Is This The Perfect Trilogy? | Back To The Future 3 | Movie Reaction | First Time Watching
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The video begins by recounting the arrival of Marty and Doc Brown in Hill Valley during 1885, where they find themselves stranded after a lightning strike leaves their time machine without gasoline. Upon discovering that Doc has become a blacksmith waiting for parts unavailable until 1947, Marty faces the urgent task of locating his friend before he is shot by Buford "Mad Dog" Tannon on September 7th. To escape the Old West and return to 1985, they devise an ingenious plan involving a steam locomotive; they intend to push the DeLorean up a steep hill into Clayton Ravine on Monday morning, relying on fourth-dimensional thinking to instantly arrive in the future once the car hits the edge of the ravine.
As the story progresses, the narrative takes a poignant turn when Doc falls in love with Clara Clayton, a schoolteacher whose death was originally destined to occur by falling into that same ravine. This emotional dilemma forces Marty to choose between scientific caution and his friend's heart, ultimately leading to a heartbreaking farewell where Doc reveals he is from the future but cannot take Clara with him. After she departs via train, the duo wakes up to find they have missed their original departure time, only to discover that Biff Tannen has taken over the town and Doc's body is missing. They must race against time to catch the train back to 1985 before it hits a switchback track that would send them into space, successfully reaching 88 mph just as Marty jumps out to save Clara from a derailed train.
Upon returning to 1985, the reactors observe how their actions have fundamentally altered history: George McFly has stood up to Biff, Lorraine is alive but unaware of the events, and Doc Brown has seemingly vanished from existence until he reappears later in the film. The video concludes with a strong defense of the trilogy's quality, praising its perfect continuity, emotional depth, and character development, particularly highlighting George McFly's growth and Michael J. Fox's portrayal of Doc Brown. The reactors argue that the franchise succeeds through straightforward storytelling that balances humor, action, and heartfelt themes about destiny and love without needing advanced physics knowledge, ultimately affirming the trilogy as a masterpiece that secures a happy future for Marty and Jennifer.
Read the full video transcript
What's up, guys? Welcome back. Dude, I
am beaming with energy because I am so
excited to finish this Back to the
Future franchise.
>> Uh, the first two movies have been a
pleasant surprise to say the least
because the continuity has been
unbelievable, right? And then, uh,
Biff's character has been pretty
unbelievable. Seeing him as like a I
guess a futuristic high school bully in
the last movie was so much fun. And I
really hope this movie just continues to
be as much fun as the first two.
>> Like, I'm sure they're going to try, but
>> I hope they nail the landing. I'm really
excited cuz if they can finish this
movie, this really might be one of my
favorite franchises. It's going to be
hard to say my favorite only because
there's like Lord of the Rings and
stuff, you know, and I just thought
those were so epic. But in terms of just
like let's just have some fun and watch
an old classic. This is one of them for
sure. All right, guys. Uh like, comment,
subscribe, hit us up on Patreon or
you're a slacker. If you don't do that,
then what are you doing? Uh we got the
littest Patreon in the world over there.
Um but other than that, man, I'm just
excited to watch this movie. So, thank
you guys so much for hanging out. Drop
us a comment. Let us know if we miss
anything. Just let us know anything that
you want to let us know. You know, we
don't like to control that. You let us
know. Let's go.
Saturday, November 12th, 1955, 10:03
p.m.
emotes.
>> That brings me right back to the other
night. Exactly how I felt when that
happened the first time. And then he
runs through that. That's my favorite
part.
>> That's like the emote. That's what I'm
saying.
>> Doc,
doc me. Mark, I can't just send you back
to the future.
>> Oh, I know he did send me back to the
future, but I'm back. I'm back from the
future.
>> Oh no.
>> And honestly, out of every movie we've
seen, this is one of my favorite
graphical illustrations of the title.
>> I really like it.
>> I do too.
>> That house is a dream though, isn't it?
>> Oh my god. Yeah.
>> I think it's wholesome how his heroes
are hanging up there.
>> Yeah. It's charming.
>> He belongs up there.
Hey kids, what time is it?
>> That thing was creepy as hell.
>> Howdy, DUTY TIME.
>> DATE, SUNDAY, November 13th, 1955, 7:01
a.m. Last night's time travel experiment
was apparently a complete success.
Lightning struck the clock tower at
precisely 10:04 p.m. sending the
necessary 1.21 21 KW INTO THE TIME
VEHICLE WHICH VANISHED IN A BRILLIANT
FLASH OF LIGHT, LEAVING A PAIR OF FIRE
TRAILS BEHIND. I THEREFORE ASSUME THAT
MARTY AND THE TIME VEHICLE WERE
TRANSPORTED FORWARD THROUGH TIME INTO
THE YEAR 1985. AFTER THAT, we can recall
what happened.
>> Marty's sleeping.
>> I don't even remember home. Perhaps the
watt was charged.
>> I know he doesn't want to DISPLACEMENT
FIELD GENERATED BY THE TIME VEHICLE
CAUSED A DISRUPTION OF MY OWN BRAIN
WAVES RESULTING IN A CONDITION OF
MOMENTARY AMNESIA. INDEED, I NOW recall
that moments after the time vehicle
disappeared into the future, I saw a
vision of Marty say he had come back
from the future.
>> Hey, doc. Undoubtedly, this was some
sort of exact image.
>> Oh my gosh.
>> Calm down. Okay, just calm down. IT'S
ME. IT'S MARTY.
>> NO, IT CAN'T BE YOU. I SENT YOU BACK TO
THE FUTURE.
>> HEY, DOC. THAT'S RIGHT. But I came back
again. I came back from the future.
Don't you remember last night? You
fainted. I BROUGHT YOU HOME.
>> THIS CAN'T BE HOT. YOU DARE ME HERE.
DOESN'T IT MAKE SENSE FOR YOU TO BE
HERE? I STILL CAN'T BELIEVE THAT YOU
ARE.
>> I DON'T BLAME HIM.
>> DOC, I AM HERE AND IT DOES MAKE SENSE.
LOOK, I CAME BACK TO 1955 AGAIN WITH
YOU. THE YOU FROM 1985 CUZ WE HAD TO GET
A BOOK FROM BIFF. SO ONCE I GOT THE BOOK
BACK, YOU THAT IS THE YOU FROM 1985.
WE'RE IN THE DELOREAN AND I GOT STRUCK
BY LIGHTNING AND HE GOT SENT BACK TO
1885.
>> 1885.
>> It's a very interesting story, future
boy. But there's just one little thing
that doesn't make sense. If the me of
the future is now in the past, how could
you possibly know about it?
>> Hey, that's a good question.
>> The letter,
>> my calculations are correct. You will
receive this letter immediately after
you saw the DELOREAN STRUCK BY
LIGHTNING. FIRST, LET ME ASSURE YOU THAT
I AM ALIVE AND WELL. I'VE BEEN LIVING
HALFWAY THESE PAST 8 MONTHS IN THE YEAR
1885. THE LIGHTNING BOLT THAT HIT THE
DELOREAN CAUSED A JIG OVERLOAD WHICH
SCRAMBLED THE TIME CIRCUITS, ACTIVATED
THE FLUX CAPACITOR, AND SENT ME BACK TO
1885.
THE OVERLOAD SHORTED OUT THE TIME
CIRCUITS AND DESTROYED the flying
circuits. Unfortunately, the car will
never fly again. It actually flew.
>> Yeah, we had a hover conversion done in
the early 21st century. I set myself up
as a blacksmith as a FRONT WHILE I
ATTEMPT TO repair the damage TO THE TIME
CIRCUITS. UNFORTUNATELY, THIS PROVED
IMPOSSIBLE BECAUSE SUITABLE REPLACEMENT
PARTS WILL NOT be invented until 1947.
However, quite adept at SHOEING HORSES
AND FIXING WAGONS. 1885.
AMAZING. I ACTUALLY END UP AS A
BLACKSMITH IN THE Old West.
>> Pretty heavy, huh?
>> I have buried the Delorean IN THE
ABANDONED DELGADO MINE ADJACENT TO THE
OLD Boot Hill Cemetery AS SHOWN ON THE
ENCLOSED MAP. HOPEFULLY, IT SHOULD
REMAIN undisturbed and preserved until
you uncover it in 1955.
>> That is so cool. Let's go find it.
>> Inside you will find repair
instructions. A 1955 counterpart, that's
me, SHOULD HAVE NO PROBLEM REPAIRING IT
so that you can drive it back to the
future. Once you have returned to 1985,
destroy the time machine. Destroy it?
>> Yeah, well, it's a long story, Doc.
>> Do not, I repeat, do not attempt to come
back here to get me.
>> I AM PERFECTLY HAPPY LIVING in the fresh
air AND WIDE OPEN SPACES, AND I FEAR
THAT UNNECESSARY TIME TRAVEL ONLY RISKS
FURTHER DISRUPTION OF THE SPACE-TIME
CONTINUUM. AND PLEASE TAKE CARE OF
EINSTEIN FOR ME. EINSTEIN.
>> He's your dog, Doc. Einstein. It's what
you call your dog in 1985.
>> Oh,
>> I know. I know.
>> You will give him a good home. Remember
to walk him twice a day and that he only
likes canned dog food. These are my
wishes. Please respect them and follow
them. And so, Marty, I now say farewell
and wish you God speed. You've been a
good, kind, and loyal friend to me, and
you made a real difference in my life. I
will always treasure our relationship
and think on you with fond memories,
warm feelings, and a special place in my
heart. Your friend in time, Doc Emtt El
Brown, September 1st, 1885.
>> That's sad he doesn't remember his dog
anything so it's beautiful.
>> It's all right, Capernicus. Everything's
going to be fine.
It's all my fault. You're stuck back
there. I never should have let Biff get
to me.
>> There are plenty worse places to be than
the Old West. I could have ended up in
the dark age. They probably would have
burned me at the stake as a heretic or
something. Let's look at the map. All
right. According to this, the time
vehicle sealed off in a sight. We may
have to blast.
>> Oh,
so he had that just laying around cuz we
didn't waste any time with that.
>> The dead with THAT BLAST.
