Video summary
The video features a candid conversation between Mike Veber and Beach Head Mike, reflecting on fifteen years of their podcast, *What's on Joe Mind*, and the evolving landscape of the G.I. Joe fandom. They discuss the transition from an audio-only format to live YouTube streams, a shift necessitated by the pandemic and the need for more timely news coverage beyond just Hasbro announcements. The hosts emphasize that while they pride themselves on their chaotic energy and ability to banter, they also strive to be inclusive and avoid acting as gatekeepers who dismiss other valid interpretations of the brand. They acknowledge that maintaining G.I. Joe's presence in the public consciousness is a shared responsibility, though they believe more could be done to engage younger generations through animation rather than relying solely on live-action films or rehashing content for older collectors.
A significant portion of the discussion revolves around the future direction of the franchise and the inevitable disagreements between fans regarding creative choices. Mike expresses strong personal preferences, such as his dislike for the gritty tone of 1990s comics and poor CGI in recent movies like *Snake Eyes*, yet he advocates for tolerance toward differing tastes. He argues that creators have their own artistic visions and that fans should not demand every element align perfectly with their memories or ideals. The conversation highlights the challenge of balancing the expectations of long-time enthusiasts with the need to attract new audiences, suggesting that a property with hundreds of characters cannot satisfy everyone simultaneously without sacrificing its unique identity.
The dialogue also delves into the personal history and chemistry behind the show's cast, particularly focusing on Mark Weber's integration into the team. The hosts recount how Mark joined not through formal recruitment but by chance during Joe Con 2018, where his shared inside jokes and understanding of their specific brand of humor immediately made him a natural fit. This organic connection underscores the importance of "vibe" and community over professional credentials in their group dynamic. They celebrate the legacy of the show's various contributors, including past hosts and super subs like Phil Donnelly, while jokingly acknowledging their own tendency to be disruptive "villains" who often derail serious discussions with tangents about toys, wrestling, or random trivia.
Ultimately, the video concludes with a reflection on what true fandom means: it is about connecting with like-minded enthusiasts who enjoy discussing niche topics together, regardless of whether those topics are taken seriously by the mainstream. The hosts admit that their show is often a meandering journey down obscure streets known only to them, filled with laughter and occasional chaos rather than rigid structure. Despite the frustrations of dealing with corporate decisions or unfulfilling product releases, they remain inspired by the community aspect of collecting and discussing G.I. Joe. As they wrap up, they thank their listeners for sticking around through fifteen years of evolution, reinforcing that the show's success lies in its ability to foster a welcoming space where fans can share their passion without judgment.
Read the full video transcript
Does that answer all the questions?
>> Sure, it sounds good to me. You know,
I'm going to be creatively editing this
to so to make you say anything that I
want you to say.
Elevator Jesus.
Yes, he's what's making this elevator
ascend.
If you could
have the news scoop on my demise,
that, you know, that's content. That's
good TV. That's good TV. And you I
guarantee 30% bump for that episode.
Everyone can hear my my crap in the
trunk rattling around.
We all have a bit of crap in the trunk
rattling around, especially at this age.
Mhm. Too true. Too true.
I heard a story of a German family
visiting the United States and they
decided to take a little drive around
Death Valley, um
you know, for pictures and whatnot. And
they got lost and were never seen again.
Um
I don't know what makes me think of that
story.
You know,
just be ready to hit that upload button
just in case. Yeah.
Maybe I should be live right now.
It's a little desolate, I have to say.
We are we are a bit in the sticks. We
are not really in Indianapolis right
now.
>> You have a show that is
well, it's
it's informative.
You cover the news topics.
You you you know, you keep
you keep on top of things.
I just hit start and I say stupid
things.
It's actually better without
preparation. Cuz I never I I'm as
surprised as anybody else at what I
might say. That that's half of what we
do. It's um
With with the combination of of Mark and
Rob and myself, we have found that some
structure is necessary to get us out in
less than 4 hours.
They're a
live
We all question your sanity, though.
