Submind YouTube summaries
Thumbnail for How to Use Pain to Become the Best In the World | Rodney Mullen on Impact Theory

How to Use Pain to Become the Best In the World | Rodney Mullen on Impact Theory

Watch on YouTube

Video summary

Rodney Mullen, widely recognized as the godfather of modern street skating and a member of the legendary Bones Brigade, is celebrated for inventing foundational tricks like the kickflip, 360 flip, and impossible. His journey began at age eight on his family farm in Florida with limited resources, yet he went on to win 34 out of 35 freestyle contests by age twenty-four before transitioning to street skating when that style became dominant. Mullen emphasizes that while talent is common among elite athletes like those who broke the four-minute mile barrier or mastered specific skate tricks, true progression relies heavily on belief rather than just skill. He argues that a culture often imposes barriers based on what can be proven or seen, but genuine innovation requires cracking open these limitations through an internal shift in perspective and axioms. The transition from freestyle to street skating was driven by Mullen's realization that winning contests created a protective groove where he played it safe rather than progressing further. He notes that achieving top status often leads to boredom because the initial fire of desire is quenched, leaving one with only static honors like trophies and stadium crowds which eventually fade into irrelevance. To sustain his drive, Mullen clings to an intuitive yearning for skating itself, viewing the activity as a form of meditation even when he was in pain or struggling. He describes this love-hate relationship with the sport, acknowledging that it involves hate, pain, and frustration, but these elements are what magnetize him back to the board every night, distinguishing his approach from those who rely solely on external validation. Mullen's resilience is perhaps best illustrated by a severe injury where scar tissue caused his femur to grind against his hip socket up to twenty times a day while sleeping or moving. Doctors advised retirement because cutting out the damaged area would result in losing too much bone, but Mullen refused to hang it up. Instead of surgery, he spent hours daily using a small plastic tool and leverage techniques on fire hydrants to manually break apart the scar tissue until his joint functioned again as a ball-and-socket rather than a stick shift. This process required immense courage and patience, demonstrating that necessity drives invention and that enduring pain can build character if one remains focused on the internal joy of movement rather than external accolades or fear of failure. Beyond skating, Mullen finds fulfillment in puzzles, building computers with open-source software like Linux, and connecting with people who possess strong character regardless of their profession. He highlights his work with Make-A-Wish as a profound humbling experience that strips away the ego associated with being an Olympian or inventor; meeting terminally ill children reminds him that he is merely a "lightning rod" for love rather than someone to be worshipped. These interactions teach him that what truly matters are the singular connections made and how one shapes themselves through reflexive couplings of action and identity, ensuring they do not become insufferable or disconnected from humanity as age and success accumulate. Ultimately, Mullen's philosophy centers on finding joy in doing something for its own sake rather than chasing accolades that serve as mere tombstones to great work, a sentiment echoed by physicist Richard Feynman regarding the Nobel Prize. He encourages individuals to peel back layers of why they do what they do and to nurture their unique variables—whether it is overcoming fear on big rails or dealing with personal demons—to express an individual identity he calls greatness. His impact extends beyond creating a vocabulary for skaters to connect, aiming instead to be a good man who leaves a legacy through the people touched rather than awards won, urging others to chase the ultimate intoxication of believing in their own ability to create something new despite barriers of disbelief.