>> TAKE THIS CAMERA.
>> EVERYTHING REMINDS ME OF THE TIME I
attempted to reach the center of the
earth and reading my favorite author,
Jules Fern. I spent WEEKS PREPARING THAT
EXPECTATION. I DIDN'T EVEN GET THIS FAR.
OF COURSE, I WAS ONLY 12 at the time.
You know, I was riding Jules Hearn and
had a profound effect on my life. It was
when I was 11 that I first read 20,000
leads under the sea. Except then I
REALIZED THAT I MUST DEVOTE MY LIFE INTO
SCIENCE.
>> DOC, CHECK IT OUT. LOOK AT THIS.
>> MY INITIALS. JUST LIKE IN JOURNEY TO THE
CENTER OF THE EARTH. THAT MEANS THE TIME
MACHINE MUST BE RIGHT THROUGH THIS WALL.
>> Just like through the journey of the
center of the earth.
Shout out to your initials. What?
>> Yeah, but if I came across that, I would
definitely want to break down that that
little fake wall they got and see what's
in there.
>> There she is.
>> It's been buried here for 70 years, 2
months, and 13 days. Astounding.
>> As you can see, the lightning bolt
shorted out the time circuit control
microchip. The attached schematic
>> schematic schematic diagram will allow
you to build a replacement unit with
1955 components, thus restoring the time
machine to perfect working order.
>> Unbelievable that this little piece of
junk could be such a big problem.
>> No wonder this circuit fail. It says
made in Japan.
>> What do you mean, doc? All the best
stuff is made in Japan.
>> Unbelievable.
>> Oh my.
>> I wonder what he's referring to. WHEN I
WAS A KID, I ALWAYS WANTED TO BE A
COWBOY. NOW KNOWING I'M GOING TO SPEND
MY FUTURE IN THE PAST.
>> WAIT, I think you're missing something.
What do you mean?
>> He said all the best stuff's made in
Japan.
>> Well, that's because like in America,
you know how like everything now is made
in China. Like all the best stuff. Well,
like he's used to it cuz he's young. But
see, he's from a different time when we
used to make things in America.
>> So, he's like, "Unbelievable." I don't
think he's like referring anything
specific though. Maybe we need some uh
Japanese tires cuz those are shredded.
>> Sounds like a wonderful way to spend my
retirement years. Just occurred to me,
Marty, since I end up in 1885, perhaps
I'm now in the history books. I WONDER,
COULD I GO TO THE LIBRARY AND LOOK
MYSELF up in THE OLD NEWSPAPER ARCHIVES?
>> I don't know, Doc. You're the one that's
always saying, you know, it's not good
to know too much about your own destiny.
>> You're right, Marty. I know too much
already. Better that I not attempt to
uncover the circumstances of my OWN
FUTURE. FERNICUS, COME ON, BOY.
>> I'LL GET HIM, DOC. FERNICUS, come on.
LET'S GO HOME, BOY. WHAT'S WRONG?
>> What's wrong, little punk? Oh, no. Oh,
it's grave. 1885 December 7th.
>> Shot in the back by you for Tannon.
>> Come here.
>> Related a bit.
>> Yeah.
>> What's wrong, Marty? You look like
you've seen a ghost.
>> Over $80.
>> You're not far off, Doc.
>> Oh, great Scott. Check this out. Died
September 7th, 1885. THAT'S ONE WEEK
AFTER HE WROTE THE LETTER. Erected in
eternal memory by his beloved Clara. Who
the hell is Clara? PLEASE DON'T STAND
THERE.
>> HELP. RIGHT. SORRY. I GOT TO get another
picture. Shot in the back BY BUFORD
TANNON FOR A MATTER OF $80. WHAT KIND OF
A FUSION DO YOU CALL THAT?
>> BUFORD Tannon was a notorious gunman
whose short temper and a tendency to
drool earned him the nickname mad dog.
He was quick on the trigger and bragged
that he had killed 12 men, not including
Indians or China.
>> DOESN'T MENTION ME. AM I ONE OF THE 12?
>> JUST A MINUTE. HOWEVER, THIS CLAIM
cannot be substantiated since precise
records were not kept after Tannon shot
a newspaper editor who printed an
unfavorable story about him in 1884.
That's why we can't find anything.
>> Look, William McFly family. Your
relatives.
>> My great-grandfather's name was William.
>> That's him. Good looking guy.
>> McFly, but no Browns.
>> Maybe it was a mistake, Doc. Maybe that
grave wasn't yours. It could have been
another EMTT Brown back in 1885. No.
>> Do you have any relatives here back
then?
>> The Browns didn't come to Hill Valley
until 1908. And then they were the Von
Browns. My father changed our name
during the First World War.
>> Doc, look. Great Scott. IT'S ME. IT IS
TRUE. ALL OF IT. IT IS ME WHO GOES BACK
THERE AND GETS SHOT.
>> It's not going to happen, Doc. After you
fix the time circuits and put new tires
on the Delorean, I'm going back to 1885
and I'm bringing you home.
>> Let's go.
>> THE CLOTHES FIT.
>> YEAH, EVERYTHING EXCEPT THE BOOTS, DOC.
THEY'RE KIND OF TIGHT. I DON'T KNOW. YOU
SURE THIS STUFF IS AUTHENTIC?
>> OF COURSE. HAVEN'T YOU EVER SEEN A
WESTERN?
>> YEAH, I have, Doc. And Clint East would
never wear anything like this.
>> Is that what he's wearing? He can't wear
that.
>> I think it's nice. You haven't heard of
him yet?
>> There's Adams on his shoulders. They're
not going to know what that is.
>> You shouldn't even be wearing THEM HERE
IN 1955.
>> ALL RIGHT, DOC. LOOK, as soon as I get
there, I'll put them on. I promise.
>> Okay, I think WE'RE ABOUT READY. I PUT
GAS IN THE TANK, YOUR FUTURE CLOTHES, A
PACK, JUST IN CASE. PRESS batteries or
your walkie-talkies. OH, WHAT ABOUT that
floating device?
>> Hoverboard.
>> All right. You know, Doc, it's going to
be a hell of a long walk back to Hill
Valley from here.
>> The safest plan. After all, we can't
risk sending you back into a populated
area or to a spot that's geographically
unknown. YOU DON'T WANT TO CRASH INTO
SOME TREE THAT ONCE EXISTED IN THE PAST.
THIS IS ALL COMPLETELY OPEN COUNTRY, SO
YOU HAVE PLENTY OF RUNOUT SPACE WHEN YOU
ARRIVE. THAT just looks awesome.
Remember where you're going, there are
no roads, and there's a small cave over
there, which will be a perfect place to
hide the time vehicle. Well, THE NEW
TIME STRIKE CONTROL CUBES ARE WARMED UP.
>> YEAH, the landscape looks awesome, but
Marty doesn't.
>> I wrote the letter on September 1st, so
we'll send you back the very next day,
September 2nd. That's a Wednesday.
September 2nd, 1885 8 a.m. I get shot on
Monday the 7th, so you have 5 days to
locate me. According to my letter, I'm a
blacksmith, so I probably have a shop
somewhere. ALL YOU HAVE TO DO IS DRIVE
THE TIME VEHICLE DIRECTLY TOWARD THAT
SCREEN, ACCELERATING 88 MPH.
>> WAIT A MINUTE, DOC. If I drive straight
towards the screen, I'm going to crash
into those Indians.
>> Marty, stop thinking
fourthdimensionally.
THEY'LL INSTANTLY BE TRANSPORTED TO
1885, AND THOSE Indians won't even be
there.
>> Right. Well, good luck for both of our
sakes. See you in the future. You mean
the past. Exactly.
>> This town ain't never going to be the
same after Marty comes.
>> Nope.
>> Marty,
they're going. He must be from that
Hollywood.
>> READY?
SILVER.
>> Oh goodness.
>> 88.
>> No way.
immersive.
>> Why'd he hit the brakes? I'd have kept
on I'd have been like, "Oh my gosh,
that'd be so damn scary."
>> What do you think they think that is?
>> Maybe some type of like rhinoceros or
something.
>> Oh, okay. He's about to go hide up in
there.
>> They're going to think it's some type of
cave animal.
>> He's hiding his fivestar rating.
OH,
>> who's playing the trumpet?
>> They're pretty good for riding a horse.
Like, it'd be hard to do that and ride a
horse.
>> Still out of breath.
>> Yeah, I know.
Uh-oh. Did it mess the car up? Dim it.
>> Oh, liquid. Oh, it hit a fuel line.
damn. I ripped the fuel line.
>> OH,
>> you crashed into its home.
>> Why'd you throw your shoes?
>> Hey, it worked as a distraction.
>> FETCH SOME WATER. WE GOT A HARD MINE
HERE.
>> Is that him?
>> Yeah, exactly. But guys, I can't be
scared of that bear cuz we all know
that's like a little circus bear.
>> Mom. Mom, is that you?
>> They're there now. You've been asleep
for nearly 6 hours now.
>> Nightmare. Dreamed I was Dreamed I was
in a western. I was being chased by all
these Indians and a bear.
>> Well, you're safe and sound here now at
the McFly Farm.
>> McFly Farm?
>> Is that why they're m cuz they're Irish?
>> Yeah.
>> Well, you don't mind. Who are you?
>> The name's McFly. Maggie McFly.
>> McFly. Maggie.
>> And that's Mrs. McFly. And don't you be
forgetting the Mrs. And what might your
name be, sir?
>> Well, it's Mc Eastwood.
>> Clint Eastwood. Oh my god.
>> Eastwood.
>> You hit your head, Mr. Eastwood.
>> The director guy. Not
>> too serious, but lucky for you, Sheamus
found you when he did.
>> Yeah, the actor.
>> Me husband. You'll be excusing me, Mr.
Eastwood, while I tend to William.
>> William.
>> Oh, that's okay. Will
>> that's William?
>> I William Shan McFly, the first of our
family to be born in America. Oh, it's
okay. Well, this here is Mr. Clint
Eastwood here. Visit him.
>> Surely he likes you, Mr. Eastwood.
