How to Find the Superhero Within | Darryl "DMC" McDaniels on Impact Theory
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Darryl "DMC" McDaniels, a legendary figure in hip-hop history and one-third of Run-D.M.C., joins Impact Theory to discuss his journey from obscurity to icon status and back again through profound personal struggles. Born in Hollis, Queens, DMC rose to fame alongside Rev Run and Jam Master Jay in the early 1980s, becoming the first rap group with a top ten single, gold records, MTV playtime, their own sneaker line, and magazine covers. However, despite these monumental achievements, he faced severe depression, suicidal thoughts, and a neurological condition called spasmodic dysphonia that caused him to lose his voice. His world was further upended when he discovered he had been adopted as an infant, leading to a downward spiral of drinking and isolation until the song "Angel" by Sarah McLachlan saved his life in 1996 or 1997. The turning point occurred during a trip to Los Angeles for the Clive Davis Grammy party, where DMC refused to engage with celebrities like Stevie Wonder and Alicia Keys while listening exclusively to Sarah McLachlan's music. He eventually approached her after she arrived at the event, telling her that her song was so beautiful it felt like God rather than an angel because of its power to heal him. She responded by saying, "That's what music is supposed to do." This experience taught DMC that feeling good about oneself and one's existence is paramount; without that internal sense of well-being, relationships and success cannot be sustained. He realized he had been using alcohol to cope with the trauma of his adoption rather than celebrating a new identity, leading him into rehab where he discovered underlying obsessive-compulsive disorder and anxiety. Drawing inspiration from comic books read during his Catholic school years in Hollis, Queens, DMC founded "Darryl Makes Comics," an independent company designed to empower others through storytelling. He explains that comics taught him early on how to define himself with adjectives like Spider-Man or Hulk, a lesson he applied to his own identity as the "Devastating Mic Controller." His editor-in-chief, Riggs Morales, formerly Eminem's right-hand man at Shady Records, encouraged DMC to create this universe because it allowed him to educate, inspire, motivate, and entertain simultaneously. The resulting comic book series features a superhero named DMC who fights not only external villains but also internal demons like depression and addiction, reflecting the real-life battles DMC faced while sobering up from his alcoholism. DMC emphasizes that everyone possesses a superpower—a thing they love doing without paychecks—that must be cultivated daily to empower all other aspects of life. He advises against seeking validation through awards or social media metrics, noting instead that true power comes from speaking one's truth and refusing to let others define self-worth. Throughout his career, he avoided the typical "gangster" tropes of early hip-hop by rapping about mundane things like chicken collard greens, Christmas, and even being afraid of girls with lipstick, proving that authenticity is more powerful than fitting a stereotype. His message centers on the idea that revolutions begin with art and that individuals must find their own voice rather than waiting for someone else to save them or validate their existence.
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You got to find a thing that makes you
feel good and just continually non-stop
every day without a paycheck doing it.
And that thing will empower everything
else that you have to come into. You
have a superpower. You're so busy
overlooking it. You know what I'm
saying? You're so busy looking at what
that actor got or what that rapper got
instead of looking at what you got. The
only thing that I had was a desire to
create.
That's what made me who I was.
Everybody, welcome to Impact Theory. You
are here, my friends, because you
believe that human potential is nearly
limitless, but you know that having
potential is not the same as actually
doing something with it. So, our goal
with this show and company is to
introduce you to the people and ideas
that will help you actually execute on
your dreams.
All right, today's guest is one of the
most iconic hip-hop artists of all time.
Born in Hollis, Queens, he skyrocketed
out of obscurity in the early '80s when
he, Rev Run, and Jam Master Jay thrust
hip-hop into the mainstream, changing
the course of popular music forever.
They sold over 30 million albums, set
countless records, and blazed a trail
that all of hip-hop would soon be
marching down. But, no one denies that
they did it first. They were the first
rap group with a top 10 single, the
first to go gold, the first to go
platinum, the first to get played on
MTV, the first with their own sneaker,
and the first to grace the cover of
Rolling Stone and Spin magazine. By any
measure, today's guest is an icon. In
fact, the image of him in a b-boy stance
is the archetypal image of '80s hip-hop.
And yet, despite all of that, for years
he was so lost to depression that he
constantly fantasized about committing
suicide. And due to a neurological
condition called spasmodic dysphonia,
he was losing his voice, literally and
figuratively. His role as a hip-hop
pioneer seemed to be receding into the
past, and he had recently found out that
he was adopted. His whole world had been
violently upended. He no longer knew who
he was and he tumbled head over heels in
a downward spiral of drinking and
isolation.
But at his lowest moment he heard a song
so beautiful it reminded him that there
were amazing things in this world left
to experience. And while at first his
adoption had only intensified his desire
to die ultimately it was his salvation.
Wanting to help other orphans who'd been
adopted or were still in foster care
became his new purpose. He got sober,
founded a nonprofit Felix organization
and set out to help. And along the way
he's launched a comic book company
designed to provide some of the
empowerment he feels is missing in the
world. As he says, "Revolutions begin
with art." So please help me in
welcoming the man who was born to rock.
