Main Vaapas Aaunga MOVIE REACTION 2/3! | Imtiaz Ali, A.R. Rahman, Diljit
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The video transcript explores the intense emotional and historical weight of the movie *Main Vaapas Aaunga*, focusing on the devastating impact of the Partition of India on families separated by religious lines. The narrative delves into the tragic stories of characters like Grandpa McCann and his family, who were forced to leave their homes in Sargodha during the partition, leaving behind mothers, sisters, and innocent women who faced unimaginable suffering or death. The story highlights how these unresolved traumas continue to haunt the living generations, creating a sense of restlessness and an unending yearning for answers about what happened to those left behind. Through flashbacks and present-day interactions, the film illustrates that the pain of the partition is not just a historical event but a lingering poison that burns within the descendants, preventing them from finding peace or moving forward without confronting these painful memories.
A significant portion of the discussion revolves around the specific tragedy involving Afsana, a former classmate of the grandfather who was left alone and in danger after her family was killed during an incident following the partition. The film portrays how her father arranged a marriage to protect her, yet the underlying sorrow and guilt remain deeply embedded in the family's psyche. The characters grapple with questions of identity and belonging, as seen when they visit a photo studio called Bleach Creek in Sargodha to find images of their ancestors who stayed behind while others migrated. These photographs serve as tangible links to a lost past, revealing that even after decades, the families still seek closure by trying to understand why certain individuals like Indrajit Grewal chose not to leave and what secrets they kept hidden about the violence and loss they witnessed.
The dialogue also touches upon broader themes of patriotism, displacement, and the absurdity of bureaucratic hurdles faced by Non-Resident Indians (NRIs) and those caught between two nations. Characters express frustration with their inability to return home or reconcile with their heritage, noting that some have lived in foreign countries like the UK while feeling disconnected from their roots. The film uses humor and irony to highlight these contradictions, such as jokes about NRIs having excessive patriotism despite living abroad, while simultaneously underscoring the serious reality of women being taken and killed during the chaos. This juxtaposition emphasizes how the partition not only physically separated families but also fractured their sense of self, leaving them trapped in a cycle of memory and regret where justice remains elusive and the truth about the past is often buried under layers of silence and shame.
Ultimately, the movie serves as a poignant reminder that the wounds of history do not heal easily and that ignoring these truths only prolongs suffering for future generations. The grandfather's relentless search for answers represents a universal human desire to make sense of tragedy and to honor those who were lost. By bringing together characters from both sides of the border, the film suggests that reconciliation is possible only when painful memories are acknowledged rather than suppressed. The conclusion leaves viewers with a powerful message about the enduring legacy of partition, urging society to confront its past with honesty and compassion so that the cycle of pain can finally be broken and peace restored for all who were affected by this historic division.
Read the full video transcript
[MUSIC]
Great
wind was left. Now after the harvest, they are poisoning the fodder in the fields by burning
it.
Wow, this burning of fodder is a technique
by which it gets converted into manure.
Really?
This work has already started in many countries.
What is the need? Which country do you want to
live in? You are happy aunty, you were a UK citizen. I don't have even a
little love for this country.
[Music] It will happen as soon as I become an NRI.
[Laughter]
NRIs have the most patriotism. That's why
he is an NRI.
When is the Hindu wedding?
In November, right?
11th November.
I am coming. Yes
? My wife wants to get married.
I am in second year.
Because it was 21
what will happen if I come? Do
people make 111 commitments? Look at my grandfather. It has been
committed to one place for the last 78 years.
I am such that I cannot stay anywhere for seven weeks.
You actually said that. I am
bored with myself, friend. The
entire family will be at the wedding. They will all ask
who are you?
Boyfriend?
Good. And after that you will disappear again.
So what should I say? This
is learning.
Friend, I don't want to disappear.
Quitting jobs repeatedly.
Keep changing apartments. No more friend.
I just have to be focused like Grandpa.
Later you will take a U-turn and I will get trapped.
Thanks.
Now I am moving ahead, so
what is written here uncle?
Yes. Which language is it? The
pages are not getting any.
[screaming]
How loud [laughter]
Nice name, right? Why can't anyone take it?
Malika Dil Fraib is the
petrol in the rocket.
Where is the rocket going? The
moon on the moon is very big. Something is particular.
No Noon Is Home for Him.
Church?
And where exactly is this church?
Where is the sajje haath maalika dil frab ke aadhar ke rock se aadhar? There is a sense of
unease in the church. Why is this happening? this is what
happens.
What has happened to
us, guess what, look, I
can't see any
light, look, she is
bringing out with her
the stand,
in such a situation, it is no longer possible to meet anywhere outside with decency,
oh oh, shameless, you have taken opium, you get out.