>> Maggie, I've got supper. I'm not one to
pry into a man's personal affairs, but
>> exactly. How is it that you came to be
way out here without a horse or boots or
a hat? Well, my c horse broke down and
and buried my boots and I guess I just
forgot my hat.
>> How could you forget a thing like your
hat? Would you like some water?
>> Uh, yeah. That looks delish.
>> I'll tell you what I'll do, Mr. I'll
help you find your blacksmith friend.
You can stay the night in the barn and
tomorrow I'll take you as far as the
railroad tracks. You can follow him
straight on into town.
>> Got a little gristle in.
>> I even give you a heart.
>> Oh, that's the bullets where he shot it.
The pellets.
>> That's great. Thanks.
>> Yes. I think you'll find that barn
comfortable. Never had any complaints
about it from the pigs.
>> Shame us a word with you.
>> O, will you hold them for a minute? So
trusting. I guess he feels like family,
huh? You
>> sure you're not after bringing a curse
on this house taking him in like that?
Such a strange young man.
>> I But I've just got a feeling about him,
Margie. Looking after him is the right
thing to do. That's important.
>> Hey, buddy. Look how Bobby takes to him.
Little Will never takes to strangers.
It's almost as if connected to us.
>> He will.
>> So, you're my greatgrandfather. A
>> first McFly born in America. And you
peed on me.
>> Deserved.
>> He looks like a space cowboy, don't he?
Oh, that looks like a red dead where you
pay your um bounty.
>> This is crazy. The original Hill Valley.
>> It's been around that long.
>> Insane, right?
Fine horses sold, bought, and traded.
>> Give me some soap.
>> Proceeds to constru. Yeah, cool. Cabinet
maker undertaking.
We need the blacksmith, right?
>> Look, there's some manure. Where's Biff?
>> They did a good job on it, though.
>> Dang. E.
>> When people go back to the past, like, I
understand you're a little disoriented,
but I still wouldn't step in horse
Like, that's like a universal time
thing, you know? I've been dodging horse
since like 1700s.
>> Take a look and see what just breathed
in the door. Why? I didn't know the
circus was in town.
>> Must have got that shirt off on a dead
Chinese.
>> Go slap them all roasting you for no
reason.
>> He's dressed more like them.
>> This Harley
>> little space cowboy over here. Yeah, he
looks like you'd hire him for like a
bachelorette party or something.
>> What'll it be, stranger?
>> Whiskey.
>> Ice water.
>> Ice.
>> Water. You want water? You better go
dunk your head in the horse trough after
in here. We pour whiskey.
>> Yeah, you suck at being a cowboy.
>> This is strong, boy.
>> Excuse me.
>> WHAT?
>> I'M TRYING TO find the blacksmith.
>> HEY, thought I done told you never to
come in.
>> You ain't shame, Miss McFly. You look
like a noo, especially with a dog ugly
hat.
>> Dog ugly.
>> You kin to that? HEY, BARBER. WHAT'S
YOUR NAME, DUDE?
>> UH, Mart Eastwood. Clint Eastwood.
>> What kind of stupid name is that?
>> I'd say he's the run of the litter.
>> Hey, boy. Would you take a look see
these pearly whites? Hell, I ain't seen
feet look at that trade war store. Take
a gander at them moccasins. What kind of
skins is them? What's that? Right in me
knee k. What is that? Some sort of
engine talk to or something?
>> Bartender. I'm looking for that no good
cheating blacksmith you seen.
>> Oh,
>> no sir. Mr. Tannon, I have not.
>> Tannon,
>> you're mad dog. Tannon,
>> are you just putting that together?
>> I kind of I kind of knew it from the
beginning, but I It's confirmed.
>> Mad dog.
>> Oh I didn't know you needed one.
>> I hate it. YOU HEAR? NOBODY CALLS ME MAD
DOG. ESPECIALLY NOT SOME DUDED UP EGG
SUCKING GUTTER TRASH.
>> Oh my god, he's doing the moonwalk.
They don't know what to think about his
ass.
>> Ew. No, he didn't.
>> Shout out to Michael Jackson.
>> Run, SQUIRREL.
>> That guy's a psycho. He'll shoot you
straight up like that. They don't have
like a justice system here. Meet the
gallows.
What a world though where you can just
get lassoed up.
>> Yeah, cuz he gets chased by this guy in
every timeline. I've never had a grown
man chase me down, not even once. I
don't put myself in those positions.
>> For some reason, I thought he was going
to stand and like skateboard it.
>> WE GOT OURSELVES A NEW COURTHOUSE. HIGH
TIME WE HAD TO HANG IT.
>> OH MY
THAT'S GOT TO BE the dock, right?
>> Oh, let's go.
>> THEY'LL SHOOT THE FLEAS OFF A DOG'S BACK
AT 500 YD, SHANNON. AND IT POINTED
STRAIGHT AT YOUR HEAD.
>> He sounds like Tim McGraw in that Indian
Outlaw song.
>> Mhm.
>> You owe me money, blacksmith.
>> HOW DO YOU FIGURE?
>> MY HORSE THREW A SHOOT. SEEING AS YOU
WAS THE ONE THAT DONE THE SHOE, AND I
SAY THAT MAKES YOU RESPONSIBLE. WELL,
SINCE YOU NEVER PAID ME FOR THE JOB, I
SAY THAT MAKES US EVEN WRONG. SEE, I WAS
ON MY HORSE WHEN IT THREW THE SHOE AND I
GOT THROWN OFF. AND THAT CAUSED ME TO
BUST A PERFECTLY GOOD BOTTLE OF FINE
KENTUCKY RED EYE. SO, THE WAY I FIGURE
IT, BLACKSMITH, YOU OWE ME $5 FOR THE
WHISKEY AND $75 FOR THE HORSE.
>> 80 BUCKS.
>> LOOK, IF YOUR HORSE THREW HIS SHOE,
BRING HIM BACK AND I'LL SUE HIM. I DON'T
SHOP THAT HORSE. WELL, THAT'S YOUR
PROBLEM, TANNON. WRONG. THAT'S YOURS. SO
FROM NOW ON, YOU BETTER BE LOOKING
BEHIND YOU WHEN YOU WALK, CUZ ONE DAY
YOU'RE GOING TO GET A BULLET IN YOUR
BACK.
>> Over 80 smack.
>> Hey, Doc set his ground though, didn't
he?
>> Mhm.
>> Doc. Marty, I gave you explicit
instructions not to come here, but to go
directly back to 1985.
>> I KNOW, DOC, BUT I had to come.
>> But it's good to see you, Marty.
>> He's stubborn.
>> Marty, you're going to have to do
something about those clothes. You walk
around town dressed like that, you'll
get shot
>> or hang.
>> What idiot dressed you in that outfit?
>> You. You did
>> TRY THEM BACK BY VIEWERS HAD HIM OVER A
MATTER OF $80. SEPTEMBER 7TH. THAT'S
THIS MONDAY. NOW I WISH I'D PAID HIM
OFF. AND WHO'S THIS BELOVED CLARA? I
DON'T KNOW ANYONE NAMED CLARA.
>> I DON'T KNOW, DOC. I THOUGHT MAYBE SHE
WAS A GIRLFRIEND of yours.
>> Party. My involvement in such a social
relationship here in 1885. The result is
a disruption OF THE SPACE-TIME
CONTINUUM. AS A SCIENTIST, I CAN NEVER
TAKE THAT RISK. CERTAINLY NOT AFTER WHAT
WE'VE ALREADY BEEN THROUGH. EMTT. OH,
EMTT. HUBERT. COME HERE. EXCUSE ME.
EMTT. You remember last week at town
meeting when you volunteered to meet the
new school teacher at the station when
you came in?
>> Oh, yes.
>> Well, we just got word she's coming in
tomorrow.
>> Uhoh. Here's the details for you.
>> That's going to be her.
>> Thanks for ALL YOUR HELP. ANYTIME, YOU
NAME THIS CLAYTON. CLARA CLAYTON.
>> IT'S a good thing, Doc.
>> But that's pressure, right?
>> Well, he ought to do something with his
hair a little bit. Actually, it's
perfect.
>> Marty, IT'S IMPOSSIBLE. THE IDEA THAT I
COULD FALL IN LOVE AT FIRST SIGHT IS
ROMANTIC NONSENSE. THERE'S NO SCIENTIFIC
RATIONAL.
>> COME ON, DOC. IT'S NOT SCIENCE. You meet
the right girl. It just hits YOU. IT'S
LIKE LIGHTNING.
>> PLEASE DON'T take
our eyes off each other. God, Jennifer.
Damn. I hope she's ALL RIGHT, DOC. I
CAN'T BELIEVE WE JUST LEFT HER THERE ON
THE PORCH.
>> DON'T WORRY, MURRAY. SHE'LL BE FINE.
>> OH, SHE'S still on the porch.
>> 55. THE NORMAL TIMELINE WAS RESTORED.
THAT MEANS ONCE WE'RE BACK IN 1985, YOU
JUST HAVE TO PULL OVER THE HOUSE TO WAKE
HER UP.
OH, MARTY, TURN THAT VALVE OVER THERE.
YEAH. PUT IT ALL THE WAY AROUND. OKAY,
LET'S GO.
>> Is that an ice cube?
>> Ice key.
>> Oh, thanks.
>> That whole machine is an ice maker.
>> So, he's been doing that for that. I
thought it was like pertaining to
>> like time travel.
>> Yes.
>> He invented whiskey on the rocks.
>> Oh, this is Doc. I tore a hole in the
gas tank when I was landing. So, we're
going to have to patch it up and get
some gas.
>> You mean we're out of gas?
>> Yeah, it's no big deal. We got Mr.
Fusion, right?
>> Mr. Fusion powers the time circuits and
the flux capacitor. But the internal
combustion engine runs on ordinary
gasoline. It always has. There's not
going to be a gas station around here
until sometime in the next century.
>> Oh, shoot.
>> Gasoline. You can't get the Delorean up
to 88 m hour.
>> So, what do we do?
>> Invent solar paneling. Uh, I don't know,
man. This ain't going to work. I know
that.
>> Yeah.
The world WON'T RUN MORE THAN 35, 40
MPH.
