Louis Theroux: "The Thing That Makes Me Great At Work, Makes Me Bad At Life!" | E198
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Louis Theroux attributes his professional success to a personality trait he believes hinders his personal life: an intense, almost pathological anxiety that drives him to work hard and suppress worry through academic achievement. Raised in London by free-thinking parents who were both volunteers in Africa during the 1960s counterculture movement, Louis was encouraged from childhood to challenge racism and sexism while avoiding easy judgments about other cultures. However, he admits this upbringing carried a subtle sense of superiority that he has since tried to eradicate. His early life was marked by significant anxiety; as an anxious child who worried intensely about everything, including mundane tasks like maypole dancing or reading before learning how, Louis found relief in focusing on schoolwork and exams. This strategy allowed him to excel academically despite being labeled a "troublemaker" at home for his cheeky banter and disruptive behavior, creating a duality where he could be wild socially but organized professionally. After leaving Oxford without a clear career path, Theroux initially considered becoming an academic before realizing that real life lacked the structure of exams. He eventually found success in television after being hired by Michael Moore at age 23 for his show *TV Nation*, though this opportunity triggered severe imposter syndrome due to flying business class and feeling unqualified compared to unionized peers. Theroux reflects on how he often viewed his relationships as a "life support system" rather than the other way around, neglecting his family while chasing professional opportunities globally in the 1990s when they had no children. This imbalance caused friction with his wife until she insisted that quality time and their relationship were equal priorities to work. It took years of negotiation and having another child for Theroux to agree to strict rules limiting how long he could be away, eventually realizing that conforming to family expectations was not the enemy but a creative boon that made him more rounded as a person. Theroux also addresses his reputation regarding insincerity, referencing comments from former wife Jane Austen and entertainer Jimmy Savile who called it his "specialty." He explains this trait through Nietzsche's idea that an effective deceiver must believe their own con, noting that he often uses self-parody to satirize his worst impulses. A prime example involves him jokingly asking a woman accused of sexual assault how much money she received for her interview with the *Mail on Sunday*, a remark intended as humor but perceived by others as brazen insincerity because it blurred the lines between journalist and friend. He acknowledges that while he strives to be authentic, there is always a cynical part of journalism involving transactional interactions where one inhabits intimacy only to disconnect later for the sake of a program. Despite this self-awareness, Theroux maintains his belief in true connection as essential to good work, even if he struggles with whether he fully embodies it himself. In recent years, Theroux has made significant lifestyle changes to prioritize mental health and family presence over pure professional ambition. He now manages a schedule that allows him to be home more often for his children, ages 16, 14, and 8, recognizing that parental involvement is crucial even as they grow older. Having started his own company with the help of Nancy (his wife), he moved away from being a "creature of habit" who worked strictly within BBC structures to embrace riskier, more adventurous projects in the free market. He contrasts his anti-flashy persona—wearing a £15 Casio watch instead of luxury brands—with figures like Andrew Tate, whom he mocks for ostentatious displays of wealth. Theroux concludes that while fear and discomfort are often necessary precursors to achievement, maintaining good mental health requires social interaction, support networks, and the ability to recognize one's own emotional state before it becomes incapacitating.
Read the full video transcript
What makes me good at my job is also
what makes me bad at life.
This is maybe more than you bargained
for.
Our next guest has interviewed everyone.
My money doesn't giggle jiggle. It's a
cathedral of porn. That's a little
offensive. You're a very fascinating
person. How do you connect with people?
I'm just so curious about what takes
someone to that place.
Why people do the things that they do.
The question I get asked most often is
How do you not get angry with some of
these people, especially the ones who
are sort of spewing hate? If if people
see like you're attempting to wrestle
intimacies from them, that's never going
to go well. I think also there's some
part of me that thinks maybe the
person's got it figured out and I
haven't. Your former wife said there's
nothing real about you. Jimmy Savile, he
also said something about insincerity
being your specialty.
That's good. Glad you brought that up.
I remember it vividly. First of all,
I neglected my personal life to focus on
achieving professional success. The
price was paid by those nearest and
dearest to me. When did you get that
feedback? So my relationships are sort
of life support system for my kind of
work self instead of the other way
around. Saying to my wife, well, this is
what I do. I did a lot of great segments
just by being available at a moment's
notice. I just think, oh, this isn't
going well. So it became a bit of an
impasse.
Is it something that comes with a cost
and is it something you want to change?
Before this episode starts, I have a
small favor to ask from you. 2 months
ago, 74% of people that watch this
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My goal is 50%. So if you've ever liked
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and the bigger the channel gets, as
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Thank you and enjoy this episode.
Louis.
You're a very fascinating person. Thank
you.
And I've
you know, I've as I've read through your
story, I read your autobiography as
well, I was trying to understand
what I needed to understand about your
earliest experiences to really
understand the man that you are today.
The the interesting personality you have
and the trajectory you went and took in
your life.
So please enlighten me. What what what
are the most pertinent things that I
need to know about your earliest years
to understand you?
Oh my goodness. We could I I I could I
spend 2 hours answering that question on
its own. I don't know how interesting it
would be. I'll try and give you a brief
answer. I like the long answers.
you?
Yeah. Well, so
first of all, my
um parents are what my mom's British, my
dad's American.
They are both um
in in different respects are free
thinkers. So they they grew up in the
'60s and they embraced aspects of the
counterculture. They regarded their own
parents as being in certain respects
sort of limited and cloistered. And and
and so my mom joined uh VSO, Volunteer
Service Overseas, to get experience of
life in Africa. My dad joined the Peace
Corps. He would have been probably
enlisted to serve in Vietnam and he
didn't want to do that, so he went to
teach in Africa as well, and that's
where they met. So I was raised
um I was born in Singapore where they
were teaching. Uh my brother was born in
in Uganda where um where they were
teaching at that time, my older brother.
But then we set they settled in London.
And and so growing up, I was conscious
of
of them as people who who who really
encouraged us to open our minds. And
maybe you know, in in it was sort of 99%
positive, like 1% I think like a lot of
people you know, people use this term
social justice warriors, right? Like as
a talk form of judgment about overly
do-gooding. Like there's an element of I
don't tend to use that term cuz it's
sort
it's it's become it's but it's been
weaponized. But I suppose in a sense my
parents were kind of social justice
warriors. Like they were very much
encouraging me to challenge or us to
challenge racism where we saw it, to
challenge sexism, to be uh open to new
experiences, not to fall into easy
judgments about other cultures and other
countries and other people.
And and and and I only say the 1% it
sometimes that could be inflected with a
little bit of a sense of superiority.
And I talk a bit about that in my book,
a slight feeling that we weren't really
like quite like other people. You know,
other people were maybe not quite as
smart or not quite as literary, you
know. And I don't I don't you know, I
strive not to endorse whatever is in me
remains in me of that I try to unpack
and eradicate, but nevertheless, that's
the way looking back on it, that's
something that I see and pick up on.
My dad's a writer, novelist. My mom is a
you know, after teaching uh my dad
became a very successful literary
novelist and travel writer. My mom went
on to become a radio producer and worked
for the BBC World Service, which is for
those who don't know, that's the service
that broadcasts all over the world and
it's it's a bit like Radio 4, but
broadcast you know, in this tiny
language. It's extraordinary
institution. It sort of represents in
some ways the best of the BBC, but um so
I was growing up sort of aware that we
we you know, we were a family that loved
books and and loved reading and you
know, we watched TV and listened to pop
music and did the normal things, but I
think underneath it all was a feeling
that
to really count in life,
um you should be a literary writer. Like
that was
that was without me fully maybe
acknowledging it, that was underneath
this thing that you should really I
think still my dad probably feels that.
Like he's very supportive of me and my
TV making, but he's like, Louis, you
thought Have you thought about writing
another book? Louis, you're you're you
know, you you you you've got time,
you've got the talent, you can I I I
don't want to push you into this, but
Louis, you know, you should think about
writing a book. That's a great idea for
a book. You know, that kind of thing.
Anyway, so that all of that was under
underlying my attitude to life. Then
they sent me off to
um school, primary school. I'm going to
have to I'm I mean, you wanted a long
answer. This is maybe more than you
bargained for. I suppose alongside that
is the the influence of friends. And and
and you know, I can stop the the and and
the so the countervailing impulses of
growing up in the '70s and '80s in South
London and being exposed to funny
creative people. And my friendship group
which who who you know,
met some of them have gone on to work
into civilian quote unquote lives as
you know, restaurateurs or or or you
know, music other stuff. But but
saliently were Adam Buxton, Joe Cornish
and another friend Zack Sandler who were
super creative. Adam and Joe went on to
have their own TV show and I was
conscious of falling in with a little
group Amelia of
of um like-minded kids who were very
funny,
really into movies, TV. And that was
where I suppose
I began to feel
that there was well, you know, I don't
want to owe in hindsight it's tempting
to um
sort of read back read back what I do
now into that, but I just know that that
that friendship group was very important
to me and maybe counteracted some of the
more cuz I was academic. I was I was I
did really well at school.
I feel like I could just go on and on.
Should I go? Should I keep going?
listen to you. Cuz the other part of it
was that I was um
I was quite an anxious
child. So I I would I would I worried
about everything.
And
uh I I would think about things that
were
on the horizon. Like when I was five or
six years old, I remember fixating
you know, there were various things that
came and went that really worried me,
but one was um
the idea of maypole dancing, which was a
big I don't know if it's still like in
in state primaries
um at that time
every May holiday, like you would do
maypole dancing. What is that, sir? It's
It's it's a it's It's It's an old
English or maybe British tradition where
there's a big pole. I think it's like a
fertility right. You know, it's a touch
of wicker man about it. You know, it's
an enormous kind of mast, a pole, like a
maybe like like a totem pole almost like
sort of 20 ft high. And then there's
ribbons around it and as children you
would skip round it and you would sort
of braid the ribbons together to form
nice patterns. And I remember seeing
them doing it in primary school and
thinking
that looks really hard and I'm going to
have to do that next year and I don't
know how I'm going to do it. And just I
remember being preoccupied with how am I
going to learn how to do that? I only
mention that as an example. Like there
were other things like just reading. The
Before I could read, I remember seeing
my older brother reading and thinking
like, I don't know how you do that. And
and just getting very worried about it.
So in general, my I'm someone who is pre
I know everyone worries, but I just feel
as though that feeling of worry and
anxiety was quite a strong background
note. And sometimes I would control my
anxiety, not consciously, but again back
by working hard. Like what by by by sort
of just sort of becoming almost like
super focused on academic work.
