Helloween KAI HANSEN Interview" Solo Album "Born With A Hammer" New Helloween Album? & Reunion
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Kai Hansen discusses the release of his new solo album, *Born With A Hammer*, scheduled for September 18th, explaining that the project originated from a period of boredom during the pandemic when he locked himself in his studio to write purely for personal entertainment. Although the initial songs were not intended to fit the power metal style of Gamma Ray or Helloween, Hansen realized the material was too good to discard and decided to expand it into a full album with the help of former bandmates Andy LaPus, Alex Hoffman, Daniel Gildenlöw, and Tim Yeung. The recording process was notably relaxed and free from time pressure, allowing the group to refine existing tracks like "Wait and See" and "Wonderland" while adding new compositions such as "Triple Trouble" and "Feeding the Beast," resulting in a diverse record that blends elements of punk rock, Queen-inspired operatic structures, reggae influences from his time in Thailand, and traditional heavy metal.
The interview highlights Hansen's unique songwriting philosophy, which involves absorbing various musical genres—from Sex Pistols to Bob Marley—and processing them into his own distinct style rather than adhering to a single genre label. He emphasizes that while the album contains clear nods to Helloween and Gamma Ray, it does not feel like a standard release for either band because it was written without the specific mindset required for those groups; specifically, he notes that creating a true Gamma Ray album would require focusing on that band's identity during the writing phase, which was not the case here. This approach reflects his lifelong admiration for Queen's ability to seamlessly jump between genres like jazz, rockabilly, and metal with equal credibility, an influence that is particularly evident in the piano-driven intro of the title track "Born With A Hammer," which he internally dubbed a "humble Bohemian Rhapsody."
Beyond the music, Hansen reflects on his career trajectory, comparing the commercial success of Helloween's *Keeper* albums to his initial expectations and expressing gratitude for their status as metal classics. He also shares anecdotes about his early experiences touring in North America, describing the excitement of seeing American malls and air conditioning for the first time, a stark contrast to the payphone days of the past. The conversation further touches on the band's remarkable ability to maintain unity despite having multiple lead singers and veteran guitarists, which Hansen attributes to a unique family dynamic where members like Andy LaPus and KisK playfully harmonize and resolve conflicts quickly, avoiding the toxic egos that often plague other bands in their position.
Looking toward the future, Hansen reveals that Helloween is already 80% finished with a new studio album, with mixed songs sitting ready for release, while also planning a more relaxed schedule for Gamma Ray next year to focus on writing and potentially touring with his solo project later in the autumn. He expresses happiness about the current tour's success in South America and North America, noting that the band now plays arenas to over 10,000 fans, a significant improvement from their early days when they struggled for recognition in the US and Canada. Ultimately, Hansen remains dedicated to his craft as a prolific songwriter who writes primarily for himself rather than for fans or specific bands, ensuring that every project, whether with Helloween, Gamma Ray, or his solo endeavors, is an authentic expression of his evolving musical tastes and creative needs.
Read the full video transcript
Are you guys ready? Busy day.
>> Yeah, not so busy. I'm actually in in
Lima. We have two days off now before
the next show and um I'm just chilling
and doing interviews.
>> All right. Well, I got a cold, so excuse
the uh the broken voice. [clears throat]
>> I hope it gets better.
>> I hope so, too. I hope it's so, too.
>> Feel the power. Feel the boss. Feel the
metal noise.
Turn it up on the metal.
The boys.
[music]
[screaming]
All right. First time on the show. Kai
Hansen.
uh guitarist, songwriter, singer for
Halloween, as well as solo artist and
gammaray of course and a list of other
projects as we all know. New album's
going to be released September 18th on
your music and it's called Born with a
Hammer. Kai, I was kind of surprised. I
was kind of surprised you went with a
new solo album after all the W was it
did you feel that you didn't put enough
material on the last Halloween album
that you needed to express yourself to
come out with a or maybe this music was
supposed to be for the Halloween album.
