Mark Normand Reacts To Dove’s Campaign For Body Positivity In Video Games
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Mark Normand reacts to Dove's recent campaign for body positivity in video games, which aims to challenge female representation and create a more positive space for women within gaming culture. The commercial features a superhero girl who defeats an evil villain but then removes her armor only to reveal she has gained 80 pounds before sitting down with hands behind her back, realizing the armor was holding her in; however, upon resuming combat, she is depicted as significantly larger and heavier. Normand critiques this narrative by noting that while female characters often fail to represent diverse gamers due to heavy sexualization and narrow beauty standards—evidenced by a statistic that 74% of girls feel unrepresented—he finds the specific execution here problematic because it feels forced rather than genuine. He expresses skepticism about whether video games are actually where young women seek representation, comparing the situation to advertising on Vanderpump Rules or selling "sunset" products with larger models who may not even be present in their own campaigns. A central theme of Normand's commentary is the concept of marketing becoming hacky and unoriginal as brands attempt to signal virtue through performative empathy rather than substantive change. He draws parallels between Dove's initiative, Bud Light's support for transgender rights, and Nike's endorsement of Colin Kaepernick, arguing that these efforts often suffer from "woke washing," a term he defines as allowing brands to monetize virtue signaling while concealing less altruistic business practices like poor labor conditions or unsanitary production processes. Normand suggests that when everyone is moving in the same direction ("zagging"), true originality and creativity are lost, making these campaigns feel contrived rather than authentic expressions of social progress. He emphasizes that simply adding a larger avatar to a game does not address deeper societal issues regarding self-image or representation if the underlying motivation appears driven by supply-and-demand pressures for racism or performative activism rather than genuine sympathy. The discussion extends to human nature and the psychological impact of visual representations, noting that people generally prefer attractive figures in media, citing historical trends where taller candidates with full heads of hair tend to win elections. Normand shares a personal anecdote about preferring jacked superheroes over fat ones and references fan reactions desiring "skinny-fat" versions of characters like Kratos or Solid Snake rather than realistic depictions of health struggles like diabetes. He argues that if individuals feel the need for direct representation in their avatars to validate their identity, it suggests a narcissistic tendency where superficial changes cannot fix deeper problems. This preference for idealized images over realism highlights how human attraction and societal standards continue to prioritize specific physical traits regardless of whether those representations are meant to be empowering or realistic. Normand also addresses the hypocrisy inherent in modern discourse, using examples like Michael J. Fox's past controversies versus his current fame, where people judge individuals based on a single headline while ignoring their broader contributions. He contrasts this with historical contexts where actions were constantly scrutinized against claims of goodness, whereas today social media allows for performative empathy without real-world accountability; one can claim to be an ally online while behaving poorly in private without immediate consequence. This disconnect leads to intense scrutiny when someone attempts genuine altruism or vulnerability, as skeptics apply the same rigorous standards used to expose bad actors to those trying to do good. Consequently, many people retreat from activism entirely for fear of being "rumbled" and criticized, disincentivizing authentic engagement with social movements despite their sincere intentions. Ultimately, Normand concludes that while conversations about misrepresentation in video games are important, they often get captured by performative gestures rather than meaningful solutions to the root causes of insecurity or lack of diversity. He questions whether brands like Dove truly care about fighting for different beauty standards when their campaigns contain no actual product and rely entirely on gaming imagery to sell a message that feels shoehorned into existing narratives. The episode ends with an observation that in today's environment, genuine empathy is often met with immediate skepticism due to the prevalence of concept creep and supply-demand dynamics, leaving many hesitant to participate unless they are certain their actions will not be twisted or used against them by critics looking for flaws rather than understanding context.