Read the full video transcript
Everybody's got their stuff. Whatever it is, everybody has a unique set of variables that they can put in place and express their individual identity in a form of call it greatness. That's something to be remembered. That's what you look for. Everybody, welcome to Impact Theory. Our goal with this show and company is to introduce you to the people and ideas that will help you actually execute on your dreams. All right, today's guest is widely recognized as the most influential street skater in the history of the sport. He invented many, if not most, of the tricks used today, including the street ollie, kickflip, 360 flip, impossible, and many, many others. He began skating at the age of 8 against his father's wishes and had little more than the garage on the family farm to practice in, and yet, he would end up becoming the most dominant competitor the sport has ever seen. He won his first championship at the age of 14, and over the next decade, he won 34 out of 35 freestyle contests. His impact on the art and industry of skating simply cannot be overstated, and that's why he's known today as the godfather of modern street skating. The Tony Hawk Pro Skater franchise showed their reverence by featuring his character for nearly a decade. Additionally, in acknowledgement of his unparalleled level of innovation, the Smithsonian now hangs his board on display, and he was chosen for one of their coveted professional fellowships. In addition to his contributions to the craft of skating, he's been just as influential on the business side of things. He holds two patents for his revolutionary skateboard and truck designs, and his current company, Almost Skateboards, which he co-founded in 2003, has been thriving for 15 years already. Prior to that, he had co-founded World Industries, the most successful skate company of the '90s. His insights into the nature of progression itself has made him one of the most sought-after speakers on the topics of innovation, mindset, and the staggering drive that it takes to be great. So, please help me in welcoming the two-time TEDx speaker and member of the legendary Bones Brigade, the godfather himself, RODNEY MULLEN. YEAH, GOOD TO SEE YOU. THANK YOU SO much for being here. Wow, that was an intro. That That is a well-earned intro, man. And as somebody who's been watching you since I was a kid and desperately wanting to be able to do the kinds of things that you do, but couldn't and wasn't able to break through the things that hold me back. Um I want to start with an idea that I heard you talk about, which is the barrier of disbelief. What is it that holds people back? One thing that happens all the time in skateboarding and like four-minute mile is cited often. It happens. Best dudes around the world can be striving after one particular trick. Finally, one guy does it. And then the rest just come like lemming. Rarely is it a question of talent or technique at those levels. It's just one of belief and the concomitant will to kind of do something that either no one's done before or even more, I think, to crack open the barriers that people considered impossible or undoable. And that kind of belief, I think, is rarer than talent. Talent is it's around. And to have them both at those levels, there's only a few people that that really have that, I think, in the history. They're the ones that have really changed things. So, how can you build that sense of belief? That's the thing that I find so fascinating about your story is I get it when when you become part of Bones Brigade and you're around all these other guys and they're all pushing and innovating, I get how you guys get better. But, all of them say that you were the one that progressed the fastest, but you were the one that was almost always isolated. So, how in that isolation on the farm in Florida, how are you able to create that belief in yourself? It is easy to say, and I think it's smothering to say, and often there's a culture of saying that if if it cannot be proven, it must not be possible. And the big takeaway from that theorem is that there's lots of things that cannot be proven, though they are correct. And I think that this idea too is skating that because we see things so often in front of us the way that it should be done, and it imposes a kind of barrier through what people know and see, a familiarity. But maybe you can change something within you that can be just outside a new set of axioms. Some new skill set that will take you further, and I think that that's the history of development, certainly when it's skating. Yeah. I want to talk about when you So, freestyle essentially dies, becomes uncool, which I want to talk about the emotional loss of that in a minute, but for right now, um you decide that you're going to become a street skater. You're going to reinvent yourself. And one, what does that process look like? And then two, how did you come up with the idea to become formless? Where do I begin with that? Freestyle was never cool. Uh and when I made the turn, it rode into the ground. I won So, when you win a contest, that's good. Feels good. Especially the first time. After that, you are protecting. There's sort of only second