INCREDIBLE EVIDENCE!! - Ancient Nuclear Wars Exposed? ☢️🍄

Mohenjodaro once the largest ancient civilization to be found anywhere throughout the entire Indis Valley. Yet its vast cityscapes had lay unknown and undiscovered for over three millennia. when in 1921 whilst believing he was excavating the remnants of a Buddhist stupa, Rakal Daspanerji would discover what is now believed to have been the home and indeed the final resting place of some 40,000 souls. Rakal Das Banerjee with the help of John Marshall and Ernest Mai would over the following years slowly excavate the site revealing the incredibly ancient undisturbed remains of not only the city itself but nearly all of its past inhabitants all of whom just like that of the more well-known Pompei lay strewn across the streets and [music] dwellings clearly having endured a sudden yet mysterious catastrophic ic event or rather incident which had claimed the lives of many thousands [music] of the city's inhabitants in an instant. Quote, "People were just lying unburied in the streets of what was once a sprawling metropolis. These skeletons clearly [music] thousands of years old." End quote. Taken from the conclusions of the Indian Archaeological Society. One of the puzzling things which the team found strange was the lack of any later disturbances of the remains which although one would expect to find remains left untouched and perfectly preserved in such locations as the aforementioned Pompei. No volcanic activity or indeed [music] ash plumes have ever been present to facilitate this. Yet thousands of individual skeletons, clearly many thousands of years old, lay scattered across the streets of this sprawling ancient metropolis, with some even still holding hands, also having suffered no visible [music] or identifiable injuries. Yet perhaps most intriguing of all, no scavenging from any nearby animals had later occurred, [snorts] as if they [music] and the entire area had been avoided. The plot would thicken once analysis of the remains would reveal that they were also incredibly radioactive, with Russian researchers finding radiation levels within some remains still 50 times that of background levels, with the team noting that similar readings had been seen before, yet they were from such locations as ground zero within Nagasaki. An additional caveat which may further indicate what could have happened here are anomalies later found between the [music] Ganges and the mountains of Raj Mahal which have now been demonstrated to have long ago somehow been subjected to intense heat with huge masses of ancient possibly pre flood walls and foundations in the area once somehow fused together with many still exhibiting this evidence of [music] an ancient vitrification event into the present day. Did a nuclear explosion somehow go off over this ancient city within Pakistan many thousands of years ago? Well, this is indeed the astounding conclusion of British researcher David Davenport, whom, after having spent over 12 years studying ancient Hindu scripts in an effort to unravel Mohenjodaro's mystery, would publish these startling findings within his book, Atomic Destruction, in 2000 BC, Milan, Italy, 1979. Quote, "There was an epicenter about 50 yards wide where everything was crystallized, fused, or melted. 60 yards from the center, [music] the bricks are melted on one side, indicating a blast." The horrible, mysterious event of 4,000 years ago that leveled Mohenjodaro was recorded in an old Hindu manuscript called the Mahabarata. It states as follows. White hot smoke that was a thousand times brighter than the sun rose in infinite brilliance and reduced the city to ashes. The account reads, "Water boiled. Horses and war chariots were burned by the thousands. The corpses of the fallen were mutilated by the terrible heat so that they no longer looked like human beings." The description concludes, "It was a terrible sight to see. Never before have we seen such a ghastly weapon." End quote. David Davenport would declare in 1996 within the conclusion of his in-depth research that the city was instantly destroyed around 2000 BC. Interestingly, [music] the ancient texts also repeatedly refer to vimmanas, flying cars, which flew under their own power [music] and were also utilized during the event. Davenport's intriguing theory has predictably been met with intense and varying forms of interest [music] from the scientific community. Nationally known expert William Sturm, for example, [music] said, quote, "The melting of bricks at Mohenjodaro could not have been caused by a normal fire." With Professor Antonio Castellani, [music] a space engineer located in Rome, adding, quote, "It's possible that whatever did happen at Mohenjodaro was not [music] a natural phenomenon. Was there an ancient nuclear explosion within modern-day Pakistan? Were there many of these similar events throughout the world? It would indeed explain the many other ancient [music] and seemingly melted, fused, or oftentimes vitrified ruins I have previously identified and shared from all over the planet. What happened to Moenjodaro and indeed its thousands of inhabitants? It is a mystery which I find highly [music] compelling. After being demonetized 3 months ago in a possible attempt by the academic [music] world to silence me, instead of running away, I have completed the mission, fulfilling a promise I made to you over 10 years ago. With over 400 pages, 52,000 words, and around 250 hand illustrated images, I have finally finished my magnum opus. The most definitive, in-depth expose of the ancient [music] world ever created. A literal mountain of undeniable evidence. The ultimate ancient mystery completely unraveled for