Isaac Newton Lecture 2025: Professor Sir Michael Berry HonFInstP
Watch on YouTubeVideo summary
Professor Sir Michael Berry opens his lecture by framing rainbows not merely as beautiful atmospheric phenomena but as profound illustrations of fundamental concepts in physics, serving as a bridge between human emotion and intellectual inquiry. He argues that understanding light is incomplete without explaining how rainbows form, a realization that drove scientists from Roger Bacon to Isaac Newton to investigate the interaction of light rays with water droplets. A pivotal moment in this history was Descartes's work, who, lacking calculus to solve for the exact angle of minimum deviation, performed what we now recognize as numerical experiments by calculating ray paths manually. This approach highlights an early instance of using approximation when mathematical tools are unavailable, a practice that remains relevant in modern science. Furthermore, Berry emphasizes that rainbows are optical illusions; no physical arc exists in the sky, but rather each observer sees light from specific droplets along a cone reaching their eye, meaning every person perceives a unique rainbow.
The lecture delves into the wave nature of light through the phenomenon of supernumerary bows—faint interference fringes inside the primary rainbow that Newton could not explain with his particle theory. These fringes arise because ray optics is an approximation of deeper wave physics, where two rays emerging from different parts of a droplet interfere constructively and destructively. This leads to Berry's discussion of decoherence, explaining why we do not see these delicate interference patterns constantly; in everyday messy light, rapid phase variations scramble the waves, causing intensities to simply add up rather than interfering. The mathematical pattern governing these fringes is the Airy function, which appears universally across physics whenever a wave encounters a caustic, or region of focused energy. Berry illustrates this universality with diverse examples, from flattened raindrops created by acoustic levitation and light passing through undulating glass to the wakes behind ships and even quantum neutrons falling under gravity, all displaying the same underlying mathematical structure.
Berry concludes by exploring the deep connections between rainbows, color perception, and advanced theoretical physics, challenging the common misconception that rainbow colors are intense; measurements show they occupy only a tiny fraction of the visible color spectrum due to background brightness. He also touches upon Gell-Mann's totalitarian principle, suggesting that interference patterns near caustics should theoretically appear in gravitational lensing events, though their achromatic nature makes them difficult to distinguish. Finally, he recounts the story of George Stokes, who solved the mathematical puzzle of how a single wave function could behave differently on either side of a rainbow (the Stokes phenomenon), revealing that divergent series in mathematics can give birth to new exponential terms. Through this historical and mathematical journey, Berry presents rainbows as a metaphor for the interconnectedness of all physical phenomena, demonstrating how a simple natural event encapsulates the evolution from classical geometry to quantum mechanics and the universal language of mathematics.
Read the full video transcript
Well, good evening and uh
I must start by saying what an honor it
is to be uh invited to give this lecture
and also what a pleasure it is to be in
Newcastle again. It's a long time since
I've been here and uh having a walk
around yesterday, I realized I'd
forgotten what a grand city it is. So,
thank you very much.
Now,
over the years,
I've occasionally uh
spoken about rainbows
in talks connected with optical
phenomena in the atmosphere.
But, I've come to realize recently
that rainbows
illustrate
many concepts in physics, unexpectedly
many.
They
either originated
in people's attempts to understand
rainbows or else can be illustrated by
rainbows. And that's my theme today.
It's the theme is connections. There'll
be eight of them. That's an arbitrary
number. There probably could have been
more. Connections between rainbows and
other physics and science more
generally.
Now,
everybody loves rainbows.
Wordsworth, "My heart leaps up when I
behold a rainbow in the sky."
Now, it's only our hearts. It's rainbows
engage our brains as well, our
intellects, our emotions as well as our
hearts.
Not that we can separate those, I have
to say.
Now, not everybody thinks the same. John
Keats disagreed. "Do not all charms fly
at the mere touch of cold philosophy?"
He thought this would unweave the
rainbow, would spoil it.
I'm sure there are people who agree with
with him, but I've never met any such
person.
So, uh
let's begin.
What is a rainbow? Well, I see a rainbow
as the love child of light and water.
And, uh
there's always light and water. Here,
there's light and water. You can't
always see the water, but it's there
behind um
the the speaker.
Now,
it was very natural when
people started to think about what light
is and how to understand it
that they would apply this
their thinking to understand the
rainbows such a dramatic natural
phenomenon. You can't really say you've
understood light unless you understand
how rainbows form. And, it took a long
time. So, Roger Bacon realized sunshine
on a dripping cloud that, uh
a rainbow,
uh does involve light and water, in
particular, light and raindrops.
