I Tried Oil Pastels for the First Time… What a Surprise!
Watch on YouTubeVideo summary
In this video, the artist explores her experience using oil pastels for the very first time after previously working exclusively with soft pastels. She is immediately impressed by the packaging from Lightwish, which features a beautiful gold design, and expresses excitement over receiving a 77-color floral set. Upon opening the box, she admires the intense saturation of the colors, noting that while many sets lack purples and deep blues, this collection offers a wonderful variety including neutral earthy tones and vibrant hues. She also highlights the smooth, buttery texture of the pastels, comparing her reaction to a child in a candy store as she prepares to test them on different surfaces.
The artist decides to apply these new tools to a landscape painting inspired by an older acrylic work she created years ago, aiming to revisit and reinterpret it with a fresh medium. She experiments on both pastel matte paper and a dark charcoal surface, discovering that the oil pastels behave differently than her usual soft pastels but still adhere well initially. A key finding during this process is that while the colors are vibrant and blendable to some extent, they tend to lose their intensity after about three or four layers of application. Consequently, she adopts a sketchy, linear style reminiscent of Van Gogh's work, using directional marks to create energy and drama rather than relying on heavy layering, which helps maintain the vibrancy of the colors.
Throughout the painting process, she shares practical insights and challenges encountered with oil pastels, such as the tendency for hands to become waxy and the need to use paper towels or tracing paper to prevent smudging on certain surfaces. She notes that while soft pastels are known for being dusty, oil pastels can be messier in a different way due to their wax content, though she finds the experience fun and meditative. Despite learning that these pastels do not adhere as strongly after multiple layers compared to soft pastels, she appreciates the unique texture and the ability to create movement through side-by-side color placement.
Ultimately, the artist concludes that oil pastels offer a surprising and enjoyable alternative that does not replace her love for soft pastels but rather expands her artistic toolkit. She is particularly pleased with the vibrancy of the colors and the rich texture they provide, which contrasts nicely with the impasto strokes of her original acrylic painting. Although she identifies areas for improvement, such as planning dark values more carefully at the start, she looks forward to exploring further techniques in future videos. The video ends with an invitation for viewers to share their own feedback on oil pastels and a reminder that many fundamental artistic principles remain consistent across different mediums.
Read the full video transcript
What happens when a soft pastel artist
tries oil pastels for the first time?
Come on into the studio and let's find
out.
So, this is going to be different, my
friends. I have never tried oil pastels.
I mean, other than maybe when you're in
elementary school. I think it was like
Craya or something like that. But the
Lightwish company, I love this cover.
The product uh packaging is amazing.
Look at the gold. Uh the company
Lightwish, they're fantastic. They had
sent me some of their soft pastels, you
know, the dry kind uh to review, and I
love them. Absolutely love them. But
they mentioned if they could send me a
set of their oil pastels, and I was
like, well, I've never tried oil pastels
before. and we came up with the idea of
well, how fantastic for me to try their
oil pastels for the first time. So,
that's what we're going to do in this
video. So, again, the packaging is
fantastic.
77 colors, buttery soft, intense colors,
smooth texture, and uh I am like a kid
in a candy store right now. Ooh, look at
this. That's interesting. They have
one, two, three. That's a neat way to do
it. They put the the full box on top of
all three trays. So, I think we'll just
spread them all out. And look at all the
colors at once. How about that? This is
so fun. If you're an artist, you got to
be with me with this. It's just like you
can't wait to see the colors. I can't
really take them all three off at once.
So, let's try this. Oh. Oh, okay. Okay,
I see they're this way. Oh my gosh, look
at these colors.
Wow. Okay, I'm going to have to show
each one like this. Look at that.
Gorgeous.
Wow. Now, I get questions all the time
about oil pastels versus soft pastels.
So, this is going to be a great
opportunity for me to really give an
answer to that. I usually, you know, I
give generic information like, well,
soft pastels are soft. They're dusty.
They're matte finish. And uh you can
layer a lot with soft pastels. I'm not
sure about the layering ability of oil
pastels. And uh or the water solubility
uh of oil pastels. These colors are
fantastic. I'm looking at them rather
the same as I do with when I'm unboxing
or opening uh soft pastels. I'm looking
for a variety of colors. Um, I'm also
always looking for beautiful greens.
