Video summary
The video discusses significant revelations regarding the true cost of becoming the Pirate King within the *One Piece* narrative, suggesting that the ending may be darker than anticipated. A key plot point revolves around Scopa Gabban's warning to Luffy: the title of Pirate King is bestowed upon someone whose death will be celebrated by the world. This concept introduces a bittersweet possibility for the series' conclusion; if Luffy follows Roger's path and dies after achieving his dream, the general population might rejoice at it, mirroring the celebration that occurred when Gol D. Roger passed away. The analysis highlights how this theme contrasts with Luffy's usual experience of gaining allies rather than enemies as he rises in power, yet from a global perspective, his existence is currently viewed as villainous due to events like the alleged murder of Dr. Vegapunk.
The discussion also delves into the mechanics and lore surrounding Emu's combat abilities on Elbaf, specifically focusing on the weapon known as Honibami Toshiro used against Scopa Gabban. This ancient blade, dating back to the Kamakura period in real-world history, is described not merely as a cutting sword but as a heavy naginata transformed into a weapon capable of crushing bones through reputation and intent rather than just physical force. The video explores theories that Emu's ability to summon these weapons from behind him may be restricted or randomized, similar to the character Kite in *Hunter x Hunter*, meaning he cannot simply choose any of the nineteen sacred blades at will but must use them sequentially as they appear before his next turn arrives.
Furthermore, the transcript examines a pivotal moment where Scopa Gabban unleashes Conqueror's Haki on an immense scale against Emu, causing severe internal bleeding and damage to Emu without direct physical contact. This display suggests that pure Concentrated Conqueror's Haki could be a specific weakness for Emu, prompting thoughts on how Luffy might need to blend the freedom of Gear Fifth with this concentrated power style in future battles. The episode concludes with Scopa Gabban losing his left arm during their clash and falling into the underworld alone, raising questions about his survival given that he is an elderly figure whose life force may be fading rapidly, potentially setting up a tragic moment similar to those experienced by Whitebeard or Vegapunk if Luffy fails to intervene in time.
Read the full video transcript
I think Oda just gave us one of the
biggest clues about the ending of One
Piece, which is all about the true cost
of becoming the pirate king. And mate,
it is much darker than I ever expected.
Before we do all of the things though, I
would like to say that One Piece is on
the cover of Weekly Shonen Jump this
week. That's not too unusual in and of
itself. I mean, One Piece it is the
flagship title of the entire magazine.
However, what is unusual is that Luffy
has been drawn as a spooky ghost, which
I do think is very interesting given the
content of the chapter, especially with
all of this talk about how the title of
pirate king is given to someone whose
death is rejoiced. This cover was drawn
for Oon, which is a festival
commemorating one's ancestors, and it
said that their spirits are allowed to
temporarily return to the world to
celebrate. But again, I find it both
intriguing and a little bit eerie given
the content of the chapter, which is
also reflected in the title of the
chapter, which we'll get into very
quickly as we pick up exactly where we
left off with Scopa Gabban rescuing
Luffy and putting on quite the
impressive display against that there
emu. I tell you what, made as much as
Emu tanked some attacks from Scopa
Gabban, Luffy had it worse. He got some
pretty tough love in this chapter from
our missionary. In fact, if you saw a
lot of these pages out of context,
Gabban almost looks like the antagonist,
just the way that he's, you know, he's
holding Luffy by the neck and just
tosses him away. It's almost reminiscent
of when Jinbe had to restrain Luffy by
the neck after Marineford. Back then,
Jinbe had to remind our Luffy that he
still had his crew. And in this chapter,
Gaban needed to remind Luffy that the
lives of his crew are all on the line
here, so maybe cool it with all the
weird genie stuff. And Gaban says
something that will no doubt go on to
become an iconic piece of One Piece
dialogue, which is that the pirate king
is a title given to someone whose death
is celebrated. The higher you climb, the
more enemies you gain, which is
generally quite the opposite for Luffy
from our perspective anyway. The higher
he climbs, the more allies we see him
make. But that is not necessarily true
from the perspective of the world at
large. Remember that Luffy is
overwhelmingly viewed as a villain of
the planet with his most recent alleged
act of sinister being the murder of the
beloved Dr. Vega Punk. Most of the world
believes that Luffy murdered him and so
Luffy's death would right now be
celebrated as a good thing by the
general population. That may change in
the future, but right now, oh, they
would rejoice. And it makes me wonder if
the ending of One Piece may be somewhat
bittersweet. If Luffy does follow
Roger's path, you know, gains the title,
but goes all the way to the gallows just
like Roger did and Luffy does die and
the world rejoices. It's a pretty morbid
thought, and I'm not sure that Oda would
want to go out on that note. Even if
Luffy was to start another era
comparable to or even greater than the
golden age of piracy, but Gaban's words
could be a narrative omen. The title
that Luffy seeks, it comes with costs.