>> Yeah. Um
by the end of it, so was I. Um
the
like I can talk I can say stupid stuff
uh for a long time, but 12 like
really by hour 10 I'm I'm out of stupid
stuff to say. By hour 10? Yeah. Uh
which you know, I pride myself on being
able to just really keep the stupid
stuff going, but um there's just only so
much. That that's true. And um
you're kind of you know, from a show
standpoint, you're kind of a one-man
gang.
But you were doing other stuff. You had
family activities. You had
you had cameos galore and and so you you
you you got through it. I do a running
gag like that thing where I was always
about to open the classified Gung Ho,
but I'd always run out of time.
Uh it's really it's it's really stupid,
but um it does take a little bit of
thought because I did open it a couple
of times. And so I'd have to get a new
one and put it up there and see if
anybody noticed that uh Gung Ho was
back. So I don't know if that counts as
show prep.
I if it's the you know, classified Gung
Ho from
the box, it's best left unopened.
That that one is Yeah. That the the the
retro one. Yeah. That Yeah. The retro
one.
>> like the retro one. Yeah. The Yeah. It's
It was really nice and I hope I get to
open it sometime.
>> If the cardstock and the glue on those
is consistent with the other ones, it's
already opened itself. [clears throat]
Oh, that's that's nice. It opens itself.
Oh, that's You know what?
>> That's um
it's that's a feature, not a bug.
Yeah, correct.
It's like when your tiny accessories
come pre-loved. Yeah. Yeah. It's
automated.
So you can see all all of our imported
culture. Yes. All of your your your J.C.
Penney's. That's a big DSW shoes. Oh,
yeah. Oh, yeah.
Going to be lots of shoes in there.
Probably have a great variety.
Wonder if they've got anything on sale.
I don't want to punt poke fun at
Indianapolis. There's nothing
bad about Indianapolis.
You have the Colts.
They they they
won a Super Bowl a while back.
A few years ago, decade or so. Thank
you, Saint Peyton. Yeah.
Um
and you have the speedway
um where people drive really fast.
>> Right. It's all over now. Yeah.
Um The greatest spectacle in racing.
And uh yeah, that's
that's more than a lot of places have.
Let's let's give Indianapolis some
credit for that. Right. Right. We may
only have the national consciousness
one weekend a year, but that's a lot
better than a lot of places do.
I've been to some of those places. Yeah.
They're really boring. Going to go up
here and do some donuts? Oh, sweet. No.
Is it Wait, is this the Back to the
Future mall?
It isn't. It isn't. That's that's in
California. Yeah, you can't you can't do
donuts in a Kia Soul.
I like the I like the Kids Empire
right across from the Victoria Secret.
That That is classy. That's some classy
stuff right there.
Welcome to Plainfield.
These toys, is that where we're going?
It is. All right.
This is a cute tiny. Oh, and fortunately
they're open. They're open.
All right.
Some power of the force.
And some wrestling.
There's a Donatello.
Audrey likes Donatello.
A couple
Mobats. Check that out.
Now, let's see what do they have the
battery cover? No battery cover.
Battery cover. No battery cover. But,
still
Mobats.
Fine for display.
And they they're
the earlier version with the without the
holes in the treads.
If that's important to you.
Naugahyde.
It's Forest Ghost Baroness.
One of one of my old favorites.
Yeah.
The Cobra Rattler, but
where's the rest of it? Well, that's it.
Yeah, that's the whole thing.
Oh. Oh.
I don't know.
I knocked over
an Xbox. This is the
the construction set.
Ninja speed cycle.
Did you ever put together any of the
construction sets?
Like the knockoff Lego that they did for
a little while. Um
They're not the best.
>> [laughter]
>> I uh I did an assembly
um on I think the Hiss Tank.
Um it it doesn't stay together well. It
would be fine if it stayed together. I
have literally everything here.
Some of them
multiple.
Um at least the vintage stuff.
I uh
You know what I You know who I think I'm
missing? Beachhead.
I don't think I I think I I don't think
I have a Beachhead. It got stolen. Yeah.
I don't know. Maybe someday.
Someday I'll find a
Beachhead with a crotch or a Beachhead
and a crotch, and I'll put them
together.
Nobody's selling that on its own.
Yeah, but think about it.
You you you
your beachhead breaks a crotch,
you just keep the crotch, sell the
beachhead,
and then just accumulate crotches until
nobody can find them, and then you make
a killing.