And, it became clear that to understand
this, you must understand how
light rays, geometric optics in those
days,
interact with water droplets, how rays
bend when they encounter
water. That's refraction. Now, the law
of refraction was understood by Ibn Sahl
in 984.
It was, uh, rediscovered by Thomas
Harriot in 1600 who didn't publish much,
so he doesn't get the credit for it that
he should. It was re-rediscovered by
Snell in 1621, and we we speak about
Snell's law. It was re-re-rediscovered
by Descartes in 1637,
but he was the person who really nailed
the rainbow because knowing the law of
refraction isn't enough to explain why
there's a bright bow, a bright ring, an
arc in the sky. And he did because he
understood that if you have rays from
the sun that come in uniformly,
they get refracted in, reflected, and
refracted out, and they come out
non-uniformly. They come out
concentrated in a particular direction,
and it was his achievement to understand
that.
Now, it's an exercise
a good undergraduate reasonable person
has got an exercise to do the
trigonometry and find what this angle is
in terms of the refractive index of
water. It's a little formula.
It's about 40°
to backwards. So, you stand with your
back to the sun and 40° above the
anti-solar point.
Um
now, Descartes knew trigonometry, and
there were trigonometric tables, so he
could calculate all these rays.
But,
the rainbow is a minimum deviation.
And
that requires calculus, which hadn't
been invented.
So, he couldn't do that bit of the
calculation.
So, what he did
is this is my first connection, exactly
what we scientists do now
when we have a theory of something and
we can't do the mathematics.
He did a numerical experiment. We all
know what that is.
Remarkable. I don't say it was the
first, but certainly when you read what
what Descartes wrote, you recognize it
as exactly what we do today.
And what he did was he computed, he
calculated the paths, the deflections of
lots of
rays that come in at different
different heights
relative we call different impact
parameter, different heights relative to
the raindrop. And I found his exact
numbers and I reproduced his
calculation. And here here they are.
Here's the deflection in degrees and
here are the points he calculated, many
of them near the minimum to find out
exactly where it is.
And he realized
that I mean he very charmingly said, "I
took my pen and did the calculation."
But those are his exact numbers. And
why is this a rainbow? Because
this minimum corresponds to focusing a
lot of rays go into a little deflection.
That's what focusing is, a lot goes into
a little.
And
the name we have for this kind of
focusing is a caustic. I'll use this
term a lot in this conversation in this
talk as we proceed.
Okay, so he understood that. Excellent.
Now, each raindrop emits a bright
caustic cone. It's a cone because you
have to rotate about this symmetry line.
And when we look up, we see uh brightly
lit all those raindrops on whose cones
our eyes lie.
Now, here's Descartes's picture and I've
highlighted the rainbow ray.
That's the primary rainbow. But of
course you see often see two rainbows,
that's one more reflection.
Now, there's something not quite right
about this picture because these um
primary and secondary ray don't come
from the same drop, they come from
different drops. And
Isaac Newton recognized this. We're now
speaking 70 years later, 65 years.
Here's his picture. The primary and
secondary rainbow different, also the
colors different. We'll come to the
colors in a minute.
Now, we learned something from this.
It's my second connection.
That rainbows are illusions. There is
There's arc in the sky.
Each person looking at the rainbow sees
different drops of water because their
cones reach the eye. Different people
see different cones. I remember
50 years ago standing at the border
between Zimbabwe and what later became
what
soon became Zimbabwe and Zambia at
Victoria Falls. So close was the was the
spray of water to me that I saw
different rainbows with my two eyes. I
close one, close the other, the rainbow
shifts. So, rainbows are illusions. And
that's a a large subject now. I give a
different talk about geometrical optics
illusions
intended to explain that geometrical
optics is very old physics, but it's
still alive and can explain
qualitatively unfamiliar phenomenon has
done in the last few years. Anyway,
illusions. You know,
when you look in a mirror, we don't
think about this, but there's no copy of
yourself behind the mirror. If you go
around there, you don't see a copy of
yourself. It's virtual images are
illusions.
Good.
Um
colors.
They're often wrong.
Most egregiously
in one of the most famous books on
optics of the atmosphere by Marcel
Minnaert, uh written in the 1930s,
translated and reproduced by Dover
Publications, who will never be forgiven
by getting the colors in the wrong
order. It's red on the outside.
There are many such. Here's the BBC
Learning English. The colors are wrong.
Um here's drama therapy for children.
The colors are wrong. Here the colors
are wrong. The pink the the the the pink
is in the wrong place. The yellow is in
the wrong place, and so on. Many postage
stamps throughout the world have the
colors in the wrong order. It's really
unforgivable.