And I think this may be a line that we
don't truly appreciate until Luffy does
finally become the pirate king, or
perhaps not until the very end of One
Piece.
If you've watched this channel for any
length of time, then you'll know that I
have a slight tendency to be a bit
obsessed with fictional pirates, which
means that my office has gradually
transformed into what can only be
described as a museum dedicated to poor
financial decisions. But with the
occasional exhibit of fantastic
financial decisions, such as the sponsor
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So, you can and should check out Display
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recommended. But for now, it's back to
you, me. Thanks, me. So, good. He tosses
Luffy away and decides that he will
become the main character of the series
by fighting Emu. And of course, Emu does
pull out a new weapon for this chapter,
as he has in pretty much every chapter
since he appeared in his true form on
Elbaf. And I don't expect this trend to
stop anytime soon. Emu has access to a
total of 19 weapons that belonged to 19
founding families of the world
government that is scattered across the
highest tier of the empty throne. And so
far, prior to this chapter, we have only
shown and named seven. So, 12 more to
go. Well, 11 more to go after this
chapter. And against Copagaban, Emu
draws Hornibami, which means bone eater
or bone devourer, which is really bad
news for someone like Brooke because
this weapon seems like it would be
tailor made to remove him specifically
from existence. However, unlike most of
the weapons that we've seen so far that
exist purely in myth, Honibami is
actually very, very real. It's called
the Honibami Toshiro with the Toshiro
part coming from the swordsmith Toshiro
Yoshimitsu. And it was made during the
Kamakura period which is a century
approximately between the years 1200 and
1300. I mean not exactly. It started a
bit before and it ended a bit after but
in a European context we'd be talking
about the high middle ages. So it's
quite an elder blade and it was passed
down through a butt ton of shoguns over
the years. But it has all sorts of
legends associated with it. The
hornibami is said to be able to shatter
or crush bones by just being pointed at
someone or by pretending to cut someone
with it. And funnily enough, when I was
researching this, I stumbled upon a
Japanese blog from 2021 that equates the
legends about the hornami to the
existing sword techniques of some guy
named Rowan Noahoro from some obscure
manga series called One Piece. I don't
know, never heard of it. And the more I
read into this sword, the more I do
think that Oda has used its legends as
inspiration for Zoro's attacks, because
it's a sword that seems to do most of
its damage through reputation more so
than action. It's also kind of
interesting because it wasn't originally
supposed to be a sword. It was
originally a naginata, which is the kind
of blade that Whitebeard uses. However,
it was then shortened and transformed
into a sword, retaining both its name
and legendary status. And as a result,
it's quite a bit thicker, thick with so
many C's than your average sword because
it wasn't supposed to be a sword. Hence
why it is said to be so heavy and why it
crushes bones rather than cuts bones.
And in terms of where this falls within
the 19 families, the bone theme has
immediately drawn comparison to the
Yo-kai form of St. Ethan Baron of Venus
Jurro. particularly since it's now
speculated that in addition to each of
the 19 families having their own sacred
weapon, the 19 families may also have
their own unique Yo-kai transformations.
So the Botsu horse is the final form of
the Nusjura family. The spider would be
the Jarcia Yo-kai and so on, which would
mean that Figeland Garling may have a
new transformation, something that
represents the Figeland family rather
than just inheriting Saturn's old and
new spider form. That's a big maybe.