Spider-Man bust up there,
larger than an actual human head, and
then this R2-D2 thing over here, larger
than the actual R2-D2.
And that gives me the idea of uh I
should only collect scales that are
larger than the actual real-life item.
Does that thing tripod? It does. But uh
and on the tripod I can't do this. You,
sir, state your name and purpose. I
don't have a purpose. No. You're you're
you're more you're more or less in
frame. It's fine. It's You know, this
[snorts]
this is art right here. Oh oh this is
great. Yeah, frame me with the with the
lamp there. Oh, that's that's very
artistic. Yeah, I like Oh, yeah. That's
perfect. 24/7. That's so Anyone watching
who uh wants the QR code, you know,
there it is. Grab it right real quick.
>> What's on Joe Mind is the first uh GI
Joe related podcast that I found. Um and
I first heard about it in 2014
at Joe Con in Dallas, Texas. After that,
I went back and I listened to every
episode cuz it was audio only at that
time.
>> Right. Uh first uh few episodes were um
uh they were a little rough. The audio
There was a lot of um
breathing picked up by the microphone.
Uh but um
Good old Zeppelin lungs got so Yeah. Um
but uh yeah, it was it was um
uh it was a different cast different
different lineup than you have now. You
came in um
a little bit later. How How far in uh
did you start
with What's on Joe Mind? Uh
at the beginning
um
I mean, technically, I was not on the
first couple of shows, but my first show
was the third episode.
>> Okay, yeah. I was I was the original
Phil Donnelly. I was the super sub. I I
My My work schedule when they were first
getting going
was such that
I wasn't available all the time.
And and so, but I could be available
occasionally if they gave me enough
notice. And so, that was the role I
played through the first
6 months.
Uh By the time I found the show, I mean,
you were a fixture on it. So, um I guess
like um
You think
>> it was episode 39 was my first
full-timer. I think I think that was I
think that's the number. The The
historians will correct it. Yeah,
you know what? The internet never
forgets, and the comment sections always
get it right. So, someone in the comment
section will give the the correct
information about that in case you've
misremembered. The original hosts, they
have gone to other things, but you are
still chugging along with with your
brother Rob and with
Mike Veber, who I I mispronounce his
name on purpose because I think it's
funny. I'm the only one that thinks
that's funny.
>> I I you know, I'm just going to let you
have your thing.
>> Yeah, thank you. I appreciate that. Just
let me live. Let me live my own life. Uh
but yeah, with
>> And it is Mark Veber, by the way. How
many years has it been?
Uh
come this Arbor Day, it'll be 15 years.
>> 15 years. What's on Joe Mind is is kind
of part of the the history of the brand
itself. I remember
uh you guys had some of the first like
interviews with Larry Hama that I
remember hearing when I started coming
back into
collecting. You guys had
John Chu on
after the premiere of GI Joe
Retaliation.
That we did. That you actually have I
think a treasure trove of
of
discoveries and that you've done over
the years and things that you've given
to posterity.
How does that make you feel?
I'm proud of it, right? We I think we've
we've certainly
shared a wealth of knowledge over the
years.
You bring up the the John Chu bit and
that was that is one of the all-time
stories in crash
booking.
We were recording
anyway. We were doing our our our
Retaliation special as you were. So
there were more of us around than
normal.
Because it was our regular cast and and
Craig
who used to come in and and occasionally
help us out. He's from Australia, Craig
Moore.
Was was around that day and
Justin was just while while we were
talking Justin was was farting around on
Twitter and sent something at John Chu
and he responded.
And so Justin immediately slid into
those DMs
and uh
>> [laughter]
>> And worked. It worked out. Yeah, I got
an hour. Yeah. Okay. Since then you have
moved to a live format
on YouTube and you've been doing that
for a while now. How long's that been
going on? It was we've kind of made that
transition during the pandemic.
Things got bad and obviously there
wasn't anything going on in stores.
And there there wasn't a whole lot of
news and and and so we we didn't want to
just
evaporate, you know, we just didn't want
to go away.
Um
and so um we decided and and at the time
the the host of the show was myself and
Joe Colton
and Carson Mataxis.