Even my 4-year-old grandson can get it
right.
Um
we come much more about the colors
later. Oh no, sorry, another one. This
famous picture by Millet, The Blind Girl
with the two rainbows. This was shown in
the 19th century. It was displayed at a
dinner. Millet was there and Stokes was
there. And Stokes pointed out to him,
"You've got the colors in the wrong
order." And he said, "Thank you for
telling me. I will go and correct it."
This is the correct picture.
Unfortunately, color photography hadn't
been developed, so we don't know what
the original looked like, but still
there's a history in these wrong colors.
Now,
Isaac Newton made a big step towards
understanding the colors. We all know
it's dispersion. The refractive index is
different for rays of different colors
and the red is refracted least.
It's a small effect. It's about uh 1%
difference in refractive index between
less than 1% between the red and the
blue.
So, here's the picture. The red is
refracted least and the blue is
refracted more.
Now, this is only half the story. And to
understand why it's only half the story,
we need to go a little deeper.
Here's Isaac Newton's house with a
rainbow, an iconic picture, a rainbow
captured by uh Roy Bishop over Newton's
house. But look more carefully
at the just the primary rainbow, not the
secondary. You see there's a little
additional fringe in there.
Can I see it on the screen? Yes, you can
see it. It's clear. Zooming in, you can
see it more clearly. That was understood
100 years later by Thomas Young.
And it was one of the examples he gave
why light is a wave phenomenon, cuz it's
an interference fringe. They were called
supernumerary bows. Supernumeraries
unwanted, surplus to requirements,
didn't fit Newton's theory. There's no
evidence that Newton ever saw a
supernumerary rainbow. And I'm you know,
because he was a very careful observer,
especially of things that didn't fit his
theories. So, that's anyway a
supernumerary rainbow.
Now, um
what it's showing you is that ray theory
is an approximation. At a deeper level,
of course, light is waves. We we know
this.
Um at a deeper level still, it's
polaroids, electromagnetic fields,
deeper still, they're quantum states,
and so on. But, it's a hierarchy.
Um
Now, so this is ironic as well as
iconic, because it's showing something
that Isaac Newton were unable to
understand.
Um
What's interfering? Well, in every
direction
inside the bow, two rays emerge. And
they have different path lengths, so
they interfere with each other, and that
interference changes as you look as you
look at different directions, different
parts of the rainbow, and you're seeing
different pairs of rays that emerge in
the given direction. So, that's the
That's the explanation that Thomas Young
understood. Well,
you can sometimes see more of these, and
here you can see a great many more. And
this is my next connection. You're
seeing something very deep when you see
these supernumerary rainbows.
You're seeing ray physics failing and
being replaced by the deeper wave
physics. Now, this is something that
occurs throughout physical science. We
often find we have theories, classical
mechanics, which when you look more
closely at particular phenomena, you
realize it's an approximation, there's
something deeper, quantum mechanics on
the one side, relativity on the other.
It's thermodynamics. If you look more
carefully and you look at fluctuations,
you realize that statistical mechanics
underlies it and
reveals thermodynamics as a very
powerful approximation, but an
approximation nevertheless. So, you're
seeing something very deep
scientifically with your naked eyes
when you um
when you when you see these
supernumerary rainbow fringes.
Now,
the connect the fourth connection is
this.
You don't see these supernumeraries very
often.
Why don't you?
That's another concept which has come to
prominence in recent years.
It's uh decoherence.
Now,
this um
was really discovered by Thomas Young
because
he had to explain, to respond to very
polemical, very bitter anonymous critic
of his wave theory,
who essentially wrote,
"You talk about these rainbows and you
have this experiment with two slits and
show us these little fringes
and the this is supposed to tell us that
light is a wave. Why don't we see these
fringes all the time?"
And Thomas Young realized it's because
they're delicate. They you can they can
easily be destroyed by
sources outside the control of the
experimenter,
sources which dis- which suppress
interference. And I want to talk a
little bit about that.
1 + 1 = 2. Two candles, two flashlights
are twice as bright as one.
Now,
um
that's because flashlight is messy
light.
With pure light, intensities don't add.
Instead, 1 + 1 is not equal to two for
intensities.
Waves add and waves, of course, have the
additional property of phase.
Specific phase, I mean very generally
specifying the
stage of anything that oscillates.
You know, the phases of the moon is the
shape of the moon over a month, but
these are phases of of waves.
And differences of waves cause
interference. And the intensity one
intensity one intensity two could be
anything between zero and four.