Nothing's confirmed. All speculation.
And look, I don't know if this uh this
bone connection is enough for me to
confidently say that yes, this is the
Nusura weapon. However, there is a 1 in7
chance of that being the case because we
already know the shepherd and remos
family blades. So, it's not all that
crazy. What is crazy is Emu's abilities.
Although there is an idea that we may
have already spotted a restriction on
his powers in the last chapter because
when we were introduced to the funky
axe, Emu was speaking as if he didn't
know which weapon would be appearing
next. And if you go back on everything,
this impression, it kind of makes sense
because every time he draws a new blade
from behind him, you know, behind he
can't see what's happening, but every
time he grabs one, he has to look at it
and confirm and go, "Ah, you. I remember
you." He has to name it before he can
use it. So, it could be that emu can't
just go ahead and summon any one of the
19 weapons that he wants at any given
time. It could be randomized or the
weapons have some other ordering system
to them. The example I would give to
illustrate this would be Kite from
Hunter Hunter. He has an ability called
Crazy Slots, which allows him to conjure
nine different weapons, but he doesn't
get to choose which weapon he uses. It
is randomized each and every time. And
Kite has to use these weapons before he
can return them and roll crazy slots
again. So, I'm not sure if that's the
same or a similar restriction to what
Emu has, but he is using each one before
he summons another. But in addition to
all of this action, Scopic Gabban, he
goes ahead. He drops his pants and he
shows some massive balls in this chapter
by naming Joy Boy in Emu's presence.
Gaban asks Emu if Luffy is really all
that similar to Joy Boy. Remembering
that whatever happened between Emu and
Joy Boy, Scopa Gabban likely knows that
story to some extent. the Roger pirates.
They discovered the truth of their world
on the way to laugh tale. And the first
thing that emo asks is what Scopaban
knows about him, which to clarify, I
don't mean him as in Joy Boy. Emu says,
"How what do you know about Moo?" Which
I have to say very self-centered. And it
sounds to me like there's a bit of a
secret to protect you. Something that
may be unbecoming of a being now known
as the world. And what Kaban replies is
that he knows Joy Boy's words, which
isn't very helpful to us right now. But
it does seem to confirm that Joy Boy has
left a message in the world. beyond his
apology on the Fisherman Island
ponoglyph. A message that may require
all 30 pornoglyphs to understand the
full scope of as well as whatever the
treasure is on L tail. However, I really
really like what Scopagaban says next,
which is essentially that he doesn't
give a [ __ ] He's not interested in some
dude from the ancient past and what he's
doing is strictly to realize his
captain's dream. It's a very Luffy kind
of attitude to have to not care so much
about the greater context about why
anything is happening, but to be laser
focused on a personal connection. So,
what Gabban actually says is that he
wants to see his captain's dream through
to the end. And then Emu, he gets a bit
curious. He then asks, "Well, who is
your captain, strange man?" Which, by
the way, before we get to that, Emu,
he's pretty damn chatty all of a sudden.
I'm not entirely sure that he should be
because it's been a little bit. However,
in this chapter, Emu, he starts his
mysterious bleeding again. It's a very
good reminder that something is going on
with Emu and that he is on a clock. And
in fact, when Scopa Gagaban unleashes
his haki, Emu doesn't just start
bleeding from his mouth, but also the
top of his head and possibly even his
eye. And this isn't damaged. Scopagaban
at this point, he didn't hit Emu with
anything, nor is it leftover damage from
being hit by Luffy or Loki. Because
every time we see Emu in this chapter
before this point, he has a perfectly
fine, clean face. But as soon as this
colossal burst of conqueror's haki comes
out, it is as if the pressure of that
haki is crushing Emu's body and he can't
help but leak out of every orifice. And
this is definitely Scopa using
conqueror's haki. Sometimes it's a bit
vague and difficult to tell in the
manga, but this is quite clearly a very
large scale of conqueror's goodness,
which is what Gabban noted was the
weakness of the holy night. And so there
is the potential that conqueror's haki
could also be a weakness of Emu as well.