the first time in modern history. Presenting to you the first complete manual of a lost and hidden antiquity, which not only proves its past existence beyond doubt, but for the first time ever, revealing to the masses just what this pre flood world once looked like, what our now lost ancestors once achieved. But most importantly of all, why? exposing in tremendous detail [music] the real existence of this grand and still ongoing conspiracy. A conspiracy to hide our own historical legacy from the world at large. For this not lost knowledge, but rather [music] exhibits discovered, collected simply to then be ignored, dismissed, and ultimately covered up. Having rejected attempts by the academic world to pay me off, I have instead set out to crucially expose the specific hidden inner workings of this occultting behavior [music] so that you, as I have, may learn how to destroy it. Exposing the many institutions created to uphold this conspiracy, but also in an equal extraordinary detail just what it is they have long been hiding. For you, dear reader, will also soon realize the motive behind this ancient madness. Undeniable evidence presented in exquisite detail the clear evidence of ancient high technologies that they were once utilizing to build these astonishing places. Solving many long-standing mystery histories from a lost and hidden legacy. [music] So prepare for everything you thought you knew about our past is about to be demolished, corrected, and rewritten before your very eyes. Inevitably triggering a dramatic shift in the way one looks upon the ancient world and bestowing you, my dear reader, with my very own armory of ancient knowledge. Do not hesitate to grab a copy while it's still out in the wild. Link to physical copies or an ebook version can be found in the description and pinned comment. And thank you to all of you for all of your support over these many years, having now gone full circle, enabling me to gift you this precious knowledge back to you as a result and as repayment for your loyalty. And so without any further ado, let's begin. Chapter 4. Impossible Ancient Stone Cutting Machines. This precision stone cutting ability then far beyond the capabilities of the many primitive tribes academically pinned to their creation. For together, the connecting features I am about to reveal will put to rest any doubt that these places, some of which claimed as once the work of slaves, built with nothing more than stone hammers and copper chisels, is nothing but a blatant lie. For although astonishing ancient sites such as that of Petra in Jordan, or as you will see its little sister Hegra, also known as Mad Insale within Saudi Arabia, with their many globally familiar laser-like stonecut designs along with their many once perfectly executed structures, each cut [snorts] straight out of the bedrock, were all, regardless of who is claimed once the creation of the same civilization. These repeating patterns, these same stone cutting abilities found all over the planet, still on display for all to see, yet are seemingly overlooked as such due to the considerable efforts that are put into preventing these countless undeniable connections from ever being consciously made and thus are rarely academically investigated. These clear and unexplainable anomalies left for all to see. undeniable evidence of these places having once been constructed using the same tools by the same civilization and indeed during the same period within history, if of course one is willing to see it. Stone cut structures and megalithic ruins, although long claimed by those handsomely funded to explain them, were accomplished within a specific and permitted timeline, they were in fact built far before within a timeline now actively hidden via this exact system of selective funding of a permitted window of historical exploration. All of which inevitably producing very specific, predictable, yet ultimately academia's desired results. These diagonal and long attested chisel marks, for example, are anything but. Instead, just like that of polygonal masonry, present in many areas of many different sites across the world, often to be found in areas evidently assumed would never be seen, either by the original builders or indeed that of academia. Yet, thanks to the looting natural erosion, and an eagle eye can still be found in a wide array of places, and upon countless roughly cut, often unfinished or exposed megaliths now on the surface, all but reveal who it was that really built these seemingly impossible ancient places, with one particular sight of note being that of the long cave system in China. Undoubtedly one of the most incredible examples of this ancient identifiable feature with this lost tech and technique clearly once utilized in not only the building of the system but the overall decoration of the entire ancient [music] wonder. Accidentally rediscovered in 1992 when a group of farmers set about draining what locals had long believed were infinity wells carved from many million metric tons of solid stone. all cut out and somehow [music] mysteriously disposed of with nobody ever having been able to successfully locate any of the waste material. Millions of tons of [music] rock seemingly vanished. Every square in of its walls, floors, and ceilings, however, are found [music] drenched in this uncannily symmetrical diagonal design. With these particular diagonal tool marks, another feature [music] found worldwide, making the Longu cave system one of the best examples to use as a guide of its form, enabling [music] one to establish who built the cave system and indeed many of Earth's other prehistoric sites. These diagonal tool marks again are found