Video summary
The event commemorates the Fourth Saturday of August as First African Landing Day, marking the anniversary of 1619 when enslaved Africans first arrived in Point Comfort, Virginia. The central theme for this year's gathering is "Press On," a call to action that emphasizes the necessity of continuing the struggle for civil rights and democracy even as historical progress faces new challenges. Speakers highlight that while the infrastructure built during the Civil Rights Movement is currently being dismantled, the story of Black resilience does not end with slavery, Reconstruction, or recent tragedies like the death of George Floyd. Instead, the community is urged to view themselves as architects of a new America, tasked with rebuilding a multiracial democracy and ensuring that future generations have access to true history and educators who reflect the global majority.
A significant portion of the event focused on the complex journey of racial identity and self-perception through poetry performed by Kia Ray Henry, a biracial Black woman from Vermont. Her performance explored the deep-seated internal conflicts faced by individuals with mixed heritage, particularly regarding the pressure to conform to specific definitions of Blackness and the pain of feeling like an imposter within their own communities. She addressed how systemic racism and white supremacy have shaped educational curricula and social interactions, often erasing the resilience of Black people while fostering self-doubt among those who do not fit a monolithic image. Through her verses, she acknowledged her own struggles with privilege and identity but ultimately celebrated her growth, affirming that she is now what no one was before her and offering hope to others who feel misplaced or unheard.
The cultural celebration continued with a vibrant musical performance by the group 8 to VT, which blends traditional African styles with Western pop and dance to create a unique Afro-pop sound. This act served as a joyful reminder of the rich heritage brought by the ancestors who landed in Virginia over four hundred years ago, bridging the gap between African traditions and their current home in Vermont. Following the music, Reverend Mark Hughes and organizers engaged with attendees, reinforcing the message that this day is about learning, healing, and growing together. The event also highlighted the importance of community building across different generations, skin colors, and backgrounds, inviting everyone to participate in conversations that foster understanding and unity. Ultimately, the gathering concluded with a strong invitation for all present to stay engaged, learn something new, and continue pressing forward in the ongoing work of justice and reconciliation.
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When you go home,
>> when you go home, take a then listen to
the message.
>> Let's hug it out. Now,
>> you'll be like,
>> "Yeah, how are you?
>> I love the shirt. I love
Indian."
>> But the t-shirt is gone.
>> Yes, ma'am.
How much are the shirts?
>> Donations.
>> Yeah.
>> That's That's extra large.
>> Okay. Got to go to one of the stands and
get me
I think I'm extra extra large.
>> Oh, okay. Well, we don't have those.
These are all the sizes, all the
t-shirts.
>> I thought I would beautifully designed.
>> Mhm. I was considering maybe ming up for
um the commemoration with this.
>> What?
>> Where you going? If you don't have a SD
card in here, in there.
>> I don't know. That's what I wanted you
to figure out.
>> Oh, what I was just what I was just
talking about was the possibility of
>> just taking that up to the
>> taking that up to the sound guy up there
and ming up.
is because there's not a lot of
microsources because the other thing
that this doesn't have is a wind filter.
So when there's wind
>> Yeah. You know what? You're probably
right.
>> That's the best way to navigate those.
>> All right.
Forget about that.
>> The handheld mic, the other one was for
just this booth right here. We were
going to hook it up directly to that
>> and just do some interviews came
through.
>> Okay. Um and somehow I was trying to
figure out how to get
>> that. Yeah. See, the laptop is here.
>> Um I have a laptop here.
>> The media laptop.
>> Okay.
It's not It's not down. If you want to
go up again, you can. It's in the
office.
>> You're But you're [music] see right now,
right?
>> I I have two laptops back here.
>> Hey, Kirsten. How are
>> you?
I'll be If you don't see me a little
later, I'll be having it before 3.
Good
>> to see you.
Come on.
We'll talk more about this later. But
what we know today is is that because of
civil rights, watch this. We f to pivot.
Hold on. BECAUSE OF CIVIL RIGHTS, THAT
made democracy possible.
Come on, somebody.
>> So, SO REALLY WHAT WE'RE TALKING ABOUT
IS that same thing in Genesis, because
this is the tradition of my faith is is
in Genesis 50:20.
When Joseph LOOKED AT HIS BROTHERS AND
SAID, "THAT thing that you meant harm
for me,"
>> God used it for good.
>> Yeah.
>> God used it for good.