>> Things progressed um during Corona
times. I got bored and there was not
much to do. So I sat down in my studio,
locked myself up and started songwriting
just for me myself and I without any
purpose and the outcome was nothing that
was not nothing that was really
Halloween or gam. I was not in the mood
for power metal or stuff like that. So
um I just did whatever I felt like and
after a while I had a few songs together
and uh I was like okay yeah well where's
this going to go? what I'm going to do
with it.
>> Um, because it was just for my personal
entertainment at first, but then I say,
"Okay, this is too too good to to just
put on the in the trash can or something
like that." Of course, the the the
obvious thought was then, okay, let's
put this on a solo album. So, I um
called the boys, AA and Alex and Dan and
so and Tim. I was like, are you guys in?
Let's can we are you in to do an album?
and they were absolutely yeah sure
absolutely let's do this. So um we had
my basics of the songs and uh then we
did a pre-production we added two songs
that were left over from the last
production Wait and See and Wonderland
finished them finalized them. Tim came
up with uh Triple Trouble and so things
and I with Feeding the Beast. So things
um started to fall in place and we
worked on it on a very relaxed basis. So
there was no time pressure. There was
you know nobody forcing us. Um which was
good. So we could just took all the time
in the world to just get to the point
when this album was finally finished.
And um now bam, it's going to come out
in September.
>> Why not? Like I mean I'm listening to
the album. It's very Kai Hansenanish in
terms of songwriting. It always is. You
know, you hear elements of Halloween
there. You hear elements of Gammaray
there. You hear elements of just Kai
Hansen in general. Why not just say, you
know what, I'm going to put it out as
Gamarray.
No, because I I don't think it would
have gone down well as a Gamay album.
Um, I could have done that, but if I if
I want to do a Gamay album, I really
want to have Gamay in mind while
songwriting. And that was not the case.
And uh, I think, okay, Gamay has always
been a band. We always had a lot of
diversity on our albums if you look back
into the history, but this one didn't
feel like a Gamay album. To me, it
didn't feel like a game. Even there is
songs like Invaders. Okay, this could
have been on a Gamay album. Absolutely
agree. Sure, no problem. Um, but still
even born with a hammer, it reminds me a
bit of the silence from the first
heading for tomorrow and in structure
and and type. Um, but still to me, this
was neither Halloween nor gamay.
>> All right. Fair enough. Fair enough. I
mean, tell me about the influences on
this album. I'm hearing punk rock. I'm
hearing Queen. I'm hearing
little sex pistols at the end of the
song. I can't remember which one it was.
>> It's I don't care. Right at the end.
It's got a little nuance of of Sex
Pistls right there.
>> Oh, I love punk. You know, I I when I,
you know, was when I was a kid when when
Sex Pistols and Ramones and and all
these punk bands came out, I was a big
fan. I I love I still love it. I I still
play it in my car and everywhere. And um
you know, I have a lot of influences and
I I like Euro Dance if it's heavy.
So you see some influences here, you see
some influences there. Reggie uh comes
from, you know, me hanging out on a
hammock in Thailand, which the
atmosphere doesn't fit doesn't fit heavy
metal. So I listen to Bob Marley. I like
it. I love it. So um all everything I I
consume in terms of music, I I I chew
down. I process this and now I spit it
out my own way.
You know, I notice your songwriting
always has a little bit of sense of
humor. Well, not all of it, but a lot of
the times there's always a little bit
and even that spilled over into the
Halloween sort of culture over the
years, right? I mean, is that mostly you
or is it mostly the other guys? I think
it's mostly you that had that humor of
Halloween and as well as your other
musical projects. I mean um I am very
much in terms of with Viky who who has
this kind of twisted and and funny view
on things and and but the whole band
Halloween we all have this kind of
humor. We we don't take ourselves and
things too serious. I mean we take the
music serious but in on the other hand
we don't Yeah. We're not the type that
oh you got to look mean and we have to
be evil and you know whatever.