In particular, it can be zero. And
we we're familiar with perfectly
destructive interference and we tend to
forget how amazing it is. And Arago,
in his obituary of Thomas Young, wrote,
"Who could have imagined that darkness
could could be engendered by adding
light to light?" Really very
a very amazing thing.
So, we need to know why two flashlights
or two torches are twice as bright as
one.
And of course, the reason is that in
messy light,
the phase varies very rapidly. It also
varies varies rapidly even in pure
light, but very randomly, and we can't
follow these variations. So, what we see
is the average intensity, and the
average average over messiness or over
time is is two. So, 1 + 1 = 2 is quite a
subtle thing in wave optics, and you
res- only achieve this if you involve
decoherence, inability to detect or
external or causes scrambling the
phases.
Um
So, something deep about 1 + 1 not
equals 2.
As a piece of mathematics, it's
elementary.
Not quite, because if you read Russell
and Whitehead's epic Principia
Mathematica building up mathematics from
logic, 1 + 1 = 2 is their first worked
example halfway through volume two, but
still we all know it's a trivial
theorem. But in applied mathematics it's
more complicated because it has to
actually apply. So,
two people produce a child, 1 + 1 = 3.
Two raindrops slide down the windscreen
of your car and coalesce, 1 + 1 = 1.
You know, in applied mathematics it's
different from pure mathematics. It
actually has to apply, otherwise it
doesn't work.
Just a
perspective on this.
Anyway,
Thomas Young realized that if you have a
wave
near a caustic near the rainbow,
there has to be a wave function and he
couldn't calculate what the shape of
that wave is.
That was done by Airy a few decades
later
and uh
here's the intensity that he
um of what he calculated. Um
the intensity is the square of the wave
function. I call it the squarey
function.
We call this the Airy function. And you
see there's the oscillations on the
bright side. This is for a single
raindrop with a single size and with one
color. That's the shape. And on the dark
side where you have no geometrical rays,
you have an evanescent wave penetrating.
Good.
Now you have to stretch this and shift
it for all the wavelengths and all the
drops to get the actual colors. We talk
about that a little bit later. But uh
anyway, here's his Airy function.
Um and the
next connection is um universality.
The Airy function interference is one of
the ubiquitous mathematical patterns.
Airy himself realized this because he
didn't use word rainbow in the title of
his paper. He said interference in the
neighborhood of a caustic. And uh here
it is. I'll tell you what where this
comes from in a minute. Um
but going across here is Whoops, excuse
me. Go across here. This is crossing the
rainbow. And here's the Airy function
with its characteristic
pattern of oscillations. I want to give
you some examples of how widespread this
is.
You can have water droplets that aren't
spheres.
You can
produce them by
acoustic levitation. They're flattened.
They're oblate. This was done by Philip
Marston and a colleague many years ago.
This is a a recent paper. And my
colleague John Nye in Bristol explained
it. These people used a ultrasonic
levitator
uh which is a very simple practical kind
recently developed by my colleagues in
in in Bristol.
Well, um
here's a an oblate raindrop.
And uh a drop of water with its height
and its uh
its its diameter, its horizontal
diameter. And
here are the patterns of the caustics.
You see, here's the ordinary circular
rainbow.
And it persists for a quite a long time.
It's one of the universal patterns. But
um
after some time it doesn't it interacts
with this cusp that emerges in a
particular structure. The name doesn't
matter, but it's
it it's it's it's a it's a different
structure. It changes. When does this
happen? It happens when the
the
oblateness is about 30%, which is more
than happens in actual raindrops as they
fall, which also aren't quite spherical.
But the Airy function persists as they
showed. And here you can see
uh as you increase the oblateness. And
here's the critical case where where
it's destroyed. But until then, you've
got this nice Airy function. There it
is.
If I take a piece of bathroom window
glass where the undulations are smooth
and on the scale of about a millimeter
and shine a laser beam through,
then
this is onto a screen, this is what you
see.
Typical pattern. You see a variety of
patterns like this which change as you
move the laser beam through the glass.
Um
Well, you're seeing caustics here
and they're the regions bounding
different
numbers of
The regions on the screen reached by
different numbers of rays. The
boundaries of those regions are the
caustics and you see the Airy function
everywhere.
Um and that's it's one of these
places I can't remember which one it
was. Maybe it's this one here which is
the picture I showed you earlier.
Good.
Um
Well,
it needs a little bit of explaining.
Um you can make a circular caustic.
Mathematically, it's a Bessel function.
And uh
This is a caustic. You can see it looks
a bit like an Airy function, but it's
but this is a different piece of
mathematics. It's a Bessel function.
