Video summary
The video explores the profound and often disorienting experiences associated with DMT, a powerful psychedelic substance that dissolves ordinary reality and transports users into a hyper-vibrant dimension. In this altered state, individuals encounter entities often described as "Jesters" or elves who communicate through complex geometric fractals and alien languages rather than standard speech. These beings frequently mock the user by giving them the finger, an action interpreted not as hostility but as a playful inoculation against taking oneself too seriously. The visuals in this dimension are described as far more potent and crisp than normal reality, featuring self-transforming entities made of light that interact with the user in ways that defy conventional physics, such as jumping into the chest or pulling objects from existence to display their beauty.
Despite the initial shock and fear induced by these intense encounters, the overarching message conveyed by these entities is one of pure love, forgiveness, and wisdom. Users report feeling an overwhelming sense of connection where emotions run through their souls like a cleansing force, leading to a deep appreciation for life and humanity. The experience is characterized as a "merry-go-realm" or a child's play with colored balls, where the terror felt during the encounter serves as a stamp of validity, proving that the experience is real and not merely a product of imagination. Even if one argues that the experience is entirely internal, the intensity and clarity of the sensations make it difficult to dismiss as simple hallucination, suggesting that whether external or internal, the lesson remains consistent: stop worrying about the seriousness of existence and simply observe the wonder unfolding before you.
The narrative delves into ancient mythology and esoteric traditions to contextualize these encounters, drawing parallels between the "elves" seen on DMT and historical concepts like the Egyptian Armonian artifices or the Greek world egg. These entities are presented as master builders or dwarfs who fashioned the world using tools that gouged space itself, echoing myths about creation through sound and vibration. The transcript suggests that these beings possess a language of pure meaning that transcends human syntax, appearing as pictorial rules that convey information impossible to translate into English. This connection bridges modern psychedelic experiences with ancient folklore, implying that the "Jokers" or elves are timeless entities that have always been present in human consciousness, waiting to be recognized by those who can look past societal games and social constructs.
Ultimately, the core philosophy presented is that of the Joker, a figure who sees all of life's institutions and natural forms as games played for their own sake, devoid of rigid purpose beyond the act of playing itself. The Jesters on DMT embody this perspective by laughing at human seriousness and urging individuals to realize that they are merely roles being played out in a larger cosmic game. By adopting the Joker's viewpoint, one learns to detach from the need for control and the fear of the unknown, embracing the absurdity and beauty of existence with an open mind. The conclusion emphasizes that while society insists on treating life as a serious matter, the true wisdom lies in recognizing the playful nature of reality, allowing the user to let go of ego and fully immerse themselves in the infinite creativity and love of the universe.
Read the full video transcript
when you do DMT you're like
reality dissolves and you're there like
the last one that I had was very strange
like there was these gestures that were
giving me the finger they kept giving me
the finger I'm like what is this about
and there's this weird fractal thing
that's constantly going on but every
time I do it it seems like these lessons
that are wrapped up in these Visions
with communicating entities whatever the
[ __ ] they are whether figments of your
imagination whether they're real there's
always lessons in there they look like
Jokers they have like Joker masks on you
see them when your eyes are open or your
eyes are closed your eyes are closed you
see them way more visual the visuals are
way more potent than anything you could
ever see with your eyes open they give
you the finger they're spinning around
giving you the fingers a little best
well they're having fun with you they're
letting you know like stop I think it's
their way of telling you not to take
yourself seriously what do you think
look where we are like you take yourself
seriously dude we're we're in another
dimension and we're [ __ ] mocking you
but you're creating it right your
brain's created I don't know yeah I
would take I would think so you think
there's really something out there
what here's I don't know like someone
say like maybe it's all in your head
when you trip maybe it's not really
happening okay maybe however the
experience is exactly the same if you
really are going into another dimension
you really are experiencing love in its
purest form and forgiveness and uh just
100 wisdom like all the [ __ ] and all
the flaws of your thinking and all of
the the ridiculous aspects of the world
around you revealed in some wonderful
Dance by Jesters who are giving you the
finger in a never-ending complex
geometric pattern even if it's not real
it's still the same experience sure like
if you really do go to that Dimension
and you really do experience these in