You can't say he's not. And in case you
forgot, he's the king of rock, the
legendary Darryl DMC McDaniels.
What's up, Darryl? How you doing? Thank
you. Thank you, man. Thanks for being
here, dude.
So crazy, I was at the New York Comic
Con. Ironic that comics would bring us
together. I'm absolutely obsessed.
Cool. I actually didn't tell you this
story. So I'm at the kids booth next to
yours
and I was buying his comics cuz he's all
about empowerment, which is my whole
thing. And I see on the wall he's got an
image of a kid with a DMC shirt
Yeah. running away from these aliens.
And he was like, "Man, you're buying so
much. Like pick one of those for free."
Right.
like, "Dude, you got to give me the DMC
one." And he goes, "Oh, that's funny
because he's standing right next to
you." I'm like, "What do you mean?" And
he was like, "That's Darryl DMC
McDaniels." Literally you and I were
like 8 in apart.
Really? But you had your back to me.
Right, right. So I'm like, "That can't
be true." He's like, "No, I'm telling
you it is." So that's when I tapped you
on the shoulder and I said, "We've been
trying to get you on the show."
Over. And you were super gracious and
said yes and here we are.
That was the coolest thing that he had
the kid in the shirt.
Yeah. In that world in that universe
that really existed. That that was
really um
um inspiring and flattering. Like that
Seeing that is better than getting a
Grammy and something like that because
that means you're part of an existence.
Yeah, that's true.
separate from the people. What do you
mean by that? Cuz you've talked about
that before. Yeah, like I don't want um
praise and awards and salutations for my
creations.
If you know what I'm saying. You know
what I'm saying? Like okay, I made a
record. You know, who's saying my record
was the best record that year? I don't
understand that, you know?
It's it's like I created it and it's the
the purpose of it is to touch
and connect with the people that it was
that it is supposed to connect with. You
know, I never looked at um
you know, a music as a thing to be
rewarded. I think it's more of a thing
that's supposed to be shared and
enjoyed. You know, when you look at a
band or you hear a song, you see a
video, or you go to a live show or
something, you're getting entertained.
But I don't think I don't even think the
artists realizes
what
this was created for. You know what I'm
saying? I never got to experience the
feeling of when people came up to me for
30 years, "Yo, Sucka MC changed my life.
Yo, Raising Hell got me through the
hardest times in my you know, in my
life. Man, I was in a dark place, but
when I heard this and that That didn't
happen to me until I heard Sarah
McLachlan's record, if you know what I'm
saying." And when I met Sarah McLachlan,
she said,
"Thank you for telling me that, Darryl,
cuz that's what music is supposed to
do."
That story has become pretty iconic in
your retelling of the depression and all
of that. It was pretty fascinating. Walk
us through that moment when your manager
drags you to a party you didn't want to
go to. You're in the depth like literal
I'm standing on a rooftop I'm thinking
about jumping kind of depths of despair.
It was crazy. Um what had happened was
we came up from Europe and I live in
Jersey now. So they had to book me into
JFK.
So I'm already a alcoholic suicidal
metaphysical spiritual wreck that's
about to jump and kill herself.
That was the last straw. I'm pissed now
cuz I'm coming into JFK and it just made
it worse. That just And as little as
funny that is it really made me upset.
And I'm not really an upset guy. Like I
don't get mad over stuff like that. But
it it was just that breaking point for
me. So I get in the car and the driver
is he's driving out of JFK and it's like
three lights before you get to the Belt
Parkway. So at the first light, you
know, we stop at the light and you know,
I look up at him in the rearview mirror
and he turns his head.
So we're driving again and you know, I'm
I'm going to kill myself. You know, I'm
I'm going through all these emotions and
stuff and I look up and he does it
again. So finally at the third light
when I look up he doesn't turn.
He looks me and I guess he got
discouraged. He turns around. DMC I'm
not supposed to do this but your music
saved my life. It got me through some of
the hardest times. You know, when I was
growing up and this and that. Please
don't tell my boys. Can I just get an
autograph? And I'm like, "Yo, cool.
Whatever. As a matter of fact, I'll take
a picture with you." He's like, "You
really?" So now he's open. So now he's
driving and he said, you know, cuz I'm a
rapper now. He turns to Silk the Shocker
turn the radio on. So he turns it to Hot
97 in New York City.
That was the last thing I wanted to
hear. My voice was leaving. I couldn't
rap. You know, and prior to that was
crazy. I was turning on the TV and I was
seeing rappers saying, "You know, when I
get 40 years old I might not even be
rapping no more. I have a company and
this and that this and that." So in my
mind I'm thinking is that what's
happening with me? Like I didn't know
what was going on. You know what I'm
saying? I'm going to be 40 soon. So to a
long story short, when they when I heard
hip hop in 97
Yo, turn it to any station except that
one.