Uncle, please leave me.
Hey hey hey
we ran away.
You said that when the time comes I will forget you.
Look at this.
Yes friend, the family style pictures of Up Sargodha are amazing. I think
something might click with grandfather because of them.
G room this this come
the lightning he had been referring to your
intelligence is very sharp
pay attention you have to leave right now
they are coming they have come
[sound of deep breathing] [sudden sound of heavy breathing] he has come so
much do
you know what he did to the women
in Rawalpindi?
Muzaffar, take the women with you and
keep them safe. Yes.
You are not doing this right. We will stay together.
You don't want to get married, you will
die anytime soon, our
curse, he
brings innocent girls from other houses and takes their lives,
how many times did I tell him not to do it, he did not listen, he is
talking about mom, he finished her off, he killed her, he took her life,
we did it, we will have to bear it, there will be
justice
or is it just such
nonsense, there is
no truth in it, at the same time when the
Pakistani train arrives at Amritsar station.
Sardar Jasmer Singh, my grandfather,
went to Amritsar station every day for 18 years. Somewhere today, there are
women from his family. Will you
forgive me, son?
He also used to say the same thing to Babuji.
Come loudly, your wife, church,
we could not protect our women,
that work is alcohol,
sister, then she also passed away at the age of 25,
and then I almost killed your mother,
grandfather,
what do you think, Babuji is enjoying
staying alive, he is living stubbornly,
he is tolerating life as if it is a
relationship because the knot is yet to be solved. This is
your theory of completing any unfinished work. You must be
remembering not just one but many girls.
All the women of his family were subjected to
double torture
during the partition. I don't even want to think
about it.
Why? You must be thinking about it every day your whole life.
Among the women, he had a mother, a
sister. What might have happened to him? Who would have got
hold of it? What?
So what can I do? I can't do anything, it's
okay then, it's okay, we will die now, we will
die the way we lived, do
you remember Teji, your favorite,
my mother,
where is your mother, grandfather, you must have sisters
too,
where are all the women of your family,
I am someone, oh Mexico,
people from Mars are attacking the moon,
Veer ji, my
hands are paining, Veer ji,
who is in the white dress, who is in the white dress,
Jiya ji, who is there, I do
n't know.
Walking on the moon, the sparks fell and the
bomb fell on the moon, the
moon said it was the
same,
Grandpa McCann has to
come back. We have your mother here. Everything
is here. Will come back.
You want
me to come back.
I will be back. There
is a photo studio called Bleach Creek in Sargodha.
All the photos to which your grandfather
has reacted are from this studio.
Grewal Sargodha Wale
ji had gone to India at the time of partition
except one Indrajit Grewal
Indrajit Gwal, for
some reason he did not go.
This one in the middle is Bamber Kohli. He remained in Sargodha at the
time of partition. And these two people are from our
family. The
photo is not clear.
Someone went back there after partition.
We are going to Sargodha. My
mind went crazy. They are not letting me see them.
Our family remained on that side.
Forget whoever is left on that side. Let's go back.
Hey, how can I forget?
Brother, man is eating man. If you
can save yourself, save yourself. We have to go.
I will go.
O D
This is a special travel permit.
After partition, there was an issue for a few years regarding
travel between India and Pakistan.
And it was used once in 1953.
This means one of them could be Bauji.
And the other
Veer ji had said that
Pali, this world has ended. Do
n't look back this way.
What secret is hidden in Partition that
cannot be spoken? Because he knows what happened. Can
speak. But you cannot understand. The
poison that we got at that time was something else. It will
burn to ashes with us and we will
not share it. Is it possible that
after you leave, that poison will
enter us?
Not whoever it is that Grandpa is looking for.
If he does not get it, he will leave behind restlessness for
us and we will keep wondering all our lives what it was for
which he left
yearning.
But what I remember is what actually happened.
Do you care about me?
Why have you come? Should
n't have come. Nothing is left.
Oh dam dam
beautiful.
No religion teaches us to oppress others.
Down with me.
Afzal wait.
[screaming]
The behavior must be religious behavior,
oh God [music]
[screaming] No
one,
grandfather found out about the women, he
knows everything is over,
then what is that thing which is not over, which is still
going on in his mind. My
wife wants to meet you.
She knows you. She was your classmate.
Remember Afsana? Very bad things happened to him after partition.
Then an incident happened in which he was
killed. Afsana became alone. She was in great danger.
So father got us married.
Pali, this world is over.
You know, come
[sound of clearing throat]
go check out
three [music]