Um
we made the the decision that well, you
know,
what we hear a lot is that folks like to
listen to us
prattle and banter and
and so we can we can do that on live
stream and um
uh Joe Colton was really the the driving
force behind that. She really
she she took the reins on that one. You
wouldn't be seeing us if it wasn't for
her. I would still be probably dripping
along
uh doing audio stuff. I like it because
it it it helps us do news in a more
timely fashion.
Uh we used to put out shows every maybe
once a month.
Uh once every maybe 3 weeks and and it
was um
it was fine for the time because
um
like Hasbro was the only thing making
news on a consistent basis. So if you
could stay on top of what Hasbro was
doing,
great. As we got into this this current
decade, all of that started to change.
And so doing having
not just discussion points but but
actual news items coming from different
from different avenues has certainly
helped that format. You've broken a
couple news items before. The week and a
half. Have you uh Can you name your
sources? Uh I cannot. I I cannot name my
sources. I I I am still There are people
that I'm still in contact with. Well,
well, I tried. You've um had
I don't want to say every
uh creator involved with G.I. Joe on the
show at one point or another, but a hell
of a lot of them. Uh We've we've had a
good number of them. It's something that
I I wish I had
the opportunity to do more of still.
Um
cuz I see like what the guys at Talking
Joe are doing.
Um and I you have you you want to see a
a good interview show with comic
professionals. Talking Joe is a great
show.
>> You've been really generous in having me
on a couple of times. I feel like I
should um apologize. Whenever I come on,
I just switch into that chaotic mode
that I do and um
uh uh I it's I'm I'm very disruptive. Uh
and you haven't kicked me off the show
yet. Well, no, you actually did kick me
off a little bit.
Uh I kicked Temporarily. Yeah,
temporarily. Um not that I blame you.
I I think I think sometimes folks come
on and they're they're kind of asking
for it. They'll
>> I got to see how far we can push it uh
before before you'll actually remove me
from the show. You got to go pretty far.
I was a fan. I was a fan of the show
long long before I
was invited on it and um it was
a bit surreal to be on the show. Maybe I
get too enthusiastic, but it's uh it's
still a bit of a trip uh
actually being on the show.
>> When we do live streams, we tend to be
in what I call the captain's chair.
Yeah. Um and so not being in the
captain's chair is liberating.
>> [laughter]
>> So, I get where you're coming from with
that. I like seriously, follow follow my
exploits when I'm on other programs
sometimes and it's it's this isn't the
guy that you get, right?
Um I'm kind of nuts. I'm I'm a little
obnoxious on some other folks' show.
Like the the poor the poor folks at uh
at uh Knowing Is Half the Podcast, poor
Ray.
I mean, there have been times when I
know I've just unloaded two barrels
at Ray and and
he he's he's a champ. He's in the
captain's chair. He just takes it cuz
that's what the captain has to do. Keep
having me back. So, it can't be that
bad. I'm okay playing the villain
>> Yeah. That's right. I have to I have to
wear the white hat too often when I'm in
on my own show. Yeah, it's And that's
not a natural role for me. Generally
speaking, I'm chaotic good, but I'm I'm
sarcastic about it. And so, it gives the
impression that maybe he leans a little
towards neutral. When we wound up when
we knew we were coming to a close on the
audio-only era
of What's on Joe Mind, we did an event
called Virtual Joe Con. And it was six
episodes in six days. That was when they
got posted. Like I did I obviously was
not editing them overnight and but like
we we did all the material and then I
basically in 2 weeks put together those
six shows.
And never again. Yeah, that's
>> I do not miss sitting there and audio
editing.
>> That's brutal. I'm going to ask an
unfair question. Um
If you if you had to describe your own
legacy, you Mike Your Azarian.
Um what do you think uh what do you
think
you people are going to think when they
uh look back on this
years later? Some some kid finds this
show, you know,
>> [snorts]
>> uh 20 years after you've done the last
episode. What uh
what do you think they're going to What
impression are they going to have? What
What's your legacy? Uh ultimately, the
the good part and the bad part of being
tied to one property like this
uh is that your fortunes go with that
one property.
Um so, I I I I I think you know, like
the how future historians will consider
What's on Joe Mind, I think is more
about the success of maintaining G.I.