And he turned it to Lite FM.
And I heard Sarah McLachlan's song
Angel. This was I think it was like 96
and 90 96. I think I believe it was 96
or 97.
And when I heard those pianos and that
voice
something in me said, "Yo, D it may be
effed up for you right now. You may be
feeling down and out like you want to
kill yourself, but if something this
beautiful exists, this is what a good
reason to stay alive."
And for one whole year, all I did was
listen to Sarah McLachlan records. That
went on for a whole year.
And then my manager Eric and my
publicist Tracy Miller, they was like,
"Yo, keep him busy. Keep Daryl busy so
he don't really kill himself, you know
what I'm saying?" And he's drinking. It
was It was getting out of hand. So, he
comes to me one day and he says, "Yo,
we're going to LA. I got two tickets for
Clive Davis Grammy party. Now, you know
Clive Davis Grammy party, everybody
looks forward to that, you know what I'm
saying? Like
people will sell their souls to the
devil to go. So, he looks at me and he
says, "Yo, I got these two tickets to
go, man. We're going to the Grammy
party." I said, "Nope, I ain't going.
Staying right here and listening to my
Sarah McLachlan." Just like that. That's
all I look You got to understand, it's
all I looked forward to. It was the only
thing in the world that made me feel
good. And he looked at me and he said,
"Yo,
I worked real hard to get these
tickets." The way he looked, I know he
went through a lot to get those two
tickets. I said, "Okay, I'll go with
you." So, we get in the party and Eric,
he's trying to be managed, but yo, go do
the red carpet. I said, "No,
[ __ ] I only came here just for
your ass. I'm sitting here 1 hour and
I'm going back to my room listening to
my Sarah McLachlan." So, he's like,
"Come on, D." And he's trying to "Yo,
people love you. People want to hear
from you, this and that, you You what
I'm saying? You you this and that, you
know, you're supposed to be doing this.
I took a chair and I put it by the door.
59, 58, 57, 56. The countdown has now
begun. So, he walks away frustrated. And
I'm sitting there like I said, Stevie
Wonder comes in. And the the joke is
Stevie didn't see me. Stevie's boy seen
me. So, Stevie's guide that has Stevie,
they're walking in and I'm sitting by
the door. So, Stevie's boy seen me. It's
real funny.
His guide turns It was the coolest
thing.
Turns Stevie towards me and I'm sitting
there. I'm hating. I'm like, Stevie
effing Wonder. Hope he bumps into the
wall and breaks his knee. I mean, I was
That's how far I was going cuz I didn't
want Don't come mess with me. I'm only
here an hour. I want to get back to my
room and listen to Sarah McLachlan. So,
Stevie comes over. Hey, how you doing
DMC? You guys are great. He walks away.
Alicia Keys walks in.
She sees me. DMC, I always see you
running Russell and this and that. I
never get to see you. It's an honor to
meet you. This and that. I'm like,
Alicia Keys. I literally said I hope
that This is bad.
I said I hope the piano falls and
smashes her fingers.
That's evil. That's just evil. But
that's where I was at. You know what I'm
saying? Cuz that whole thing this is BS
to me. This is [ __ ] to me being here
this and that. So,
she leaves and then Busta Rhymes comes
in.
He's the last person that I needed to
see.
CUZ NOW, LADIES AND GENTLEMEN, PAY
ATTENTION. THESE GUYS DIDN'T JUST CHANGE
HIP HOP. THEY CHANGED EVERYTHING. THEY
changed fashion. And Busta's making the
biggest scene ever. And I'm like, this
is the last [ __ ] that I wanted
to see.
So, he
he literally gets the whole lobby to
turn and acknowledge me. Woah. It's
crazy. And he walks away. So, I'm
sitting there. Guess who walks in? Sarah
McLachlan. So, it was
That That's that lady who made the song
that damn near saved my life and this
and that. Okay, D, get it together. Just
get get and walk over to her and tell
her what her song did. So, I'm walking
over towards her, and she sees me
coming. She's like, "DMC, it's tricky to
rock a rhyme, rock a rhyme, this Run-DMC
is tricky. My Adidas, huh." So, I'm
talking to myself. I'm going, "CD,
that's another reason not to kill
yourself. Even Sarah McLachlan likes
your song." So, I just go up to her, and
say, "Yo, Ms. McLachlan, the name of
your record is Angel. You sound like an
angel. People say you're an angel, but
you're not an angel to me, you're God. I
listen to your record 24/7 days a week.
When I go to the gym, listen to it.
Crazy, like I'm
every day, I don't leave home without
it, this and that." So, she's looking at
me with the kind of like,
"Okay, I just wanted to say hi to your
ass. I didn't want all this." But, when
I finished that, she looked at me, and
she shook my hand. She said, "Thank you
for telling me that, Darryl." And she
said these words, "That was That's what
music is supposed to do." She shakes my
hand, she walks away. The song
just had a vibe,
an energy. And that energy, that thing
that that song was, was the only thing
that made me feel good. And our lives is
about feeling good. Not about just who
we are, about just feeling good about
everything is supposed to feel right.
