Video summary
In this reaction video, the creator revisits a previous analysis of his Spanish pronunciation conducted by Stuart from Dreaming Spanish, specifically focusing on the "mother tongue trap" that affects native English speakers. The core subject is an examination of how deeply ingrained habits from Australian English interfere with learning Spanish, particularly regarding specific consonant sounds like the rolled R, the dental D, and the lateral L. The creator explains that while he was previously using a method called Automatic Language Growth (ALG) which discouraged self-analysis, he has since stopped to investigate these issues more closely. This video serves as a baseline for his very first attempts at speaking Spanish, highlighting how even after years of exposure, certain sounds remain distorted by his native accent.
The analysis dives deep into the acoustic details of speech using spectrograms from Adobe Audition to visualize vocal vibrations and tongue placement. A significant portion of the discussion revolves around the pronunciation of the letter 'S' in Argentinian Spanish versus standard Spanish, noting how the aspiration or puff of air differs between dialects. The creator struggles to perceive the subtle differences in the 'L' sound, specifically the distinction between the English lateral L and the Spanish version where the tongue touches the back of the teeth. He also examines the 'D' sound, which often sounds like a soft 'th' in Spanish rather than the hard 'd' produced in English, leading to confusion when trying to replicate native rhythms without over-enunciating every syllable.
The climax of the video occurs when the creator finally attempts to speak Spanish aloud, revealing several persistent errors that he had not realized were present. His pronunciation of his own name is heavily influenced by an Australian accent, and he incorrectly uses hard 'G' sounds and glottal stops that do not exist in native speech. He also merges Argentinian and Castilian Spanish accents when saying words like "muchas gracias," creating a hybrid that lacks the natural flow of either dialect. The creator realizes that while he has been focusing on vocabulary and general comprehension, his mouth muscles are still executing movements based on his first language, resulting in sounds that native listeners would immediately identify as foreign or incorrect.
Ultimately, the video concludes with a realization of the importance of auditory intelligence and muscle memory training to overcome these deep-seated linguistic barriers. The creator acknowledges that simply knowing the correct spelling or grammar is insufficient if the physical mechanics of speech are not aligned with the target language's phonetics. He plans to pause his current content creation temporarily to focus intensely on correcting these specific sounds, utilizing tools like spectrograms and native speaker feedback as mirrors for his mouth. The takeaway is that achieving fluency requires more than just listening; it demands a conscious effort to retrain the vocal apparatus to match the subtle nuances of the new language, moving beyond the "gringo" stage to genuine integration.
Read the full video transcript
What's up, grinders? Welcome back to the
channel. So, today I'm finally going to
be doing a react to the second portion
of this video, diagnosing evil deer, the
mother tongue trap in Dreaming Spanish.
Now, why didn't I react to the second
part of this video? Well, at the time
when Stuart dropped this video, he was
analyzing my different languages and he
analyzed Spanish and I was doing ALG,
automatic language growth, via Dreaming
Spanish, uh the the website and service.
And part of their methodology is that
you're not meant to do type any type of
analyzing of your own language abilities
or anything like that. But I am no
longer doing ALG. So I am curious to see
what he has to say after all this time.
Let's go. And also to give you guys a
little bit of background what he's going
to be reacting to is the first time ever
I attempted to speak Spanish. Okay. Now,
my Spanish has improved since this time
somewhat. How much? I don't know. Okay.
But this is the very very first time
ever. Let's just keep that in mind.
>> Is interesting and maybe is a good case
for ALG. Okay, so now we're going to
start with some Spanish. Now, I
apologize there. My video processor is
tanking. So, sometimes the video isn't
catching up because
in Audition and then my recording and
everything, crazy stuff is happening.
But just listen, listen.
This is the native, I think, Argentinian
Spanish speaker.
>> Perfecto.
>> Perfecto. Now, I can hear straight away
when he's speaking Spanish.