And um
and as a result, I did very well in
school and
um
you know, like those people who look
back and say like, well, I was a [ __ ] up
in the school. I was the opposite. Like
I didn't always
you know, I would get in trouble. Like
in sometimes I was regarded as
especially when I was younger, 12, 13,
as a disruptive element cuz I was also
quite cheeky and sometimes tried to
communicate and connect with people via
teasing, right? Which is I don't know if
that's a common it's quite a British
thing in a way. It's certainly a big
thing in my family was
what's now called banter, right? And
sometimes I'd try and do banter with my
teacher and then it wouldn't go well.
And so but but in general, which is
confusing like regarding being regarded
as a sort of black sheep in class or a
disruptive
person in class and then um
but then also getting in trouble. They
said like it's fine for you to mess
about and get in trouble and then you do
the homework and you're fine, but you're
a bad influence on the other kids. I
used to get told that. You're a bad
influence on your I was like that's
not true at all. Like if anything, my
friends were just as naughty and were
leading me astray, but nevertheless,
because I could sort of go home and then
become sort of organized and focus on my
work.
I got a I got for a brief period I got
labeled as the troublemaker. Anyway,
going through school
I I sort of um
the sort of the the loadstars
for my um sort of sense of who I was and
how I would progress in life such as it
is. I mean, I was never that tactical,
but as I went
as I went through school, I thought,
well, I'm I'm pretty good academically.
I guess I'll just do well in exams and
stuff and then see what happens.
And meanwhile with my friends we'd be
seeing movies. I got into rap music in
the late '80s and so I would dress like
a sort of hip-hop nerd. I was smoking
quite a lot of weed, but still studying.
This was sort of again, age 16, 17.
But it never really interfered with my
with my work. I went on to Oxford.
And then
having done well at Oxford
um left university and and at that point
it was like, well, what happens now?
That was when it felt like
okay, now I've no longer
really got a clear path. Does that make
sense? Yeah. You know, I think if you
if you are if you're academic, if you
find academic work not easy, but you
find that you do well at it, cuz it's
not easy, but you apply yourself and you
do well at
then sometimes life can be a weird
um
bump in the road. Like real life is only
like, well, where are the exams?
Cuz I know I can do those. You know,
what do I do now? So for a while I
thought maybe I would be
like a professor or an academic or
something.
But then something in me told me that
wasn't quite right.
So then the rest of life is another
story, but I hope that sort of answers
your questions about or
those different um
those different uh sort of sources of of
of of how I sort of you know, my
whatever it is, personality and
interests.
One of the things that really stood out
to me in that answer was your
your early relationship with work. You
said you used to work hard to kind of
suppress or kind of distract yourself
from the anxiety of life.
Is that accurate?
Well, what it is is um
well, I I worried about things in
general and um
you know, one of those worries was
homework or doing well in in in school.
Like another worry was
getting on with
my peer group, but
uh in so far as I can
I could control those sources of
anxiety. Like
you know you uh
work is actually relatively
straightforward. Like if in terms of
like, how do I
get more you know, how do I attempt to
relate to people better? Well, that's
that's kind of hard and slightly
mysterious, but how do I do well
at these assignments I've been given?
Um then you just sit down and do them
um until you get it right. And and
you know, a lot of these things are
aren't uh are subconscious. Like I'm not
thinking like, oh, how can I control my
anxiety? But I would just find that
I I I if if exams were coming up I'd get
super anxious. And um and I don't mean
to pathologize it. Like I've never been
diagnosed with an anxiety disorder. I'm
just
slightly worry prone. And as it happens,
I've become less worry prone
as I've grown up. And it may be that
there were other things going on, you
know, in my family life, who knows?
Um in in you know, my parents' marriage
wasn't always happy. They subsequently
divorced. There were other things that
probably were going on
that were stressful. But for whatever
reason, I found that or without almost
without meaning to
I I would I took my studies
uh very seriously. I have to sort of
slightly check myself when I say this
cuz I do I'm also aware that I've looked
back at some of my reports having kind
of got quite attached to this narrative
of myself
as sort of super swot, right? Super
studious.
And I've looked at some of my old report
cards and some of them are
are especially when I'm six or seven
sort of say um
you know, Louis is a pleasure to have in
class, but I it sometimes it would be
nice if you would let other pupils
speak. He he he enjoys the sound of his
own voice kind of thing, which is very
apropos for this podcast probably. You
know, and like so so I I I I had a sort
of rambunctious side and it almost in
social settings, my mom tells a story
it's actually in my book, but of of how
when I was about five or six, I would
come home and I'd be really sad. I'd be
like
I don't know. I don't think I don't like
school anymore. And she'd sort of think,
well, Louis is obviously not getting on
well at school. I need to talk to his
teacher. And she went into
to class
and um and talked to the teachers and
said, you understand Louis is very
sensitive. He's a very sensitive young
man.
As I say, I would've been maybe five or
six, seven
years old. And the teachers were like,
really?
Yes, he's a very sensitive. Like you
would just be mindful that, you know,
things you can say might hurt his
feelings, something like that.
And they were like were struggling to
recognize her description of me.
And then on the way out of class, she
passed the classroom and could see
through one of the glass windows in the
door and I was running along the
desktops or doing a dance on top of a
desk. In other words, like
it was almost like in the setting itself
I was a wild child.
And and just sort of running amok, but
also I had like this doubling. Like then
I go home and be kind of be be worrying
about small, which I think is probably
still true of me in some ways that I
have a
I have that sort of disruptive trickster
impulse alongside certain um
a certain sensitivity. Is that a defense
mechanism or a a
a way to
I don't know.
Survive in a social setting or is that
the true nature of you?
I am and I think, you know, I could say,
oh, well, I was a younger child and
my parents found me funny and I I wanted
to perform and I
I wanted my dad
to, you know, I wanted to get the
approval of my parents by being silly,
but the fact is is who knows? Like I
just know that
you know, things like your sense of
humor or your inclination to
to be cheeky
that's just always been in me.
You know? And you know, I'm slightly
wary of attempting to
to sort of um
unpick where that comes from because I
just know that's that's that's always
been in me.
The relationship with work I I think
even for myself I I learned my
relationship with work at a very young
age and I I think I developed quite an
unhealthy relationship with work at the
expense of other things that matter in
life. Yeah, me too. I think I can relate
to that. And that's what I was trying to
understand is like, when did you where
did your relationship with work come
from? On one hand I was guessing maybe
it's from his father who was very, you
know, insistent on
being an intellectual is a is success,
Louis. Or is it from the distraction of
that from anxiety and from the social
thing where you could be successful at
exams cuz you were good at that, so you
double down.
I think it was all of the above. Like my
dad's got both my parents have work
ethics that border on the sort of being
over the top. My dad
uh would, you know, he's a he's a as I
said, he's a writer and the weekends
like he didn't really take weekends off.
Like certainly
Saturdays you would often be writing and
Sunday mornings he was often writing and
and he he's an extraor- I want to give
both my parents a shout-out. See, um my
parents were um
were basically first generation
university educated, came from very much
not at the high table of life and
and so for my dad
to to sort of become a wealthy literary
writer is kind of an amazing
thing that he did. You know, in the
world of
you know, it's one thing to be a popular
novelist. That's hard anyway.
To be a
novelist or travel writer who's
extremely successful had a you know
sold hundreds of thousands of millions
of books
just uh without any leg up
in life is an amazing thing and um
uh I wonder if I've ever told him that.
I hope I have. Anyway, he'll listen to
this probably cuz he he follows my
he follows my uh career with interest.
So some of that I would have taken on
board just through osmosis of seeing
that.
Likewise,
um
my mom being super studious, going to
Oxford. She grew up in Tooting. She you
know, and and and her her sense of
sort of self-belief or her sense of her
own destiny, whatever it was
and
in her small, you know
peer group of kids who were educated at
a state school and then
through her own hard work and the
support of her teachers going to Oxford
you know, in the '60s as a woman that
was extremely unusual.
So that was that was in the air, but in
the end and and my older brother who was
very studious. And the other thing just
to reflect on is
that I saw my brother as
the more brilliant child. Like he was
to to the way I saw it at the time was
more effortlessly
brilliant. Like sort of child prodigy
material, you know?
And I thought I was just kind of an sort
of irrelevant
bit of afterbirth
you know, trailed around after him.
And so when I noticed that I was getting
fairly good results
um when I was sort of 11, 12,
it didn't feel particularly impressive.
Like it felt like, well, I guess I could
I can do well if I work hard.
It's not like I'm kind of brilliant like
my older brother.
Um,
but I think
when I you know, again, in hindsight, I
think mainly what I see is um,
is a sense that
I just felt like this was something I
had to do. It wasn't a choice. And I
even later on when I was at university,
I sometimes used to worry that um,
I wonder if I'm missing out. You know,
people say
it's the best years of your life and you
should be hang you should be just going
wild, having fun.
I did a you know, some of that, but I
was also conscious of
like maybe I'm missing out by working
by studying too hard. That's what I read
into your story of of university was
that I wrote I actually wrote in my
notes, worked his ass off at Oxford.
On the point of affection, this is also
something I probably didn't learn from
my parents if I'm honest. I could still
call my parents by their first names.
Um, Did they encourage you to do that?
Yes. Yeah. Or I just didn't I didn't
learn affection. And actually, you know,
even growing up at 10 years old, when
one of my friends turned to me and went,
you're my best friend, my body like
because the Yeah. The idea that's I was
someone's best friend made me cringe.
And I had this I think I had this like
emotional intimacy affection issue
growing up. Although,
I think being a best friend is something
you show but don't say.
Yeah. It's a bit creepy. You're my best
friend.
I remember feeling stressed when
a friend said that to me and and
thinking, cuz you then you feel like if
you say, oh, you're my best friend, and
then it feels a bit inauthentic. Yeah,
yeah, yeah. Yes, you like do it, don't
say it.
Do you know what I mean?
I love you.
feel necessary to say.
But but what what is what did you learn
about affection at a young age?
I I feel really lucky that my parents
um,
I feel as though they were, you know,
they were they worked hard like my I had
a working mom, my dad was as I say, had
a huge work
drive to be successful, but I I always
felt like the love that they had for me
was
just taken as read. Like I I never
questioned it. Do you know what I mean?
In the way that felt positive.
And even though,
you know, I think there's a tendency or
a temptation nowadays to look back and
and be thinking about things that could
have been otherwise. And I think, you
know, parts of that therapy culture are
really valid, but
there's also a sense in which um,
you can focus on negative stuff.