Read the full video transcript
I sent you earlier on a video about Dove
yeah that was great so for the people
that haven't seen it Dove is on a
mission to challenge and change female
representation in video games and help
make gaming a positive space for women
and girls so they've created this video
of a like superhero girl superhero and
they she slays this this evil baddy and
then she gets back into the changing
room and takes her armor off and gains
80 yeah that was odd immediately and
then like sits down puts her hands
behind her back and realizes I don't
need to wear the armor that is holding
me in and then she goes out and like
keeps on fighting but now she's 80b
bigger yeah um female characters in
games do not accurately represent the
diverse Gamers of the world and are
often heavily sexualized and created
within narrow unrealistic beauty
standards 74% of girls feel
unrepresented in video games um I'm
looking forward to the Call of Duty lizo
skin dropping I want to unlock I want to
unlock lizo
too big of a Target terrorist it's too
easy but here's my thing with a couple
things I love the idea of the animator
being like the director's like we need
her fatter so he's like oh [ __ ] all
right so he has to make her bigger but
also I get it look it's all I'm all
about helping women and having them
being represented but aren't we going
it's it's getting hacky now like Miller
Light Bud Light all the uh Starbucks at
a big commercial with the Trans and
you're like well now it's just hacked
the whole thing with the marketing and
and uh stuff like this like this kind of
art you got to go a new way isn't that
the whole point of uh being original
like when they Zig you zag and they're
all zagging everybody's going in the
same direction yeah so I'm like to me
it's not even about the the woke [ __ ] or
whatever you want to call it it's like
you're just being unoriginal now it's
boring it's boring well I think the main
concern that people it's kind of the
same as the like Supply demand problem
for racism which is it doesn't seem
genuine yes it's forced yeah completely
forced completely what do you call that
uh starts with a C contrived thank you
you nailed it [ __ ] yeah tapped in we're
tapped in together periods are sync
that's menstrual cycle exactly menstrual
um cycle menstrually cycle um so yeah I
I think it's just that people don't
believe that this is is this actually
coming from a place of genuine sympathy
or is this coming from what's it called
woke washing yes mad Avenue yeah I
learned uh what was the [ __ ] thing
woke washing is allowing Brands to
monetize virtue signaling it conceals
the less altruistic business practices
so Miller Light and Bud Light you know
there two good examples that you brought
up there they'll where are they getting
their tin from is anybody looking at the
aluminium that goes into the cans is
anybody like looking at the production
processes are they meeting sanitation
standards are they doing all the rest of
it and it's like no but they gave Dylan
mlan six a six-pack with her face on it
that's like enough to look over there
look over there you don't need to look
over here thing and I think with the
dove thing Dove maybe actually does feel
a little bit like um a company that for
a long time has been fighting for
different beauty standards they've done
stuff with skin that's true like trying
to get representation for different
girls but if you're going to fight the
good fight it doesn't feel like video
games are the place that girls are
looking to find their representation
exactly and they there was no soap in
that commercial there was not one bar of
soap not a lather not a lotion nothing
yeah exactly it was just video gaming
and I'm like I don't know it's also
weird that we have to shoehorn women
sure there are women Gamers I'm sure but
like it doesn't feel like that's their
their big uh demo is these these fat
ladies like like advertise on uh Vander
pump rules like every lady I know my
wife included has like six girls over
they're all watching it I walk in
they're like sh you know selling sunset
the bigger girl on selling Sunset
exactly exactly but she's not there
which is also probably why it's doing
well you know it goes back to the Barbie
it's like Barbie's unrealistic and I'm
like yeah yeah but who wants a realistic
toy you know but women think they're
going to think they have to look like
that I'm like maybe they want to look
like that or maybe you know uh that's
that's okay if you want to like I every
superhero I had was jacked I don't want
a fat superhero I'm not jacked someone
so I put this out on Twitter earlier on
and someone replied and said
um they can't wait for a version of
katos you know from God of War are you
familiar with that guy like just like a
jacked God God figure type guy can't
wait for skinny fat kattos or um Solid
Snake uh to be creeping around but he's
lost a foot G to diabetes like I don't
know just there seems to me if you need
if you're so narcissistic that you need
direct representation in your avatar in
a computer game there are bigger problem
than Simply Having a full of figured
Avatar are going to be able to fix yes
completely and it's just human nature we
like to look at attractive things I mean
every president who won has been taller
every I think maybe except for one but
it's always a taller guy who wins full
head of hair helps yeah yeah I mean it's
it's in men too like we we want our men
looking the right way as well what was