Joe in the consciousness. I'll be
honest, it's not the thing that I feel
best about in the world cuz I think that
a lot more could be done
with G.I. Joe
for future generations as opposed to
selling it again and again and again and
again to people our age and
maybe a little younger. The like like
the the 40 and up crowd is is what is
the bread and butter for GI Joe and that
that needs to ship. Even even if you're
in the camp of toys aren't for kids
anymore.
There's still a whole generation of
folks that you're missing that you've
missed.
You know, um and and
I suppose the good part of Classified is
is that
for some reason that the kids today, the
20 to 40-year-olds, if you will,
uh they decided that once they were done
collecting 6-in
6-in Star Wars figures
that well, hey, GI Joes are 6-in now.
Let me get some of those.
That like that something that dumb has
resulted in the only lifeblood for
future generations for this property.
And not a whole lot is being done to
capitalize on that. Like there there
needs to be some kind of
other media presence besides I mean,
great the comic books are excellent.
Uh I think we're we're literally at a
high point for them, but comic books
don't have the
they don't pervade like they used to.
Some kind of of of television product,
some kind of streaming product is
necessary if this is going to reach,
you know, further. I understand the
allure of having a big budget movie
property.
You know, it it it's if if you're
successful there, there's just this big
lump of money that you can wave in front
of
your investors
and say, "Look what we did for you."
Um but I I think if you're if you're
looking at sustainability, I think GI
Joe is a property that is made for
animation.
So many characters and there are so many
directions and there's just enough of a
fantasy element to it. I think back to
you know, the the Snake Eyes movie from
a couple years ago. Like one of my big
hang-ups on that movie specifically
where I I kind of check out on that
movie.
Giant snakes
in the temple, right? And you're using
kind of this dopey cheesy CGI. It didn't
look good. For as much as parts of that
movie strained
credulity
uh that one just kind of it finally
broke focus. Like I was I was out of the
movie and I had to get reset again. I
don't think that happens if [snorts]
that's happening in an animated show. If
it's drawn the same way as the rest of
it, then okay. Sure, it's not the way
I'd have gone with it. But it it's it's
not
it's not breaking
the reality that I've established. Is
there a form of live-action that do you
think might
have some appeal? They've tried several
times now, so
we know what they've tried and what
hasn't worked.
>> It could because obviously it's very
action-oriented.
Uh and again, you have a lot of
characters to pick from. Where it keeps
hitting snags, there's a certain core
set of characters that you just want to
have the the the that they'll want to
use every time. Yeah. And
if you're going to do
a a a franchise with it, then you're
going to want to use the same actors in
those roles again. And again, all of
this I'm not criticizing this. This
makes sense. But I think in in order to
do it right, if you're going to put the
effort that each one of those movies
needs, it just needs to be more
episodic.
Like you're not necessarily making a new
reality for every movie, but if the same
guy's not playing Cobra Commander, it
should be fine. And we should all be
okay with it because
on the other side of that coin, your
most vocal fans, the folks that that
you're counting on to do your free PR,
are going to be incredibly upset by
We've both
had a lot of contacts, contact with the
community, with the the fandom,
with
with fans of
all of the different iterations of G.I.
Joe, and everybody seems to have their
idea of what
what must be done. Um, it's
a lot of times though that I the ideas
that they have are coincidentally the
things that they would like to see the
most. Uh, which drive they may enjoy but
might not necessarily be the most
successful thing to do if you're wanting
to reach a newer audience. How do you
approach
uh,
disagreements about the direction of uh,
of the the future, the future of the
brand? Yeah, well, I mean, it's okay to
not like stuff. And
but I think we all need to be better
about
remembering that as we try to
line
uh,
G.I. Joe up with whatever G.I. Joe is in
our hazy memories, we didn't like
everything then either.
Um, I I, you know, for for as much as I
love the old Sunbow cartoon, there were
about a third of the episodes I remember
even as a kid being like,
"Ah, that one was kind of a clinker."
Um,
and and it's okay. Like, those are
allowed to happen and you can still love
it anyway. You don't have to everything
about
this property doesn't have to line up
with with your personal taste. Keep in
mind, the people who are creating it
have their own personal taste, and
that's what they're that's what they
want to see. And they're fortunate
enough to be able to to do it. We just
have to allow that
you know, some of it just isn't going to
work for us.
