Life After Breaking Bad: Walt Jr. Exposes The Dark Side Of Child Acting, Money, & Greed | RJ Mitte
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RJ Mitte, who played Flynn (Walt Jr.) in *Breaking Bad*, opens his interview with a candid reflection on how the show transformed his life while exposing him to Hollywood's darker realities. He describes the industry as a place where people often sacrifice their identity for money and clout, noting that those desperate enough will do anything to get ahead. Mitte shares a personal story of being scammed by individuals who stole everything he had after gaining his trust, resulting in him paying more in taxes than he earned from the series itself. He warns young actors about the predatory nature of Hollywood, where stars are often left unprotected while they navigate open bars and parties filled with offers for drugs or other harmful substances just to maintain their status at the top. The conversation delves into Mitte's journey entering acting as a way to connect with peers after his sister was cast in commercials when he was around 12 years old, following family hardships including his mother's paralysis. He details how *Breaking Bad* specifically sought actors with disabilities for its final casting decisions, leading him through six months of auditions before Vince Gilligan personally called him from New Mexico to offer the role on short notice. Mitte praises the show as one of the best-written pieces in television history, noting that while early seasons were written organically and leaked frequently due to piracy issues, later scripts became more guarded. He credits Netflix for eventually putting the series on a global map after it struggled initially with viewership and heavy piracy rates. Beyond his acting career, Mitte discusses his post-*Breaking Bad* ventures in modeling and philanthropy, including work with Vivienne Westwood where he pushed boundaries by wearing prosthetic breasts during runway shows to make a statement about societal norms. He reflects on the moral dilemmas faced by high performers across various industries, citing examples of people willing to do extreme things for money or clout, such as licking moldy bagels for $15 or removing body parts in viral stunts. Despite these temptations and offers that could have easily led him down a destructive path like Charlie Sheen's, Mitte attributes his stability to growing up family-oriented and constantly evaluating the consequences of his actions rather than chasing fame alone. As he looks toward the future, Mitte expresses a strong desire to return to well-written projects similar to *Breaking Bad*, lamenting that modern television often rushes character development compared to the organic realism found in Vince Gilligan's work during its peak years around 2008-2013. He is currently involved in community development and entrepreneurship initiatives based in Texas, focusing on direct impact programming rather than just financial donations for his charitable efforts. While he remains open to creating a podcast or doing local radio work once the timing feels right, his primary focus remains on finding new roles that allow him to grow as an artist without compromising his values. Ultimately, Mitte concludes with advice to always stay true to oneself and remember that not everyone in Hollywood is there for good intentions, urging others to protect their integrity even when facing immense pressure or temptation.
Read the full video transcript
Did you know how big of a deal it was
going to be? No.
>> No.
>> My mother would [music] tell me so many
stories about my father.
>> Breaking Bad changed my life in a great
way. It was a dream come true. But it
also [music] showed me how dark this
industry can really be.
>> How have you seen money corrupt people
in Hollywood?
>> People will sacrifice who they are for
money, for clout, for whatever that is.
When you have someone that desperately
needs it, that's willing to do anything.
That's where you get into a very
dangerous scenario of power. [music] It
was just one of those days. You get a
letter and it's like your heart drops.
[music]
I trusted them and they basically stole
everything. And because of that, I paid
more in taxes than I got from Breaking
Bad. Were these like Hollywood elites?
Were [music] these people that people
would know?
R.J., thank you so much for coming on
the ice coffee hour. Dude,
>> such a pleasure to be here.
>> I really appreciate it, man. You seem
very well adjusted.
>> Why do you Why do you think so many
child actors end up going off the rails
or having difficulty later in life?
>> Um, so I I started when I was 12. um I
was doing like extra work and stuff like
that and you know living in the industry
is very different but living in
California and you know when you're hot
you're hot and you're not you're not and
when you're a young kid and you're
easily influenced and you know it's it's
the stars it's the people it's like it's
glitz and glamour and all these things
and you know you don't I find you don't
see like the forest through the trees
right And
you know, you you you hear a lot about
drug abuse and a lot of like like drug
activity and and kids getting into stuff
young and then affecting them and they
come out later in life and and when
you're when you're popular, it's free,
right? Everyone's like people offer me
stuff all the time. I'm like I'm good on
that. I I've seen enough problems. I
don't need any problem.
>> Who is offering you stuff? random random
parties and like Hollywood just
>> I I was speaking at a university and and
you know with Breaking Bad with the drug
content people are like always talking
about different types of drugs and I was
and like different types of comments and
it's there like you know like you don't
have to look very far anywhere in the
world to find these types of entities
that will be offering or trying to sell
and trying to hook And you know, for for
years, it's like people will be like,
"Here you go. Here's free drinks." I
mean, look at every event that you'll go
to, like at clubs and parties, it's all
open bar.
>> So imagine young kids are going to open
bars. They're hot. They just want an
Emmy. They just want an Oscar. They just
whatever it is. And like no one's no
one's really protecting them because
they're a star. They don't need
protection. And let's go fast forward 10
years. Well, the bar is not open
anymore. So now you have people that
have been partying and living a certain
life for so long and you everyone fades
out over time. You know, you can't be on
you can't be at the top of the mountain
forever. And it's a long way down uh
from the top. And so you've lived this
lifestyle for so long, you know, that's
where you see people that are making a
lot of money and their bills get bigger
and bigger and bigger and then the money
stops and then it's like everything's
gone and there's no protection in that.
There's no one saying like, "Hey, slow
down." Like it's like, "No, you got to
keep going. You got to make that check.
You got to get out there and keep
pushing until one day you either I I say
pressure is great for making diamonds,
but it also can make rubble and it can
destroy people. And I just think you
can't always keep pushing hard. You got
to take time for yourself.
>> What was the closest you got to falling
into that pressure? I don't really like,
you know, I grew up in a weird
environment where um I was very family
oriented at a young age. So, so like I
would like to go out and I and like I
like to go out and have fun, but my
[clears throat] responsibilities have
kind of always overshadowed
what what I want to go have fun versus
me having a greater responsibility and
the consequences. Everything I do, I
look at all right cause and effect. What
is the consequence to my action? Is it a
positive consequence or is it a negative
consequence? And and I think throughout
my life, I've had very different like
positive influences [snorts]
and negative influences, but I've always
saw the aftermath in different
capacities. And I I think it's really
just about, you know, tr staying true to
who you are and, you know, going to the
parties, going to the Hollywood stuff.
It's cool, but but like it wears on you
and you just can't do it forever.
>> What do you think should be done for
child actors in the future to prevent
them from falling into that?
>> I mean, I there's not really a way to
prevent people from living life. like
you know you as I'm not a parent yet but
but I have many friends who are parents
and I've I've raised my sister in a
capacity and take care of my family and
you know I I think it's we always want
the best for our children and and I
think it's it's think of of their needs
before your own and especially when it
comes to an industry where it's very
predatorial like the the entertainment
industry I mean you can go back and look
at history on
It's not the kindest business and it's
not a very forgiving business. And I
think it's about staying true to who you
are, instilling in your children,
instilling in your in your team that
it's like, hey, like these are the these
are not the avenues you want to go and
using previous examples of
look at what happened when they did
these things. Do you want to be like
that? You know, it's like do you want to
be like your uncle? like do you or do
you want to be like this? And it's like,
you know, you again when you're at the
top of it, no one's telling you these
things. No one's like no one's
encouraging you to be good. They want
you to be out there. They want the
sensationalism.
And I I think it's about, you know,
saying like it's like you don't have to
get out there to be whatever it is they
think you are as long as you stay true
to yourself. And I think that kind of
will protect you.
>> Did you see the Charlie Sheen
documentary?
>> I haven't, but I want to.
>> Oh my gosh. I just started it. He was
able to hide a lot of this stuff. A lot
of his usage, you would have no idea.
And he would just go to such an extreme,
but
>> he was able to get his work done, which
is the most mind-boggling thing about
it.
>> And that's all they care about really.
It's like, are you showing up to time on
work? Are you saying your lines? Are you
hitting your marks? And that
consistency, people can hide their
problems outside of that. Like drug
abuse is is such a rampid issue and like
it happens under people's noses all the
time. Like with Breaking Bad, I did work
with the DEA and we had different
enforcements and and educational type
structures in in the show on like what
these things what these are and
people hide it really well. some of the
some of your like closest friends and
family that you would never guess might
you know
>> I know it's really common or more common
than one would think in like investment
banking and private equity like people
are doing a lot of like coc a ne in that
industry as well as other like crazy
crazy drugs and those are high
performers those are people that working
like 80 to 100 hour weeks
>> well that but that's why they're doing
those substances like that's why you'll
see a lot of that I mean Look at Wolf of
Wall Street, you know, look look at look
at these types of investment movies and
shows where it's like they have that
high pressure, high stress where they're
putting, you know, 24-hour days and like
taking clients out and and it's it's the
game, you know, the game of the game of
whatever they're trying to play. And it
I it's wild. It's out there. The the
stuff's out there. But if you're smart
about it and you just kind of mind your
own business and don't tattle like be
like I'm I'm not involved but you do
what you want.
>> Like what was the main reason you wanted
to get into acting?
>> Uh I started acting to keep to meet kids
my own age. So uh my sister got cast out
of a water park when she was 1 and a
half years old and that took us to
California. It was for a Lusso ball
campaign and I was around 11, 12. Um, my
mom uh right after my sister was born
was in a car accident and was partially
paralyzed for about 7 years.
>> Wow.
>> And
my grandparents were both sick, one
living in Texas, one in Louisiana. And
so we were traveling between the two a
lot. Uh, and this was kind of an
opportunity for us to have a vacation.
you know, this this job that my sister
got as a baby uh was a six-month run at
Universal, and
we're like, "Yeah, let's do this thing.
This is it's a six-month paid vacation."
And I just was with them and was like,
"Okay, I guess I'm going to try doing it
as well." And I started doing extra
work. And I was on shows like Hannah
Montana, Everybody Hris, uh Weed,
Seventh Heaven, Drill Bit Taylor as an
extra. And that's one thing that like I
recommend to people is if they want to
get in the entertainment industry,
especially acting, um extra work is like
my number one step to to getting into it
cuz you're going to find out if you like
it or not. If you can handle being an
extra, you can handle all the other
stuff. But there's a lot of people that
can't handle the extra work cuz like
they don't always treat you right. it's
super long hours and and
uh
you know you're you're low man on the
totem pole. They could be like you know
you you're a disruption never come back.
>> And so I just started doing that to meet
kids my own age and was auditioning as
well uh for other shows. Actually my
very first audition was an anti-meth
campaign in the state of California and
uh I didn't get it of course. What do
they have you say?
>> Well, it wasn't really having me say
anything. The the the commercial aired.
Um I saw the commercial many many years
ago. You probably find on YouTube, but
it's this guy that comes in high on
meth. Um and like I was one of the I
auditioned for one of the kids uh the
family, right? There's like a mom and
two kids and the dad comes in high on
meth and like screaming and throwing
things and and it [snorts] was just like
us being afraid and uh and I didn't get
it. I didn't get the audition. But about
6 months to a year later, I uh started
auditioning for Breaking Bad and that
changed my life. So, who gave you the
script for this? So, I uh I was
auditioning through my agent and my
manager at the time um just in general
and
Breaking Bad came along specifically
seeking people with disabilities. And
what was funny is at the time I didn't
like, you know, there were certain
auditions I would send in my resume that
had cerebral pausy on it and there were
more often than not the ones that did
not say that I had a disability on my
resume. And uh and this one specifically
came in looking for someone with
cereable pausy. And at the time there
wasn't really a lot of us in the media.
M um you know there wasn't really a lot
of of diversification as far as people
with disabilities and uh and so they
really wanted someone with a disability
and um um Sharon Browley uh the casting
director for Breaking Bad who had
already cast Brian Aaron Betsy the whole
family was cast except for me I was the
very well Walt Jr. was the very last um
cast part. And so I auditioned over six
months. Um and my last two auditions
were I I auditioned in LA. They're like,
"Hey, so they like you. You're moving
on. They're already filming in New
Mexico, the show at the time, um in
Albuquerque. So, we're going to fly you
to New Mexico to meet um the team there
to audition for Vince in person as well
as do a test screening with Brian and
Anna. And I literally flew in, got in at
like 6:00, 7:00 in the morning,
auditioned at 9:00. They sent me away.
It was against one other person. Um, at
the time it was narrowed down between
the two of us. And they called me back
in for a test screening. And then they
were like, "Okay, thank you. I met Brian
and Anna. They sent me to my room. And I
went to bed. [laughter] Um I didn't I
had a flight at like 2 o'clock that day.
They called me. Vince calls me and goes,
"Hey, so uh you got the part.
Congratulations. Go pack your bags
because you're you're already late.
We're already filming, so we need you
back here."
>> Did you know how big of a deal it was
going to be? And like at what point did
you realize, oh, like this is going to
be one of the biggest shows of all time?