>> Maybe if you uh fall off a cliff. What's
the What's the universal constant for
how fast things free fall? Do you know?
>> I don't know.
>> I don't think it is. I don't know what
it is.
>> Try it, Mike.
>> I feel like this is going to tear up the
engine.
>> Oh my god.
Damn.
>> Fuel injectors.
>> It blew the fuel injection manifold.
Strong as stuff. All right. It'll take
me a month to rebuild it.
>> You can do it.
>> Doc, you're going to GET SHOT ON MONDAY.
>> I KNOW. I KNOW. I KNOW. I WISH. WAIT.
I'VE GOT IT. WE CAN SIMPLY ROLL IT DOWN
A STEEP HILL.
>> NO. WE NEVER FIND A SMOOTH ENOUGH
SURFACE. UNLESS, of course, ice will
wait until winter when the lake freezes
OVER.
>> WINTER? DOC, WHAT ARE YOU TALKING ABOUT?
MONDAY. IT'S 3 DAYS AWAY.
>> ALL RIGHT. All right. All right. Just
let's think this thing through
logically. We know it won't run under
its own power. We know we can't pull it.
But if we could figure out a way to push
it up to 88 m an hour, huh?
>> Ooh, like a train. Yeah, good idea.
>> But how fast does a train go?
>> I don't know. I always feel like they're
not that fast.
>> HOW FAST COULD SHE GO? WELL, I'VE HAD
HER up to 55 myself. I hear that
fearless Frank go one of these up to
near 70 past 30 junk. CLOCK WILL GET IT
UP TO 90.
OUR NATION'S son never needs to be in
such a hurry.
>> Perhaps just a little bit he and I h
that's all theoretically SPEAKING. COULD
IT BE DONE?
>> WELL, I SUPPOSE if you had a straight
stretch of track with a level grade and
you weren't hauling NO CARS BEHIND YOU
and if you could GET THE FIRE HOT
ENOUGH, AND I'M talking about hotter
than the blazes of hell and damn NATION
ITSELF, THEN YES, IT might be possible
to get her up that fast.
>> TELL ME WHEN'S THE NEXT TRAIN COME
THROUGH HERE. MONDAY MORNING AT 8:00.
UHOH.
>> This spur that runs off the main line 3
miles out the Clayton ravine. A long
stretch of level track that will still
exist in 1985. This is where we'll push
the Delorean with the locomotive. FUNNY.
THIS MAP calls Clayton ravine show
Ravine. That must be the old indie name
for it. It's perfect. A nice long run
that goes clear across the bridge over
the ravine. You know, over near that
hill of housing development,
>> right, Doc? But according to this map,
there is no bridge.
>> Well, DOC, WE CAN SCRATCH THAT IDEA. I
mean, we can't wait around a year and a
half for this thing to get finished.
>> MARTY, IT'S PERFECT. YOU'RE JUST NOT
THINKING FOURTHDIMENSIONALLY.
>> OH, you want to run it off that vein?
>> You see, the bridge will exist in 1985.
Still in use. Therefore, as long as we
get the Delorean up to 88 mph before we
hit the edge of the ravine, WE'LL
INSTANTANEOUSLY ARRIVE AT A POINT IN
TIME WHERE THE BRIDGE IS COMPLETED.
WE'LL HAVE TRACK UNDER US AND COAST
SAFELY ACROSS THE RAVINE.
>> WHAT ABOUT THE LOCOMOTIVE?
>> IT'LL BE A SPECTACULAR WRECK. TOO BAD NO
one will be around to see it.
>> SCOTT,
>> I kind of wanted to see people working
on the bridge
>> to see how they did it. I know that I
would not want to go over that bridge at
all.
Doc, let's go, DOC.
>> Why is she hollering? She lost control
of him.
Oh.
Dang. So, she was supposed to die right
now, but Doc saved her.
>> Oh, thank you, sir. You saved my life.
>> Brown at your service. Mrs.
>> Love at first sight.
>> I'm Clayton. Clara Clayton.
>> Clara.
>> Eddie supposed to pick her up soon.
>> What a beautiful name.
>> If Doc gets a happy ever after, I'll be
so happy. Best trilogy ever.
>> Yeah.
>> May I help you inside with these?
>> Oh, no. That won't be necessary. I can
take care of it. You've done more than
enough already,
>> but it's really no trouble.
>> Doc, she says it's fine. We got to get
going. Ma'am, good luck with your school
teaching and everything.
>> Clara, I'll straighten everything out
with Mr. Statler for the buck boy
Reynold. Don't you worry about that. I
feel somewhat responsible for what
happened.
>> Well, that would be very gentlemanly of
you, Mr. Brown. Emmit,
>> you know, I'm almost glad that snake
spooked those horses. Otherwise, we
might never have met. Suppose it was
destiny.
>> A
>> Well, thank you for everything. Quite
welcome.
>> I will see you again, won't I?
>> Of course. You'll see lots of me. I'm
sure. I have a shop in town. I'm a local
scientist. A blacksmith.
>> Science? What sort of science?
Astronomy? Chemistry?
>> Actually, I'm a student of all sciences.
>> Hey, Doc. We got to get going.
>> Marty Hug.
>> Well, excuse us, Claire. We have to get
going. Tul,
>> I found the morals of this movie,
though. Babe,
>> what?
>> You want to find a good woman, you got
to go back to about the 1800s.
>> I'm just kidding.
>> Come on, Dad. You see the way she was
looking at you?
>> She did have quite a scare, right? After
all, Miss Clayton almost ended up the
bottom of Clayton Ravine. Clayton
Ravine.
>> Holy Hey, Doc. Clayton Ravine was
named after a teacher. They say she fell
in there 100 years ago.
>> 100 years ago. That's this here.
>> Every kid in school knows that story cuz
we all have teachers we like to see fall
into the ravine.
>> GREAT SCOTT. AND SHE WAS SUPPOSED TO GO
over in that wagon.
>> Oh yeah, you said that.
>> I may have seriously altered history.
the dark.
>> What's the worst that can happen? Huh?
So they don't name the ravine after her.
Let's just get the Delorean ready and
get the hell out of here.
>> I wish I'd never invented that infernal
time machine.
>> Oh, he's really stressed.
>> It's caused nothing but disaster.
>> Doc, Marty, you read me over.
>> Check. Marty.
>> Great, Doc. These things still work.
>> All right, Marty. Once more, let's go
over the entire plan and layout. I
apologize for the crudity of this model.
>> Yeah, no, doc. It's not the scale. It's
okay, Doc. Tomorrow night, Sunday, we
load the Delorean onto the tracks here
on the spur, right by the old van and
silver mine. The switch track is where
the spur runs off the main line 3 miles
out to Clay Shonach ravine. The train
leaves the station at 8 Monday morning.
We'll stop it here, uncouple the cars
from the tender, throw the switch track,
and then we'll hijack, borrow the
locomotive, and use it to push the time
machine. According to my calculations,
we'll reach 88 mph just before we hit
the edge of the ravine, at which point
we'll be instantaneously transported
back to 1985 and coast safely across the
completed bridge.
>> What does this mean? Point of no return.
>> Uhoh. Our fail safe point. Up until
there, we still have enough time to stop
the locomotive before it plunges into
the ravine. But once we pass this
windmill, it's a future OR BUST.
>> HERE YOU GO, MARTY. CONNECT THAT TO THE
POSITIVE TERMINAL. ALL RIGHT, MARTY. YOU
ALL SET?
>> YEAH. YEAH. GO.
>> OKAY. PULLING OUT OF THE STATION. COMING
UP.
>> This man can whip up a model like
nobody's business.
>> I know.
>> You see the little pipe on the top?
>> It would take me so long for all this.
>> It couldn't be simpler.
>> IT'S QUICK. COME TO THE DELOREAN.
>> I love how spazzy he is.
>> Yeah.
>> It's so funny.
>> I uh Jack Sparrow kind of
>> Yeah. This is quite a surprise.
>> Well, I hope I'm not disturbing
anything.
>> Oh, no, no. We were just doing a little
model railroad. Oh,
>> Emit, when my bags were thrown from the
wagon, my telescope was damaged. And
since you mentioned an interest in
science, I thought you might be able to
repair it for me. I I would pay you, of
course.
>> No, no, no. I wouldn't think of charging
you for this. Well, let's have a look at
it. I think a lens may be out of
alignment because if you move it this
way, the image turns fuzzy. See, but if
you turn it the other way,
>> everything becomes clear.
>> I can repair it right away and have it
for you tonight.
>> Tonight's the town festival. I wouldn't
dream of having you work on my telescope
during such an important occasion. You
You are planning on attending, aren't
you?
>> Oh, well, actually, ma'am,
>> of course, the festival. Well, in that
case, I'll see you this evening at the
festival. EMTT.
>> Man, she's got him forgetting about
everything he needs to remember.
>> Taking care of my telescope.
>> You're quite welcome.
>> It's a nice telescope.
>> Ladies and gentlemen, as mayor of Hill
Valley, it gives me great pleasure TO
DEDICATE THIS CLOCK TO THE PEOPLE OF
HILL COUNTY.
>> MAY IT STAND FOR ALL TIME. TELL ME WHEN,
GENTLEMEN. PRAY.
>> It does for a long time. 1.
>> NO, MARIO. In a way, it's fitting that
you and I are here to witness this.
>> Too bad I didn't bring my camera.
>> Ready, gentlemen? The only problem is
we'll never be able to show it to
anybody.
>> Smile, doc.
>> Oh, that's
>> that's that picture. Yeah, that's so
cute. It's cool when uh people use those
old cameras like that still.
>> I watched this video one time where some
guy had one. It's like a lost art.
>> You gentlemen will have to check your
firearms if you want to join in on the
festivities.
>> Who's going to make us tender foot? You.
>> I am. Marshall Strickland, I didn't know
you was back in town.
>> If you can't read the sign, Tannon, I
presume you can read this. Pretty tough
armor when you're pointing a scatter gun
in a man's back.
>> Just like you, Tannon, I take every
advantage I can get. Now, you going to
check your iron? I was just joking with
you, deputy. Of course, I want to check
my iron.