Looks like we got I'm looking for
neutral, earthy greens, too. Look at
these. A lot of sets of colors. Um, like
when brands have a, you know, 50 colors,
100 colors, whatever. There's just a lot
of highly saturated colors. So, I love
the fact that there's some nice neutral
colors in here. Ooh, look at this pretty
little minty teal blue here. And, uh,
there are purples. Sets are usually
lacking purples. And look at this. We
got some purples. We got some mauve
colors. Ooh, there's a nice deep blue.
That would be beautiful with some
flowers. And then they have a couple of
uh whites and grays. Oh, a gradation of
kind of whites and grays. This
presentation is just gorgeous. So, I'm
just going to have some fun with these.
I'm not going to try to create anything
too serious, but I want to do something
along with our theme this month. Um,
this month we're uh kind of um
revisiting uh older paintings. if you've
been painting for a while, things you
liked, thing you'd like to try again.
And uh I've already had a couple of
videos this month, but I'm going to um
try to redo this painting. Now, this is
nothing special. I am not really a big
acrylic artist, but I've saved this
little acrylic painting I did. Nothing
special. Um I'm almost embarrassed to
share it, but I I kept thinking I would
like to redo this painting again. I want
to try it with soft pastels, but I
thought, you know, since I have these
oil pastels here, let me try that. And
then I think I might try something I
think I'm going to try this on um pastel
matte. Pastel matte is um surface that
takes just about everything. I'm
assuming it'll take oil pastels. I have
not done a lot of research before this
video, obviously. So, I thought I'd try
that. Something kind of quick and fun
and sketchy on that. And then I thought
I'd try I had a lot of people asking
about one of my videos uh last month
where I worked in this black sketchbook.
I used uh Karan D'Ache um Neocolor 2
watersoluble wax pastels. That's such a
long name it's hard to say. And uh
everybody loved the effect. And what I
love about this is it doesn't smear. I
mean that's fantastic. So, some of you
have asked if uh oil pastels will smear
or smudge on this. And I'm thinking the
answer is yes. So, you would have to
protect the pages with a piece of
tracing paper or something. But, I
thought I might try working on a black
surface. I'm popping this little clip in
afterwards after I made the video you're
going to see right now to let you know I
did work on a dark surface. This is a
dark charcoal Canson velvet surface and
I already learned a lot from the video
you're going to see right now. And so I
tried some new things and I have a lot
more to share with you about oil pastels
and specifically with this working on a
dark surface. But before we get started,
I thought I'd go ahead and share how you
can purchase these. And Lightwish has
let me know that the best value
currently is on Amazon. They have
offered a almost 20%. It's like a 19%
discount on their sets. Now, that
discount is only from August 20th to
August 24th, but after that, from the
24th to the 29th, you can still get that
19% discount if you use the coupon code
susan024,
all caps. You can also purchase directly
from the LightWish website. There is
free shipping, I think, pretty much
everywhere. Um, so that's a great deal,
but they are a little more expensive
than Amazon. I wanted to show you here
there are three set sizes. This is the
same on Amazon too. I just didn't show
you that page. They have a 100 color set
that includes everything that's in the
first two set. The smallest set is the
48 set and the set that I used in this
tutorial. The one they gifted me is the
77 floral theme set. So those are the
pastels you'll be seeing me use is from
this 77 set. And just like with the
Lightwish soft pastels that I shared
with you guys a few videos ago, you can
get a 12% discount on Lightwish oil
pastels if you use the coupon code
Susan024
at checkout. All caps. All right, you
ready to see me paint with oil pastels
for the first time? Here we go. Once
again, this is pastel matte. I love this
surface for soft pastels and I have come
to find out I love it for oil pastels as
well. It worked great. I will share that
there's a lot of painting principles
that are the same regardless of what
medium you're using, but this was indeed
a different experience for me. The oil
pastels did behave differently. Now, I
liked this little color and I realized
it's almost exactly the same color as my
surface. I don't remember what color it
was, but isn't that lovely? Now, I do
have a pet peeve about labels. I didn't
even bother taking the labels off for
this. I just decided uh to paint kind of
in that sketchy style like I mentioned
with the Neocolor two wax pastels and uh
that's the way you're going to see me
paint here. Now the little acrylic
painting I showed at the beginning that
I'm actually using as my reference. I
couldn't remember where I had gotten the
reference image and I recently found
it's from unsplash.com. My colors I'm
going to make a lot more vibrant, but I
really love this neutral scene. And I
just wanted to give credit to
photographer from unsplash.com.