>> You know, we knew we had something
special. Like we knew the show was like
when you read the script. I recommend to
people all the time like read the pilot.
If if if you're going to be in the
industry at all, read read the pilot
episode Breaking Bad because that is in
my opinion one of the best written
episodes, movie, whatever you want to
consider it. And because I consider it
more of a movie than than a show that
that pilot episode because there's this
beginning, middle, and end. And when you
read it, it just leaves you with this
like what moment. And again, we knew it
was special, but you you just don't
know. And Breaking Bad was not liked in
the beginning like how long did you
think that the show was going to be? Did
they fully write out the entirety of the
show in the beginning or did they write
it as they were filming?
>> You know, I I every season kind of was
written as the seasons um progressed.
Um, we had an amazing writing team, you
know, Vince Gilligan, Peter Go, and and
so many other amazing uh amazing
writings. Like a lot of them still work
together, you know, with Better Call and
El Camino. Um, but it was kind of one of
those things that we we could kind of
see where it was going, but we really
didn't, you know, at any moment
something could happen to these
characters and and they were they felt
very real and organic and in the scenes
everything just kind of made sense. Um,
but we got the, you know, as as the
series went on later and later they had
to be careful with the scripts. Um,
people were leaking in the beginning.
everyone got a script.
>> Um towards the end
>> you got your parts. So, so a lot of
times you didn't really know, you know,
Brian and Aar and they knew cuz they
were in every scene. Um but we really
just didn't know.
>> But so you wouldn't get the entire
script
>> at the at the last um two seasons that
we I we didn't get the entire script.
What would you say was the pivotal
moment of the show where it went from
something that wasn't very wellliked to
something that was like, "Okay, everyone
is obsessing over this."
>> I think Netflix I think Netflix really
put Breaking Bad on the map as far as uh
just accessibility to the show.
>> That's when I found it.
>> Yeah. Uh you know, we were actually one
of the most pirated shows in the history
of television. Huge in Eastern Europe.
Um
>> Wow. [laughter]
Um, huh. Who would have thought, right?
Uh, but
>> it's funny. It's funny you mentioned
that. I I read something that said that
after Breaking Bad, meth quality
actually went up.
>> I would believe that. I would definitely
I would [laughter]
I mean I I I don't condone that that
drug, but hopefully it's better products
for people. [laughter]
Um, no, you know, I I think it really
spotlighted uh, you know, this form of
drug abuse in communities, you know, at,
you know, in the early 2000s, meth was
kind of more of like um, out in the
woods. No one's doing meth. It's it's
it's these far away places and in
reality, it's in our backyard. And and I
think it really breaking bad really
opened the doors on the awareness of
methamphetamine in our communities and
and you know some people really thought
that that we were glorifying it in the
beginning that we were pro was promoting
it and if you really watch the show it
doesn't end well for for Walter White
like it really destroys his whole entire
family and and I think um I think it's
something that really was an eye
openener for many people.
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sponsoring this episode. What was the
filming schedule like, dude? 16-our
days. like like we were we were
sometimes shooting six seven days a week
twoman teams. Um one time our
uh film got run over by an airplane.
Yeah. And leaving leaving studio cuz we
shot on film. We were one of the one of
one of the last series and shows I guess
to to shoot on film.
>> Um 35 millimeter. And so we would film
and and that's what really when it comes
to like time restrictions and and
pressure on set, we had a finite amount
of film. You know, some of these film
rolls, you're talking like $250,000,
$75,000 just for like the roles of these
films. And uh one day it was being
shipped cuz cuz we had Albuquerque
being, you know, one of the main bases
for us, but we also had the the editing
studios in California. And so we would
have to send those to California. And
apparently one day some of them got left
out and a plane ran over them and we had
to reshoot that whole I I don't know how
many days it was, but that was a
nightmare. And we we were running uh
camera teams A and B and trying to make
it up to to to get back on top of the
the schedule.
>> How do you memorize your lines? Uh, I
have a couple of different ways um to
memorize lines and and I think it's
different for everyone. Um, I I say
lines um rhythmicly, you know, I kind of
when I talk and and when I'm reading my
rhyading
my lines, I read them in a rhythm. And
so it it gives you the basis of
um kind of what they're saying. And then
I sleep on it. I read my lines the night
before of what I'm doing that next day.
And I go to sleep on those lines. And so
I I kind of believe that when you read
at the end of the night, whatever you're
reading, it soaks in your brain more.
You know, you you sometimes like I'll
sometimes run my lines in my dreams.
>> Um and I find it helps it be more
organic.
>> What was the most difficult line for you
to present? See, in Breaking Bad, none,
man, because it was so well written.
Like, Breaking Bad was
oddly one of the easiest jobs I've ever
had. Uh, in the sense of just quality
and and when you set a line, it made
sense. Like, I've done some movies and
stuff where I'm I'm reading and I got
big monologues and I'm like, man,
how am I supposed to say this? And
they're like, yeah, you just say it.
Yeah. So, I'm like, you say it and they
can't.
>> But let's but let's just say you get
like two paragraphs.
>> Yeah.
>> Do they want it to be said verbatim,
like word for word, or do they say just
get this point across and how you do it,
we don't care.
>> Depends on the director. Um, depends on
the writer and it depends on the
director. Some sometimes
um they want you to say what they wrote.
Like like every writer does not want you
to have love. any any writer that's very
proud of their work, they're definitely
not going to want you to ad liib. But as
far as like with Breaking Bad and and
some other projects, if the adlib makes
sense or like you know the the in the
pilot episode, the do I look like a
skater um stuff, some of that was
adlibbed and and it worked, but but when
it came down to like a lot of it, you
did what they put on the page. But again
with Breaking Bad, it was so well
written. Like the lines, the movement,
even the environment, like on the page.
So when you read it, you saw it. There
was no question about it.
>> Was there any impromptu lines or
impromptu things that just kind of
happened that ended up making it into
the show that were a fan favorite? I
always think about this one clip I see
all the time. I think it's Tom Holland
and uh Robert Downey Jr. and they were
in the back of a car and they were they
were filming a scene for Avengers or
something and Tom Holland like
>> or Robert Downey Jr. goes to like assist
Tom with like opening up the car door or
something and then Tom thinks he's going
in for a hug and so he hugs him and it's
like super super awkward and then they
just rolled with it and it was like a
fan favorite and you could see like the
natural reaction of the cohesiveness.
Yeah. No, there was lots of different
moments um like that and I think a lot
of it was pausing like a lot of it was
looks on the show was more of like just
like a look that you would give and um
you know nothing's sticking out but I I
think one of the things that always
stick out sticks out that's a fan
favorite um is the pizza on the roof
that was a oneandone cuz they tried to
recreate it and it didn't happen again.
Uh have you seen the videos of the lady
coming out of the house yelling at
people? What do you think of that? I
think when you have one of the most
famous houses in the world and
definitely one of the most infamous
houses in the state of New Mexico, uh it
comes with responsibility and it comes
with accountability and I and I think
you kind of have to
to to you know have some leeway with it.
Um I knew the the lady that owns the
house now. Um, I knew her parents really
well and you know during Breaking Bad in
the beginning um you know they they got
as the show ended they got much older
and people were breaking into their
house like pe they were waking up
finding people in their living room. Uh
it wasn't like just like people going
people were trying to get into the house
and that's why they raised the fence.
Uh, sadly it just keep, you know,
escalating and and and I think she's
trying to sell it at the moment.
>> Yeah, she's asking $3.9 million.
>> See, that just seems like like she
doesn't care that much about the
attention cuz if she really cared, she
would sell it at market or even a little
bit above market.
>> She said that it was her family's house.
It's been in the family for a long time.
You just can't sell it. But if she were
to sell it, she must
>> take ition. It seems I people are
speculating online that she does
actually enjoy the attention a little
bit, but I don't know how true that is.
>> She goes out and yells at everybody.
>> I I think she does. I think it does give
her purpose a little. Um, you know,
again, it's a fine line. Like like she's
nice to me.
>> Do you talk to her?
>> I I we saw her. We saw her. We were just
in New Mexico not too long ago and we
saw her and so like cuz like
>> Did you hit her up?
>> No. No. It was just you know it's
Albuquerque, man. Did you just show up
to the house?
>> No, no, no. I I back in the day. Um cuz
I was I was really close to the family
cuz we spent a lot of time there.
>> But like people all think that the
inside is what this inside of the show
looks like and it's not. We we shot all
the interior, most of the interior like
on a sound stage. The only thing about
the house is the exterior in the
backyard. But like
yeah, I I'm not going to touch that with
a 10ft pole, man. I I think like you
know maybe 2 million a mill and a half.
I think make so much money giving tours
of the house.
>> Someone can pay a lot of money to go up
on the roof to try to find a little bit
of pizza and sell that.
>> Airbnb would be crazy at even like 1500
a night.
>> It's not the same in
>> it doesn't matter just to be able to
stay at the house
>> to be able to stay at the house. People
would pay
>> I would pay 1,500 bucks a night.
>> I think that would be the smart I agree.
I agree with that. But like I I think it
would take a lot of infrastructure.
Would you buy the house?
>> Oh, yeah.
>> How much would you pay?
>> Not 4 mil. I'll tell you that. I mean,
so everything in that house value is
around 350. I I've I've you know, I've
[laughter]
looked at this estimate.
>> Yeah, I've looked at the numbers. I So,
my number for the house, the actual
number that I've come up with, I think
Walter White, the the White House
uh value, I'm thinking 1.2. just out of
names out of like the the environment.
>> But like if the neighborhood's nice, but
like
>> it's not a $4 million nice neighborhood.
You know what I mean? You can't have
that. You're going to destroy the market
in that community. [laughter]
>> But here's the thing. She putting it up
at that price gets a lot of publicity
cuz I saw that listing went up. It was
on the front page of like Yahoo and CNN
and all these places that Breaking Bad
Houses for sale asking 4 million bucks.
That drives a lot of people to go and
just take a look at it again.
>> But there's a fence though, man. I like
that's my thing is I wish like the city
of Albuquerque or like the state would
you know re redo it. You know they she
put up the fence. They've done a lot of
remodeling. It's not the same house. But
I I wish whatever like the state or
someone would come in and bring it back
to what it originally was cuz it was a
great house and you know it really means
a lot to a lot of fans. And I I think
the impact that that Breaking Bad has
had on the city of New Mexico. You know
there there has been positive aspect.
There's been negative aspects but
there's also been many positive aspects.
And
>> I think yeah Brian Cranston should buy
it.
>> If anyone could buy it, Brian could
probably buy it. [clears throat]
>> There's a Simpsons house in Vegas. You
know that?
>> Really?
>> Yeah.
>> What do you mean Simpsons house?
>> It's the house that was It's identical
to The Simpsons. It was either The
Simpsons was based on this house or this
house was created to be identical to the
Simpsons house and you could drive by
it.
>> I had no idea.
>> Yes, that's really cool.
>> Yes, it and it looks almost identical to
the real Simpsons house.
>> See, that's See, the question is how
many people try to break into it,
though? Nobody breaks into it as far as
I'm aware, but it does become a bit of a
tourist attraction where you could go
and look at the Simpsons house in Las
Vegas.
>> That's pretty I I think I've seen it on
on Instagram. There's a lot of you know
I think what they've done like you know
the Sopranos home.
>> Yeah.
>> Um and and you know Beverly Hills like
the the houses in um like Fresh Prince
of Bair and stuff like that. I I find
these are like staples of of television
history and and I think when a house
gets to that point, there should be some
form of historical preservation.
>> You know what? You're right. Because the
Home Alone house, they were asking 5.9
million and and I actually thought
objectively it was a good deal. The
Brady Bunch house, I remember when that
got listed, they got like a hundred
offers on this house and it sold way
over asking, I believe, to HGTV cuz they
were going to do something like with it.
But their other bidder was either from
like InSync or Backstreet Boys. Like it
was some musical artist who was like
bidding against HGTV to buy the Brady
Bunch house. But it's it's a
one-ofa-kind house.
>> See, that's the thing. It's you're
you're you're not necessarily buying the
property. You're buying the history.
Like, you know, I I do a lot of work
with historical preservation and and
restoring historical stuff in in Texas.
And you know it's it's it's one of those
things that that you know 100 years 50
years will go I was being generous with
100 50 years will go by and and these
like people will still go visit these
iconic locations and and it carries over
and so I I think that's what you're
that's what the number is is the
history.
>> I'm telling you we could make a fortune
if we go 50/50 on this house do Airbnb
on it but you promote the house. See,
see I'm I'm
>> more like so well
>> like 8020
>> like that
8020.
>> Oh,
>> there's got to be some some component of
uh of you marketing a house, but I
honestly think as an Airbnb it would do
>> insane number. Someone has to plug the
cash flow on this cuz at a certain price
you could overpay for it and make your
money back in the first year.
>> You're giving away some sauce right here
though. Like
>> no one's going to do this. I mean, no
one's going to do it. That's what I'm
saying. If we did it,
>> I mean,
>> it would do so well.