He's overunciating and I think that's
because he's asked, Eve is asked to
start very easy. So, let's listen to how
he speaks.
>> Okay.
>> Actually, now let me zoom in here. I
better explain this. By the way, this is
what we call a spectrogram. So, this is
uh Adobe Audition. Here's the normal
waveforms you'd be used to, but this is
almost it's a voice print. So, where you
see the more yellow it is, that's the
the vocal tracks vibrating. That's down
really low. And you can even see the
notes here. There's a I can click over
so you can see notes. But basically,
this is the lowest part of your voice.
And this is the highest part of your
voice. So, where it's really yellow, it
means the voice is engaged, activated,
and the lower it is, the lower your
voice. The higher it is, the higher your
voice. So you can actually see here
really well when the voice is activated,
deactivated, when it tapers off, all of
these things. And you might think that
this is crazy going into this level of
detail. But honestly, once you do that,
you can actually start to selforrect.
You pull up a native speaker, you pull
up your own voice print, and you think,
"Oh," and you know exactly where to
pinpoint things to get your muscles
moving or turning off or glottle stops
and all of that. You can just see it
clear as day here. So let's have a
listen.
Okay.
>> See, I was always curious about that
with Spanish. Like an R be before an F,
an R before a B. Is does this R auto
automatically become rolled? Because
when he repeated after the Argentinian
speaker, he actually rolled it. He went
perfecto,
perfecto. But I didn't actually hear
that from the Argentine speaker. But
maybe that's just the speed. Or maybe I
didn't. I just didn't remember. But like
it is like I'm guessing there is a rule
that governs this. I haven't looked into
it yet.
>> Okay.
I didn't even get a second in. Did you
hear that? So what happens in Spanish
the S
will
you get this breathing cuz a sibilent
sibilent are these sie
sounds. They have this puff of air.
If you have your throat closed, you
can't pronounce an S. It you can't
breathe. So, by nature,
S's have this breath, this aspiration.
>> Okay?
>> And what's happened is this aspiration
in Spanish and it happened in Chinese
too. This is actually where the chunk
came from. So, the um originally Chinese
didn't have tones. um they had these
endings and this s became like an h
first and that's what became the chong
in Chinese. So estoy becomes
so sometimes you'll hear bits of this
sometimes you'll just hear the s totally
dropped out and just like this sound. So
it was like
>> have a listen he so he says
>> see it's almost like a lisp I wonder if
evil deer will pick that up will will
have picked it up in all of his
listening and whether it will be
replicated or
>> like I can hear him doing the sensor
>> or will his English or espiranto s
survive to live another in
>> I'm guessing that there's a clear
difference in the s's then I still
haven't picked it up
>> in Spanish.
>> So in
listen to the ga it's very
>> it sounded like then he was pronouncing
it with the um Spain Spanish cuz there
was like a th sound in there but
obviously the Argentinian Spanish
doesn't have that. It just becomes an s.
>> Very soft.
interantes. Now, you can tell here he's
being very, very careful to annunciate
everything. It sounds It's a native
accent, but it's overunciated. It is as
if I'm speaking like this in English.
That's a native Australian accent, but
we don't really speak like that. The
responder.
>> Okay, this is fascinating. Have a look
at this.
Look at where he pronounced his D from
the.
>> Now that could happen, but in Spanish
your D is more like this. The th in the
word the in English. So the there. And
you will see it the tongue coming up to
the teeth
there. But what he's doing there and
maybe he's overcompensating because evil
deer he knows he's a native English
speaker and he's trying to pronounce it
as a as a very clear D
still still Spanish but in normal speech
that would be the respond and sometimes
the S will turn into an H. Have a
listen.
It's very very overp pronounced.
>> I wonder if that's actually an issue
because obviously everyone I've listened
to for over a thousand hours is really
over pronounced both on the Dreaming
Spanish and then obviously the gaming
content I was watching and stuff. I
wonder if constantly listening to all
that over, you know, overannunciated
language might actually have had a a bad
impact on me.