incredibly enlightened beings and they
really do instill upon you wisdom and
you really do hold on to a few grains of
that that sand that slips through your
finger you hold on to a little bit of it
while you're there you got handfuls but
you just hold on to a little bit it's
still the same experience yeah it's real
son it's real easy to dismiss and say
it's all in your imagination but for
someone who has experienced it it's very
difficult to accept and it's very
difficult for you to say that you know
for sure that it's all your imagination
if you haven't experienced it I it's
very I I appreciate
from a from a an intelligence standpoint
someone's perspective on it that hasn't
experienced it but the reality is until
you know what you're talking until
you've actually gone into that thing and
know how titanically alien it is you
you're really just saying things you're
just making noises with your mouth it's
no way there's no way you could know
it's you're not there anymore you go to
a different place you experience a
different reality more real than what we
normally interpret as reality that's the
most [ __ ] up part about it is it's so
much crisper and more vibrant and
brighter and then reality itself seems
muted in some odd way these gestures
were all going [ __ ] you I was like why
are they going [ __ ] you I was trying to
figure out what it is it's like it's
almost uh an inoculation to hostility
like they're like letting you like what
why even taking this in like you know
what it why are you even concentrating
on that this is pointless there's so
much more that's what they tell you when
you do DMT that's what those things are
doing when they're giving you the finger
they're like uh you [ __ ] idiot you
take yourself seriously one of my trips
one of the most profound ones
um it was like these like almost like
children that were in this this
Dimension children that were like
infinitely more intelligent than me but
behaved like children and communicated
like children and they would say I love
you 600 million 500 000 times like
something like a kid would say like I
love you infinity I love you 50 million
seven hundred thousand Fifth and like
you know like that kind of [ __ ] they
would say that and then they would go
look at this and they kept saying look
at this and every time they would say
look at this they would show you
something that was so impossibly
beautiful like tears were like flowing
down my face
because I was conscious I was I had my
eyes closed and I was seeing this and I
was conscious but I was crying because
it was so beautiful and then they would
say it again I love you 600 million 500
000 times
look at this and then they would show
you something even more insane like a
million times more insane
didn't make any sense it's just you
can't describe it just the the fractal
nature of the universe embodied in
imagery which also had meaning and love
connected to it so when you're seeing it
you weren't just seeing something
beautiful but you were feeling it and it
was like almost like it was running
through your soul like it was cleansing
you as you saw it like everything that I
saw made me every time I saw it every
new thing made me love people more made
me love life more maybe more
appreciative made me want to hug more
and then I thought that was over and
they would go look at this and then
you'd get hit with a new wave and it was
just overwhelming I'm just crying I
couldn't couldn't hold it in it was just
so unbelievably intense [ __ ] man I've
had trips that stuck with me for five or
six years where every day I would think
about that trip for five or six years
tryptamine
hallucinogens these are short-acting
very powerful psychedelic drugs and the
reason we were so interested in these
drugs is because in encounters with it
in the pure
chemical form it was in very the
intoxication was invariably
characterized by encounters with elves
gnomes
fairies thousands of these things and
this was uh and this is something I'm
going to
um you know try and convince the UFO
community of what we drug people have
that you don't is repeatability
and the scientists always said to you
UFO people what you don't have is
repeatability
they don't want to even talk to us
but it is true that that when you smoke
DMT for example at a sufficiently high
and prepared dose you get elves
everybody does
uh you may not believe it but on the
other hand it only takes five minutes to
prove that I'm bullshitting you a
hundred percent you want contact you
want elves you want alien intelligence
you'll have it up the kazoo you are
instantly
plunged into an environment of Elf
intelligence
self-transforming machine elves I call
these things or Tykes it's not clear
they are made of matter they are made of
light their status and the phylogeny of
biology is extraordinarily murky and
they compounding forward like badly
trained dogs
cheering they say here you are you may
all recall some of you may recall that
old Pink Floyd song the Gnomes have
learned a new way to say hooray
so there you are and now
20 seconds before you were in an
apartment somewhere with your scuzzy
friends doing drugs now that's gone
and you are in this place being
confronted by these entities and one of
the things they do that's quite
disconcerting is they come jumping up or
dribbling up to you and then they will
sort of vibrate in place then they jump
into your chest then they jump back out
but the main thing is they are doing
something very very interesting what
they're doing
is they I called the reason I call them