>> I'll keep an eye on it. I think I it
would do well. I think you would have to
I think it would be more than a year to
get your capital, especially.
>> No, but just the amount you overpay. I'm
saying if it's like worth 1.2 and you
pay like, you know, 1.5. Let's just say
you make your money back. You whittle it
down.
>> I think you're probably going to make it
back in like 5 years. Like, you can't
over you can't a night. [gasps]
>> I think people will pay 1,500 a night to
stay at the Breaking Bad house. Minimum
of two nights. still like going to take
a long time to make your I guess if you
put like 20% down but like 300 bank is
going to lend against like $4 million
house
>> I mean hey [laughter]
you know you stranger things have
happened
>> I'm curious for the budget of Breaking
Bad what did they pay you just for that
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>> What did they pay you just for that
first episode? uh minimum because it was
my very first speaking job ever like
ever. So So I got the the regular SAG um
minimum for it. I heard I or I was
researching online have a lot of money
like like Breaking Bad was not like very
lucrative as far as like um across the
board every season we were told that we
were cancelled. We just did not have the
viewership until streaming, you know,
that was again that was our big moment
was when streaming came in and people
binge viewed Breaking Bad. But but up
until that point, it was a struggle
every year. And Vince and and the
writing team, they fought and and a
gentleman who worked at um AMC at the
time named Charlie Cer and um he really
fought to keep Breaking Bad on AMC. Like
it was a battle. So, I read online it
was $250 for the pilot.
>> Like for who?
>> For you?
>> $250?
>> Was it just for the pilot? See? Yeah, I
read something online. And again, this
is online, but it was either like a
Wikipedia,
>> the basic SAG SAG recurring scale.
I I don't I don't trust me, it wasn't
much. [laughter]
>> It's crazy to me. Do Do you get
residuals though on uh streaming?
because I thought that was the big
>> No, it doesn't exist anymore. Like
that's a that's been a big issue over
the past decade in our industry,
especially with older actors. Um, you
know, the streaming services, you don't
really get your residuals and that and
your residuals once you get older, your
residuals are pretty much what keeps
your insurance alive, like once you
can't work anymore. And so, so like it's
it's a very niche industry, you know? I
I've seen like, you know, how how these
types of interviews work and how the new
media structure works. As far as like
television and film, you know, streaming
is good for the networks themselves, but
as far for the artists, you're kind of
getting the minimum. You get more reach.
You can make a name for yourself, but
it's not like it used to be. So when
they took it from TV to Netflix, you
didn't see a huge skyrocket in income
despite the show being viewed more times
than ever.
>> No. No. You get one check and you're
like, "Catch you in nine years." And
like that check is like a
>> I mean I'm not saying that they weren't
paying people on Breaking Bad, but like
I was I was the youngest kid on the
show. You know what I mean? It was my
very first role. So, what could happen
if you're like six seasons in or five
seasons into Breaking Bad and you're
just like, I'm done. What like are you
contractually obligated to keep going
for as long as they want you to go or
like what happens if you just want to
step back?
>> Well, with a show like Breaking Bad, you
usually die. [laughter] they get they
they write it but then sometimes they
sometimes they revisit it like in Dexter
you know how his dad always comes back
and it's like
>> see but but if you look at like some of
those connections and relationships with
like with like um like like the actual
main character like number one on the
call sheet right like those those people
are really ingrained deep into like the
producing writing opinions like they're
not just acting they're they're across
the board on decision makingaking for
the show and so like they will be like I
like this guy. I don't care what y'all
say. We're bringing him back. And again
that can create conflict. But
>> that's interesting. So they just like if
you want to step back they just
basically make it till you've died.
>> Like if if you wanted if you want out
and like like an assholy kind of way.
Yeah. Like shows like Breaking Bad,
shows like Dexter like oh dude you
accidents happen all the time like
especially for these characters. But
then you also probably ruin your
reputation in that circle of like this
guy just walked out on us. Let's not
work on
>> Why would you work with someone that's
kind of like like you know so here's
it's funny that you bring that up. So I
was in a roller coaster accident
[laughter]
uh while I was filming Breaking Bad and
um I had like a real bar shot in my arm
and like ripped out all my like elbow
stuff.
>> I think I was like 15.
>> Oh wait, how does this happen? So it,
you know, don't go the first week to a
brand new roller coaster.
>> It was you that got hit. Was someone
else around you that also?
>> Oh, I was like the ninth person that got
injured that day.
>> Did they have insurance? That's the
first thing in my mind.
>> So what I messed up was I didn't want to
wait for the ambulance. It was like a
45minute wait. And so I was like, I'm
going to my hospital right now cuz like
this kid's like I'm like bleeding out of
my elbow. Well, here
the ride starts. It hits me in the arm
and then the ride takes off. So the
pressure builds and builds and builds in
my elbow.
>> And as we're going through this, I'm
like in my head I'm like, man, this is
going to hurt tomorrow. Like I because
of the adrenaline and the ride stops and
I just hear screaming and I'm like, oh
my god, what happened behind me? And we
go to get off and everyone behind me is
wiping like blood off of them. And I'm
like, what happened? And this this
worker like that was working the the the
the ride is like, "You're bleeding." And
I'm like, "Huh?" And I look down and I'm
just like,
>> "Wait, so what what exactly did you hit
your arm on?"
>> So apparently there that's that's a very
good question that we never fully found
the answer to after a lawsuit. But but
going to my point of why I bring this up
is they told me cuz I went through like
three surgeries and like they gave me a
bunch of pills and I'm like I'm not
taking these pills and after three
surgeries after that they're like look
like you're injured but if you were that
injured you should quit your job. Oh,
>> and my jaw was breaking back.
And so, like, I made the decision. I was
like, I'm done with you guys. Whatever.
I can I've done the surgeries. I've done
the things. I've done the nerve testing.
Like, I'm not quitting my job and and
and just like buried it like, you know,
like just did the physical therapy.
>> You didn't get like a huge payout from
this
>> or maybe there was some something. I got
my I got my medical bills covered
>> which was like a lot
>> still. Oh my god.
>> But that was the point. If I wanted the
payout, I had to quit the job.
>> So your elbow was like kind of like
>> Oh, dude. I mean, you can't see it on
camera, but you see there's like a
little hole right here.
>> Yeah. Yeah. It like shot in and like
rotated.
>> See the Right. It didn't hurt. It didn't
hurt at all. What hurt the most is when
I got to the hospital because they're
like, "Hey, so we can't x-ray it because
it's a puncture wound. We have to um we
got to make sure there's no metal in
it." And that in my opinion was probably
I'd probably say in the top five most
painful things I've experienced in my
life. And this dude sat on top of me
because of the angle. I had to lay like
this and there this big nurse was with
these big old long pliers just
>> digging in my arm
>> and like I had like headphones. I'm just
like listening to something
>> and like I'm just like and
>> good times. But but the reason why but
like the reason why I bring that is they
they wanted me to quit the show, you
know, and when you have a show and you
have something that you feel very
passionate about, there's no reason to
walk away from it, you know? There's
like there's there's [snorts] there's
every reason to no matter what push
forward and make it happen regardless.
>> Jeez. So, we're mostly like a financial
podcast. That's sort of where we're
coming from. And you've claimed before
that Breaking Bad did not make you a
millionaire.
>> No. No. Not even
>> Not even close.
>> I I've I've paid more in taxes than I
got from Breaking Bad.
>> How is How does that How is that
possible?
>> It's just the name of the game with it.
like you know young kid like you just
you like I didn't really see a lot of
like like I I you know I had a team a
big team at one point and I was
traveling the world doing stuff and like
so mostly my team like I'm like I I was
paying to keep my career going you know
like I was paying to keep keep pushing
forward and to keep doing that and
>> everything went back into the business.
So like as far as like excess
>> did you have the Kugan account as a kid?
So it was that that was going in there.
>> Yeah, but not even close to triple
digits. So
>> see what's crazy is that Google says
your net worth is $5 million. Where do
they get that number from?
>> I honestly don't know. I think I think
it's so what I've earned in my entire
life. Um
one thing that did put a damper on me, I
did have a bad business manager. I did.
I got I got royally like
>> hammered. So what happened
>> in my last four years of my highest
earning series?
>> What was the justification behind the
business manager making certain
decisions?
>> Um I wanted to protect my fund. So I got
a you know I was 18 19 like 17 18. You
hear all the bad stories right? You're
like hey I uh I wanted to like I was
like okay I'm going to get a business
accountant. Like up until that point, I
always managed it. My family, we always,
you know, filled the sheets out, did the
things, always had it. And then I was
like, you know, I I really, everyone's
kind of pushing me to to make sure that
I have a proper accountant,
dude. I got eaten.
>> So, did he just invest your money poorly
or did he siphon funds from you? Like,
what was the main and what year was
that? So I was I was around 17. So I'd
probably say this was around like 2011.
Um
>> rough time in the market
>> like like 2011, 2012, 2013.
>> Um and and so like I I can't go into
details because this person um I don't
know is still out there, but I know she
got 14 other actors. I was like one of
this big group that she was targeting
like primarily people with disabilities,
elderly, like older actors in the
industry and uh and worked at the
sheriff's department where she had her
office at so she could you would have to
file at that to so
>> but how did she lose the money?
>> Like is it is it poor investments? Is it
high expenses?
>> You just didn't get it?
>> Just No, she didn't lose it. She was
just ciphing.
>> She was siphoning funds like like
literally she would I would write a
check
um I'd write a check and like to go pay
my taxes and instead of her using it to
pay my taxes, she would send me a fake
filing of taxes and take that money. And
so at the end of the day though, it's my
negligence. So regardless with that, the
IRS doesn't really care about you. They
only care that you make sure that you're
that you are paying it. And anyone else
that handles that is your fault because
you did not do your due diligence.
>> Is she still working today or is she
like in jail?
>> She's around her own.
>> That's what happened to the to the guy.
I'm blank.
>> It's very common. This is a very It only
took me 10 years to pay it off.
>> 10 years to pay off your taxes. It was a
rough thing, but like you know it was a
lesson learned and it's like you know I
I I've always been very savvy in my
finances. You know I I I was treasurer
for my organization for for eight years
and we we've always done well and I've
always been very good about it and you
know I'm I look at as a blessing um
and a curse um but it gave me knowledge
that like no one has.
Steve Harvey had the same thing happen
to him.
>> Yeah.
>> Same thing. He was paying his
accountant. The accountant would cash
the check and then he would just get a
fake receipt.
>> Fake receipt. Yeah. They just make a
mock of it. It all looks legit and
they're like, "Here you go." And then
like three or four or five years later
with compound interest at like 13 14% or
17% interest on that total number for
each year.
>> You get this nice big check. How did you
how did you get a letter from the IRS?
>> I didn't get one until it was like too
late.
>> Like Yeah.
>> And did people show up at your house?
>> No, I had I you know I have attorneys
and stuff that I've like cuz I work you
know I've I'm on top of stuff but I
wasn't on top of that. And so um so like
it was just one of those days you get a
letter and it's like your heart drops.
>> Who do you call after you get that
letter?
>> Call your CPA. You call a licensed well
you don't not her. You call another
attorney. You call a forensic accountant
and then you figure out okay how what
happened.
>> What did she say?
>> Good luck.
>> How how she would she even talk to you?
>> I mean it was comp it it it was really
really complicated. Like it it it so I
was able I was young enough to really a
like be able to like you know I just I
cut her off. I changed I canceled the
accounts. We shut down the system. We
shut down the bleeding. Um and and
luckily I like I I immediately was like,
"Hey guys, like like we're good. Let me
go. I'm just going to go work for the
next whatever however long to pay this
off."
>> And uh and so
other though there were 13 others. I
actually want to make a show about it.
I've actually been writing a show on
this called
>> I'm not even mentioning yet.
>> How do you how do you not go after her
criminally?
>> Well, when the same person that you're
trying to go after criminally is the
same person you have to report the
criminal filing to.
>> Couldn't it couldn't you report it
anywhere else
>> has to state California? You have to do
it in the area that she's licensed in.
>> Couldn't you just have a lawyer do it on
your behalf and it's it's going to be
filed? Yeah, I'd be going for tens of
thousands of dollars, which you don't
have at that point.
>> Any lawyer would take any lawyer would
take that uncontent.
>> Yeah, you still owe it. But but my point
being is that if she I just as an
example got 100 grand. I guarantee she
has 100 grand of assets that you could
see. I think it's criminal. It's not
>> like both. You'd be going after her
personally.
>> Yeah, but it's hardwired. It's not in
her name. It's all like it it's it's
very complicated. Like I can't go into
because this is still an ongoing
investigation. Like
we've we've tracked it to offshore
account, shell companies, like no, this
is a we're not talking hundreds of
thousands of dollars. We're talking tens
of millions of dollars.
>> And once it's out of the country,
there's really not much you can do.
>> You're targeting older actors and you're
targeting people that like are
structured pay and once they lose that
foundation underneath them, they kind of
just can't fight anymore. It's It's
super messed up.