And that might be why Gabban told Luffy
to stop messing around because in gear
fifth at the moment, yeah, Luffy does he
sprinkles in some conqueror haki every
now and then, but it comes secondary and
sometimes tertiary and whatever comes
after tertiary to what other weird
ability that he wants to use at any
given time. And Gabban here is showing
us what pure concentrated conqueror Haki
is capable of. So I do wonder what would
happen if Luffy fought Emu with the same
sort of mindset that he used to
originally fight Kaido during the raid.
There was a point during roof piece
where Luffy was almost solely using Haki
and it did become a bit of a conqueror
slugfest before he awakened his devil
fruit. And I don't love this idea
because it involves going backwards in
terms of progress. But that kind of
fighting style appears to be more
effective against emu than becoming a
cartoon. But what I think needs to
happen is for Luffy to blend the two
styles. One reason why I personally
rejoiced at the advent of Gear Fifth was
because a lot of the focus on Haki was
streamlining the fights and bordering on
making them a little bit boring, which
is what Oda felt as well. And that's why
he said he created Gear Fifth. So, what
we need is the freedom of the Gear Fifth
spirit with the concentration of this
conqueror spirit. And that combination
would probably give us something closer
to what Joy Boy was all those centuries
ago. In any case, I went on this tangent
because I thought that Emu was getting
real chatty for someone who, while he is
objectively superior to everyone else on
this island, still needs to accomplish
his mission here with the utmost of
haste. And stopping to have too much of
a chat with Gabban could be what allows
us to run down the clock and something
something save. However, upon hearing
that Gabban's captain was Goldie Roger,
we do have a small one panel flashback
from Emu, which is much more important
than you may immediately give it credit
for. It's a pretty standard shot of the
empty throne and the five elders, but
this one panel takes place directly
after Roger was named the pirate king.
And emu, he's having a bit of a winge
about it because Roger, he is a D, a
disgusting D, which tells us two things.
One is that as I've always suspected, it
was not the world government who had any
say in naming Roger the Pirate King. I'm
not sure where the actual genesis of the
title comes from, but my thought was
always that it was almost certainly big
news Morgans who chose to use it and
wrote two simple words that ended up
changing the world forever. And I still
do believe that Morgans's publicized the
title. However, this does make me
question some things because here Emu
says not to spread Roger's name, by
which he means not to spread the D.
because emu finds it abhorrent that this
filthy D is being celebrated which is
the decision that led to the very
beginning of One Piece where Roger was
referred to by the narrator as Gold
Roger rather than Gold D Roger. So I
find it quite cool that we get to see
when and where that decision was made
because it frames the entire series. But
also when Roger was announced as the
pirate king via the newspapers, this
change, this edict from Emu had already
been enacted in chapter 968. The Roger
Pirates are reading a newspaper naming
Roger the pirate king with the name Gold
Rodger. So it appears that the pirate
king title may have been spread by word
of mouth at first and before it was
published in the world economic journal
the world government got to Morgans and
they bribed the bird to make this a
small alteration to Roger's name. But in
any case after all of that chats scoper
Gabban yes he does exude his massive
[ __ ] and here Gabban's attack is called
Kamudo meaning divine gate. And this is
very cool because it appears to be named
in conjunction to Roger's most famous
technique, divine departure, which is
Kamadari in Japanese. So Roger and Scopa
Gabban both have an attack with Kamu aka
Divine in their name, which means that I
am fully expecting one silvery to
complete this trilogy and display his
own divine attack in the future. And as
a man who was able to learn divine
departure from simply watching Roger. I
also wonder if Shanks has access to all
of these divine attacks from watching
Scopa Gabban and Ray Lee. However,
Gabban then proceeds to use Yachi
Takaru, which is an amped up version of
the move that he used against Luffy and
Zoro in chapter 1,40, which was called
Yasco Takaru. The original move
literally means 80 tribal leaders, and
the one in this chapter means 8,000
tribal leaders. So, if you wanted to do
some, you know, some power math, the
move here that he uses against Emu is
100 times stronger than the one that he
pulled out against Luffy and Zoro. But I
do love that before Gabban unleashes
this attack, he apologizes to the
treasure tree atom because he had no
intention of quote eating it, which
refers to Scopagaban's mountain eater
epithet. The treasure tree atom is not
Ripley. But in the ensuing attack, he
cuts off some some pretty mighty chunks
of the tree. It is not a small amount.