And
I'm not sure
at a certain point how how healthy or
helpful it is. And and and so for me,
I I never kind of questioned
like the love the love that they they
had for me. And I it was it was never
the case that I felt I was kind of um,
seeking their approval. Like I remember
friends at school
saying, well, my
my parents say if I do well in common
entrance, they're going to get me a
watch.
And I remember thinking, that's quite
weird, you know, or
my my parents never I never felt like
they needed to be I that I was in any
sense
doing like working hard for them. And if
they took an interest,
that was kind of a bonus, but I didn't
rush to show them like I got all A's or,
you know, I was I came first in all the
exams or whatever. I wouldn't really
talk to them about it. Like that was
just something that I did
for me.
What about emotional expression? I think
that's something that we learn how to
say like I love you and to hug and to be
to touch and Uh, cuz you said banter.
You said
Yeah, like I
my
Humor is really important I say such a
kind of what they call that's so dead,
it's cringe. I'm worried if my kids'
voices in my head, but
you know, humor is a very important way
of communicating. You know, humor is a
really
I often think, you know, in terms of how
I see life,
that's why I'm worrying I sound a bit
humorless. But anyway, how I see life is
like humor is like the the missing
dimension
in terms of it's almost it can't really
be expressed, but
my we we shared a sense of humor as as a
family. And so we would make each other
laugh and
so
teasing was important like it'll
um, just not taking yourself too
seriously.
My parents
were
I would say um, like I respected them. I
would have I see how my kids behave
towards me and I'm that classic thing of
like, God, if I did that to my parents,
that would not have gone well. It's not
that I think of them being especially
strict. I didn't feel they were at the
time, but I wouldn't have dared to um,
I don't know like
I like there was there was a sense of
of of them having
boundaries that I would respect and
observe. What about They they they
slight also they slightly cheated
because we went to boarding school, me
and my brother age 13. So those
difficult teenage years of sort of 13 to
18 or 13 to 17,
they were part-timing it. And if mom and
dad, if you're listening, I'm sorry
about that. That's what it is. Right?
They I mean, it was a weekly boarding
and they got me in the holidays, but
other than that, they were getting me
half of Saturday and Sunday.
So I've got kids who are teenagers and
you know, that that's where like the
a lot of the conflict kicks in. So
when I look back at
how I related to my parents,
there were there were times when um, it
felt
like they didn't get me or they were
being too hard on me or there were mixed
messages because
they were sort of on one hand being
free-spirited and saying like, if you
want to smoke some spliff,
Louie, like that's fine. Just be careful
you don't get caught like kind of thing.
Or other times it would be like, how
dare you? You're going out there. You
know, what what are you doing? Like it
was like, well, which part of the are we
being are you being countercultural kind
of dudes or you going to be like
Victorian parents? Like which is it? But
in general,
um,
I kind of I kind of got it. I kind of
got I got I kind of got that um,
you know, that it was about there was a
foundation of love and approval that was
you know, was unconditional. And and
and I think if I had anything
to sort of and I to sort of reflect
reflect or reproach them for, not
reproach, but sort of reflect on things
that in hindsight could have been
different,
it's the feeling that because they were
work-focused
and also because their relationship was
complicated,
sometimes it felt like um,
that me and my brother and I were
slightly
a side effect. Like we weren't And it
was it should again I could spin that as
a positive actually. Like there was a
sort of
a level of us being autonomous. You
know, we had whatever the opposite of
helicopter parents is,
they we slightly had that. Like they
were like, okay, cool, you know, you do
you. And and
and um,
and I think again, that can be
I I'm kind of quite grateful in some
ways for that.
But um,
you know, they had their own thing going
on. It reminds me of something Tim
Grover said, which I've repeated a few
times. He says he used to train Michael
Jordan and Kobe Bryant.
And he was I spoke to him on this
podcast when we did the LA run. And he
said that sometimes an event that
happens in our life or something that
happens can create our brilliance. It
can be responsible in the case of that
kind of void of independence your
parents create create someone that works
and that goes and gets stuff and that's
able to travel and be an island.
Um, but it also can create our dark
side. Like the same event creates our
brilliance, but also our dark side. So
my question to you is from that
particular experience of having that
independence and feeling a bit like you
were a
side thing in their lives, what was then
the the dark side? I can see the upside.
What's the upside? Uh, for me it it felt
like the upside you were saying is the
independence you had.
Yeah, yeah, I think that's right. Yeah,
yeah, the being in the space to grow and
become your own person and not feel that
you're especially kicking against
anything, but license to follow your own
interest. I think that's all positive.
I think um,
uh, what is the the Look, I think in
general,
what you know, I've said this and
probably someone else said it as well,
like that you you know, what you think
maybe your disability is also your
superpower.
And I think um,
uh,
I think that I in
I think
I've struggled with intimacy sometimes.
My you know, and and
I think I
I I you know, in terms of relationship
building in in my private life,
like it's it's a running joke between me
and my wife like that she's extremely
sort of emotionally acute and that I'm
slightly the opposite, which is kind of
weird when you think about my job which
hinges on
supposedly being sort of maybe
emotionally or psychologically
perceptive, but it's almost as though
but I see it in my mom as well. Like my
mom having worked at the BBC
went into um, therapy and became a
relationship counselor.
And it's funny because
um, my mom also finds it difficult
sometimes
to to fully inhabit
her her emotions. I hope that doesn't
sound an odd thing to say. I I and and I
don't I'm going to probably regret
saying that, but
let's make it about me. And I think with
me, I think um,
yeah, I don't always find
intimacy easy. Like it's
it it it's so so so I sort of
experience like a lot of the times my
work
is is a license to be intimate without
consequences. Like to get to to a bit
like what you're doing now. Like you
talk to people
someone in a prison, you know, who's
been sentenced to 10 life sentences.
He's like, "Okay, how does that feel?
So what is what's life like?" And and
then
kind of get getting Whatever happens to
me all the work I've done in some sense
is about attempting to peel layers back
and
and and see inside someone's psyche
and then get on a plane and fly off and
go home and live my normal life
almost at a a less intimate plane of
existence.
And um
so clearly, you know, and the other joke
I've made over the years is like what
makes me good at my job is also what
makes me
bad at life.
So I So if for me it's
I think and I think you if you ask my
friends, they might say
you know, be like, "Oh yeah,
you know, Louis is a good guy." I hope
they would say that. But but they'd also
might say like he's a little bit absent.
Like he's a little bit um
I don't feel I'm
an especially attentive
or present friend. And and and you know,
I'm not
You know, some people are really gifted
at friendship. Like they they like
really get they're there and they think
about and they make arrangements and
I don't make really I'm not very good at
social arrangements. All these sort of
boring things that are the qualities
that are really the stuff of life. Like
um
just getting together, reaching out. Are
you okay? How's It's been a while since
I saw you. I wanted to let's meet up.
Let's which in general This is a crash
generalization, but I think women are
slightly better at than men.
And I think that's been one of the many
gifts my wife has given me
is actually involving me
in life. Like in a just a normal sort of
neurotypical way. Whereas I my tendency
would be to sort of disappear into my
slightly incel-like shell, you know, of
of kind of in a metaphorical shed of
kind of
counting
I The joke I'm making my book is like
you know, separating my collection of
screws and nails into their different
jars.
You know what I mean? Like that for me
is like that You know, a lot of guys be
like, "Yeah, that sounds like heaven to
have 2 hours to organize my shed." You
know, and not and not realize that
you're missing out on the tapestry of
life. So I plead guilty to whatever that
is.
Maybe that's just being a man. I can I
can relate to It's funny. I was having
this conversation yesterday with my
friends where they were saying, "Yeah,
Steve doesn't like to socialize."
You know, I I would rather sit upstairs
for 7 days on my own working than like
It was someone said to me, they said,
"You meet all these wonderful people on
this podcast and you and it's such a
wasted opportunity that you don't text
them, 'Hey, let's go for a coffee.'" And
it's just outside of my nature. My
nature is to sit alone on my laptop and
work. Yeah. And so again, my girlfriend,
my partner is the opposite. Yeah. So
she's dragging me in. So I really
appreciate
quite a common dynamic. You know, not
bragging, two nights ago I was at GQ Man
of the Year. I see. Thank you. Applause.
Thank you.
Um
I was one of the honorees and um so
there was a like there was a a banquet,
like a a bit a posh dinner catered by
Heston Blumenthal.
And you know, Stormzy was going to be
there, Mo Salah,
Leah Williamson, the footballer. I think
getting rid of all the men must have
been quite
men now, it turns out. Extraordinary
list of like Andrew Garfield, an
extraordinary list of incredible people.
And it wasn't even an awards banquet. It
wasn't even like the BAFTAs like where
you sit and sit through the speeches and
then at half past 10 when you're
starving hungry and quite tired, you sit
down and eat your food. This was like a
banquet banquet where you just sit
around and have a delicious meal and
then a few people pop up and say a few
words between starter and the main
course.
So it was And it wasn't even that. It
was like maybe a couple hundred people,
like quite small as these things go. But
the point is is before on the evening of
I was like, "I don't want to go."
And I said to I knew I had to go, but I
said to Nancy, my wife, I was like, "I
am not feeling this."
She's like, "What is it?" I said, "I
just I can't you know, I don't know. I
just feel really anxious."
And she's like, "But you're not even
giving a speech, are you?" You know, cuz
sometimes it's that like what if we win
and I have to give a speech or or you're
worrying about whether you're going to
win. It's like I knew I was an honoree
and I knew I wasn't going to say any I
wasn't going to have to give a speech.
And it was just the idea of of having to
talk to people. Like in a relatively
high
high wattage setting. So you think like
I don't want to be
wandering around like a blithering
idiot. So there's a sort of little
stress that sits alongside that, but
there was no real reason on paper why I
shouldn't have been thinking,
"Well, this is going to be amazing. This
is going to be a night I'll remember my
whole life." You know, and I attempted
to adjust my mindset, you know, using
kind of Paul McKenna-like or Uri
Geller-like, you know, just visualize
Think about what this is. This is going
to be No one's expecting anything of
you. This is a chance to sit down with
some amazing people and have fun. But
nevertheless, for the first kind of hour
I was there just thinking
I kept just sighing.
And Nancy would be like, "What's the
matter?" So I think
that's just for what I I think that's in
me. It's probably in a lot of a lot of
people. And um you just deal with it.
But
you know, why why should that be the
case? I don't I don't really know why.
