between four
and five, they realize death and what
death is. And sometimes you get these
really like just crushing moments where
they would say to you, "I don't want to
die." Or "I don't want grandma to die."
And you're like, you don't know what to
say because we're all going to die.
Unless we get uploaded into the cloud, I
don't know what's going to happen. But
as of now, I don't want you to die
either.
But you have to explain to that person
that they will. And they're not going to
understand what that is. And most of us
don't because we're in a society that
really doesn't We push death away and we
don't really get to experience. Like I
have a a good friend who's a palliative
nurse who experiences death all the
time. And for them, it's so different
because they're really with it. They
they understand it. They see it. But for
us, how often do you see anyone dead? I
like
on a one handful I can tell you in my
whole life. I just haven't experienced
somebody seen somebody die or seen
somebody immediately after they're dead
that's not a funeral. Like literally
twice I saw somebody come out of a of a
of a lake that had drowned. And it was,
you know, it was like a
just a shocking thing because in the
movies it's one thing, but it's it's not
It's not something you experience. And
knowing that you will die one day, I
think is a liberating thought. And it's
one of those things where it takes the
edge off of when you say failures, I go,
"What does it matter?" In 500 years,
nobody knows who I am, you are, any of
this. And that actually feels freeing to
me in a certain way.
>> All of their opinions don't matter in
any case.
>> But that allows me to realize how much
stuff that I think right now is a big
deal isn't. And I have this little thing
I call fast forward your feelings where
I get caught up in anxious moments of
things I don't want to do that I dread.
And I didn't know what to do with it
because I would just push them off like
the classic procrastination of if I
don't want to make this call, I'm not
going to do it. I'm not going to do it.
I'm going to move it in my calendar.
And finally, I just decided how bad does
this feel right now? On a sense of on a
scale of one to 10, how awful do I feel
if I were to do this? And I'm like, like
eight or nine. I just really don't want
to. Right at that moment, do you know
what I do? I set an alarm for 24 hours
from today. I force myself, just like
ripping a band-aid, jumping in a pool,
setting an alarm 24 hours today and
write, "How do you feel?" It's my alarm.
And I would do it right then. I would do
the thing I was supposed to didn't want
to do right then. I'd force myself. Pick
up the phone, hit call, [ __ ] to want to
do. And I would just do it. And do you
know what? When the alarm went off the
next day,
if I even remembered it, I would say,
"How anxious do I feel now?"
Two? Yeah. Not even. And so I decided,
the same way that I trick people's
brains for a living, I'm going to start
tricking my own brain. And when I call
fast forward your feeling, sounds so
stupid, but when I say to her right now,
I go, "I'm going to feel like a two
tomorrow. I'm going to do it right now.
And I'm going to feel a two right now
instead of an eight because I actually
am in control of my like mental
disposition. It's just a trick. Your
mind is just a series of chemicals
that's tricking you to do that." That's
what the ultra running taught me. When
your blood sugar goes low when I'm
running, I go through a checklist of
what's wrong right now. "What's wrong?"
And the number one culprit almost always
is my blood sugar slow. When that
happens, I start saying, "I want to
quit. I feel terrible. I don't want to
do this." Boom. Right away, take a ton
of calories. See how you feel in 5
minutes. Don't talk to me before that. 5
minutes, talk to me. And when I say me,
I mean me to myself. But I just realized
through these different parts of my life
what's really going on. I mean, that's
Ross Edgley's thing, right? Suffering is
strategically managed. He looks at the
component parts of what it is that's
making him not feel so good in the
moment. Smart. He diagnoses diagnostics
test like in an engine. Yep. And man, I
want to meet him. You got to introduce
us cuz I'm a huge fan of that guy. He's
the [ __ ] man, dude. Just a shout out
to Ross. I DM'd him once. I'm like,
Ross, you're unbelievable. He's like,
thanks, bro. I'm like, you're
you're a beast.
>> But the most of those guys, at least
dudes that really, really pushing
themselves, there's something deep down
that's there's a kind of a darkness.
There's an edge to them. There's only
two guys I've ever met that haven't had
that in their in that world. And one's
Nick Bare from Bare Performance
Nutrition. Okay. Uh and the other one's
Ross Edgley. And I really, really tried
to push him. Like when we sat down
together and then we got to hang out
afterwards. And I'm I try and I'm trying
to negotiate the
>> running away from? What are you swimming
away from, Ross? Yeah, what where's the
shadow? And he is he's just got this
big happy hippo energy that
I I I couldn't I couldn't find anything.
I couldn't see anything there. He just
really wants to maximize his time on
this planet. He's really excitable and
excited about doing things. And uh
that's
kind of even more terrifying. Yeah.
That's kind of even more terrifying that
it's simply just a positive disposition
putting yourself through suffering. So I
think we understand the the alchemizing
of pain into purpose. But
just just choosing pain without the
alchemy thing in there I think is is
yeah, he's he's he's an animal, dude.