Now you can see the S is getting
lighter.
>> Now this is one thing I would notice.
Have a listen to this.
>> If you're a native English speaker, an
evil deer, uh, you can do it. Say the
word pill
lip.
>> Pill lip. Pill lip. Okay.
>> Pill lip. If you're a native English
speaker, you'll notice that the L in
pill, pill, your hung comes behind the
teeth
>> and it kind of rolls up lip that if it's
an initial L, your tongue is poking out
of your teeth. Wait, let me try that.
Okay, so we got pill. So my tongue is
topping my tongue is touching the top of
the back of the teeth. Pill lip
lip.
Pill lip. Pill lip. I'm not I'm not
feeling anything different. Pill lip.
Pill lip. Maybe I've just like suddenly
tricked myself, but I'm not feeling any
difference.
>> Pill lip. Evil. You're a native English
speaker in Australia. I could almost
guarantee if subconsciously Don't try
and just prove it wrong.
>> Okay. Too late.
Just speak normally and get your mouth
moving.
>> Okay. Peel lip. I can't do it now.
>> Normally. Peel. Peel. Peel. Peel. Peel.
Peel. Peel. Peel. Stop. Where's your
tongue? It's behind the teeth. Lip. Lip.
Lip. Lip. Lip. Lip. Where's your tongue?
It's out inside the teeth.
>> Lipipipipipipipipipipipipipipipipipipipipip
lipipipipipipipipipipipipipipipipipipipip
li li lipip lip lip Oh, okay. So, okay,
I get what you're saying. So, the sides
of the tongue stick out um just beyond
the edges of the the teeth.
>> But listen to the Spanish L. This is
these are one of the things that I'll
always try and pick up on in whatever
language I'm learning is where are the
L's and the Rs coming from ill.
>> And I can hear it is not the same as my
pill L pill.
You can hear his
>> So he's saying he he can hear that
there's a difference. I literally can't
hear that there's a difference. This is
fascinating.
>> Got this lateral tongue and it's it's
it's almost flat against his teeth. L L.
If you speak Russian, you you know,
you've got this like um the the light L.
It's closer to that.
>> Um but it's not like the L that we have
in English, especially in Australia.
>> You can see his tongue.
>> Okay. I can't pick up the difference
between the L. I guess that's something
I'm going to have to look into.
It's a good baseline, but I'm feeling
like he's really overannunciating
his Spanish. Now, there's another guy
who's a native speaker that they go back
and forth. Let's have a listen to him.
Have a listen to his Spanish, even if
you're not a Spanish speaker. And
>> okay, so he's obvious. So, for those who
don't know, that's Chma from um
uh so he's from mainland Spain.
>> And see if you can hear any difference.
So he still pronounces his s's and and
everything very clearly.
>> Okay. Now, did you hear that D
there? It was more of this the with a
dental t with a voice there. Very soft.
And again, the T in amistad is a bit
different too because it's this medial
T. It's not an initial T which changes
in Spanish for for native speakers.
>> Could and you could hear the tongue at
the end in the D at
the and his his tongue came up to this
dental D. It wasn't D. It was the
>> So it's almost like in a th position
almost.
Okay. So, he's just repeated it there,
but you can hear his accent is is a
little more natural rhythms to the first
one. I'm sure as the first guy gets into
normal speaking, he will become more
normal as well. Yeah.
>> What he says is funny. Um, but have a
listen to this is the first guy again.
>> Okay.
>> Yeah.
But you can hear the teeth.
Um, his tongue is starting to move
closer to the teeth now.
>> Now, let's listen to the second guy.
So it seems like the difference is the T
in English
is like it's just behind the top front
teeth, but here the T in the Argentinian
Spanish is what? Touching more the
teeth.