>> So, what we know is is that this
This is uh 407 years after the arrival
of Africans on Point Comfort
and at a moment when the civil rights
infrastructure that's built out built
out in the struggle built out in the
struggle against slavery, the struggle
against racial apartheid is being
systematically dismantled. Black Verers
are calling on the state to meet the
nation uh the state and the nation to
meet this this challenge right now. So
So what we're doing here today is so
important and this is the only thing and
then I'm going to be done. I'm going to
come back and tell you more. The only
thing that I want anybody here to get
out of this is try to learn something
today.
>> Try to learn something [applause] today.
try to learn something today because the
story a lot of times we become so
incredibly impatient uh that we we don't
have time for the rest of the story. The
story doesn't end at slavery. The story
does not end at reconstruction. The
story does not end at the backlash of
reconstruction. The story does not end
at a period of a hundred years of
lynching and old Jim Crow South. The
story does not end uh at during the
civil rights movement. The story uh does
not end during the demise of the rights
that we fought for, nor does it end with
George Floyd, a public lynching that
occurred in front of everybody during
lockdown. The story does not end as the
federal government upends everything
that we fought for with the blood of
folks across Edund Pettis Bridge. The
story doesn't end because we march on.
Because everybody here, we are ALL
ARCHITECTS OF A NEW AMERICA.
SO,
I'll come back and give you a little bit
more on the commemoration, but the
again, the most important thing that you
can do while you're here today is to
>> learn
>> learn something.
>> Yeah.
>> Say it to me.
>> The most important thing that you can do
while you're here today is
>> learn.
>> And this is the one thing that I'm going
to leave with you and then I'm going to
get out of here. And that is this day
occurs every single year on the fourth
Saturday of August. This is the eighth
year that we've done it. Ask yourself
why you didn't know that.
>> That is your definition of systemic
racism.
>> And think about everything else that's
scheduled and that's happening currently
that's going on today around us.
Did they know?
>> Did Maybe they did. Maybe they didn't.
The point is is now you got an invite.
Put it on your calendar. Stay tuned.
I'll be around.
>> All right. Make some noise for Reverend
Mark Hughes. Thank you. Thank you for
those important words. I just wanted to
make sure I made some more shout outs.
Uh we have the League of Women Voters
here. Also to my right waving at you who
are here supporting the Vermont
Secretary of State who could not be
here. To my left we have the root social
justice center that is being represented
by our sister Cheyenne from I am Vermont
2. Important work that she does to make
sure that we are historicizing
and having documented conversations
from folks who are impacted and are part
of our community. We also have Vermont
Developmental Disabilities Council also
to my left waving at you.
And we also have seniors working
together for our climate and democracy
also to my left waving at you. So again,
we just want to make you aware of the
folks who are in the room and are part
of these conversations and are part of
our community so that you can continue
to build community and the relationships
that will foster the kind of vision we
want moving forward.
>> The next person I'd like to bring up is
a poet. She is an educator,
multid-disciplinary artist, and someone
who every time she speaks has the kind
of gravitas that makes the room pause
and take heed. Please make some noise
for Kia Ray Henry.
>> I've seen you before. I saw you pull up.
>> Oh, yeah.
>> Jarvis.
>> Jarvis. I'm David. David,
>> I've seen you at the camp center. I've
seen you at the camp center. Good to see
you, man.
I hope you're all having
good
bless.
>> I am here to share two poems with you
and I was told to guide everyone to the
registration.
>> I am an educator and an artist
>> as a natural natural result of being
those two things. I am also an activist.
Um I am a biracial black woman. I was
born and raised in Montilia, Vermont.
Um, I'm gonna perform in a second. I
just wanted to give you some context for
this first poem.
Um, and for a very long time, I
struggled with my own racial identity.
Um, my first poem was written over six
years ago. And it was written because I
decided at midnight that I wanted to go
out for a walk to the gas station to get
a pint of ice cream. and I thought I was
being followed by a police cruiser. Um,
and I wrote this poem about it and then
I performed it again and again and then
I started secondguessing that
experience. Um, and even just that in in
itself is a whole can of worms we don't
have time to get into. Um, but this this
poem is the result of reflecting and
dissecting and analyzing
um and thinking about what it really
means to be a biracial black woman in
this state. um and what my role is. Um,
>> and you know, a key element of
persisting is committing ourselves to
lifelong learning and making sure that
our youth have access to true history
and to um to history and to educators
that reflect the global majority and um
in ways and for them to be able to learn
how others before them have persisted
and thrived. because it's hard to
persist when you haven't been shown
examples.
>> So, all that to be said, this first poem
is called uh a poem uh Black Teachers
Matter, a poem to check my own
privilege.