place. Actually, there is no second place. There's only losing. So, contests were a big thing in a number by your name. That was important. So, once you're on that treadmill, you're on it, and it it militated against progression because it forced me into a pattern of consistency. Do this best in show. Again and again and again and again make this. To me, that's never what drove me. It's interesting how getting what you think you want can end up being the force that pushes you into pinch yourselves into a corner, pushes you into a groove. It's something terrible to be top of the mountain, I'm the best, I'm the king guarding it. With the Nietzsche quote, right? What's left for you when you make it to the top? But, lightning, you know? So, knowing that that grain of sand by grain of sand progress is so brutally difficult, and it's hard in anything, but in skateboarding it comes with broken limbs and pain and an just an ungodly amount of repetition. People said you used to practice 9 hours a day. So, what drove you enough to keep pushing? I'm easily amused. You know, when you're looking at everything I I it's such a gift to be able to look at something and to love it for the sake of it. And nurturing and maintaining that is one of the hardest tests of any pro, much less for anyone to find, right? What if the Beethoven who never found his piano or harpsichord or, right? And like, so for me, I had an intuitive yearning that skating was for me. And when I found these movements and the little subtle things that no one was pointing me, telling me what to do because I have such a visceral push against being told what to do. Especially for this, you know? For the joy of what I'm doing, you're going to tell me what to do. I struggle with that. There's days you want to go out, it hurts, or you're sore, or you just suck. You you you're not making progress. You're ramming into the and you feel defeated. Like, sometimes after filming tricks, it would be everything I could not from wanting to turn my car off into the Do you know what I mean? Like, you take it that personal. But, that's that's the nature of love, you know? It's got hate in there, you know? It's got pain in there. And it draws you to it. That's the magnetism. That's what I guess I I have that. I've nurtured it in my life. I see people with talent, with all those things, but the one thing they don't have is that just love for doing it for the sake of it. And the sense of obligation to do something with what you're given, you know? There's something to that. It's important. I think getting what you want quenches the fire that got you there often. Unless it's something replaced by something more permanent, which becomes more intangible. I think the successes of winning, right? You want to be the best in the neighborhood. And then win the local contest, and then whatever, whatever. It's It just keeps going up. And then by the time you get there, you can have a stadium screaming your name. It's actually happened a couple of times to me. And there is a visceral exhilaration to it. There is. I've experienced that. I know what that's like. You land a trick and there's it just lights up. It's crazy. But, at the same time, it's hollow. It's hollow. That's not the thing that can drive you, at least not for long. It's being able to say, "Oh, I had that. I had a model." Or I had people auto whatever all of these honors Eventually that stuff fades to just static and you're left with you and your board. And if you decide that that's what you love, that's what you're doing, then your days are numbered. And so the trick is to always peel back of why am I doing this in the first place? Oh, yeah. I still like I'm still that kid on the farm, you know, and I cling to that. Even the things that hurt, like the things that I grew up with, the things that still like I got issues, you know? But I nurture them. That's what gets me out every night. That's interesting. Tell me more about that. What do you nurture? It's funny, you know I things weren't great inside the house at home. Everybody's got a story. Mine's not more severe than the next guy. Everything's relative. I'm not saying I'm different. But there are things that it fractured something in there. And for whatever it is, I got I I need to get away. And I got some stuff that I need to work out. And skateboarding has always been that sort of meditation and it's a meditation, you know, like where you know, I'm on a Marsch, like like some of like death metal, you know? Which is the only thing that sounds like music. Right? I get to heaven. I expect that to be played at the pearly gates. Because somehow it connects with something in my soul. Or some of the like stiff little fingers or the things that there's tumult in there. Because that's what's resonant for what's inside. And so I stay in tune with that. I nurture that. Because that's part of what fuels me. It's probably not healthy. It's not healthy. What else am I going to do with it? Why do you say it's not healthy? That a lot of people would agree with you on that. Yeah. But why do you say it's not healthy? And then nurture it in yourself. I think because it leads people to do a lot of stupid stuff, like drink too much or