>> Okay, listen to that. This is starting
to get very more natural compared to the
first sentence,
>> especially at the end. Now, I don't know
if Evil Deer even knows how to spell
that last word and
but you can see that that D almost just
dropped out. Your tongue makes a
reference to it to the teeth and
so your tongue's on the on the teeth and
by the time it gets to the last D, it's
just gone. If he's looking at the
spelling and a lot of like English
speakers and they'll be pronounced
>> Yeah. Uh, so I would be hitting both
those D's exactly the same. It would be
like Doring this hard D. But you can see
that as you get faster and faster, your
tongue almost takes off and it's just
sort of tickling the mouth but doesn't
quite make it there. Um,
okay.
Now, I'm still hitting that D pretty
strong though.
And
bro, I I can't do this.
>> You can you can see that that's lost.
Um, if I were learning Spanish and I'd
be tuned into that, this is why I'd want
to actually read it as well because I'd
start to be able to mapping be able to
map out if it's an initial, if it's
medial, if it's at the end, when are
things lost. Um, especially with
something like Spanish or Italian,
I want to start building up those
structures because then that would help
me and subconsciously kick in later as
I'm speaking. I might know a word, but I
know that pattern and so it would
already be in my muscles. So, let's jump
ahead now. So, we've heard Evil Deer's
English. We've heard the
>> Okay, here we go. 14 minutes in. We've
heard about all the differences with the
Spanish sounds around the uh the L, T,
and D sounds. Now, we're going to now
we're going to finally hear how bad I
am.
>> Two guys speaking Spanish. Let's listen
quickly now to Evil Deer speaking
Spanish.
>> Shamo. Evil deer. Okay. So, shamo, as
soon as you hear that, you know it's
Argentinian. Argentinian Spanish, this
turns. Some people say eda in some
versions of Spanish or is in Argentina
uh in Uroay. So,
shamo is yamo. I am called inal in
Italian.
>> Shamo evil deer.
>> Now, you can see evil deer. He's got
this very English Aussie d. You can Can
you
>> Okay, so the D is the problem. Let's
We've all We've all decided that the D
is the problem. Okay, let's do this.
>> You hear this tick on it? D.
By the way, if a D in say Vietnamese or
Chinese or or Thai, D actually came from
an N. D. You don't hear that tick, but
in Australian English, we'll say D.
>> Spanish D is different. The the the It's
more like a th in the word the. So, but
he says evil deer. Maybe that's because
he Yeah, I'm just saying that in
English. I'm literally that's just where
my word comes from. So it' be like evil
the uh evil the uh Is that what we're
meant to be doing? So it's like it's a
the uh the uh evil the uh evil the
>> saying his name in an Aussie accent.
>> Yep.
>> Mhm. Uh
uh again, even his uh if it were me,
even all those little subconscious
words, I'd be trying to get the sounds
of the native speaker.
>> Bro, I'm cooked on the Rh. I didn't even
get past my name. I'm literally just
cooked on the R.
Okay. Well, this is Chinese. You'll be
like nega
>> into it. So when you're when we're
coaching like um presentation workshops
in say Thai or whatever uh we would call
them word whiskers and Thai has their
own work
or in Chinese or Indonesian in in
Australia we have a you know like these
kinds of words learn those in your
target language and throw them in so
they become your filler words. I didn't
even think about filler. Like, well, I
wasn't actually thinking about learning
the language at the time, so that's why
I didn't think about it. But, um, it
makes sense that Spanish has probably
got its own version of filler words, and
I've probably heard them countless
times. I just never recognized it.
>> Uh, sure. Sure.
>> Oh, you're not going to tell me what the
filler word was? Oh, come on. Okay.
>> Sure. Sure. Now, the O isn't fully
Aussie, but you can tell that it's it's
heavily influenced from uh a from the
Aussie O, not uh real real Spanish. Oh,
>> okay. Jo,
I suspect having just briefly dabbled
with espiranto
um that the standard non-conjugated s at
the end of verbs has jumped in here.