>> And like I said, this is written six
years ago. I've done a little bit of
learning and unlearning since then. Um
but the central message of it, I
believe, is the same.
Part one.
>> Black kids need black role models to
follow and discuss.
>> Who we're shown we must be is unjust.
Our image is scarred and encrusted in
mistrust.
God forbid we adjust our stance since we
probably have a weapon to thrust.
We're mocked for making a fuss, but
we're slaughtered and surplus. Forgive
me if I cuss, but you won't let us
breathe.
>> And thus, kids need to see themselves
accurately reflected in us.
>> They need to make connections of joy and
success and know that we don't have to
be oppressed or take things in.
Yes, we've progressed, but we still live
our lives in a state of constant
distress,
>> still detested, arrested for
non-aggression, and forced into
confession.
But every time I address this, I
silently question, am I on a
self-righteous mission to change
perception by being the exception?
More importantly, is my complexion even
black enough to be part of an accurate
reflection?
>> The protection the protection of white
misdirection in the curriculum section
occurs with the selection of school
teachers with features akin to the
textbook reach. who can accurately
recite the right speech and teach an
array of nationally approved attitudes.
All the while only alluding to what they
call racial feud.
Conveniently excluding all the times we
were inhumanely pursued, repeatedly
screwed and viciously devalued.
We get represented with hard sorry with
hardly any mention of our resilience and
fortitude. We get represented as having
lesser aptitude, bigger attitude,
defiantly rude or in need just grateful
to have been freed from servitude. How
are you?
>> I'm good. How you doing?
>> But who will teach us if no one was
taught?
>> Part two.
>> I didn't grow up with people of color
around. No one brown to look up to and
admire.
>> A white choir and I was always out of
tune.
>> The situation was so dire. It's it's not
profound. I thought my dad was every six
foot bald black man I found.
>> "Oh no, honey, that's not your father,"
was my mother's response when I'd
inquire.
But what bothers me most is what
transpired the first time I was in a
room with only black people gathered.
>> I was lthered in love and grace. I was a
teen embraced in my family space. We
danced and I could keep up the pace.
Yet not enough to erase the feeling of
being misplaced. Not not having a sense
of belonging to their space.
I felt as though I had slathered on
blackface, quietly snuck into the place
and tried to pretend I was the same
race.
>> My self-doubt was built by teachers who
preached to my peers with an with a
subconscious fear. Their well-meaning
donation to the black narration to the
creation of the black narration is
seated in their need to feel freed from
ancestral guilt. And now that spilled
into their professions and adapted the
lessons, quilting my education in their
quest for to fulfill a personal
reparation
and steer their conscious into the clear
without awaiting our direction or truly
hearing our pleas
wondering if life is a fever dream. Can
you not hear our screams?
>> And we demand too much when we ask for
equality.
You see, I was 13 and they failed to
interfere.
>> We're too cavalier and frankly
insincere.
>> When Lacy braced me against a locker
down the hall and shocker, she called me
a dirty [ __ ]
Part three.
>> Does my pale non-male privilege present
a softer edge against which to compare?
My darker sisters and brothers aren't
safe anywhere from the stairs, the
glares, the hateful adrenaline, and
fatal blue bullets polluting the air.
>> I was pushed into a locker one time,
>> but with a furrowed brow, Ben & Jerry's,
and a bottle of wine at 12:09, are the
cops really inclined to transform me
into a chalk line?
>> Or am I fine, just assigning myself a
trauma that isn't actually mine?
Why am I up here?
>> Who decided I was qualified to talk
about this?
>> I can't begin to tell you how
uncomfortable I feel every time I read
these lines. My insides are really the
only way towards healing is through
acknowledgement, ownership, and dealing.
>> These are freaks.
>> And I remind myself that no matter how
uncomfortable I'm feeling,
>> it's nothing compared to the pops.
And immediately I feel like an impostor,
obnoxiously bathing in my light-skinned
privilege, wondering if like my voice is
too whiny and white as I stand here in
the spotlight without my while
communities are outright paged to make
room for the white image, [laughter]
demoting genocide, and scrimmage,
canceling lineages. Who am I to think
I'm black enough? Sure, I've had it kind
of tough, but I've never felt
handcuffed, never been handled rough or
accused of falsehood or bluff.
>> One look at me and the color of my hand.
Will they know it's only a fault?
>> Life in Vermont is all I've ever known,
and I'm still prone to throw stones in
my own home.
See, I've done things that I don't
condone,
but
>> but the seeds are still sewn by the pale
tone of everyone's face.
>> Do I worry too much about race?
>> Do I have valuable insight? Do I even
belong in this fight?