>> And did you happens to millions of
people?
>> Did you talk to all of the other like
victims of this?
>> Oh, yeah. No, no, we're all We're all in
connection. We're all still in contact.
There's still a whole thing going on,
>> but but they're pursuing it.
>> No, there's nothing to pursue,
>> dude. I'm tell
Once the money goes beyond a certain
point, you can't get it done.
>> There's nothing there.
>> But but you could at least put this
person behind bars.
>> We We know some great lawyers. I'm
telling I'm tell more complicated than
that though. You you think you Yes, you
can, but you're talking like years of
litigation, years of appeals, years of
forensic accountants. Like,
>> okay, so the cost of that is probably
going to be in the millions and then
it's like, can you recover? Probably
not. What do you do? put her in jail and
then yeah,
>> it's conf it's it's again though this is
very very common especially young actors
>> like
>> it's mindblowing
>> and and it happens every day. It's
probably happening right now somewhere.
>> So what's your advice to newer actors
today when it comes to their finances?
>> You know record it, mark down every
dollar, you know, keep track of it, you
know, stay on top of it. you know, know
where you're spending your money, how
you're spending your money. I I think
technology today is getting stronger and
stronger in where you can't hide money
like you used to.
>> Like used to is like, "Oh yeah, we have
this stack of paper. Yeah, just get put
in a shelf. No one's going to find it."
Now today, it's more digitized. I mean,
again, you know, I I do my best. I'm I'm
I'm a fairly frugal person. Um,
but like it's it's really about just
knowing where your money where your
money's coming in and where your money
is going out. And once you have those
two basic things down, there's more
learning. But but if you know,
>> you know where every dollar is going.
Like I can tell you where every dollar
that I have goes. Like like down to to
how it how where it came in to where
it's going.
>> Yeah.
>> So where are you making most of your
money today and how are you investing?
Um, I make most of my money through
speaking, um, speaking engagements. I
shoot about a movie a year. Um, I do a
lot of, um, you know, I raise more funds
though for nonprofits than I make, like
by a lot. Um, which is how it should be.
Uh, but, uh, most of my most of my
income comes from movies. Mov I try to
shoot a movie a year. Um, they're
nothing crazy for the most part,
lowbudget, but you know, that's kind of
it's about grinding, you know, and
staying in it and staying active and
constantly putting yourself out there
for different projects like like here
today, you know, like, you know, people
are going to see this and they're going
to be inspired and who knows, you know,
since we met with Ian and now this and
we've we've kind of kept this waterfall
effect going through this trip.
>> Um, and just enjoying it. You know,
>> it is crazy how we got here. So, for
those that don't know, I saw Beast Games
on Amazon and it was Macy's idea to send
Jeff, the winner, a DM on Instagram. I
just sent him a DM and he was here a few
days later to talk about it
>> and then we became really great friends
with him and then through them we met
Matched.
>> Okay.
>> And he was also a winner on Mr. Beast.
We became friends and then through that
Ian Bick and then through Ian us. And
then on top of that, after this, we're
going to go try the best steaks in the
world with Joshua Weissman, who's here
in Vegas, and he invited us to go eat
some steaks with him. We're like, "Oh,
well, we're filming a podcast, you know,
can we bring can we bring R.J." And he's
like, "Absolutely." Like that sounds
amazing. So now, like, it's weird like
the cobweb of
>> You never know what's going to happen,
right?
>> It's a very small world. And I I find if
you treat everyone with with grace and
kindness and care, like you really don't
know how far it goes. and and the
impacts I can have. And it it's
definitely been a fun uh fun 24 hours.
>> Yeah. So, when you got your first big
paycheck though for Breaking Bad, what
did you spend it on?
>> I'd probably say it was in the second
season when I when I got a nice when I
got my first nice check like
>> and I I bought me a pair of Louis
Vuitton shoes. [laughter]
>> Yeah. I still have them today. I wear
them. Yeah. I I You still wear them?
>> I still Yeah, they still They look brand
new. Like, how do they look brand new? I
just took care of them.
>> You don't take care of your shoes.
>> I guess not.
>> No, not like that.
>> Yeah, like that.
>> No, that was one of my first Like I I
honestly don't collect a lot of things.
Like I pretty much have everything that
I've ever significantly been given or
got myself since I was like nine. And
I've carried this stuff around. Do you
have country?
>> A ton of things then?
>> Yeah. I got things.
>> What do you have? [laughter]
>> I got lots of things. No. Um, so like I
mean as far as like what like Breaking
Bad stuff like I got a bunch of meth
from the show like like but like from
season one.
>> Okay. So it's like matured as time has
gone on. It's like a fine wine gets
>> I don't know about that. It's still rock
candy. Um I have like my crutches. Um
you know I have I have those shoes I
bought. I have like you know
memorabilia. I always I I when I'm given
like art and stuff, I can't throw it
away. I I I would I went to try to clear
out some stuff and I felt so guilty when
I tried to throw this one piece. I'm
like, I I can't. I put it back in the
box. I'm like, you know, I always want
to have that. If one day I run into them
and they're like, hey, remember that
thing I gave you? I can say without c
without
like question, yes, I do still have it.
It's It's in my It's It's in my storage
unit.
>> That's dangerous cuz now I feel like
most people when they see it, they're be
like, "Okay, if I ever see him, I got to
give him something because they'll hold
on to it forever." You're just going to
have people like creating lines just
giving you Yeah. new thing.
>> It's It's quite It's quite the weight.
But but um I'm a collector. Like I have
all my original Pokemon cards since I
was a child. Like like
every pack that I opened when I was like
9 years old and they're all still in
mint condition. Do what sort of Breaking
Bad memorabilia did you keep?
>> I have my crutches.
>> That's
>> Yeah. And they're they're pretty sick.
Um I you know I have I have like a break
I have a Heisenberg hat. Got some pairs
of underwear. I have some of my clothes.
Um you know we um you know I I took what
really the only thing I truly wanted um
after the show was my crutches. That was
like my big my big one grab was like at
the end of the series, these are mine.
>> So, how did they want to fight you on
that? They're like, well, I kind of want
it like [laughter]
>> the grip.
>> Did you How do you How do you sneak
things away off of set? Yeah. And do
they allow you to take these or do
people just kind of like take
>> You know that you know that saying it's
better ask for forgiveness and
permission? So, so I kind of asked
the right people was like, "Hey, you
think this is going to cause a problem?"
And they're like,
"Do it." And I was like, "Okay." And and
then a few years later, the Smithsonian
wanted him. Um and I was like, "No, I'm
kidding."
>> And you just like you just store them.
>> I have them. Yeah.
>> Do you ever use them?
>> No. No. They're they're memorabilia. I I
keep them.
>> Why wouldn't you give it to the
Smithsonian though for display?
>> They're mine. [laughter]
>> Couldn't you give it on a loan?
>> No, they don't do consignment.
>> Oh, really?
>> At all. They have to,
>> but they're missing out. I mean, these
are like
>> Well, they have another pair, but
they're not the originals, you know? I I
think about this. I used these crutches
for seven years straight like that. I
was on those crutches for seven years
and like they they were they just I I
had a hard time like when they were like
I I thought about giving them, you know,
I thought about like Yeah. And then I
was like
I was like, "Man, the I I I rather have
them with me. I know there's
>> It makes sense. You It's not like
something that was kind of fly by night.
Like this was something that you held on
to for a long long time."
>> Yeah.
>> Yeah. What about Heisenberg's hat?
>> So, I don't have an original I don't
have an original Heisenberg hat. Brian
has his hat. Um, but I have the same guy
who made the I forget the style of cap,
not bowler cap, but but that that that
type of hat, the hat maker who made all
of them. We have like a box. It's like
has a photo of Brian as Heisenberg with
the glasses and it's like a yellow top
and has this gorgeous hat in it.
>> That has to be crazy valuable. Like the
authentic crutches like a hat. Like
that's
>> What do you think it's worth?
Have you been offered money for it
before?
>> I did get offered some money for it.
>> The crutches got to be They have to be
overund. Yeah, it was over $100.
>> $100,000.
>> Yeah, they have to be. No,
>> I got I got offered I don't exactly
remember the amount, but I do remember
it was very significant.
>> Is there a price where you would say,
"All right,
>> a million dollars for the contest.
>> 2 million."
>> No.
>> Wow.
>> I think movie memorabilia is so cool to
buy and collect. I remember the original
Beetlejuice book uh went up for auction
and it sold at some crazy price.
>> The guide.
>> Yeah, but it sold some crazy price. But
I think stuff like that is so cool to
collect. It's one of a kind. It's so
memorable. We were watching Gremlins the
other night and I was thinking how cool
would it be to get an original little
Gremlin
>> like a like a original gizmo.
>> Yeah. My dream would be able to get
something from the Nightmare Before
Christmas like one of the actual little
>> stock motion guys. motion.
>> I would do anything to get one of those
little things are about like this tall.
I would do anything for I'm sure they
would sell for a stupid price, but I
can't see how that wouldn't be worth a
ton of money in the I love that.
>> I I mean I I think again though it's all
it's all about perspective. Um
but I you know why don't you just like
hit up Tim Burton and be like, "Hey, you
mind making me a little Jack Skeleton?"
You know what's funny is I uh met Danny
Elfman
>> at his warehouse and he had them
everywhere and I couldn't help but just
think, "Oh my god, I like all the little
ones just around. All the memorabilia
from all of his films were just with Tim
Burton were there and just to be able to
look and be like that was it." How
special is that? Like insane.
>> Like I I you know I'm one of those
people I I tell my family it's going to
be my will. No one. It's going to be
like no one's allowed to sell my stuff
even after I'm dead. I I I I'm I'm
already putting it in there. I'm like,
no one's allowed to like I'm going to
like it's going to be like a little
museum. It's like it's it's all yours.
I'm not here. It's all yours. But
>> but see, if you put them in the Breaking
Bad house that you purchase behind some
glass could just be an artifact that
people walk in it
>> that you could get such a good ROI on
that.
>> I really do. But like the thing is
though is like what would be like how
long before return? What's your initial
investment? Like cuz you know we're talk
we're she still wants $4 million and
that's not including the uh the real
estate fee and
>> I bet you could I bet you could
negotiate the price down. She would sell
to you cheaper than she would sell to
other people. I mean, possibly maybe
like a a 100year uh lease purchase. Uh
uh where it's like, okay, hey, look,
we're going to do this. I want to pay
you $4 million in my lifetime.
[laughter]
>> So, speaking of money though, uh you've
said before that you respect money, but
you don't like what it does to people.
I'm curious, how have you seen money?
>> How have you seen money corrupt people
in Hollywood?
>> Hollywood? You mean the world? Like like
literally like you know
>> money is a tool like I I look at money
as you know it's it's a tool. It's it's
sadly a necessity in life. We we need
money to survive. It doesn't matter who
you are unless you are
rural
local native population like you know
there's there's people that have lived a
certain way for hundreds of years you
know but in a modern day society you
know capital money you can't do anything
without it pretty much you can't you you
have to have these structures and sadly
people like as you offered like what's
my number right you're like a mill 2 mil
people do have numbers sadly and and
what someone is willing to do for the
right number
never ceases to amaze me and and people
will sacrifice who they are for money
for clout for whatever that is and and
you know growing up I've always worked
I've never I've never not had a job in
my life even as like a like
five-year-old kid uh I would be like
chores around the house let me go I'll
pick fruit. Let me go do this. Let me go
whatever whatever it may have been. Um I
always I always liked working. And and
so for me, it's not about necessarily
like I need money to survive, but I
enjoy the working. I enjoy the
camaraderie. I enjoy what what I'm doing
out there. And money just helps it get
that way. But I don't really set a
number for myself. It's does it have
does it make sense? Are we helping
people? Are we changing lives? Are we
having an impact? And then it also goes
the opposite way, you know, with with
what's your number? What what what would
you be willing to do?
>> Oh, we do this all the time. It gets it
gets horrible.
>> This is our favorite the most depraved
things in the car of like, yo, what what
would you do that for like 50 grand, 100
grand? And we always get to a number
we're like, all right, I I got to say
Graham's numbers for some pretty like
sus things are [laughter] pretty low.
I'm just willing to put that out there,
guys.
>> You know what's funny? I
>> They were surprisingly low.
>> I Jack paid me once. I thought it was
the easiest money ever. We have it on
video licking a moldy bagel
>> and it was right on the mold.
>> Yeah. And it was blue mold. And I said,
"15 bucks."
>> And Jack says, "All right, you have to
leave it on there for how many?"
>> I said, "You have to leave it on there."
>> Like 5 seconds. I'm like, "$15 for five
seconds is a great ROI." And I I just do
it and I feel some like burning
sensation on my tongue. Like, you know
what's funny is what is $15 doing for
you right now?
>> I don't regret doing it. I don't.
>> But that's crazy, dude. Because you that
that could be why you are the way that
you are. Like that mold.
