Video summary
The video discusses the controversy surrounding rapper Macklemore being removed from Ed Sheeran's US tour following his speech in support of Palestine. During a concert stop, Macklemore used the stage to explicitly call for "Free Palestine," referencing the bravery of students at Columbia University and condemning what he described as apartheid and genocide. His message emphasized that criticizing Israel or supporting Palestinian rights was not an attack on Jewish people but rather a plea for peace and dignity for all humans. However, this speech drew immediate backlash from pro-Israel groups and individual fans who accused him of spreading anti-Semitic propaganda, leading to demands that Ed Sheeran disavow his collaborator.
The decision to drop Macklemore from the tour was ultimately made by the promoter after venue operators threatened to cancel dates, with significant pressure coming from Robert Kraft, the billionaire owner of Gillette Stadium and a known supporter of Israel who had previously donated millions to anti-BDS funds. While Ed Sheeran issued a statement explaining his preference for keeping concerts as apolitical spaces of safety rather than engaging in political debates, critics argued that his refusal to defend Macklemore's right to free speech was cowardly and counterproductive. The host of the video noted the hypocrisy of those who claim to oppose cancel culture while simultaneously supporting the cancellation of an artist based on their political views, pointing out that similar political activism regarding Ukraine often receives different treatment in Western media.
The transcript highlights a broader critique of how billionaire ownership of venues has shifted cultural decision-making from community representation to unilateral corporate policy. The host argues that when stadiums are owned by wealthy individuals rather than public entities or elected officials, they can enforce ideological agendas that suppress free expression and amplify anti-Semitic narratives under the guise of protecting Jewish communities. This situation is contrasted with the far-right's reaction on platforms like Fox News, which framed the cancellation as a victory against "anti-Semitism" while ignoring the political motivations behind the venue owners' decisions. The video concludes by asserting that linking ethnicity to political decisions in this manner only fuels anti-Semitism and that true American values should uphold the First Amendment right to free speech even when it is unpopular or controversial.
Read the full video transcript
Ever since the start of Israel's brutal
assault on Gaza, we here on Novar Alive
have reported on many musical artists
showing solidarity with the Palestinian
cause. Artists such as Nikap and Bob
Villain have faced controversy with
their pro Palestinian sentiments. But
it's rare to see more mainstream acts
use their platform to show support. That
was until last week when rapper McLemore
gave this speech while supporting Ed
Sheeran on his US tour.
>> I've been trying to figure out a way to
say this all day. One of the reasons why
I wanted to come on this tour was
because I wanted to stand up here
on stages and stadiums across America
and say two words that are very near and
dear to my heart. Free Palestine.
I said free Palestine.
I want those words to be loud and clear
so the people from Gaza all the way to
the occupied West Bank know that we have
not forgotten them. And this next song
was inspired
by the bravery of Columbia University
students who led an encampment movement
that mobilized the entire world, open up
hearts, myself included. So, thank you
to those students that risked their
diplomas, that risked their tuition,
that risked their scholarships, that
stood up and said no. CUAD students,
Students for Justice and Palestine and
Jewish Voices for Peace. Thank you guys
to all of my Jewish brothers and
sisters. Criticism of Israel, criticism
of apartheid, being against genocide in
no way is a criticism of you.
My message is for peace, love for all
human beings to be treated with dignity,
respect, and equality. So I say free
Palestine. I say free Lebanon. I say
free Cuba. I say free Congo. Free Sudan.
Free all people in America living in
fear over this terrorist organization
ICE. That speech was given just before
Matt Lammore performed a song Hint, a
reference to Hindra, the 5-year-old
Palestinian girl killed by the IDF after
they shot the car that she was in over
300 times. This however attracted the
eye of Israel supporters who immediately
pulled the anti-semitism alarm. Many
fans took to social media to accuse him
as such and demand Ed Sharon to disavow
McLemore. The musical artist Pink
weighed in too and posted a real to her
Instagram story criticizing McLemore
from the page stop anti-semitism which
accused McLemore of spreading quote
anti-Israel propaganda. Pink then
clarified her position in an Instagram
post of her own saying this. Last
weekend, he stood in front of a stadium
full of music loving families with
violent images from a war on the
screens, dedicated a song to the
movement of his choice, and then took
the mic to tell all of the Jews in the
stadium that it wasn't about them. You
didn't get to decide that for us. Okay,
so we're just doing like dual loyalty
trope in reverse, are we now? Just
actually you we are we are one and the
same with Israel. Your criticism of that
is criticism for us. And he was very
clear that, you know, he can only he can
direct who his criticism is actually at
there. Second of all, people playing in
front of war footage isn't a new thing.