>> Is my skin dark enough to be a part of
this space? How can I ever learn to
embrace my sense of self I've misplaced?
And how can I stand here if that's the
case and complain with my blackish face
that racism isn't as bad for me? A
pale-faced wannabe. These doubts of
identity and self are deeply rooted in
the foundation of who I am.
Part four.
And each time they arise, I am reminded
of myself.
>> See, I never saw myself on the shelf of
possibility.
I am now what I never had then.
>> And when I look into the mirror, I say
again and again.
>> I am not perfection.
But I have affection for my complexion.
I can now be a reflection for other lost
girls who hated their curls. with the
skin the color of lattes and button
noses with freckles and complicated hair
regimens. Who hear again and again,
"Lol, I'm darker than you." from their
white friends who truly did mean well in
the end. Who talk like super white but
still can't pretend to blend or fit the
trends. who can't sing or dance or ball.
And for as long as they can recall,
their names have been relentlessly
mispronounced when when roll call is
rung every damn fall.
>> Take your order.
>> Who don't know that being black can be
fun.
>> Who hold bitter rust from the brine of
biting their tongue.
Who have only begun to exist and be
young.
This cycle is of the self-preservation
kind.
>> It dines on the demolished dreams of our
suppressed minds.
So any success I experience is expressed
as anxiety,
an impulse to stop and think about the
robberous of fraud and validity
constructed from impostors syndrome and
reinforced by societal rigid rigidity.
I see now in my students features I
never saw in my teachers.
>> So, I'mma give myself a round of
applause
>> because I am now what no one was.
>> Thank you. [applause]
[applause]
>> Thank you. So, that was obviously about
a lot of self-doubt in my identity. Um
there's always a lot of learning and
unlearning as I said so some of those
lines don't really even resonate with me
anymore but it resonated with me at a
point and so that felt important to
share
>> this next poem and my last poem is
shorter. It's a much different vibe.
Uh this is my absolute favorite poem.
I invite you to either take a soft
downward gaze at the ground or find a
beautiful view. There's so much gorgeous
greenery around us. There's a blue sky
above us.
>> Or you can close your eyes or you can
look at me
and this is called I hope your flowers
bloom.
From all of me to each of you,
>> I hope this poem lifts your mood.
>> As deep and true as the oceans blue, I
hope you find and put down roots.
>> I hope your leaves reach up and open
wide,
welcoming the light as love rains down
from brilliant fire.
I hope you feel supported
>> by the dirt beneath your toes.
>> Sturdy, secure, and nurtured. I hope
your soul forever grows.
>> I hope the wind bends you kindly,
>> softly swaying with the moon.
>> To the tune of gentle bird, be at
midnight or high noon.
I hope you reap the fruits your lovely
grew
>> fully formed and ripened to the most
vibrant tender hues.
I hope you know you're radiant.
Your glow brightens this very room
and your colors make me happy in a state
of gray and gloom.
If not now, I hope you get to shine real
soon
because seeds sewn and nurtured spread
leaves and spread out roots.
The light that's within me honors the
light that's within you.
>> And I hope your wildest flowers always
dare to bloom.
>> Thank you.
One more time for Kia Ray Henry. Y'all
give it up.
>> Thank you.
Um,
as we get ready for this next act, I
just want to cue you to the fact that
Empress Levi Soul Food will be
nourishing our bodies today. You can
find that tent located pretty centrally
next to the hearth. I think that's how
that word is pronounced.
>> I think that's
>> Yeah. Is that close somewhat? Okay. You
know, it's not it's not my first
language. So, I was born in Ghana, so
this thing is
>> although people like to remind me that I
did get my masters in English, so I
should not be able to use that excuse.
Okay, this next act is a locally based
group, but what they are is Vermont
based, but they are a hip-hop an
Afroopop group that is formed from
musicians from various African
traditions and nations, merging
traditional African styles with western
pop and dance.
>> The group whose name stands for Africa
to Vermont performs in multiple
languages and has been an active part of
the New England music scene for a
decade. So, as we get ready to bring
them on, I would love I would love for
you to give a warm welcome to 8 to VT.
Make some noise for 8 to VT.
>> I promise you're going to love it.
>> That's closest I think we have it, but
not
I think we need real systemic change.
>> Yeah.
>> And nobody really advocates for that.
>> Okay. You got a phone? You got your
phone with you?
>> Um, my phone's in the car. Get it.
>> Okay. When you come back, you can scan
this. We can have a talk.
>> I just overheard that you are say that
you got a candidate.
>> A candidate for governor.
>> June. Good.