take drugs or fight or smash something, you know? Does it lead some people to be the greatest of all time? Absolutely. I It's probably more than anything else. Like everybody's got their stuff. Whatever it is. An ability to see patterns. Or some genuine like there are guys like I know gnarly guys like they do the big rails and I'm fascinated by it. Some guys are scared to death and they overcome it anyway. I guess you would call that courage? And for the life of me there are at least a couple that their eyes don't dilate. They just I know one guy in particular it's like oh okay this is what you very robotic click does it commits first try. It's nuts. Different skill sets do things for different people. Point being is the beauty of skating of all things. All shapes, sizes for the most part. It's this a mixture. It's everybody has a unique set of variables that they can put in place and express their individual identity in a form of call it greatness. That's something to be remembered. That's what you look for. No question. One thing that I want to talk about is So over time you had these injuries where your femur was grinding into your hip and basically they just said want to hang it up. Now is the time. But instead of doing that you spent years if I'm not mistaken breaking the scar tissue apart in an insanely painful fashion. Um walk us through that. What was that What was the process? How long did you stick at it? Yeah. That was heavy. You know? I remember I used to talk to Tony a lot because we're you know, he's he's close. He's Tony Hawk is it? Hawk. Yeah, he's good as people come. He's so smart. And I had scar tissue that somehow got around the joint. And so every time you'd flex muscles and the biggest ones in your body, it would pull the femur into the socket and it would grind maybe 20 times a day, turn over when you're sleeping, whatever. Again, brake to accelerator you'd feel a little And it was worse than worse to the point where you couldn't fall and roll. And if you can't fall and roll, then what are you going to you can't skate. And I went to the doc and flew me to East Coast, took a bunch of pictures, friend. And he said with his eyes what he wouldn't say in words because he cared for me so much. That he gave me this little tool, basically they can't cut you open because there's so much that generates more. So, what do you do? This is what retires people, scar tissue. And you've got to the point where it's going to grind off the head and any bones grinding, it'll calcify and stick, right? So, that's what was happening. And I remember when it stopped moving like a ball and socket to more of a stick shift. So, I'm hobbling around and things are pretty dark for me. And if you're champ, if your whole identity is expressed through what you do, and then it's gone, well, you become a mess. A lot of people do, we see it. Right? Child actor, first thing in mind, what is it? And they showed me that you can like a masseuse's elbow the fascia, fascia. The pressure on it is the only thing to deactivate it so you can pull a little bit. So, I started sticking this little plastic thing that I started breaking on posture curves, which are awesome. And I would realize that it's relaxing stuff and I can get my leg around particularly fire hydrants because then they have those they have the separate stems. And you can put them in you and then you can reach over and stretch and then get leverage cuz I'm not that strong and so then you can use your body weight as leverage to pull things and then you start to get to discern over this is an hour or two of a day and you use your skating is like a micrometer. When you're walking you don't know your bounce but if you're on a board or a tightrope you know your bounce. And so I would pull pull pull and I would find there are strings. You can tell it's not you. You're like, all right. Gradually pull. This is after hundreds of hours you get more courage and you become Everything you need to know has already been said. Right? Is desperate people do desperate things? And necessity is the mother of all invention. All you need to know. I was desperate and I needed to break free. And so I just ratcheted up. And it takes a while to get used to the pain but you just keep It's like all those karate guys kicking bamboo. You get tougher. Doesn't make you tough but you get tougher. That that is a crazy example of how driven you are and how much this means to you and how much it's become a part of you. I mean literally when I think about you hanging upside down in the truck and that this searing pain becomes a moment of joy for you it makes me ask one simple question. Why'd you throw away your trophies? Yeah. A couple of reasons. It is no disrespect to people that have their trophy rooms and all like I get that. I do. This is all like my issues growing up the way I did. I never wanted to look at those dusty things and say that's what I was. To ever have the inclination to have point other people do it and say, "Hey, look what I was." I am what I am. You know? Because ultimately, look at what kids do now. That stuff is irrelevant. Cool, you did a kickflip. Everywhere I look, they're doing it. You know what I mean? Kickflip front