>> I don't know, man. That that can have
some long-term ramifications.
>> I just I ceiling, you know, I just
washed my mouth afterwards. It was
>> I'm saying $15 to Graham. Now it's like
like he can refresh his Schwab account
and instantly [laughter] in like
literally the millisecond in the
millisecond he refreshes it. It could
vary by probably $1,000. Like it's not
going to make any
>> It was so easy to do.
>> It's not See, that's where that's where
people mix up. It's not about the money
or how much the money. It's it's just
about it's the action of it. It's the
bet of it.
>> No, it's just the ratio. to grand if I
can make $15 in 5 seconds then my my
minute wage is this my hour wage is this
and I that's higher than I make when I'm
editing and it's like dude
>> exactly per hour that's a really high
amount of money
>> I mean that is that is if you if you
take that to minutes to to hours to to
months that that is
>> you can make a career and be a
billionaire by just licking moldy bagels
[laughter]
>> with that for 8 hours a days straight.
>> See, bro, make sure your health
insurance and life insurance policies in
check for that though. But going back to
to that point about my comment, people
desperate people, you know, money
doesn't like people with money or people
that have power with money don't freely
give anything. It all comes at a cost.
And when you have someone that
desperately needs it, that's willing to
do anything, that's where you get into a
very dangerous scenario of power and and
you know what what that person is
willing to give up who they are willing
to to be to get that power, you know,
and and we see it in social media, you
know, you you with with videos and
YouTube and stuff, people that like hurt
themselves sometimes to get the
sensationalism
is is in my opinion And like it's a
dangerous game.
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>> People that like hurt themselves
sometimes to get the sensationalism
is is in my opinion like it's a
dangerous game.
>> I agree with that. I think that
acquiring money for the sake of just
simply having money is where it starts
to get dicey. If you think that money in
and of itself is of value, instead of
seeing money as a tool or a vessel to
get something else, to help other
people, to be able to provide for your
family, to be able to go on a trip,
maybe it's been years since you've been
on a trip and you're like, "Well, if I
get this amount of money, I can now do
that instead of just like
>> getting money for the sake of it." I saw
this one video that went super viral.
It's unfortunately hilarious, but it's
also bad. Uh, this guy pays another guy
like a hundred bucks to drink a little
bit of EpiPac.
>> Oh, I saw that. Oh, that's that's dude
that's like 20 years ago.
>> Yeah, but that that video like too like
I it it grosses you out and it also is
kind of like it's kind
>> I always think of the Family Guy
episode.
>> What's that one
>> with the epicatak?
>> I don't remember that
>> where they all drink the epiack and
they're throwing up all over the Oh man,
>> I got to check.
>> That's where initially that video I feel
comes from. Yeah. No, it it when you
start putting yourself in harm to make a
quick buck like the mold.
>> I don't think that's harmful [laughter]
though. See, if I if I genuinely thought
I' I'd be like sick or out the day, I
wouldn't do it.
>> Yeah.
>> No, but but but like take that scenario
times 50 or times 100 of whatever that
is.
>> People do do stuff like that though.
Like
>> we asked to recently, it was like a
viral clip. He's a gambling like fitness
influencer sort of guy. We asked him if
he'd remove a pinky finger for $10
million and he said he'd he'd like
remove his foot if he could [laughter]
>> for $10 million. And this guy makes a
lot of money.
>> I mean, you could buy a lot of feet for
10 million.
>> That's a good point. I didn't think
about that. It reminded me though, uh, I
did get paid to eat a snail.
>> Okay.
>> In Japan, I didn't want to eat the
snail.
>> Was it an edible snail or was it?
>> Yeah, it was cooked in garlic that's but
I didn't want to eat it. And then a
buddy was like, "I'll pay you 10 bucks
to eat it." And I said, "Sure."
>> See, growing up, my dad would do the
same to me all the time. Like it was he
was always like he would be like, "Here,
eat this. Eat this fat." Um, like for a
sake, I'll give you a hundred bucks.
>> We do that with wasabi all the time.
This is like eat a whole thing of
wasabi. 20 bucks.
>> 20 bucks. But, you know, I think there's
a game, a friendly game of it, but then
there's the
>> the darker version of that. And that's
and that's where the the power is. And
it's like what would you cuz you know
it's we're we're talking like 20 bucks
100 like a hundred bucks but there are
people that are doing this with hundreds
of millions of dollars and
>> games.
How is that that much different from
working a job like a high paid high
stress job that you really dislike but
it pays you 200 grand a year? I mean,
there's a lot of people that live in
lives that hate their jobs, but they
stay because they it's it's kind of
circle, you know? I I've definitely done
jobs that I did not want to do,
>> but I did it because
>> it was it was I was free and it was
paying
>> like it like
>> Well, then it's a win-win.
>> It's a win-win. But I find you cannot
once you start questioning your morals
like like I I believe everyone has a
moral accomplice and and sometimes it
doesn't always point the way it should
but I believe once you start sacrificing
who you are and like what when you start
sacrificing your dreams to chase
something else like chasing someone
else's dream chasing someone else's
money when you start losing what made
you you and what what made you have
passion or art because people get in the
industry and they struggle. The acting
industry is not like a very like
welcoming and warm industry. Everyone's
we're all competing for the similar job.
We're all there's one role that we're
all trying to get right. It's a zero sum
game.
>> Yeah. And and so
>> like everyone's fighting for that one
big break and and it's then it's like
okay you had the big break. Where's the
next big break? Where's the next big
break? And people were like, "Okay,
well, I'll be willing to do this if I
can get into this movie or I can get on
this show." What? And and it's not just
money. It's
>> Are we talking like predatory behavior
of like that that that sort of stuff?
>> Yeah. Like I mean, but that all is all
money related. It's all based in money.
It's all based in capital. And And what
are you willing to do to be on this
show? What are you willing to do to get
what you want? And I I find you always
have to stay true to yourself. And I
know that's some lame thing that people
say, but it's the reality of it because
once you start losing who you are as a
person, what makes you you,
>> you've lost the game.
>> Were you ever presented with any moral
dilemmas like that where you had to like
think inwardsly, okay, what what is the
ethical thing to do here? I I I had a
moment where I had some people approach
me and I they're like, "Come with us.
We're going to make you a star." And I
said, "No." And that was the last time I
modeled.
>> So, what would what did they want?
[gasps]
>> I'm not going into detail, but I I I
stopped it before like
>> You could sense it was I I knew I knew
they wanted something that I was not
willing to pay. You know, it it's
there's something in life that we we
have and and how far are you willing to
go? You know, Breaking Bad is a great
example of how far are you willing to go
to get what you want is either for your
family, for for power, for whatever it
is. How far are you willing to go? And
and for me, I've always kind of had like
um like a I'm not going to step past it.
>> How common do you think that is? And do
you think it's more common with with men
or women or do you think it's equal?
>> You know, I think it's a fine line. I
don't think it's because like it's it's
not it's not a it's not a sexbased thing
in my opinion. It's a it's a it's a
power. Again, it's it's power. It's
money. It's fame. It's it's all these
things. It's the sex, drugs, and rock
and roll of of of what are you willing
to do to be at top? What are you willing
to do to be a star? And there are
certain people that like you see it
happen where it's like they're a hit and
everyone comes from you and it's sharks,
you know, blend the water, the sharks
come, they eat, everyone gets fed, and
then hopefully you stay the biggest
shark until another day a bigger shark
comes and eats you.
>> Sounds really stressful.
>> I love what I do.
>> Yeah,
>> I love I I get to do amazing things
around the world. Um, you know, I I work
with numerous charities globally and and
it it it definitely is stressful, but
when you can see change in the world
that you've done like and knowing like
I I've seen where my work was when I
started with Breaking Bad and disability
communities and advocacy and awareness
to today. Like I I feel very proud of
all the people that I've worked with and
all the teams and organizations and
nonprofits that we've we've worked with
and helped and raised funds and we I I
raise about I probably say $2 to $3
million a year for nonprofits. Um and
and um right annually
um and and so like being able to see
that change is is in my opinion the most
valuable thing in this world. Could you
shout out some of those nonprofits right
now? We could leave links down below in
the description, too.
>> You know, I'm a big supporter of
Shriner's Hospitals for Children. Um, I
was a Shriner's kid when I was younger.
I went to Shriner's Hospital from from 2
to 18. Um, they do amazing things, not
just for people with disabilities, but
but just across the board for families.
Um, United Serbal Poly um I'm actually
going to go uh in the next couple of
weeks um to do it um for United Copal
Poly um uh San Diego. Um, but they're
national. You know, these both both of
these organizations are nationally. Um,
and then I work with lots of local
municipalities. Um, and and you know,
I've done stuff with the UN in like
Eastern Europe and Germany and but those
are my those are my main two I like to I
like to shout out.
>> And I'm curious in terms of investing,
do you invest in like stocks, ETFs, real
estate? Like how?
>> A good read. A good read goes a long
way.
>> Okay.
>> Sorry, what were we say?
>> Bitcoin.
I I I missed the biggest bullet of my
life in
2009. Man, I remember being at Hollywood
Tower. I don't know if y'all y'all know
where Hollywood Tower is off of um by
the by the 101 freeway. My friends live
there.
And I remember being at this um this
this radio um I forget what radio
station it was, but they would have
these concerts and stuff. And this
dude's telling me about Bitcoin. He's
like, "You got to get it right now. It's
going to revolutionize blah blah blah,
like all the things." And I was like,
"Yeah, I'm going to get it. I'm going to
get it." And I don't know. I thought I
bought some. I might have a laptop with
some on it somewhere that I really hope
that I find one day. Uh, but I I missed
it. But like I like Ethereum. I I I do
do a little gambling like Shiva Enu.
>> Did you make money on it?
>> No. I I mean I [laughter]
Well, I I um I probably stay up on like
20% on my crypto market. I don't have a
lot of crypto. Like we're not we're
talking like a couple of G's. We're not
talking like like tons of money. I'm um
I'm very careful with my personal funds
as far as investing. Um, professionally
I I with the companies I work, we have
different firms and stuff and I've been
the treasurer for many organizations
over the years. Um, is and you know I'm
a big fan of of of due diligence and
transparency and and
um most of my work I do it's like oh if
here it is it's publicly. Um but Charles
Schwab
>> good.
>> Yeah.
>> Yeah. They're great.
>> I love I love them. I've I've had an
account with them for a decade and I
>> Do you have a Charles Schwab guy? like a
guy you reach out to.
>> No, I just do.
>> We have a guy on the inside we can put
you in contact with. He's great.
>> I just kind of like I just I I I I like
to I treat my stock account like
gambling. So I like penny stocks.
>> No. Are you serious?
>> Yeah, I'm one of those guys.
>> How do you get your penny stocks? Like
where do you find them?
>> Um so lately I've been using Chat GPT to
do a lot of the research. I say, "Hey,
find me these types of dividend stocks.
find me these types of structures with
large cap capital and no debt
>> and I then have it pull up companies
that have like I I've gotten some that
have a 1,200x on it. Like I'm not we're
not talking like a lot of money but like
like it went from a I bought like 200 of
it and now it's like 800 bucks.
>> Do you do you have like index funds?
>> I have a couple.
>> Do you have uh any real estate?
>> Yeah. Yeah. Yeah. I I have I one one I I
don't like to I also don't like to plug
plug like capital stuff, but um there's
like a couple I look for for like index
funds or real estate funds that again
have high asset allocations that that
have minimal debt and that show um gross
income coming in. And so I mean I you
can't go wrong if they're making money,
right? And so so I look at it across the
board of okay
is it losing money but it has a high
asset valuation or is it gaining money
and have a low asset valuation and so I
always tend to choose something with
assets you know something with tangible
resources and growth potential.
>> Very interesting you got to teach a
thing or two about very different it's
almost it's kind of like gambling. It
sounds like it, you know, typically with
>> I'm a hold I'm a long-term holder. So,
like I'm someone that like I I I have
this one stock. It's a interstellar
mining company. They have rights to
asteroids.
>> How how do you even get a right to an
asteroid? Is that like
>> you you file for the right to asteroid?
Anyone apparently who the government
owns space?
>> How do we know America owns it instead
of like
>> No one owns it. That's the thing. No one
owns it.
>> But then how do they own it? No one owns
these flying flying rocks. So like you
have to so like it's it's like so NASA
identifies these types of structures and
you have all this like extra like like
space and they can hit it with certain
telescopes like you have asteroids that
are made out of solid gold.
>> So [laughter] you can make money off
this.
>> So over the next 30 years
um like they're going to mine these
things
>> with what?
>> With drone drone hypes structured stuff.
If they're going to break off pieces,
drop it, some of it allegedly in orbit.
[laughter]
>> I don't sell, man. I don't get out of
this thing.
>> Um,
>> but how do we know that like they have
the right?
>> We don't.
>> This is a great business to be in.
>> Is this a large percentage of your
portfolio?
>> No. No.