And I do a lot of talking on mental
health and stuff like that.
Mentally, spiritually, emotionally, all
that. If you're not feeling good about
every part of your existence, none of
your relationships will work out. That
record was the only thing that made me
feel complete.
When I found out that I was adopted,
what was happening was
I started drinking again.
And in my mind, I tried to rationalize
and say, "I'm drinking again because I
have celebrating the new found part of
my identity." Uh-huh. Which was, you
know, I'm trying to come up with some
excuse to drink again. And that was
going on for probably
like my wife know I was drinking, Eric
know I was drinking, everybody around me
know I was drinking, but it wasn't till
about
I would say
8 months when it started drinking
started getting out of hand.
And
you know, my wife finally she finally
confronted me. I love women cuz they're
so perceptive. She looked at me and she
said this to me. She said,
"Motherfucker, you [ __ ] drinking cuz
you can't handle the [ __ ] fact that
you just found out that you was
adopted." Wow. And I tried to deny that.
But she was 100% right. The rehab thing
allowed me to see what I was doing.
And then it allowed me to see why I was
doing it. And then it made me discover,
"Wow, I'm obsessive-compulsive disorders
and this and that and anxiety." And it
made me realize that when I first
started drinking it's because I thought
it I needed help to be
who I was trying to be with Run-DMC. And
the reason why I say that is because
when I went through rehab, now that I'm
sober, the things that made me feel good
I was able to see and feel again.
Like people think they need stuff.
I realized all you need to do is feel
good
about
who you are, but I'm talking about
really just feeling good. When you feel
good, everything
comes to you.
What had happened to me was this. I was
this little kid named Darryl McDaniels
from Hollis, Queens, New York born in
1964.
And um I got attracted to comic books.
I went to Catholic school my whole life
cuz there's always a source to go back
and find out where this comes from.
I went to Catholic school my whole life
in the middle of Hollis, Queens, New
York. There was St. Pascal Baylon
Elementary School. I wore a uniform. I
carried a big book bag that said St.
Paschal Baylon Elementary School. I wore
glasses. Before this is before I rhymed
to let them know my glasses is cool now,
you know what I'm saying? But I got
teased, bullied, and picked on cuz I
went to Catholic school. I was a little
nerdy kid, straight A student by the
way. Always on the honor roll, five and
six stars on the forehead, that. But
that in Hollis wasn't cool.
The public school kids are funny. They
like, "You got a uniform on? You go to
Catholic school?" They literally
thought, "Yo, your family's rich. They
pay for you to go to school. Run it."
So, I got my lunch money taken, all of
that. Me and my wearing my glasses back
then, it wasn't cool the way I made it
cool now. It was, "Hey, four eyes. Hey,
binoculars. Hey, spectacles. Come here,
huh? Did you see that?" Like life was
miserable. But I loved school. I was one
of those kids that couldn't understand
why the hell do we got to be out of
school from June, July,
August, September?
Why? I couldn't Because of that I was
considered weird. I didn't understand
why we got to have a break in school.
But for me, and I'll tell you what,
there was just something about the new
textbook and new pens, and this is new
pencil sharpener, the newness of that,
and then new white pages waiting to be
written on.
I used to smell the books. There was
just something about reading and writing
getting the knowledge and then releasing
it. Now I'm putting the connection
together. So, I'm this little kid.
I used to have to walk 10 minutes from
my house to get to St. Paschal Baylon.
It was the worst 10 minutes of my life.
But I made it to school. But when I was
in school, loved it, straight A student.
When that bell rang at the end of the
year, scariest thing for me cuz now I
got to make it back home. So, I got to
make it back home, get home, and take
off my uniform, and then put on my play
clothes so I could fit in. So, that was
my life. But, when I was home
my perfect world was this world of comic
books.
These superheroes, DC, and especially
Marvel. DC was cool, but Gotham and
Metropolis was fictional. But, I love
Flash. He was favorite to read and draw.
Superman, Justice League, all of that.
But, Marvel on the other hand was
brilliant cuz Stan Lee put the
superheroes in New York. So, when I
opened up a Marvel comic book it wasn't
my fantasy. It was real to me.
Why do you think I run about Queens all
these times? I live in Queens.
Spider-Man lives in Queens. Peter Parker
lives I could relate to that. And he's
smart.
So, comic books was my perfect world. I
was I was I was powerful. I was I wasn't
ashamed of being who I am. I fit right
in with Tony Starks,
Peter Parker, and David Banner. So, I'm
doing all these comic books. But, it did
something else. Now,
I went through all of this and then when
I got sober it awakened me to something.