Is it something that comes with a cost
and is it something you want to change?
Uh If you're being really honest
If I could dial down
I think sometimes
I think I have changed it actually is
the first thing to say. Because there
were times in my life where I said no to
things
just because I thought that's going to
be a bit like the You know, I did the
maypole dancing in the end and it went
fine. I did learn This will surprise
you, but I did learn how to read. And
you know, despite all the anxiety I had
about doing that.
And so and then as life went on I think
there were times when I said no to
things, opportunities
which probably just because the idea I
was asked to go on
David Letterman's chat show um
when it was on CBS. This would have been
in around 2001 and I said no cuz I
thought that's just going to make me
anxious. And looking back on it, I
probably
wish I'd done that. It's not a huge Why
would that make you anxious?
I find the chat show experience
not especially I mean, I've done it a
few times in a in a as life goes on it
seems. You know, the idea of public
speaking or you know, when I first got
into TV
it it was like, "Why am I doing this?
This is not me. Like this is not what I
was
cut out for. This is not something that
I aspire to do and it sounds really
you know, the whole notion of it
feels um intimidating and and and just a
bad fit.
And and nevertheless, I knew that you
know, just briefly like I was working
magazines as a
as a journalist in New York
and um
that's
I aspired to be a
a TV writer. Partly as a way of sort of
avoiding comparison
with my dad. Not directly, but I suppose
that was in my mind. I was like, "I want
to
write and be creative, but I know I'll
never write books."
You know, I didn't feel like I wrote
when I wrote it didn't feel especially
as though it came as easily as I as it
should.
You know, it's hard when your dad
Like I relate to people with famous
parents. Like you know, people like you
know, Jakob Dylan who's Bob Dylan's son.
I don't know why I reached for that
comparison, but Jakob Dylan that track
One Headlight. Do you remember that one?
No. Okay. For people who know, they
know.
You know, it's a great track. It was a
huge international hit, but his dad's
Bob Dylan. That's a painful maybe not
painful, but that's an extraordinary
legacy to be born into. And in a in a
related way like I was conscious of my
dad his name as a writer really meant
something
and that it was um
that if I was to attempt to
write something
it was going to be a case of very likely
kind of falling short, at least in my
own mind. But the idea of writing in
television
was was less
I felt that would set would would
wouldn't invite the same comparisons.
Plus
I used to watch TV and I liked TV and
there was something about the democratic
kind of nature of television. The fact
that everyone watches TV. I thought,
"Well, that's a way
of working in a medium that will connect
with people." And so it was in the
mid-90s TV was
uh in a kind of
a mini golden age. The Simpsons was on,
Seinfeld was on, Friends was just about
to come on.
There there were all these amazing
TV shows.
Larry Sanders was another one. Did you
want to connect with people? You studied
history at Oxford. And as someone that
is appears to be a bit of an introvert
by nature from what you've said about
your experience
of double I I have a duality where
I'm partly shy and introverted and then
partly outgoing and an extrovert.
So with your writing and with the TV
writing, was your and with the magazine
writing I know you you did some I used
to do um
Spy and was it Metro in Boston?
Metro in San Jose. San Jose, California.
Was your Was your objective and the
thing that you found fulfilling in your
work from was that connecting with
people?
Uh Or was it just
I don't I think I connected with people
not to sound um you know, oxymoronic or
whatever it is, no tautologies
by connecting with people. Like in other
words like I always find
I do my best connecting
Sounds a bit weird.
face to face. I mean, maybe on one
level, but in the end I think I was just
trying to do good work and get approval.
Maybe more than connection like just
trying to sort of get an A at work. Do
you know what I mean? Like so I would
feel good and think like oh I got 10 out
of 10 on my article or on my
piece of writing
my film review
and then if people said to me
that was really good. That was like
getting it you know like you got a good
review or whatever. You know you people
people say like you you did a good job
then it
it was maybe a way of um
it's just a little
it's just a little uh spurt of whatever
that is like
just kind of pleasure. You know you
just worthiness a feeling worth. You
know I don't want I I think I've got a
healthy relatively healthy sense of
self-esteem but nevertheless
I I think I I I whether I require it I
enjoy
you know getting I got a I've got a
series out at the moment. This isn't my
attempt to segue into the promotional
portion of this interview but
nevertheless here we are. I got a I've
got a series out at the moment on
iPlayer called Louis Theroux Interviews
and we had one that went out a few days
ago where I interviewed
Bear Grylls an alumnus of this very
podcast. I listened to your interview
with him by the way. Thank you. In
preparation and um
and when it went out
for whatever reason I think because I
thought it was a good show and I hoped
it would I hoped it would get a good
reception.
I was on um
I thought I'm going to go on Twitter and
see what people were saying.
And it was surprisingly quiet.
And then I felt a bit like um
okay now I'm going to
I'll try at Louis Theroux. I'll try
hashtag Bear Grylls. I tried a few
different search terms.
And then I suddenly I had a vision of my
you know you get a vision of yourself
like oh wow I've become that grubby guy
kind of like
it's sort of sad isn't it like trying to
fish for fish for approval in the vast
swamp of the Twitterverse right? Casting
my line and nothing much is coming back
and I thought well and then one that
came back I looked at it and it said
just watched
Louis Theroux's interview with Bear
Grylls wow it was hella boring.
And I was like I just caught a boot.
And then I was like well that's what you
get.
And by the way it isn't boring. It's a
great show. And the point I was trying
to get to was
um then
couple of days later I got a review
great review in the times. Just sort of
pointing out all the things about it
that I knew to be really really good.
It was sort of the perfect review.
You know a rave saying like this is
fresh it's new it's different it's fun
it's entertaining it's revealing
and I felt really good and at one level
it's like
cuz before that the first three episodes
I hadn't really checked Twitter. I
thought I don't I'm not that guy
anymore. I don't really care like I make
the shows and I know they're good and
the ones that aren't so good I know none
of these is is a clunker. They're all
solid and and then here and then and
then I suddenly thought like oh I went
back to I regressed into being the needy
sort of
the needy insecure person which is you
know and and that guy is always there by
the way I think a lot of people could
probably relate to that which doesn't it
doesn't mean you know which which is
which is fine by the way but I suppose
to your point
um
or you know in all the kind of work in
the work I do it's not like is it an
urge to connect like it's an urge to do
good work and then it's nice for that to
be recognized
and as much as I
I could I'd like to pretend that
I don't really care whether people like
it or not I do care actually. Do you
know what's funny is my team is very
honest with me and we're in the car the
other day and I believe it was Holly
Holly in my team who might be upstairs
now and I said
we were talking about your Louis's
coming on the podcast. I said I've also
got the new series out where he
interviews people. I turned to I think
it was Holly it might be someone else so
sorry if it's someone else um I turned
to them and said how is it cuz they'd
seen it before me and they went
it's actually really good. Oh nice.
That's what they said to me and they
would be and they would be so honest
with me. They went it's actually really
good and then they explained why it was
good.
here's my thing it's like
that actually like isn't it is it's
actually They went it's actually really
good. But you see when I because I'm a
very glass half empty kind of guy it's
with respect to praise. So what I'm
hearing there is it's actually
surprising Yeah I'm hearing like cuz I'm
hearing it is that a surprisingly and
which is why would that be surprising? I
can I think I can assert why it would be
surprising.
I think that
the generation Holly's in
they don't watch
um shows like that on BBC One typically
BBC Two BBC Two sorry but on the BBC
shall I say yeah.
But that's what I got from it is her
generation who are like 22 23 who spend
a lot of time on like Tik Tok and
Instagram and these other platforms. I
think
it was I was actually quite surprised.
and I think that's probably true and
also I think in my world
if I'm going to talk about stuff you
know we're there's a troll in all of us
right? And and and in general it's more
enjoyable to talk about stuff and dunk
on stuff because it's [ __ ] right? Like
and that sounds horrible and I'm
slightly over simplifying. I think
you're right.
There's a little part of especially in
the in the journalistic or the in the in
sort of the media village
it's like did you see it? Nah yeah that
was rubbish wasn't it? And there's a
sort of reassuring feeling of like yeah
let's all let's all give it a kicking.
So so when you acknowledge that
something's good you're sort of saying
like
I'm going to
grudgingly acknowledge that that was
good. I think you're correct. You know
there's a bit of that. Yeah I think
pretty much everything especially when
cuz we probably consider ourselves
working in the media industry. Sure. So
for the team to go it's actually really
good
and then she went on to explain
aren't that good They're not. I mean
most things are fine
but most things are like only about as
good as they need to be. Especially in
the interview format like how many other
ways can you create an interview format
that is original and inspiring and
that's also what I got from her was like
she was talking to me about the way the
format was constructed.
Yeah I think we pushed things forward a
little bit. Like it's not
a paradigm shift like we haven't
completely flipped the script as they
used to say in hip hop circles but it is
you know we we worked on the grammar. We
tried to do things
a little differently
so we created a
for want of a better term format you
know that allowed for
elements of
actuality just
being silly having fun or being in life
settings where the unexpected could
happen but also bits of um
uh conversation that would be
going to places that were quite deep. So
yeah thank you for that and that that's
that's thank you for passing that on.
TV I I read when you were 18 I think
maybe 16 um if someone had said to you
that you would end up in TV you would
have you would have been sort of
perplexed at how that would have
the steps that it would have taken to
get you there. You're you're in
San Jose I believe at the time.
Is that where Spy was the magazine? No I
just to rewind and I and I also want to
mention one other thing which is cuz we
talked a little bit about studying and
and I feel as though whatever that is
that work ethic has stood me in good
stead but I don't feel that that's often
think there's
you know a very understandable sort of
misconception about the level of
importance of academic work you know
that whole stay in school kids and
you know we were talking I think off off
mic about Mr. Beast the YouTuber and you
know the media landscape we're in now
it it would just it's just simply not
correct to say that oh the path lies
through academic work right? And I was
talking to my cousin Justin Theroux
oddly enough he says Theroux who's an
actor he's a director a writer. He wrote
Tropic Thunder Iron Man 2. He's been
he's also like high profile Hollywood
actor.
I interviewed him for my podcast. I'm
not trying to plug that would be weird
to plug one podcast on another podcast
but he and he he was like someone who
struggled in the academic
he um
flunked out of a school he went to
another school where they recognized his
special needs but the point is that I
sort of think so many I think we under
we there's a tendency to undervalue
those parts of
of
um
of life that that lead to success that
that exists. I mean maybe you maybe I'm
sort of out of line here cuz it sounds
like you are all over this but those
parts of like the parts of life that
help me become whoever I am
part of it's academic part of it's was
almost inimical to academic success. It
was the part that was
free spirited and naughty and that was
bunking off school and seeing
movies and and
or or get getting me in trouble and
and and and
whatever that is and it's hard to really
bottle it and know quite what it is. You
know there there is something that
I struggle sometimes with over
discipline right?