crook, easy, you know? And look, I'm honored people give me those respect. but that stuff moves on. And I'm honored and and fortunate that I came in where there was a blank canvas. And so I'm given credit. I thank you. I appreciate it. I do. But the joy I get that I could create some of the vocabulary for others to express themselves, that gives me a connectedness. I think a lot of skaters are kind of outsiders. I think a lot of us are outsiders even at least in some way, right? You can always find something. And so that just means when you find a connection with someone, it means something, right? Because they don't come easily. So I'm privileged that I created I created I started a few some tricks and then other people have taken it more and that's turned into a vocabulary for others to express themselves. That to me is like a living trophy. Cuz everywhere I look, I see and I feel that. But as for those things, you're number one, number one for that? Like most of those contests, I didn't even give all I had. I just played it safe. Those are representative of me being conservative, not doing what I could have done. Because I just wanted to win. Because I was afraid. I looked at trophies like that. Have you broken out of that desire to just play it safe and win? That helped me. I can't say that I'm cured. I'm human, I'm insecure, I'm all these things. You know what I mean? Put me in a new arena and I'm You know what I mean? Like that's human nature. We're always fighting. I don't think anyone ever gets to the top mountain and kind of hovers, you know? Oh, I'm enlightened, you know? But I'm better. I'm not as tethered. What lights you on fire outside of skating? A lot of things again, the gift of being easily amused. When I couldn't skate, I went back cuz I have some math background, biomedical engineering, whatever through chemical. And it's like, how do I put this analytic stuff I have a I didn't have to study as much for some of the courses that were analytic. And and I fell in love. I love puzzles. Skating is a puzzle. I started just building computers and playing around. I was actually never fond of computers. But then when you start building them and nerding out and that that's cool, but then that's just Legos and and then I discovered Linux. Different operating systems, it's all rogue. It's all open source, hacker community. Doesn't make you evil. It's just knowing something so well they can use it in ways it was never intended to be used and create something new in the process. I think, well, that's street skating the whole time. This culture kind of rogue it's got some dark spaces but it's got a lot of light and it's gritty and it's underground and I connected with it and I fell in love with that community. And and yeah, I I still I think that stuff's cool. you know? I do. But there's lots of things, you know? Ultimately, just people with character. I try to surround myself more with age. You spend so much time focusing on being good at one thing in the business that takes a lot of time. And then the friends you develop through what you do. If it's through sports, sports, something that requires a strong body that is a ticking time bomb, then when you don't do that, the friends that you love and share this experience and love, and it's a rare experience. And there is a brotherhood to an extent, over hyped in other ways. But when you're not skating with them, you don't see each other. And so finding friends of similar character and heart, that's important to me. I strive for that. You know, the greatest thing that's ever happened, I think, most humbling, Make-A-Wish is You get called up. A great great foundation. Some poor dying kid, for whatever specs by all the metrics of modern science, is probably not going to make it. And so he gets a wish. Lots of kids are really young. They don't know what they're asking for. One of the ladies told me that one kid wanted to be a superhero. So they dressed him up, took him around the city, he solved the crime, they brought him into the city council meeting. You know what I mean? Like they're kids. And when you get the call from them, that hey, this is some kid wants to meet you because dude, it's It's reckoning because whatever you think you've done that's cool, in that light, you realize it's not. It's not. You are officially a fraud. I skate. I roll around. I do tricks. Right? I do maneuvers. What is that? Magicians and prostitutes do tricks. And you go meet these kids and I'm terrified. And it's always the parents. They see you first cuz they're waiting outside the hospital. And you're like, "Oh, it's embarrassing." cuz you're an adult. You know that he's looking at you and going, "You?" And I'm like, "Your kid." But it's actually not that way. Because they meet you with these loving eyes like, "I don't give a crap who you are. My kid wants to see you. Make your way to the hospital room, man." You get choked up thinking about it like depends. Sometimes cancer attacks people and they kind of seem fine depending what type something that's attacking. They're all going to die. For the most part. One most memorable to me, mom had this white blonde hair. I get in and they're unplugging the kid and he's so excited. He's