It may look small because we see these
trunks fall off in a wide shot of Elbaf
and it's very easy to forget how big the
tree is when we don't see a giant for
scale. But I'm just saying if this is
collateral damage anyway, then I know a
certain straw hat who could make use of
this atom wood to perhaps upgrade a
certain thousand sunny. It's not just
the crew members who all need their
upgrades like Frankie's Cola, Sanji's
Haki, and Dusop's relevance. It's also
our ship which needs to carry us all the
way to the end. or use the wood to build
a ship for Loki or something like that
because it is such a large amount of
Adamwood and unless Elbaf plans on using
it as nurse logs. Then I think that Otis
having Gabban do this to make use of the
woods in the future. And you know what?
It might not be for the Straw Hats. It
may be that Elbaf itself uses this wood
to construct a fleet of ships to join
Luffy in the final war. However, this
chapter ends on a bit of a weird note.
After Gibban and Emu fall into the
underworld on the cutoff branch, we cut
to Loki's group and Usopp are sensing
something, which is the second time that
Oda has done this, Usopp is now being
used as Nami's guide as to what's
happening all the way over there due to
his amazing apparently observation haki.
So again, I think that Oda seems to be
setting Usopp up for something here with
that Haki. However, the chapter ends on
a panel of Scopic Gabban lying on the
branch with his left arm cut off. And I
guess it's implied that Emu did this in
their clash. probably didn't happen
accidentally because of the fall, but
it's a really odd and kind of jarring
way to stage this. To me, it actually
feels like we're missing a page of Emu,
you know, actually slicing the arm off.
I get the implication. They did a clash.
Scopa Gabban did some axe moves. Emu did
a sword move, and that sword move
probably cut off one of Gabban's arms.
But the way Oda portrayed it just
doesn't doesn't feel quite smooth, if
that makes sense. But Scopa Gabban
perhaps unsurprisingly has lost his left
arm because that is always the arm that
Oda chooses to remove. Whether your name
is Shanks or it's Kiku, maybe Hawkins or
Eustus Kid, whatever your name is, you
are all having your left arms removed.
And a commenter on this channel did once
pose the theory that Odin does this for
the sake of continuity because he has so
many characters that he lops arms off.
What he has to do is always choose the
left arm so he doesn't accidentally draw
the wrong arm missing on whatever
character it is. Makes it easier to
remember than going, "Oh, Shanks missing
left arm, Eustace Kid missing right arm,
Hawkins left, Kiku right, etc." However,
Gabban losing his left arm does mean
that it could be permanent according to
this trend. As when characters lose
their right arms like Trafalgalore and
Dress Rosa, they tend to be reattached
with no issue, which could also happen
because Chopper, he is always available
and he managed to put Ger's fingers back
pretty quickly. So, this isn't
necessarily a permanent loss for Gabban.
However, that entirely depends on his
survival right here and now. Scopagaban
is now alone in the underworld with emu
and I am feeling less confident about
his survival at the moment. In One
Piece, old men who have lived long
fulfilling lives tend to be the most
vulnerable class of characters outside
of flashback mothers. And we could be
gearing up for another Whitebeard and/or
Vega Punk moment where an old legend
passes and mate, just imagine if you
were Luffy in that position. this dude
basically dies because you decided that
you wanted to be a genie instead of
fighting seriously against the god of
the world. That would certainly be a
moment. But as always with this manga
series, death isn't a topic one can
propose lightly, no matter how likely it
looks. And until the very moment that it
happens, I am going to say that Gaban's
survival is much more likely. And there
is a point in this chapter where Luffy
is commanding his own body to heal
itself. Almost as if he's willing that
healing into existence using his
imagination with Gear Fifth so Scopa
Gabban could be saved by a strangely
healed Luffy. But regardless, I want you
to let me know what you thought about
this chapter in the comments below.