And the underlying rays
enveloping a curved caustic, there are
things called Airy beams illustrating
this. But here they are and this was
known from 1960
and here's the underneath here's the
Airy function showing you the
interference and the dark region inside.
But uh
They look like Airy functions, but where
are they? This is a Bessel function.
Here is a beautiful piece of
mathematics. You indulge me for a
moment. Um
There is something called a technique of
uniform approximation.
How to get Airy functions hidden in lots
of different mathematical structures.
Um starting in the 1930s and was applied
to physics in the 1960s, quantum and
optical.
Um
It's fantastically good approximation. I
mean, I've I've Here Here are
the dots, which are the approximation.
Well, what is it?
Well, you have a Bessel function, and
then you've got the approximation. It
looks complicated, but here's the Airy
function of some slightly different
variable. Actually looking quite
complicated, but it's just to do with
the difference of the paths, the same as
in the rainbow.
Now, you might think, "What's the
purpose of something that looks very
complicated instead of something that
looks quite simple?" The reason is this.
This depends on two variables, X and N.
This depends only on one. And the value
of an approximation reduces the number
of variables and illustrates the
universality.
Um
I spent
an enjoyable year collaborating with
Alison Stott,
who's a glass artist who lives in
Bristol, and she came to me because she
was fascinated by glass and light.
And she made this structure, it's about
this big, which is on the wall of our
coffee room in Bristol.
Behind this object, this lump of glass,
is an LED.
And on the backside, there are
undulations which she, with her
cleverness of glass blowing, has
produced.
This produces caustics. Here they are,
on the front, which is ground glass,
which acts as a screen.
So, you get this lovely pattern of
caustics.
Now,
where's the Airy function?
Well, this is There's a lot of
decoherence. This is white light, so of
course you don't see fringes. Moreover,
the undulations are much bigger than
raindrops, so you you
the the the the um the
fringes would be too small to see even
if it was one color. But she's clever,
and she had this idea. This has to be
connected to the mains. So, she arranged
the the cable in the shape of the Airy
function. It was her idea.
Good.
Um
Neutrons, quantum particles. If you have
a source of
neutrons with fixed energy
spraying upwards, they spray out and
they fall down under gravity, these slow
neutrons. And they envelop this caustic.
A paraboloidal caustic when you rotate
it.
Well, it has a name. It's used for
something. I'm not going to tell you
about it. Gravity focusing spectrometer.
But it's a These are quantum particles.
So, you expect to see Airy functions.
And
question is, how big are the fringes?
And this is a surprise.
Um
The distance between these first two
fringes,
well, there's a formula.
It involves Planck's constant cuz it's
quantum, mass of the neutron, and G
because it's falling under gravity.
Now, what it doesn't involve is the
energy
which determines the de Broglie
wavelength of these quantum waves. So,
these are interference fringes which are
independent of the de Broglie wavelength
of the particles. Now, that sounds
paradoxical. It isn't paradoxical, but
it's a It was an unexpected thing. And
I'm waiting 14 years now for somebody to
do the experiment. The difficulty is
getting the neutron sufficiently
monoenergetic not to blur out the not to
blur out the fringes. Um Well, how big
is this? It's a number, you know. And
it's it's almost macroscopic. It's about
three three microns. 10 times more,
you'd just be able to see it.
Uh if this experiment could ever be
done, it would be the world's worst way
of measuring G.
Good.
In water, you've all seen this V of the
wave behind a moving ship or swimming
swimming ducks, these V shapes.
Well, this V is
a caustic of the rays of the water
waves. It follows from the dispersion
relation for water. Well, waves on
water. So, across here there are Airy
functions.
Indeed, on my home page
well, no. On the digital library of
mathematical functions,
this picture is illustrating the Airy
function and uniform approximations and
things. And uh
it uh
somebody wrote to me from Google Ocean
saying that he intends to use it
to
model the wakes behind moving ships on
the ocean. It hasn't happened yet, but
that'll be nice. Anyway, it's calculated
using Airy functions. Now, imagine
you're in a small boat. Here you are.
And a big ship passes by. Eventually,
its V will reach you.
Twice as long as you think because the
group velocity with which the pattern
moves is only half the velocity with
which the waves move. So, you think it's
going to reach you sooner, but it does
reach you and you rock up and down.
As you rock up and down, you're feeling
in your body the Airy function, the same
one that you see with your eyes when you
see supernumerary rainbows. It really is
a universal pattern.
Um
tidal bores, near Bristol we have one.
Um that's a caustic in space-time. Uh
it's actually it's almost an Airy
function. Talking mathematically, it's
the integral of one. But, here it is.
