Video summary
The video argues that a vast global flood cataclysm once wiped out ancient civilizations and erased their historical footprint, leaving behind only scattered clues for modern discovery. The narrator suggests that because no academic or historian has accepted this reality, it is now up to individuals to piece together the evidence from archaeological peculiarities and ancient legends. This event was likely anticipated by ancient people, influencing their choice of durable building materials and meticulous construction techniques in an effort to ensure survival against the coming disaster. Consequently, stories across various religious texts and cultures describe a single transformative event that fundamentally changed the face of the earth, challenging the conventional view of our planet's history.
Physical evidence supporting this hypothesis includes ancient maps that depict Antarctica without ice, suggesting the continent looked significantly different before the flood. These maps indicate that entire cities and pyramids may now be buried beneath the current ice sheets, while other lesser-known cartographic records show an ice-free Antarctic coastline. Furthermore, these artifacts feature depictions of mythical creatures like the Roc, a giant bird capable of carrying elephants, which appears in both ancient Nubian murals and 1547 maps. Despite academic attempts to dismiss these beings as mere imagination or folklore, their consistent presence in diverse ancient literatures suggests they were real animals that once inhabited the pre-flood world before being lost to history.
Additional compelling relics include a dramatic artifact discovered by a German explorer in Teal, which illustrates the moment the land became submerged and the native population drowned while scrambling for safety. This piece of evidence is said to have been removed from public view shortly after its discovery due to its controversial nature but was documented before vanishing. The video also points to carvings on walls that depict the aftermath of the flood, showing the destruction of farmland, food reserves, and fresh water sources that deprived populations of essential resources. These stone records serve as a grim testament to the reality of the event, contrasting sharply with modern theories that dismiss such accounts as mere parables.
The narrator concludes by presenting the Kuneiform tablet known as the Planosphere, housed in the British Museum, which depicts an ancient comet impacting the Earth and tracks planetary positions alongside this massive celestial object. This artifact is presented as proof of a specific cause for the global catastrophe, reinforcing the idea that these events were witnessed and recorded by ancient inhabitants. The video asserts that those orchestrating the current historical narrative are aware of the gaps in their theories but continue to ignore the true reality of our ancient earth for personal or institutional gain. Ultimately, the collection of these maps, artifacts, and texts forms an undeniable case for a lost world that existed before the flood, urging viewers to consider this alternative history seriously.
Read the full video transcript
since it would appear that no historian,
antiquarian, or academic for that matter
will seemingly ever pick up the mantle,
as it were, [music] in regards to what
many of the most recent and most
controversial archaeological and clearly
antidolivian peculiarities have all
indicated. ated. It would appear that it
up to us instead to finally put these
many pieces of this gigantic [music]
puzzle in their correct places.
Finally revealing this complex picture
once and for all to discover what was
left to us. A legacy gifted long ago by
ancestors [music] who lived through a
vast yet now lost era of history.
There are many compelling clues which
have long indicated that ancient man
[music] experienced a great cataclysm.
A flood which not only wiped them out,
but quite literally washed away their
historical and archaeological footprint.
An event I now strongly believe they
were well aware was coming, or at the
very least well aware that it would
eventually occur. And thus I also
believe it is one of the main reasons
for their specific choices in building
materials and [music] the meticulous
execution that went into many of their
still surviving sites. For it all in an
effort that they survive.
If such a cataclysm has occurred far
back within mankind's story, [snorts] it
would be something that would
undoubtedly turn up upon relics [music]
within historical accounts and ancient
legends.
And this is exactly what one finds.
Stories and religious [music] texts all
telling of the same event, one which
literally changed the face of the earth.
The question which arises then just what
did [music] this ancient earth look like
before this flood?
Could there be any physical pieces of
evidence? Perhaps artifacts, even
ancient [music] maps which could reveal
to one a very different depicted
landscape, visual proof of this
anti-dolivian world's ancient [music]
appearance and thus corroborate such a
hypothesis.
a logical if controversial explanation
[music] for why on such ancient maps as
that of the Perry Ree discovered amongst
the ruins of the Library of Alexandria
appear sections of Antarctica without
any [music] ice
for perhaps prior to this catastrophic
cataclysm
shape of modern-day Antarctica indeed
the specific [music] position of the
pole itself very different to how the
frozen continent looks today.
Additionally, lending credence to the
possibility that ancient activities,
perhaps even entire ancient cities and
pyramids, could now be buried along and
across these now ice covered shorelines.
Other predictably lesser mentioned, thus
lesser studied and subsequently rarely
attempted to be explained maps of the
Antarctic shoreline, completely free of
ice do exist.