And and or a sense of like doing well in
controlled settings but actually it's
that you need the yin and the yang of
both and
and when I went out and did stuff that
was successful on TV like working doing
my first segments at a show called TV
Nation having been hired by Michael
Moore when I was 23
partly like a work ethic you know doing
preparation and being you know turning
up on time as they say is like 90%
of the battle but actually then
being just sort of
allowing those creative juices sort of
to you know whatever that mysterious
quality of um humor and
connectivity just
being silly and disruptive like those
are really valuable. They say don't they
they say conformity is great to succeed
in school but it's not great to succeed
in life. Maybe that's what it is. You
kind of need to be to unconform once you
get out. You sort of do and I think and
and I want to come back to your question
but but I do think that that's also, you
know, three, four years ago I started a
company and there's a part of me that's
overly um
so overly conventional, you know, and
and as a result seeks out unconvention
in my work and that's positive. You
know, it could it means that I love
spending time with people who feel like
they give free reign to the darkest
weirdest impulses that I think to an
extent we all share but keep repressed.
You know, whatever those happen to be,
people involved in
sex work or people involved in religious
cults or hate groups and and that's all
my stock in trade is talking to those
people cuz I feel as though I kind of
get it. Like I I understand that those
that that's part of the full complement
as horrible as it might sound to say
like we all have like unacknowledged and
secret
impulses that you know, we we have sort
of civilized
you know, and and kept and repressed
into into you know, we've inhibited them
into our souls so that we can function
and and not go to be sent to prison or
whatever or be canceled. But
for me like I I I sort of I do it to a
fault to the point where I worked at the
BBC in house in BBC studios
just cuz I sort of like the idea of the
structure. Like I'm a company man going
to the factory and you know, building my
TV
programs but not owning them and cuz I
just thought you know, and I like going
to the can I used to love working at TV
center cuz it felt like going to the
factory and then eating at the TV center
canteen. You know, it just felt felt
like comfortable. You know, my my
granddad worked at the London water
board his whole life. He had one job
that he started when he was 18 and and
finished when he was whatever 65. You
know, to some extent those were the
times but that temperament is slightly
in me. The whole time when when when he
left they gave him
some box of cutlery. You know, that was
the you know, you work here for 47
years. Here's your silver your
silverware in a walnut case. It was on a
it was in pride of place like not pride
of place. It wasn't on the mantelpiece
but you you used to we used to look at
it that's what grandpa got when he
worked at the London Metropolitan water
board for 47 years. You know, you would
sort of reverence it like and it was
only used for special occasions and and
there's a little bit of that in me and
so when I finally went outside the BBC
and set up a company three or four years
ago. I'm sure most of your listeners
probably have their own or many of them
not most but many of them will have
their own companies or will be fully
cognizant of what it takes to make it in
the sort of the world of of of free
market and entrepreneurship but for me
that was just absolutely not my lane and
it was my wife who pushed me to do it
and so
that was a a case of me needing to break
out of whatever I was doing and say, "Do
you know what? Whatever you think that
is risky or mysterious or
you know, a bit spivvy. You know, like
there's a little bit of judgment like
oh, I don't want to be one of the yuppie
guys like we just had an IPO. I'm I've
just got my first Maserati." Like that
kind of thing cuz I'm I'm antagoni- you
know, I'm complete that that whole
mindset. I feel like I'm alienating
maybe some of your listeners. Like it's
not my mindset. Like I'm just like I I
almost
valorize the opposite of that.
You know, to an probably
an extent that's
sort of faintly unhealthy. Like like I
don't want to be the guy I don't want to
flash car. I don't want to flash
clothes. I don't want anything. I want
to be anti-flash, right? Like my watch,
you can see this. My wife was saying to
me last night,
you know, maybe time for a new watch.
This is a Casio whatever that one is.
It's a F91W. These cost like 10 pounds,
15 pounds. You can get them at Argos. Do
you have you ever seen that watch
before? I have. I was listening to a
program about Andrew Tate on the way
here, a podcast. You know who Andrew
Tate is? Yeah.
What's your Anyway,
Andrew Tate feels like he's that guy
reduced to its quintessence where he's
like
one of his catchphrases was people say,
"Why have you got a
you know, green Bugatti?"
Do you know this meme?
And what does he say to them? He says
he says what color is I say to them,
"What color is your Bugatti?"
Right? That's him in a nutshell. He's
like unapologetically troll-like
ostentatious displays of wealth and
arrogance, right? So I'm the anti-Tate.
You can put that on my you put that on
my gravestone, the anti-Tate.
So I'm like I don't give a [ __ ] about
your Bugatti. I think it's embarrassing
that you have one. But you know, fine.
You know, and that's kind of a joke.
Like that's I I want my point really is
that that's something I need to keep an
eye on. You know, cuz actually
ostentatious
almost like ostentatious humility is its
own poison. Like like why are you so
wedded to the idea of having a [ __ ]
watch? By the way, it's not a [ __ ]
watch. It's completely reliable and it's
I've never had it. The only thing that
goes on it is the strap. So you so I've
got one that's got a you can replace the
strap. After about five years the strap
goes. I've got two of these. I'm not
bragging.
I've got one I've got my
I've got my spare one in case I can't
find this one. Anyway, last time my wife
said it might be time for a new watch.
I've got to embrace I'm trying to lean
into being the guy
that isn't showing off about what a lack
of what a not show-off he is.
I you think I've lost the thread. I
haven't. The point I'm getting to is
that
so I needed to start a company
and not cuz it's it's oddly
infantilizing after a while. Like
there's nothing
there's nothing cool about
making like
hundreds of hours of TV and and not
owning any of it, right? That's just me
being a little bit of a chump and partly
that's you know, there's a quid pro quo
I suppose like well, you don't get
stressed. You turn up. You're making
things for a public broadcaster. You're
getting a decent salary for sure.
But people would say like what? You
know, everyone else
so who do you work for? I said well, I'm
BBC. I'm on contract. I I work from
contract to contract three years at a
time.
Like really you don't have your own
company? Like no. Why not? Like you
know, cuz everyone else does like
Jamie Oliver or Hugh
Fearnley-Whittingstall or or you know,
whoever you care to mention any
presenter
Bear Grylls with of any
longevity
would would be making their own shows.
You know, it's it is a it's a
no-brainer. And I was like I guess I'm
fine doing my I'm a creature of habit.
You know, that was sort of what I'm just
sort of fine. I don't want to mess
around with it.
And then having done it three or four
years ago like yeah, I probably should
have should have done it a bit earlier.
But it it's so so it's that thing of
the point which now landing on the point
sounds a bit banal was that you can sort
of get in being a creature of habit
being sort of embracing the whatever
that you know, your own sense of self as
risk-averse and
conventional. Sometimes you know, I
needed to challenge myself
in order to discover that there was a
you know, a world out there that was
sort of more creative, more lucrative,
more fun, more adventurous.
That's happened a few times in your life
where you've kind of taken a leap into
the unknown which is actually quite
surprising having you know, described
yourself as a creature of comfort even
habit. Have habit, sorry.
Well, no, let me to habit. Like I'm
trying to like tell you off. I didn't
say habit.
Maybe of comfort as well although but
habit is really what I meant. Yeah.
Creature of habit. Cuz I cuz I was
reading about when you made the
transition from being a writer to a TV
presenter and
I remember writing some quotes about how
how
there was one about feeling like an
impostor a little bit to some degree and
getting on that plane to go and
interview these Christians when once
Michael Moore had sort of put you at
front and center in the documentary and
thinking what the [ __ ] am I doing here?
Yeah, that was I remember it vividly.
It's extraordinary as you go through
life so much disappears but there are
times when you realize you're at this
mo- momentous moment. I suppose often
it's high stress
moments
which is really revealing, isn't it?
Because actually risk avoidance, you
know, that that almost like
my mind's whizzing now but that bent the
my idea like the greatest happiness, you
know,
in philosophy there's a utilitarian
ideal that's supposed to be the the
metric for how you judge whether an
action is good or not and it's like the
greatest will it cause the greatest
happiness of the greatest number of
people. But then if you unpack that like
well, what is happiness? Like and what
actually how do you measure it and how
do you measure is it happiness in the
moment? Is it happiness as it's
recollected over time?
Is it a happiness that you know,
you can
that will spread to other people or you
know, it will exist for 100 years.
And and so actually
there's there's a sense of fear and
discomfort that will subsequently lead
to sense of of of of triumph or
self-satisfaction.
I know, is it happiness? Is it I don't
know. Like that fear is such a such a
blunt instrument for attempting to
measure reality and
and in general fear which you would
equate with
unhappiness
can very often be what ends up creating
the conditions for real achievement and
I I I I remember sitting on this plane
having been given a job by Michael Moore
as a presenter on your TV nation. It was
a network TV show on NBC one of the the
then three networks in America. I was
23.
I was as I say awkward in every
apparent way
disqualified for being
correspondent on a network TV show.
I was in the I was having to I was in
the union like you know, as it I
probably still the case but definitely
then
these TV shows were unionized to an
extent in America further than they
would be in the UK. So,
I would be I was in the Writers Guild of
America as a result of being hired. And
so, they were required to fly me
business class. Like, I don't think I'd
ever been in business class.
And somehow that contributed to my
imposter syndrome, my sense like I
shouldn't really be here. I remember
sitting there thinking like, this is all
kinds of wrong. Like, I don't know what
I'm doing here. I don't know why they
think I'm qualified to do this.
And nevertheless, this is what's
happening. And and I was there was a
segment that was about, you know, TV
Nation was a kind of satirical,
fact-based comedy show where you went
out and slightly made fun of people with
to prove a political point or to sort of
make some sort of social point. So, I
was interviewing religious cults about
when the end of the world was going to
happen. So, it was sort of like slightly
cheeky
um
irreverent take on religious fanaticism
or religious weirdness. So, I was like,
I wanted to know, so when will the world
end? Is it on a Tuesday? How can I get
prepared? And I was sort of wide in a
wide-eyed way. Oh, no. Like, will there
be, you know, I know the spaceships
going to land. And what will the aliens
look like? But I was just incredibly
conscious of of thinking like, why have
I been given this huge um it felt like a
big slab of pressure. And and sort of
license to fail very publicly and very
embarrassingly.