You see the the front and you see the
oscillations.
Um
the biggest tidal bore in the world, it
comes when tides they come when the tide
takes a long time from an open ocean
moving
up a river which gradually gets narrower
and shallower and then the incoming tide
instead of taking 6 hours to rise the 6
hours to fall
concentrates into this universal wave
form.
Uh the biggest in the world is in China
on Qiantang River between Shanghai and
Hangzhou and here's one that I saw a
while ago. It's it's coming and you see
the the waves behind. It it passes you
and then it's passed. Very dramatic,
very beautiful natural phenomenon.
Tsunamis are
a similar phenomenon moving across the
ocean again described by an Airy
function. So universal.
Now
let's come back to the colors.
The connection with color science and of
course it was with rainbows that people
were interested in when they began to
try to understand color.
And then the important thing to realize
is that color is not wavelength.
Color is perception in the eye and the
brain.
Wavelength is physics. It's the physics
of the light incident at each point on
the retina.
To specify you need to specify
infinitely many numbers. How much of
this wavelength, that wavelength, that
wavelength and so on.
Um
Isaac Newton understood
this.
To speak properly he wrote the rays are
not colored. And somewhere else he wrote
I've no intention of trying to
understand the causes of color. Did he
realize it? But again it was Thomas
Young, the same Thomas Young
who understood
from some experiments that he did with
color that actually
we only see three numbers. There are
three diff we now know they're
cones in the eye. They different
sensitivity to wavelengths, and so any
pattern of wavelength that comes
from physics that strikes the retina at
each point on the retina from each point
in the scene,
um
excites these three
cones differently
and sends three numbers to the brain.
So,
color is perception from the infinite
dimensional space of wavelengths
infinitely many wavelengths have to be
specified to the three-dimensional space
of color cone excitations. So, that's
what color
um perception is.
And to test this,
now we've got these computers with these
nice screens, to test this, can you
reproduce rainbows?
And uh
well,
when I wasn't the first person to do
this, but I wanted to learn how to do it
about 30 years ago. Then it was
difficult. Um it was I used to say this
way, it's easy to use these computer
screens to uh
show colored pictures or to draw um
graphs where you have different colors
for different features and so on, but it
wasn't easy to use color on a screen to
represent color. There were lots of
tricks you had to learn. Now you can see
it all online. Um you have to convert
these three numbers
to tell the computer
which RGB
pixels to excite. And there are all
kinds of tricks that you have to use to
get that right. It's non-linear and so
all kinds of things. But anyway, you can
do it.
And so here's Newton's bow. This is pure
ray dispersion. You don't see any
interference for big raindrops. There we
are.
Now,
this is idealized because I'm assuming
the drops are all one
size. There's no decoherence. And also,
the other cause of decoherence, I didn't
mention it, the sun has a width of half
a degree. So, you have to
That's not in this these simulations.
Okay, other people who are Philip Laven
include all these features.
Smaller drops, 500 micron radius. You
begin to see some fringes, very small
ones.
200 microns,
150 microns, 100 microns.
So, you can reproduce these colors more
or less realistically, although they
don't have these decoherence features
that so often spoil attempts to see
supernumerary rainbows.
Now,
um
actually,
real rainbows
are very weakly colored. That's a
surprise. I need to talk about that.
Raymond Lee and Alistair Fraser took
photographs of an actual rainbow and
carefully measured
the color distribution across the
rainbow. And And here's their result.
You see,
this is the space of colors. I told you
you need three variables. One of them is
the intensity, so you make that one. So,
you need two. This is a standard
representation of color. Spectral colors
around the boundary, and then you go
between
blue and red along here.
But, your TV screens,
they
occupy a triangular region with the RGB
somewhere there or more. So, you can see
almost all possible colors you can see
on the television. But, rainbows occupy
this tiny region here, the rainbow they
measured. Why is that? It's because the
rainbow colors were diminished by the
fact that there's background clouds,
which are much brighter than you think.
So, although our brains process these
rainbows and they look very intensely
colored, actually they're not. This is
just a few percent of the total area of
the color diagram.
Now,
physicists are playful people.
And I want to tell you and show you an
anti-Newton bow.
Imagine
water
didn't have
a refractive index that depends on
color.
So, Newton would predict the rainbow
would be white.
No, because there would still be
interference colors.
So,
let's
Well, it's not quite easy to simulate
once you have this software, once you
write the programs, you can imagine
as I said, water is not dispersive, you
imagine that. Um raindrops are all the
same size, the sun is a point, and
there's no background light.