Depictions that, although actively
ignored, are no less impressive.
a purported recreation of an even older
map dated to 1547, for example, which
along with it depicting two Brazils for
some reason, also shows much of the edge
of Antarctica all the way around [music]
with the icy yet at the time ice-free
continent clearly [music] depicted
running across its base. Yet, what I
find most interesting regarding this map
[music] is the appearance of a creature
many have long dismissed as mythical.
A giant bird known as a rock.
Similar in its striking characteristics
to that of this extraordinary mural once
found long ago inside none other than an
ancient pyramid within Nubia. A painting
undeniably depicting [music] that of an
ancient giant which although not
sporting the synonymous red hair is seen
carrying that of two full elephants. The
rock also carrying away an entire
elephant presumably back to its nest
with it once [music] nestled upon the
icefree Antarctic coastline. Perhaps
this monstrous bird once native to the
continent, yet it also now lost to
history.
most notably mentioned within many
ancient Middle Eastern texts with
countless curious and incredible reports
found within two infamous manuscripts
which are in fact the very same
manuscripts as we covered earlier which
also describe in [music] tremendous
detail the past existence and
functionality of the legendary Vimeina.
Another ancient flying anomaly which
just like [music] that of the rock or
that of the many ancient giants
reportedly found, excavated, [music] and
hidden over the years could have all
once been very real indeed.
According [music] to art historian
Rudolph Vitkauer, the idea of the rock
had its entire origin birthed from
[music] these various texts. Yet this
1547 map of Antarctica directly
contradicts this assertion.
Also known as the Akadada lehini or wana
bird that within ancient possibly
anti-delivian Sri Lankan mythology. It
is also described as a large bird which
hunted elephants. A bird so enormous it
was said to cast a shadow as big as a
cloud.
Thus, regardless of these academic
attempts to dismiss it as a creation of
ancient Indian imagination, the rock
appears time and time again, just as
that of the giant throughout countless
ancient literatures.
These pre flood maps of the world,
however, not the only compelling
examples of relics left to us from a
bygone era, all indicative of a global
cataclysm. [music]
For after the event had eventually
subsided, there were that rare few
pockets of [music] still inhabited
planet which at the time was seemingly
spared and thus survived.
Once discovered within Tekal by a German
explorer, [music]
perhaps not realizing what it depicted
with it picked up, collected, and then
[music] displayed within the Munich
Museum.
Yet, it would seem it wasn't long until
somebody presumably realized its
controversial nature and its existence
in public [music] view short-lived.
Removed from public display and placed
into archival storage, having since
[music] seemingly vanished without
trace.
Fortunately, however, not before being
documented and cataloged. It appears to
depict that of Teal itself becoming
completely submerged
with the native population seen drowning
and scrambling for dry land
with presumably the creator of this
testimonial plaque seen aboard a small
canoe desperately attempting to stay
afloat whilst he witnessed all those
around him suddenly [music] perish
before his very eyes.
It is an extremely dramatic scene and an
incredibly compelling artifact. One
possibly recalling an event that has
long been told of yet it denied and kept
secret. This evidence together I feel
undeniable proof that something did
indeed occur. [music]
Yet it continues to be actively
concealed, denied, and dismissed
academically regardless. all argued away
[music] as nothing but mere parables and
legends.
The corral, for example, with their many
uniquely shaped pre flood, globally
found pyramids is undeniable evidence
they also from before the flood.
They would subsequently document the
aftermath of this event as seen cast in
stone upon the many walls of their once
[music] safe ancient sanctuary.
This undeniable destruction to [music]
farmland, food reserves, even fresh
water, slowly depriving the entire
population of crucial resources, with
these many carvings forming a dismal
[music] picture of an apparent reality
they once endured.
When one starts [music] to see this
global civilization in their entirety,
as I am attempting to convey [music]
within this book, not only do the
accounts just not add up, but one begins
to realize that those orchestrating this
mass deception well aware of the holes
in their own theories.
Thus, they also well aware that what
they tell is not entirely true.
Yet they all paid very handsomely for
this moral inconvenience in continuing
to ignore this true [music] historical
reality of our ancient earth.
The Kuneaform tablet briefly [music]
covered earlier is yet another
incredible depiction of what I believe
to have possibly been the cause of this
same global event.
Long housed within the British [music]
Museum's archives, it is known as the
planosphere, an artifact [music] which
depicts that of an ancient comet
impacting with our own planet.
Specialists [music] have found that 50%
of this clay tablet's intricate carvings
refer to the position of the planets
with the other half detailing a [music]
massive object tracked across the sky by
the unknown inscriber as they witnessed
it approaching.
an event of tremendous size and due to
where it later recovered, [music] an
object of great past importance to this
ancient world's inhabitants.
It is an ancient set of events that I
continue to find highly compelling.
My first book, Life Before the Flood: A
Definitive Guide to [music] the Lost
World, is now available on Amazon. So,
don't forget to check it out.
[music]