And and I also knew I wasn't
you know, but I also wasn't so
disconnect connected from reality that I
didn't think like, well, it's a huge
opportunity. Like, my
and my my girlfriend at the time was
very supportive. And she's like, you
know, you you should you you can do
this, Louis. Like, you're you're really
good with people. And
and um
and and you know, don't don't don't
worry. Like, you you can you've got
this. You can handle it.
Did you try to talk yourself out of it?
I was
It wasn't like I ever thought
I um
I I won't do it. Like,
there was no question of like, I'm going
to do it. Like, I have to do it. But I I
I sort of didn't want to do it. Does
that make sense? Has that been typical
of your life where you know you've got
to do it, but it feels kind of painful
and anxious as you approach the
challenge? Even like with starting your
own company.
Oh, yeah, I think so. Like, there's
times when
I you know, I suppose that's where the
work ethic part fits in or whatever like
that part of
if if you commit to doing something,
like, I'm very I I hate to let people
down. Like, if I commit to doing
something
um
or turning up on time or
I still struggle with that part. Like,
especially as you're in the when you're
in the public eye or you're in demand
and people writing ask for things. I
still you know, will you come to our
school and give a talk or I do I
I I'm I'm a very I'm very agreeable in
that sort of technical sense. I'm very
inclined
to agree to do things. And that can get
you in trouble because you find you're
over I I find I over agree and make
unrealistic commitments. Like, oh,
that'll be fine. And then I'll do that
and then I'll do that. And then you look
at it and you're like, there's just no
way on earth I can do all of these
things. So, I try and ring-fence my
commitment levels. But that's not easy.
So, but in in a positive way
um that sense of like feeling like I
need to show up having agreed to do it,
having been offered an a an opportunity
even though it might sound enormously
stressful. Like, I would never I think
there's maybe a world in which
I never got into TV. I don't know quite
what I did end up doing. The thing that
it makes me reflect on is the extent to
which we're conditioned and groomed into
behaviors that can be healthy or
unhealthy or positive or not positive.
And I think that's the part of the
libertarian ethos that I have a huge
well, among others that I have a huge
issue with. It's like, oh, just let
people be themselves. People need help
to fulfill their
potential, right? That idea that
oh, you know, you can pull yourself up
by the bootstraps. Like,
I with all the advantages I had of like
a first-rate private education,
supportive parents, you even I like
didn't see myself as someone who would
have various kinds of success. I didn't
feel that that was in me for whatever
reason. But other along the way, people
among Michael Moore,
um people at the BBC who then
commissioned me to do my own series off
the back of
TV Nation when I got commissioned to do
Weird Weekends, my wife Nancy, other
people along the way
have sort of
seen things in me that
I didn't see in myself. Even this
interview series going out at the
moment.
I I never It sounds awful. I never
aspired to have like a TV interview
series. Like,
it was something would be mentioned from
time to time. And I would say like,
that's not really me. You know, I like
going out like my my comfort like my
happy place
really is
in terms of TV like, oh, go and be in a
prison for 2 weeks and film the inmates
or go to a mental hospital or go to a um
a brothel. Like, I made a film about a
brothel. And just hang out there for 2
or 3 weeks and just be a That that to me
is
I sounds awful. But that's that's like
pure bliss like work-wise. But the idea
of oh, we'll have a formal sit-down
interview and you'll talk to someone
famous who probably only has a couple of
hours for you. And then we'll piece it
all together and do stuff.
I I never thought like that's really
something I want to do. But Patrick
Holland, who was then in charge of BBC
2, had listened to my podcast and said
like, I really think this
would work. Some not this exactly, but
there's a there's there's a TV show that
takes aspects of this that could exist
that would, you know, involve you
talking to people. And I and I remember
you would think like, oh, that would
That must have been exciting. Like,
someone saying like, I want to do it
this TV format involves sort of partly
chat show, partly documentary. I just
thought I didn't think like, that's
something I'll never do. I did think
like,
I just felt very blank about it. I know
that's horrible. People are going to
listen to this and throw up in their
cars. But I just thought that sounds
sort of stressful.
I'm not sure if I really want to do
that.
What
But I made myself The point is I made
myself do it because I had a team around
me who I knew expected me to do it. And
at some level I had enough sense to
recognize that it was an opportunity.
These people that have seen things in
you that you maybe couldn't at the time
have seen in yourself or seen roles for
you that you maybe at the time couldn't
have seen for yourself. Michael Moore,
Nancy, and then people at the BBC that
you mentioned.
Are you aware of what they're seeing in
you?
Now in hindsight, what they saw
I think so. And I think in with with a
bit of time I've been able to appreciate
um
that
I know it sounds
sort of glib and maybe even false
modest. But to to appreciate that I have
something to offer.
um What is that?
Well,
um Makes you feel uncomfortable when
you're asking these questions.
No, no, I'm fine with it. Like, cuz I
feel as I I can analyze it
um
with with the benefit of 25 years of
doing it.
I think it's something to do with like
a little bit of intelligence,
a little bit of humor, a little bit of
un
sort of unsought
awkwardness. Like, I think that's part
of it. Like, just being a little bit
awkward. A little bit of
um
sort of authenticity.
Or or whatever that is. Like, just sort
of feeling like I think maybe that that
same thing of not really
fully chasing it or fully sort of
needing it,
oddly enough,
is almost the You know, it's like, to go
through the door, you have to not want
to go through the door too much. I don't
know if that's even That's definitely
not a saying and it doesn't actually
make any sense. But whatever sense you
can make of that contradictory
statement. If you want it too much,
I think that there's there's then you
need to step back and think about quite
It's almost like then you're not ready
um grasshopper. Is that the Did you
grasshopper? Is that what they used to
say in Karate Kid? I think if I can talk
if I can call you a grasshopper, Steve.
No. Um
you know, it's like it's that feeling of
you know, at the end of the day
um there's more important things in
life.
And um I don't want to overdo I actually
got lost in my metaphor a bit. But I
think in the end it's like those
different qualities of
of of of it's it's that complement of
qualities. And then just
luck. But I don't think luck really is a
quality. But
alongside I'm now at the the position
where having done my job for long
enough,
it's put me in a slight I think there's
loads of people who could be
uh whoever I am. Like, occupy that
cultural place that I'm in. But you
know,
and and partly I've earned my place here
and partly I've been
really lucky.
But I think you know, when you said
something earlier, it also made me think
of another quality which is to do with
which isn't a negative thing, which is
that you you know, that idea like you
when you were told you know, when I was
told that oh, you know,
Patrick want you know, is quite keen to
do some sort of talk format or some
interview thing where you're on TV. And
I and I just think like, well, I'm not
really sure.
I I I think one of my cuz it goes back
to what you were asking earlier about uh
what what is the downside of these
various qualities? Like, I do think
there's a term anhedonic. Have you ever
heard that term? It just means I think
it's a clinical term. But it sort of
sort of means averse to pleasure or
lacking in pleasure. Like, there's a
part of me again that um I think my wife
has helped me
with is that I I kind of sense that I'm
not always connected to
pleasure.
Does that sound weird? Like, I you know,
sometimes I I sort of drift through life
and and I have to sort of stop and
remind myself. I think because I I sort
of
I I tend to see downsides
and I'm I'm working on that and I I
really do like I I sort of need to
It's really odd like
I've won three BAFTAs, not bragging. Uh
it just came up and I and I mentioned
it's a fact. And um and when you win a
BAFTA
you've got a lot of awards up there. I'm
not seeing a BAFTA. Maybe those are just
I presented a BAFTA to someone else.
Some of them one's a camera. I'm not
sure that camera is an award or
You can do a cutaway of that later. You
know, it's odd like I my main thing on
winning each time I won a BAFTA
my first always been
oh [ __ ] now I have to give an
acceptance speech, right? And I have to
get up there.
And um you know, in high like the
pleasure you you get a little pleasure
over the subsequent years when you can
bring it up again and again as I like to
do. But actually, it's really odd like I
I most of the time when I get good news
sometimes I don't even
I can't notice the good news. Does that
sound really weird? No, that makes
sense.
know if that makes Thank you for saying
that. I think you're being polite. I'm
not someone who I'm not someone who um
is who who automatically feels connected
to the good things that happen to them.
How does one remain happy if they have
that kind of default
oh my god where am I going to put this
third BAFTA that I've won or now I have
to do a speech?
but you just sort of follow your
routine.
You know, and actually I am a happy
person and um
I um
I you know, I I I take pleasure in the
simple things in life. You know, I
I I like um
doing stuff with a you know, stuff with
the family or you know, really I really
am against I'm
terrible I've met a simple pleasure like
I watch I like watching Match of the Day
at the weekend. Like you say like yeah,
okay, lots of people like doing that.
What's that? But you know, like that
that for me
is one of the small things in the week
where I'm like I know I'm going to be
happy for the next 45 minutes or or
hour. You know what I mean? Or
on a on a Saturday night I listen to
Loose Ends on Radio 4.
And often I'll be cooking and and that's
a small thing and I get a little
a little tiny little boost out of I've
known I'm going to enjoy it. I've
usually I enjoy listening to it. There's
little thing I I mean
I'm not if someone says like you're
going to go on holiday to the Bahamas
you know, what I'm trying to imagine
what a really big happy thing would be.
I I would normally experience that as as
stress and anxiety. I think that's quite
normal though holidays are stressful,
aren't they? Maybe you've got your
priorities in order in fact because you
don't seem to be compelled or um
or derive your happiness from like the
big wanky stuff from like the
Lamborghini, the Bugatti, the BAFTA.
Yeah, what color's your Bugatti?
The GQ man of the year stuff. You seem
seem to derive it from the the simple
intrinsically fulfilling things like,
you know, cooking, listening to a thing
that's intellectually stimulating. So
maybe you we're all like maybe everyone
else is a weirdo and you're actually
incredibly normal. I don't know. I I
think there's more of us out there
than you might think but maybe not.
We're all trapped in our own brains.
There's no way of measuring. I do think
that you know, I mentioned that when I
saw that I got a nice review in The
Times that gave me like as I said, it
gave me a buzz. You care about your work
though. You really care about Well, that
wasn't even about I mean I do care about
the work. I mean work is a big source of
pleasure like in the sense of either
being on location and um
being aware of it going well and getting
into an almost like a mindset in an
interview of feeling like yeah, this is
all good. Like I feel connected. I feel
uh cuz it's a high stress you know, I'm
I'm sure you have a little bit if you
have an interview with someone you feel
like you've been trying to book it for a
while.