I know that you've ever seen a
performance of War Pigs or Bob recently,
but many people have indeed used war
footage as part of their musical acts or
as music videos. Turns out music
sometimes quite political unfortunately.
Now, it wasn't just criticism that
McLemore was subjected to. The Israeli
American Council, a powerful pro-Zionist
lobby group, even started a petition to
have McLemore removed from the tour on
the grounds that he had quote used a
global concert platform to advance a
one-sided political agenda. The
naysayers got their wish over the
weekend as it was announced that
McLemore had indeed been dropped from Ed
Sheeran's tour, with many speculating
that Sheran himself had asked for
McLemore to be removed. It turned out,
however, that it was the promoter that
had been behind the decision to remove
Matt Llemore after venue operators had
threatened to pull the plug on the
entire tour dates. This is from Rolling
Stone. In a statement shared on
Instagram, Matt Llemore claimed he was
dropped from the tour after Robert
Craft, the billionaire owner of the New
England Patriots in Gillette Stadium,
mounted a pressure campaign against
Sheran. Craft in his own statement
confirmed he made the decision to bar
Matt Llemore from performing at
Gillette, saying it was based on his
recent actions, material shared from the
stage during Ed Sheeran shows in New
Jersey and a broader history of
anti-semitic rhetoric and imagery that
we believe has been deeply offensive and
hurtful to the Jewish community. Robert
Croft has never been a politically
neutral actor. He's donated money to
politicians of both parties and has had
a longtime friendship with the US
President Donald Trump. He's been a
longtime supporter of Israel, too,
having previously donated $20 million to
a fund opposing BDS. That donation was
announced at the ceremony in which he
was awarded Israel's Genesis Prize,
presented with the award in 2019 by none
other than Israeli Prime Minister
Benjamin Netanyahu, who stated that
quote, "Israel does not have a more
loyal friend than Robert Croft." The
news that Matt Lemoy had been dropped
was immediately met with public outrage.
Artists offering their support included
the affforementioned kneecap, but also
Pink Panther, Paloma, Faith, Garbage,
and Saul Williams amongst many others.
The outrage as to platforming even
reached Congress with the former chair
of the Congressional Progressive Caucus,
Premier Gaipal, saying this. It's so
incredibly disappointing that McLemore,
my constituent, was removed from Ed
Sheeran's tour because of his comments
in support of the Palestinian people. We
should all be outraged that powerful
people are more upset at what an artist
says than the displacement, starvation,
and killing of innocent Palestinian
children and families. Thank you, Matt
Llemore, for speaking up. This is a
moment for us to come together, find our
moral conscience as a nation, and end
this genocide. There has been, as we've
gone live, a statement made by Ed
Sheeran, which I will read out at least
a part of at the moment. It's very long.
This is the main portion of it. There is
a reason I do not use my professional
platform for politics. My audience
includes young people, often children of
all backgrounds. Those who come to my
shows do not expect a political forum. I
respect McLemore's strength of purpose
to stand up and shout for what he
believes. However, there is room for
multiple approaches to the same end
peace. I choose to use my fame and
platform to be a place of safety and
sanctuary to maintain diplomacy and keep
conversations open, not closed. If we
only focus on shouting the loudest,
nothing will ever change. There are
different approaches to being an
advocate for change. I am not complicit,
the statement said. I have my own
personal views on this devastating
conflict. Just because I choose not to
speak publicly, it doesn't mean I don't
have them and doesn't mean I don't care.