It It made me realize, man, comic books
set me up for something that I didn't
even know was about to happen to me. And
what I mean by that was comic books did
two things for me. It made me a great
student cuz I was all It's all I did was
read comic books. If I wasn't reading my
comic books, I was doing some type of
homework. But, the comic books the
educators overlooked something. It was a
generation where take the comic books
from the kids. The kids shouldn't read
the comic books. But, they overlooked
the fact that by me reading these comic
books made me an excellent student. For
instance,
I learned about World War II in history.
But, I'll go home your imagination in
your mind is real.
Cuz Captain America takes me there. I'm
there. When you're reading something the
emotions is like you're there. I learned
about the sun, the moons, and stars, and
all of that. Silver Surfer takes me to
teach. I was flying around Mars last
night. So, it was just something very
powerful about that. So, I am a lethal
weapon when it comes to reading and
writing and all that because I'm
I'm learning words and this and that.
This is what comic books did for me.
Every comic book in Marvel gave the
character a title.
And Marvel taught me
to find yourself with an adjective and
then tell the world who you are. Such as
if I say amazing, you'll say Spider-Man.
If I say incredible, you'll say Hulk.
That's being instilled in me. And this
That was my whole life as a kid. All of
a sudden, 1978,
it was there already, but I'm still a
kid and that's when I noticed. This
thing called hip-hop comes over the
bridge. The DJs and the MCs and
It wasn't rappers. It was MCs and DJs.
The rap was a thing the MCs did. So, I'm
noticing all the block parties and all
the house parties and street parties and
stuff like that. But, I'm still not even
paying attention to it cuz
I'm into my comic books and stuff like
that.
And
all the older kids, my brother, Boobie,
and Anthony. I remember Anthony was the
first in our neighborhood to get
turntables in his house, like the park
DJs.
Then Boobie got a set of turntables like
the park DJs. So, my brother Alfred,
who's rolling with them, of course he
got to get some. But, me and my brother
Alfred, we got a problem.
We don't sell weed.
So, we don't got no money. But, we got a
huge comic book collection.
So, my brother comes and I When he
walked in the room, I knew he was going
to He said, "Yo, Daryl, I got this idea
how we going to get some turntables.
We're going to No." I was like, "No,
don't say it. We're going to do a comic
book sale." So, big brother is a funny
because we did a comic book sale and
check it out. When we was doing a comic
book sale, true story, we put up little
papers, handwritten signs, I spread the
word. So, So me and my brother, we get
enough money. We get the turntables and
my brother goes, "Yo, when I ain't home
don't touch my turntables."
That's some brother
oh shoot so it is but he would leave and
I would go in the basement. So I learned
to do the good times thing. So that's
what I was doing. I wanted to be a DJ. I
created this guy called Grandmaster Get
High.
Because you don't need weed or old
English cuz my my beats and music will
intoxicate you.
Yeah. So that's me. That was the
beginning of me manifesting things. I
was in the basement pretending
not that I ain't have no aspirations to
be flat flash does that. This is me
pretending to be with that guy did on a
cassette tape the same way I used to put
my favorite blanket on my neck and run
through the house I'm Batman and I'm
Superman. It was all make-believe. So
that's that's what was going on. My
brother comes home with Rapper's
Delight. This
now I'm like oh that rap thing goes with
that so I learned Rapper's Delight cuz
like I said I didn't want to be the only
kid in there. But then about 2 weeks
later
this was the life-changing moment. He
comes home with a red label record that
said enjoy in big black letters.
And he puts the needle on a record. Now
Rapper's Delight was three guys rapping.
One guy go, second guy go, third guy go.
Longest record was over.
He puts the needle on this record and
this thing said, "It was a party night
everybody was breaking and the house was
screaming and the bass was shaking and
it won't be long till everybody knowing
that flash." Now I heard
this thing
the DJ did did the good flash is on the
P box going
and did
It wasn't no hip hop the hip the hip and
shala na and then
Italian Caucasian Japanese Spanish
Indian Negro Vietnamese MC disc jockey
show fly kids for the young ladies and
this happened. Introducing the crew you
got to see to believe. Five different
voices. Well, one, TWO, THREE, FOUR,
FIVE MCS. One dude said, "I'm Melle Mel
and I rock it so well." And the next
dude said, "And I'm Mr. Ness because I
rock the best." And the third dude said,
"Rahiem and all the ladies dream." And
the seventh dude said, "Cowboy and I'll
make you jump for joy." And then the
fifth guy said, "Creole." And the OTHER
FOUR SAID, "SO LET GO. KID CREOLE
playing a role. Dig this with a Furious
Five plus Grandmaster Flash giving you a
blast of show enough class. So to prove
to you all that we're second and up,
we're going to make five MCs sound like
one. What the [ __ ] I'm sweating now." I
was like, "What the [ __ ] This is
crazy." I sat there. Yeah, right.
I sat there over and over and over and
over listening to that record over and
over and over and over. And I said, "I
got to write. I got to write this this
that thing the rappers delight thing
that these guys just did go with the DJ
Flash thing." So simultaneously I became
Grandmaster Get High and I was Easy MC
Easy-E.