So, I'll show you in a minute what the
rainbow would look like. But, I want to
talk about this kind of playfulness.
It's a bit reminiscent of
Wallace Stevens.
He wrote a poem
inspired by Picasso's old guitarist, and
he said,
"They said you have a blue guitar.
You do not play things as they are."
The man replied, "Things as they are are
changed upon the blue guitar." Well, in
this is in the spirit of the anti-Newton
rainbow, and there it is. Um
only interference colors, this is what a
rainbow would look like.
And now comes my seventh connection.
You see,
this was just playful.
But, there's Gell-Mann's totalitarian
principle, which says,
"Anything that physics permits will
happen somewhere."
Well,
where might this happen?
With gravitational lensing,
because
you know, it's a consequence of
relativity that mass
bends space and effectively makes it
have a refractive index. It bends light.
And that's his Einstein's famous light
bending as it passed by a star.
Now, Einstein realized
that this would uh
mean that if you have a distant star
and a star in between, the image could
be distorted in interesting ways. But he
said, "This will never be observed. It's
much too small an effect." Well, we now
know gravitational lensing is a very
central part of modern astronomy. It's
used repeatedly for many, many purposes.
It's a small effect, but it can be
detected very accurately. Light from a
distant object, the source, distorted by
mass in between, which may be maybe dark
matter, and you can infer its structure
by measuring the distortion. Now, the
point is that gravitational lensing is
achromatic. The refractive index of
space doesn't depend on wavelength.
Good. Well, that means that if you would
see
interference near a caustic, and
caustics are very common in
gravitational lensing because this is
not the type of imaging that you get
with a point source that you learn at
school. You get the these complicated
caustics, like the one I showed you if
you shine a laser beam through bathroom
window glass, different. So, um
you would expect to see near caustics
By the way, I didn't say this, but uh at
near caustics, fringes are bigger, as
well, so more likely to be observed.
I've seen no evidence yet that
uh uh this has been observed. And
indeed, it's possible it's been observed
and not realized because the
achromaticity
is one of the reasons
why people identify different
spots in the sky as different images of
the same source because they have the
same spectrum possibly red or blue
shifted. So, the achromaticity of
refraction geometrical optics of
gravitational lensing is
is used in
practice.
But, if I've never yet seen
any
recorded definitive examples of
interference from gravitational lensing
near acoustic. But, if that's observed,
first of all, it give interferometric
precision to the inferences that are
made in gravitational lensing. And uh
secondly, they would illustrate this
gravity's rainbow.
Change according to the distribution of
light. It needn't be in the visible
region. It could be microwaves. It could
be radio, whatever. But, still that's an
idea of the
of the um
distortion of colors that you would
expect near acoustic. I've written about
this.
Okay, so that's number seven.
Now, the last connection I want to make
is mathematical. And you please bear
with me.
Um
you
My attitude to mathematics is same as
Peter Atkins,
a writer on He wrote a textbook on
theoretical chemistry. Determining where
mathematics ends and science begins is
as difficult and as pointless as mapping
the edge of the morning mist. And we
theoretical physicists spend our lives
moving in and out of this mist. So, you
know, we we're not so
insistent on difference between
mathematics and physics. I think the
difference is a largely cultural,
sociological. They have different
styles. They like to prove, we like to
use. It did different, but it's not
really fundamental. Um
and I will illustrate that now.
See, Airy had his mathematics. It was an
particular integral for his Airy
function.
But he couldn't calculate it. He was in
the same position as Descartes of
several centuries before who had this
theory of deflection minimum deviation,
but didn't have the calculus. Well, Airy
couldn't calculate except very close to
the rainbow. Here's his function. He
could calculate this bit that this much
by some clever numerics.
And he was frustrated. You see, at first
he he thought
maybe his function is some already known
function in disguise. And he tried very
hard to identify is it a
is it a Fresnel integral? Is it a
logarithm? Is it something?
He realized it it wasn't. And he it's
frustrating him because he couldn't
calculate these
oscillations. People had measured them
in the laboratory with globes of water.
Um
so
he was
frustrated that he could just measure
this bit near the near the near the
maximum.
And uh
it was Stokes
a decade later
who wrote a famous letter
to his fiance.
He said,
"I've been doing something that you
probably won't let me do when we're
married,
which is staying up all night working
hard on a mathematical problem.
A few
days ago I returned to a problem of
Airy, which she would understand. She
was the daughter of the astronomer royal
of Northern Ireland.
And at last, after two or three days
fight, I found the answer." And he was
able to um
uh
approximate the Airy function
away from the region that Airy himself
had calculated. Look how accurate his
approximation is here and also on the
dark side.