jumping out of the bed, right? And the nurse is getting scared because hey, watch this stuff, you know? And he just runs and jumps into my arms. And all the anticipation of you're an idiot. You're not just goes away. Because ultimately what it boils down to is he's supposed to meet you. You just become like a lightning rod of something that he loves. And I do, too. That like So you talk about stupid stuff. You know? Favorite pizza. Favorite tricks. Whatever. But you share this unspoken connection. And whatever he thinks you are, that stuff vanishes because it becomes what you are in the moment. What kind of man are you? And are you able to be there? And that is something that I take with me with age, with success, that what you do in these reflexive couplings shapes you. You shape it. It shapes you. You don't disconnect from that. You just tumble forward. Over time, you become what you do. And you find hopefully at the end of that process, you're not insufferable. That you actually have something to give and can be present, you know? So for all I've done, I appreciate. I don't look at it as much. It's a long time ago. I go out like believe me, I'm going out after this. I'm going out tonight. And I'll go out cuz I have something right now I can do. I'm close. If I do something, if I get it, I'll film something and that'll mean everything to me and I will. But ultimately, it just goes out there. It's just what you do. You just become one with that. I think that's been a key for me of why I've been able to sustain this fire that's so seemingly easily quenched. You know? And so when I see people who have had success, I see boredom for the most part in them. And then I see a tombstone. And circling back to what trophies and those things represented, right? Feynman, great physicist said that is the Nobel Prize would be the tombstone on all great work. Just look at it. I haven't done the study of Academy Awards, right? But usually when you get what you thought you wanted, the fire goes away. So, if there's anything, just find joy in what you do for the sake of it. And then recognize how you're being shaped in the process, and hopefully you become a better man through it, you know? Rodney, that is astonishing. Thank you so much for sharing that. Before I ask my last question, tell these guys where they can find you online. Oh, hm. I'm so addictive, easily amused by nature. I won't allow myself to have the apps. Um, just I know my name, it's out there. You type in Rodney Instagram, whatever. There it's out there cuz I write send it to my manager, he posts that crap. Um. All right, perfect. We'll put links to it in the show notes. Okay. My final question, what's the impact that you want to have on the world? I'm honored to have had the rippling impact that I have helped formulate the language of a community where others can help shape and express themselves in a process and connect. That to me, for people like me, that doesn't come easily. But ultimately, I just want to be a good man, you know? You ever hear that goofy internet thing of found it's the stupid stuff that people send you? Can you name the last Nobel Prize winners and Olympians, right? But you can name the fifth grade teacher that had faith in you, right? It's the people you touch singularly. That's a bigger test in a way. I love that. Thank you so much for coming on the show, man. That was incredible. Absolutely incredible. Guys, there are few people that I've stalked as hard as this man to get him on the show. Uh there's something about the way that he thinks, the way that he looks at the world, and what he has accomplished in the past, and what I think he will continue to accomplish in the future. It is utterly breathtaking. And the the level to which he is driven by obsession, by desperation of his own admission that there are just things that he absolutely must make come true in his life. And I resonate with that so much. And I hope that you guys do as well. And the notion of turning inward, the notion of shutting out the noise, and going inside of yourself to create, to build something new, to break through the barriers of disbelief, to be able to create in your mind a willingness to believe that you can do something that is possible for me is the ultimate intoxication. It's the ultimate thing that each of us should try to be chasing. And then to have that wrapped inside somebody who's only finish line is to be a good man is pretty extraordinary. This is one of those people I know he eschews social media, but go out. He's done some interviews. They are breathtaking. Read his book Mutt, How to Learn Skateboarding Without Killing Yourself. In it are life lessons. There's just no other way to put it. And they are extraordinarily beautifully shared, raw, and something that I think that you will all be able to take something away from. All right. If you haven't, be sure to subscribe. And until next time, my friends, be legendary. Take care. Rodney, thank you, man. Everybody, thank you so much for watching and being a part of this community. If you haven't already, be sure to subscribe. You're going to get weekly videos on building a growth mindset, cultivating grit, and unlocking your full potential.