And I was in my basement just
pretending. My whole career, all I was
doing everything I was getting from
comic books. Define yourself with an
adjective and then you tell the world
who you are, which is what these guys
were doing on here.
But mine's was going to go a little
further because I had something I was
drawing for.
Hearing them rapping, the graffiti that
was on the wall, the breakdancers, that
era that area early of hip hop was like
the damn comic book that had jumped off
the pages and got on the wall. Those
break The colors, the Adidas suits and
stuff like that. The personalities, it
was like super her- That's why I related
to it so much. But
the whole thing of make-believe,
make-believe, make-believe. Nowadays I
tell kids if anybody looks at you and
says you're into corny make-believe
pretend [ __ ]
you might get in trouble, stand up on
your desk in the middle of class and
beat your chest like King Kong and say,
"You're goddamn right." Here I am
pretending to be
a DJ like Flash and a MC like Melle Mel.
In my own world, I said, "I'm going to
become
Now, you got to understand. I was
sitting in my basement going, "I'm going
to become the most powerful entity in
this hip-hop universes." Mild-mannered
Catholic school kid Darryl McDaniels,
when he steps to that microphone, the
initials of my name is DMC, but he's no
longer Darryl McDaniels. He transforms
into the devastating mic-controlling
DMC. Then I was sitting there one day
and I was sitting there and I was going,
"Okay, Thor is the son of Odin
from Asgard. He's got a brother named
Loki
and he's got a hammer.
I'm Darryl Mc- For the For the mic
thing, I'm Darryl I'm I'm saying I'm
going to take that and put it with this
mic thing. I'm Darryl McDaniels from
Hollis, Queens. I got a father named
Byford and a brother named Alfred and I
got a mic. So, I'mma become son of
Byford, brother of Al. Penn is my mother
and Run's my pal. It's McDaniels, not
McDonald's. These rhymes are Daryl's,
those burgers are Ronald's. I ran down
my family tree, my mother, my father, my
brother and me. Hip-hop excited me cuz I
was like, "You could tell stories about
who you are over music?" So, my stories
were going to be written like
superheroes. Make a long story short,
12th grade comes.
We get guidance counselor gives us the
sheet saying,
"You're about to graduate. You got to
think about what you're going to be in
life and you time to grow up and this
and that." So, they put this sheet in
front of me and I'm like,
"I don't know what the hell I want to
be. I'm a kid. I want to go home and
read my comic books and write rhymes and
pretend to be Flash. What the hell?" I'm
a shy little kid, Catholic school kid.
Hip-hop was the thing that gave me power
to express
who I was, this and that, in a powerful
way. To so powerful that before that
Before I say specta- spec- spectacles,
oh, I got y'all now, [ __ ] This
mic thing is taking it to another level.
D is for doing it all of the time. M's
for the rhymes that are mine. C's for
cool cool as can be. And Roman said,
"Why you wear those glasses?" So I can
see. Shut everybody now. So now people
don't even wear want to wear glasses is
wearing glasses now. You know what I'm
saying? So that's all that I was doing.
What do you teach kids now about that
moment, about finding their real voice,
about not getting lost either in the
need to succeed or money or whatever?
I tell kids this a kid yesterday asked
me at Brooklyn Music School
and he he looked really serious. "Do you
What do you do with rejection?"
I looked at him and said, "There's no
such thing as rejection. There's only
projection.
If they didn't like what you did, go
home make another one and throw both of
those down and three. Do not be ashamed
of yourself.
Do not be ashamed of yourself. Now
that's hard.
Why? Because the way the world is. Um,
you know, um um social media.
Forget Before social media, you just had
the people in the neighborhood, the
bullies and the the jealous people and
all of that.
You got to find a thing that makes you
feel good and just continually non-stop
every day without a paycheck doing it.
And that thing will empower everything
else that you have to come into. How do
you cultivate that confidence? Like
you've said there's two things that seem
to give you confidence in your life.
Old English and then comic books.
Well, Old English was a false sense of
power. See, what's happening now in
America
Trump's not the problem. The problem has
been for the last 15 years here in
America
using disrespect, ignorance, illiteracy,
and violence, and negativity. That's a
false sense of power.
Who you are is the thing that's going to
break down every wall. For instance,
when I got into hip hop, the early
things of hip hop and
I'm able to talk about this because I
didn't say I'm going to do this. I had
to discover this.
In hip-hop,
early hip-hop was so-called black ghetto
music.
It was everything was a message song cuz
of the message.
Broken glass, aerosol, message one,
message two, life in the ghetto. We even
made it's like that in our times.
Everything was that. But I was sitting
there like, even in the dirt poor
ghetto, there's some good nice fun
stuff.
So, when I got over my house, I'm like,
I didn't say I had guns.
I didn't run sell drug dealers. I talked
about why I said DMC's the only MC that
could talk about chicken and collard
greens, St. John's University, and
Christmas and make it gangster.