language elves is because they possess
an antos of language that is completely
alien to us they use a language which
you can see
they can condense meaning before your
very eyes
for them syntax is not acoustical rules
it's pictorial rules and they are doing
this they will scramble forward elbowing
each other jumping up and down very
excited and they say look at this
look at this and they
pull objects sing objects into existence
and show them to you and as your
attention goes into these things you you
are it's the emotion is Indescribable
these objects are made of gold Ivory
smaragine chalcedony beryllium terbium
flesh Gold Blood heat tears and it's all
changing morphing as you look at it and
as you look at this you have without an
iota of doubt the conviction if I could
bring this thing across it would end
human history argument would cease you
would just say look look at this and
they're pushing each other away showing
you look at this one look at this one
these objects themselves emit sound and
make other objects it's impossible to
make these things the nearest analogy
would be to the Faberge eggs or
something like that but these things are
like the toys that are scattered around
the nursery inside a UFO or something
Celestial choice and they are the toys
themselves appear to be somehow alive
the toys themselves can uh sing other
objects into existence so what's
happening is there's just this
proliferation of else gifts and the elf
gifts are moving around singing and the
whole thing is directed towards they're
saying do what we are doing and the
entity say they say don't give way to
Amazement don't flip out about how you
can't believe it and it's impossible and
so forth and so don't do that just pay
attention pay attention to what we are
doing and what we are showing you and
what they preach
is a new dispensation of language a
language that can be beheld the demons
are of many kinds some are made of ions
some of mine the ones of ketamine you'll
find stutter often and are blind and of
all the others I might say as well it is
not that you kneel in genuflection
before a God because you will be like
Dorothy before Oz there is no dignity in
the universe unless you meet these
things on your feet and that means that
you have an eye thou relationship and
you say okay well you say you're
omniscient omnipresent or you say you're
from Zeta reticuli or you say you say
you're long on talk but what can you
show me
and
magicians people who invoke these things
have always understood that you go into
it with your wits about you
and you find yourself in a space it has
a feeling of being underground or
somehow insulated and domed it's what in
Finnegan's wake is called the merry-go
realm from the German word realm for
space and you actually the room is going
around and in that space you feel like a
child you feel that you have come out
somewhere in eternity and it always
reminds me of the 53rd fragment of
heraclitus which is the Aeon is a child
at play with colored balls and you not
only become the aeonic play with colored
balls but there are entities
which are self-transforming machine
elves
but and this is sort of what they are
they're
um
dynamically contorting topological
modules that are somehow distinct from
the surrounding background which is
itself undergoing this continuous
transformation
they all I always think of the scene in
The Wizard of Oz after the house Knocks
The Witch down and she's in Munchkin
land and the head of the munchkins comes
with a scroll and they all have very
squeaky voices and they sing a little
song about you are absolutely and
completely dead and they're marching
around here
so the munchkins
come these hyperdimensional machine now
entities and they bathe you in
love it's a kind of
um
well it's not erotic and it's not
heartful but it sure feels good
and what they are saying is don't be
alarmed remember
and do what we are doing what is
necessary to have validity in these
experiences is uh the terror the terror
is the stamp of validity on the
experience because it means you know
this is real we are in the balance and
uh in these states with these tryptamine
drugs
we read the literature we know what the
maximum doses are the ld50 this and that
but so great is one's faith in mind that
when you are out there you know that the
rules of pharmacology do not really
apply and that control of existence on
the plane is a matter of decision and
luck and the role of the dice
so they are reassuring you
these little entities and saying don't
worry don't worry do this look at this
meanwhile
uh
you are completely there your fear
reflexes are intact you are not fuzzed
out at all you know and it persists and
it persists and you breathe and it
persists and they're saying you know
don't don't get some Loop of Wonder
going that quenches your ability to
understand to just try not to be so
amazed try to hang in and look at what
we're doing and what they're doing is
um
emitting sounds like music like language
and these sounds
pass as Philo judeas said that the logos
would when it became perfect pass from
being heard without ever going over a
quantized
moment of Distinction into things beheld
and so what you you hear and behold a
language of alien meaning which is
taking place right in front of you and
it is conveying alien uh information
which cannot be englished
now being a monkey
there is a there is a kind of cognitive
dissonance that is set up in your hind
brain when you encounter an
unenglishable object because you try to
pour mind over it and it just sheds it