That's not our type, you know. So, so I
always saw things with a wink of an eye
and um that that transfers in the music.
Of course,
>> a song like Born with a Hammer, you
know, that is like, you know, it's metal
meets Queen, right? It's obvious there's
your Queen influence there. Even in
Halloween, you could find part parts of
songwriting of songs that have a Queen
influence. But tell me how important
Queen was to you. First thing I heard
was like um the son of of a couple of
friends of my parents. He was like we
were visiting and then he was like ah
you got to listen to something and he
played sheer heart attack to me and I
was blown away. I was just like what the
[ __ ] is that? You know this is so good.
And since then I mean I've been
following Queen. I'm a big fan. I'm I
really have a lot of respect. uh the
their craftsmanship is amazing that
their voices everything. I mean take
take whatever. And uh it was the most
amazing thing is that Queen always
managed to jump into musical genres and
do them as if they were born with it or
if they were you know even if they
played metal it yeah it was credible. Uh
if they play jazz it was credible
rockabilly credible. So um that's what I
always admired about Queen as well as
other things. So they were always a big
influence on me. I mean Brian May's
guitar play the tone. Um so in Born with
a Hammer I I started the song on the
piano and I was just jamming around and
then I came up with this who am I and
you know the the intro. I was like okay
okay this um this got this Queen vibe
and this is going to be a more long song
I guess. and I worked in that direction
and internally I called it my little
humble Bohemian raps city
and um that's how it turned out to be.
>> But even songs like Skyfall, Majestic
songs off of the first, you know, two uh
Halloween first actually second and
third Halloween albums, you've always
had those big large compositions that
have always been speed metal mixed in
with some sort of rock opera-ish or
power metal in that vein, right? You've
always been there. You always had that
influence.
>> Yeah, sure. Of course. I mean if you
take the the first heading for tomorrow
gamay album uh the silence or heading
for tomorrow itself u I always liked
those longer
longer songs like more operetic with
twists and turns because the thing is I
grew up in the 70s and in the 70s um
there was a lot I mean if you listen to
old Deep Purple there was a lot of songs
with many parts a lot of improvising
endless solos and and stuff like that. I
always liked that and I pursued that. I
I put that into my music too.
>> Yeah. But then you have Invaders, right?
Now you're back to like the Judas Priest
brutality, right? Then again, maybe or
maybe walls of Jerichoish, right? That
sort of style.
>> I It's in my blood. I I I can't just
blend it out, you know? So it's it's
always as I said every everything I like
I chew down and um process it and spit
it out my way. Um so that's that's how
it came about.
>> You're pretty much a prolific
songwriter. I mean you're always writing
for Gamma Ray or this solo project or
Halloween.
Do you like to write a song a month or a
song a week? Are you're always writing
and thinking and what are you doing?
>> Oh I I have Oops. I have phases. Um, you
know that there's times I do nothing. I
I just I need to re refresh my
batteries.
>> Just wait a minute. Just got to put my
phone on the cable because the battery
is running low.
>> Um
>> I I always take my time off because um
you know the creative pool has to fill
up by itself. You cannot force it. And
then after some time I feel the need to
to write to to create to compose and
then I go and do it.
>> Do you get like are you getting knocks
on the door now saying okay we just got
to start thinking about new Halloween
material for the next album? Are you at
that phase yet?
>> Yeah. Normally it works for me like um I
don't when I start songwriting I don't
really think so much about who it is for
or something. Um I just write a song
because I feel the need. It's a it's a
very selfish thing actually. Um it's not
for the fans. It's not for Halloween or
for Gamay or something like that. It's
just basically for me.
>> Okay. When Okay. Go ahead. I mean, when
you look back at an album like this, the
first and the second Keeper albums.
>> Yeah.
>> How do you view them today versus what
you felt like when you when you first
recorded them?