>> If it's money that you're comfortable
playing around with, you know,
>> but we're talking like like it's it's
increasing value. Again, I don't I most
of my most of my income that I make it
literally I make it myself. Um, as far
as like my stock stuff in my portfolio,
I use it with long-term like like I got
a couple like million shares of some
stuff for a hundred bucks.
>> But like like you know what I mean? Like
>> he's buying like 30% of the company for
like [laughter] 500.
>> I love Monopoly.
>> Are you are you like like a like more
than 50% owner of any of these?
[laughter]
>> No. No,
>> he has like 300 files.
>> Well, the one the one that I'm talking
about, you see Mattress Warehouse.
[laughter]
>> He's buying like some kids lemonade
stand basically.
There's this hustler there. There's
these two kids in um South Dakota who
sell the best lemonade. Like great.
>> Do you do you have Do you have any
desire to also have some like like other
more conservative investments like an
index fund or anything? No, I I I do
like, you know, like SMP type stuff and
like, you know, I I mean,
>> for the most part, like I I do um
>> I do consulting for for different firms
and stuff like that. Joking aside, like
financially, like I I I'm
>> those are my joke ones. Um but like, you
know, it's for me it's all about like
long-term structured growth, reinvest
dividends,
>> um you know, power utility stuff
structured like that.
>> Okay. Yeah. Yeah, I was just I was just
curious though as long like you could do
all that stuff as long as you're also
doing like
>> No. Yeah. No, I I'm I'm um
my like look I'm not rich or anything.
Everyone always assumes everyone assumes
I'm loaded, but like I I work hard for
every dollar I have and and since I over
the past 20 years of learning in finance
and doing different structures and
running boards,
there's certain things that like
you know where to invest and then
there's
the gambling. Do people [laughter]
do people ever hit you up for money
because they see you on the show and
they're like, "Dude, must have
>> all the time." When the first when the
show first came out, someone hit me up
to pay for their son's rehab and like
blamed us and like a whole thing about
like the show and it's like we've just
had one episode,
>> one episode and they already were
>> Yeah. coming down pretty hard on it in
the beginning, you know. But like I, you
know, I'm really good about protecting
myself. I have a very tight-knit family.
Um, I don't really do anything or put
myself to I I really don't I do my best
to keep my um keep myself out of
vulnerable positions, you know.
>> Do you have any financial goals?
>> Yeah. To to just No. Um [laughter] that
mining stock that mining stock that
mining stock
if you end up I I should sell all of my
gold right now because you're going to
devalue the heck out of gold if we have
an asteroid that's made out of 24 karat
gold and it comes down in basically
anyone that's holding gold right now the
gold will be yeah it will become
worthless
>> well it's a little more complicated than
that there I gold will always have value
it's in all the technologies like it's
in your cars it's in your phones it's in
this microphone, your asteroid could
bring it down like 50%.
>> Or raise technology cuz we use some
little gold. Imagine if we had more of
it to create stronger technologies.
>> That's true. You could hedge your
asteroid gold position with like
>> biotech. Oh yeah,
>> you could put Bitcoin mining facilities
on the asteroid.
>> Well, it's cooling.
>> You wouldn't it?
Anyways, [laughter]
>> no, but you know, I think it's really
when it comes to investments, you always
have to have due diligence. You always
have to do your research and structure
and like like I I find again knowing
where your money is coming in and where
you're going your money is going out,
like really managing that. There's a lot
of people that don't know where their
assets are going and there's a lot of
money that just like it's like, oh, you
know, oh, it was a dollar here and a
dollar there and a dollar there. But
over time, those dollars really add up.
And you know, knowing what your bills
are, what your structured system is, and
the life that you want to live. You
know, you mentioned financial goals
earlier. I I do, and I do have a lot of
financial goals that that I'm working
towards, and um you know, I'm a big fan
of like real estate and stuff. Like I I
have a property. I lived in California.
Never could afford a house in
California, but moved into Texas, within
a year, bought a home. And so, um, you
know, I I think having strong assets are
key in your life. And, you know, the
[snorts] Pokemon cards don't don't hurt.
You know, they they
>> they've been going up. They've been
going up a lot this last year,
apparently.
>> But, um, you know, really creating kind
of a steady, stable portfolio
incomebased structure. You know, my my
overall goal for me over the next like
15 years is to really just get a nice
portfolio where it has regularly
structured systems and kind of just
making it where it's like, okay, I don't
have to go take that job next Tuesday.
>> So, what do you think separates actors
who have really long great careers
versus those who fade out?
>> I think it varies depending on the
actor. I mean, you know, I I think it
also depends on the civilization and the
time that we're in. You know what? You
know, if we look at actors going back
since the creation of of television
specifically, you know, you look at the
the starlets of of 1940s and 50s and 60s
and 70s to the starlets today. It it's
it's a different market. It's a
generational growth. It's a different
type of of either a resurgence or a
desurgence of like industry. And you
know, I I find it's about being
consistent, showing up on time, knowing
your lines, being again, pun punctuality
is like so important in the industry
because if if you miss a day like like
it was about $25,000 a day for Breaking
Bad. So if you messed up that day,
that's 25 that's that's that's time and
money. Like you're you're you're
everyone's hurting. And so and that can
come from the smallest little thing and
having a strong chain of people that
really um work together that show up on
time that keep pushing forward. I think
that's what makes that's where you see
these actors that are that are popping
off and then right place at the right
time. One thing I learned and I was told
at a young age life is the most
important thing is is when readiness
meets opportunity. I I don't know if you
all heard this, but but you know, we're
so often not ready, but we have the
opportunity.
>> And then we're so often ready, but
there's no opportunity. And I find when
that iron strikes and you're ready to
strike it, and that opportunity comes
and you're ready for it, that's where
you launch and that's where you grow
from.
>> How important are relationships and
networking? Like, how much is it who you
know?
>> I mean, how else did I get here? Like,
you know what I mean? This is a great
example of networking right now
>> from Ian to here to to late like you
know I I think it's it's about
networking
but not just networking and partying and
doing all the things but networking in a
way that puts you in a light where
people see your assets versus like oh
that's that guy yeah we see we see him
all the time
>> versus like oh he's coming through you
know like there are these stars out like
you know like If you when you see Brian
walk into a room, right, it's a thing.
It's not like it's not some simple like
some random dude walking into the room.
It's like a like an energy. And that's
something that over time
you you grow and you learn with and and
you create this energy. And I think like
through trial and error, but being at
the right place and the right time with
carrying yourself properly and carrying
yourself in a way that
>> that actually helps the community.
[snorts]
>> Now, does playing Walt Jr. make it
harder to get other work in the future
or does it make it
>> does it open doors?
>> So hard, man. like like it opened a lot
of doors, but I mean you're still Walt
Junior regardless like you know I I was
so young on that show and so that was
kind of like everyone else you know
Brian and and Betsy and Anna they've all
had years of experience in shows and
movies before they Breaking Bad was it
like
a show that changed everything right
>> and for me that was kind of like the
like that was like my first experience
of actually being a speaking role and
and having that ability to to walk into
this. So for me I kind of like where
everyone else kept building I kind of
had to go back I had to after the show
was done I kind of had to backstep into
like a guest star role or smaller parts
that that weren't so because they're
like no he's great he's great but he he
looks like Wall Jr. And it's like no one
>> as an actor,
>> you can't carry that. You you don't want
to carry your roles in every role, you
know. And so for me, I I've worked
really hard and selecting my movies that
really highlight my acting ability
versus just they hired me because of I
was Walt Jr. I was on Breaking Bad.
>> But you know what? Brian Cranston did a
great job because when I first watched
Breaking Bad, the first few episodes, I
couldn't get get it out of my mind that
this isn't um Howal for Malcolm in the
Middle. And I was like, that's the dad
from Malcolm in the and it took me maybe
a half a season to get that out of my
head. Like he transitioned that really,
really, really well.
>> Same with Ed O'Neal. I would think of
him from married with children non-stop
and it took a long time but he he was
able to even now I still think ah that's
married but
>> but he did it very successfully
>> but it takes time. Yeah. And and it
takes like it takes
continuously watching being like, "Okay,
okay, that that's this character, not no
longer that character." And and I think
it just having more episodes and more
shows, but like you know, if you look at
Brian and you look at Ed, they've had
years
of other shows and movies that no one
ever knows of, you know, and it's it's
it's not about, you know,
it's about getting that one.
>> No.
>> And being ready for it when you get it
that catapult you into that next thing.
And and that's kind of where I'm working
on right now is is trying to find a show
that fits me. I I shoot like two movies
a year. Um but but something that really
is that next step and it's kind of but
it's really hard to to make another
Breaking Bad again. You know, you don't
>> Well, I don't think there will ever be.
No,
>> it's impossible.
>> But I've seen with quite a few people
like McCauley Kulkin. Yeah.
>> Like after Home Alone. Like he's been in
plenty of movies since then. Like I'll
see him. He does a great job. Same thing
as like oddly enough Nat Wolf if you
know who that is from Naked Brothers
band. Like he was that when he was a kid
and they had a TV show and then since
then like he's been in some really
interesting movies since then.
>> But you look at how long after that
though
>> it almost like a change of appearance
though. Colin Kulkin really changed from
being a kid to now.
>> But but there's always like this gap of
societal transition
>> cuz they love you so much as this role.
>> Yeah. and then you're 30 like you know
it's like it's like you were you were a
child then and now you're an adult so
the transition it's almost like a shock.
>> Yeah. Same with Harry Potter. Daniel R.
>> Yeah. And like look at his content
though. like he does some some really
far out movies and and it's I find it's
all about stretching that view of you
and and breaking that breaking that
barrier of like okay you were this
character for so long and we love this
character we want more of this but oh
let's see this
oh and then they go okay yeah yeah and
then five years later they go back to
that movie and they go you know I really
like that movie
>> so what do you think though with the
future of acting right Now with AI and
being able to clone people's voices and
aesthetics like for for background
actors you could theoretically like I
think in the new newest gladiator like a
lot of those people just complete AI
>> CGI. Yeah. AI. Um
>> I think it every everything serves a
purpose and and and again as I look at
it as money as a tool, AI is a tool. Do
I do I think it can replace everyone?
No. Do I think it will
change
how we do things, how we see things, the
information that we receive?
Very big, very big way. Um I I think
though it's it's
as the industry comes together, right?
And you know, you see like AI boycots
like for voice acting and you see these
structures of like of of of the union
pushing back on AI. I I think we need a
better understanding. I think the
technology is still so fresh and so new
and it's growing rapidly. I I think it's
about being able to still protect
artists. Um
but using different capacities to do
that, you know, with the dot, remember
when like computers were created, no one
no one like wanted computers, no one
wanted the structure. Like people like
these are just a fade.
>> Uh and now they're essential in our
everyday life. We carry a computer every
day. I I I think it's a double-edged
sword, but as every industry grows and
changes, I think um we have to rise
above it. You know, as an artist, as
someone that protects our brands, our
art, our our who we are, I I don't
believe AI can replace us. I I I think
that that is impossible. Like
there's something about humanity that
nothing else in this world, in this this
galaxy, whatever. Like we are very
unique in one phase that we continue no
matter what we grow we evolve we adapt.
So as we evolve and adapt and as this
new emerging industry of technology
evolves and adapt and creates new
problems, we create problems to fix it
and identifying the issues, identifying
the structures and being able to utilize
it in a way that is conducive for growth
in art versus being
replacing art. You know,
>> I'm curious. Do you do you find any
issue with non-disabled people playing
disabled people in TV shows and movies?
And what about dwarves? Cuz I know that
there was like this big thing. I don't
know what the the politically correct
term, little people. Little pe people
that aren't little people playing little
people.
>> This is how I look at able-bodied actors
playing disabled roles. I I think that
if you can hire someone with a
disability for a role that highlights a
disability, you should always do that.
Now, with that being said, if you're
going to get someone like a Brad Pitt to
play something, the amount of media
you're going to get for that, either
positive or negative, is going to raise
a question, right? It's going to be
thoughtprovoking. It's going to inspire.
It's going to be like, "Yo, we we need
more change on this. we need social
this, we need structure on this, we need
these opportunities and and I feel that
in the industry we kind of go through
these phases of where we see a increase
of people with disabilities and well not
not necessarily disabilities but
accurate representation right
uh diversified casting I think there's a
fine line of of bringing it positively
like positively into the mainstream
media
or negative. I I see there's both a
purpose in that because no one's always
100% accurate. But I think if you have
someone with a disability that can play
the role that is that part, there's no
reason why you shouldn't hire them. But
if you want to try to sensationalize or
something like that's what you can do
with a bigger name.
>> So I have a question about some of the
lore of Breaking Bad. I'm curious, what
scene was the most difficult to film?
Either because people kept breaking
character character cuz it was funny or
because it was just logistically
challenging.