Uh the moment comes you're like the next
2 hours are really important. You want
it to go smoothly. You want it to feel
like a revealing encounter. You you want
to be probing and insightful and
attentive and immersed but not
distracted but also thinking ahead and
and all of that's going on and then it
starts and then you feel like oh it's
going okay and then afterwards you're
like that was a good one. And then in
the edit you're putting it together and
you're piecing things in like that all
of those the simple pleasures of of
craft, you know, like it's really
and it is simple like it's no great
mystery but that that's that's a big
part of um
of how I connect with
uh well, my own happiness. How do you
connect with people? So actually I
wanted to ask you this for my own sort
of learning. You've done this for
multiple decades. You've sat with people
from every corner of the world who have
all of these different experiences and
some of them are a little bit, you know,
in the nicest sense a little bit out
there. Mhm.
I'm glad I landed with a PC world. Yeah.
out there.
what the non-PC world
But you have It was funny when I asked
you about the qualities you have. I
think you absolutely nailed it and all
of those make you incredibly disarming.
That almost like a lack of intense
seriousness makes you a really disarming
individual.
Um
how do you connect with people? How
intentional is your approach to
connecting with them? In your new
interview series but also just
generally.
Some of it is stuff that
you know, I didn't I just sort of came
by by accident probably most of it which
is a thing you know, natural curiosity
which I think you have. A feeling of um
of just
just wanting to know what
why people do the things that they do,
right? And and and sort of getting out
of your own way a bit, you know, in the
sense cuz
the question I get asked most often is
like what how do you
not get angry with some of these people
especially the ones who are sort of
spewing
hate or coming out with stuff that's
really objectionable.
I find it slightly confusing question
because I think that's so it's so far
from what's in my head most of the time.
I'm genuinely like why
if it if it is someone like say a
neo-Nazi or someone involved in
religious intolerance
I'm just so curious about what takes
someone
to that place. What what what's in their
mind but to actually berate them
to give them a hard time
or even be particularly journalistically
confrontational, that's not
that's not my default mode. You know
interesting cuz I just think in life
generally those who like seek to even in
our personal relationships and romantic
relationships those that seek to
understand
tend to build bridges but if you seek to
like as you say berate I get told off on
this podcast a lot on like Twitter and
in the press like because I don't berate
people. Like when I had Matt Hancock
here, I asked him the questions I really
wanted to know but I didn't I didn't
come to berate him.
No. He would have gone shh. Yeah.
The wall would have gone up had I done
that. There's other ways of and some
people use a confrontational approach
and that's fine and then I think in
general
um you know, there's many ways of doing
interviews
and I think probably
you know, I haven't interviewed many
politicians and it's probably related to
that. The feeling that they they they
have their they tend to have their guard
up.
They tend to be
uh follow a strategy of of attempting to
be as as risk-averse
headline-averse as as possible and it's
like those aren't the people I'm I'm
interested in people who are genuinely
attempt who feel like they've got
something figured out or or or are
involved in a in a world or a lifestyle
or just some situation that is
is either self-sabotaging or or filled
with angst. So in the end I see it as
not I'm not trying to get one over on
people. I'm not trying to I honestly
most interviews I see as a as a
potential win-win. You know what I mean?
Like I I sort of think like well there's
no there's no reason why you shouldn't
tell me the truth and
you're involved in something that you're
relatively open about and
and I'll I'll just assume that that's
probably the case. Now
obviously you're briefed. You've done as
much research as you can. But um
I think if you feel as though you're
coming from a position of um sort of
shared inquiry then that's contagious.
Um I think also
I sort of tend to think I think there's
some part of me thinks that maybe the
other person's got it figured out and I
haven't, right? A level of humility.
So that when they say stuff I'm
genuinely thinking like well,
I guess maybe or or they say something
bonkers I'm like well
that isn't right but I enjoy
bumping up against that and I don't go
in there
thinking I'm going to
I'm going to get this person. Like I'm
going to get one over on them. I sort of
feel as though you know, you come in and
you just sort of try and
just see what's going on, you know? If
if people see like you're
you're attempting to wrestle intimacies
from them, that's never going to go
well. You just create the space
and the sense of of understanding and
allow them to sort of walk through that.
Everything you've just described there
that creating the space to like
understand them, the humility which is
ultimately creates that safety which
allows them to open up
Mhm. are the exact things that I know my
partner wants from me in all of our
interactions.
Mhm. So because you've got that skill in
your work, I'm here assuming that you
also have that at home.
Mhm. Is that correct?
Um
I think I could work better on it. Like
I'm very aware that the skill set I
often think about the skills that I have
in my work of being
supposedly a good listener and an
empathetic and present person I I
slightly fail at in a kind of I think a
very probably normal way
in in my relationship. Like I
I have a very happy marriage and
probably you should check that with
Nancy
cuz I'm aware I'm slightly reviewing my
own restaurant if I can use that
metaphor.
And but yeah, on Goodreads I gave my
book a five out of five. And and you
know, I'm giving my marriage five out of
five. Uh
so I think
I think I could do I think I could I
could improve.
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In your autobiography on page 157
Are you serious? Yes.
Got to get through this.
My life in strange times in television.
Do you know what I'm going to say? Get
it on audiobook for an extra chapter
about Jimmy Savile.
That's true.
Speaking of page 157 and Jimmy Jimmy
Savile
on that page your former wife, seeing as
we're talking about relationships and
reviewing them etc., she said there's
nothing real about you. Yeah. And to the
point of Jimmy Savile, he also said
something which was to the same vein
about insincerity being your specialty.
Yeah.
That's good. Glad you brought that up.
It's quite a
telling so ringing
piece of
self-exposure
where where yeah, I
my wife and Jimmy Savile both make the
same critique of my interpersonal
qualities finding me lacking in
basically authenticity, lacking in
sincerity.
There's nothing real about Well, the
first thing is
when a relationship is ending
um
you seize whatever you can to hurt the
other person.
I think it's
I think
when someone you really love
and you think really loves you. I mean I
it was my girlfriend at the time
although we were married and that's a
whole other
complicated but but yeah, when that
relationship was ending
I think there's a feeling of betrayal,
isn't there? It's like I thought we were
we were together forever and I trusted
that that would be the case and and here
we are clearly you don't feel the same
way and and so I'm in the position of in
her eyes being
a kind of traitor, inauthentic, someone
who didn't deliver
on
um on what was promised. Although it
wasn't promised but what was what seemed
to be implicit.
Um
I think uh yeah,
insincere I mean I remember where we
were like when the Jimmy Savile the
first documentary I made about Jimmy
Savile when he was alive, when Louis met
Jimmy
not available on the iPlayer
um but it's on the internet. You can
find it. And um
I remember when we promoted it
um before I think it was when we
promoted it and he
he agreed to do an interview to promote
it and he part of that was a profile
interview in the Guardian
and he was interviewed at at King's
Cross in one of the in the hotel there
in one of the hotel rooms and the guy
from the Guardian came down. I don't
even know why
I don't even know why it came up um
but I made a joke and he said uh
insincerity, your specialty.
Gosh, you're asking me to get inside the
mind of Jimmy Savile
to think about what he meant when he
criticized me? I think he thought that
um
I think that journalistic role where um
Well, I think I think you know what it
is is like
the best constr- there's two
constructions I can put on that. One is
just that
in journalism
you're sort of required to inhabit this
place of intimacy like I actually like,
"Hey, let's do this and let's do that."
And then afterwards
you sort of disconnect and sometimes
that can feel jarring. I don't think
actually that's what he meant though.
Like I think I think maybe in some cases
there's a there's a part of journalism
that can feel slightly
instru- no, sort of transactional where
you're like
"Let's bro down on location and and have
fun." And and yet if you looked at it
dispassionately, it's slightly cynical
and calculating. It's like, "Well,
you're doing this for a TV program."
And and so there's a part of that I
slightly feel a little bit
uncomfortable. I think really what he
was talking about there was a sense of
humor.
Um he was he was calling out
my sense of humor which is sometime an
aspect of it which sometimes involves um
almost self-parody like an element of
where you say something
uh
almost
as a way of par- sort of parodying or
satirizing your own This isn't going to
make any sense, Steve, but you satirize
your own worst impulses. Like the best
example I can give
is when I said to um when I was with
Neil and Christine Hamilton, right? I
did a program and they were accused of
sexual assault
and and while I filmed with them and
then I uh and then it became a media
circus and I carried on filming and then
they did a deal with the Mail on Sunday
to sell their story and I was
interviewing them during all of this and
I said to Christine
"How how much did the Mail on Sunday pay
for you
uh for the interview?" I was just
curious cuz I knew probably they got 10
or 15 or 20,000 pounds and I was just
curious.
And Christine said, "I'm not going to
tell you."
And I said to Christine
"Christine, this is me. I'm not a
journalist. I'm a friend. Like you can
tell me."
And a lot of people gave me [ __ ] for it,
right? Like that what I said.
But in my mind like that was a funny
thing to say because quite obviously
um I am a journalist and whether I'm a
friend or not is actually not
established. I'm not clearly not a
friend but I'm not also clearly a
friend, right? So that was kind of a
funny remark because I was being nakedly
insincere. Hm.
Which is fun like sometimes to me what's
funny is saying
like not like so saying the wrong thing,
saying the thing that's sort of brazen
as a way of
of just sort of identifying
the hypocrisy and having fun with it. So
I I tend to think that I think that's
what Jimmy Savile meant was that
sometimes I would say things that would
kind of definitively either untrue or
quite clearly
being said because they were not clearly
true. Anyway, that's why you asked that
question and when you ask a question
about Jimmy Savile, I'm going to give
you a long answer because it's easy to
be misconstrued but I think that's what
he meant.
I think I'm in general like fairly um
a fairly straight-up
person. But I also think that the
tendency to believe your own [ __ ]
to drink your own Kool-Aid
is is almost universal, almost a
precondition of life, right? You know,
Nietzsche, the German philosopher
uh who I try not to quote too much cuz
it makes me sound pretentious but he has
he has a couple of really good quotes on
this where
one is um
for the true deceiver, you know, for the
most effective deceiver, first he must
believe his own deceptions. I'm mangling
that quotation but the idea that in
order to con someone, you sort of have
to believe the most effective con artist
is the one who believes their own con,
you know?