>> When we did Keeper One, I mean, it was a
big step from the wildness of all of
Jericho to something more commercial,
more controlled, still heavy. And uh
I've learned a lot in this production. I
mean, basically, thanks to Tommy Newton
and Tommy Hansen, our producers. I mean
they they guided us through the whole
process and um that was that was
eyeopening for me in in many in many
ways.
>> Um looking back uh we still when when we
did this when we did keeper one at some
point it was just oh my god this will be
a good album. This is great. We're doing
something really cool here without
actually knowing that it would become
such a big classic one day, you know. I
I didn't speculate about that. I just
felt it it just felt right. It felt
good. And um well it turned out to be
and uh then okay the follow-up Keeper 2
same thing you know
>> you know as a young metal head at the
time when I bought those albums I go
[clears throat] this is like something
between Iron Maiden and Queens Reich it
was just you couldn't describe it right
it was just who would have thought like
we're talking about this album to this
day right I mean that's how influential
and and cemented in the metal head sort
of culture of that album is. I mean, I'm
sure everywhere you go, people just go
gaga over that album
or those two albums.
>> Absolutely. Yeah. Yeah. No, it it it it
became those albums became massive
classics and um Well, I'm thankful and
I'm happy about that.
>> So, yeah.
>> Well, we we did something right, I
guess. [laughter]
>> You don't know at the time, do you?
Right. You just do your best job and
whatever happens happens. Uh how's how's
the tour going?
>> Yeah. in Lima, Peru, right?
>> Oh, amazing.
>> Yeah. Yeah, we're in Peru now. We have
two days off and then we play Lima and
then we still got a few more like
Argentina and um
Brazil. Uh the tour has been going
great. I mean, we we play
arenas
like 10,000 plus people and uh the
response is amazing. People go
absolutely nuts. I mean I I'm sometimes
posting something on some on my social
media where you can see the enthusiasm
and and the passion of the people which
is really overwhelmingly great. Uh so um
we're very happy.
>> I was there in Montreal, Canada when you
played not even [clears throat] a year
ago and it was a great show in Montreal.
>> Oh that was fun too. Yeah. Yeah.
Absolutely. No, I really enjoyed the US
tour. US Canada was great. I mean you
know I remember the times when you
really
had a hard time too in the US and and
Canada was like small fry, you know, and
um so compared to to what it is now and
uh and we cannot be much more happy,
>> you know,
>> we're not at arena level in the US,
>> but hey, maybe maybe we have a chance to
get higher.
>> Yeah. You know, what was it like? You
know, you're these young German guys
going off to the North America, the
excitement. What was it like when you
first went on American or North American
soil for the first time?
>> It was super exciting. I mean, my God,
no man, there was times I I remember
Jesus. When you wanted to call home, you
had to you had to gather quarters and go
to a pay phone and you know, or Jesus,
that was a drag. Thanks to modern
technology, this is over. But, uh, it
was super exciting. I mean, we were
feeling like, you know, I've been
reading Donald Duck comics when I was a
kid and um and I felt like I I was in
Donald Duckland
[laughter] because everything looked
like it, the houses, the streets, and
and and you know, those wide spaces, the
big shopping malls, everything. It was
just mind-blowing.
>> Air conditioning, right? Air
conditioning everywhere. [laughter]
>> Oh, air conditioning. Yeah. Well, we had
to get used to that. I mean, it was so
easy to catch a cold call. You're
sweating your ass off outside and then
you walk inside a building and it's
instant freeze.
>> So, yeah. Well, not the best for
singers.
>> Oh, we had a great time.
>> And the and the and the language
barrier. Did you quickly develop a
better, you know, use of English? I
mean, is it frustrating being like
you're you're all Germans talking with
each other, but suddenly the world is
English?
Oh, that that was no problem because I
was used to English anyways. I I had it
in in high school as a power class. So,
um I graduated uh with with you know
having this as a a priority uh class.
So, um I was used to English. Of course,
I was not so much used to American
expressions and slang, but we adapted
quickly.