>> We all were, WEREN'T WE, BOYS?
>> YEAH, RIGHT.
>> Did they used to call it a scatter gun?
>> Your knife, too.
Smile, Marshall. After all, this is a
party. Only party I'll be smiling at is
the one that sees you at the end of a
rope.
>> Have fun. That's how you handle him,
son. Never give him an inch and maintain
discipline at all times. Remember that
word, discipline.
>> He's passing it down.
>> Yeah, you got to.
>> He stays in charge throughout
generations.
>> Mr. Eastwood, nice to see you. I see you
got yourself some respectable clothes,
lads.
>> Yeah, well, a couple people didn't like
the way the other one looked on me.
>> Sure. And that one suits you, Mr.
Edwood. It's very Dukeman. Oh, thanks.
Hey, Frisbee. Far out.
>> This movie is so clever, man. I know
you'd be weird as if you lived in
this time. You were from the future.
They would think you have some crazy
ideas.
>> HEY, MINE. GIVE ME THAT. THERE HE IS.
COOPER.
>> WHERE? There dancing with that piece of
calico. What are you going to do, boss?
I figure if I bury this muzzle deep
enough in this bag, nobody will hear the
shot.
>> Cover one bullet with that. I only need
>> What in the hell?
This is the best day. Oh,
>> I told you to watch your back, Smithy.
Lieutenant, you're Harley.
>> It's a daring smithy. Small but
effective. Last time I used it, fell
took two whole days to die. Bled to
death inside. It was real. That means
you'll be dead by about supper time
Monday.
>> Excuse me. I don't know who you think
you are, but we're dancing.
>> Look at what we have here.
>> Ain't you going to introduce me TO THE
LADY? I'D LIKE A DANCE.
>> I WOULDN'T GIVE YOU THE PLEASURE. You'll
just have to go ahead and shoot. All
right.
>> No. No. EMTT. I'll dance WITH HIM.
>> BOY, KEEP THE BLACKSMITH COMPANY WHILE I
get acquainted with the Phillies. YEAH.
YEAH.
>> YEAH. I bet there's something you can
do. It's worth $80.
>> I believe you've underestimated me,
mister.
>> IRON.
STOP IT. DAMN YOU, TANNON.
>> NO. I DAMN YOU.
I DAMN YOU. GO HELP.
YOU
>> CAN we play that?
>> Look at Look at his face. Look how
surprised he is. Watch.
>> He invented the Frisbee.
>> MIGHT STRONG WORDS, RUNT. YOU MAN ENOUGH
TO BACK HIM UP WITH MORE THAN JUST A PIE
PLATE.
>> WELL, JUST LEAVE MY FRIENDS ALONE.
>> What's wrong, DUDE? YOU YELLOW
>> OH, like a chicken. Like a little chick.
>> That's what I thought. The yellow belly.
>> Uh-oh. Nobody calls me yellow.
>> Let's finish it right now.
>> Not now. Buford dead. Marshall's got our
guns.
>> Like I said, WE'LL FINISH THIS TOMORROW.
>> Tomorrow we're robbing the Pine City
stage.
>> What about Monday? We doing anything
Monday?
>> No, Monday be fine. You can kill him on
Monday.
>> I'll be back this way on Monday. We'll
settle this then.
>> They got a schedule
>> right there out in the street in front
of the palace alone.
>> Yeah, right. When? High noon.
>> Noon. I do my killing before breakfast.
7:00. 8:00. I do my killing after
breakfast.
>> Do not do like what?
>> Mr. Brown, you causing trouble here,
Tannon?
>> No trouble, Marshall. Just a little
personal matter between me and Eastwood.
This don't concern the law
>> tonight. Everything concerns the law.
Now break it up. Any brawling? It's 15
days in the COUNTY JAIL. ALL RIGHT,
FOLKS. COME ON. THIS IS A PARTY. COME
ON. LET'S HAVE SOME FUN. DID YOU SEE
THAT guitarist do like a full 360?
>> Hell yeah.
>> If you ain't here, hunt you and shoot
you down like a duck.
>> He messes up every quote.
>> Yeah. Mr. Swood, you could have just
walked away and nobody would have talked
to Leia for it.
>> All it would have been was words. How to
air from a buffoon? Did you let him
royal you? Royal you into playing his
game his way. Boy, his rules. She relax.
I know what I'm doing.
>> He reminds me of poor Martin.
>> Who? Me brother. Wait a minute. Wait a
minute. You a brother named Martin
McFly. Not a brother. Mhm.
>> Marson used to let men provoke him into
fight. He was concerned that people
would think him a coward if he refused.
That's how he got a boy knife shoved
through his belly in a saloon in
Virginia City.
>> Oh, he's a consider future. Poor Martin
could rest his soul.
>> Sure. And I hope you're considering the
future, Mr. Wood.
>> Their accents are incredible, though.
>> I think about it all the time.
>> And that crater in the middle northwest,
the one that's out there all by itself
like a starburst.
>> Uhhuh.
>> That one's called Capernacus.
>> Listen to me. I feel like I'm teaching
school.
>> No, no, no. Please continue the lesson.
I never found lunar geography so
fascinating. You're quite knowledgeable.
>> When I was 11, I had to theory. I was
quarantined for 3 months. So, my father
brought this telescope and he put it
next to my bed so I could see everything
out the window. And do you think we'll
ever be able to travel to the moon the
way we travel across the country on
trains?
>> Definitely. Although not for another 84
years, not on trains. We'll have space
vehicles, capsules sent off with
rockets, devices that create giant
explosions. Explosions. so powerful that
they just
>> they break the pull of the earth's
gravity and send the projectile through
outer space.
>> Damn it, I read that book, too. You're
quoting Jules Vern from the Earth to the
Moon.
>> You've read Jules Vern.
>> I adore Jules Fern.
>> So do I. 20,000 Leagues Under the Sea.
My absolute favorite. The first time I
read that when I was a little boy. Why I
wanted to meet Captain Nemo.
>> Jeez, Emmy. You You couldn't have read
that when you were a little boy. It was
only first published 10 years ago. Oh.
Oh, yes. Well, I meant it made me feel
like a bully.
>> Oh, he almost gave it up.
>> Aian woman who liked Jules's friend.
>> I never ever met a man like you before.
>> A
>> Did you see the shooting star of Steven
Spielberg?
>> Absolutely.
>> Yes.
>> You know, in the first movie, Marty was
being adored by his mom, you know. Mhm.
>> So, you know, he sort of had his little
moment. And now the Doc's getting his
>> and Doc was like standing off being a
third wheel like kind of like
>> Yeah.
This reminds me of the first one.
>> Though I will say I do kind of miss
George in this movie.
>> Yeah, me too.
>> Doc, hope you know what you're doing.
>> What time is it?
>> You talking to me? You talking to me,
Tannon?
>> Well, I'm the only one here.
>> Go ahead. Make my day.
>> Is he qu Is he quoting Clint Eastwood?
I'm assuming. I just haven't really seen
a lot of his movies, but we're working
on it.
>> Say good morning, Mr. Eastwood.
>> Morning. Have a cigar, Mr. Eastwood.
Anything I can do for you today, Mr.
Eastwood? No, it's fine. I DON'T
>> GOOD LUCK TOMORROW, MR. EASTWOOD. WE'LL
BE PRAYING FOR YOU.
>> THANKS.
>> Good morning, Mr. Eastwood. Interest you
in a new suit for tomorrow?
>> I'm I'm fine. Thanks.
>> Yeah, I didn't trust him.
>> Yeah, what was up with him?
>> Doc, what are you doing?
>> Oh, nothing. I'm just out enjoying the
morning. It's really lovely here in the
morning, don't you think?
>> Yeah, it's lovely, Doc. Listen, we're
going to load the Delorean up and get
ready to roll. All right. Hey, look at
that. The tombstone. All right, let me
see that phone back.
>> My name, IT'S VANISHED. HEY, THAT'S
GREAT, DOC. Don't you get it? WE'RE
GOING BACK to the future tomorrow, so
everything's being erased.
>> But only my name is erased. The
tombstone itself and the dates still
remain. That doesn't make sense.
>> So, one of y'all might die.
>> You know that this photograph represents
what will happen if the events of today
continue to run their course into
tomorrow.
>> Right. So,
>> excuse me, Mr. Eastwood, but I just need
to take your measurements.
>> Oh, look, pal. I don't want to buy a
suit.
>> No, this is for your coffin.
>> My coffin?
>> That's why he's
against you. Might as well be prepared.
So, may not be my name that's supposed
to end up on this tombstone. It may be
yours.
>> Great Scott.
>> I know this is heavy. Marty, why are you
wearing that gun? You're not considering
going up against Tannon tomorrow.
>> Doc, tomorrow morning, I'm going back to
the future with you. But if you for
Tannon comes looking for trouble, I'm
going to be ready for him. You heard
what that caught me last night.
>> Marty, you can't go losing your judgment
every time someone calls you a name.
That's exactly what causes you to get
into that accident in the future.
>> What? What about my future?
>> I can't do it. It might make things
worse.
>> Wait a minute, Doc. What is wrong with
my future?
>> Marty, we all have to make decisions
that affect the course of our lives. Got
to do what you've got to do. I've got to
do what I've got to do.
>> Well, I guess the good thing is because
of that headstone, nothing's written in
stone.
>> Marty.
>> Yeah.
>> I've made a decision.
>> I'm not going with you tomorrow. I'm
staying here.
>> What are you talking about, Doc?
>> There's no point in denying it. I'm in
love with Clara.
>> Oh, man. Doc, we don't belong here.
Neither one of us. You know, IT COULD
STILL BE YOU THAT GETS SHOT TOMORROW.
This tombstone could still be in your
future.
>> Marty, the future isn't written, can be
changed. You know that. Anyone can make
their future whatever they want it to
be. I can't let this one little
photograph determine my entire destiny.
I have to live my life according to what
I believe is right in my heart.
>> Doc, you're a scientist, so you tell me
what's the right thing to do up here.
>> I say let him live.
>> You're right, Marty.
Wow, that worked great.