He's crazy.
>> There's so many people that become
sober. There's there's like a weird
overlap of people that are sober that
are now in ultra running because you
convert one addiction for another.
>> Right. And I'm not saying that's good or
bad. I think it is probably better than
substance abuse typically to go do
running even though it's left to be seen
what damage you're doing, but I think
it's better to a degree.
But
it is fascinating how people will want
to push things to extremes and that you
watch them and at its at its greatest
like Alex Honnold who I just admire so
much
>> Mhm.
is watching people Risk is one thing.
Like I don't want to do that. But the
fact that somebody else does that brings
me tremendous I don't know if I want to
call it joy because I'm not joyful when
I watch him do it, but just wonder.
Like I'll I've I I rewatched Free Solo
recently with my kids because we watched
the skyscraper thing.
And every time I watch it forget about
the the the the like fact that my hands
get sweaty and that I feel a physical
like tremendous feeling when I'm
watching it. The fact that every mistake
is death.
>> Mhm. And that you're watching it and I
know he's not going to die. So why am I
so nervous? But just the fact that
you're willing to commit to something
like that and that there's people in the
world inspires me. It's like that wow,
people will take something and just go
for it. It It's
I think that's what we want is to be
inspired. Unreal. So, coming up next
White House
then Netflix special. Two big things?
The two big things and a a few shows.
I'm starting to tour. So, for the last
like 10 years I've been mostly a
corporate act. If you saw me it was at
corporate events, but now I'm doing more
and more public shows.
I don't want to try one more thing with
you. Okay.
>> I'll leave you on a high note. All
right.
I walked in here. Right? Beautiful
studio. Thanks. We shook hands.
You hit me up with some delicious
drinks, by the way. It's good.
And I said to you that the same way I
asked you how many podcasts I want to go
through this. How many episodes have you
had on this podcast? 1,100.
>> So, 1,100 moments that hopefully have
given people
modern wisdom. That was the name of it,
right? Successful, interesting people,
find out what makes them tick.
All of that sum total
has gotten you to be here from February
23rd, 1988 to today.
So, I want you to close your eyes, okay?
And
I want you to imagine that you could hop
into a time machine,
but the time machine is to go through
your own life as if you could rewind the
same way people say in their last
moments they get to see their life. And
if I were to say to you to zip back in
time
and look into the face of someone
who for whatever reason, and this is
only in the eye of the beholder,
impacted you in some way. This could be
great, this could be small, this could
be recent, this could be years ago. I
prefer I I would say not this year
because it's too poignant. There's a
recency bias. If you just pick a recent
guest and you say, "Oh, I spoke to Sam
Harris or Tristan Harris."
No good. I don't like that.
I want you This is more of a right brain
exercise at first to see if you can
visualize that person's face. Can you
see
>> someone from the show? No, no, I'm so
sorry. Nothing to do with the show. I
That's not That's not the way No, I want
to make sure. It's someone that had an
impact on you that I don't know why,
what, or how. Open your eyes.
Now,
when I did this, right? And I had you
think of someone's name, and now I had
you think of their face, Mhm.
someone popped in your head initially, I
know,
and you go, "Mhm, I don't know whether
you said to yourself that's too obvious
of a choice." or I don't know what, but
always you think of someone and there's
a hesitation, and you go, "Should I do
that person?" Just that should I? And
then you switched.
>> Mhm.
I believe this is very funny because I
can't explain why, but it's the
difference in body language. I think you
switched genders. I think you started
with a female and went to a guy. Am I
correct?
>> Yes. Okay, I could tell. I could tell
because if it was two women or two guys,
the reactions are similar. You said you
asked me about like lie detection, I can
tell when things are different rather
than knowing if they're true or false,
but true and false are different. All
right,
let's try this. The female. Mhm. The
female. I'm going to get something, you
know
Think back in time,
and I'm going to put you on the spot
here.
>> Mhm.
Rewind. Rewind to
I don't know when this was. So, if you
were to put a time stamp, if we had a
pin, now if it was if I asked you an
anniversary, you'd know the day, month,
and year. If if it's more wishy-washy
like I played cricket and it was like a
few years, is this
a month, day, and year? A year, a month
and year? Like give me some sort of
categorization. Uh with the female?
Whatever it was. Yeah, I don't
>> Yeah, but the with the first person, uh
it would be a year. A year? Yeah. So,
one's a year. Now, you you the fact that
you even said that means with the female
means that it's different with the male.
With the male, what would it have been?
Month and year. Month and year. That's
more details. Let's go with that. That
sounds fun. Think back in time. So, it's
2026. I know you're born in '88, so
we'll go back from the time machine
forward. You probably don't remember the
first 10 years of your life as vividly.