>> I know the desert. The desert was
definitely challenging for the crew. I
didn't spend a lot of time in the
desert. Um I mostly cuz I was either
eating breakfast or or or chilling in my
room. Um, I I think the hard one of the
hardest, not the hardest, but I guess
emotional parts for me um during the
series was when uh Walt Jr. finds Brian
uh beat up at his new apartment and he
um has a conversation with Brian about
uh his father dying of emphyma and of
lung cancer. And at the same time, my
grandfather was dying of emphyma and
lung cancer. And so, um, it just that
that kind of scene really meant a lot to
me and, um, was definitely one of those
high high emotional kind of grasp that
that I really wanted to make sure we got
right.
>> What's the craziest thing that you've
seen someone do to get in character?
>> I've I I I can't go into detail about
some things, but I've worked with a few
method actors
>> and and u,
>> Do you believe in that?
I believe there's a fine line of it, you
know? I I believe like cuz like I'm I
wouldn't call myself a method actor, but
but I do my best to always feel what my
character is feeling. I always I I do I
find acting really is important on a
emotional level like what those
characters are feeling, how that
character is feeling and I use basis of
my life and life experiences to make
these characters feel a certain way. Um,
so as far as that aspect, yeah, but I
don't when you see people being an ass
to people or like getting aggressive and
it's like I'm method, I'm like I'm like,
dude, like
>> you don't have to be a dick.
>> You're supposed to be playing a nice
person.
>> Yeah. Well, no, that's usually cuz
they're not playing a nice person. But
no, no, but but like I think it's a fine
line, but I also think sometimes it's an
excuse to be an ass. That's interesting.
Like, and they get away with things.
>> So, that's what you've seen is that
people like get into character like that
and they won't break it.
>> They don't break it. And and and they
carry it off. And I'm like I'm like part
of me doesn't think you're acting, man.
Like, like it's like I I think you're
like this 24/7.
>> Was there ever a scene? Was that TCO?
>> No. No. [laughter]
No. Dude, I would love no Breaking Bad
from from every single person on there
was a gym. Like like really like
quality, very meticulous, thought out
casting. Um it's on some of the other
movies that that I've done that that
that
>> that I'm like I'm
>> Speaking of Tuco, you know, have you
seen the lawsuit recently?
>> The with the hose?
>> So stupid. You hear about this guy? and
>> he was washing his car and like he
sprayed some kid with water and they
sued him.
>> So it goes a little deeper than that. So
I I found out some information and and
there's a statement by his team um cuz I
know I know um
>> um Raymond Cruz Yeah. very well.
>> Like like I see Raymond I I probably
hang out with Raymond like uh Raymond
and Daniel and Lewis Banka that who
played the Salamanca twins. No way.
>> Like I hang out with them like cuz like
I'll go do ComicCons and stuff with
them. And
>> that's so cool.
>> And so from what I understand these like
three girls parked like right on his
bumper while he was washing his car and
like and started recording him and he's
like, "Hey, can you move?" And he
splashed and they called the cops.
>> Like
>> they want attention. They want attention
and money. That's all it is. But I think
I don't necessarily look view it as a
bad bad thing for him cuz he was in the
national news, man. Everyone
brought him back to hardcore right to
the top. Raymond Cruz.
>> So, are you saying you need to spray
someone with water?
>> We can go down to the strip and just
have some mayhem down there.
>> I'm good on that. I I I I don't need
headaches.
>> Did any cast member have like the
giggles? Like they they would have a
hard time
>> all the time.
>> Really?
>> All the time. We were all laughing all
the time.
>> Which scene elicited the most amount of
laughs where you had to just redo it
because it was too funny?
>> It It wasn't about like redoing it or or
too many laughs. It it kind of, you
know, Brian having such a comedic
background. Like everything he brought
into it was very comedic. Even when he
did serious roles, he really was good
about creating an environment on set
where it, you know, we had really heavy
content and and it was it was very
stressful content, but as soon as we
said cut, everyone was cheering,
everyone smiled, especially on the hard
days.
We had full support from our staff from
from from grips electric like painting
like set to every it was all hands on
deck every single time. It it has been
single one of the best crews I probably
that I've ever worked with and probably
will ever work with in my life. How were
your nerves in the beginning of the show
to the end of the show? I imagine
stepping in and being this your first
like talking role. I mean, it's a pretty
important moment in your life. How were
you super nervous in the beginning? And
I imagine you found found your rhythm.
>> I didn't understand. I was such a kid. I
didn't understand what this show would
be like, you know.
>> Did you watch Malcolm in the Middle?
>> So, I watched Malcolm in the Middle but
that that would be intimidating to be
like in the room.
>> I watched it after Breaking Bad.
>> Oh, I see.
>> So, I I watched it I watched it later
like and I saw it. But I also I'm one of
those people that I don't correlate
people in TV and film together.
>> So when I watch a show or I watch a
movie, I don't I don't carry the other
work. I only see them in that role.
>> Got it. How did fame affect your
friendships early on?
>> I worked really hard on keeping all my
friends. Um you know um I'm I'm still
very close with most of my old friends.
Like do we still talk regularly? No. But
like I can pretty much pick up the phone
and call my best friend from high school
like and he'd be like, "Hey, what's
happening now?" He's like, now he has
like all my friends now are like settled
down and like family of four. like um
but I worked really hard to not lose
like not let fame affect me, not let the
the whatever the the LA New York what I
I really tried and I continue to try to
always never let my work get to my head.
>> Do you remember the first time you got
recognized? I I it was probably the
first time I got recognized was probably
around like season four, five. Yeah. Not
until later.
>> Again, we were really popular in Eastern
Europe.
>> I imagine now though that like I mean
you still have a like a young face like
you still look young.
>> I was about to say like you look the
same.
>> Yeah, you look like basically the same
which is great. Like that's that's a
compliment. That's a good thing. I
imagine this being like, you know,
arguably the biggest show of all time.
One of the biggest shows of all time
certainly that like anywhere that you
go, it's got to probably
>> I normally grow a beard.
>> Really?
>> Like today? Yeah. Like
>> do you do a mask and like a hat?
>> No, no, no. I I grow the beard. People
don't expect me to walk. [gasps]
>> Interesting.
>> But you get looks everywhere, I imagine.
Does that like there's a complete
difference in like your life and
Graham's life? I imagine like going out
like it's there's accountability, right?
Like and and for me with this role with
this with this medium, right? You know,
and and one day you'll get there. No,
>> thank you. But but um but like it
I've always carried responsibility with
me in what I do, how I go out and and
how I present myself because there is
cause and effect to my actions. Like I
never like I do comic cons. I I enjoy
comic cons cuz I love memorabilia. So
like I'll go I'll buy um
>> buy stuff and whatever. and the impact
that I've seen on fans lives where you
can change someone's perspective or have
a conversation with them that they'll
never get an opportunity to do or ask a
question like this or you know I get a
lot because of my disability I get a lot
of disability related like young parents
that love the show with a kid with a
disability and you know people see you
and and now more than ever it people see
y'all people watch y'all They listen to
it, they rewatch y'all, and and there's
an impact on them from that. And they
have their favorite episodes and their
favorite structures. And I I find when
you're out in public, um especially
having a show like Breaking Bad
specifically, there's a certain
accountability you have to carry with
you. And and for me, I want every person
I engage to leave it with a positive
experience, to leave it leave whatever
we're talking about and being like, I
can go tackle whatever it is I'm
tackling. And and that's something I I
truly always carry with me in the back
of my mind.
>> How did you navigate dating? Because I
saw Brian Cranston on Howard Stern said
you were crushing it with the ladies.
>> Not anymore. I just got one lady.
Um I
>> we got to ear muffs.
>> No, no, no. We're We're [laughter] good.
We're good.
>> If you could step. No.
>> No. No. No. She knows everything.
Everything. Um No. You know, I um
just one at a time. [laughter]
No, it's it's I don't know. I I think I
did pretty well. I'm pretty happy with
my dating life. Would they but would
they approach you or would you approach
them or how how did that come to be?
>> I um was always leerary of of of people
that kind of approached me. Um
I was I'm more of like was more of a be
like, "Hey, you want to like I I never
use dating apps like so like I I've
never used a dating app. I they they
always scared me like it's like
>> people wouldn't believe it if it were
believe it." No, no, they wouldn't
believe it. And and there's actually
been people that have pretended to be me
on dating apps cuz like I have friends
that use that stuff and like
>> are they successful on there? [laughter]
>> I think
>> my my my friends are very successful on
their apps.
>> No, I met people pretending to be you.
Oh, do they have you?
>> They have me. Yeah, I get my buddy would
send me a screenshot like on Instagram
or something be like, "Yo, but it's not
me. It's Walt Jr.
That's
>> maybe it happened as Walt Junior. Yeah.
>> Like [laughter] it was it was pretty
>> swipe on that just to have you ever been
rejected once?
>> Oh yeah. Yeah. Everyone gets rejected.
It's funny because you know it's people
see the show, right? And they're like
the show the show the show and and they
don't really care about you like like
it's and and and that's fine. Like if
you love if you love Breaking Bad, I
appreciate it. I'm grateful for it.
Like, but like it's like knowing and
this is something that I've learned to
protect myself at a young age too was
but knowing not everyone's your friend.
I I think that's something that we that
even I forget sometimes. But not
everyone's your friend. Not everyone's
there out of kindness. Not everyone's
there to support you. Like sometimes
people really want to see you fail. And
and and
sadly, when you go into life, dating,
whatever it may be, you always have to
remember not everyone's there for good
intentions. And you you give people the
benefit of the doubt. You give them what
you you give what you get. And and for
me, I always try to give people the
benefit of the doubt, but also knowing
that not everyone's your friend. And you
do have to be careful. And especially in
an industry like this, like sexuality,
like dating, it's a tool. And and until
you find that right person, that person
that like is thick and thin,
you you know, you you find it and you
can recognize it once you have it, but
it takes time.
>> Do you still speak with Brian and Aaron
often? occasionally like I I I every
once in a while, probably like once
every year or so, we uh we just did a um
>> Yeah, a reunion with Netflix. They we
gave we did the um SAG awards and we um
presented I want to say best drama to
Succession.
>> Um
>> I heard that show is really good.
>> It's really good. Yeah,
>> it's very good. Um yeah, uh I'd probably
say last year or a year before last. So
we all got together and that was the
first time we got together in in quite
some time.
>> So could you just call them up if you
wanted to theoretically?
>> I mean yeah I wouldn't but yeah
>> that's crazy.
>> Yeah I I they call we call Yeah. It's
not a problem.
>> That's cool.
>> I wouldn't be like I you
>> Hey man, I'm just sitting here hanging
out. I do get people that ask me to call
Brian and I'm like, "Dude, I'm
>> just I'm going to tell you what would
actually do incredible for you on
TikTok." There's this trend where you
call people and just wish them a good
night. If you called Brian and you said,
"Hey, man. Just wishing you a good
night."
>> That would go insane. That's true. That
would go
>> that would probably get 10 to 20 million
views if you were to do that.
>> I don't do Tik Tok though. But if if
this were your first
>> this is your spraying down the people
with the hose moment. [laughter]
>> Yes, this is that
>> I this would this would go so viral
online. You just calling him, hey man,
just want to wish you a good night and
just pause see what he says.
>> See
>> because he has such a recognizable
voice, but I couldn't I couldn't post
that. Like I would feel like I would
have to be like, "Hey, I'm doing this to
post." You know what I mean? I couldn't
>> I bet he would love it. I don't know. I
I don't know him, but
>> I mean he would he would laugh, but like
I I I also have worked really hard not
like as much as like my life
>> is entwined with Breaking Bad, I've
definitely worked really hard to to to
not infringe on,
>> you know, Brian Cranston Paul, you know
what I mean? Like cuz like that's that's
the number one for the show.
>> Understand that.
>> Like so I so I do my best. No, I I
agree. It would it would pop off.
They'll just consider putting It's in
your back pocket and you could pull it
out at any time you want.
>> I'll hide it back there.
>> All right. I want to bring this up, too.
Um I bet this is not what you expected.
>> Oh, no.
>> But, uh you did some modeling.
>> Yes, I did.
>> And I wanted to know the story behind
this.
>> I'm assuming it's me with tits.
>> Yeah. I don't need to pull it up. You
know what I'm talking about.
>> I know exactly what you're talking
about.
>> What's the story behind Why?
>> Uh Vivian Westwood. No, I modeled I
modeled for like four years um and like
in in Germany and France and and um like
across the board I did modeling and that
was kind of like after Breaking Bad it
was like okay
what should I do next, right? What what
should that next be that's going to make
me stand out from
from the show? And and so that started
with modeling and and luckily I was
super thin at the time, not so much
anymore. Um but um but I I really wanted
to try to
create something that was unique to only
me apart from the show. And and so I was
modeling and met some of the Vivian
Westwood people and so that was of one
of the Vivian Westwoods. I got like a
little bag, right?
>> Yeah. But but some of these fashion
shows I just think why? And so when you
saw that did they present that to you?
>> Oh yeah.
>> And then
>> what was your initial reaction?