Maybe you've heard
>> that's what happened. I can tell
straight away that is definitely what
happened.
>> Do you want to go? Um, and then you're
adding that on. So,
maybe you haven't learned those
conjugations yet.
>> No, I hadn't at that time. I didn't know
what the conjugations were. Obviously, I
do know them now. Like, I' I'd know the
the first person present tense one and,
you know, some past tense ones. And like
I can recognize most of the the basic
ones right now, but I haven't automated
them. But like I Yeah, obviously that's
Kod now. I suspect not because you've
been doing algae, but that if you had
have been doing the structures, you
wouldn't have made that mistake. I'm
sure I want to uh instead of which I and
then it's like syntax error because you
want
>> uh
>> okay. Now notice the H there
in it should be hugar
the H was an Aussie H and G was pretty
much an Aussie G. Um, the G in Spanish
is a lot.
>> So, I got the whole word wrong.
Basically,
>> softer
hug. And there. Now, again, I'm not a
native Spanish speaker. Um, I've lived
with Spanish around me for years. Um,
but I'm not a native Spanish speaker,
but you know, the sounds are in me and
they're in a fairly early ageish in my
teens. Um, so you get to feel them. But
the this hug hug um it's
softer
hard.
>> Okay.
>> Um it's not an H like we have
as
>> sh. Okay. So that's again but I think
that's coming from Espiranto.
>> Uh
hugard. Can you see that? G. It's really
It's a really hard G.
>> Okay. Again, I heard the in there. That
was awesome.
>> Um, not but again, kudos to Iodia
because he's just been doing this from
absorbing the language and hasn't gone
through any of these charts. So, you
know, he's pulling out the words that he
knows and this is a,000 hours actually
starting to speak for the first time.
It's almost like hatching out of the
egg. Um, so
>> there you go.
>> Okay. He said contiggo.
Listen to the difference between the T
and the G from the native speaker and
the T and the G in um from Evil Deer.
>> Contigo. Contigo.
>> Contigo.
>> Okay. Actually, what I'm going to do is
really blow that up. Um, let's have a
look.
Let him
contigo. Yeah, he's not really hitting,
is it? He's like,
even I'm still hitting hard.
And you can see it's actually almost
it's an unaspirated.
Okay, your tongue's at the back is kind
of making it to the G, but not quite.
Now listen to evil the airle.
You can hear a really hard G there. So
I'm sure you might have seen this word
spelt knows it's a G, but it's actually
that it's soft.
>> Yeah, you see that word written all the
time.
>> Just with a few sounds, a few sentences,
you see how long this can take. But just
with a few little tweaks, you can have a
night and day change to the way that you
speak the language. It's it's muscle
training. Maybe we'll do just one more.
>> Muchos gracias. Okay, that's
interesting. Muchos.
I think at that time I had like
obviously I'd been primarily focused on
Argentinian Spanish but then as of
recently in regards to when this video
was made I started doing a lot of stuff
with chem here and the way that word is
pronounced between Argentinia Argentina
argent Argentine argent whatever okay
and Spain is different so it was like it
was kind of like this weird merger
between the two. Okay. I suspect maybe
he's heard Italian before. Graatier cuz
I don't think that in in um Espiranto. I
think the word for thank you is more
from a Germanic root.
>> It is. It's dangon.
>> Something like danko or something.
>> Yep, he got it.
>> Um
but gracias, which is gracias. Gracias.
>> I'm pretty sure it was just me merging
two different accents and then probably
just screwing it a halfway through.
That's pretty much it. Also, so C in
Espiranto is a TS sound. It's like a
it's like Chinese C. Okay. And it's
possible that I'd seen this word written
before and my brain automatically
assumed it was something similar to
Espano, like the pronunciation of the C.
I don't know.
>> But you can hear the hard G again.