>> Yeah. Yeah. Yeah. Um, tell me about your
your relationship today with the
Halloween guys and you know what all the
bands like Van Halen and let's say Iron
Maiden they can't get all their singers
together but somehow you have that
magical formula in Halloween to somehow
get along. What is it? Is it a German
cultural thing? Is it just
>> No, I don't think so. It's it's just
like I don't it's very hard to describe
and and I would even call it a miracle.
I mean, when we started off and we
decided, okay, let's do this reunion
tour, we were like, okay, let's see how
this goes. Because I mean, we have two
alpha singers in the front there.
>> We have alphas on guitar and you know,
so um let's see how that goes. And um
>> Andy and and KisK, they harmonized from
the start that there was no no
competition in in a bad form in any way.
They were really playing pingpong and
they even went out for coffee together
and you every day [laughter] it was
really almost ridiculous and and we as
guitar players I mean me and Viky um
you know we're old dinosaurs. I mean we
have made our piece with any any thing
we had in the past. We we had some
clashes in the past but this was
immediately gone with Sasha. I had to
get adapted to him and him being him and
he had to get adapted to me being me and
um that was sometimes a bit of a rocky
road. Uh but basically it worked out and
now we're we're just we're just one
happy family.
>> It's almost it's almost ridiculous. Then
I look at other bands, you know, like
that that have separated and they cannot
get back together because they have
these severe issues and so God, guys,
grow up. Just put all this [ __ ] aside.
It doesn't matter. And you want to take
that [ __ ] to the grave.
>> No, have fun.
>> Yeah.
>> You know, overcome this. And we did. We
we did overcome everything that was
>> in the past. And uh we're just really
doing very very great. I'm so happy
about this,
>> you know. I'm also happy about your new
album. I really like it. I I think it's
a it's it's it's you've done a great
job. I can't believe for me, you just it
just you do Gamay, you do Halloween,
you're always writing and you're always
writing great material. You're a great
songwriter and this is another example
of of you know, Kai Hansen at his best.
And I love how you integrated all the
different styles. I love the reggae
part, by the way.
>> Thank you. [laughter] Me, too.
>> Maybe cuz I like reggae. I don't know.
But I love how you Oh, hey, look. I
sometimes go on holidays on a nice
beach, you know, whatever, Thailand or
whatever, and uh you lie in your hammock
and uh
heavy metal doesn't fit there, you know,
so you you put on some Bob Marley and
say, "Oh, yeah, vibration. Yeah, you
know, um I like that." And um that
that's cool.
>> All right, so it's going coming out
September 18th on your music. I'm
excited about that. Congratulations. Are
you guys also working on a new Halloween
studio album or is there any work in
progress?
>> Oh, there is a lot of work in progress.
There's actually a lot already
in the um in the box. We have already
songs that are mixed and um yeah, the
album is pretty much
>> pretty much already uh let's say 80% is
done.
>> Okay.
>> Ready to release. and Gamarray. Anything
going on there? It's been a while.
>> Well, of course I want to do something
with Gamay. I want to make a new album.
Um, so next year it's going to be a
little more quiet with Halloween.
There's only going to be some summer
festivals. So the first half year or the
first uh year until summer I'm free. Uh
when this tour is over and uh then in
autumn I'm free too. So, my plan is
basically, no promises here, okay? My my
my game plan is to get onto songwriting
and get the boys together and work on a
gamay album in the first half of the
year. And then I want to take my Hansen
project on tour in the second, like
after after the summer festival, some
sometime in autumn,
>> do not an extensive world tour, but do a
few nice and great shows. And uh that's
going to be fun, I guess.
>> Yeah, I think it's a great idea.
Actually, that was my next question. Are
you going to tour with Hansen Kai Hansen
group? But yeah, it's good.
>> I guess I'm going to tour with myself.
[laughter]
>> Yeah.
>> Yep.
>> All right. Born with a hammer September
18th again on your music. Thank you for
jumping on the Metal Voice.
>> Thank you.
>> All right. Thanks, guys. Uh Nick.
>> Okay. Yeah, that was dessert.