Marina Reich. First, I'm going to get in
a little sketch with a Prismacolor new
pastel. It's just a darker pastel. You
could use anything. And this is sped up
a bit for the Monae Cafe version of this
tutorial. If you're a patron of mine,
you've probably already seen I shared
this video already on my Patreon page.
And it's almost 100% real time. So, just
one of the perks from being a patron.
I'll tell you how to become a patron. I
do have a a coupon code you can use um
through the end of August. So, I'll talk
about that in a minute. So, I am just
basically um redoing my painting, my
acrylic painting. I have it sitting near
me here. And I'm just kind of looking at
it and getting a basic sketch in. And at
this point, I had no idea what to expect
when it comes to layering. I was uh
touching my fingers there. I noticed
these oil pastels. Uh, people talk about
soft pastels being dusty or messy. I
find the oil pastels are a little more
messy, but I did love them. I'm going to
go ahead and tell you it was really fun.
So, I put down some dark for this tree,
kind of like I would with soft pastel
and started layering over it. Well, in
hindsight, I've come up with a new way
to do this. In the next videos you see,
you'll you'll already see some of my new
and improved techniques, but I started
layering a little bit over it and
decided I would come back to that later.
I worked the way I typically do, kind of
blocking things in to begin with, and I
realized pretty soon that I wanted to
use the approach, like I mentioned, with
the uh one of the videos I did last
month with the Neocolor 2 wax pastels.
Uh you may recall, if you saw that
video, it was a very popular video, how
I sketched in a black sketchbook with
those. Um actually, they look kind of
like coloring crayons, but they're very
sketchy. So, that's the the style and
the technique I decided on here. Um, I
got in a few of the distant trees. I put
a little dark down first and I layered a
little uh lighter blue on top. I did
notice this set was lacking darks.
That's why I was kind of going, "Okay,
hm, how am I going to do this?" I really
only had two dark darks. One was kind of
a black, almost a charcoal the first one
I put down, and the other was a dark
blue that you can see here. Now, here's
why I went definitely to the sketchy
style, more linear work. I should say
where I I think of Van Gogh when I paint
or sketch in this way. And I'm just
going to bring a lot of energy uh
through directional marks. I use that
pretty green, that earthy green to layer
over some of the distant trees. And
again, just like with the Neocolor two
pastels, I found these or this technique
very um meditative and relaxing. I
really enjoyed this process. So, I'm
getting a little bit of drama coming
with some sketchy marks in the sky. And
uh once again, I am just playing with
these colors, not really knowing uh what
is going to happen. And that was part of
the mystery, you know. I kind of liked
that. Now, I want to invite you if you
are an oil pastel artist to comment,
give me uh suggestions or feedback as to
my approach. Pardon my hands in this.
Again, it's part of the real-time
Patreon video. uh because I've already
learned so much uh on my own but also
from my patrons. Now on my Patreon page,
I have a lot of very very beginner
artists. We do a lot mostly soft pastel
but obviously I do branch out in other
mediums sometimes. Um but I do have also
very accomplished artists as part of my
Patreon family um in other mediums. We
have some fantastic watercolor artists,
oil painters, and artists who are very
accomplished with oil pastels. Donna,
I'm talking to you, one of my patrons.
She's already given me so many great
tips. And on that note, let me go ahead
and tell you how to become a patron and
join my Patreon family. It's super easy.
Only $5 a month. You get to unlock
hundreds of lessons. We have games,
prizes, and so much more. And I get to
see your work. It's like a big,
beautiful artistic family. Now, I do
have a coupon code for August 2026 until
the end of August, August 31st on the
annual membership.
patreon.com/susanjenkins.
Use that coupon code and get 20% off.