throughout antiquity as if whatever machine they were using to undertake these jobs not only incredibly advanced and [music] precise but capable of cutting enormous volumes of stone with seeming ease. A knowledge that was either the possession of a global superpower or more likely due to the variety of religious iconographic themes also present throughout antiquity was a tech shared and disseminated through the various colonies of the earth. Thus, if one searches for these markings, ignoring the academically argued claim of them as mere decoration done by hand, of course, this mechanicalesque finish can be found left by this machine the world over. Clearly once responsible and capable of cutting the stones of Balbeck or indeed the little known yet equally [music] fascinating site of the Corkscrew quarry cave dus hidden within southern Italy. Here one will find undeniable evidence of another globally shared knowledge and technology with the corkscrew quarry a clear display of just how enormous [music] these machines must have been. Its enormous ancient marks still to be found amongst this ancient limestone. displaying [music] just how big the stones this tech was once able to cut before being moved. These markings [music] can be another item in your armory when searching for this hidden world of ruins. These diagonal, sometimes corkcrew [music] tool marks are in fact present at nearly every unexplained polygonal, [music] megalithic, even pyramidal sites on Earth if indeed one searches hard enough. Yet, as mentioned, they also display a vast and varying array of marks left by an equally large variety of now [music] lost and ignored ancient machines. With these same machines once responsible for creating the diagonal style found within Lu, also once used to liberate the some 14,000 ton megaliths within Yangan Quarry within China. stones which due to their simply enormous size have predictably been long academically argued as impossible to have moved. And thus, according to academic opinion, they were doing all this undercutting apparently with the intention [music] after it presumably fell crushing all beneath to then cut this huge stone into hundreds of smaller blocks. with this academic explanation in reality a simply illogical and weak attempt at dismissing what we can all see they were doing and indeed intending to do after cutting it free. That being, of course, [music] to lift it. Tasks that were all mysteriously and abruptly [music] abandoned with possible proof of their clear intention to move the entire stone once liberated can indeed still be found [music] upon these magnificent unfinished megaliths in the form of yet another enigmatic unexplained [music] and thus lost knowledge of this mysterious civilization. Proof in the form of what has come to [music] be known as the pertuberances. notches also now located across the planet and in particular abundance within Peru [music] with them nearly always found upon its many polygonal walls. These mammoth stones [music] left unfinished within the quarry, all academically denied as ever being intended to be lifted or moved in their entirety. Yet they were nonetheless almost free and moving when those cutting them mysteriously [music] vanished. With these mysterious nobles already present, a feature we will cover in more depth shortly, were already fortunately cut down into their form. Identifiable marks not only pinning these works and indeed the as mentioned diagonal tool marks still to be found perfectly preserved to the same civilization, but allowing Yang Shan to neatly dovetail into the many other impossible feats of the true builders of these sites. with some, as you will see, also allowing [music] the pinning of the polygonal world hidden all around us to this group as well. And as one's [music] knowledge and awareness of these repeating features inevitably grows as we work our way through them, you too will discover many [music] of these ancient signatures overlap with one another across nearly all of Earth's oldest surviving ruins. The bassalt floor, for example, located at the foot of the Great Pyramids, laser precise cuts and machined holes can be found. Holes from ancient rotatory technologies, leaving countless clean and in some [music] cases even misstarted drill holes. Undeniable evidence of these tools past speed and indeed existence, left for all to see, still visible upon and through some of the toughest stone on Earth. These mistakes, these once hidden tool marks and scars are now due to heavy erosion clearly visible in countless places across this floor. Indeed, the entire Giza plateau as a whole. Tools clearly also once responsible for the clean cut quarried stones of Peru covered in the previous chapter. Quarries once created for polygonal blocks or perhaps another style entirely. A lesserk known, rougher, more primitive counterpart, one now known as cyclopian masonry, also found the world over with many [music] of these equally inexplicable cyclopian works in some rare areas also exhibits this overlapping of [music] methods and signatures. However, in this case, instead of enabling the identification [music] of additional antidolivian ruins, it instead gives one a rare glimpse into the evolution of styles. a visual example of the builder's chronological and technological development [music] from that of cyclopian into the noticeably more refined, intricate and superior polygonal technique, which as the image reveals is a spot that I found with these clearly polygonal blocks built at top this earlier phase of cyclopian masonry. An unbroken archaeological timeline revealing how this lost civilization developed and accomplished these feats in linear fashion.