>> So, June, this is also going to be a bit
of a interview kind of spot throughout
the day. Um, so if you feel like sharing
or being a part of any type of
conversation, feel free to just like
check around here every once in a while.
Um, if you'd like to add your thoughts
about the space and then talk about what
you what you
>> Yes. So, feel free to just like, you
know, mos around and if you want to just
drop on and leave a word by
>> Okay, great.
>> Yeah, I got here late because a couple
hours and your presence is right on
time.
So yeah, feel free to check out things
and when you feel like dropping off a
word, you'll see if no one's already
starting doing that, you can feel free
to do the same thing,
>> right?
>> Great. Thank you.
>> That's my voice.
>> Yeah. Check them out. Check them out.
>> We all Yeah. Yeah. Yeah. Yeah. Yeah.
>> I don't really care [music] what you go,
what you do, but you don't really care
what it do. Go give it
baby. Can you give me dance? Can you
give me
[music]
give it to me now?
She can do things.
If if she want to do, we can do it my
way. If she want to go, we can hit the
highway. [music] The way she walk. Got
to say that she rock the world. Want to
make a move. She already know. She's the
only one I want. Girl, the [music] way
you talk, what you talking the [singing]
way she want. She walking the way she
dance. What she dancing the way she
want?
[music]
>> Amazing. This girl
love
>> I don't really care what [music] you do.
What do go crazy
[music] baby?
[music]
When you see
When you see me
put your body close to me
right now.
[music]
>> [music]
>> Don't really care what [music] you do.
What I do, what I go
for, my lady. Everything I do [music]
for a lady want to come down. Bring it
down. Bring it deep.
Love me cuz I got the flow. Love those
girls. So come the party.
Love those girls. Come [music] to party.
One for the money, two for the show.
Clap your hands up if you get big. One
for the [music] money, two for the show.
Clap your hands if you get big. One for
the money. For the money, do it for the
show. For the show. Time to get ready.
Here we go.
[music]
>> How you guys doing?
>> I don't really care what you don't care
what I do. [music]
Go.
>> Let's get it.
>> Yeah, I hear you. Just relax.
>> I'm doing good.
>> How we doing now?
>> Uh,
>> huh?
>> No, I got to be at the police.
>> This is a [music] one time only.
>> Check it out on YouTube. Hey,
>> one [music] time only. All you girls
want to come to me.
>> One time, one time,
>> one time only. Yeah. [music] Yeah. You
girls will fall in love with me. One
time only. All you girls want to come to
me.
>> One time, one time.
>> One time only. [music]
Yeah. Yeah. You girls will fall in love.
Any time she's feeling kind of lonely
and she calls my phone that me. She's a
type. She will never leave me. And she
makes my bed keep rocking. I let her do
anything she want to do. Every time that
she come around me, I guess they know
that I'm [music] giving that love. And
she don't want to see you again. Only
one chance that I'm giving her. And if
she acting funny, then I'mma [music]
leave her. I guess they know that. I
guess they know that. I guess they know
that. She know that. One time only. Are
you going to come to me? [music]
>> One time. One time.
>> One time only. Yeah. Yeah. You going to
fall in love, baby. [music] One time
only. Or you going to come to me.
>> One time, one time,
>> one time only. Yeah. Yeah. You going to
fall in love? Any time I leave the home
alone, [music] she waiting for me to
check in. When I come back, she hits me
like she miss me. I guess they know that
she is my girl. I'm a real [music]
understand girl of me. Don't worry about
it. Just another one. [music]
Only one go. That's all I'm looking for.
My heart is still going. You're my girl.
I don't want to use you. My love is
still going. [music]
You're my girl. I don't want to lose
you. One time only. Are you going to
come to me? One time only. Yeah. Yeah.
You going to fall in love with me. One
time only. Are you [music] going to come
to me?
>> One time only. Yeah. Yeah. [music] You
going to fall in love?
Take your time slow.
[music]
Come on. One time only. Are you going to
come to me? One time. One time only.
[music] Yeah. Yeah. You going to fall in
love?
One time only. Are you going to come to
me?
>> One time. One time. [music]
>> One time only. Yeah. Yeah. You going
[singing] to fall in love, baby. One
time only. [music]
Are you going to come to me? One time.
>> One time only. [music] Yeah. Yeah. You
going to fall in love, baby?
doing a damn thing. I'mma [music] set
this up so it's um going straight to his
um his
connection.
>> I know you don't either.
Okay. Okay.
>> Okay. Okay.
>> I may need this your help.
>> This I'm a soul survivor. [music]
>> She know. If you don't know now, you
will know.