It's a it's it's like I I before, it's a
property with hundreds of characters.
They're not all going to strike every
note. If you like If you like your GI
Joe grim and gritty like '90s comics,
that doesn't appeal to me at all.
I have I have no need to see GI Joe
become that because I hated the '90s
comics. [laughter]
Absolutely hated. I was a Silver Age
kid, man. When I I I I started reading
comics, I was 3 years old, literally.
It's how my brother taught me to read.
It was with comic books, specifically
Justice League of America in the late
'70s and early '80s.
I mean, some just some of the the
greatest comic books DC Comics ever
published. And they were bright, and
they were colorful, and sure, some heavy
[ __ ] happened, but it wasn't always just
this gloom and doom, and everybody
wasn't always just standing around
glowering. They They tried to have
character, you know, well-rounded
characters, and they tried to, you know,
occasionally these heroes would
understand it's kind of fun being able
to fly and lift a lot of heavy [ __ ] And
and that just that that sense of fun
just kind of get drained out of comic
books in the '90s. So, I hate '90s
comics. I I remember '90s comics. I I
that era
where
um a comic book was a bunch of pages of
uh guys striking poses.
Um and it's very So many pouches and so
few feet.
>> Yeah. But, I think we just all need to
be a little bit more forgiving of the
parts that don't apply to us. I would
say like
we need to
allow people to have their preferences,
allow people to not like the same
things. It's not uh it is not a slight
on your personal taste if somebody
doesn't like the same thing. Also, like
let people like things. Like
it is okay to like something that
somebody else doesn't. Uh that's that's
not a crime.
Um and I do see like
there is
some attempt to enforce
personal preference as you know
objectively better Right.
>> than something else that somebody
may like. And if somebody else likes it,
they must have some weird ulterior
motive or there there's something wrong
in their brain or or are you getting
paid by Hasbro? Are is Hasbro giving you
money
to say that you like this thing that I
say is objectively bad.
>> Right. Right.
We
any
I know that we're pretty accommodating
all of it, right? And that's something
that's the tone we try to strike on the
show.
Uh you asked about legacy and I think
that ultimately will to briefly come
back to that. I think ultimately that's
what it is. I I think that
you know, at the end of the run when
when we're done, I hope that people
think that
uh we were pretty inclusive uh we were
you know, whatever your GI Joe was. We
didn't take our position of influence
and
and uh prestige if you will. Um
And and mind you that that's not that
that's a that's a semi
semi-sarcastically used term right
there.
But um
to to bestow our golden touch on what we
thought thought was the best and to
poopoo on everything else. Um cuz they
all have the good points. Say say they
roll out a a
they get two seasons on a out of a
streaming show
>> [clears throat]
>> and there's 50 episodes.
I mean honestly, if you if you really
like 30 of them, they did a great job.
If you and you just kind of like the
others and maybe there's two of them
that you're just sitting there going
then they did they were that that is a
fantastic job on their part and you're a
huge fan of that show whether you like
it or not.
Unless they kill off your absolute
favorite character.
And uh
occasionally that happens.
Sorry Sorry to Duke fans at the end of
that IDW run, but you know, you kind of
that kind of happened to Duke. What
keeps you inspired
uh at times when maybe maybe even today,
maybe even now the whatever product they
have coming out uh isn't it itself
inspiring you. What keeps you inspired
uh to stay interested in this thing that
you've been following now for so many
years?
>> Well, I I think ultimately when when
there wasn't a lot of news to follow,
um
what kept us doing it was that we we
knew we were going to be able to to chat
with like-minded dorks.
And um
I I say that term with all affection. I
That is not a That is not an insult.
Uh because we we have to recognize that
we are we are adults chasing down
this children's property and and
treating it like we're related to it.
And that's fine. That's what fandom is.
But um
uh you know,
it it
That's really was the allure
from the very beginning was was was that
people out there were were listening and
and they wanted to join [clears throat]
in.
And it's it's fun to be at the front of
those discussions. It's fun to just be
in those discussions.