>> I've at least got to tell her goodbye.
>> Come on, Doc. Think about it. What are
you going to say to him? I got to go
back to the future. I mean, she's not
going to understand that, Doc. Hell, I'm
in it with you and I don't even
understand it.
>> I think she will. It'll take her a
little time, probably. But
>> listen, maybe we I don't know. Maybe we
can just take Clara with us
to the future.
>> She's like an anomaly.
>> I'm a scientist, so I must be scientific
about this. I cautioned you about
disrupting the continuum for your own
personal benefit. Therefore, I must do
no less. We shall proceed as plan, and
as soon as we return to 1985, we'll
destroy this infernal machine.
>> But she's supposed to be dead anyways,
right?
>> Yeah. She's an anomaly.
>> Yeah. Oh, I thought you meant because
she's so smart, so she'll understand.
Sorry.
>> We'll end that, too.
>> It's EMTT. Clara.
>> EMTT, won't you come in?
>> No, I better not.
>> What's wrong?
>> I've come to say goodbye.
>> Goodbye? Well, where are you going?
>> I'm going away. Well, I'm afraid I'll
never see you again.
>> EMTT. Cara, I want you to know that I
care about you deeply, but I realize
that I don't belong here and I have to
go back where I came from.
>> And where might that be?
>> I can't tell you.
>> Wherever you go and take me with you.
>> A
>> I wish it didn't have to be this way,
but just believe me when I tell you that
I'll never forget you and I love you.
>> I don't understand what you're trying to
say,
>> Clara. I don't think there's any way
that you can understand it.
>> Please, Emit, please. I I have to know
if if you sincerely do love me, then
tell me the truth. Yeah, you can't leave
her like that. That's crazy.
>> All right, then.
>> If you tell her you're from the future,
she's going to think you're a psycho.
>> I'm from the future.
>> I came here in a time machine that I
invented and tomorrow I have to go back
to the year 1985.
>> That's a lie.
>> I do understand. I understand because
you know I'm partial to the writings of
Jules Burn. You concocted those macities
in order to take advantage of me.
Oh, I've heard some whoppers in my day.
But the fact that you'd expect me to
entertain a notion like that is so
insulting and degrading. All you had to
say is I don't love you and I don't want
to see you anymore. That at least would
have been respectful.
>> But that's not the truth.
>> I mean, you could have elaborated a
little more, made it a little more
believable. It does sound like a bad
excuse, doesn't it?
>> I would have showed the car.
>> There's still time.
Maybe not.
>> Damn it. What can I get you? The usual.
>> No, just need something a lot stronger
than that tonight. Sasparella
>> whiskey just whiskey. Emmit, are you
sure you know what happened to you on
the 4th of July?
>> Whiskey.
>> Okay, I ain't your papa.
>> Just don't want to see you do the wrong
thing.
>> Then you can leave the box.
>> Oh no.
>> It's a woman, right? I knew it. I have
seen that look on a man's face a
thousand times all across the country.
>> What you said?
>> All I can tell you, friends, is you'll
get over her.
>> Clara is one in a million. One in a
billion. One in a Google plex. A woman
of my dreams and I've lost for all time.
>> I can assure you, sir, there are other
women. I have pedalling this barb wire
all across the country has taught me one
thing certain. It's that you never know
what the future might bring.
>> Well, the future I can tell you about.
>> He does not want to talk about it.
>> Maybe he does want to talk about it. I
would. It'd be hard to contain it.
>> Man, did I sleep? What time is it? Doc.
>> Doc.
>> Uh-oh.
>> It's shaping up. Wake up.
>> GOT me to RUN TO GET
>> STILL EARLY. BOSS, you're hurry.
>> Hungry.
>> And in the future, we don't need horses.
We have motorized carriages called
automobiles.
>> If everybody's got one of these auto
what's it? Does anybody walk or run
anymore?
>> Barely.
>> Run, but for recreation, for fun.
>> Run for fun? What the hell kind of fun
is that?
>> True. though. You know what I'm saying?
>> Yeah.
>> Cuz like if someone came from the future
and talked to us like that, we can at
least conceive it, you know? But back
then, this was all so inconceivable, you
know?
>> He just likes to hold it.
>> He's just holding a shot for fun.
>> Duck, what are you doing?
>> I've lost her, Marty. There's nothing
left for me here.
>> All right, that's why you got to come
back with me.
>> Where?
>> BACK TO THE FUTURE, RIGHT? LET'S GET
GOING. RIGHT,
>> GENTLEMEN. Excuse me, but my friend and
I have to CATCH A TRAIN.
>> HERE YOU BLACK.
>> AMEN.
>> AMEN. HELMET. NO.
>> Oh my gosh. He's one and done.
>> Come on.
>> He has a bad tolerance.
>> Wake up, Doc. How many do you have?
>> Just one. Just one. Come on, Doc.
There's a fella that can't hold his
liquor. Give me SOME COFFEE. BLACK.
JOEY. COFFEE. THAT went into the
bloodstream instantly.
>> So 4th of July was pretty bad then, huh?
>> He just slept.
>> How far does the 8:00 train go?
>> Well, San Francisco is the end of the
line.
>> I'll take a one-way ticket.
>> You want to sober him up in a hurry,
son? You're going to have to use
something a lot stronger than coffee.
>> Yeah. What do you suggest, Joey? Let's
make some wakeup juice.
>> Oh, come on, bro. What is this?
>> Some hot sauces and pickle juice.
>> This is like when that guy made me that
coffee mixed with some chocolate pie and
some hot cocoa. That just looks like a
Bloody Mary.
>> Why do we have to cut these things so
damn close? Here, stick this close pin
on his nose. And when he opens up his
mouth, go ahead and pour it on down his
dummy. Oh, and stand back.
>> Stand back.
>> Silver is a free zone Sunday.
>> HE'S STILL OUT.
>> OH, THAT WAS JUST A REFLEX ACTION. IT'S
GOING TO TAKE a few more minutes for the
stuff to really clear up her.
>> I feel like her leaving and going as far
as the train will go is so dramatic.
>> I feel like she's going to be on the one
they hijacked.
>> I kind of feel like that, too.
>> Wake up, Doc. Come on. Wouldn't expect
to see you here this morning.
>> Hey, well, something inside me told me I
should be here. As if my future had
something to do with it.
>> You'll come around in a minute.
>> Come on, Doc. Let's go, Doc. BUDDY, COME
ON.
>> ARE YOU IN THERE?
IT'S 8:00 AND I'M CALLING YOU OUT.
>> IT'S NOT 8:00 YET.
>> IT IS BY MY WATCH. LET'S SETTLE THIS
ONCE AND FOR ALL. RUN. RIGHT. YOU GOT
THE GUMPS.
>> Oh no.
>> Listen, I'm not really FEELING UP TO
THIS TODAY. SO, I'M GOING TO HAVE TO
FORFEIT.
>> FORFEIT? FORFEIT?
>> I don't think you can do that.
>> Means that you win without a fight.
>> BUT YOU CAN'T DO THAT. YOU CAN'T DO
THAT.
>> YOU KNOW WHAT I THINK? I THINK YOU AIN'T
NOTHING BUT A GUTLESS YELLOW TURD AND
I'M GIVING YOU TO THE COUNT OF 10. COME
OUT HERE AND PROVE I'M WRONG.
>> COME ON. Character development.
>> Come on. I'm sober up, buddy. Let's
>> There we go.
>> You got to GET OUT THERE, SON. I GOT $20
GOLD BET ON YOU, SO DON'T LET ME DOWN.
>> THREE.
>> I GOT $30 GOLD BET against you, so don't
let me down.
>> Four.
>> You better face up to it, son. Cuz if
you don't GO OUT THERE,
>> WHAT?
>> FIVE.
>> WHAT IF I DON'T GO OUT THERE? YOU'RE A
COWARD.
>> THANKS. And you'll be branded A COWARD
FOR THE REST OF YOUR DAY. EVERYBODY ever
were will say Clint Eastwood is the
biggest yellow belly in the West.
>> I would say go ahead.
>> SEVEN.
>> OH, BABY.
>> HERE.
>> You didn't know the number.
>> Eight.
>> I already GOT A GUN. NINE. 10. YOU HEAR
ME WRONG? I SAID THAT'S 10. YOU GUTLESS
YELLOW PIE SLINGER.
>> HE'S AN I DON'T CARE WHAT
TANNON SAYS. AND I DON'T CARE WHAT
ANYBODY ELSE SAYS EITHER.
>> There we go. There we go.
>> What the heck?
>> Listen, you got a back door TO THIS
PLACE.
>> YEAH, IT'S IN the back.
>> ARE YOU COMING OUT HERE OR DO I HAVE TO
COME IN THERE AFTER YOU?
>> HEY, I REALLY miss hearing Tylenol.
>> Hey.
BLACKSMITH
SAY.
>> YES, SIR. That poor fella last night had
the worst case of broken heart I have
ever seen when he said he didn't know
how he could live the rest of his life
knowing how much hurt he'd caused that
little girl. Well, I really felt for it.
I did right here.
>> It's almost like you put him up to it.
>> Like he was they were paid actors. I
CAME TO SHOOT SOMEBODY TODAY AND I'D
PREFER IT BE YOU. BUT IF YOU'RE JUST TOO
DAMN YELLOW, GUESS I'LL JUST HAVE TO BE
A BLACKSMITH FRIEND.
>> FORGET ABOUT ME, MARTY. I SAY YOURSELF.
YOU GOT ONE MINUTE TO DISCERN. YOU HEAR
ME? RUN. ONE MINUTE.
>> I'VE NEVER SEEN a man so broken up over
a woman. What' you say her name was?
Cara. Sarah. Clara. Clara.
>> Excuse me,
>> ma'am.
>> But was this man tall with great big
brown puppy dog eyes and long silvery
glowing hair?
>> You know him, Pam.
>> Oh my god. Was
that really a thing on trains back then?
Like an emergency break that a passenger
could pull?
>> That would be crazy to think a passenger
could do that.
>> Yeah. What's up, Tik Tok?
>> Prepare to meet YOUR MAKEUP, LEXMAN.