I talked about my glasses. I didn't say,
you know what I'm saying? I didn't talk
about cars. Run over there, I got a big
long caddy. Just some running, just you
know, fly, you know what I'm saying? You
got to take your girl and say, I didn't
None of my rhymes say I'm going to take
your girl. Matter of fact, I'm scared of
your girl.
You know what I'm saying? I see some
lipstick and stuff, I'm [ __ ]
sweating. I'm out of there. I'm out of
there.
My therapist told me the power thing.
To give you all an example,
he said, "Fit I'm 35 years ago, you had
the power not to go down this big
catechism of depression." I said, "What
do you mean?" He said,
"When you would have said, 'I'm not
doing that record.'
You would have said, 'I'm not working
with that person cuz I don't like the
way they operate.' Or no, no, I don't
want to do a show for this guy and this
and that. He He He He He's against for
what I stand for. The first reaction of
the world is, 'Oh, you're going to walk
away from all this money?' And D, you
just say, 'The hell yeah, I'm going home
to read my comic books.' It sounds
cliche, everybody you have a superpower.
You're so busy overlooking it. You know
what I'm saying? You're so busy looking
at what that actor got or what that
rapper got, instead of looking at what
you got. The only thing that I had was a
desire to create.
That's what made me who I was. I don't
need to write this record to be on the
radio. I don't need to write the record
to be on TV. I I need to write the
record to get a check.
I'm going to write the record and I'm
going to feel good about it.
That's so important. What do you hope
people get out of the comic? Like you
could do anything at this point. You
have so much fame, so much attention
aimed at you.
And obviously, I know why you're doing
it because you love it. You've made that
really, really clear in this entire
interview. But what do you hope people
get out of this? Riggs Morales, who is
my editor-in-chief, and Riggs Morales is
a guy that um
convinced me to do the comic book.
I went for a meeting at Atlantic
Records. And it was a music meeting. Cuz
Eric's brother had an artist and he
wanted to shop. So, I go into meeting
with Riggs Morales.
And um Riggs, for people that want to
know who Riggs is, he was Eminem's
right-hand man over at Shady Records,
A&R in the rise of that great empire.
Riggs, cool guy, this and that,
legendary guy.
So, I go into music meeting. I sit down
and Riggs goes, "Yo, I'm usually very
professional. I never fan out." And he
used these words. "But DMC, man, you was
like my superhero, man. The way you
looked and the way you sound." And I'm
like, "Whoa." And And my joke was, "Oh
my god, I've been discovered." Cuz this
hip-hop thing has always been a cover
for me being a superhero. And he just
asked me, "Yo, what was it like when you
was a kid?" And I was like, "Oh, well, I
went to Catholic school my whole life
and all I did was read and draw comics."
He said,
"Comics?"
And I was like, "Yeah, read and draw
comics." He said, "Comics?"
I said, "Yeah, comics." We sat there for
3 hours and we talked about comics.
Marvel, DC, everything that just told
you, he told me what he was going
through, the whole thing, all of that.
This and that. And he was like just He
was like, "Wow." So, he said, "D, you
should do a comic book."
I said, "Nah, I don't want to do a comic
book." And he said, "Why not?" I said,
"Cuz I don't want to be a rapper that
just because I had a hit record thinking
I could do everything." And he rolled.
He said, "Yo, that's crazy. Like, wow."
He said, "Yo, that's very" But he said,
"Yo, D,
with your comic book" This is going
answer question. "With your comic book,
you can do everything you've always done
with your music and more in this form.
And I said, "What do you mean?" Educate,
inspire, motivate, and entertain.
And when he said that to me, all right,
I'm in. So, he said, "Yo, here's what
I'm going to do."
Comic Con was coming 3 years ago. I'm
going to take you to New York City Comic
Con. So, he takes me to New York New
York City Comic Con.
Now, remember, I'm sober and I'm went
through everything that I'm went
through. This and I'm feeling good about
my life. There was one missing
ingredient to to to complete the
transformation.
I'm walking in New York City Comic Con.
And I see all the comic books I had that
my brother made me sell. I see Lost in
Space. I see The Addams Family and The
Munsters and The Flintstones. I see
Bruce Lee in a kung fu movie. Everything
Everybody
artistically is made up of everything
that was visually and conceptually
presented to them through pop culture.
Who I am really sitting here in you, I'm
The Addams Family. I'm The Jetsons. I'm
the I'm The Brady Bunch after school.
I'm The Munsters. I'm all those comic
Marvel comic books and those DC comic
books. I'm Bruce Lee.
I'm all of that. So, I walked in there
and it just hit me. And we walked around
Comic Con and Rick turns to me and he
goes, and it's crazy. He's I'm I'm I'm
happy and done. I'm in heaven right now.
He's still thinking about what he said
in the office. So, he turns to me and he
said, "D,
um when we create this comic book,
what would you call your company?" And
I'm like, "What? No, we're going to
create it and take it to Marvel and DC."
He says, "No. Shh. You go shh."