Um sometimes it's it's fun just to have
something
coming out of a speaker that you just do
not agree with whatsoever because you're
just going to "How CAN THEY FORGET ABOUT
AMBUSH?" If you watch our program, if if
you're tuned in to us on on a regular
basis,
uh it's usually 2 hours. It's sometimes
a little more.
And it we we don't necessarily stay on
topic all the time. Like I again, my
brother is one of the show hosts right
now.
This is somebody who I've known for
literally five decades and sometimes we
just roll down
a street that
he and I are the only ones that know
where it is. And if you're along for the
ride, fine. And if not,
fine. Um
you know, some sometimes you know, like
like
Mark Weber is a guy who
he's not on our show because he used to
be the head of the brand at Hasbro.
That I mean, does that help? Sure. It it
gives him some bonafides.
But
to to give you a story, to give you Mark
Weber's origin story with with what's on
Joe mind.
We knew Mark from when
uh
he would be a Joe Con. He was working
with Hasbro during the the 50th
anniversary.
Uh and he he and Daryl would would would
talk to us. Like we just we just got
along then. And so
2018 rolls around. It's the last Joe
Con.
Uh
Mark Weber is released from his duties
at Hasbro.
Uh decides that I'm going to go to Joe
Joe Con as as a fan.
Great. Um and he puts out on his
Facebook
an APB.
You know, hey, I'm looking to get to to
to Joe Con and does anybody have a spot
in the con hotel?
Literally the same day, my younger
brother, who was scheduled to go to to
Joe Con with Rob and I,
uh had canceled. It opened up a spot in
our room.
And so
it it turned into, you know, Weber as
the third stooge. Whatever obscure
reference to David Letterman show Weber
would catch. Whatever whatever weird
Saturday Night Live sketch that only Rob
and I had jokes about, Webber understood
those jokes. So,
like he was in the club at that point.
Like he it was like, "Oh my god." He We
didn't have a spot on the show at that
particular moment, but it was like
immediately he was on the guest list
list.
You know, just like, "Oh yeah, we If
somebody misses a show, I know who I'm
calling." Mark is
>> [snorts]
>> again, his his Hasbro
time and and his GI Joe expertise not
with standing,
do do it's a vibe, man. He He's part of
He's part of our our tribe. Uh and
that's why he's a host on the show
because, you know, we we know
we know he's on
on whatever weird path we're going to
take it down.
Was it Does that answer all the
questions? I don't
>> Sure, it sounds good to me. You know,
I'm going to be creatively uh editing
this to so to make you say anything that
I want you to say. I think you've given
me enough uh to work with here. Well,
thanks uh Mike uh and thanks uh you
know, it's nice to see you again and I I
hope to see you in the not too distant
future. Right. You need to You need to
not hide in Oklahoma. I
I It is like hiding there. We only
recently got electricity. We don't know
how it works.
>> I I Sure. And I I do want to uh take a
moment to give uh we're we're
celebrating 15 years, of course.
Um give a quick shout to to Gary and
Justin and Greg and Chuck
and who am I Carson and Joe Colton and
and even Phil,
who who is not never been full-time, but
is is, you know, he's our our super sub.
To all the folks who've been a part of
it for 15 years, uh we have some uh
uh some fans who've been since episode
one,
um
which is crazy to me to to think about,
frankly. Uh I wasn't even listening in
episode one.
So,
you know, again, we appreciate all of
you.
And of course to to uh to Mark and Rob.
I'll see you uh on the TV screen on
Tuesday
and
sometime thereafter we'll meet again.
Better drive safe.
You're not the boss of me. All right.
>> [music]
>> Okay.
I'm kind of nuts because what did I do?
I'm a big momentum killer.
>> [music]
>> I'm the villain because what did I do?
Well, I hate children's property. I'm
kind of nuts.
Okay. I'm a big momentum killer [music]
because what [singing] did I do? Kill
off your absolute favorite character.
I'm kind of nuts.
Okay. I'm proud of it.
I'm the villain [music] because what did
I do? Kill off Gary and Justin and Greg
and Chuck.
Things got bad. I've just
>> [music]
>> unloaded two barrels.
I'll be honest, it's not the thing that
I feel best about the world.
Okay. I'm kind of nuts.