>> RIGHT HERE, TANNON.
>> His face.
>> BRO, NO.
>> HEY, what's the plan here? cuz he's not
going to respond to pacifism.
>> I thought we could settle this like men.
>> It's all wrong, dude.
>> Oh, he said, "Dude,
>> that little plate that fell off that
thing earlier. Is that what it is?
Remember he hit that thing and that big
iron plate fell off?"
>> Oh, you think
>> it showed it on the camera like really
specifically?
>> Left hook. Left hook.
>> Oh,
>> let's go. Yeah, that's what it was right
there. Was that like
>> the cast iron?
>> Looks like a furnace door or something.
>> Let's go. Forget that damn tombstone
or headstone, I should say. Nice.
>> Perfect.
>> That was good.
>> He's always getting maneuvered on. I
think Buford's going to jail.
Get him out OF THAT GET HIM.
>> Chase him down.
>> You for Tannon, you're under arrest for
robbing the Pine City stage. You got
anything to say?
>> I hate my no.
>> Yes.
>> Hey, THE TRAIN. CAN WE MAKE IT?
>> WE'LL HAVE TO cut him off at Coyote
Pass.
>> I think this is my favorite bit so far.
>> Hey, mister. Mr. BE. HERE'S YOUR GUN,
MISTER.
>> Or at least my favorite relative of his,
you know.
>> Yeah.
>> Sh.
>> It's worth $12. Never been used. Maybe
I'll trade it for a new hat. Right. And
take CARE OF THAT BABY.
>> They said we're going to train that left
hand all across Ireland. One day someone
will use it.
>> Attit
time machine.
>> What type of earrings does she have? It
looks like a nut hanging off of it. Am I
wrong? Not like a You know what I mean?
This is just some some western movie
stuff.
>> Oh yeah, for sure.
>> Like jump off the horse on the train.
>> Like every action scene you want to see
in a good western.
>> Yeah.
It'd be nice to have that much firewood.
IT'S A SCIENCE EXPERIMENT. STOP THE
TRAIN JUST BEFORE YOU HIT THE SWITCH
TRACK UP AHEAD.
>> D AND COUPLE OF CARS FOR THE TENDER.
>> This better work.
>> So far, plan A is executed.
I wanted to do that all my life.
>> I think we all have. Have you?
>> Yeah. I used to do that riding down the
road to the semi-truckss. Like,
>> did you ever get them?
>> Sometimes I would freak out when I was a
kid and they'd do it.
>> Did you feel like someone's like paid
you attention?
>> I felt like the damn puppet master of
the world. I'd be like,
>> "What are these things anyway?"
>> MY OWN VERSION OF PESTILOG
WITH AMPHASITE THUS CHEMICALLY TREATED
TO BURN HOTTER and longer. I use them in
my force so I don't have to stoke it.
THESE THREE IN THE FURNACE will ignite
sequentially. MAKE THE FIRE BURN HOTTER.
CRINK UP THE BOILER PRESSURE. MAKE THE
TRAINS GO FASTER.
>> Ready to roll.
>> Oh, this is about to be stressful when
we get to the bridge. The end of it.
>> I feel like of course we're going to do
it right cuz it's the trilogy. Like
>> Yeah, we have to land this.
>> But what obstacles will we face? You
know what I mean? And we'll Doc go
because I feel like he won't if Clara
doesn't
check.
>> Check.
Input the destination time. OCTOBER
27TH, 1985. 11 A.M.
>> CHECK. OKAY, WE'RE CRUISING AT A SETTING
25 MPH. DOC,
>> I'M THROWING YOU IN THE CRYSTAL LOG.
>> NO, NO, NO. The horse ain't going to be
able to catch up.
Oh my god, that thing's going, ain't it,
>> MARTY? THE BLUE GAUGE ON THE DASHBOARD
WILL TELL US THE BOILER TEMPERATURE.
IT'S COLORCODED TO INDICATE WHEN EACH
STAR WILL FIRE. GREEN, YELLOW, AND RED.
EACH DESTINATION WILL BE ACCOMPANIED BY
A SUNBURST OF ACCELERATION.
>> HOPEFULLY, WE'LL HIT 88 MPH BEFORE past
2000.
>> What happens AFTER IT HITS 20,000?
>> THE WHOLE BOILER EXPLODED.
>> PERFECT.
>> WATCH, she's so close. is about to hit
that gauge. Look. Oh.
>> Oh my god.
>> HEY, DOC. WE JUST HIT 35.
>> OKAY, MARTY. I'M COMING.
>> NO, don't leave her.
>> Wouldn't that be sad to go to the future
and know she's dead?
>> Yeah.
>> Like if he looked back at the last
second and seen her. Yeah, that'd be
horrible. He'd have to go back to the
past and fix it. Got to hold ON TO
SOMETHING, DOC. THE YELLOW WATT'S ABOUT
TO BLOW.
>> WE JUST PASSED 40, DOC.
>> Oh my gosh. If she would just yell.
>> I think the train's way too loud. I can
only imagine how loud that would be.
>> We just passed 45.
>> Oh no.
>> Oh, she's honking.
I love you. DOC, DOC, what's happening?
IT'S
>> SHE'S ON THE PAGE.
SHE'S IN THE C. I'M GOING TO GO BACK FOR
HER.
>> OH, the point of no return.
>> NO, WE'RE GOING BACK 50. YOU'LL NEVER
MAKE IT.
>> Take her BACK WITH US. KEEP CALLING UP
THE SPEED. CLARA, CLIMB OUT HERE TO ME.
>> I DON'T KNOW IF I CAN.
>> YOU CAN DO IT. JUST DON'T LOOK DOWN.
>> I was kind of hoping that they would
both stay in the past together.
>> Yeah, me too.
>> A
60 mph.
YOU'RE GOING NICE AND STEADY.
>> OH, that thing's about to take off
again.
>> JUST A LITTLE FURTHER.
>> I CAN'T. I'M SCARED. That was it.
>> Keep going, pal. Come on. Come on.
YOU'RE DOING FINE.
COME ON. NICE and easy. It's a good time
because you know
the red one's about to
>> Oh my gosh.
>> Oh, let's go. He put out the hoverboard.
Is he about to go back there and get
her?
>> Oh my gosh.
>> The hoverboard. Wait, does he know how
to ride that?
>> He's about to find out.
I like the noise I made.
>> Oh my gosh. Come on. Come on.
>> Oh my gosh.
>> It's like Spider-Man. Toby Magguire
>> and kind of like Superman.
>> Oh, let's go.
That was cool.
>> But sad.
Somebody's back is sore as from
cutting all that firewood. They just got
thrown just got thrown over a cliff.
They're like, "Oh,
>> look at all beat up.
>> I was going to hit it." Perfect. Yeah.
Hand this thing.
>> Destroy it. Oh my god.
That's like the end of Doc, though.
That's why it's so sad.
>> Yeah, he's like Captain America.
>> Captain America,
>> remember? I don't want to spoil nothing,
but go watch Avengers.
>> I'm back. It's destroyed just like you
wanted.
>> Hey, it looks normal.
>> HEY, BUT GET AWAY. WATCH YOUR BIFFY. I I
DIDN'T MEAN TO SCARE YOU. I DIDN'T
RECOGNIZE HIND'S CLOTHES. WHAT THE HELL
ARE YOU DOING? UH, just putting on the
second coat now. You going to cowboy,
huh?
>> Come on, guys. going to be LATE FOR
BRUNCH.
>> COME ON, DAD. WE'RE NOT GOING TO HOLD
YOUR RESERVATIONS ALL DAY.
>> THERE HE IS. Let's go.
>> Bring your suede jacket, honey. Marty,
what's wrong? We thought you went to the
lake. You wore that to the lake.
>> Thank god you guys are all back to
normal.
>> Hey, Marty. Who you supposed to be?
Clint Eastwood.
>> I got to go get Jennifer.
>> Hilarious.
>> I really like that hat, Marty.
>> Thanks, Biff.
>> She's going to think this whole thing
was a damn dream, isn't she?
>> She's been asleep since part two, ain't
she? saying, "Jennifer, Jen, Jennifer,
>> Marty, I had the worst nightmare."
>> Marty, that dream I had is so real.
About the future, about us, and you got
fired.
>> Wait a minute. What do you mean I got
fired? Illale, this is where we live. I
I mean, this this is this is where we're
going to live someday.
>> Marty, it was a dream, wasn't it?
>> He's not fired anymore.
>> You're right. There's not much left.
>> Doc's never coming back. A I'm sure
going to miss him, Jen.
What the hell?
>> Oh no.
>> They put their brains together and
figured it out.
>> I trained Delorean.
>> Where's she at?
>> DOC PARTY. DO PARTY. IT RUNS ON STEAM.
>> There she is. Oh,
>> meet the family. Harry, you know.
>> Hi, Marty.
>> Ma'am, these are our boys. Jules and
Vern.
>> Stop looking at me.
>> Boys, this is Marty and Jennifer.
>> And they didn't name him Jules and Vern.
>> Never see YOU AGAIN.
>> YOU CAN'T KEEP A GOOD TIDE IS DOWN. I
DON'T KNOW HOW TO COME BACK, BUT I DIED.
WELL, I DIDN'T WANT YOU TO BE WORRIED
ABOUT ME.
>> OH, I brought you a little souvenir.
>> Oh, perfect.
>> Great, Doc. Thanks,
>> Dr. Brown. I brought this note back from
the future and now it's a race.
>> OF COURSE, IT'S A RACE.
>> BUT WHAT DOES THAT MEAN?
>> IT MEANS YOUR FUTURE HASN'T BEEN WRITTEN
YET. NO ONE'S HAS. YOUR FUTURE IS
WHATEVER YOU MAKE IT TO MAKE IT A GOOD
ONE. Both of you.
>> WE WILL. DOC,
>> STAND BACK. ALL RIGHT, BOYS. BUCKLE UP.
>> HEY, DOC. WHERE YOU GOING NOW? BACK TO
THE FUTURE.
>> NOPE. Already been there.
>> Is this thing about to take Oh my god.
I love how they picked 1885 though.