like water off the duck's back and then
you try again and you are looking at it
and this cognitive dissonance this WOW
or flutter that is building off the
subject
causes Wonder or awe awe at the brink of
Terror so you have to keep controlling
that and the way to control it is to do
what they're telling you to do which is
do what we are doing I had one trip
where
metaphorically not having hands they all
turned and waved and said deja vu
deja vu
let us go back to our Egyptian religion
where we learn that ta ptah the putter
of Memphis
the deity who fashioned the world upon a
punished wheel in the form of the Egg of
sin the great Mother Goose
by the way a little tie up to our
territory and our prayer stories and our
Mother Goose Legends because in several
religions the world was the was created
in the form of the egg of a Mother Goose
rather curious
but folklore accepted and distorted
these things almost Beyond resemblance
to the facts but tah who fashioned the
world a
similar to the world egg of the Greeks
which broke into the golden and silver
hemispheres and gave birth to Catherine
Pollocks
but this egg
Fashion on The Potter's Wheel
was the work of the masseter Builder the
master pucker and tar was the lord
governor and presiding genius over the
seven armonian artifices
and these ammonium artifices in Egypt
were Dwarfs
mysterious little beings represented
politically
as gnome-like figures Each of which held
in its hand the bare Knight held in this
kind of a position a bright night
these were the knives with which the
worlds were gouged out of space
and the Seven armonian artifices are
said to have come out of the Earth
near the site of the Great Pyramid
they were the ancient ones the formators
the fashioners of things
and they were therefore among the
Egyptians beliefs about the seven
creating powers or laws
in the ancient khabar
the creating Fiat or word was spoken in
the form of the seven vowels
two of which again
were mystery vowels or Secret Letters
which could not be known and for the
deficiency of which the Great Name could
not be restored captured or preserved
in the Jewish early Works in Genesis we
find in the opening chapters the Elohim
and the Elohim are the seven creating
powers
of the great deity
who is said to have passioned the world
in the opening chapters of Genesis
these are the spirits of God that moved
upon the face of the deeper
their number is identical with that of
the armonian artifices of Egypt
they were the powers of creating
attributes released by the speaking of
the word of creation
and this word was always a word composed
about
should we go back to the mystery of the
five
Dash seven vowels
all these points to all these things
point to some kind of a Doctrine
which frankly and obviously
is very difficult to trace after so long
the time but it meant something
and had a very clear and definite
bearing upon the entire structure of the
universal organization as it was known
to the ancients I have been discussing
the role of a certain
person called The Joker
The Joker being the one
who has insight into the fact
that all our social institutions are
games
the social game is played
with an initial rule
the first rule being this game is
serious
or this game is not a game
and therefore there is a tendency within
Society to resist very strongly
any notion that what it is doing is not
altogether serious
and at a still deeper level
beneath the level of social institutions
there is also the recognition on the
part of the Joker
that the basic forms of nature are also
games
the human game
the Rabbit game the mouse game the B
game the tree game the stone game
because all these are forms of a musical
nature that is to say they are forms
played for themselves
they are played in the most intimate
interconnection and interrelationship
with each other
but they don't have any purpose
beyond what is happening
in the same way as music and dancing
but when people take games seriously and
part of the fun of the game you must
remember is to take it seriously
they acquire an attitude
which strikes the joker as being
half funny
and sometimes a little pitiful
a good Joker is inclined really not to
laugh at people
because uh
if a person is terribly seriously
involved
in the sense of the kind of person we
call colloquially a square
The Joker feels sorry for them because
they live a deprived life
to play the game
and to know it the game
can be quite fascinating
and not uh really giving the show away
but giving it away enough
somehow and that you see is the the
Joker's function
[Applause]
so
what he is doing then
is he is in a point of view
where he sees all that is going on
as a game
he doesn't take anything
seriously
when I bring up the Joker of course we
are in a way discussing it in term of a
game of cards
because the Joker
is the card Beyond role
the car that's wild
that can be
any card in the pack
in other words it's delivered from being
a particular someone
and can be in anyone
and it pops up here and it pops up there
and it pops up here and you'll never
know where is the Joker who is the Joker
you see the thing that uh
that we have to understand really
is that all the roles are the Joker
Playing them
and the Joker is looking at you out of
all pairs of eyes
there he is
only he's pretending very often that
he's not the Joker at all oh no this is
just me I'm not the Joker where is the
Joker
that's what they tell you when you do
DMT that's what those things are doing
when they're giving you the finger
they're like uh you [ __ ] idiot you
take yourself seriously