>> I want you sing along with me.
>> Yes. Yes. I'm a soul survivor. [music]
I'm a soul survivor. Yes. Yes. Yes. I'm
a soul survivor
[music]
surviv.
[music]
>> I'm just a young man coming from the
street. Looking for a way to get out of
this. Sounds so hot. My time's in the
way. I got to find a key to help me
break [music] free.
I'm trying to be me. I can say come to
us. [music]
I got to go get it.
>> Okay.
Okay. Come on. Come on. Come on. Come
on. I'm a soul survivor. [music]
I'm a soul surviv.
[music]
I'm a soul surviv.
[music]
Yes. I'm [singing] a soul survival.
Everywhere I go and the people love me
with me survival can [music] survival
and clear.
>> I'm not the only one you see us
everywhere but I see one feeling. Yeah.
Yesterday was a dark day [music]
and the light is so far away and nobody
got to hold you down and try to make the
morning for you and me and the freeh.
I'm so
everywhere I go and the people
I'm survival [music]
everywhere I go
to the front street close to the
But now
[music]
for the right to be free
but dream
not to be no one. Don't feel like I see
no gun. All [music]
real.
>> We're here for a reason.
>> Yeah.
>> Yeah. Look.
>> Beautiful. Just beautiful.
>> I think it's shrinking.
>> Yeah. Must be the shirt. It's the shirt.
>> What size do you have?
>> It's shrinking, JEFFY. DON'T WORRY ABOUT
IT. IT'S just shrinking.
>> It's all right.
>> I'm going up a level.
>> Okay.
>> How's the wife? How's the wife?
>> There's bushes back here.
>> A lot of pain.
>> I thought you were just going to be home
today.
You got there's a lot of people to keep
in mind here.
>> I mean,
>> you having you in the room makes a
difference, though, man. I'm serious.
Having you in the room makes a huge
difference.
>> Thank you. I'm I'm so glad to be working
with you.
>> I'm so glad to be working with you.
[applause]
>> I have her number. I can call.
>> Yeah. Just can you call her, please?
>> Yeah.
>> That's That's that Irish part of it.
>> I'm sorry. Did I mess up your table?
Okay.
>> Talk to Go ahead. talk to him
>> and he know I will
>> go ahead. Do your thing. No, I could fix
it.
>> I didn't do that, right?
>> Yeah, that's okay. That's okay.
>> That's mine.
>> Yeah. Okay, that's okay.
>> But if you can sell it.
>> No, that's okay. By donation, I'm just
trying to keep
>> Is there Can we Can we zoom in on that
at all?
>> Um remember, um Chuck got you
on that. I don't want to make Oh, you
mean talk about right here.
>> So, that's your That's you already
answered.
>> So, whenever you're ready, But we're
picking up on them too as well when we
>> in the back. Well, the microphone right
there is going to be this area wherever.
And then
>> is that one on?
>> Yeah. All you got to do is switch it on
and then it'll be connected to directly
in so you can just start talking.
>> Sit yourself. Seat yourself. Put
yourself in the center.
And then I'll clean it up around.
[music]
Yeah, check it out.
>> It's Reverend Mark Hughes. I've got some
head headphones if if you want to.
>> Yeah, I can see this. I can see the
signal. Yeah, but I can check it, too.
>> It's in one of these bags.
It's Reverend Mark Hughes. I'm the
executive director of the Vermont Racial
Justice Alliance, and we are at First
African Landing Day 2026.
It's called press on. Press on. Having
done all we can do uh to stand uh during
this time, uh what we want to do is we
want to continue to press. Uh so we've
got a lot of stuff going on out here
today. I'm going to be uh coming at you
from time to time periodically during
the afternoon. Currently, right now, you
hear in the background, A2VT is on the
stage. Uh they're ripping it up. Uh
we're we're we've got a I think Jeff is
going to be in the house later on. What
an amazing uh group they are. But let's
not forget what we're here for. What we
know and understand is this is all about
the legacy of slavery. This is all about
the legacy of slavery. What we're
looking at here is is just knowing and
understand the story of 1619. We want
you to know and understand the story of
1619 because that was when we first got
here. We want you to know and understand
that were it not for the legacy of
slavery that civil rights would have
never been necessary. They would have
never been necessary. But what we know
is when we achieve civil rights, as
flawed as they were, as flawed as they
were, the civil rights that we were able
to achieve, what we know is is that
there has never been a time in history
where black folks [music] have perceived
civil rights in and of themselves. So we
brought along the disabilities
community. We were able to bring along
the LGBTQIA community, folks who are,
you know, the aging community and more
and more and more. We know that right
now that civil rights at the national
level have have been completely upended.