>> And not only can you hear the hard G,
have a look at that voice. Uh,
gratz gratz grats. Can you see this
portion here?
His voice fully fully just stops. He's
got a glottle stop there. So, graatia
almost like the in in Italian, but it's
not that in Spanish. Gracias. Okay.
Gracias. Gracias. But you will see you
won't see this big gap in a native
speaker saying thank you in Spanish. Um,
>> I think that that kind of gap happened
because when I was saying the word, I
might have actually stopped myself and
like kind of just mentally
tried to redo the like you know how when
you say a word and it comes out you're
not too sure you stop for like a
millionth of a second but you just keep
going anyway. It's like your brain's
like wait oh whatever that was probably
what happened there. So,
having to wrap this up because it's gone
on for a long time now.
There is value to having this um
auditory intelligence, understanding how
sounds work, how the muscles in your
mouth work, being able to hear sounds
outside of the baseline of your mother
tongue and then reproduce it. Tools like
this, this is Adobe Audition. What I
actually find most interesting about
this analysis right now is the fact that
as of recently I've been doing more and
more Spanish on my channel and people
have commented about my vowels like the
I vow and I think the like a lot of
people were about the I vow. They'll be
like, "Oh, your I doesn't sound quite
right. You need to work on that one."
And then to a lesser degree the O and
the U. Okay, that that's what pretty
much everyone is focused on. He has
completely ignored the vowels and gone
straight after like the T, the D's, and
the G's. Sounds that I never even
imagined that I was getting wrong. So,
it sounds like if I get a couple of
those vowels and just slightly change
them, get them cleaned up, and then
focus in on this, that might actually
bring me more closer. But the problem
is, even though he's explained it, I
still don't know what the differences
are. So, I'm literally going to have to
go like watch a ton of videos on just
these like specific sounds. Um there's
prat um uh it's a Dutch word but
linguist use it. It's a free version and
I think there are other tools out there
that you can use that are open source um
for doing these spectral prints.
But once you start to understand it,
it's really really good. You can train
your muscles. It's like having a mirror
there. And then once you do it, you get
a real native speaker then
to use their ears as the mirror again.
And as you go back and forth and they'll
suggest something, maybe they don't know
how to actually coach you. They just
think you sound like a foreign, you
sound like a ringo, if it's Spanish or
>> I might have to actually put my
production practice for Spanish
temporarily on hold and really just
focus in on cleaning these things up now
before it gets too far down the road
because it sounds like I've got a lot of
sounds that are really far off. And I
thought it was just some vows that
needed cleaning up. I didn't realize it
was like this bad.
if you're in Chinese. Um,
but you just do it until you stop
getting those la or gringo kind of looks
and people just speak to you normally. I
think you probably get less of those
looks in western languages because you
get people from all over speaking them,
but especially in Asian languages. If
you're just a little bit off, they'll
let you know once you beyond that.
>> That That's true. You will know pretty
quickly. They'll point it out
>> beginner stage. So anyway, I hope this
has been interesting. I hope you don't
mind. Evil, I just hit you up on Discord
just to check if this was okay. But it'd
be really cool to do something together
where we sort of sit and go back and
forth there. Maybe I can get you
pronouncing some stuff in.
>> Okay. Oh, what was that?
>> In other languages as well, not just
Chinese. Um, but getting that full
command of your mouth and but even more
importantly, hearing where your baseline
is and what those things are in your
mother tongue. Okay, I'm going to have
to organize some type of um video with
you, Stuart, where for one, you help me
with the Spanish. We get the Spanish
sorted and then maybe we could talk
about the tie, you know, like I'm not
I'm not against it. Do I really want to
be learning another insanely difficult
language? But, you know, it's a
possibility. It is a possibility.
Anyway, if you guys have enjoyed this
video, let me know down in the comment
section. I'll see you all next video.
Make sure you sub. If you're not there,
I will find you and I will analyze every
little tongue movement you make by
holding your mouth wide