>> Down. [laughter] Down. Well, at the time
like you know at the time that type of
content was very sensitive, you know,
and like let alone walking with walking
doing runway shows with a disability at
the time too was
>> was something that was very unique. And
so like like it was a very unique thing
and and fashion is all about
sensationalism, right? It's like, you
know, [snorts] um what are the statement
pieces? And Vivian Westwood was very, um
she since passed, but she was such an
icon when it came to punk and grunge and
these types of abstract thinking and eco
environment growth and and so I I went
into it though with Ming being like,
"Yeah, whatever y'all want. Just I just
don't go nude." Like like so I was
pretty much up for anything. And they
were like, "Okay, we're going to put
this bag." They're like, "Here's this
bag." I'm like, "Oh, how do I c No,
we're going to strap it to your chest."
And um
>> how is that artistic?
>> I mean,
>> maybe I'm just I I just don't
>> I mean a dude with boobs at what I think
that was what 2014. It was a while ago.
>> 2014, 2013 maybe. Like the world was
very different than than it is today.
you know what what's socially acceptable
then and socially acceptable now. Like
it it's so wishwashy like but but when
it comes to fashion, it's all about
abstract and pushing the envelope and
and getting people to think especially
with like Vivian Westwood and and
Kenneth Cole and you know
>> the these types of entities that that
really want to change a narrative and
change a perspective. And so I I
remember at some time I think it was
like free the nipple or was one of the
really big campaigns at the time because
cuz women nudity was was like not okay
like like it is today. And um and so I I
think when it comes to these these
statement pieces like I I did another
one where they covered us in grass. It
was like this like it was like this this
this line. are walking through these
like ruins and like I'm covered in
grass. Um
>> it seems like a like a social experiment
to see.
>> They are social experiments. Am I how I
feel about Yes.
>> And it's pushing the envelope, you know?
It's like who can be the weirdest? I
mean, have you you seen the the the
garbage dresses?
>> Yeah. I've se I don't
>> I've seen the meat dress.
>> Jaden Jaden Smith even shows up. He wore
like the castle on his head recently.
>> I saw that.
>> I'm thinking what's the point? Like you
could wear a nice
>> Well, people were talking about talk
about it right now.
>> Is that the So the point is just to be
talked about when at which point then I
I get it. I get it to be the most absurd
you can. So people are like, "Yo, did
you see that?"
>> You know, it's all about absurdity and
and again pushing the envelope, pushing
perspective. Um a lot of these a lot of
these types of like designers
are are very entwined and entwined into
Thank you.
um entwined in communities and and
you know they're not all from the US.
They're not all from one country or
another. They they all have unique
different statements that they're making
like where they're at. Like if it's in
Germany or UK or here in the States,
like you see it more related to societal
reflection a lot of times. What's the
weirdest opportunity you've had being
famous in Hollywood? Have you ever been
able to lick mold?
>> Graham would maybe pay $15 for it. It
just goes from Jack to you.
>> Look,
>> and then it's Jack's turn.
>> I've eaten mold. It's okay. You're fine.
No, no, no. I I would Hey, yeah, I 25.
>> 25.
>> I guess with inflation and everything
with inflation, that's fair.
>> No, it's all good. I'm glad there's no
mold. Um I don't know what's the weird
What's the weirdest thing? I've had some
I've had some weird instances though
where like I've had someone try to cut
my hair like while I like like straight
up came at me with scissors and I
grabbed the hand and was like whoa
>> wow like a fan
>> cuz she wanted your hair or was it a
heat?
>> No, it was she it was it was it was a
she. But yeah, I I don't know what she
wanted but she
>> Did you let her?
>> No. [laughter]
I I don't mess with voodoo. Get out of
here. Like that's I'm like what do you
want my hair for? Um, yeah. No, no, no.
Um, I don't know. I, uh, I did a
survival show. I did the island with
Bear Grills, and that was, that was
insane. I had a blast.
>> I really enjoyed it.
>> That's really cool. That's neat.
>> Um, now I I've done a lot of little odd
parts. Um, I did a series that was super
weird called um, The Guardians of
Justice.
>> It was It was The Guardians of Justice
Will Save You Now. Um, I don't know if
you know the director. Uh Addy Shankar,
he did like Dread, the new Dread. Um he
has Captain Laser Hawk, um Castlevania,
>> those types of shows. And so I did a
series with him. Took 11 years
>> and it's live action and um animation
and stop motion.
>> It's like very very niche market, but
I'm I'm very lucky that I get to do a
lot of fun stuff.
>> So we have some rapid fire questions
right before we wrap this up. What is
the best breakfast item? Oh. Um, bacon.
>> When people recognize you, do they call
you Flynn Walt Jr. or do they call you
RJ?
>> Flynn.
>> Really?
>> I get I get Flynn a lot, which I prefer.
Like, first of all, I prefer R.J. My
real name. But but but yeah, Flynn all
the time, dude.
>> What's the most common reference you
get?
>> Um,
I get a lot of people that that ask me
to like curse them out like how I did my
dad. Like call them like call them like
say say it just like the show that
you're a [ __ ] like all the time.
>> Could you say that?
>> Definitely. You know
>> go ahead curse Graham.
>> Yeah, Chris. Dude, that would be an
honor.
>> Well, here let me let me [clears throat]
let me
>> You're You're a [ __ ]
>> Similar, right?
>> It's good,
>> right? It's always there 10 years later.
>> That's great. I felt that.
>> Yeah.
>> Do you feel like one?
>> No.
>> A little bit. I feel like I just
[laughter] got hit by some shrapnel over
here.
>> Um, no. Yeah, I I I get a few lines, but
that's a lot of people want want that
>> for I'm like,
>> do you do you enjoy doing that or do you
feel like a bit like
>> like what if someone like nearby, you
know, didn't really know what's going
on. They just see you calling someone
that.
>> I mean, I do it very selectively.
>> Okay. So, you're not going to be in a
crowded area?
>> No. Well, no. I'm not just going to go
like if it makes sense or like whatever
like like I I appreciate people
appreciating my work. Um I I like so if
taking that twominut time
>> to call them that [laughter]
like I'm I'm I'm cool with it. And it's
like they you know they a lot of them
will like run off giddy like school
girls. I'm like that's a grown ass man.
[laughter]
You made my day. So,
>> thank you.
>> That's cool. What's the craziest fan
encounter you've ever had?
>> Um, I mean, the scissor thing with the
hair was pretty crazy. Um, I I had a
phase where people were trying to break
into my house.
>> Oh, wa.
>> And uh and
it got handled.
>> Wow. That's That's crazy. What's the
most bizarre gift you've ever received
from a fan?
>> Their hair. [laughter]
You received hair.
>> I You kept that?
>> No. No, I did not.
>> You said you kept everything.
>> I did not keep that one thing. I did get
I got a weird box one time and I I it
had to go to a police department.
>> Wow. What's your favorite meme you've
ever seen of yourself?
>> Um I think my 21st birthday meme is
pretty wild. I honestly did not expect
that video to still be circulating
12 years later. I missed the video.
What's the video?
>> It's It's me over at the um the Palm at
the Ghost Bar for my 21st birthday. Um
and um
and it's just me walking into like the
club with my friends and they recorded
the whole thing and people cut it. It's
all It's on TikTok.
>> I'll check it out.
>> It's It's pretty funny. I'm like like
wired all Red Bull.
>> You did seem pretty locked in.
>> Oh, dude. I was so low. I was like cuz
like my my buddies, we just came from
the tables. We were winning. Like we we
went to a show. We were like we were
having a good time.
>> That's fun. What's the best piece of
advice you've ever received?
>> I think I think always be prepared for
when readiness meets opportunity. I
think that's kind of the best advice
that I was given.
>> Who would win in a prank war? You versus
Brian versus Aaron.
>> Oh, Brian all day. Brian would take us
both down.
>> Wouldn't even be close. What do you have
next on the horizon? What do you uh what
do you got going on in your life?
>> So, right now I have a movie called West
Hampton um with Finn Whit Rock. I don't
know if you'll know of him from American
Horror Story and um bunch of other
movies and shows. Um we just did
Tribeca. We just did another film
festival um uh in New York as well. So,
that that's really doing um really proud
of it. It's a great team of people. Uh,
I have a couple movies that I'm in talks
with at the moment. So, I'm um been
attached to for a few years um that I'm
really hoping that finally get their
funding. Uh I have another movie um
coming out hopefully either at the end
of this year um beginning of next year
uh that they're still working on title
stuff and where and but but really um a
lot of my work is um foundation work
based in Texas. So, I I've I've been
doing this project down there with the
community um in like community
development, parks, parking, um
entrepreneurship type stuff. So, that's
really kept me very busy um for the past
few years. But, I'm working on getting
on another show. Just auditioning, man.
>> What's your dream gig? Who would you
want to work with?
>> See that, man? That's the hardest thing.
I It's not necessarily who I want to
work with. I just want another
well-written show again. I miss I miss
that. I I work on TVs and and movie I
work on TV and movies that that it's
like it's it's good, but it's so rushed
and like one of my my my things. I
really don't like to be rushed. Like
especially when I create a character and
I and I try to put myself out there and
it's like like we're trying to rush
through stuff that normally would take
well usually we don't have budget but
but like it's like I I really want to be
able to to to go back to kind of how
where we had the ability to grow these
characters in an environment with well
written with a welloiled team.
>> Do you think something like Breaking Bad
can ever be written again?
>> [gasps]
>> I don't think I don't necessarily think
something like Breaking Bad, but
it's all about growth, you know. I do
think there'll be another show um that
like caps it, you know. It just in time.
>> It just
game was close the first season, but it
was not it didn't have that longevity
though. I I think what made Breaking Bad
so unique was the time that it came out
and the content of the show. Nothing had
been like it. The type of the type of
drugs, the type of environment the like,
you know, this was 2008. The the economy
crashed during the first season of
Breaking Bad. So, there were a lot of
people with a Walter White mentality of
how do I survive? How do I grow? And and
most shows I find today aren't based in
realism. You know, I found Breaking Bad
was very real as far as what these
characters were doing, the family
dynamic, the environment that they were
that they were having and their impact
on each other. It wasn't like controlled
or contrived. It wasn't forced. It just
it made sense. Everything that each of
these characters made sense. and what
didn't make sense was like what makes
sense now like you know and and I think
that's something that's really hard to
capture and I I just saw Vince um stayed
on to Sony for for more another four
years or so which one of the best
writers man Vince Gilligan is
>> yeah even Better Call Saul I really
enjoyed it
>> this is a fun episode you're funny
you're you're pretty funny you got to be
doing more podcasts why don't you create
a podcast or something.
>> We've been talking about it. I
>> It's a lot of work, guys. Like, what
y'all What y'all do is not easy.
>> I don't know.
>> We We are willing to help you with
anything. We could tell you what
equipment you need, what cameras, what
mics. We could put you in touch with
editors, producers, whatever you need,
it can happen. I see like that's that's
I just I'm hoping I'm I'm trying to get
let me get back on a show and and I'm
I'm definitely in talks on having my own
podcast, but I just want to make sure
whatever it is it makes sense.
>> Um and I've actually been talking to a
local radio station um about doing some
radio for for local community stuff. So
>> you would do you would do very well as a
podcaster. I'm just I'm just saying with
your reach with with the connections
that you've built,
>> these discussions are very interesting
and a lot of people don't get to hear
them.
>> Also, just motivation.
>> Yeah.
>> No, I I'm I'm in. I'm definitely in. Um,
it's just it's it's it's what's it's
it's timing for me and and I think
that's kind of what why I was interested
in doing this and and Ian's and I I
really want to, you know, I'm trying to
get back out there more. I've I've kind
of been hiding for the past few years
just just in like my work and my
philanthropy and and I think it's
finally time to to set this up again.
>> Well, you're going to make some great
cameos and Joshua Weissman's video. I
don't know when that's coming out.
>> Hilarious. People are just not going to
be
>> Yeah, they're going to be like, "Wait a
second."
>> So, anyway, thank you so much for coming
on. I really appreciate it. We'll link
to all of your charities and everything
you've shouted out down below in the
description. Really, really, one thing
that I I think that I did want to
mention as far as like charity work
>> and growth. The one thing that I can
recommend to people about getting into
philanthropy, you don't have to give
money. Like this is the number. Everyone
always thinks it's like money, money,
money, money. It's not. it's about your
time and willing to volunteer and
willing to put out there and like I I
think that's one thing as far as charity
work with my charities like please
support them whatever but there's at the
end of the day it's what's important to
you like what directly impacts you I
look at one thing and it's called direct
impact programming and it's what do
these programs directly do who do they
directly impact and how are they
directly impacted and when we do
philanthropy and we do like organization
or community growth. I want always
remember to look at are you directly
impacting the community that you want to
serve and that to me is most step number
one when it comes to philanthropy.
>> I love it.
>> Thank you very much.
>> Thank you.
>> Thank you to everyone for watching. Hope
you enjoyed. Make sure subscribe too.
Subscribe.