But right now, what we're doing together
is we're continue to build this
multigenerational and this multi-racial
uh democracy. What we're doing right now
is we're moving towards a more perfect
union. So what we're doing is we're
reconstructors. We are we are um we are
authors. We are founders today and we
are architects. So that's what we're
here to do. We're here to learn. Uh
we're here to heal. We're here to grow.
So welcome. Welcome. First African
landing day. We're we're going to be
coming back to you here uh with more and
more and more. First African landing day
2026. Press on. Press on. Come on y'all.
Press on.
>> We'll be back.
>> All right. So he doesn't have an offer.
There you go. Right there. Look, that's
recording, man.
>> Nobody seen.
>> Good thing I didn't cuss.
>> Yeah, it's a good thing I didn't cuss.
>> Even if you did, you can scrub it later.
>> It's a good thing she didn't cuss.
>> So, you good thing I didn't get on this
one's nerve.
>> So, this So, this is this is hot.
>> Yeah. So, you can just like curve it
right there. Um, the goal is that
whenever somebody's coming, you just
have them sit down and then do a quick,
>> you know, flight convo.
Okay. So, I can I can like sit here.
>> Yeah. Yeah.
>> You can have another chair.
>> Yeah. Right here.
Like if it's me.
>> Yeah. Come on. Up and down.
>> Isn't that This place isn't
>> this
>> um the bridge between is not yet.
He's going to get us right now.
>> Yeah, right now. See, right here.
>> You're going to be a part of a
conversation, too. Come on over here.
Bring your chair back over here.
>> I got you.
>> Grab a shirt.
>> Yes.
>> I got you.
>> That's the largest.
>> Yeah.
>> Chris, say $37 though. I got forgot to
tell you, man. [laughter]
>> Yeah.
>> For you though, I'm going to give you a
discount.
>> Oh, thank you so much.
>> I'm I'm just going to say we'll pay you
to take it.
>> All right. Well, thank you so much. I
appreciate it. Enjoy.
>> Okay.
>> I think Yeah, I think we get him.
>> Oh, he got a heart out.
>> See,
>> let me let me interview y'all. Okay.
>> Yeah,
>> I'm going to interview y'all.
>> Charlie, how many how many minutes you
got? [music]
>> I don't think we have much.
>> Three minutes. Three four minutes.
You don't need to look into the You
don't need to look into the camera. Just
look right over his right shoulder. Or
else look at me. Don't look in the
camera.
>> Hey, welcome. Welcome. Welcome. We are
here at First African Landing Day. This
is the eighth year in a row we've been
doing this. This is uh today it is press
on. The the um the theme of today is
press on. Uh we are we're here. We're
we're talking about, you know, what is
it what does it mean to press on and I
just want to talk a little bit to y'all
because I want to hear from our people.
Um so so definitely um I know both of
you guys have been at these events
before. What does it mean to you and why
are we here? Uh Winnie.
>> Yeah, my name is Winnie Wilkinson, host
of Hey Neighborh and a resident of
Tiplin County. I am here today because I
am an immigrant. I am a product of
slavery. I am a product of what it is to
go through the process to get to
progress. And in order for us to get to
progress, we must come together at
events like this, have teachable moments
and have that interaction with each
other. Different generation, different
skin color, tall, skinny, whatever. We
must come together as [music] human
beings to make this event the event to
be at every year.
>> I'm so glad you're here with us and
thank you. Thank you so much. You've
been behind this table the entire time.
>> It's so you Roy. You been been back here
and I know I saw you bounce over into
the barn and I saw you all over the
ground. What does this mean to you? I
know you've been around for a while too
and you've been to a few of these
[music] events. What does it mean to
you?
>> Just the social connection. It's good to
see all of us here. different family
backgrounds, different diasporic
regions. It's good to see us just whole
space together and have conversations,
check in with each other and volunteer.
It's a big shout out to all the
volunteers that come out from the kids
center to [music] uh to those who are
helping, you know, keep us hydrated. A
lot of different faces out here this
year and I'm glad to to be a part of it.
>> Yeah, we're we're glad you're here, too.
1619. There's a there's a theme that
runs through this this event. Ever since
the beginning that we started this in in
2019, it's always been about 1619. We've
always brought the 1619 traveling
exhibit. Winnie, I know you're very
familiar with it because I've seen you
spend a lot of time in the Richard Kim
Center on it. What does it mean to you
and how does that connect to what we're
doing here today?