that was it Nixon did he do some famous
uh debate and he was one of them was
sweaty and the one wasn't sweaty he did
one on radio and one against Kennedy cuz
you couldn't see how good-looking
Kennedy was and then when they TV aired
it Kennedy won that pretty privileged
man yeah I don't know I I think it's
just it's such a shame that you have
conversations that get captured by like
they're are much longer levers than
trying to fix yes whether or not girls
are being misrepresented in video games
exactly and uh let's talk to the ladies
see what they think also it just first
of all It Feels So forced but oh I
forgot my point you said something say
say what you said again maybe it'll jog
it that it oh I got it back thank you
that's all I needed was your sweet sweet
uh English voice so oh I lost it again
say it again start
talking oh I got it I got it I got it so
that was real but uh you mentioned the
the tin can where's that coming from and
then like here's a perfect example
Kaepernick everybody's blowing
Kaepernick he's kneeling he hates police
I get it Nike the biggest example of all
sweat shops you know we need the Asian
fingers to make the shoes and all that
and you can Overlook that because you're
looking at the guy with the afro who's
got the fist up and you go hey I'm a
good person but when you say to people
well what about the Sweatshop people
they go ah and you're like no no no you
you're not allowed to go at me with the
sweat shop and like Kaepernick you have
to if you're such a morally good person
and Superior you have to agree to both
but they just they just shut one out and
that's where I get pissed well hypocrisy
is just like the perfect uh tool that
people want to point out on the internet
right because For the First Time Ever we
have this um locked in stone history of
every single thing that we've said
precisely as we said it at the times
that we said it and it allows you to say
hang on you you making this point now
but I can see that that's not exactly
aligned with what you used to say
previously right so one of my smart
Friends the one that taught me about
concept creep he also taught me that in
the modern world our opinions and our
Deeds have never been further apart in
the past any opinion and any deed would
have ended up being stress tested at
some point if you say that you're a good
person in 20,000 years ago around the
campfire and yet every time you go out
hunting you don't bring back meat for
everybody else you just bring it for
your family eventually someone's going
to go well come on you keep you keep
saying that you're a good person right
whereas on Twitter no one ever actually
ends up scrutinizing the way that you
show up in the real world you can be the
most empathetic Pro female person in the
world and you go home and beat your wife
yes and nobody knows well for the most
part nobody knows and then when people
get rumbled for it that's why it feels
so satisfying to us yes I think that
it's because we have this sense that a
lot of the people who push virtual real
virtual beauty or push digital black
face is something that should genuinely
be cared about are just doing
performative empathy I don't think that
we believe that it's true completely
right but the problem with the the
empathy is like when you're on the other
side of it like let's say you're Ellen
who you know big and the her thing is
like what you said because she was the
happy Dancy nice lady and then when we
found out she was a a cous everybody
flipped on her because she was
performing uh but the problem is Ellen
could be like well I donate a million a
charity I do all this I help the
homeless I help old people but we just
know about the thing yes so you don't
get that redeeming part and we love Sam
Harris had a great point he said if you
if the first time you hear about
somebody is when they've done something
wrong maybe don't jump to hate them
that's the first thing you've heard
about them what about all the other good
[ __ ] they did but we don't care about
that we just go oh Michael J fox said
[ __ ] in 88 I've never heard of this guy
like if you're some young person I've
never heard of Michael J fox I hate him
now and you're like you hate him now
because you heard one thing about him on
the in a headline but
just you totally disregard his whole
other life it's crazy it's a shame that
we sort of jump to conclusion so quickly
and this difference between opinions and
deeds the fact that you're able to
behave in one way and say a different
thing and people will care about what
you say more than what you do cuz what
you do is never seen exactly but it also
means that when you do try and actually
put some empathy across that gets
scrutinized too oh well maybe you're
just doing this no I genuinely care I
care about this movement or I care about
this group of people or This Is Me Being
Earnest or or vulnerable or open and not
for some perverse reason I'm doing this
because I actually care about a thing
and immediately people use the same uh
idea the methodology the skepticism they
have about all the other [ __ ] from all
of the other people that have been doing
the concept creep Supply demand [ __ ]
and then they apply it to you and you go
like I and I think that disincentivizes
people from do genuine completely
altruism as well I agree yeah it's it's
a it's a tough time makes people just
not want to do anything and just hang
back so they don't get yelled at what's
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