And I'll have all of that information in
the description of this video. All
right, let's get back to this fun little
oil pastel painting. All right, so
things are coming along. Uh, right now
at this point, I have a pretty analogous
color palette. That just means colors
that are kind of close to each other on
the color wheel, blues and greens. Um I
do throw in some purple in a bit. And I
did notice that my hands got quite waxy
during this process. I had to get up and
wash my hands um quite a few times. I
kept a paper towel near me and that
seemed to really help. So with my mark
making um if you're a beginner artist,
the way I approach this is you can see
I've got some rolling hills in this
particular um painting or image. Uh, I
improvised it a bit from the reference
image obviously with a color palette,
but when I think of um making my marks
when I'm painting in this sketchy style,
I'm literally caressing the landscape,
moving my pastels in the direction of
the element. In this case, obviously,
tall wispy grasses, but with the hills
in the distance, I'm kind of carving my
marks down again like I'm caressing the
hill. And I put little shadowy or uh
darker values in the crevices of the
hill. Now I'm going to play and explore
with some of the yellows. There were
little bits of yellow flowers in the uh
well the original reference image again
was very neutral, but I do love that
they have lots of nice neutral yellows,
neutral brownish and sepia colors. So,
my idea was to approach this similar to
a soft pastel painting and get kind of
my darker more u by the way a dark
yellow. I used to wonder what is a dark
yellow? Well, it's a brown or you know a
dark tan or something like that. And
then add gradually a little bit more of
lighter golden colors on top. And then
finally my lightest yellows um wherever
the sun is hitting. And I'm showing how
I'm trying to, you know, meander my
flowers a little bit here. And this was
a point where I'm starting to get more
layering in. And uh when you add these
just to the bare surface alone, they
apply great. Now I'm adding some really
gestural dark uh foreground grasses. But
as soon as I get I would say three or
four um maybe three layers um was kind
of max for me. These are super super
soft wax pastels. Um, so that's why I
resorted to more of the sketchy style.
You can see I got another little layer
on top there. And they start to
eventually blend themselves rather like
soft pastels. The more layers you add,
they start blending, but they will lose
their vibrancy and color. And uh, what's
a word I could use? Stickability. I
found they didn't um adhere very well
once you got past um, three or four
layers. So, but there's nothing wrong
with that. I love this sketchy kind of
style. And it's really interesting to me
how you could put colors next to each
other to create vibrancy, movement,
drama, and a really fun, like I say, it
feels like a Van Go style to me. Here's
where I'm adding little bits of that
purple in the shadowy areas of the
hills. I'm echoing it throughout the
painting just for some fun. And uh a
little bit in the shadowy areas of the
hills, behind the trees, and uh just
having fun. I'm going to jump ahead here
just a little bit. Adding some lighter
values to capture the sunshine on the
hills. Adding a bit more drama in the
sky. And while I'm finishing up here, I
thought I'd share with you a few things
that I learned. I think if I was to do
this particular painting over again, I
would have thought um more carefully
about my darks and that big tree area
there and perhaps worked a bit more in
sections um rather than putting down all
of that dark to begin with. But I did
learn after this lesson, like I said,
can't wait to bring you the next videos
of the other four paintings. I did learn
that you can blend these. I did some
experimenting in one of my uh upcoming
paintings where I blended the clouds in
the sky. Um and it worked really great.
So, I've got a lot more I'm going to be
sharing. But once again, I am a novice
oil pastel painter. And as I've already
mentioned, I find many of the same
principles apply when you cross mediums.
There's so many artistic principles that
they're just the same no matter what
medium it is, but you kind of have to
learn that particular medium. And now I
want to show you the final. I did love
the vibrancy. That quite surprised me,
the vibrant color of these oil pastels.
I also loved the texture. I mean,
compare it to the little acrylic
painting. Again, this painting is really
old. You probably can't appreciate it
here in the video, but some of the
colors are literally uh like impasto
where they they stick up and you can see
it like like strokes of oil paint. So, I
really love this experience. Yes, I do
like oil pastels. Don't worry, I'm not
giving up on my favorite medium soft
pastels, but I am going to play more
with them like I already did. Again,
this is a little teaser of some of the
next lessons coming up. My patrons are
going to get mostly real-time content
for these four paintings, but I think
I'll take one of them and maybe make it
all real time for my subscribers here on
my YouTube channel. By the way, please
subscribe if you haven't already. Like
this video. Give it a thumbs up. It
really helps YouTube to share my video
more often. And please leave me a
comment. Let me know what you thought
about my first try with oil pastels and
especially if you are an oil pastel
painter. I'd love to hear your feedback.
All right, everyone. As always, God
bless and happy happy painting.