>> I have teachable moments because I was
not aware that there were slaves that
landed in Virginia. I was always taught
because I was born under the British
flag. I was taught about New York in
North Carolina and South Carolina and
Mississippi. I was taught about
Virginia. So that was teachable moments
to me and so I start researching and
realizing wow wow it was amazing. And
when I did the research about an old
land,
>> it is also closely related to the Ivory
Coast modern day Ghana.
>> That's true.
>> And it's closely related to Togo. And
then the names in my family because we
were our ances we were our slave
master's um name. Sanskil dump bandis
>> is all is all through that same slave
trade.
>> I really appreciate you. I really
appreciate both of you coming. We're
going to have to call it more after now.
Thank you so much for supporting being
here. Your presence, it means everything
to us this year. You've heard it here.
Uh this is uh first African landing day
2026. Press on. Press on.
>> Yes.
So this is Charles. Feel free to keep
>> Okay, this is his check in. So he can
plug in and and get his
>> So feel free to do the same thing here.
You can just like that's going to be
going on this side.
>> Yeah.
>> And um yeah, just be if nobody's here.
Somebody's here anytime. If you want to
do it and do a little talk about that
too, you can.
>> Yeah, of course.
Keep everythingity
served on the board of directors.
Yeah, that's Matthew.
>> That's Matt.
>> Matt,
he goes to the congregation church next
people.
>> Hey, what's up?
>> I need to hug y'all
>> and get t-shirts.
I've been meeting,
>> right?
>> Sure. I mean, all right. Sure. Let's
>> get Let's go. You know what? Anxiety.
You know what's crazy?
>> Anxiety and excitement are two sides of
the same coin.
>> Two sides of the same coin. You're
>> not going to use this.
>> What's up?
>> Hi.
>> What's good?
>> What's up?
>> How you doing? Put your blanket down and
just go ahead and like
>> Yeah.
And just what
>> you know it's like you got the grass.
>> Y'all good. Are y'all hungry?
>> Look at that line. Look how slow.
>> Straight up. I'm gonna introduce I'll be
back.
>> Welcome, welcome, welcome. This is
Reverend Mark Hughes. This is First
African Landing Day. We're here and we
got our guest here with us. And and
what's your name, sir?
>> I'm Julian.
>> Julian. Pleasure. Good. We're glad to
hear you. So, this is First African
Landing Day. Have you Have you ever been
to this event before? What do you think
about it?
>> I actually have not been to this Oh,
thank you. Sorry. My fault. Sorry about
that. Oh, yeah. I can have my So, yeah.
Yeah. Yeah. So, um, no, I've never been
to this event before. Um, I was invited
here by Tank and I'm glad I I'm glad I
know this is a thing now. And uh yeah,
my my friend Tank who's helping out, he
invited me here and to help out. And I
I'm the well the wellness guy and I
really appreciate the fact the
opportunity to be part of this. And I
really appreciate the fact that like
everyone is gathering here and just you
know honestly for me like the for even
when I'm just doing this part of it the
wellness I think human nature in general
is like people need to look after each
other and for a long time I think that
especially right now in a country that's
struggling especially with like
isolation and being like separated. I I
think that it's really important that
everybody recognize everybody else, you
know, and it's really important to like
to see like for me it's like seeing past
like everything. It's like looking into
the soul and seeing people for who they
are. And I really love I really love the
for me it's the opportunity. I do a lot
of meditation. I do a lot of um like
mindfulness practice. And look, I'm not
perfect. No one is like I I struggle
with a lot of um like like ADHD and
mental conditions, you'll say. And but
for me it's like I always love helping
people. The reason like Tank put me on
and like I've had a really good
connection with him is because like I
there was a without getting into details
um situation I ended up kind of being
inadvertently a part of that I helped
out when it was a dangerous situation. I
was security without being security. And
uh anyways, yeah, I just I just really
not to ramble on, but I really really
appreciate being here. And it feels good
ultimately to be part of something
that's bigger than myself.
>> Something bigger than yourself.
>> Yeah.
>> I want to thank you for coming out.
Thank you for stopping by. You are
always welcome at First African Landing
Day. It is the fourth Saturday of every
every August and you can look forward to
it and we'll plan we'll reach out to you
in advance. We'll plan it together
because we want you to be a part of the
planning phases of this. We want you to
be deeply integrated in what it is that
we're doing because you matter. You're
important. You You're part of the
family.
>> Thank you so much. Thanks again.
Awesome. Thank you.
>> All right. Thank you so much.
>> You're welcome. That's it, folks.
>> All right. I appreciate it.
>> You're welcome. You're welcome.