Maybe you do. So, '90s, the aughts or
the zeros, we don't know what to call
them, the teens. You laughed, it's in
the aughts. Come on. That was too easy.
Think odd or even. Odd or even. Odd or
even. Odd or even. Now, you get confused
if it was 2000 or 2010 cuz you don't
know if zero's even or odd. So, I'm like
torn. I think it was an odd number. Was
it an odd number? Yeah. Yeah? 2007,
wasn't it? Am I right?
>> Yeah. I want to make sure that the
person watching this now, who's
skeptical, who says, "Oh,
he must have researched this." Now,
here's what I would say to that. If I
had asked you to think of your
third-grade teacher, then maybe I could
have found out your third-grade teacher
in advance, right? Let's be skeptical.
But, I want to make sure you understand,
there's no way to research real-time
thoughts because you could have thought
of anything. I didn't tell you. You
completely decided where you would go.
Are we in agreement?
>> Yeah. And you even changed your mind.
Yeah. I didn't tell you. You changed
your mind. Think beginning, middle, end.
I'm going to go
You can't see the camera behind me,
right? Mhm.
Let me ask you a question. Why do you
know the month? Why do you know the
month?
Because when I met this person, I
remember where I'd moved into. Yes.
That's why I thought That's why I went
with this because I thought it was
something to do. Okay, what month was
it? September.
>> September's what I thought. That's
exactly right. It was It was in the
fall. Mhm.
[ __ ]
The the the woman strikes me as somebody
where Could you Could you have done your
mother? Of course, but that's too
impactful versus
I think it was a teacher. It's a
teacher, am I right? And now, when I
said third-grade teacher, you got kind
of tense about it, and I don't know
which year it's for, Mhm. but
um
Was this a a a favorite teacher or
not-so-favorite?
>> Favorite. Favorite?
>> Yeah. The guy that you're thinking of,
think of his first name. Mhm.
Think of any letter in his first name.
Mhm. Right? All of the alphabet, think
of that one letter right now. You didn't
do the first letter, did you? No. You
were like, "Mhm, I don't want to do
that. That's going to be a giveaway."
Mhm. And then most people will avoid
vowels in names. They because they just
think every name has a vowel. So, I'm
kind of limiting myself. But, I don't
know if you did that. I think you
probably Did you think of a vowel? Yeah,
so you you you you you kind of knew that
and you went against me. You think of
letter A? Yes.
[ __ ]
I feel like
>> Think of his last name.
Are you thinking of it?
>> Mhm.
There's some sort of
There's some sort of judgment here.
The last name is
Is it hyphenated? That's why you thought
of two different people. Oh my goodness.
It's hyphenated. It's hyphenated. Yeah,
you're like, "Ah, he didn't take the
mom's the dad's name." You know, I'm
going to go with this. I
>> [laughter]
>> I can't tell you anything. I might not
have spelled this right there. Ask
yourself this question. Tell your
audience right now. Before I walk in
this room, had we ever spoken? Had we
ever set up? Is this Is this Do you Do
you have you written this down on a
piece of paper somewhere? Is this in
your phone? Did you Is there any way in
the world I could have gone on
Instagram, Facebook, Twitter and found
this out? 1% or 0%?
>> 0%.
Who did you think of? What's this guy's
name?
Dave Gardner Chan. Dave Gardner Chan.
[ __ ] you, dude.
>> [laughter]
>> No.
>> [laughter]
>> You need to be locked up.
Oh my god.
And then the best part the best part is
the alley-oop. It's right at the end,
which is come on over. I always like to
use you changed your mind. That is the
gold standard for this. The gold
standard is you think of something and
at the last minute you go, "I'm going to
change my mind." Right? Because that
shows it's real. That's the moment. If
you change your mind, shake my hand, go
back in time. How old were you? This
teacher, give me a guess how old were
you roughly? Give me a guess. Mrs.
Wilkinson, right? [ __ ] you.
Wow.
>> [laughter]
[laughter]
>> I feel like I feel like praying water.
>> [laughter]
>> I feel like praying water and you're a
shark. This is I don't know if you knew
this, I couldn't do any of this before I
arrived here. It's just because I've
been drinking Nutonic. That's the only
way.
>> [laughter]
>> Bingo. I knew there was an ad read.
That's the triple header. Forget
guessing the names, dude. It's the
[ __ ] ad read at the end. Bro, you're
amazing. This is
>> Appreciate you. Long time coming, my
friend. Hey, good luck. Good luck. I
can't wait to see what the Donald does
in response to this.
>> Me, too.
>> If he punches you in the face, that'll
make headlines.
>> Yeah, it's great it's great press.
>> That would be heaven. Dude, you rule.
Thank you. Thank you.
>> All right. Goodbye, everybody.
Bro, you're the man. Thank you.
Thank you very much for tuning in. If
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