Different approximations on the bright
and dark, which I want to explain.
So, on the bright side, cosine
trigonometry oscillations. On the dark
side, an exponential which decays.
Um
any lesser person than Stokes would be
very happy with this. But, he saw a
problem, which I will explain. It's the
physics of this mathematics.
Well, here it is again, bright side,
dark side.
Here is an exponential.
Here is a cosine.
A cosine is two exponentials.
One complex and another. Now, in
physics, we represent waves by complex
exponentials. There are two waves. We
know they're the waves that interfere.
That's the physics of this little
formula.
And on the other side, there's one,
which is a geometrical wave. It's a
decaying wave.
But, Stokes was very puzzled.
Two waves on the bright side, one on the
other side. How can one wave become two?
He was very puzzled. This is the same
mathematical function. I haven't written
it to you. It's an integral that Airy
wrote down. How could it be so different
on the two sides? Now, this is a deep
problem. It's now called the Stokes
phenomenon. He realized over the course
of his life that this applies throughout
mathematics. There's a great many cases
where you have different approximations
in different regions, different numbers
of what we could call waves. Um
and he realized
that these
this phenomenon arises because the
pre-calculated approximation were just
the first terms of infinite series. And
I will show you this is the most
technical thing in the talk. On the dark
side, a single exponential
with a infinite series, and I've just
showed you before the first term. And he
calculated these different terms, and he
realized
that this series has a property which he
didn't like. It's divergent. It starts
for large Z far away from the rainbow
that terms get smaller and smaller, but
after some time they get bigger and they
diverge. And he puzzled over this for a
very long time. That's what his night
time confession he made to his fiance
in a 55-page letter, by the way, of
which only a few pages have survived. Um
and he realized that he traced the
divergence. I don't have time to explain
this. And the birth of the second
exponential
to the connection between the dark and
bright sides of the rainbow
in ways which
he sort of understood very deep and he
understood exactly where you have to go
round in the complex plane, never mind
what how. And it was only um
a few years ago, a few decades ago, that
it was possible to understand exactly
what happens and how the divergent part
of the series gives birth to the second
exponential. And this is now a large
area of research in
not just in
in optics, but in quantum physics, and
especially quantum field theory and
string theory. So, it's a large area of
research. There are conferences based on
Stokes phenomenon and the and and the
origin
of it. We shouldn't forget that it
started with trying to understand the
rainbow. Right. So, now I will tell you
these connections that I've described to
you.
Numerical experiments as Descartes
couldn't do find them couldn't find the
minimum. He didn't have calculus.
Illusions, there's no arc in the sky.
Ray physics is inaccurate and is
replaced by the deeper physics of waves.
It's a model for how one theory
approximates another. You can see it
with your naked eyes.
You don't see interference all the time.
Decoherence, it's a theme now very
common in one ingredient in how the
classical world emerges from the quantum
world.
Airy function interference is universal.
It decorates all smooth courses, one of
the great underlying mathematical
patterns.
Color theory, and so I've explained it
in pure space of
wavelength which projects
by our retina to the three-dimensional
space of color.
This Gell-Mann totalitarian principle
leading to um
prediction of what will happen in
gravitational lensing.
And uh mathematics of divergent series,
lots of things. All goes back to uh
understanding this beautiful natural
phenomenon.
Now,
I've described a lot of history during
this talk, but it's a kind of history
that professional historians don't like.
They have a name for it. They did It's
called Whig history. That comes from
politics. It doesn't matter what it
where the origin was. But I'm unashamed
of it. It's explaining It's
understanding the past in terms of the
present. Now, they say, professional
historians, you mustn't do this. You
must only study the past using sources
available at the time. Now, this is
clearly very important to cuz it's very
easy to get distorted versions of what
happened in past times, and they can get
this right. But it's not intelligent to
restrict your attention only to the past
when thinking about the past because the
reason why we're interested in those
scientists
well, they were cleverer than their
contemporaries and mostly cleverer than
us and it's what they led to
that's the reason why we study them. And
of course, as we understand more and
more about what they did in terms of
what we do today, we learn more about
the it's a unifying element of our of
our culture. So, unashamed Whig history.
I'm in good company. Steven Weinberg
wrote a book on the history of physics
and he said uh
uh
this is unashamed Whig history.
Good. Um
Charles Frank, my late colleague
emphasized the importance of
connections. They're not optional
extras. Physics is not just concerning
the nature of things
but concerning the interconnectedness of
all the natures of things.
So,
summing up, rainbows are a kind of
metaphor
for how we do physics and what we find.
Thank you.