He says, "No, D, you're hip hop. We're
going to be what Marvel and DC has
already been." I'm like, "Wow." Like
he's Now, it's just I'm nervous, but he
says, "Yo, you can't use Marvel. You
can't use DC. Can't use Image. Can't use
Valiant. This and that. What would you
call your company? And the reason why
I'm saying it's like this is like like I
said, everybody's so busy trying to let
me get this and this and I got to be
like
you know, I got to be like Bill Gates
and I got to be like this and that.
Everything that you need necessary to
totally be successful with the drop it
out.
Back to the DMC thing. It just came to
me.
Devastating mic controller. D was doing
it all of the time instead of Darryl
McDaniels. No.
I'm just calling my comic book company
Darryl Makes Comics cuz that's what I'm
going to be doing. So Rick is like,
"Yeah, I love that
He was like, "I love it." And so a year
later we had our first issue out. That's
awesome.
So
um
the effort that we put into stuff, the
effort that we put into stuff
could be
empowered to make it effortlessly if we
never forget who we are. And another
perfect example of that is this.
I went to every top throat doctor
in New York City.
I went to Lenny Kravitz's doctor. I went
to Mariah Carey's doctor. Now you know
if they can't fix your voice,
something's wrong. I go to all of them.
They do their tests, this and that. They
take the microscope x-ray and they look
me in my eyes and says, "Son, there's
nothing physically wrong with your
throat."
But my voice was leaving. I'm talking
about one time my voice was like
The last good thing that I got out and I
said if I do die cuz I'm still drinking
at the time, was the Sarah McLachlan
record.
And the vocal performance on that is not
good at all. It's just overshadowed by
what the record means. And that's a
powerful thing, too.
Your voice
your voice is not how you sound or
speak.
Your voice
your vibration is who you are in this
and I got away from that and I went to
all of these doctors. I mean, it was
crazy. And my voice didn't come back
until I got sober
and it didn't come back strongly till I
started
doing the till I started getting in the
room with Riggs and I got all my god,
Eric, okay, it's going to be the DMC
universe and it's going to be in the
'80s like you and this and it's fun.
It's going to sound like the '80s. It's
going to feel like the '80s, but the
question to the reader is it the '80s,
it could be the future. So, we going to
sit there. DMC is going to be the first
superhero from this DMC um universe. And
he's not going to be the only one, but
he's going to be the first one. And in
this universe is already going to be
superheroes there. But DMC is not only
going to fight the villains, he's going
to fight the
And that's all I did. And then we do it
and we finish it and people love it. So,
shoot, we got to do another one.
Then we go into another one and that's
what happened. What happened to me was I
stopped being Daryl.
So, Daryl stopped.
And then this brought you back. And this
this brought me just waking up and
creating again. And then it inspired me
to do music again.
That's awesome, man. Totally get what
you're saying about staying true to who
you are and that ties into my final
question, which is what is the impact
that you want to have on the world?
I want people not to be afraid to be
themselves, no matter what circumstances
they in.
Your situation doesn't define who you
are. You define who you are.
That's awesome, man. Thank you so much
for coming on the show. It was amazing.
Guys,
not only is he one of the most iconic
entertainers of all time, as you just
saw, he's one of the most incredible
storytellers ever. One, you're going to
want to dive into the comic, what he's
trying to bring to the world, that
through narrative, through everything
that we talked about today about the the
danger, legitimate danger of losing your
sense of self, that the way to get back
out of that is to refine that center, to
find a purpose, to have something that
you believe in, and that that is going
to be the path towards building that
compelling future, that thing that's
going to get you out of that. And he
said that he learned a lot in therapy,
and one of the most important things he
learned is you've got to speak up for
yourself.
And one of the most important things to
me, the thing that I find ironically so
exciting about superheroes
is the underlying theme that nobody's
coming to save you. That's what the
superhero understands, and it's the
superhero who realizes there is no one
else. And what I think is so fascinating
about DMC is he's been that guy for an
entire generation of people who realize
by hearing a voice unlike anything else
they'd ever heard rapping about not
being good at scratching, but being good
at drawing, which is one of his actual
lyrics. And he says the Easter eggs are
hidden all throughout his music and you
can go back and listen to them. The way
that he's describing superhero culture,
the things that superheroes does, and I
hope you guys heard and understood what
he was saying about that was his world
of make-believe.
But in making other people believe it,
he believed it himself, and he actually
went on to do it. So, the guy who
becomes one of the most iconic and
successful entertainers of all time, it
starts from creating something he wanted
to believe about in himself. So, man, I
hope you take that away from the
episode, and I hope that you dive into
this guy's world, the music and
everything that he's done outside of
that. It's absolutely incredible.
Definitely pick up the comic book. It's
amazing. You guys are going to love it.
All right, if you haven't already, be
sure to subscribe. And until next time,
my friends, be legendary. Take care.
My man, thank you so much for coming on
here.
Hey everybody, thank you so much for
watching and being a part of this
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