I mean, the whole point of the statement
being made by McLemore is to try and
engage in conversation, engage in
dialogue, right? By wanting to, you
know, potentially not have those things
beyond stage that is actually shutting
away that conversation. And it's real
kind of cowardice from Ed Sheeran. Like,
you're the big name on this tour. You're
a bigger international name than Robert
Croft, right? You're probably bigger
international name than Benjamin to be
honest. But like you can use your
platform to call out promoters who are
canceling tour dates because at the end
of the day, right, no venue should be
forced to have someone play at their
venue if they don't want to, right? This
is a a business transaction like any
other which is based on mutual
agreement, right? I don't think that
venue should be forced to, you know,
host Screwdriver or Jim Davidson or
whatever, right? I don't think that's
anything should be the case. but you
have a platform to be able to advocate
for the independence of the acts who you
invite onto your tour with you and
instead you've just tried to play both
sides. I will remark that he didn't do
with Ukraine like Ukraine very open and
supportive and same thing is happening
ethnationalist uh invasions and
murdering and killing in terms of the
incursions from Russia into the Donbass
just like with Israel into the West Bank
and Gaza yet again that's a settled
issue in the west right you have you
have to support Ukraine but in Palestine
it's treated as divisive and there seems
to be no justification as to why now on
the subject of people cancelling it was
interesting however how the anti cancel
culture brigade over at Fox News greeted
the news and I'm sure you can guess how
it went.
>> I I believe like five of the seven
venues are owned by Jewish uh operators
or business people and they don't want
to have anything to do with the
anti-semitism of course coming from this
anti-semite Mcleammore. And I will point
out they're the heroes in all of this.
Not the promoter, not Ed Sheeran, who's
an absolute coward who chose to do
absolutely nothing despite the fact that
McLemore was using the venues that he
put him on to spread this anti-semitic
garbage. And so kudos to Robert Craft
and others who the ter family as well
who have stepped up and said no to
Mcmore.
>> Got it. I think that's a good thing.
>> Yes, it's a good thing that he has been
cancelled for wrong thing. It's really
weird how they can hold these two
thoughts simultaneously in their head.
The cancel culture is terrible, but we
can also, you know, just openly embrace
this idea that actually there's dual
loyalty and it's not just that there's
Jewish people that own these stadia.
It's actually really important that we
make sure everybody knows that the Jews
own these things and they're the ones
coming down here. Like that is breaching
into hugely anti-semitic territory to
imply that somehow the ethnicity of the
people who own these stadia is entirely
kind of projecting those political
viewpoints, right? to link the ethnicity
of the people doing it to these
decisions is only going to make
anti-semitism worse when again these are
political decisions for political
reasons and ideological reasons that has
nothing to do with anyone's ethnicity.
Aaron, what did you make of this this
story? This
>> there was the sheer response which was
I'm not doing anything. I'm not saying
anything but we all try and affect
change in our own way. Well, that sounds
to me like you're doing nothing. Which
by the way is fine. You can say I'm
doing nothing. I don't care. You can say
that. It's a free country.
>> I mean like at least like you can be
apolitical and say it's not my job to be
political. People who are into politics
can do that. I'm stepping away.
>> The zeitgeist for for creative artists
in the US is you have to kind of be an
activist, right?
>> But he's saying I'm an activist. We want
change. There's different ways of making
change. Which true that is true.
Diversity of tactics. But I'm not doing
anything and I'm not saying anything but
there's different ways of creating
change. Okay. So what are you going to
do? And he says specifically, I want my
concerts to be a place of safety. It's
such a dangerous thing to say, a place
of safety. I don't want people to be
challenged. I don't want people to have
to reflect on their views. I don't want
people to um
or be it even just temporarily to leave
themselves behind. That's that's that's
not what you do when you you you go and
see art or you go and listen to music.
You you're there to be part of a crowd.
You be you're there to be part of
something bigger, not safety. It sounds
so anodine and sterile. I feel like I'm
in a sort of white padded cube listening
to that statement. Of course, it was not
written by him, I'm sure. Um, the dual
the dual um
the dual loyalty thing is really
interesting and I I think it's just so
ridiculous now that it's just important
to actually drives me around the bend.