>> Yeah.
>> Perfect S tier franchise and it ended
just beautifully.
All right, babe. So, after so many years
of asking to watch this franchise
because it's been suggested so many
times and it's always one of those
franchises that's always in those polls,
you know, like what's the best franchise
ever? And I'm so glad we finally watched
it. I thought it was genuinely one of
the best pieces of art I've ever seen
only because the acting was so
incredible. Obviously, the man who
played the doc was just genuinely
phenomenal. I mean, Michael J. Fox was
great and I and I love his character in
this. I couldn't imagine anyone else,
>> but dude, that scientist was different.
>> He really was. His face was like
>> I don't think I've ever like seen like a
crazy scientist type character in a
movie that I've really like felt so much
for, if that makes sense. like one that
you actually can get behind
>> because like he he just came across so
pure in this like there was no bad
motives, no bad intentions and I just I
really liked it and the continuity in
this movie was just perfect. Like uh
>> it's like I said in a previous in a
previous one of these movies like
whenever you can start like predicting
things towards the end of like the movie
because it all wraps up together like
one might would call it a little
predictable but I think it's just good
continuity. Like it makes me want to
watch it again. Well, I want to watch it
again and again because it gives me what
I'm expecting. Like him getting to meet
his wife in the end, especially at a
later stage in life, having a family,
getting to like travel all throughout
the space-time continuum, essentially
live in his like wildest fantasy.
>> Yeah.
>> It was just so good and so wholesome. It
just makes me want to watch it over and
over.
>> I can't wait to show my son this movie.
This is a movie that he'll really like.
>> Me, too.
>> God, that was good. So, what do you
think about this movie, sweetie?
>> This is emotional. Like, it just has me
in my feelings. Um the sentiment behind
the whole like three movies of course is
just like life isn't really set for you.
It's kind of what you make it.
>> Yeah.
>> So like um no matter how many times you
go back in time, you still have a chance
to like fix whatever situation.
>> Yeah. Well, and one of the the movie
sort of told me that like you know time
travels theoretical and all, but like
you know really what I took from the
movie is you really only do get one shot
in reality.
hard for these characters to go back and
fix these mistakes. You know, everyone
wish, man, I wish I could go back, but
it's like such a complicated, loaded
ass.
And it really just put it puts it into
perspective that we really only do have
one shot at life. And we really do need
to like take care of ourselves and do
the best we can do. We have an
opportunity.
>> Lorraine would have married whoever was
peeking in her window.
>> Yeah. Yeah. Because she was just so
young. And
>> it was Marty the first time. I mean, it
was uh George the first time and then
Marty the second time.
>> Yeah.
>> So, it's like
>> I guess if you have one shot to peek
through someone's window, you take that.
>> Well, I mean, but you could really
extrapolate that further and you really
could say like, you know, you don't want
to peek in someone's window. Of course,
but if you are like a young man or
something out there,
>> it's just like a joke. It's I'm joking.
>> No, I know. But I'm just saying like if
if for some if there is someone you have
your eye on like don't be scared to ask
you know because that person might not
even know you exist or you might they
might not even recognize you or they
might not even think twice.
>> So basically you're telling the young
boys to shoot their shot
>> just shoot your shot because sometimes
you got to it's not like you're planting
a seed but like a girl can look past you
but if you give her some attention and
like you know be confident and say hey
to her you know kind of like George
ended up doing like you can totally
>> change
remember he was doing
>> she loved it. Yeah, she was like
swagging out. She respected that.
>> I thought George was kind of fly. Like I
know his name is George McFly, but I
thought he was kind of flying this
>> cuz he he was exubering confidence.
>> I liked it. Yeah. I kind of felt like I
feel like in our society today like
we're kind of missing some of that.
>> Yeah, that is true.
>> Like our style and our stuff like our
quote I I hate the word.
>> That's one thing I like about you
because you don't you don't have the
embarrassment mode.
>> Man, I'm a
>> I like that about you cuz me I'm
embarrassed of everything,
>> man. and I've been around the block. I
know I look young, guys, but I've lived
life too, man. I don't I don't have time
to be being embarrassed in front of
people. Um,
>> that's what I like about you, though. I
respect it.
>> Yeah, I I was shy when I was young, but
man, society's done whoop my ass a few
too many times. Like, I'm over being
embarrassed. Uh, you know what I mean?
But yeah, like I I like George. Like,
George was almost my favorite character
in this whole entire franchise, which is
wild because, you know, he's not the
main character, but I just loved his
character. I did too cuz you know he was
the pushover. He was the
>> he was the strong man. I like it.
>> And it really goes to show you like it's
all mental. Like it's a mental block.
Like so many people
>> he lared. He lared.
But he did punch that guy. Like that
that wasn't a lar that punch.
>> Yeah. Cuz people say like stand up to
your bullies, but sometimes you punch
your bully and then your bully beats the
out of you. And that's more like
how it probably goes in real life. But
I'm glad that he did finally stand up
for himself and catch him. But, you
know, even if you do like stand up to
your bully and then the bully beats the
hell out of you, at least you know, you
stood up to him. And I feel like that
definitely swinging.
>> And I think there's a lot to that. And
so, George's character development was
awesome. I'm glad that uh what was her
name? Lorraine, his mom, she was so
funny in this, man. Like, he goes, "Wow,
you drank?" And then she goes, "You
smoke, too?"
>> She's like, "Okay, Dad."
>> Like, she's in there whiling in that
car. Like, what the hell?
>> No, it's just
>> she didn't even say like, "Do you mind
or anything?" I actually saw in the
comments on Back to the Future where
people said that like younger
generations, I guess younger than ours,
when they see the scene of Lorraine and
Marty, they're just so cringed out about
the incestuous part of it that they
can't.
>> Well, that's because younger people just
find ways to like be dramatic, to be
honest.
>> Well, I feel like younger people find
this. They want to be like this a lot,
don't they? Don't you?
>> Oh, they're always like, "No, no, no,
no, no, no." I like the movie, man. I
thought it was a good movie. Um, I
really, really, really enjoyed this
franchise. I thought Biff Biff's
character, um, I understand it's not
like a different version of him. It's
just a different ancestor of his
throughout different points of time. Um,
well, kind of except in the second movie
it was a younger self, but just playing
off that character, constantly having
him like changing his uh, I guess his
like stereotype. He's like a high school
bully and then you know and then he's
like a old bitter man and then he's like
you know this cowboy and then he's like
this futuristic space bully and like
>> you know he just played all these
characters really well and I was very
impressed with his ability to tap into
different like characters like that's
obviously impressive but then um Michael
J. Fox came up with that little Irish
thing he had going on and I thought that
was really good because
>> it was just like he could have played
that character and I really would have
thought he was like
>> it was awesome
>> an Irish or an Englishman or something.
>> Yeah, it was cool how they use the same
actor just to portray like many
>> different generations.
>> Yeah,
>> it it was neat. I mean honestly if you
think about it that just shows their
range like you just said.
>> Oh yeah, they got good range.
>> Yeah. Well, yeah. Sorry about the rant,
guys, but when when we watch a movie so
good, and I feel like it's one of those
movies that like you really can't make a
better movie, and I don't think they
ever will. And so when people attack it
on some level, it just sort of feels
like they're just attacking like
>> like
>> all of our like
>> like it's like someone peed in your
cornflake type of person.
>> Yeah. Yeah. Yeah.
>> Sass like you just have a bad day.
>> Yeah. And you're trying to you're trying
to like you're trying to erode like one
of the cornerstones of so many people's
like childhoods and memories. And I feel
like that's very disrespectful. So if
you're one of those people, bug off,
mate. But I really I really did like the
movie. I'm actually surprised at how
much hate it got.
>> I hope you ride your car into some
manure.
>> Yeah. A bunch of tannins out there.
>> Yeah. Ride your car into the manure.
>> Freaking slackers. I feel like if you
get mad about this movie, and God's
honest truth, in real life, you have to
be a slacker. No one who's not a
slacker, like a straight slacker in
society, would get mad enough to get mad
at this movie. Like, don't you get what
I'm saying? Like that just kind of shows
your little what's wrong with you?
You're just Yeah.
>> Anyways, um so yeah, man. Like uh just
just a good movie. Just a good movie. I
really liked it. I guess I just wanted
to um defend it a little bit.
>> Yeah, me too.
>> One of my favorite franchises for sure.
I just thought that
>> you going to be like this to the
comment.
>> Yeah. I'm going
>> Yeah. Um it's good. And and and like I
said, my favorite thing is that I didn't
have to have a PhD to understand it. It
was very straightforward. There's a few
questions I could have had potentially
throughout the franchise.
>> Can I ask my one question?
>> Ask it
>> in part two. This is my question.
I could UCLA wins. I could just go bomb
UCLA
like their football team.
>> Yeah, but the thing is is like you
didn't though.
>> But I could.
>> You could. But the only But the thing is
that's kind of like saying, "Oh, well,
if I went and like bombed like some
random ship in a shipping lane, then
somebody on the other side of the world
wouldn't receive their Amazon package.
Therefore, so and so." But it's like you
could do that, but you didn't do that.
The only way you would go out of your
way to do that is if you already knew,
like if you're from the future to begin
with. So therefore, you would already
like the science experiment collapses on
his face because the variable wasn't
like consistent because you would have
to know. Do you get what I'm saying?
>> Like that's what I'm saying. Like it
plays out like reality plays out the way
it's intended in a sense. It's like
>> you know what I say?
>> What?
>> Science.
>> It's just Yeah, science. It's kind of
hard to I mean it's kind of hard to sit
here and explain time travel. Obviously
it's not
>> it's not something that's going to make
a lot of sense once you break it down. I
mean like on his face in the beginning
it makes a lot of sense but once you
really try to get into the bones of it
feel like it'd be hard to understand.
But guys we're going to leave it there.
Did you like that franchise baby?
>> You ready to get out of here?
>> It's a hugable.
>> All right guys like, comment, subscribe.
Hit us up on Patreon if you want to see
the full uncut reaction. I think I'm
about to go get tugged on.
I'm just kidding. Should I say that? Is
that too much for YouTube?