You and you know like or a seducer. Like
they say that about Casanova, you know,
one of the most um
notorious womanizers
um in human history. And they say that
he actually each time he seduced
someone, he fell in love with them. Hm.
You know, maybe it's true for sales in
general like you really got to If you
believe in that and and so I'm I'm fully
aware that for me to say like I'm an
authentic human being and that my
journal- journalism relies on
a kind of true connection. I'm I'm I you
know there's there's a little part of me
that thinks like
I think I believe that. Um I'm pretty
sure I I pretty I I know I do believe
that, but I'm not my own best reference
on whether or not that's really the
case.
I neglected my personal life to focus on
achieving some sort of professional
success. The price of my lack of
emotional nous was paid by those nearest
and dearest to me.
When did you get that feedback? Cuz I
remember the times in my life where I've
got that feedback from
friends, family, romantic partners. And
at first sometimes we sometimes argue
against it. We go [ __ ] off, and then we
walk away and we go this is true.
I think I've had that feedback
in my relationships more or less um
consistently.
Uh and and and until
maybe
four or five six years ago. Like I think
again I I feel like I'm reviewing my own
book. Like and now folks
I am happy and healthy and
well-adjusted. And I've arrived at
a
spiritual
place of tranquility. But I do I am
conscious that I am
all through my 20s and 30s I saw my
relationships as a um
Um I think I think the other phrase I
use is is like I saw my relationships as
a life support system
for my
kind of work self. Do you know what I
mean? Amen. I can relate.
Instead of the other way around, you
know?
And so I would say like well, I would
take off when I went to
work for Michael Moore it was even back
in in the 90s it was a source of
friction in the relationship that like
without much warning cuz I became the
fill-in guy who when other state people
couldn't do segments or because they
were
they found it weren't available, weren't
stressed about it. I I'd be like let's
get Louis to do it. I I I
did a lot of great segments just by
being available at a moment's notice to
fly somewhere
and and never thought really which I
don't know that that that it was the
wrong thing to do at that time. Like we
didn't have kids.
Um
And so I'd be like okay, I'm off for
three or four days.
And um but as it went on and then as I
had kids
um and I was still doing the same thing.
Sort of saying to my wife
well, this is what I do. There's a
chapter in my book called This Is What I
Do.
You know, you knew when we married that
we would be um that I was a sort of
globetrotting TV documentary maker.
And she um
she said, yeah. What did I do when we
when we met? I was a TV director as
well. And I've changed what I do, and
you need to change what you do. Like I
don't mean to sound like she was being
horrible about it, but her attitude was
like people make a you need to make an
adjustment to accommodate the fact that
we now have
two small children.
And How did you receive that? Um
At first.
I think I received that as
well, not not well. Like I it didn't
make me angry, but it I I was somewhat
inflexible. Because my attitude was
look, I was because I went you know,
my parents had it my dad traveled a lot
for work. My mom was a full-time TV
producer. And we had people at home
au pairs who um
who made sure that when we got home
someone was there and would make us a
meal. And so I was like well, we just
need to get help. She said, I don't want
I don't want
us to get help.
I said you she said what I said you I
said you can do whatever you want to do.
You you can
carry on working
five days a week, six days you can
travel as well if you want. We just need
to get help. And she's like I don't I
want one of us to be here. And I want
for some of that I want it to be you. I
don't know, does that sound You sound
like me. Really?
Yeah. Yeah. And I was like well
I said I I guess I don't see it that
way.
So it became a bit of an
impasse for a while. And then? And then
um
well, then we had another child.
And um
and she said, well, now we've got a baby
and two small children.
And you've agreed to take to make sure
you're only working in the UK.
And I was like, did I agree to that? And
she said, yes. And I couldn't remember
it, but I was like well, she's probably
right. And um Did you make rules? I read
that you made some rules.
I wouldn't go away
for more than two weeks. And um
and actually for most of the time
it was between sort of a week and 10 or
12 days. Are you flexible now?
I don't want to make my wife sound like
I know there's some people out here that
go like well
you know, Louis was obviously bringing
back the bigger wage and and so he
should have been I I honestly think my
wife
was right about most of that.
I feel the same way about my partner.
And it's almost identical though. It it
took me to find the right person to
compromise my inflexibility where they
they made the case to me that quality
time and this relationship was actually
an equal priority let's say to the work.
And with the right person I was finally
willing to bend. And I was finally
willing to you know
So but I think it takes the right
person. To me it does anyway.
Yeah, the right person, the right
relationship, the right life stage. I
also say that these interviews I'm doing
part of that is an agreement that we
made well, even an agreement a kind of
agreement I made with myself in lockdown
and being around my kids are now 16, 14,
and 8. You know, it turns out older
children in many respects
need more management, need more sort of
parental presence in their lives than
younger children. And so I said, well,
maybe a way for me to travel less and
not be taking off for you know, two or
three months a year cuz you aggregate
those two-week trips or 10 and they add
up to maybe a quarter or a third of the
year.
And now I I can I can my schedule is
much more I said like if I do these
interviews and we make TV shows in the
UK and that this is a more controllable
schedule and I can be around more. Nancy
helped me set up the company. She's
working more. I'm home more. And so it's
actually like it turns out conforming to
those expectations of family involvement
it is really positive. Like it can
actually be a creative
boon, you know?
It's not the enemy necessarily. It can
be it can make you a more rounded person
that ends up being beneficial.
That's exactly what I used to think it
was. I used to think it was the enemy of
my professional success, but I've come
to learn that it's actually the friend.
It's the same yeah, serves it. Um you
mentioned anxiety throughout this
conversation. Now sometimes when people
talk about anxiety they talk about it as
in um
like like an emotion. They kind of it's
a flippant word to describe a situation
where you're thinking a little bit much.
But then there's what people would
describe as sort of real anxiety. That
kind of crippling like oh, you know,
that we all felt that's like insane
unshakable sort of deep nervousness
about a situation and worry. Which one
are you referring to? Uh I think the
first one. Like I I don't think I've
ever had a panic attack for example.
Um I don't think I've ever had a feeling
of um
kind of in being incapacitated.
I mean I've had moments where I've had
stage fright or mo- you know, that that
thing where
due to you you just get I even recently
like there's been moments where
you just get this sort of tremulous
feeling of nerves and your voice starts
to shake. Have you ever had that?
Where you've been in a situation where
or sometimes it's just sometimes it's
it's to do with your in
you get into an argument with someone
and you get really upset and your voice
goes a bit like this. Like it doesn't
you know, it was just kind of horrible.
Uh or sometimes it's just where
you feel like you're you I've been once
or twice in in situations where um
I just think oh, this isn't going well.
And then your your confidence goes. I
don't know if that's quite that's sort
of nerves which is slightly different
from anxiety. Anxiety like
where but the anxiety I mainly mean is
just a kind of sense of foreboding, a
pervasive feeling of um of worry about
something that's going to happen.
Cuz one of the things we talk a lot
about on this podcast is about mental
health and about how that affects people
that are in high-profile, high-stress
positions. What's your you know, mental
health is a topic that kind of emerged
in cultural relevance about maybe a
decade ago now. But when I was a kid I
didn't understand it. I didn't know what
that was. And I I'll be honest, I think
the stigma was very much my belief. It
was kind of like people are crazy some
people are crazy. Yeah.
Yeah. Um what's your journey been like
with your own mental health? I feel
really lucky to have um broadly speaking
good mental health. I also think what
you're saying is exactly right. And I
think that there's a kind of there's a
continuity
a blurring that exists so that um
you know, I think mental health as
opposed to mental illness is a good way
of
thinking about it. Like that
cuz actually
um we should all be striving towards
being our best selves. We should all be
managing our anxiety. I think a lot of
men especially fail even to recognize
when their mental health may not be as
good as it could be.
And in the extreme end you've got
incapacitating mental illness that
requires sort of interventions, possibly
medication
even sort of residential rehab settings.
But for for for the rest of us it's just
it's keeping an eye on
on how you're doing. And and know you
know, sometimes I notice my emotions
from the outside. Like I I notice that
I my voice is raised. I'm like wow, I'm
angry. You know, like or
or and even when I'm sad I or grumpy or
whatever it is,
I'm not the first really to see it. Or
my wife will say like, "Are you in a bad
place?" I think we've been guilty of
failing to see mental health as a
holistic
condition. Like in other words, that
your support network needs to be in
place. You need social inter- These are
really basic, but you need social
interaction. You need You need um
exposure to things outside of work. You
also need endorsement and approval
in work. And all of these things
need to be sort of pulling in the same
direction. There may be people in your
life who are undermining you.
And you may need support from people to
nudge you in the right direction. But,
you know, not to sound really bland
about it. I feel as though I've um
you know, through sort of
my wife's
perceptiveness and her ability to sort
of see how how She's so involved me in
life a bit more.
That that's um that's kept me in a good
place.
We have a closing tradition on this
podcast, which um
which is the previous guest writes a
question for the next guest.
Okay. And the previous guest, you don't
get to know who the previous guest was,
but the previous guest has written a
question um for you, not knowing it was
for you. And they said,
"What is your opinion
on hallucinogens?"
Hallucinogens.
Um I My opinion is
I think um
you know, if you're if if you feel like
you're if you're of age, like 18 plus, I
don't know how old your younger
listeners are,
you know, maybe even maybe slightly
older,
um and you feel like you've got solid
mental health, I think it's a it's not a
bad avenue to go down. It's not
something I've
massively dabbled in.
Um I've noticed, I don't know about you,
like in my social settings,
um it seems to be mushroom oil is
something that's increasingly
being used.
Uh
and I think actually in you know, in a
And I think we're all aware of the
slight
There's a dissonance between our levels
of acceptance of alcohol and then the
sort of relative unacceptance of things
like, whether it's marijuana or
mushrooms and mushroom oil. Like I'd
like to see that leveled out. Like I'd
like to see, as it is in California and
elsewhere, I'd like to see
cannabis legalized and um I think
mushroom oil,
without giving too much away,
could be really positive.
From what I understand. Louis, thank you
so much for your time today. I've
learned so much from you for for so many
reasons. Um and your new documentary on
the BBC BBC 2 and on iPlayer, Louis
Theroux Interviews, is incredible.
Yeah. So, there's six six six of them
out there. They're right now. Um
they're incredible. And you're
interviewing some incredible people that
are are being very vulnerable and open
with you. But thank you for the
inspiration as well. You're someone that
I've watched for the for decades.
Thanks, Steve.
And that's given me a a life full of
enjoyments. And thank you for coming and
doing this.
Pleasure.
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