It drives me around the bend.
>> It's crazy. And it's it's both sides of
the Atlantic. Although I have to say
this is just utterly absurd. Um, we saw
the chief rabbi do it in this country as
well uh quite recently. It just needs to
be called out. You You can't have it
both ways. Um and then in terms of
the sort of broader sweep here, Fred
Sheeran, it just seems so This to me is
the almost more interesting question,
right? So like you say, he can just
argue, I'm not here to be political. I'm
not an activist. I just want people to
have fun at my concerts or the safety
thing really add up to me. But the way
he's done it just seems so politically
counterproductive given this is a very
polarizing issue in American politics. I
do get that, right? Um
but to not even pretend to defend free
speech, it's kind of crazy, isn't it? I
mean, this is literally this is the
first amendment of the US Constitution.
This is what America is built on is is
the right to free speech. This is how
it's arguably corrected its original
sins of things like slavery and
asymmetries around civil rights. So if
you don't believe in free speech, I
struggle to believe how you
uphold the idea of America at its best,
right? And I don't believe all that
crap.
>> Being a musical artist, free expression,
like like musical art, any art is
fundamentally about expression, right?
And I said before, I don't think any
anyone should be forced to, you know,
like be engaged in a business
transaction anybody they don't want to
do so, right? But like go find a
different tour date. Go just say cool
you don't want people performing here I
will go I will take my business
elsewhere I will publicize right that
you don't want to be involved with this
on the grounds that you dislike what
somebody says and we will take it
elsewhere we'll perform a better gig at
a different place we'll we'll rearrange
it and the tickets will be valid or
indeed say something use your platform
to call that out and say look you're
ruining fans enjoyment because you're
getting politically involved in my
musical expression my artistic
expression right there are so many
different ways that he could have gone
to try and get a better outcome for the
tour and the people who bought the
tickets for the tour knowing that MLmore
would be there and knowing he's already
released a song that's pro Palestine,
right? Like if you already had problems
with Mlemore because of him doing a pro
Palestine song, you should have made
that clear before you booked all of
these tour dates where you knew he was
going to support. And by the way, the
people shouting the loudest about this
are the far right is the anti-semitic
fascist far right. They're saying, see,
going back to our point about dual
loyalty, see, they say they're
Americans, but the minute somebody's
criticizing other Jews in Israel, look
what they do. Five out of the seven
stadiums, look what they do. That's what
Nick Fences is going to say. And I find
it really extraordinary that these
purportedly pro-American Jewish
organizations, which seem to be just
pro- Israel,
>> I find it extraordinary that hasn't
landed with them. They don't understand
what they're doing.
>> They don't understand how they are
building they are building anti-semitism
in America. They're building it brick by
brick. There was a really really great
article by Ezra Klein where I was
talking about this like if you teach
people that you know like the hatred of
Israel means you're anti-Semitic they
won't they won't stop hating Israel
they'll just become anti-semitic
>> that's it's it's so so unbelievably
dangerous so so so dangerous and again
it actually drives me round the bend
well I think one point I will lastly
make is that this is a problem with
having oligarchy in your country where
billionaires who own every part of your
infrastructure your stadium whatever it
is right they're not community venues
anymore. They become the play things of
the people who own Craft, who own the
New England Patriots, who own the
stadiums, whatever it is, right? And
they get to decide what does and doesn't
happen. It's not a community decision
about who you want to have playing music
in your area. It the those decisions get
totally kind of subsumed by the capital
class when you don't have these things
in public hands, you don't have in
community hands. And you know, if your
community doesn't want somebody to play
music around you, then perfectly
reasonable. Why is it one person's
decision?
>> Yeah, so true. I mean, back in the day,
if that was a publicly owned venue or a
local authoritarian owned venue, you
know, the mayor or the governor or the
senator might be the person that makes
the decision.
>> Um, hey, you might not like the
decision. At least somebody voted for
them.
>> Yes. It's a rep, it's a representation
of popular opinion, popular decision-m
rather than the the kind of unilateral
policy of one incredibly cranky
billionaire.